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iamtheflasher
James Dickinson
Live Lighting Artist
➔ Lighting as performance
Reactive → Musical → Unscripted
🪄✨⚡️🪩
Artist: James Dickinson
Role: Lighting Designer & Performer
Instagram: @iamtheflasher
Title: 20 Highlights From The Concourse
Date: September 2021 - Present
Equipment: Chamsys MQ500 + quite a few lights
“The Warehouse Project was the first big club event I attended as a teenager. As a lover of music the high octane dance floor, top tier level of production and being drawn in by the incredible lineups, I was instantly hooked. It was once a dream to be a part of a venue like The Warehouse Project.
I have made it my job to deliver that same magic I first witnessed on the WHP dance floor, now with my own inventive spin.
I used to fangirl the lighting engineers when I went to gigs at Store Street, several years before I was involved in the industry. I learned the lighting software Chamsys on my laptop as a student thanks to a Warehouse Project Engineer saying “just learn Chamsys” and see what happens.I have seen the venue grow and adapt over the years from my first shows as a VJ at Store Street in the bunkers beneath Piccadilly train station, to the current home at Mayfield Depot. 2021 was the first year I was operated lights for WHP tucked away at the back in Archive. The following year I was trusted with Concourse for the whole season. 2026 will be my 5th year in Concourse making magic with that iconic mirrorball.
Within the walls of The Warehouse Project, my role is simple; I bring the music to life. Everything you see, I perform live in the moment, as it happens. I translate sound into light, shaping the musical journey into pure visual energy. The magic I strive to create mirrors the explosive, tender, and dynamic places the music takes you. I paint what I feel. I build atmosphere. I chase that electric connection between sound, space, and crowd.All I want to do is spread joy & make people smile.Thanks for dancing with me.”
Soundtrack: Joy Orbison - Hyph Mngo
Artist: James Dickinson
Role: Lighting Designer & Performer
Instagram: @iamtheflasher
Title: 20 Highlights From The Concourse
Date: September 2021 - Present
Equipment: Chamsys MQ500 + quite a few lights
“The Warehouse Project was the first big club event I attended as a teenager. As a lover of music the high octane dance floor, top tier level of production and being drawn in by the incredible lineups, I was instantly hooked. It was once a dream to be a part of a venue like The Warehouse Project.
I have made it my job to deliver that same magic I first witnessed on the WHP dance floor, now with my own inventive spin.
I used to fangirl the lighting engineers when I went to gigs at Store Street, several years before I was involved in the industry. I learned the lighting software Chamsys on my laptop as a student thanks to a Warehouse Project Engineer saying “just learn Chamsys” and see what happens.I have seen the venue grow and adapt over the years from my first shows as a VJ at Store Street in the bunkers beneath Piccadilly train station, to the current home at Mayfield Depot. 2021 was the first year I was operated lights for WHP tucked away at the back in Archive. The following year I was trusted with Concourse for the whole season. 2026 will be my 5th year in Concourse making magic with that iconic mirrorball.
Within the walls of The Warehouse Project, my role is simple; I bring the music to life. Everything you see, I perform live in the moment, as it happens. I translate sound into light, shaping the musical journey into pure visual energy. The magic I strive to create mirrors the explosive, tender, and dynamic places the music takes you. I paint what I feel. I build atmosphere. I chase that electric connection between sound, space, and crowd.All I want to do is spread joy & make people smile.Thanks for dancing with me.”
Soundtrack: Joy Orbison - Hyph Mngo
Artist: James Dickinson
Role: Lighting Designer & Performer
Instagram: @iamtheflasher
Title: 20 Highlights From The Concourse
Date: September 2021 - Present
Equipment: Chamsys MQ500 + quite a few lights
“The Warehouse Project was the first big club event I attended as a teenager. As a lover of music the high octane dance floor, top tier level of production and being drawn in by the incredible lineups, I was instantly hooked. It was once a dream to be a part of a venue like The Warehouse Project.
I have made it my job to deliver that same magic I first witnessed on the WHP dance floor, now with my own inventive spin.
I used to fangirl the lighting engineers when I went to gigs at Store Street, several years before I was involved in the industry. I learned the lighting software Chamsys on my laptop as a student thanks to a Warehouse Project Engineer saying “just learn Chamsys” and see what happens.I have seen the venue grow and adapt over the years from my first shows as a VJ at Store Street in the bunkers beneath Piccadilly train station, to the current home at Mayfield Depot. 2021 was the first year I was operated lights for WHP tucked away at the back in Archive. The following year I was trusted with Concourse for the whole season. 2026 will be my 5th year in Concourse making magic with that iconic mirrorball.
Within the walls of The Warehouse Project, my role is simple; I bring the music to life. Everything you see, I perform live in the moment, as it happens. I translate sound into light, shaping the musical journey into pure visual energy. The magic I strive to create mirrors the explosive, tender, and dynamic places the music takes you. I paint what I feel. I build atmosphere. I chase that electric connection between sound, space, and crowd.All I want to do is spread joy & make people smile.Thanks for dancing with me.”
Soundtrack: Joy Orbison - Hyph Mngo
Artist: James Dickinson
Role: Lighting Designer & Performer
Instagram: @iamtheflasher
Title: 20 Highlights From The Concourse
Date: September 2021 - Present
Equipment: Chamsys MQ500 + quite a few lights
“The Warehouse Project was the first big club event I attended as a teenager. As a lover of music the high octane dance floor, top tier level of production and being drawn in by the incredible lineups, I was instantly hooked. It was once a dream to be a part of a venue like The Warehouse Project.
I have made it my job to deliver that same magic I first witnessed on the WHP dance floor, now with my own inventive spin.
I used to fangirl the lighting engineers when I went to gigs at Store Street, several years before I was involved in the industry. I learned the lighting software Chamsys on my laptop as a student thanks to a Warehouse Project Engineer saying “just learn Chamsys” and see what happens.I have seen the venue grow and adapt over the years from my first shows as a VJ at Store Street in the bunkers beneath Piccadilly train station, to the current home at Mayfield Depot. 2021 was the first year I was operated lights for WHP tucked away at the back in Archive. The following year I was trusted with Concourse for the whole season. 2026 will be my 5th year in Concourse making magic with that iconic mirrorball.
Within the walls of The Warehouse Project, my role is simple; I bring the music to life. Everything you see, I perform live in the moment, as it happens. I translate sound into light, shaping the musical journey into pure visual energy. The magic I strive to create mirrors the explosive, tender, and dynamic places the music takes you. I paint what I feel. I build atmosphere. I chase that electric connection between sound, space, and crowd.All I want to do is spread joy & make people smile.Thanks for dancing with me.”
Soundtrack: Joy Orbison - Hyph Mngo
Artist: James Dickinson
Role: Lighting Designer & Performer
Instagram: @iamtheflasher
Title: 20 Highlights From The Concourse
Date: September 2021 - Present
Equipment: Chamsys MQ500 + quite a few lights
“The Warehouse Project was the first big club event I attended as a teenager. As a lover of music the high octane dance floor, top tier level of production and being drawn in by the incredible lineups, I was instantly hooked. It was once a dream to be a part of a venue like The Warehouse Project.
I have made it my job to deliver that same magic I first witnessed on the WHP dance floor, now with my own inventive spin.
I used to fangirl the lighting engineers when I went to gigs at Store Street, several years before I was involved in the industry. I learned the lighting software Chamsys on my laptop as a student thanks to a Warehouse Project Engineer saying “just learn Chamsys” and see what happens.I have seen the venue grow and adapt over the years from my first shows as a VJ at Store Street in the bunkers beneath Piccadilly train station, to the current home at Mayfield Depot. 2021 was the first year I was operated lights for WHP tucked away at the back in Archive. The following year I was trusted with Concourse for the whole season. 2026 will be my 5th year in Concourse making magic with that iconic mirrorball.
Within the walls of The Warehouse Project, my role is simple; I bring the music to life. Everything you see, I perform live in the moment, as it happens. I translate sound into light, shaping the musical journey into pure visual energy. The magic I strive to create mirrors the explosive, tender, and dynamic places the music takes you. I paint what I feel. I build atmosphere. I chase that electric connection between sound, space, and crowd.All I want to do is spread joy & make people smile.Thanks for dancing with me.”
Soundtrack: Joy Orbison - Hyph Mngo
Artist: James Dickinson
Role: Lighting Designer & Performer
Instagram: @iamtheflasher
Title: 20 Highlights From The Concourse
Date: September 2021 - Present
Equipment: Chamsys MQ500 + quite a few lights
“The Warehouse Project was the first big club event I attended as a teenager. As a lover of music the high octane dance floor, top tier level of production and being drawn in by the incredible lineups, I was instantly hooked. It was once a dream to be a part of a venue like The Warehouse Project.
I have made it my job to deliver that same magic I first witnessed on the WHP dance floor, now with my own inventive spin.
I used to fangirl the lighting engineers when I went to gigs at Store Street, several years before I was involved in the industry. I learned the lighting software Chamsys on my laptop as a student thanks to a Warehouse Project Engineer saying “just learn Chamsys” and see what happens.I have seen the venue grow and adapt over the years from my first shows as a VJ at Store Street in the bunkers beneath Piccadilly train station, to the current home at Mayfield Depot. 2021 was the first year I was operated lights for WHP tucked away at the back in Archive. The following year I was trusted with Concourse for the whole season. 2026 will be my 5th year in Concourse making magic with that iconic mirrorball.
Within the walls of The Warehouse Project, my role is simple; I bring the music to life. Everything you see, I perform live in the moment, as it happens. I translate sound into light, shaping the musical journey into pure visual energy. The magic I strive to create mirrors the explosive, tender, and dynamic places the music takes you. I paint what I feel. I build atmosphere. I chase that electric connection between sound, space, and crowd.All I want to do is spread joy & make people smile.Thanks for dancing with me.”
Soundtrack: Joy Orbison - Hyph Mngo
Artist: James Dickinson
Role: Lighting Designer & Performer
Instagram: @iamtheflasher
Title: 20 Highlights From The Concourse
Date: September 2021 - Present
Equipment: Chamsys MQ500 + quite a few lights
“The Warehouse Project was the first big club event I attended as a teenager. As a lover of music the high octane dance floor, top tier level of production and being drawn in by the incredible lineups, I was instantly hooked. It was once a dream to be a part of a venue like The Warehouse Project.
I have made it my job to deliver that same magic I first witnessed on the WHP dance floor, now with my own inventive spin.
I used to fangirl the lighting engineers when I went to gigs at Store Street, several years before I was involved in the industry. I learned the lighting software Chamsys on my laptop as a student thanks to a Warehouse Project Engineer saying “just learn Chamsys” and see what happens.I have seen the venue grow and adapt over the years from my first shows as a VJ at Store Street in the bunkers beneath Piccadilly train station, to the current home at Mayfield Depot. 2021 was the first year I was operated lights for WHP tucked away at the back in Archive. The following year I was trusted with Concourse for the whole season. 2026 will be my 5th year in Concourse making magic with that iconic mirrorball.
Within the walls of The Warehouse Project, my role is simple; I bring the music to life. Everything you see, I perform live in the moment, as it happens. I translate sound into light, shaping the musical journey into pure visual energy. The magic I strive to create mirrors the explosive, tender, and dynamic places the music takes you. I paint what I feel. I build atmosphere. I chase that electric connection between sound, space, and crowd.All I want to do is spread joy & make people smile.Thanks for dancing with me.”
Soundtrack: Joy Orbison - Hyph Mngo
Artist: James Dickinson
Role: Lighting Designer & Performer
Instagram: @iamtheflasher
Title: 20 Highlights From The Concourse
Date: September 2021 - Present
Equipment: Chamsys MQ500 + quite a few lights
“The Warehouse Project was the first big club event I attended as a teenager. As a lover of music the high octane dance floor, top tier level of production and being drawn in by the incredible lineups, I was instantly hooked. It was once a dream to be a part of a venue like The Warehouse Project.
I have made it my job to deliver that same magic I first witnessed on the WHP dance floor, now with my own inventive spin.
I used to fangirl the lighting engineers when I went to gigs at Store Street, several years before I was involved in the industry. I learned the lighting software Chamsys on my laptop as a student thanks to a Warehouse Project Engineer saying “just learn Chamsys” and see what happens.I have seen the venue grow and adapt over the years from my first shows as a VJ at Store Street in the bunkers beneath Piccadilly train station, to the current home at Mayfield Depot. 2021 was the first year I was operated lights for WHP tucked away at the back in Archive. The following year I was trusted with Concourse for the whole season. 2026 will be my 5th year in Concourse making magic with that iconic mirrorball.
Within the walls of The Warehouse Project, my role is simple; I bring the music to life. Everything you see, I perform live in the moment, as it happens. I translate sound into light, shaping the musical journey into pure visual energy. The magic I strive to create mirrors the explosive, tender, and dynamic places the music takes you. I paint what I feel. I build atmosphere. I chase that electric connection between sound, space, and crowd.All I want to do is spread joy & make people smile.Thanks for dancing with me.”
Soundtrack: Joy Orbison - Hyph Mngo
Artist: James Dickinson
Role: Lighting Designer & Performer
Instagram: @iamtheflasher
Title: 20 Highlights From The Concourse
Date: September 2021 - Present
Equipment: Chamsys MQ500 + quite a few lights
“The Warehouse Project was the first big club event I attended as a teenager. As a lover of music the high octane dance floor, top tier level of production and being drawn in by the incredible lineups, I was instantly hooked. It was once a dream to be a part of a venue like The Warehouse Project.
I have made it my job to deliver that same magic I first witnessed on the WHP dance floor, now with my own inventive spin.
I used to fangirl the lighting engineers when I went to gigs at Store Street, several years before I was involved in the industry. I learned the lighting software Chamsys on my laptop as a student thanks to a Warehouse Project Engineer saying “just learn Chamsys” and see what happens.I have seen the venue grow and adapt over the years from my first shows as a VJ at Store Street in the bunkers beneath Piccadilly train station, to the current home at Mayfield Depot. 2021 was the first year I was operated lights for WHP tucked away at the back in Archive. The following year I was trusted with Concourse for the whole season. 2026 will be my 5th year in Concourse making magic with that iconic mirrorball.
Within the walls of The Warehouse Project, my role is simple; I bring the music to life. Everything you see, I perform live in the moment, as it happens. I translate sound into light, shaping the musical journey into pure visual energy. The magic I strive to create mirrors the explosive, tender, and dynamic places the music takes you. I paint what I feel. I build atmosphere. I chase that electric connection between sound, space, and crowd.All I want to do is spread joy & make people smile.Thanks for dancing with me.”
Soundtrack: Joy Orbison - Hyph Mngo
Artist: James Dickinson
Role: Lighting Designer & Performer
Instagram: @iamtheflasher
Title: 20 Highlights From The Concourse
Date: September 2021 - Present
Equipment: Chamsys MQ500 + quite a few lights
“The Warehouse Project was the first big club event I attended as a teenager. As a lover of music the high octane dance floor, top tier level of production and being drawn in by the incredible lineups, I was instantly hooked. It was once a dream to be a part of a venue like The Warehouse Project.
I have made it my job to deliver that same magic I first witnessed on the WHP dance floor, now with my own inventive spin.
I used to fangirl the lighting engineers when I went to gigs at Store Street, several years before I was involved in the industry. I learned the lighting software Chamsys on my laptop as a student thanks to a Warehouse Project Engineer saying “just learn Chamsys” and see what happens.I have seen the venue grow and adapt over the years from my first shows as a VJ at Store Street in the bunkers beneath Piccadilly train station, to the current home at Mayfield Depot. 2021 was the first year I was operated lights for WHP tucked away at the back in Archive. The following year I was trusted with Concourse for the whole season. 2026 will be my 5th year in Concourse making magic with that iconic mirrorball.
Within the walls of The Warehouse Project, my role is simple; I bring the music to life. Everything you see, I perform live in the moment, as it happens. I translate sound into light, shaping the musical journey into pure visual energy. The magic I strive to create mirrors the explosive, tender, and dynamic places the music takes you. I paint what I feel. I build atmosphere. I chase that electric connection between sound, space, and crowd.All I want to do is spread joy & make people smile.Thanks for dancing with me.”
Soundtrack: Joy Orbison - Hyph Mngo
Artist: James Dickinson
Role: Lighting Designer & Performer
Instagram: @iamtheflasher
Title: 20 Highlights From The Concourse
Date: September 2021 - Present
Equipment: Chamsys MQ500 + quite a few lights
“The Warehouse Project was the first big club event I attended as a teenager. As a lover of music the high octane dance floor, top tier level of production and being drawn in by the incredible lineups, I was instantly hooked. It was once a dream to be a part of a venue like The Warehouse Project.
I have made it my job to deliver that same magic I first witnessed on the WHP dance floor, now with my own inventive spin.
I used to fangirl the lighting engineers when I went to gigs at Store Street, several years before I was involved in the industry. I learned the lighting software Chamsys on my laptop as a student thanks to a Warehouse Project Engineer saying “just learn Chamsys” and see what happens.I have seen the venue grow and adapt over the years from my first shows as a VJ at Store Street in the bunkers beneath Piccadilly train station, to the current home at Mayfield Depot. 2021 was the first year I was operated lights for WHP tucked away at the back in Archive. The following year I was trusted with Concourse for the whole season. 2026 will be my 5th year in Concourse making magic with that iconic mirrorball.
Within the walls of The Warehouse Project, my role is simple; I bring the music to life. Everything you see, I perform live in the moment, as it happens. I translate sound into light, shaping the musical journey into pure visual energy. The magic I strive to create mirrors the explosive, tender, and dynamic places the music takes you. I paint what I feel. I build atmosphere. I chase that electric connection between sound, space, and crowd.All I want to do is spread joy & make people smile.Thanks for dancing with me.”
Soundtrack: Joy Orbison - Hyph Mngo
Artist: James Dickinson
Role: Lighting Designer & Performer
Instagram: @iamtheflasher
Title: 20 Highlights From The Concourse
Date: September 2021 - Present
Equipment: Chamsys MQ500 + quite a few lights
“The Warehouse Project was the first big club event I attended as a teenager. As a lover of music the high octane dance floor, top tier level of production and being drawn in by the incredible lineups, I was instantly hooked. It was once a dream to be a part of a venue like The Warehouse Project.
I have made it my job to deliver that same magic I first witnessed on the WHP dance floor, now with my own inventive spin.
I used to fangirl the lighting engineers when I went to gigs at Store Street, several years before I was involved in the industry. I learned the lighting software Chamsys on my laptop as a student thanks to a Warehouse Project Engineer saying “just learn Chamsys” and see what happens.I have seen the venue grow and adapt over the years from my first shows as a VJ at Store Street in the bunkers beneath Piccadilly train station, to the current home at Mayfield Depot. 2021 was the first year I was operated lights for WHP tucked away at the back in Archive. The following year I was trusted with Concourse for the whole season. 2026 will be my 5th year in Concourse making magic with that iconic mirrorball.
Within the walls of The Warehouse Project, my role is simple; I bring the music to life. Everything you see, I perform live in the moment, as it happens. I translate sound into light, shaping the musical journey into pure visual energy. The magic I strive to create mirrors the explosive, tender, and dynamic places the music takes you. I paint what I feel. I build atmosphere. I chase that electric connection between sound, space, and crowd.All I want to do is spread joy & make people smile.Thanks for dancing with me.”
Soundtrack: Joy Orbison - Hyph Mngo
Artist: James Dickinson
Role: Lighting Designer & Performer
Instagram: @iamtheflasher
Title: 20 Highlights From The Concourse
Date: September 2021 - Present
Equipment: Chamsys MQ500 + quite a few lights
“The Warehouse Project was the first big club event I attended as a teenager. As a lover of music the high octane dance floor, top tier level of production and being drawn in by the incredible lineups, I was instantly hooked. It was once a dream to be a part of a venue like The Warehouse Project.
I have made it my job to deliver that same magic I first witnessed on the WHP dance floor, now with my own inventive spin.
I used to fangirl the lighting engineers when I went to gigs at Store Street, several years before I was involved in the industry. I learned the lighting software Chamsys on my laptop as a student thanks to a Warehouse Project Engineer saying “just learn Chamsys” and see what happens.I have seen the venue grow and adapt over the years from my first shows as a VJ at Store Street in the bunkers beneath Piccadilly train station, to the current home at Mayfield Depot. 2021 was the first year I was operated lights for WHP tucked away at the back in Archive. The following year I was trusted with Concourse for the whole season. 2026 will be my 5th year in Concourse making magic with that iconic mirrorball.
Within the walls of The Warehouse Project, my role is simple; I bring the music to life. Everything you see, I perform live in the moment, as it happens. I translate sound into light, shaping the musical journey into pure visual energy. The magic I strive to create mirrors the explosive, tender, and dynamic places the music takes you. I paint what I feel. I build atmosphere. I chase that electric connection between sound, space, and crowd.All I want to do is spread joy & make people smile.Thanks for dancing with me.”
Soundtrack: Joy Orbison - Hyph Mngo
Artist: James Dickinson
Role: Lighting Designer & Performer
Instagram: @iamtheflasher
Title: 20 Highlights From The Concourse
Date: September 2021 - Present
Equipment: Chamsys MQ500 + quite a few lights
“The Warehouse Project was the first big club event I attended as a teenager. As a lover of music the high octane dance floor, top tier level of production and being drawn in by the incredible lineups, I was instantly hooked. It was once a dream to be a part of a venue like The Warehouse Project.
I have made it my job to deliver that same magic I first witnessed on the WHP dance floor, now with my own inventive spin.
I used to fangirl the lighting engineers when I went to gigs at Store Street, several years before I was involved in the industry. I learned the lighting software Chamsys on my laptop as a student thanks to a Warehouse Project Engineer saying “just learn Chamsys” and see what happens.I have seen the venue grow and adapt over the years from my first shows as a VJ at Store Street in the bunkers beneath Piccadilly train station, to the current home at Mayfield Depot. 2021 was the first year I was operated lights for WHP tucked away at the back in Archive. The following year I was trusted with Concourse for the whole season. 2026 will be my 5th year in Concourse making magic with that iconic mirrorball.
Within the walls of The Warehouse Project, my role is simple; I bring the music to life. Everything you see, I perform live in the moment, as it happens. I translate sound into light, shaping the musical journey into pure visual energy. The magic I strive to create mirrors the explosive, tender, and dynamic places the music takes you. I paint what I feel. I build atmosphere. I chase that electric connection between sound, space, and crowd.All I want to do is spread joy & make people smile.Thanks for dancing with me.”
Soundtrack: Joy Orbison - Hyph Mngo
Artist: James Dickinson
Role: Lighting Designer & Performer
Instagram: @iamtheflasher
Title: 20 Highlights From The Concourse
Date: September 2021 - Present
Equipment: Chamsys MQ500 + quite a few lights
“The Warehouse Project was the first big club event I attended as a teenager. As a lover of music the high octane dance floor, top tier level of production and being drawn in by the incredible lineups, I was instantly hooked. It was once a dream to be a part of a venue like The Warehouse Project.
I have made it my job to deliver that same magic I first witnessed on the WHP dance floor, now with my own inventive spin.
I used to fangirl the lighting engineers when I went to gigs at Store Street, several years before I was involved in the industry. I learned the lighting software Chamsys on my laptop as a student thanks to a Warehouse Project Engineer saying “just learn Chamsys” and see what happens.I have seen the venue grow and adapt over the years from my first shows as a VJ at Store Street in the bunkers beneath Piccadilly train station, to the current home at Mayfield Depot. 2021 was the first year I was operated lights for WHP tucked away at the back in Archive. The following year I was trusted with Concourse for the whole season. 2026 will be my 5th year in Concourse making magic with that iconic mirrorball.
Within the walls of The Warehouse Project, my role is simple; I bring the music to life. Everything you see, I perform live in the moment, as it happens. I translate sound into light, shaping the musical journey into pure visual energy. The magic I strive to create mirrors the explosive, tender, and dynamic places the music takes you. I paint what I feel. I build atmosphere. I chase that electric connection between sound, space, and crowd.All I want to do is spread joy & make people smile.Thanks for dancing with me.”
Soundtrack: Joy Orbison - Hyph Mngo
Artist: James Dickinson
Role: Lighting Designer & Performer
Instagram: @iamtheflasher
Title: 20 Highlights From The Concourse
Date: September 2021 - Present
Equipment: Chamsys MQ500 + quite a few lights
“The Warehouse Project was the first big club event I attended as a teenager. As a lover of music the high octane dance floor, top tier level of production and being drawn in by the incredible lineups, I was instantly hooked. It was once a dream to be a part of a venue like The Warehouse Project.
I have made it my job to deliver that same magic I first witnessed on the WHP dance floor, now with my own inventive spin.
I used to fangirl the lighting engineers when I went to gigs at Store Street, several years before I was involved in the industry. I learned the lighting software Chamsys on my laptop as a student thanks to a Warehouse Project Engineer saying “just learn Chamsys” and see what happens.I have seen the venue grow and adapt over the years from my first shows as a VJ at Store Street in the bunkers beneath Piccadilly train station, to the current home at Mayfield Depot. 2021 was the first year I was operated lights for WHP tucked away at the back in Archive. The following year I was trusted with Concourse for the whole season. 2026 will be my 5th year in Concourse making magic with that iconic mirrorball.
Within the walls of The Warehouse Project, my role is simple; I bring the music to life. Everything you see, I perform live in the moment, as it happens. I translate sound into light, shaping the musical journey into pure visual energy. The magic I strive to create mirrors the explosive, tender, and dynamic places the music takes you. I paint what I feel. I build atmosphere. I chase that electric connection between sound, space, and crowd.All I want to do is spread joy & make people smile.Thanks for dancing with me.”
Soundtrack: Joy Orbison - Hyph Mngo
Artist: James Dickinson
Role: Lighting Designer & Performer
Instagram: @iamtheflasher
Title: 20 Highlights From The Concourse
Date: September 2021 - Present
Equipment: Chamsys MQ500 + quite a few lights
“The Warehouse Project was the first big club event I attended as a teenager. As a lover of music the high octane dance floor, top tier level of production and being drawn in by the incredible lineups, I was instantly hooked. It was once a dream to be a part of a venue like The Warehouse Project.
I have made it my job to deliver that same magic I first witnessed on the WHP dance floor, now with my own inventive spin.
I used to fangirl the lighting engineers when I went to gigs at Store Street, several years before I was involved in the industry. I learned the lighting software Chamsys on my laptop as a student thanks to a Warehouse Project Engineer saying “just learn Chamsys” and see what happens.I have seen the venue grow and adapt over the years from my first shows as a VJ at Store Street in the bunkers beneath Piccadilly train station, to the current home at Mayfield Depot. 2021 was the first year I was operated lights for WHP tucked away at the back in Archive. The following year I was trusted with Concourse for the whole season. 2026 will be my 5th year in Concourse making magic with that iconic mirrorball.
Within the walls of The Warehouse Project, my role is simple; I bring the music to life. Everything you see, I perform live in the moment, as it happens. I translate sound into light, shaping the musical journey into pure visual energy. The magic I strive to create mirrors the explosive, tender, and dynamic places the music takes you. I paint what I feel. I build atmosphere. I chase that electric connection between sound, space, and crowd.All I want to do is spread joy & make people smile.Thanks for dancing with me.”
Soundtrack: Joy Orbison - Hyph Mngo
Artist: James Dickinson
Role: Lighting Designer & Performer
Instagram: @iamtheflasher
Title: 20 Highlights From The Concourse
Date: September 2021 - Present
Equipment: Chamsys MQ500 + quite a few lights
“The Warehouse Project was the first big club event I attended as a teenager. As a lover of music the high octane dance floor, top tier level of production and being drawn in by the incredible lineups, I was instantly hooked. It was once a dream to be a part of a venue like The Warehouse Project.
I have made it my job to deliver that same magic I first witnessed on the WHP dance floor, now with my own inventive spin.
I used to fangirl the lighting engineers when I went to gigs at Store Street, several years before I was involved in the industry. I learned the lighting software Chamsys on my laptop as a student thanks to a Warehouse Project Engineer saying “just learn Chamsys” and see what happens.I have seen the venue grow and adapt over the years from my first shows as a VJ at Store Street in the bunkers beneath Piccadilly train station, to the current home at Mayfield Depot. 2021 was the first year I was operated lights for WHP tucked away at the back in Archive. The following year I was trusted with Concourse for the whole season. 2026 will be my 5th year in Concourse making magic with that iconic mirrorball.
Within the walls of The Warehouse Project, my role is simple; I bring the music to life. Everything you see, I perform live in the moment, as it happens. I translate sound into light, shaping the musical journey into pure visual energy. The magic I strive to create mirrors the explosive, tender, and dynamic places the music takes you. I paint what I feel. I build atmosphere. I chase that electric connection between sound, space, and crowd.All I want to do is spread joy & make people smile.Thanks for dancing with me.”
Soundtrack: Joy Orbison - Hyph Mngo
Artist: James Dickinson
Role: Lighting Designer & Performer
Instagram: @iamtheflasher
Title: 20 Highlights From The Concourse
Date: September 2021 - Present
Equipment: Chamsys MQ500 + quite a few lights
“The Warehouse Project was the first big club event I attended as a teenager. As a lover of music the high octane dance floor, top tier level of production and being drawn in by the incredible lineups, I was instantly hooked. It was once a dream to be a part of a venue like The Warehouse Project.
I have made it my job to deliver that same magic I first witnessed on the WHP dance floor, now with my own inventive spin.
I used to fangirl the lighting engineers when I went to gigs at Store Street, several years before I was involved in the industry. I learned the lighting software Chamsys on my laptop as a student thanks to a Warehouse Project Engineer saying “just learn Chamsys” and see what happens.I have seen the venue grow and adapt over the years from my first shows as a VJ at Store Street in the bunkers beneath Piccadilly train station, to the current home at Mayfield Depot. 2021 was the first year I was operated lights for WHP tucked away at the back in Archive. The following year I was trusted with Concourse for the whole season. 2026 will be my 5th year in Concourse making magic with that iconic mirrorball.
Within the walls of The Warehouse Project, my role is simple; I bring the music to life. Everything you see, I perform live in the moment, as it happens. I translate sound into light, shaping the musical journey into pure visual energy. The magic I strive to create mirrors the explosive, tender, and dynamic places the music takes you. I paint what I feel. I build atmosphere. I chase that electric connection between sound, space, and crowd.All I want to do is spread joy & make people smile.Thanks for dancing with me.”
Soundtrack: Joy Orbison - Hyph Mngo
Artist: James Dickinson
Role: Lighting Designer & Performer
Instagram: @iamtheflasher
Title: 20 Highlights From The Concourse
Date: September 2021 - Present
Equipment: Chamsys MQ500 + quite a few lights
“The Warehouse Project was the first big club event I attended as a teenager. As a lover of music the high octane dance floor, top tier level of production and being drawn in by the incredible lineups, I was instantly hooked. It was once a dream to be a part of a venue like The Warehouse Project.
I have made it my job to deliver that same magic I first witnessed on the WHP dance floor, now with my own inventive spin.
I used to fangirl the lighting engineers when I went to gigs at Store Street, several years before I was involved in the industry. I learned the lighting software Chamsys on my laptop as a student thanks to a Warehouse Project Engineer saying “just learn Chamsys” and see what happens.I have seen the venue grow and adapt over the years from my first shows as a VJ at Store Street in the bunkers beneath Piccadilly train station, to the current home at Mayfield Depot. 2021 was the first year I was operated lights for WHP tucked away at the back in Archive. The following year I was trusted with Concourse for the whole season. 2026 will be my 5th year in Concourse making magic with that iconic mirrorball.
Within the walls of The Warehouse Project, my role is simple; I bring the music to life. Everything you see, I perform live in the moment, as it happens. I translate sound into light, shaping the musical journey into pure visual energy. The magic I strive to create mirrors the explosive, tender, and dynamic places the music takes you. I paint what I feel. I build atmosphere. I chase that electric connection between sound, space, and crowd.All I want to do is spread joy & make people smile.Thanks for dancing with me.”
Soundtrack: Joy Orbison - Hyph Mngo
WHP21 Archive Highlights N°1
The laser edit
Images from Bicep's night, a night I can't remember and Kaluki
#thewarehouseproject #thewarehouseprojectmanchester #VJ #depotmayfield #experiencedesign #design #visuals #visualart #digitalart #vj #screen #event #stage #technician #stagedesign #light #lighting #lightingdesign #lightingengineer #lightart #THEFLASHER #lasers #dmxlighting #dbnaudile
WHP21 Archive Highlights N°1
The laser edit
Images from Bicep's night, a night I can't remember and Kaluki
#thewarehouseproject #thewarehouseprojectmanchester #VJ #depotmayfield #experiencedesign #design #visuals #visualart #digitalart #vj #screen #event #stage #technician #stagedesign #light #lighting #lightingdesign #lightingengineer #lightart #THEFLASHER #lasers #dmxlighting #dbnaudile
WHP21 Archive Highlights N°1
The laser edit
Images from Bicep's night, a night I can't remember and Kaluki
#thewarehouseproject #thewarehouseprojectmanchester #VJ #depotmayfield #experiencedesign #design #visuals #visualart #digitalart #vj #screen #event #stage #technician #stagedesign #light #lighting #lightingdesign #lightingengineer #lightart #THEFLASHER #lasers #dmxlighting #dbnaudile
WHP21 Archive Highlights N°1
The laser edit
Images from Bicep's night, a night I can't remember and Kaluki
#thewarehouseproject #thewarehouseprojectmanchester #VJ #depotmayfield #experiencedesign #design #visuals #visualart #digitalart #vj #screen #event #stage #technician #stagedesign #light #lighting #lightingdesign #lightingengineer #lightart #THEFLASHER #lasers #dmxlighting #dbnaudile
WHP21 Archive Highlights N°1
The laser edit
Images from Bicep's night, a night I can't remember and Kaluki
#thewarehouseproject #thewarehouseprojectmanchester #VJ #depotmayfield #experiencedesign #design #visuals #visualart #digitalart #vj #screen #event #stage #technician #stagedesign #light #lighting #lightingdesign #lightingengineer #lightart #THEFLASHER #lasers #dmxlighting #dbnaudile
WHP21 Archive Highlights N°2
The Orange Edit
Shots from XXL Techno, Drumcode, a mystery shot and Kaluki.
cover by @jodyhartley
#thewarehouseproject #thewarehouseprojectmanchester #VJ #depotmayfield #experiencedesign #design #visuals #visualart #digitalart #vj #screen #event #stage #technician #stagedesign #light #lighting #lightingdesign #lightingengineer #lightart #THEFLASHER #lasers #dmxlighting #dbnaudile
WHP21 Archive Highlights N°2
The Orange Edit
Shots from XXL Techno, Drumcode, a mystery shot and Kaluki.
cover by @jodyhartley
#thewarehouseproject #thewarehouseprojectmanchester #VJ #depotmayfield #experiencedesign #design #visuals #visualart #digitalart #vj #screen #event #stage #technician #stagedesign #light #lighting #lightingdesign #lightingengineer #lightart #THEFLASHER #lasers #dmxlighting #dbnaudile
WHP21 Archive Highlights N°2
The Orange Edit
Shots from XXL Techno, Drumcode, a mystery shot and Kaluki.
cover by @jodyhartley
#thewarehouseproject #thewarehouseprojectmanchester #VJ #depotmayfield #experiencedesign #design #visuals #visualart #digitalart #vj #screen #event #stage #technician #stagedesign #light #lighting #lightingdesign #lightingengineer #lightart #THEFLASHER #lasers #dmxlighting #dbnaudile
WHP21 Archive Highlights N°2
The Orange Edit
Shots from XXL Techno, Drumcode, a mystery shot and Kaluki.
cover by @jodyhartley
#thewarehouseproject #thewarehouseprojectmanchester #VJ #depotmayfield #experiencedesign #design #visuals #visualart #digitalart #vj #screen #event #stage #technician #stagedesign #light #lighting #lightingdesign #lightingengineer #lightart #THEFLASHER #lasers #dmxlighting #dbnaudile
WHP21 Archive Highlights N°2
The Orange Edit
Shots from XXL Techno, Drumcode, a mystery shot and Kaluki.
cover by @jodyhartley
#thewarehouseproject #thewarehouseprojectmanchester #VJ #depotmayfield #experiencedesign #design #visuals #visualart #digitalart #vj #screen #event #stage #technician #stagedesign #light #lighting #lightingdesign #lightingengineer #lightart #THEFLASHER #lasers #dmxlighting #dbnaudile
WHP21 Archive Highlights N°3
Class of 21 edit
Interplanetary Criminal before BOTA
Shots from Solomun's WHP night, Drumcode, and a mystery shot.
#thewarehouseproject #thewarehouseprojectmanchester #VJ #depotmayfield #experiencedesign #design #visuals #visualart #digitalart #vj #screen #event #stage #technician #stagedesign #light #lighting #lightingdesign #lightingengineer #lightart #THEFLASHER #lasers #dmxlighting #dbnaudile
WHP21 Archive Highlights N°3
Class of 21 edit
Interplanetary Criminal before BOTA
Shots from Solomun's WHP night, Drumcode, and a mystery shot.
#thewarehouseproject #thewarehouseprojectmanchester #VJ #depotmayfield #experiencedesign #design #visuals #visualart #digitalart #vj #screen #event #stage #technician #stagedesign #light #lighting #lightingdesign #lightingengineer #lightart #THEFLASHER #lasers #dmxlighting #dbnaudile
WHP21 Archive Highlights N°3
Class of 21 edit
Interplanetary Criminal before BOTA
Shots from Solomun's WHP night, Drumcode, and a mystery shot.
#thewarehouseproject #thewarehouseprojectmanchester #VJ #depotmayfield #experiencedesign #design #visuals #visualart #digitalart #vj #screen #event #stage #technician #stagedesign #light #lighting #lightingdesign #lightingengineer #lightart #THEFLASHER #lasers #dmxlighting #dbnaudile
WHP21 Archive Highlights N°3
Class of 21 edit
Interplanetary Criminal before BOTA
Shots from Solomun's WHP night, Drumcode, and a mystery shot.
#thewarehouseproject #thewarehouseprojectmanchester #VJ #depotmayfield #experiencedesign #design #visuals #visualart #digitalart #vj #screen #event #stage #technician #stagedesign #light #lighting #lightingdesign #lightingengineer #lightart #THEFLASHER #lasers #dmxlighting #dbnaudile
WHP21 Archive Highlights N°3
Class of 21 edit
Interplanetary Criminal before BOTA
Shots from Solomun's WHP night, Drumcode, and a mystery shot.
#thewarehouseproject #thewarehouseprojectmanchester #VJ #depotmayfield #experiencedesign #design #visuals #visualart #digitalart #vj #screen #event #stage #technician #stagedesign #light #lighting #lightingdesign #lightingengineer #lightart #THEFLASHER #lasers #dmxlighting #dbnaudile
Visuals for The Warehouse Project - Store Street 2018 - First year of my ongoing residency
#thewarehouseproject #thewarehouseprojectmanchester #VJ #MakingFaces #experiencedesign #design #visuals #visualart #digitalart #vj #screen #event #modul8 #resolume #touchdesigner #stage #technician #stagedesign #light #lighting #lightingdesign #lightingengineer #lightart #THEFLASHER #loop #code #codeart
Visuals for The Warehouse Project - Store Street 2018 - First year of my ongoing residency
#thewarehouseproject #thewarehouseprojectmanchester #VJ #MakingFaces #experiencedesign #design #visuals #visualart #digitalart #vj #screen #event #modul8 #resolume #touchdesigner #stage #technician #stagedesign #light #lighting #lightingdesign #lightingengineer #lightart #THEFLASHER #loop #code #codeart
Visuals for Hideout Festival in Croatia 2019 - MAKING FACES
Many thanks to @novakcollective
#hideout #hideoutfestival #festival
#MakingFaces #experiencedesign #design #visuals #visualart #digitalart #vj #screen #event #modul8 #resolume #touchdesigner #stage #technician #stagedesign #light #lighting #lightingdesign #lightingengineer #lightart #THEFLASHER #loop #code #codeart #visuals #VJ #loop
HYPNOSIS SERIES - #swirl #whirly #swirlywhirly #whirlyswirly
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Coded Visuals for my VJ sets
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#MakingFaces #experiencedesign #design #visuals #visualart #digitalart #vj #screen #event #modul8 #resolume #touchdesigner #stage #technician #stagedesign #light #lighting #lightingdesign #lightingengineer #lightart #THEFLASHER #loop #code #codeart #sexypringle
HYPNOSIS SERIES - #wiggle
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Coded Visuals for my VJ sets
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#MakingFaces #experiencedesign #design #visuals #visualart #digitalart #vj #screen #event #modul8 #resolume #touchdesigner #stage #technician #stagedesign #light #lighting #lightingdesign #lightingengineer #lightart #THEFLASHER #loop #code #codeart #sexypringle
HYPNOSIS SERIES
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Coded Visuals for my VJ sets
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.
#MakingFaces #experiencedesign #design #visuals #visualart #digitalart #vj #screen #event #modul8 #resolume #touchdesigner #stage #technician #stagedesign #light #lighting #lightingdesign #lightingengineer #lightart #THEFLASHER #loop #code #codeart
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
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Explore IG Stories Privately
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Private Instagram Viewer
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Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
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Anonstories lets users view Instagram stories without alerting the creator.
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Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
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Prioritizes secure, anonymous browsing without requiring login credentials.
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Users can view public stories by simply entering a username—no account needed.
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Downloads photos (JPEG) and videos (MP4) with ease.
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Enter a public username to view or download stories. The service generates direct links for saving content locally.