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Commercial Feature: Onyx Weightlifting - “Every Rep”

“Iain and I decided from the beginning to shoot this on film. It was a relatively scrappy project otherwise, so we didn’t have a ton of tools or fancy ways to move the camera. We had to tweak some of our original ideas because our options were a tripod, handheld, or a dana dolly. One technical thing we did use was a time shift box to streak the film in a few places, like going from competition injury to the doctor’s office. We also used strobes and filters to create the ending flash montage. We wanted to create a few fragmented and impressionist moments that tried to visualize the feeling of exhaustion and dissociation that comes in the middle of training and otherwise traumatic moments.” - Alex Cook, director

Director:@w.a.cook
DP:@iaintrimble
Editor:@edward_editss
Colorist:@sgllng

Production Designer:@taylor.venegas
1st AC:@ryansax
2nd AC:@miloclaytonkim
VFX Artist:Nick Chamberlain
Film Scanner:@thom_kuo
Composer:@soundslikegiosue
Sound Mixer:@jeremyjeremy
Production Coordinator:@zopressey
Producer:@nuertaqa
Executive Producer:Michael Sagol & Salim El Arja

Starring:@sunny_richesson & @brentedwardmckay

Production Company:@caviar.tv & @radiancepictures
Post House:@cosmostreeteditorial
Color House:@_baconx_

Commercial Feature: Onyx Weightlifting - “Every Rep”

“Iain and I decided from the beginning to shoot this on film. It was a relatively scrappy project otherwise, so we didn’t have a ton of tools or fancy ways to move the camera. We had to tweak some of our original ideas because our options were a tripod, handheld, or a dana dolly. One technical thing we did use was a time shift box to streak the film in a few places, like going from competition injury to the doctor’s office. We also used strobes and filters to create the ending flash montage. We wanted to create a few fragmented and impressionist moments that tried to visualize the feeling of exhaustion and dissociation that comes in the middle of training and otherwise traumatic moments.” - Alex Cook, director

Director:@w.a.cook
DP:@iaintrimble
Editor:@edward_editss
Colorist:@sgllng

Production Designer:@taylor.venegas
1st AC:@ryansax
2nd AC:@miloclaytonkim
VFX Artist:Nick Chamberlain
Film Scanner:@thom_kuo
Composer:@soundslikegiosue
Sound Mixer:@jeremyjeremy
Production Coordinator:@zopressey
Producer:@nuertaqa
Executive Producer:Michael Sagol & Salim El Arja

Starring:@sunny_richesson & @brentedwardmckay

Production Company:@caviar.tv & @radiancepictures
Post House:@cosmostreeteditorial
Color House:@_baconx_

Commercial Feature: Onyx Weightlifting - “Every Rep”

“Iain and I decided from the beginning to shoot this on film. It was a relatively scrappy project otherwise, so we didn’t have a ton of tools or fancy ways to move the camera. We had to tweak some of our original ideas because our options were a tripod, handheld, or a dana dolly. One technical thing we did use was a time shift box to streak the film in a few places, like going from competition injury to the doctor’s office. We also used strobes and filters to create the ending flash montage. We wanted to create a few fragmented and impressionist moments that tried to visualize the feeling of exhaustion and dissociation that comes in the middle of training and otherwise traumatic moments.” - Alex Cook, director

Director:@w.a.cook
DP:@iaintrimble
Editor:@edward_editss
Colorist:@sgllng

Production Designer:@taylor.venegas
1st AC:@ryansax
2nd AC:@miloclaytonkim
VFX Artist:Nick Chamberlain
Film Scanner:@thom_kuo
Composer:@soundslikegiosue
Sound Mixer:@jeremyjeremy
Production Coordinator:@zopressey
Producer:@nuertaqa
Executive Producer:Michael Sagol & Salim El Arja

Starring:@sunny_richesson & @brentedwardmckay

Production Company:@caviar.tv & @radiancepictures
Post House:@cosmostreeteditorial
Color House:@_baconx_

Commercial Feature: Onyx Weightlifting - “Every Rep”

“Iain and I decided from the beginning to shoot this on film. It was a relatively scrappy project otherwise, so we didn’t have a ton of tools or fancy ways to move the camera. We had to tweak some of our original ideas because our options were a tripod, handheld, or a dana dolly. One technical thing we did use was a time shift box to streak the film in a few places, like going from competition injury to the doctor’s office. We also used strobes and filters to create the ending flash montage. We wanted to create a few fragmented and impressionist moments that tried to visualize the feeling of exhaustion and dissociation that comes in the middle of training and otherwise traumatic moments.” - Alex Cook, director

Director:@w.a.cook
DP:@iaintrimble
Editor:@edward_editss
Colorist:@sgllng

Production Designer:@taylor.venegas
1st AC:@ryansax
2nd AC:@miloclaytonkim
VFX Artist:Nick Chamberlain
Film Scanner:@thom_kuo
Composer:@soundslikegiosue
Sound Mixer:@jeremyjeremy
Production Coordinator:@zopressey
Producer:@nuertaqa
Executive Producer:Michael Sagol & Salim El Arja

Starring:@sunny_richesson & @brentedwardmckay

Production Company:@caviar.tv & @radiancepictures
Post House:@cosmostreeteditorial
Color House:@_baconx_

Commercial Feature: Onyx Weightlifting - “Every Rep”

“Iain and I decided from the beginning to shoot this on film. It was a relatively scrappy project otherwise, so we didn’t have a ton of tools or fancy ways to move the camera. We had to tweak some of our original ideas because our options were a tripod, handheld, or a dana dolly. One technical thing we did use was a time shift box to streak the film in a few places, like going from competition injury to the doctor’s office. We also used strobes and filters to create the ending flash montage. We wanted to create a few fragmented and impressionist moments that tried to visualize the feeling of exhaustion and dissociation that comes in the middle of training and otherwise traumatic moments.” - Alex Cook, director

Director:@w.a.cook
DP:@iaintrimble
Editor:@edward_editss
Colorist:@sgllng

Production Designer:@taylor.venegas
1st AC:@ryansax
2nd AC:@miloclaytonkim
VFX Artist:Nick Chamberlain
Film Scanner:@thom_kuo
Composer:@soundslikegiosue
Sound Mixer:@jeremyjeremy
Production Coordinator:@zopressey
Producer:@nuertaqa
Executive Producer:Michael Sagol & Salim El Arja

Starring:@sunny_richesson & @brentedwardmckay

Production Company:@caviar.tv & @radiancepictures
Post House:@cosmostreeteditorial
Color House:@_baconx_

Commercial Feature: Onyx Weightlifting - “Every Rep”

“Iain and I decided from the beginning to shoot this on film. It was a relatively scrappy project otherwise, so we didn’t have a ton of tools or fancy ways to move the camera. We had to tweak some of our original ideas because our options were a tripod, handheld, or a dana dolly. One technical thing we did use was a time shift box to streak the film in a few places, like going from competition injury to the doctor’s office. We also used strobes and filters to create the ending flash montage. We wanted to create a few fragmented and impressionist moments that tried to visualize the feeling of exhaustion and dissociation that comes in the middle of training and otherwise traumatic moments.” - Alex Cook, director

Director:@w.a.cook
DP:@iaintrimble
Editor:@edward_editss
Colorist:@sgllng

Production Designer:@taylor.venegas
1st AC:@ryansax
2nd AC:@miloclaytonkim
VFX Artist:Nick Chamberlain
Film Scanner:@thom_kuo
Composer:@soundslikegiosue
Sound Mixer:@jeremyjeremy
Production Coordinator:@zopressey
Producer:@nuertaqa
Executive Producer:Michael Sagol & Salim El Arja

Starring:@sunny_richesson & @brentedwardmckay

Production Company:@caviar.tv & @radiancepictures
Post House:@cosmostreeteditorial
Color House:@_baconx_

Commercial Feature: Onyx Weightlifting - “Every Rep”

“Iain and I decided from the beginning to shoot this on film. It was a relatively scrappy project otherwise, so we didn’t have a ton of tools or fancy ways to move the camera. We had to tweak some of our original ideas because our options were a tripod, handheld, or a dana dolly. One technical thing we did use was a time shift box to streak the film in a few places, like going from competition injury to the doctor’s office. We also used strobes and filters to create the ending flash montage. We wanted to create a few fragmented and impressionist moments that tried to visualize the feeling of exhaustion and dissociation that comes in the middle of training and otherwise traumatic moments.” - Alex Cook, director

Director:@w.a.cook
DP:@iaintrimble
Editor:@edward_editss
Colorist:@sgllng

Production Designer:@taylor.venegas
1st AC:@ryansax
2nd AC:@miloclaytonkim
VFX Artist:Nick Chamberlain
Film Scanner:@thom_kuo
Composer:@soundslikegiosue
Sound Mixer:@jeremyjeremy
Production Coordinator:@zopressey
Producer:@nuertaqa
Executive Producer:Michael Sagol & Salim El Arja

Starring:@sunny_richesson & @brentedwardmckay

Production Company:@caviar.tv & @radiancepictures
Post House:@cosmostreeteditorial
Color House:@_baconx_

Commercial Feature: Onyx Weightlifting - “Every Rep”

“Iain and I decided from the beginning to shoot this on film. It was a relatively scrappy project otherwise, so we didn’t have a ton of tools or fancy ways to move the camera. We had to tweak some of our original ideas because our options were a tripod, handheld, or a dana dolly. One technical thing we did use was a time shift box to streak the film in a few places, like going from competition injury to the doctor’s office. We also used strobes and filters to create the ending flash montage. We wanted to create a few fragmented and impressionist moments that tried to visualize the feeling of exhaustion and dissociation that comes in the middle of training and otherwise traumatic moments.” - Alex Cook, director

Director:@w.a.cook
DP:@iaintrimble
Editor:@edward_editss
Colorist:@sgllng

Production Designer:@taylor.venegas
1st AC:@ryansax
2nd AC:@miloclaytonkim
VFX Artist:Nick Chamberlain
Film Scanner:@thom_kuo
Composer:@soundslikegiosue
Sound Mixer:@jeremyjeremy
Production Coordinator:@zopressey
Producer:@nuertaqa
Executive Producer:Michael Sagol & Salim El Arja

Starring:@sunny_richesson & @brentedwardmckay

Production Company:@caviar.tv & @radiancepictures
Post House:@cosmostreeteditorial
Color House:@_baconx_

Commercial Feature: Onyx Weightlifting - “Every Rep”

“Iain and I decided from the beginning to shoot this on film. It was a relatively scrappy project otherwise, so we didn’t have a ton of tools or fancy ways to move the camera. We had to tweak some of our original ideas because our options were a tripod, handheld, or a dana dolly. One technical thing we did use was a time shift box to streak the film in a few places, like going from competition injury to the doctor’s office. We also used strobes and filters to create the ending flash montage. We wanted to create a few fragmented and impressionist moments that tried to visualize the feeling of exhaustion and dissociation that comes in the middle of training and otherwise traumatic moments.” - Alex Cook, director

Director:@w.a.cook
DP:@iaintrimble
Editor:@edward_editss
Colorist:@sgllng

Production Designer:@taylor.venegas
1st AC:@ryansax
2nd AC:@miloclaytonkim
VFX Artist:Nick Chamberlain
Film Scanner:@thom_kuo
Composer:@soundslikegiosue
Sound Mixer:@jeremyjeremy
Production Coordinator:@zopressey
Producer:@nuertaqa
Executive Producer:Michael Sagol & Salim El Arja

Starring:@sunny_richesson & @brentedwardmckay

Production Company:@caviar.tv & @radiancepictures
Post House:@cosmostreeteditorial
Color House:@_baconx_

Commercial Feature: Onyx Weightlifting - “Every Rep”

“Iain and I decided from the beginning to shoot this on film. It was a relatively scrappy project otherwise, so we didn’t have a ton of tools or fancy ways to move the camera. We had to tweak some of our original ideas because our options were a tripod, handheld, or a dana dolly. One technical thing we did use was a time shift box to streak the film in a few places, like going from competition injury to the doctor’s office. We also used strobes and filters to create the ending flash montage. We wanted to create a few fragmented and impressionist moments that tried to visualize the feeling of exhaustion and dissociation that comes in the middle of training and otherwise traumatic moments.” - Alex Cook, director

Director:@w.a.cook
DP:@iaintrimble
Editor:@edward_editss
Colorist:@sgllng

Production Designer:@taylor.venegas
1st AC:@ryansax
2nd AC:@miloclaytonkim
VFX Artist:Nick Chamberlain
Film Scanner:@thom_kuo
Composer:@soundslikegiosue
Sound Mixer:@jeremyjeremy
Production Coordinator:@zopressey
Producer:@nuertaqa
Executive Producer:Michael Sagol & Salim El Arja

Starring:@sunny_richesson & @brentedwardmckay

Production Company:@caviar.tv & @radiancepictures
Post House:@cosmostreeteditorial
Color House:@_baconx_

Commercial Feature: Onyx Weightlifting - “Every Rep”

“Iain and I decided from the beginning to shoot this on film. It was a relatively scrappy project otherwise, so we didn’t have a ton of tools or fancy ways to move the camera. We had to tweak some of our original ideas because our options were a tripod, handheld, or a dana dolly. One technical thing we did use was a time shift box to streak the film in a few places, like going from competition injury to the doctor’s office. We also used strobes and filters to create the ending flash montage. We wanted to create a few fragmented and impressionist moments that tried to visualize the feeling of exhaustion and dissociation that comes in the middle of training and otherwise traumatic moments.” - Alex Cook, director

Director:@w.a.cook
DP:@iaintrimble
Editor:@edward_editss
Colorist:@sgllng

Production Designer:@taylor.venegas
1st AC:@ryansax
2nd AC:@miloclaytonkim
VFX Artist:Nick Chamberlain
Film Scanner:@thom_kuo
Composer:@soundslikegiosue
Sound Mixer:@jeremyjeremy
Production Coordinator:@zopressey
Producer:@nuertaqa
Executive Producer:Michael Sagol & Salim El Arja

Starring:@sunny_richesson & @brentedwardmckay

Production Company:@caviar.tv & @radiancepictures
Post House:@cosmostreeteditorial
Color House:@_baconx_

Commercial Feature: Onyx Weightlifting - “Every Rep”

“Iain and I decided from the beginning to shoot this on film. It was a relatively scrappy project otherwise, so we didn’t have a ton of tools or fancy ways to move the camera. We had to tweak some of our original ideas because our options were a tripod, handheld, or a dana dolly. One technical thing we did use was a time shift box to streak the film in a few places, like going from competition injury to the doctor’s office. We also used strobes and filters to create the ending flash montage. We wanted to create a few fragmented and impressionist moments that tried to visualize the feeling of exhaustion and dissociation that comes in the middle of training and otherwise traumatic moments.” - Alex Cook, director

Director:@w.a.cook
DP:@iaintrimble
Editor:@edward_editss
Colorist:@sgllng

Production Designer:@taylor.venegas
1st AC:@ryansax
2nd AC:@miloclaytonkim
VFX Artist:Nick Chamberlain
Film Scanner:@thom_kuo
Composer:@soundslikegiosue
Sound Mixer:@jeremyjeremy
Production Coordinator:@zopressey
Producer:@nuertaqa
Executive Producer:Michael Sagol & Salim El Arja

Starring:@sunny_richesson & @brentedwardmckay

Production Company:@caviar.tv & @radiancepictures
Post House:@cosmostreeteditorial
Color House:@_baconx_

Commercial Feature: Onyx Weightlifting - “Every Rep”

“Iain and I decided from the beginning to shoot this on film. It was a relatively scrappy project otherwise, so we didn’t have a ton of tools or fancy ways to move the camera. We had to tweak some of our original ideas because our options were a tripod, handheld, or a dana dolly. One technical thing we did use was a time shift box to streak the film in a few places, like going from competition injury to the doctor’s office. We also used strobes and filters to create the ending flash montage. We wanted to create a few fragmented and impressionist moments that tried to visualize the feeling of exhaustion and dissociation that comes in the middle of training and otherwise traumatic moments.” - Alex Cook, director

Director:@w.a.cook
DP:@iaintrimble
Editor:@edward_editss
Colorist:@sgllng

Production Designer:@taylor.venegas
1st AC:@ryansax
2nd AC:@miloclaytonkim
VFX Artist:Nick Chamberlain
Film Scanner:@thom_kuo
Composer:@soundslikegiosue
Sound Mixer:@jeremyjeremy
Production Coordinator:@zopressey
Producer:@nuertaqa
Executive Producer:Michael Sagol & Salim El Arja

Starring:@sunny_richesson & @brentedwardmckay

Production Company:@caviar.tv & @radiancepictures
Post House:@cosmostreeteditorial
Color House:@_baconx_

Commercial Feature: Onyx Weightlifting - “Every Rep”

“Iain and I decided from the beginning to shoot this on film. It was a relatively scrappy project otherwise, so we didn’t have a ton of tools or fancy ways to move the camera. We had to tweak some of our original ideas because our options were a tripod, handheld, or a dana dolly. One technical thing we did use was a time shift box to streak the film in a few places, like going from competition injury to the doctor’s office. We also used strobes and filters to create the ending flash montage. We wanted to create a few fragmented and impressionist moments that tried to visualize the feeling of exhaustion and dissociation that comes in the middle of training and otherwise traumatic moments.” - Alex Cook, director

Director:@w.a.cook
DP:@iaintrimble
Editor:@edward_editss
Colorist:@sgllng

Production Designer:@taylor.venegas
1st AC:@ryansax
2nd AC:@miloclaytonkim
VFX Artist:Nick Chamberlain
Film Scanner:@thom_kuo
Composer:@soundslikegiosue
Sound Mixer:@jeremyjeremy
Production Coordinator:@zopressey
Producer:@nuertaqa
Executive Producer:Michael Sagol & Salim El Arja

Starring:@sunny_richesson & @brentedwardmckay

Production Company:@caviar.tv & @radiancepictures
Post House:@cosmostreeteditorial
Color House:@_baconx_

Commercial Feature: Onyx Weightlifting - “Every Rep”

“Iain and I decided from the beginning to shoot this on film. It was a relatively scrappy project otherwise, so we didn’t have a ton of tools or fancy ways to move the camera. We had to tweak some of our original ideas because our options were a tripod, handheld, or a dana dolly. One technical thing we did use was a time shift box to streak the film in a few places, like going from competition injury to the doctor’s office. We also used strobes and filters to create the ending flash montage. We wanted to create a few fragmented and impressionist moments that tried to visualize the feeling of exhaustion and dissociation that comes in the middle of training and otherwise traumatic moments.” - Alex Cook, director

Director:@w.a.cook
DP:@iaintrimble
Editor:@edward_editss
Colorist:@sgllng

Production Designer:@taylor.venegas
1st AC:@ryansax
2nd AC:@miloclaytonkim
VFX Artist:Nick Chamberlain
Film Scanner:@thom_kuo
Composer:@soundslikegiosue
Sound Mixer:@jeremyjeremy
Production Coordinator:@zopressey
Producer:@nuertaqa
Executive Producer:Michael Sagol & Salim El Arja

Starring:@sunny_richesson & @brentedwardmckay

Production Company:@caviar.tv & @radiancepictures
Post House:@cosmostreeteditorial
Color House:@_baconx_

Commercial Feature: Onyx Weightlifting - “Every Rep”

“Iain and I decided from the beginning to shoot this on film. It was a relatively scrappy project otherwise, so we didn’t have a ton of tools or fancy ways to move the camera. We had to tweak some of our original ideas because our options were a tripod, handheld, or a dana dolly. One technical thing we did use was a time shift box to streak the film in a few places, like going from competition injury to the doctor’s office. We also used strobes and filters to create the ending flash montage. We wanted to create a few fragmented and impressionist moments that tried to visualize the feeling of exhaustion and dissociation that comes in the middle of training and otherwise traumatic moments.” - Alex Cook, director

Director:@w.a.cook
DP:@iaintrimble
Editor:@edward_editss
Colorist:@sgllng

Production Designer:@taylor.venegas
1st AC:@ryansax
2nd AC:@miloclaytonkim
VFX Artist:Nick Chamberlain
Film Scanner:@thom_kuo
Composer:@soundslikegiosue
Sound Mixer:@jeremyjeremy
Production Coordinator:@zopressey
Producer:@nuertaqa
Executive Producer:Michael Sagol & Salim El Arja

Starring:@sunny_richesson & @brentedwardmckay

Production Company:@caviar.tv & @radiancepictures
Post House:@cosmostreeteditorial
Color House:@_baconx_

Shot a little spot for @onyx_straps x @usa_weightlifting

💪🏼

“Every Rep”

Prod Co @caviar.tv
Prod Co @radiancepictures
EP - Michael Sagol and Salim El Arja
Producer - @nuertaqa
Prod Coor - @zopressey

Director @w.a.cook
Cinematographer @iaintrimble

Production Designer @taylor.venegas

1st AC - @ryansax
2nd AC - @miloclaytonkim
Digital Utility - @coryvetter

Gaffer - @zied_jendoubi_zj
Key Grip - @willgbergdp  
Sound - @yao_morendo

Edit - @edward_editss, @cosmostreeteditorial

VFX - Nick Chamberlain

Color @sgllng, @_baconx_

Composer - @soundslikegiosue
Mix - @jeremyjeremy

Camera - @standard.camera
Scanning - @thom_kuo

Featuring - @sunny_richesson, Rose Russom, @brentedwardmckay, @mrhuber

Shot a little spot for @onyx_straps x @usa_weightlifting

💪🏼

“Every Rep”

Prod Co @caviar.tv
Prod Co @radiancepictures
EP - Michael Sagol and Salim El Arja
Producer - @nuertaqa
Prod Coor - @zopressey

Director @w.a.cook
Cinematographer @iaintrimble

Production Designer @taylor.venegas

1st AC - @ryansax
2nd AC - @miloclaytonkim
Digital Utility - @coryvetter

Gaffer - @zied_jendoubi_zj
Key Grip - @willgbergdp  
Sound - @yao_morendo

Edit - @edward_editss, @cosmostreeteditorial

VFX - Nick Chamberlain

Color @sgllng, @_baconx_

Composer - @soundslikegiosue
Mix - @jeremyjeremy

Camera - @standard.camera
Scanning - @thom_kuo

Featuring - @sunny_richesson, Rose Russom, @brentedwardmckay, @mrhuber

Shot a little spot for @onyx_straps x @usa_weightlifting

💪🏼

“Every Rep”

Prod Co @caviar.tv
Prod Co @radiancepictures
EP - Michael Sagol and Salim El Arja
Producer - @nuertaqa
Prod Coor - @zopressey

Director @w.a.cook
Cinematographer @iaintrimble

Production Designer @taylor.venegas

1st AC - @ryansax
2nd AC - @miloclaytonkim
Digital Utility - @coryvetter

Gaffer - @zied_jendoubi_zj
Key Grip - @willgbergdp  
Sound - @yao_morendo

Edit - @edward_editss, @cosmostreeteditorial

VFX - Nick Chamberlain

Color @sgllng, @_baconx_

Composer - @soundslikegiosue
Mix - @jeremyjeremy

Camera - @standard.camera
Scanning - @thom_kuo

Featuring - @sunny_richesson, Rose Russom, @brentedwardmckay, @mrhuber

Shot a little spot for @onyx_straps x @usa_weightlifting

💪🏼

“Every Rep”

Prod Co @caviar.tv
Prod Co @radiancepictures
EP - Michael Sagol and Salim El Arja
Producer - @nuertaqa
Prod Coor - @zopressey

Director @w.a.cook
Cinematographer @iaintrimble

Production Designer @taylor.venegas

1st AC - @ryansax
2nd AC - @miloclaytonkim
Digital Utility - @coryvetter

Gaffer - @zied_jendoubi_zj
Key Grip - @willgbergdp  
Sound - @yao_morendo

Edit - @edward_editss, @cosmostreeteditorial

VFX - Nick Chamberlain

Color @sgllng, @_baconx_

Composer - @soundslikegiosue
Mix - @jeremyjeremy

Camera - @standard.camera
Scanning - @thom_kuo

Featuring - @sunny_richesson, Rose Russom, @brentedwardmckay, @mrhuber

Shot a little spot for @onyx_straps x @usa_weightlifting

💪🏼

“Every Rep”

Prod Co @caviar.tv
Prod Co @radiancepictures
EP - Michael Sagol and Salim El Arja
Producer - @nuertaqa
Prod Coor - @zopressey

Director @w.a.cook
Cinematographer @iaintrimble

Production Designer @taylor.venegas

1st AC - @ryansax
2nd AC - @miloclaytonkim
Digital Utility - @coryvetter

Gaffer - @zied_jendoubi_zj
Key Grip - @willgbergdp  
Sound - @yao_morendo

Edit - @edward_editss, @cosmostreeteditorial

VFX - Nick Chamberlain

Color @sgllng, @_baconx_

Composer - @soundslikegiosue
Mix - @jeremyjeremy

Camera - @standard.camera
Scanning - @thom_kuo

Featuring - @sunny_richesson, Rose Russom, @brentedwardmckay, @mrhuber

Shot a little spot for @onyx_straps x @usa_weightlifting

💪🏼

“Every Rep”

Prod Co @caviar.tv
Prod Co @radiancepictures
EP - Michael Sagol and Salim El Arja
Producer - @nuertaqa
Prod Coor - @zopressey

Director @w.a.cook
Cinematographer @iaintrimble

Production Designer @taylor.venegas

1st AC - @ryansax
2nd AC - @miloclaytonkim
Digital Utility - @coryvetter

Gaffer - @zied_jendoubi_zj
Key Grip - @willgbergdp  
Sound - @yao_morendo

Edit - @edward_editss, @cosmostreeteditorial

VFX - Nick Chamberlain

Color @sgllng, @_baconx_

Composer - @soundslikegiosue
Mix - @jeremyjeremy

Camera - @standard.camera
Scanning - @thom_kuo

Featuring - @sunny_richesson, Rose Russom, @brentedwardmckay, @mrhuber

Shot a little spot for @onyx_straps x @usa_weightlifting

💪🏼

“Every Rep”

Prod Co @caviar.tv
Prod Co @radiancepictures
EP - Michael Sagol and Salim El Arja
Producer - @nuertaqa
Prod Coor - @zopressey

Director @w.a.cook
Cinematographer @iaintrimble

Production Designer @taylor.venegas

1st AC - @ryansax
2nd AC - @miloclaytonkim
Digital Utility - @coryvetter

Gaffer - @zied_jendoubi_zj
Key Grip - @willgbergdp  
Sound - @yao_morendo

Edit - @edward_editss, @cosmostreeteditorial

VFX - Nick Chamberlain

Color @sgllng, @_baconx_

Composer - @soundslikegiosue
Mix - @jeremyjeremy

Camera - @standard.camera
Scanning - @thom_kuo

Featuring - @sunny_richesson, Rose Russom, @brentedwardmckay, @mrhuber

Shot a little spot for @onyx_straps x @usa_weightlifting

💪🏼

“Every Rep”

Prod Co @caviar.tv
Prod Co @radiancepictures
EP - Michael Sagol and Salim El Arja
Producer - @nuertaqa
Prod Coor - @zopressey

Director @w.a.cook
Cinematographer @iaintrimble

Production Designer @taylor.venegas

1st AC - @ryansax
2nd AC - @miloclaytonkim
Digital Utility - @coryvetter

Gaffer - @zied_jendoubi_zj
Key Grip - @willgbergdp  
Sound - @yao_morendo

Edit - @edward_editss, @cosmostreeteditorial

VFX - Nick Chamberlain

Color @sgllng, @_baconx_

Composer - @soundslikegiosue
Mix - @jeremyjeremy

Camera - @standard.camera
Scanning - @thom_kuo

Featuring - @sunny_richesson, Rose Russom, @brentedwardmckay, @mrhuber

Shot a little spot for @onyx_straps x @usa_weightlifting

💪🏼

“Every Rep”

Prod Co @caviar.tv
Prod Co @radiancepictures
EP - Michael Sagol and Salim El Arja
Producer - @nuertaqa
Prod Coor - @zopressey

Director @w.a.cook
Cinematographer @iaintrimble

Production Designer @taylor.venegas

1st AC - @ryansax
2nd AC - @miloclaytonkim
Digital Utility - @coryvetter

Gaffer - @zied_jendoubi_zj
Key Grip - @willgbergdp  
Sound - @yao_morendo

Edit - @edward_editss, @cosmostreeteditorial

VFX - Nick Chamberlain

Color @sgllng, @_baconx_

Composer - @soundslikegiosue
Mix - @jeremyjeremy

Camera - @standard.camera
Scanning - @thom_kuo

Featuring - @sunny_richesson, Rose Russom, @brentedwardmckay, @mrhuber

Shot a little spot for @onyx_straps x @usa_weightlifting

💪🏼

“Every Rep”

Prod Co @caviar.tv
Prod Co @radiancepictures
EP - Michael Sagol and Salim El Arja
Producer - @nuertaqa
Prod Coor - @zopressey

Director @w.a.cook
Cinematographer @iaintrimble

Production Designer @taylor.venegas

1st AC - @ryansax
2nd AC - @miloclaytonkim
Digital Utility - @coryvetter

Gaffer - @zied_jendoubi_zj
Key Grip - @willgbergdp  
Sound - @yao_morendo

Edit - @edward_editss, @cosmostreeteditorial

VFX - Nick Chamberlain

Color @sgllng, @_baconx_

Composer - @soundslikegiosue
Mix - @jeremyjeremy

Camera - @standard.camera
Scanning - @thom_kuo

Featuring - @sunny_richesson, Rose Russom, @brentedwardmckay, @mrhuber

Shaboozey - VEVO Origin Stories @shaboozey

Director: Skyler Brown @skylerisbrown

Executive Producer: JP Evangelista
Executive Producer: Chris Pereira
Executive Producer: Jennifer Heath, Radical Media

Director, Line Production: Yanina Molina
Producer: Lola Gatti @lolagatti
Producer: Daniel Lachman, Radical Media @daniellachman
Director of Photography: Iain Trimble
Head of Design: Sydney Emery
Associate Creative Director: Brian Parisi
Director, Post Production: Michael Colman
Senior Manager, Post Production: Dominic Siri
Senior Director, Talent Booking: Parul Chokshi
Director, Talent Booking: Gabby Prisciandaro
Senior Manager, Artist & Label Relations: Jordan Ferree

1st AD: Derek Jaeschke
2nd AD: Delaney Forrey
Production Manager: PK Adhikary
1st AC: Ryan Sax @ryansax
2nd AC: Jonathan Cypress
Stedicam: Zac Stanke @steadistanke
DIT: Aashish Gandhi

Chief Lighting Technician: Kurtis Myers @celluloid_kurt
Asst Set Lighting Technician: James Flynn
SLT: Ryan Altman
SLT: Harley Lally
Lighting Console Programmer: Christopher Smith

Key Grip: Kyle Pugsley @pugskd
Best Boy Grip: Jeff Clark
Grip: Garrett Waite
Grip / Driver: Dietmar Wendelin

VTR: Ignacio Martinez
Audio Recording Engineer: Casey Graham
Audio Recording Engineer: Maja Sazdic

Set Decorator: Melisa Jusufi
Set Dresser: Kenneth Ojeda
Set Dresser: Jamaal Hollis

Production Assistant, Talent: Izzy Eyre
Production Assistant: Sam Rojano
Production Assistant: Rodrigo Giangregorio
Production Assistant: Carla Gress
Production Assistant: Stephen Shea
Production Assistant: Edie Owen

Editorial Company: Cut + Run @cutandrunedit
Editor: Ethan Mitchell @enmitchell
Assistant Editor: Abby Doherty
Finishing Assistant: Sarah Mlcoch
Associate Producer: Jessica Antonacci
Head of Production: Marcia Wigley
Executive Producer: Ellese Shell
Managing Partner: Lauren Hertzberg

Additional Cleanup: Jogger Studios

Color House: Primary @color.with.primary
Colorist: Jacob McKee @jalob
Producer: Alex Zhao
Producer: Sasha Pace
Executive Producer: Christina Roldan

Photographer: Allan Pimenta

Shaboozey - VEVO Origin Stories @shaboozey

Director: Skyler Brown @skylerisbrown

Executive Producer: JP Evangelista
Executive Producer: Chris Pereira
Executive Producer: Jennifer Heath, Radical Media

Director, Line Production: Yanina Molina
Producer: Lola Gatti @lolagatti
Producer: Daniel Lachman, Radical Media @daniellachman
Director of Photography: Iain Trimble
Head of Design: Sydney Emery
Associate Creative Director: Brian Parisi
Director, Post Production: Michael Colman
Senior Manager, Post Production: Dominic Siri
Senior Director, Talent Booking: Parul Chokshi
Director, Talent Booking: Gabby Prisciandaro
Senior Manager, Artist & Label Relations: Jordan Ferree

1st AD: Derek Jaeschke
2nd AD: Delaney Forrey
Production Manager: PK Adhikary
1st AC: Ryan Sax @ryansax
2nd AC: Jonathan Cypress
Stedicam: Zac Stanke @steadistanke
DIT: Aashish Gandhi

Chief Lighting Technician: Kurtis Myers @celluloid_kurt
Asst Set Lighting Technician: James Flynn
SLT: Ryan Altman
SLT: Harley Lally
Lighting Console Programmer: Christopher Smith

Key Grip: Kyle Pugsley @pugskd
Best Boy Grip: Jeff Clark
Grip: Garrett Waite
Grip / Driver: Dietmar Wendelin

VTR: Ignacio Martinez
Audio Recording Engineer: Casey Graham
Audio Recording Engineer: Maja Sazdic

Set Decorator: Melisa Jusufi
Set Dresser: Kenneth Ojeda
Set Dresser: Jamaal Hollis

Production Assistant, Talent: Izzy Eyre
Production Assistant: Sam Rojano
Production Assistant: Rodrigo Giangregorio
Production Assistant: Carla Gress
Production Assistant: Stephen Shea
Production Assistant: Edie Owen

Editorial Company: Cut + Run @cutandrunedit
Editor: Ethan Mitchell @enmitchell
Assistant Editor: Abby Doherty
Finishing Assistant: Sarah Mlcoch
Associate Producer: Jessica Antonacci
Head of Production: Marcia Wigley
Executive Producer: Ellese Shell
Managing Partner: Lauren Hertzberg

Additional Cleanup: Jogger Studios

Color House: Primary @color.with.primary
Colorist: Jacob McKee @jalob
Producer: Alex Zhao
Producer: Sasha Pace
Executive Producer: Christina Roldan

Photographer: Allan Pimenta

Shaboozey - VEVO Origin Stories @shaboozey

Director: Skyler Brown @skylerisbrown

Executive Producer: JP Evangelista
Executive Producer: Chris Pereira
Executive Producer: Jennifer Heath, Radical Media

Director, Line Production: Yanina Molina
Producer: Lola Gatti @lolagatti
Producer: Daniel Lachman, Radical Media @daniellachman
Director of Photography: Iain Trimble
Head of Design: Sydney Emery
Associate Creative Director: Brian Parisi
Director, Post Production: Michael Colman
Senior Manager, Post Production: Dominic Siri
Senior Director, Talent Booking: Parul Chokshi
Director, Talent Booking: Gabby Prisciandaro
Senior Manager, Artist & Label Relations: Jordan Ferree

1st AD: Derek Jaeschke
2nd AD: Delaney Forrey
Production Manager: PK Adhikary
1st AC: Ryan Sax @ryansax
2nd AC: Jonathan Cypress
Stedicam: Zac Stanke @steadistanke
DIT: Aashish Gandhi

Chief Lighting Technician: Kurtis Myers @celluloid_kurt
Asst Set Lighting Technician: James Flynn
SLT: Ryan Altman
SLT: Harley Lally
Lighting Console Programmer: Christopher Smith

Key Grip: Kyle Pugsley @pugskd
Best Boy Grip: Jeff Clark
Grip: Garrett Waite
Grip / Driver: Dietmar Wendelin

VTR: Ignacio Martinez
Audio Recording Engineer: Casey Graham
Audio Recording Engineer: Maja Sazdic

Set Decorator: Melisa Jusufi
Set Dresser: Kenneth Ojeda
Set Dresser: Jamaal Hollis

Production Assistant, Talent: Izzy Eyre
Production Assistant: Sam Rojano
Production Assistant: Rodrigo Giangregorio
Production Assistant: Carla Gress
Production Assistant: Stephen Shea
Production Assistant: Edie Owen

Editorial Company: Cut + Run @cutandrunedit
Editor: Ethan Mitchell @enmitchell
Assistant Editor: Abby Doherty
Finishing Assistant: Sarah Mlcoch
Associate Producer: Jessica Antonacci
Head of Production: Marcia Wigley
Executive Producer: Ellese Shell
Managing Partner: Lauren Hertzberg

Additional Cleanup: Jogger Studios

Color House: Primary @color.with.primary
Colorist: Jacob McKee @jalob
Producer: Alex Zhao
Producer: Sasha Pace
Executive Producer: Christina Roldan

Photographer: Allan Pimenta

Shaboozey - VEVO Origin Stories @shaboozey

Director: Skyler Brown @skylerisbrown

Executive Producer: JP Evangelista
Executive Producer: Chris Pereira
Executive Producer: Jennifer Heath, Radical Media

Director, Line Production: Yanina Molina
Producer: Lola Gatti @lolagatti
Producer: Daniel Lachman, Radical Media @daniellachman
Director of Photography: Iain Trimble
Head of Design: Sydney Emery
Associate Creative Director: Brian Parisi
Director, Post Production: Michael Colman
Senior Manager, Post Production: Dominic Siri
Senior Director, Talent Booking: Parul Chokshi
Director, Talent Booking: Gabby Prisciandaro
Senior Manager, Artist & Label Relations: Jordan Ferree

1st AD: Derek Jaeschke
2nd AD: Delaney Forrey
Production Manager: PK Adhikary
1st AC: Ryan Sax @ryansax
2nd AC: Jonathan Cypress
Stedicam: Zac Stanke @steadistanke
DIT: Aashish Gandhi

Chief Lighting Technician: Kurtis Myers @celluloid_kurt
Asst Set Lighting Technician: James Flynn
SLT: Ryan Altman
SLT: Harley Lally
Lighting Console Programmer: Christopher Smith

Key Grip: Kyle Pugsley @pugskd
Best Boy Grip: Jeff Clark
Grip: Garrett Waite
Grip / Driver: Dietmar Wendelin

VTR: Ignacio Martinez
Audio Recording Engineer: Casey Graham
Audio Recording Engineer: Maja Sazdic

Set Decorator: Melisa Jusufi
Set Dresser: Kenneth Ojeda
Set Dresser: Jamaal Hollis

Production Assistant, Talent: Izzy Eyre
Production Assistant: Sam Rojano
Production Assistant: Rodrigo Giangregorio
Production Assistant: Carla Gress
Production Assistant: Stephen Shea
Production Assistant: Edie Owen

Editorial Company: Cut + Run @cutandrunedit
Editor: Ethan Mitchell @enmitchell
Assistant Editor: Abby Doherty
Finishing Assistant: Sarah Mlcoch
Associate Producer: Jessica Antonacci
Head of Production: Marcia Wigley
Executive Producer: Ellese Shell
Managing Partner: Lauren Hertzberg

Additional Cleanup: Jogger Studios

Color House: Primary @color.with.primary
Colorist: Jacob McKee @jalob
Producer: Alex Zhao
Producer: Sasha Pace
Executive Producer: Christina Roldan

Photographer: Allan Pimenta

Shaboozey - VEVO Origin Stories @shaboozey

Director: Skyler Brown @skylerisbrown

Executive Producer: JP Evangelista
Executive Producer: Chris Pereira
Executive Producer: Jennifer Heath, Radical Media

Director, Line Production: Yanina Molina
Producer: Lola Gatti @lolagatti
Producer: Daniel Lachman, Radical Media @daniellachman
Director of Photography: Iain Trimble
Head of Design: Sydney Emery
Associate Creative Director: Brian Parisi
Director, Post Production: Michael Colman
Senior Manager, Post Production: Dominic Siri
Senior Director, Talent Booking: Parul Chokshi
Director, Talent Booking: Gabby Prisciandaro
Senior Manager, Artist & Label Relations: Jordan Ferree

1st AD: Derek Jaeschke
2nd AD: Delaney Forrey
Production Manager: PK Adhikary
1st AC: Ryan Sax @ryansax
2nd AC: Jonathan Cypress
Stedicam: Zac Stanke @steadistanke
DIT: Aashish Gandhi

Chief Lighting Technician: Kurtis Myers @celluloid_kurt
Asst Set Lighting Technician: James Flynn
SLT: Ryan Altman
SLT: Harley Lally
Lighting Console Programmer: Christopher Smith

Key Grip: Kyle Pugsley @pugskd
Best Boy Grip: Jeff Clark
Grip: Garrett Waite
Grip / Driver: Dietmar Wendelin

VTR: Ignacio Martinez
Audio Recording Engineer: Casey Graham
Audio Recording Engineer: Maja Sazdic

Set Decorator: Melisa Jusufi
Set Dresser: Kenneth Ojeda
Set Dresser: Jamaal Hollis

Production Assistant, Talent: Izzy Eyre
Production Assistant: Sam Rojano
Production Assistant: Rodrigo Giangregorio
Production Assistant: Carla Gress
Production Assistant: Stephen Shea
Production Assistant: Edie Owen

Editorial Company: Cut + Run @cutandrunedit
Editor: Ethan Mitchell @enmitchell
Assistant Editor: Abby Doherty
Finishing Assistant: Sarah Mlcoch
Associate Producer: Jessica Antonacci
Head of Production: Marcia Wigley
Executive Producer: Ellese Shell
Managing Partner: Lauren Hertzberg

Additional Cleanup: Jogger Studios

Color House: Primary @color.with.primary
Colorist: Jacob McKee @jalob
Producer: Alex Zhao
Producer: Sasha Pace
Executive Producer: Christina Roldan

Photographer: Allan Pimenta

Shaboozey - VEVO Origin Stories @shaboozey

Director: Skyler Brown @skylerisbrown

Executive Producer: JP Evangelista
Executive Producer: Chris Pereira
Executive Producer: Jennifer Heath, Radical Media

Director, Line Production: Yanina Molina
Producer: Lola Gatti @lolagatti
Producer: Daniel Lachman, Radical Media @daniellachman
Director of Photography: Iain Trimble
Head of Design: Sydney Emery
Associate Creative Director: Brian Parisi
Director, Post Production: Michael Colman
Senior Manager, Post Production: Dominic Siri
Senior Director, Talent Booking: Parul Chokshi
Director, Talent Booking: Gabby Prisciandaro
Senior Manager, Artist & Label Relations: Jordan Ferree

1st AD: Derek Jaeschke
2nd AD: Delaney Forrey
Production Manager: PK Adhikary
1st AC: Ryan Sax @ryansax
2nd AC: Jonathan Cypress
Stedicam: Zac Stanke @steadistanke
DIT: Aashish Gandhi

Chief Lighting Technician: Kurtis Myers @celluloid_kurt
Asst Set Lighting Technician: James Flynn
SLT: Ryan Altman
SLT: Harley Lally
Lighting Console Programmer: Christopher Smith

Key Grip: Kyle Pugsley @pugskd
Best Boy Grip: Jeff Clark
Grip: Garrett Waite
Grip / Driver: Dietmar Wendelin

VTR: Ignacio Martinez
Audio Recording Engineer: Casey Graham
Audio Recording Engineer: Maja Sazdic

Set Decorator: Melisa Jusufi
Set Dresser: Kenneth Ojeda
Set Dresser: Jamaal Hollis

Production Assistant, Talent: Izzy Eyre
Production Assistant: Sam Rojano
Production Assistant: Rodrigo Giangregorio
Production Assistant: Carla Gress
Production Assistant: Stephen Shea
Production Assistant: Edie Owen

Editorial Company: Cut + Run @cutandrunedit
Editor: Ethan Mitchell @enmitchell
Assistant Editor: Abby Doherty
Finishing Assistant: Sarah Mlcoch
Associate Producer: Jessica Antonacci
Head of Production: Marcia Wigley
Executive Producer: Ellese Shell
Managing Partner: Lauren Hertzberg

Additional Cleanup: Jogger Studios

Color House: Primary @color.with.primary
Colorist: Jacob McKee @jalob
Producer: Alex Zhao
Producer: Sasha Pace
Executive Producer: Christina Roldan

Photographer: Allan Pimenta

Shaboozey - VEVO Origin Stories @shaboozey

Director: Skyler Brown @skylerisbrown

Executive Producer: JP Evangelista
Executive Producer: Chris Pereira
Executive Producer: Jennifer Heath, Radical Media

Director, Line Production: Yanina Molina
Producer: Lola Gatti @lolagatti
Producer: Daniel Lachman, Radical Media @daniellachman
Director of Photography: Iain Trimble
Head of Design: Sydney Emery
Associate Creative Director: Brian Parisi
Director, Post Production: Michael Colman
Senior Manager, Post Production: Dominic Siri
Senior Director, Talent Booking: Parul Chokshi
Director, Talent Booking: Gabby Prisciandaro
Senior Manager, Artist & Label Relations: Jordan Ferree

1st AD: Derek Jaeschke
2nd AD: Delaney Forrey
Production Manager: PK Adhikary
1st AC: Ryan Sax @ryansax
2nd AC: Jonathan Cypress
Stedicam: Zac Stanke @steadistanke
DIT: Aashish Gandhi

Chief Lighting Technician: Kurtis Myers @celluloid_kurt
Asst Set Lighting Technician: James Flynn
SLT: Ryan Altman
SLT: Harley Lally
Lighting Console Programmer: Christopher Smith

Key Grip: Kyle Pugsley @pugskd
Best Boy Grip: Jeff Clark
Grip: Garrett Waite
Grip / Driver: Dietmar Wendelin

VTR: Ignacio Martinez
Audio Recording Engineer: Casey Graham
Audio Recording Engineer: Maja Sazdic

Set Decorator: Melisa Jusufi
Set Dresser: Kenneth Ojeda
Set Dresser: Jamaal Hollis

Production Assistant, Talent: Izzy Eyre
Production Assistant: Sam Rojano
Production Assistant: Rodrigo Giangregorio
Production Assistant: Carla Gress
Production Assistant: Stephen Shea
Production Assistant: Edie Owen

Editorial Company: Cut + Run @cutandrunedit
Editor: Ethan Mitchell @enmitchell
Assistant Editor: Abby Doherty
Finishing Assistant: Sarah Mlcoch
Associate Producer: Jessica Antonacci
Head of Production: Marcia Wigley
Executive Producer: Ellese Shell
Managing Partner: Lauren Hertzberg

Additional Cleanup: Jogger Studios

Color House: Primary @color.with.primary
Colorist: Jacob McKee @jalob
Producer: Alex Zhao
Producer: Sasha Pace
Executive Producer: Christina Roldan

Photographer: Allan Pimenta

Shaboozey - VEVO Origin Stories @shaboozey

Director: Skyler Brown @skylerisbrown

Executive Producer: JP Evangelista
Executive Producer: Chris Pereira
Executive Producer: Jennifer Heath, Radical Media

Director, Line Production: Yanina Molina
Producer: Lola Gatti @lolagatti
Producer: Daniel Lachman, Radical Media @daniellachman
Director of Photography: Iain Trimble
Head of Design: Sydney Emery
Associate Creative Director: Brian Parisi
Director, Post Production: Michael Colman
Senior Manager, Post Production: Dominic Siri
Senior Director, Talent Booking: Parul Chokshi
Director, Talent Booking: Gabby Prisciandaro
Senior Manager, Artist & Label Relations: Jordan Ferree

1st AD: Derek Jaeschke
2nd AD: Delaney Forrey
Production Manager: PK Adhikary
1st AC: Ryan Sax @ryansax
2nd AC: Jonathan Cypress
Stedicam: Zac Stanke @steadistanke
DIT: Aashish Gandhi

Chief Lighting Technician: Kurtis Myers @celluloid_kurt
Asst Set Lighting Technician: James Flynn
SLT: Ryan Altman
SLT: Harley Lally
Lighting Console Programmer: Christopher Smith

Key Grip: Kyle Pugsley @pugskd
Best Boy Grip: Jeff Clark
Grip: Garrett Waite
Grip / Driver: Dietmar Wendelin

VTR: Ignacio Martinez
Audio Recording Engineer: Casey Graham
Audio Recording Engineer: Maja Sazdic

Set Decorator: Melisa Jusufi
Set Dresser: Kenneth Ojeda
Set Dresser: Jamaal Hollis

Production Assistant, Talent: Izzy Eyre
Production Assistant: Sam Rojano
Production Assistant: Rodrigo Giangregorio
Production Assistant: Carla Gress
Production Assistant: Stephen Shea
Production Assistant: Edie Owen

Editorial Company: Cut + Run @cutandrunedit
Editor: Ethan Mitchell @enmitchell
Assistant Editor: Abby Doherty
Finishing Assistant: Sarah Mlcoch
Associate Producer: Jessica Antonacci
Head of Production: Marcia Wigley
Executive Producer: Ellese Shell
Managing Partner: Lauren Hertzberg

Additional Cleanup: Jogger Studios

Color House: Primary @color.with.primary
Colorist: Jacob McKee @jalob
Producer: Alex Zhao
Producer: Sasha Pace
Executive Producer: Christina Roldan

Photographer: Allan Pimenta

Shaboozey - VEVO Origin Stories @shaboozey

Director: Skyler Brown @skylerisbrown

Executive Producer: JP Evangelista
Executive Producer: Chris Pereira
Executive Producer: Jennifer Heath, Radical Media

Director, Line Production: Yanina Molina
Producer: Lola Gatti @lolagatti
Producer: Daniel Lachman, Radical Media @daniellachman
Director of Photography: Iain Trimble
Head of Design: Sydney Emery
Associate Creative Director: Brian Parisi
Director, Post Production: Michael Colman
Senior Manager, Post Production: Dominic Siri
Senior Director, Talent Booking: Parul Chokshi
Director, Talent Booking: Gabby Prisciandaro
Senior Manager, Artist & Label Relations: Jordan Ferree

1st AD: Derek Jaeschke
2nd AD: Delaney Forrey
Production Manager: PK Adhikary
1st AC: Ryan Sax @ryansax
2nd AC: Jonathan Cypress
Stedicam: Zac Stanke @steadistanke
DIT: Aashish Gandhi

Chief Lighting Technician: Kurtis Myers @celluloid_kurt
Asst Set Lighting Technician: James Flynn
SLT: Ryan Altman
SLT: Harley Lally
Lighting Console Programmer: Christopher Smith

Key Grip: Kyle Pugsley @pugskd
Best Boy Grip: Jeff Clark
Grip: Garrett Waite
Grip / Driver: Dietmar Wendelin

VTR: Ignacio Martinez
Audio Recording Engineer: Casey Graham
Audio Recording Engineer: Maja Sazdic

Set Decorator: Melisa Jusufi
Set Dresser: Kenneth Ojeda
Set Dresser: Jamaal Hollis

Production Assistant, Talent: Izzy Eyre
Production Assistant: Sam Rojano
Production Assistant: Rodrigo Giangregorio
Production Assistant: Carla Gress
Production Assistant: Stephen Shea
Production Assistant: Edie Owen

Editorial Company: Cut + Run @cutandrunedit
Editor: Ethan Mitchell @enmitchell
Assistant Editor: Abby Doherty
Finishing Assistant: Sarah Mlcoch
Associate Producer: Jessica Antonacci
Head of Production: Marcia Wigley
Executive Producer: Ellese Shell
Managing Partner: Lauren Hertzberg

Additional Cleanup: Jogger Studios

Color House: Primary @color.with.primary
Colorist: Jacob McKee @jalob
Producer: Alex Zhao
Producer: Sasha Pace
Executive Producer: Christina Roldan

Photographer: Allan Pimenta

“Modern mass culture, aimed at the ‘consumer’, the civilisation of prosthetics, is crippling people’s souls, setting up barriers between man and the crucial questions of his existence, his consciousness of himself as a spiritual being.”

― Andrei Tarkovsky, Sculpting in Time

HE GETS US — “More”

Today I turn 40.

For years I’ve felt like I’ve been staring down the barrel of this mid-life moment. There’s the “ego” part of me that asks, “What have I done with my life?” And then there’s the “essence” part that asks, “Have you been faithful with the gift that’s been given you?”

The nuance is subtle but polar opposite in effect. One says, “climb on the hamster wheel and run faster.” The other says, “get off it.”

I’d be lying if I said the ego voice isn’t loud — or hasn’t had its benefits — pushing for more clicks, more recognition, more accumulation (just ask my wife). That voice feels very American tbh — no shade thrown, just facts (and I’m guilty). It feels baptized in a culture that sells the lie, “the one who dies with the most toys wins,” very convincingly — with a million-dollar smile.

And let’s be honest, a lot done in the name of faith in this country has fed that machine. The American Industrial Church Complex has often mirrored the very systems it was meant to resist — power, influence, image, hypocrisy. It’s often looked more like empire than love. That tension is part of why this film felt personal.

Because beneath the noise, I still hear something quieter. A whisper telling me to slow down. Get off the devices. Sit in stillness. Like my dad still does: “sit on God’s lap.” — he would say. I’m learning to tune my senses to the One who reminds me who I actually am — not a brand, not a hype reel, not a vibey Instagram profile — but a (very flawed) yet deeply loved kid, learning to grow up without losing his childlikeness.

This film exists because of that tension.

We wanted it — launching on perhaps the biggest excess-machine of them all, the Super Bowl — to open with that visceral reaction: “that’s a vibe.” And then slowly unravel into something darker. Because, more often than not, that’s what excess does: it starts as an irresistible rush and ends in quiet emptiness.

“MORE” isn’t a condemnation. It’s a question.
Maybe even an invitation.

There’s a hole in us that “MORE” cannot fill.

Just ask Marty Supreme.

Credits in comments.
Full res in bio.
Shot on 4-perf @kodak_shootfilm
Additional footage by FilmSupply & Stalker

May 2026 bring us courage for the challenges, the changes, and the moments that call us to be brave. 💖🥂💖A lesson from the coolest two year old I know ✨🦸✌️

May 2026 bring us courage for the challenges, the changes, and the moments that call us to be brave. 💖🥂💖A lesson from the coolest two year old I know ✨🦸✌️

@rundatback ‘IDK’

Dir : @vincenthaycock
DoP : @iaintrimble

Creative Collaboration : @barringtondarius @vincenthaycock @rundatback
Prod Co : @somesuchandco
Producer : @whitjack
Edit : @vincenthaycock
BTS : @toniomola
Dir Asst : @tano4g

@rundatback ‘IDK’

Dir : @vincenthaycock
DoP : @iaintrimble

Creative Collaboration : @barringtondarius @vincenthaycock @rundatback
Prod Co : @somesuchandco
Producer : @whitjack
Edit : @vincenthaycock
BTS : @toniomola
Dir Asst : @tano4g

@rundatback ‘IDK’

Dir : @vincenthaycock
DoP : @iaintrimble

Creative Collaboration : @barringtondarius @vincenthaycock @rundatback
Prod Co : @somesuchandco
Producer : @whitjack
Edit : @vincenthaycock
BTS : @toniomola
Dir Asst : @tano4g

@rundatback ‘IDK’

Dir : @vincenthaycock
DoP : @iaintrimble

Creative Collaboration : @barringtondarius @vincenthaycock @rundatback
Prod Co : @somesuchandco
Producer : @whitjack
Edit : @vincenthaycock
BTS : @toniomola
Dir Asst : @tano4g

@rundatback ‘IDK’

Dir : @vincenthaycock
DoP : @iaintrimble

Creative Collaboration : @barringtondarius @vincenthaycock @rundatback
Prod Co : @somesuchandco
Producer : @whitjack
Edit : @vincenthaycock
BTS : @toniomola
Dir Asst : @tano4g

@rundatback ‘IDK’

Dir : @vincenthaycock
DoP : @iaintrimble

Creative Collaboration : @barringtondarius @vincenthaycock @rundatback
Prod Co : @somesuchandco
Producer : @whitjack
Edit : @vincenthaycock
BTS : @toniomola
Dir Asst : @tano4g

@rundatback ‘IDK’

Dir : @vincenthaycock
DoP : @iaintrimble

Creative Collaboration : @barringtondarius @vincenthaycock @rundatback
Prod Co : @somesuchandco
Producer : @whitjack
Edit : @vincenthaycock
BTS : @toniomola
Dir Asst : @tano4g

@rundatback ‘IDK’

Dir : @vincenthaycock
DoP : @iaintrimble

Creative Collaboration : @barringtondarius @vincenthaycock @rundatback
Prod Co : @somesuchandco
Producer : @whitjack
Edit : @vincenthaycock
BTS : @toniomola
Dir Asst : @tano4g

@rundatback ‘IDK’

Dir : @vincenthaycock
DoP : @iaintrimble

Creative Collaboration : @barringtondarius @vincenthaycock @rundatback
Prod Co : @somesuchandco
Producer : @whitjack
Edit : @vincenthaycock
BTS : @toniomola
Dir Asst : @tano4g

Shot a little spot for @zalando earlier this year with @trustntry.tv and the lovely people of Georgia

Director @w.a.cook
DP @iaintrimble

Photographer @alexkilian
Styling @nfarnaus

Edit @amzek
Color @sgllng, @_baconx_
Music Tracks&Fields 

Graphics @onomoto.studio
VFX JMK Media-Solutions 

Prod @trustntry.tv
EP @timm_gillner
Prod @nikitamano

Service Prod @the_martini_shot
EP @nikitakochkarev
Prod. @k8boyko

Shot in Georgia, Tbilisi

Shot a little spot for @zalando earlier this year with @trustntry.tv and the lovely people of Georgia

Director @w.a.cook
DP @iaintrimble

Photographer @alexkilian
Styling @nfarnaus

Edit @amzek
Color @sgllng, @_baconx_
Music Tracks&Fields 

Graphics @onomoto.studio
VFX JMK Media-Solutions 

Prod @trustntry.tv
EP @timm_gillner
Prod @nikitamano

Service Prod @the_martini_shot
EP @nikitakochkarev
Prod. @k8boyko

Shot in Georgia, Tbilisi

Shot a little spot for @zalando earlier this year with @trustntry.tv and the lovely people of Georgia

Director @w.a.cook
DP @iaintrimble

Photographer @alexkilian
Styling @nfarnaus

Edit @amzek
Color @sgllng, @_baconx_
Music Tracks&Fields 

Graphics @onomoto.studio
VFX JMK Media-Solutions 

Prod @trustntry.tv
EP @timm_gillner
Prod @nikitamano

Service Prod @the_martini_shot
EP @nikitakochkarev
Prod. @k8boyko

Shot in Georgia, Tbilisi

Shot a little spot for @zalando earlier this year with @trustntry.tv and the lovely people of Georgia

Director @w.a.cook
DP @iaintrimble

Photographer @alexkilian
Styling @nfarnaus

Edit @amzek
Color @sgllng, @_baconx_
Music Tracks&Fields 

Graphics @onomoto.studio
VFX JMK Media-Solutions 

Prod @trustntry.tv
EP @timm_gillner
Prod @nikitamano

Service Prod @the_martini_shot
EP @nikitakochkarev
Prod. @k8boyko

Shot in Georgia, Tbilisi

Shot a little spot for @zalando earlier this year with @trustntry.tv and the lovely people of Georgia

Director @w.a.cook
DP @iaintrimble

Photographer @alexkilian
Styling @nfarnaus

Edit @amzek
Color @sgllng, @_baconx_
Music Tracks&Fields 

Graphics @onomoto.studio
VFX JMK Media-Solutions 

Prod @trustntry.tv
EP @timm_gillner
Prod @nikitamano

Service Prod @the_martini_shot
EP @nikitakochkarev
Prod. @k8boyko

Shot in Georgia, Tbilisi

Shot a little spot for @zalando earlier this year with @trustntry.tv and the lovely people of Georgia

Director @w.a.cook
DP @iaintrimble

Photographer @alexkilian
Styling @nfarnaus

Edit @amzek
Color @sgllng, @_baconx_
Music Tracks&Fields 

Graphics @onomoto.studio
VFX JMK Media-Solutions 

Prod @trustntry.tv
EP @timm_gillner
Prod @nikitamano

Service Prod @the_martini_shot
EP @nikitakochkarev
Prod. @k8boyko

Shot in Georgia, Tbilisi

Shot a little spot for @zalando earlier this year with @trustntry.tv and the lovely people of Georgia

Director @w.a.cook
DP @iaintrimble

Photographer @alexkilian
Styling @nfarnaus

Edit @amzek
Color @sgllng, @_baconx_
Music Tracks&Fields 

Graphics @onomoto.studio
VFX JMK Media-Solutions 

Prod @trustntry.tv
EP @timm_gillner
Prod @nikitamano

Service Prod @the_martini_shot
EP @nikitakochkarev
Prod. @k8boyko

Shot in Georgia, Tbilisi

Shot a little spot for @zalando earlier this year with @trustntry.tv and the lovely people of Georgia

Director @w.a.cook
DP @iaintrimble

Photographer @alexkilian
Styling @nfarnaus

Edit @amzek
Color @sgllng, @_baconx_
Music Tracks&Fields 

Graphics @onomoto.studio
VFX JMK Media-Solutions 

Prod @trustntry.tv
EP @timm_gillner
Prod @nikitamano

Service Prod @the_martini_shot
EP @nikitakochkarev
Prod. @k8boyko

Shot in Georgia, Tbilisi

Shot a little spot for @zalando earlier this year with @trustntry.tv and the lovely people of Georgia

Director @w.a.cook
DP @iaintrimble

Photographer @alexkilian
Styling @nfarnaus

Edit @amzek
Color @sgllng, @_baconx_
Music Tracks&Fields 

Graphics @onomoto.studio
VFX JMK Media-Solutions 

Prod @trustntry.tv
EP @timm_gillner
Prod @nikitamano

Service Prod @the_martini_shot
EP @nikitakochkarev
Prod. @k8boyko

Shot in Georgia, Tbilisi

Shot a little spot for @zalando earlier this year with @trustntry.tv and the lovely people of Georgia

Director @w.a.cook
DP @iaintrimble

Photographer @alexkilian
Styling @nfarnaus

Edit @amzek
Color @sgllng, @_baconx_
Music Tracks&Fields 

Graphics @onomoto.studio
VFX JMK Media-Solutions 

Prod @trustntry.tv
EP @timm_gillner
Prod @nikitamano

Service Prod @the_martini_shot
EP @nikitakochkarev
Prod. @k8boyko

Shot in Georgia, Tbilisi

W062 ‘No Lie’ directed by @onda for Adidas with Johannes Leonardo starring @theanthonyedwards_

Director: @onda
Production Company: ProdCo @prodcofficial
Founding Partners / EPs: @ianponsjewell & Zico Judge
EP: Emma Wilcockson
Head of Production: Kerry Haynie
Producer: @iamspark
DP: @iaintrimble
Production Designer: @hannahcarlene

Starring: @theanthonyedwards_

Client: @adidasbasketball
Director Of Storytelling, Adidas Basketball: Paul Webber
Director Of Performance Basketball: Brandon Carr
Creative Direction Ae1: Miles Jackson-Cartwright
Production: Miles Bergstrom + Bex Silver
Adidas: Erin McQuatters
Adidas: Aneesh Ahija
Adidas: Cameron Mason

Agency: @johannesleonardo
GCDs: @jephburton, @herelieshunter
CDs: @alfonso____ruiz, Zack Browne
Copy: @chrischance.art
Art Director: Kelechi Mamapoungo
GAD: @kakibjorklund
AD: @jackhaley
AE: Jess Levy
Producer: Oliver Macavoy
JL: Tina Diep
JL: Wave Spencer
JL: Christian Bermudez

Service Production Company: @freenjoy
EPs: Nathan Scherrer, @tarasheree
Production Supervisor: @david_ka
Production Coordinator: Sebastian Urrea
Assistant Production Coordinator: Macey Small
Key Production Assistant: Jae Dosouza
PA - Office: Jacob Cannon
PA - Camera Truck: Ben Norfleet
Passenger Van #1 Driver: Khyree Pleasant (KP)
PAs: Charissa Palmer, Matt Beaty, Jacob Ortiz
Production Assistant Photographer: DeAndre DeRoche

Edit: @tom.hohle @cabinedit
Sound: @barkingowlsound
Sound mixer: @figggzzz

Music: @consortium.film
Composer: Seth Olinsky
Music Post Producer: Maggie Flatley
Music Editor: Justin Miller

Color: @alteregopost
VFX: @pendulum.vfx

Art Department
Art Producer: Savannah Elder
Prop Master: Kelsey Wittman
Set Decorator: Hannah Davis
Set Decorator Assistant / Driver: Isaac Guest
Set Decorator Photographer: Tanner Marvin
Painters: Hank Samuels, Josh Lynch
Pyro Techs: JJ Madaris, Jasun Madaris

Styling
Stylist: @metta_conchetta
Stylist Assistants: Rashen Holland, Felicia Loewy, Whitney Jackson. Chris Sosa

Key Makeup: @sylviahmua
Key Hair: Kevin Rousser

PRECISION @bigsean | Dir. @onda 🧙🏽‍♂️

This one was a pleasure to shoot! Ace team ♠️

director: @onda
production company: @prodcofficial x @freenjoy
executive producer: zico judge @freenjoy, @tarasheree
director rep: @larkcreative
producer: @freenjoy, @tarasheree, @noursayeh
vp creative & video - def jam recordings: mark bridges
management - @serountree

dp: @iaintrimble
production designer: @three60s
artist wardrobe: @_van__van_
cast stylist: @lenanash
editor: @yago.huntlaudi
colourist: @danieldevue_colorist
vfx: @rynozoom95 / @pendulum.vfx
vfx: @supdamian / @pendulum.vfx
graphics / animation: @ann.maren
graphics / animation @e.shelkovoi
animation asst: @4rustle @makeitreflect
ai artist: @oleg.pashkovsky

lead female: @callherhelen
security guard: sallysmallz

mua: @makeupbykandirose
artist barber: @barberextraordinaire
artist security: paul stancil
artist hmu: lucia rodriguez
artist hmu: @klarisss17
artist barber: @kahlilsledge
artist team: @vitto
bts: @o0barnsey0o
artist driver: kevin williams

vfx supervisor: @ben_kadie
vfx supervisor: @vic_velasco10

prod supervisor: @tommy_wgleason
prod coordinator: @wilderheuga
1st ad: @macsdeen & @cashonwrap
2nd ad: @rayfuentes714

1st ac: @thatonedudeq
1st ac: @ryansax
2nd ac: ramone davis
2nd ac: jonathan cypress
ronin 2 tech: david edsall
dit: aashish gandhi
dit: @aryamoghaddam_
camera pa: @hiawathabeeches
camera rental: @standard.camera

gaffer: kurtis meyers
gaffer: @ryan_breitenbach
best boy: james flynn
best boy: electric: @lifeofryantyler
electric: declan burekley

key grip: @zied_jendoubi_zj
key grip: @gripsforhire
best boy: corp8
dolly grip: @themandanagram
dolly grip: jesse stratton
grip: kamran khezri

set dresser : @rennapilar
set dresser : @ry.bread33
set dresser: @djfindiesel

medic: jose bautista
pyrotechnician: frank ceglia
site rep: trevor larson
medic: harout harry klian
pa - truck: @timelvin123
pa - prod van: @rayonimatos
pa - set: andrew coffey
pa - set: @bhop25
pa - set: @gilbertxjames
pa - set: z king

PRECISION @bigsean | Dir. @onda 🧙🏽‍♂️

This one was a pleasure to shoot! Ace team ♠️

director: @onda
production company: @prodcofficial x @freenjoy
executive producer: zico judge @freenjoy, @tarasheree
director rep: @larkcreative
producer: @freenjoy, @tarasheree, @noursayeh
vp creative & video - def jam recordings: mark bridges
management - @serountree

dp: @iaintrimble
production designer: @three60s
artist wardrobe: @_van__van_
cast stylist: @lenanash
editor: @yago.huntlaudi
colourist: @danieldevue_colorist
vfx: @rynozoom95 / @pendulum.vfx
vfx: @supdamian / @pendulum.vfx
graphics / animation: @ann.maren
graphics / animation @e.shelkovoi
animation asst: @4rustle @makeitreflect
ai artist: @oleg.pashkovsky

lead female: @callherhelen
security guard: sallysmallz

mua: @makeupbykandirose
artist barber: @barberextraordinaire
artist security: paul stancil
artist hmu: lucia rodriguez
artist hmu: @klarisss17
artist barber: @kahlilsledge
artist team: @vitto
bts: @o0barnsey0o
artist driver: kevin williams

vfx supervisor: @ben_kadie
vfx supervisor: @vic_velasco10

prod supervisor: @tommy_wgleason
prod coordinator: @wilderheuga
1st ad: @macsdeen & @cashonwrap
2nd ad: @rayfuentes714

1st ac: @thatonedudeq
1st ac: @ryansax
2nd ac: ramone davis
2nd ac: jonathan cypress
ronin 2 tech: david edsall
dit: aashish gandhi
dit: @aryamoghaddam_
camera pa: @hiawathabeeches
camera rental: @standard.camera

gaffer: kurtis meyers
gaffer: @ryan_breitenbach
best boy: james flynn
best boy: electric: @lifeofryantyler
electric: declan burekley

key grip: @zied_jendoubi_zj
key grip: @gripsforhire
best boy: corp8
dolly grip: @themandanagram
dolly grip: jesse stratton
grip: kamran khezri

set dresser : @rennapilar
set dresser : @ry.bread33
set dresser: @djfindiesel

medic: jose bautista
pyrotechnician: frank ceglia
site rep: trevor larson
medic: harout harry klian
pa - truck: @timelvin123
pa - prod van: @rayonimatos
pa - set: andrew coffey
pa - set: @bhop25
pa - set: @gilbertxjames
pa - set: z king

PRECISION @bigsean | Dir. @onda 🧙🏽‍♂️

This one was a pleasure to shoot! Ace team ♠️

director: @onda
production company: @prodcofficial x @freenjoy
executive producer: zico judge @freenjoy, @tarasheree
director rep: @larkcreative
producer: @freenjoy, @tarasheree, @noursayeh
vp creative & video - def jam recordings: mark bridges
management - @serountree

dp: @iaintrimble
production designer: @three60s
artist wardrobe: @_van__van_
cast stylist: @lenanash
editor: @yago.huntlaudi
colourist: @danieldevue_colorist
vfx: @rynozoom95 / @pendulum.vfx
vfx: @supdamian / @pendulum.vfx
graphics / animation: @ann.maren
graphics / animation @e.shelkovoi
animation asst: @4rustle @makeitreflect
ai artist: @oleg.pashkovsky

lead female: @callherhelen
security guard: sallysmallz

mua: @makeupbykandirose
artist barber: @barberextraordinaire
artist security: paul stancil
artist hmu: lucia rodriguez
artist hmu: @klarisss17
artist barber: @kahlilsledge
artist team: @vitto
bts: @o0barnsey0o
artist driver: kevin williams

vfx supervisor: @ben_kadie
vfx supervisor: @vic_velasco10

prod supervisor: @tommy_wgleason
prod coordinator: @wilderheuga
1st ad: @macsdeen & @cashonwrap
2nd ad: @rayfuentes714

1st ac: @thatonedudeq
1st ac: @ryansax
2nd ac: ramone davis
2nd ac: jonathan cypress
ronin 2 tech: david edsall
dit: aashish gandhi
dit: @aryamoghaddam_
camera pa: @hiawathabeeches
camera rental: @standard.camera

gaffer: kurtis meyers
gaffer: @ryan_breitenbach
best boy: james flynn
best boy: electric: @lifeofryantyler
electric: declan burekley

key grip: @zied_jendoubi_zj
key grip: @gripsforhire
best boy: corp8
dolly grip: @themandanagram
dolly grip: jesse stratton
grip: kamran khezri

set dresser : @rennapilar
set dresser : @ry.bread33
set dresser: @djfindiesel

medic: jose bautista
pyrotechnician: frank ceglia
site rep: trevor larson
medic: harout harry klian
pa - truck: @timelvin123
pa - prod van: @rayonimatos
pa - set: andrew coffey
pa - set: @bhop25
pa - set: @gilbertxjames
pa - set: z king

Summer, NYC 2020 Vision3 200T #35mm #film #kodakshootfilm #newyork dev/scan by @midwestfilmcompany

Summer, NYC 2020 Vision3 200T #35mm #film #kodakshootfilm #newyork dev/scan by @midwestfilmcompany

This experience is nothing short of wondrous.
We are humbled to welcome our very strong….very stubborn…. And very handsome 🥰🥰baby boy to the family- William “Alistair” Ford Trimble, we love youbeyond measure!

This experience is nothing short of wondrous.
We are humbled to welcome our very strong….very stubborn…. And very handsome 🥰🥰baby boy to the family- William “Alistair” Ford Trimble, we love youbeyond measure!

This experience is nothing short of wondrous.
We are humbled to welcome our very strong….very stubborn…. And very handsome 🥰🥰baby boy to the family- William “Alistair” Ford Trimble, we love youbeyond measure!