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Int'l Center of Photography
Museum and school dedicated to photography and visual culture.
The deadline to apply for ICP’s Summer Intensive in Visual Storytelling in Turin, Italy, is approaching. Applications close May 17.
From July 2–16, 2026, participants will join ICP and CAMERA (@cameratorino) for an immersive documentary photography workshop centered on visual storytelling, fieldwork, and project development.
Over fifteen days in Turin, photographers will work closely with faculty and peers to produce a short documentary project through critiques, one-on-one mentorship, and on-the-ground image making, culminating in a public presentation of completed work.
Led by ICP faculty Karen Marshall (@kmphoto) and Andrew Lichtenstein (@andrewlichtenstein), alongside Gaia Squarci (@gaiasquarci) and Alessandro Ghirelli (@just3notes), the program brings together a range of international perspectives on documentary practice today.
Participants who complete the program are automatically accepted into ICP’s One-Year Certificate Programs, with priority consideration for fellowships.
Apply at the link in bio before May 17.
Image: Chiara Agostinetto
From the collection—Happy Mother's Day to all who mother.
Images
1: Pamela Fong, Little Mother, Gift of Pamela Fong and W.W. Norton & Company, 1991 (200.1991)
2: Gordon Coster, [Smiling mother and son, Chicago], 1944, The LIFE Magazine Collection, 2005 (1117.2005)
3: Michael O'Brien, A proud grandmother and her grandson, June 24, 1975, Gift of Michael O'Brien, 1979 (919.1979)
4: Weegee, [Woman and baby], New York, Bequest of Wilma Wilcox, 1993 (15089.1993)
5: Jane Evelyn Atwood, Paris, 1980, Gift of the Photographer, 1981 (191.1981)
6: Mike Disfarmer, Mother and Gerald, Gift of Elena and Richard Pollack, 2009 (2009.95.3)
7: Chim (David Seymour, [Woman with a baby selling cigarettes, Naples], Gift of Ben Shneiderman, 2012, 1948 2012.122.7)
From the collection—Happy Mother's Day to all who mother.
Images
1: Pamela Fong, Little Mother, Gift of Pamela Fong and W.W. Norton & Company, 1991 (200.1991)
2: Gordon Coster, [Smiling mother and son, Chicago], 1944, The LIFE Magazine Collection, 2005 (1117.2005)
3: Michael O'Brien, A proud grandmother and her grandson, June 24, 1975, Gift of Michael O'Brien, 1979 (919.1979)
4: Weegee, [Woman and baby], New York, Bequest of Wilma Wilcox, 1993 (15089.1993)
5: Jane Evelyn Atwood, Paris, 1980, Gift of the Photographer, 1981 (191.1981)
6: Mike Disfarmer, Mother and Gerald, Gift of Elena and Richard Pollack, 2009 (2009.95.3)
7: Chim (David Seymour, [Woman with a baby selling cigarettes, Naples], Gift of Ben Shneiderman, 2012, 1948 2012.122.7)
From the collection—Happy Mother's Day to all who mother.
Images
1: Pamela Fong, Little Mother, Gift of Pamela Fong and W.W. Norton & Company, 1991 (200.1991)
2: Gordon Coster, [Smiling mother and son, Chicago], 1944, The LIFE Magazine Collection, 2005 (1117.2005)
3: Michael O'Brien, A proud grandmother and her grandson, June 24, 1975, Gift of Michael O'Brien, 1979 (919.1979)
4: Weegee, [Woman and baby], New York, Bequest of Wilma Wilcox, 1993 (15089.1993)
5: Jane Evelyn Atwood, Paris, 1980, Gift of the Photographer, 1981 (191.1981)
6: Mike Disfarmer, Mother and Gerald, Gift of Elena and Richard Pollack, 2009 (2009.95.3)
7: Chim (David Seymour, [Woman with a baby selling cigarettes, Naples], Gift of Ben Shneiderman, 2012, 1948 2012.122.7)
From the collection—Happy Mother's Day to all who mother.
Images
1: Pamela Fong, Little Mother, Gift of Pamela Fong and W.W. Norton & Company, 1991 (200.1991)
2: Gordon Coster, [Smiling mother and son, Chicago], 1944, The LIFE Magazine Collection, 2005 (1117.2005)
3: Michael O'Brien, A proud grandmother and her grandson, June 24, 1975, Gift of Michael O'Brien, 1979 (919.1979)
4: Weegee, [Woman and baby], New York, Bequest of Wilma Wilcox, 1993 (15089.1993)
5: Jane Evelyn Atwood, Paris, 1980, Gift of the Photographer, 1981 (191.1981)
6: Mike Disfarmer, Mother and Gerald, Gift of Elena and Richard Pollack, 2009 (2009.95.3)
7: Chim (David Seymour, [Woman with a baby selling cigarettes, Naples], Gift of Ben Shneiderman, 2012, 1948 2012.122.7)
From the collection—Happy Mother's Day to all who mother.
Images
1: Pamela Fong, Little Mother, Gift of Pamela Fong and W.W. Norton & Company, 1991 (200.1991)
2: Gordon Coster, [Smiling mother and son, Chicago], 1944, The LIFE Magazine Collection, 2005 (1117.2005)
3: Michael O'Brien, A proud grandmother and her grandson, June 24, 1975, Gift of Michael O'Brien, 1979 (919.1979)
4: Weegee, [Woman and baby], New York, Bequest of Wilma Wilcox, 1993 (15089.1993)
5: Jane Evelyn Atwood, Paris, 1980, Gift of the Photographer, 1981 (191.1981)
6: Mike Disfarmer, Mother and Gerald, Gift of Elena and Richard Pollack, 2009 (2009.95.3)
7: Chim (David Seymour, [Woman with a baby selling cigarettes, Naples], Gift of Ben Shneiderman, 2012, 1948 2012.122.7)
From the collection—Happy Mother's Day to all who mother.
Images
1: Pamela Fong, Little Mother, Gift of Pamela Fong and W.W. Norton & Company, 1991 (200.1991)
2: Gordon Coster, [Smiling mother and son, Chicago], 1944, The LIFE Magazine Collection, 2005 (1117.2005)
3: Michael O'Brien, A proud grandmother and her grandson, June 24, 1975, Gift of Michael O'Brien, 1979 (919.1979)
4: Weegee, [Woman and baby], New York, Bequest of Wilma Wilcox, 1993 (15089.1993)
5: Jane Evelyn Atwood, Paris, 1980, Gift of the Photographer, 1981 (191.1981)
6: Mike Disfarmer, Mother and Gerald, Gift of Elena and Richard Pollack, 2009 (2009.95.3)
7: Chim (David Seymour, [Woman with a baby selling cigarettes, Naples], Gift of Ben Shneiderman, 2012, 1948 2012.122.7)
From the collection—Happy Mother's Day to all who mother.
Images
1: Pamela Fong, Little Mother, Gift of Pamela Fong and W.W. Norton & Company, 1991 (200.1991)
2: Gordon Coster, [Smiling mother and son, Chicago], 1944, The LIFE Magazine Collection, 2005 (1117.2005)
3: Michael O'Brien, A proud grandmother and her grandson, June 24, 1975, Gift of Michael O'Brien, 1979 (919.1979)
4: Weegee, [Woman and baby], New York, Bequest of Wilma Wilcox, 1993 (15089.1993)
5: Jane Evelyn Atwood, Paris, 1980, Gift of the Photographer, 1981 (191.1981)
6: Mike Disfarmer, Mother and Gerald, Gift of Elena and Richard Pollack, 2009 (2009.95.3)
7: Chim (David Seymour, [Woman with a baby selling cigarettes, Naples], Gift of Ben Shneiderman, 2012, 1948 2012.122.7)
What stays with you after your time at ICP?
In this video, alumni from ICP's onsite One-Year Certificate programs look back on their experience and the ways it has helped to shape their practice. From what they learned in the classroom to the community connections they forged, their reflections offer a glimpse into what life is like as an ICP student.
Featured alumni include: Paola Fiterre @paola_fiterre (Creative Practices ‘19), Hector Ruiz Cardenas @borre_ruiz__ (Documentary Practice and Visual Journalism '25), Gloria Ning @glorianing28 (Documentary Practice and Visual Journalism '25), Gabrielle Ravet @gaby_ravy (Creative Practices ‘19).
Rolling admissions are now open for ICP’s onsite One-Year Certificate Programs. Limited merit-based scholarships are available for qualified applicants.
Learn more at the link in bio.
Photobook Fest kicks off tomorrow, and to celebrate, ICP spoke with a selection of independent presses founded by alumni and staff who will be part of the weekend.
Featured here are ’cademy (@cademy.biz), founded by ICP alumni Shao-Feng Hsu (@shaofenghsu), Fernando Zelaya, and Nick Sansone; Studio 21 (@studio21press), founded by ICP staff member Asher Selle (@__selle); and Matarile Ediciones (@matarileediciones), founded by ICP faculty and staff member Martha Naranjo Sandoval (@martha_mydear)
Their work reflects the range of practices that grow out of ICP, and the ways photobooks continue to evolve as a space for collaboration and storytelling.
Join us May 8–10 as over 75 publishers from around the world take over ICP’s museum and school. Don’t miss the Community Table on Floor 2, featuring photobooks and zines by alumni, students, faculty, and staff. All sales go directly to the artists.
Tickets are on sale now at the link in bio. ICP Members attend free all weekend.
On view May 15–25, Evidence of Existence: 2026 ICP Recent Graduates Exhibition brings together new work by artists from ICP’s onsite One-Year Certificate Programs and Teen Academy.
Curated by Sara Ickow, the exhibition turns attention toward what is often overlooked or out of reach, exploring how photography can give form to the unseen.
Including artists from ICP’s Documentary Practice and Visual Journalism and Creative Practices programs, alongside emerging voices from Teen Academy, it offers a snapshot of the ideas driving the next generation of image-makers.
This exhibition is free with a suggested donation. Plan your visit at the link in bio.
Join us for opening night on Friday, May 15. Tickets available at the link in bio.
*Please note that ICP’s museum will be closed Sunday, May 17 and Tuesday, May 19.
Full image credits in captions.
On view May 15–25, Evidence of Existence: 2026 ICP Recent Graduates Exhibition brings together new work by artists from ICP’s onsite One-Year Certificate Programs and Teen Academy.
Curated by Sara Ickow, the exhibition turns attention toward what is often overlooked or out of reach, exploring how photography can give form to the unseen.
Including artists from ICP’s Documentary Practice and Visual Journalism and Creative Practices programs, alongside emerging voices from Teen Academy, it offers a snapshot of the ideas driving the next generation of image-makers.
This exhibition is free with a suggested donation. Plan your visit at the link in bio.
Join us for opening night on Friday, May 15. Tickets available at the link in bio.
*Please note that ICP’s museum will be closed Sunday, May 17 and Tuesday, May 19.
Full image credits in captions.
On view May 15–25, Evidence of Existence: 2026 ICP Recent Graduates Exhibition brings together new work by artists from ICP’s onsite One-Year Certificate Programs and Teen Academy.
Curated by Sara Ickow, the exhibition turns attention toward what is often overlooked or out of reach, exploring how photography can give form to the unseen.
Including artists from ICP’s Documentary Practice and Visual Journalism and Creative Practices programs, alongside emerging voices from Teen Academy, it offers a snapshot of the ideas driving the next generation of image-makers.
This exhibition is free with a suggested donation. Plan your visit at the link in bio.
Join us for opening night on Friday, May 15. Tickets available at the link in bio.
*Please note that ICP’s museum will be closed Sunday, May 17 and Tuesday, May 19.
Full image credits in captions.
On view May 15–25, Evidence of Existence: 2026 ICP Recent Graduates Exhibition brings together new work by artists from ICP’s onsite One-Year Certificate Programs and Teen Academy.
Curated by Sara Ickow, the exhibition turns attention toward what is often overlooked or out of reach, exploring how photography can give form to the unseen.
Including artists from ICP’s Documentary Practice and Visual Journalism and Creative Practices programs, alongside emerging voices from Teen Academy, it offers a snapshot of the ideas driving the next generation of image-makers.
This exhibition is free with a suggested donation. Plan your visit at the link in bio.
Join us for opening night on Friday, May 15. Tickets available at the link in bio.
*Please note that ICP’s museum will be closed Sunday, May 17 and Tuesday, May 19.
Full image credits in captions.
On view May 15–25, Evidence of Existence: 2026 ICP Recent Graduates Exhibition brings together new work by artists from ICP’s onsite One-Year Certificate Programs and Teen Academy.
Curated by Sara Ickow, the exhibition turns attention toward what is often overlooked or out of reach, exploring how photography can give form to the unseen.
Including artists from ICP’s Documentary Practice and Visual Journalism and Creative Practices programs, alongside emerging voices from Teen Academy, it offers a snapshot of the ideas driving the next generation of image-makers.
This exhibition is free with a suggested donation. Plan your visit at the link in bio.
Join us for opening night on Friday, May 15. Tickets available at the link in bio.
*Please note that ICP’s museum will be closed Sunday, May 17 and Tuesday, May 19.
Full image credits in captions.
On view May 15–25, Evidence of Existence: 2026 ICP Recent Graduates Exhibition brings together new work by artists from ICP’s onsite One-Year Certificate Programs and Teen Academy.
Curated by Sara Ickow, the exhibition turns attention toward what is often overlooked or out of reach, exploring how photography can give form to the unseen.
Including artists from ICP’s Documentary Practice and Visual Journalism and Creative Practices programs, alongside emerging voices from Teen Academy, it offers a snapshot of the ideas driving the next generation of image-makers.
This exhibition is free with a suggested donation. Plan your visit at the link in bio.
Join us for opening night on Friday, May 15. Tickets available at the link in bio.
*Please note that ICP’s museum will be closed Sunday, May 17 and Tuesday, May 19.
Full image credits in captions.
On view May 15–25, Evidence of Existence: 2026 ICP Recent Graduates Exhibition brings together new work by artists from ICP’s onsite One-Year Certificate Programs and Teen Academy.
Curated by Sara Ickow, the exhibition turns attention toward what is often overlooked or out of reach, exploring how photography can give form to the unseen.
Including artists from ICP’s Documentary Practice and Visual Journalism and Creative Practices programs, alongside emerging voices from Teen Academy, it offers a snapshot of the ideas driving the next generation of image-makers.
This exhibition is free with a suggested donation. Plan your visit at the link in bio.
Join us for opening night on Friday, May 15. Tickets available at the link in bio.
*Please note that ICP’s museum will be closed Sunday, May 17 and Tuesday, May 19.
Full image credits in captions.
On view May 15–25, Evidence of Existence: 2026 ICP Recent Graduates Exhibition brings together new work by artists from ICP’s onsite One-Year Certificate Programs and Teen Academy.
Curated by Sara Ickow, the exhibition turns attention toward what is often overlooked or out of reach, exploring how photography can give form to the unseen.
Including artists from ICP’s Documentary Practice and Visual Journalism and Creative Practices programs, alongside emerging voices from Teen Academy, it offers a snapshot of the ideas driving the next generation of image-makers.
This exhibition is free with a suggested donation. Plan your visit at the link in bio.
Join us for opening night on Friday, May 15. Tickets available at the link in bio.
*Please note that ICP’s museum will be closed Sunday, May 17 and Tuesday, May 19.
Full image credits in captions.
On view May 15–25, Evidence of Existence: 2026 ICP Recent Graduates Exhibition brings together new work by artists from ICP’s onsite One-Year Certificate Programs and Teen Academy.
Curated by Sara Ickow, the exhibition turns attention toward what is often overlooked or out of reach, exploring how photography can give form to the unseen.
Including artists from ICP’s Documentary Practice and Visual Journalism and Creative Practices programs, alongside emerging voices from Teen Academy, it offers a snapshot of the ideas driving the next generation of image-makers.
This exhibition is free with a suggested donation. Plan your visit at the link in bio.
Join us for opening night on Friday, May 15. Tickets available at the link in bio.
*Please note that ICP’s museum will be closed Sunday, May 17 and Tuesday, May 19.
Full image credits in captions.
On view May 15–25, Evidence of Existence: 2026 ICP Recent Graduates Exhibition brings together new work by artists from ICP’s onsite One-Year Certificate Programs and Teen Academy.
Curated by Sara Ickow, the exhibition turns attention toward what is often overlooked or out of reach, exploring how photography can give form to the unseen.
Including artists from ICP’s Documentary Practice and Visual Journalism and Creative Practices programs, alongside emerging voices from Teen Academy, it offers a snapshot of the ideas driving the next generation of image-makers.
This exhibition is free with a suggested donation. Plan your visit at the link in bio.
Join us for opening night on Friday, May 15. Tickets available at the link in bio.
*Please note that ICP’s museum will be closed Sunday, May 17 and Tuesday, May 19.
Full image credits in captions.
On view May 15–25, Evidence of Existence: 2026 ICP Recent Graduates Exhibition brings together new work by artists from ICP’s onsite One-Year Certificate Programs and Teen Academy.
Curated by Sara Ickow, the exhibition turns attention toward what is often overlooked or out of reach, exploring how photography can give form to the unseen.
Including artists from ICP’s Documentary Practice and Visual Journalism and Creative Practices programs, alongside emerging voices from Teen Academy, it offers a snapshot of the ideas driving the next generation of image-makers.
This exhibition is free with a suggested donation. Plan your visit at the link in bio.
Join us for opening night on Friday, May 15. Tickets available at the link in bio.
*Please note that ICP’s museum will be closed Sunday, May 17 and Tuesday, May 19.
Full image credits in captions.
On view May 15–25, Evidence of Existence: 2026 ICP Recent Graduates Exhibition brings together new work by artists from ICP’s onsite One-Year Certificate Programs and Teen Academy.
Curated by Sara Ickow, the exhibition turns attention toward what is often overlooked or out of reach, exploring how photography can give form to the unseen.
Including artists from ICP’s Documentary Practice and Visual Journalism and Creative Practices programs, alongside emerging voices from Teen Academy, it offers a snapshot of the ideas driving the next generation of image-makers.
This exhibition is free with a suggested donation. Plan your visit at the link in bio.
Join us for opening night on Friday, May 15. Tickets available at the link in bio.
*Please note that ICP’s museum will be closed Sunday, May 17 and Tuesday, May 19.
Full image credits in captions.
On the birthday of Jacob Riis, we’re diving into how photographer Riis exposed life inside New York’s tenements. From crowded tenements on the Lower East Side to the pages of his book, "How the Other Half Lives," Riis used photography as evidence and storytelling as a call to action.
This Lower East Side History Month, we’re looking at how images can do more than document, they can demand change.
May Day, Paris
On May 1, known around the world as International Workers’ Day, Robert Capa photographed workers, students, and families marching in support of the Popular Front, a left-wing coalition of labor unions, socialists, and communists formed, in part, to counter the rise of fascism.
Made in Paris in 1936 and 1937, these images of Popular Front parades and demonstrations reflect a moment of political urgency.
In August 1936, Capa traveled to Spain to document the start of Spanish Civil War. These photographs highlight the moment just before, when the tensions shaping Europe were already visible.
Images:
1: Robert Capa, [Workers raising their fists on the Place de la Nation, Paris], 1936-1937, The Robert Capa and Cornell Capa Archive, Gift of Edith and Cornell Capa, 1992 (296.1992)
2: Robert Capa, [Women marching with anti-fascist banners, May Day Parade, Paris], 1936-1937, The Robert Capa and Cornell Capa Archive, Gift of Edith and Cornell Capa, 1992 (292.1992)
3: Robert Capa, [View of the crowded Place de la Nation from above, Paris], 1936-1937, The Robert Capa and Cornell Capa Archive, Gift of Edith and Cornell Capa, 1992 (309.1992)
4: Robert Capa [Socialist crowd marching and saluting, May Day Parade, Paris], 1936-1937, The Robert Capa and Cornell Capa Archive, Gift of Edith and Cornell Capa, 1992 (281.1992)
May Day, Paris
On May 1, known around the world as International Workers’ Day, Robert Capa photographed workers, students, and families marching in support of the Popular Front, a left-wing coalition of labor unions, socialists, and communists formed, in part, to counter the rise of fascism.
Made in Paris in 1936 and 1937, these images of Popular Front parades and demonstrations reflect a moment of political urgency.
In August 1936, Capa traveled to Spain to document the start of Spanish Civil War. These photographs highlight the moment just before, when the tensions shaping Europe were already visible.
Images:
1: Robert Capa, [Workers raising their fists on the Place de la Nation, Paris], 1936-1937, The Robert Capa and Cornell Capa Archive, Gift of Edith and Cornell Capa, 1992 (296.1992)
2: Robert Capa, [Women marching with anti-fascist banners, May Day Parade, Paris], 1936-1937, The Robert Capa and Cornell Capa Archive, Gift of Edith and Cornell Capa, 1992 (292.1992)
3: Robert Capa, [View of the crowded Place de la Nation from above, Paris], 1936-1937, The Robert Capa and Cornell Capa Archive, Gift of Edith and Cornell Capa, 1992 (309.1992)
4: Robert Capa [Socialist crowd marching and saluting, May Day Parade, Paris], 1936-1937, The Robert Capa and Cornell Capa Archive, Gift of Edith and Cornell Capa, 1992 (281.1992)
May Day, Paris
On May 1, known around the world as International Workers’ Day, Robert Capa photographed workers, students, and families marching in support of the Popular Front, a left-wing coalition of labor unions, socialists, and communists formed, in part, to counter the rise of fascism.
Made in Paris in 1936 and 1937, these images of Popular Front parades and demonstrations reflect a moment of political urgency.
In August 1936, Capa traveled to Spain to document the start of Spanish Civil War. These photographs highlight the moment just before, when the tensions shaping Europe were already visible.
Images:
1: Robert Capa, [Workers raising their fists on the Place de la Nation, Paris], 1936-1937, The Robert Capa and Cornell Capa Archive, Gift of Edith and Cornell Capa, 1992 (296.1992)
2: Robert Capa, [Women marching with anti-fascist banners, May Day Parade, Paris], 1936-1937, The Robert Capa and Cornell Capa Archive, Gift of Edith and Cornell Capa, 1992 (292.1992)
3: Robert Capa, [View of the crowded Place de la Nation from above, Paris], 1936-1937, The Robert Capa and Cornell Capa Archive, Gift of Edith and Cornell Capa, 1992 (309.1992)
4: Robert Capa [Socialist crowd marching and saluting, May Day Parade, Paris], 1936-1937, The Robert Capa and Cornell Capa Archive, Gift of Edith and Cornell Capa, 1992 (281.1992)
May Day, Paris
On May 1, known around the world as International Workers’ Day, Robert Capa photographed workers, students, and families marching in support of the Popular Front, a left-wing coalition of labor unions, socialists, and communists formed, in part, to counter the rise of fascism.
Made in Paris in 1936 and 1937, these images of Popular Front parades and demonstrations reflect a moment of political urgency.
In August 1936, Capa traveled to Spain to document the start of Spanish Civil War. These photographs highlight the moment just before, when the tensions shaping Europe were already visible.
Images:
1: Robert Capa, [Workers raising their fists on the Place de la Nation, Paris], 1936-1937, The Robert Capa and Cornell Capa Archive, Gift of Edith and Cornell Capa, 1992 (296.1992)
2: Robert Capa, [Women marching with anti-fascist banners, May Day Parade, Paris], 1936-1937, The Robert Capa and Cornell Capa Archive, Gift of Edith and Cornell Capa, 1992 (292.1992)
3: Robert Capa, [View of the crowded Place de la Nation from above, Paris], 1936-1937, The Robert Capa and Cornell Capa Archive, Gift of Edith and Cornell Capa, 1992 (309.1992)
4: Robert Capa [Socialist crowd marching and saluting, May Day Parade, Paris], 1936-1937, The Robert Capa and Cornell Capa Archive, Gift of Edith and Cornell Capa, 1992 (281.1992)
Thank you to everyone who joined on Tuesday evening for ICP’s 42nd Annual Infinity Awards.
Held at Tisch Skylights at The Shed, the evening brought together artists, photographers, and supporters to celebrate outstanding achievement across photography and visual culture.
Congratulations again to our 2026 honorees: Joel Meyerowitz (@joel_meyerowitz), Haruka Sakaguchi (@hsakag), Betty Catroux, Collier Schorr(@collierschorrstudio), and Tarrah Krajnak (@tarrahkrajnak_studio). Special thanks to our co-chairs Stefano Tonchi (@stefanotonchi) and Jessica Nagle, and to everyone who made the night possible.
We’re grateful to our community for making the event so special. Proceeds from the Infinity Awards will support ICP’s ongoing work to champion artists, foster connection, and expand access to photography through exhibitions, education, and public programs.
Images:
© Jenna Bascom for ICP: 1, 3–6, 8–9, 11
© Yvonne Tnt/BFA.com: 2, 7, 10, 12–14
Thank you to everyone who joined on Tuesday evening for ICP’s 42nd Annual Infinity Awards.
Held at Tisch Skylights at The Shed, the evening brought together artists, photographers, and supporters to celebrate outstanding achievement across photography and visual culture.
Congratulations again to our 2026 honorees: Joel Meyerowitz (@joel_meyerowitz), Haruka Sakaguchi (@hsakag), Betty Catroux, Collier Schorr(@collierschorrstudio), and Tarrah Krajnak (@tarrahkrajnak_studio). Special thanks to our co-chairs Stefano Tonchi (@stefanotonchi) and Jessica Nagle, and to everyone who made the night possible.
We’re grateful to our community for making the event so special. Proceeds from the Infinity Awards will support ICP’s ongoing work to champion artists, foster connection, and expand access to photography through exhibitions, education, and public programs.
Images:
© Jenna Bascom for ICP: 1, 3–6, 8–9, 11
© Yvonne Tnt/BFA.com: 2, 7, 10, 12–14
Thank you to everyone who joined on Tuesday evening for ICP’s 42nd Annual Infinity Awards.
Held at Tisch Skylights at The Shed, the evening brought together artists, photographers, and supporters to celebrate outstanding achievement across photography and visual culture.
Congratulations again to our 2026 honorees: Joel Meyerowitz (@joel_meyerowitz), Haruka Sakaguchi (@hsakag), Betty Catroux, Collier Schorr(@collierschorrstudio), and Tarrah Krajnak (@tarrahkrajnak_studio). Special thanks to our co-chairs Stefano Tonchi (@stefanotonchi) and Jessica Nagle, and to everyone who made the night possible.
We’re grateful to our community for making the event so special. Proceeds from the Infinity Awards will support ICP’s ongoing work to champion artists, foster connection, and expand access to photography through exhibitions, education, and public programs.
Images:
© Jenna Bascom for ICP: 1, 3–6, 8–9, 11
© Yvonne Tnt/BFA.com: 2, 7, 10, 12–14
Thank you to everyone who joined on Tuesday evening for ICP’s 42nd Annual Infinity Awards.
Held at Tisch Skylights at The Shed, the evening brought together artists, photographers, and supporters to celebrate outstanding achievement across photography and visual culture.
Congratulations again to our 2026 honorees: Joel Meyerowitz (@joel_meyerowitz), Haruka Sakaguchi (@hsakag), Betty Catroux, Collier Schorr(@collierschorrstudio), and Tarrah Krajnak (@tarrahkrajnak_studio). Special thanks to our co-chairs Stefano Tonchi (@stefanotonchi) and Jessica Nagle, and to everyone who made the night possible.
We’re grateful to our community for making the event so special. Proceeds from the Infinity Awards will support ICP’s ongoing work to champion artists, foster connection, and expand access to photography through exhibitions, education, and public programs.
Images:
© Jenna Bascom for ICP: 1, 3–6, 8–9, 11
© Yvonne Tnt/BFA.com: 2, 7, 10, 12–14
Thank you to everyone who joined on Tuesday evening for ICP’s 42nd Annual Infinity Awards.
Held at Tisch Skylights at The Shed, the evening brought together artists, photographers, and supporters to celebrate outstanding achievement across photography and visual culture.
Congratulations again to our 2026 honorees: Joel Meyerowitz (@joel_meyerowitz), Haruka Sakaguchi (@hsakag), Betty Catroux, Collier Schorr(@collierschorrstudio), and Tarrah Krajnak (@tarrahkrajnak_studio). Special thanks to our co-chairs Stefano Tonchi (@stefanotonchi) and Jessica Nagle, and to everyone who made the night possible.
We’re grateful to our community for making the event so special. Proceeds from the Infinity Awards will support ICP’s ongoing work to champion artists, foster connection, and expand access to photography through exhibitions, education, and public programs.
Images:
© Jenna Bascom for ICP: 1, 3–6, 8–9, 11
© Yvonne Tnt/BFA.com: 2, 7, 10, 12–14
Thank you to everyone who joined on Tuesday evening for ICP’s 42nd Annual Infinity Awards.
Held at Tisch Skylights at The Shed, the evening brought together artists, photographers, and supporters to celebrate outstanding achievement across photography and visual culture.
Congratulations again to our 2026 honorees: Joel Meyerowitz (@joel_meyerowitz), Haruka Sakaguchi (@hsakag), Betty Catroux, Collier Schorr(@collierschorrstudio), and Tarrah Krajnak (@tarrahkrajnak_studio). Special thanks to our co-chairs Stefano Tonchi (@stefanotonchi) and Jessica Nagle, and to everyone who made the night possible.
We’re grateful to our community for making the event so special. Proceeds from the Infinity Awards will support ICP’s ongoing work to champion artists, foster connection, and expand access to photography through exhibitions, education, and public programs.
Images:
© Jenna Bascom for ICP: 1, 3–6, 8–9, 11
© Yvonne Tnt/BFA.com: 2, 7, 10, 12–14
Thank you to everyone who joined on Tuesday evening for ICP’s 42nd Annual Infinity Awards.
Held at Tisch Skylights at The Shed, the evening brought together artists, photographers, and supporters to celebrate outstanding achievement across photography and visual culture.
Congratulations again to our 2026 honorees: Joel Meyerowitz (@joel_meyerowitz), Haruka Sakaguchi (@hsakag), Betty Catroux, Collier Schorr(@collierschorrstudio), and Tarrah Krajnak (@tarrahkrajnak_studio). Special thanks to our co-chairs Stefano Tonchi (@stefanotonchi) and Jessica Nagle, and to everyone who made the night possible.
We’re grateful to our community for making the event so special. Proceeds from the Infinity Awards will support ICP’s ongoing work to champion artists, foster connection, and expand access to photography through exhibitions, education, and public programs.
Images:
© Jenna Bascom for ICP: 1, 3–6, 8–9, 11
© Yvonne Tnt/BFA.com: 2, 7, 10, 12–14
Thank you to everyone who joined on Tuesday evening for ICP’s 42nd Annual Infinity Awards.
Held at Tisch Skylights at The Shed, the evening brought together artists, photographers, and supporters to celebrate outstanding achievement across photography and visual culture.
Congratulations again to our 2026 honorees: Joel Meyerowitz (@joel_meyerowitz), Haruka Sakaguchi (@hsakag), Betty Catroux, Collier Schorr(@collierschorrstudio), and Tarrah Krajnak (@tarrahkrajnak_studio). Special thanks to our co-chairs Stefano Tonchi (@stefanotonchi) and Jessica Nagle, and to everyone who made the night possible.
We’re grateful to our community for making the event so special. Proceeds from the Infinity Awards will support ICP’s ongoing work to champion artists, foster connection, and expand access to photography through exhibitions, education, and public programs.
Images:
© Jenna Bascom for ICP: 1, 3–6, 8–9, 11
© Yvonne Tnt/BFA.com: 2, 7, 10, 12–14
Thank you to everyone who joined on Tuesday evening for ICP’s 42nd Annual Infinity Awards.
Held at Tisch Skylights at The Shed, the evening brought together artists, photographers, and supporters to celebrate outstanding achievement across photography and visual culture.
Congratulations again to our 2026 honorees: Joel Meyerowitz (@joel_meyerowitz), Haruka Sakaguchi (@hsakag), Betty Catroux, Collier Schorr(@collierschorrstudio), and Tarrah Krajnak (@tarrahkrajnak_studio). Special thanks to our co-chairs Stefano Tonchi (@stefanotonchi) and Jessica Nagle, and to everyone who made the night possible.
We’re grateful to our community for making the event so special. Proceeds from the Infinity Awards will support ICP’s ongoing work to champion artists, foster connection, and expand access to photography through exhibitions, education, and public programs.
Images:
© Jenna Bascom for ICP: 1, 3–6, 8–9, 11
© Yvonne Tnt/BFA.com: 2, 7, 10, 12–14
Thank you to everyone who joined on Tuesday evening for ICP’s 42nd Annual Infinity Awards.
Held at Tisch Skylights at The Shed, the evening brought together artists, photographers, and supporters to celebrate outstanding achievement across photography and visual culture.
Congratulations again to our 2026 honorees: Joel Meyerowitz (@joel_meyerowitz), Haruka Sakaguchi (@hsakag), Betty Catroux, Collier Schorr(@collierschorrstudio), and Tarrah Krajnak (@tarrahkrajnak_studio). Special thanks to our co-chairs Stefano Tonchi (@stefanotonchi) and Jessica Nagle, and to everyone who made the night possible.
We’re grateful to our community for making the event so special. Proceeds from the Infinity Awards will support ICP’s ongoing work to champion artists, foster connection, and expand access to photography through exhibitions, education, and public programs.
Images:
© Jenna Bascom for ICP: 1, 3–6, 8–9, 11
© Yvonne Tnt/BFA.com: 2, 7, 10, 12–14
Thank you to everyone who joined on Tuesday evening for ICP’s 42nd Annual Infinity Awards.
Held at Tisch Skylights at The Shed, the evening brought together artists, photographers, and supporters to celebrate outstanding achievement across photography and visual culture.
Congratulations again to our 2026 honorees: Joel Meyerowitz (@joel_meyerowitz), Haruka Sakaguchi (@hsakag), Betty Catroux, Collier Schorr(@collierschorrstudio), and Tarrah Krajnak (@tarrahkrajnak_studio). Special thanks to our co-chairs Stefano Tonchi (@stefanotonchi) and Jessica Nagle, and to everyone who made the night possible.
We’re grateful to our community for making the event so special. Proceeds from the Infinity Awards will support ICP’s ongoing work to champion artists, foster connection, and expand access to photography through exhibitions, education, and public programs.
Images:
© Jenna Bascom for ICP: 1, 3–6, 8–9, 11
© Yvonne Tnt/BFA.com: 2, 7, 10, 12–14
Thank you to everyone who joined on Tuesday evening for ICP’s 42nd Annual Infinity Awards.
Held at Tisch Skylights at The Shed, the evening brought together artists, photographers, and supporters to celebrate outstanding achievement across photography and visual culture.
Congratulations again to our 2026 honorees: Joel Meyerowitz (@joel_meyerowitz), Haruka Sakaguchi (@hsakag), Betty Catroux, Collier Schorr(@collierschorrstudio), and Tarrah Krajnak (@tarrahkrajnak_studio). Special thanks to our co-chairs Stefano Tonchi (@stefanotonchi) and Jessica Nagle, and to everyone who made the night possible.
We’re grateful to our community for making the event so special. Proceeds from the Infinity Awards will support ICP’s ongoing work to champion artists, foster connection, and expand access to photography through exhibitions, education, and public programs.
Images:
© Jenna Bascom for ICP: 1, 3–6, 8–9, 11
© Yvonne Tnt/BFA.com: 2, 7, 10, 12–14
Thank you to everyone who joined on Tuesday evening for ICP’s 42nd Annual Infinity Awards.
Held at Tisch Skylights at The Shed, the evening brought together artists, photographers, and supporters to celebrate outstanding achievement across photography and visual culture.
Congratulations again to our 2026 honorees: Joel Meyerowitz (@joel_meyerowitz), Haruka Sakaguchi (@hsakag), Betty Catroux, Collier Schorr(@collierschorrstudio), and Tarrah Krajnak (@tarrahkrajnak_studio). Special thanks to our co-chairs Stefano Tonchi (@stefanotonchi) and Jessica Nagle, and to everyone who made the night possible.
We’re grateful to our community for making the event so special. Proceeds from the Infinity Awards will support ICP’s ongoing work to champion artists, foster connection, and expand access to photography through exhibitions, education, and public programs.
Images:
© Jenna Bascom for ICP: 1, 3–6, 8–9, 11
© Yvonne Tnt/BFA.com: 2, 7, 10, 12–14
Thank you to everyone who joined on Tuesday evening for ICP’s 42nd Annual Infinity Awards.
Held at Tisch Skylights at The Shed, the evening brought together artists, photographers, and supporters to celebrate outstanding achievement across photography and visual culture.
Congratulations again to our 2026 honorees: Joel Meyerowitz (@joel_meyerowitz), Haruka Sakaguchi (@hsakag), Betty Catroux, Collier Schorr(@collierschorrstudio), and Tarrah Krajnak (@tarrahkrajnak_studio). Special thanks to our co-chairs Stefano Tonchi (@stefanotonchi) and Jessica Nagle, and to everyone who made the night possible.
We’re grateful to our community for making the event so special. Proceeds from the Infinity Awards will support ICP’s ongoing work to champion artists, foster connection, and expand access to photography through exhibitions, education, and public programs.
Images:
© Jenna Bascom for ICP: 1, 3–6, 8–9, 11
© Yvonne Tnt/BFA.com: 2, 7, 10, 12–14
Photobook Fest 2026 is almost here, and the full schedule is live!
From May 8–10, join us at ICP on the Lower East Side for three days of conversations, workshops, book releases, and more, featuring artists and publishers from around the world.
Take a look, map out your weekend, and get your tickets at the link in bio.
ICP Members can visit all weekend with free access, plus discounts at the ICP Shop and with select publishers.
Photobook Fest 2026 is almost here, and the full schedule is live!
From May 8–10, join us at ICP on the Lower East Side for three days of conversations, workshops, book releases, and more, featuring artists and publishers from around the world.
Take a look, map out your weekend, and get your tickets at the link in bio.
ICP Members can visit all weekend with free access, plus discounts at the ICP Shop and with select publishers.
Photobook Fest 2026 is almost here, and the full schedule is live!
From May 8–10, join us at ICP on the Lower East Side for three days of conversations, workshops, book releases, and more, featuring artists and publishers from around the world.
Take a look, map out your weekend, and get your tickets at the link in bio.
ICP Members can visit all weekend with free access, plus discounts at the ICP Shop and with select publishers.
Photobook Fest 2026 is almost here, and the full schedule is live!
From May 8–10, join us at ICP on the Lower East Side for three days of conversations, workshops, book releases, and more, featuring artists and publishers from around the world.
Take a look, map out your weekend, and get your tickets at the link in bio.
ICP Members can visit all weekend with free access, plus discounts at the ICP Shop and with select publishers.
Photobook Fest 2026 is almost here, and the full schedule is live!
From May 8–10, join us at ICP on the Lower East Side for three days of conversations, workshops, book releases, and more, featuring artists and publishers from around the world.
Take a look, map out your weekend, and get your tickets at the link in bio.
ICP Members can visit all weekend with free access, plus discounts at the ICP Shop and with select publishers.
Photobook Fest 2026 is almost here, and the full schedule is live!
From May 8–10, join us at ICP on the Lower East Side for three days of conversations, workshops, book releases, and more, featuring artists and publishers from around the world.
Take a look, map out your weekend, and get your tickets at the link in bio.
ICP Members can visit all weekend with free access, plus discounts at the ICP Shop and with select publishers.
Don’t miss the final days to see ICP’s winter exhibitions before they close on May 4.
Discover HARD COPY NEW YORK, an expanded iteration of Aaron Stern (@aaronstern__)'s ongoing project exploring the contemporary use of the photocopied image
Experience Latitudes: Nuits Balnéaires and François-Xavier Gbré, featuring new work by Côte d’Ivoire–based artists Nuits Balnéaires (@nuits_balneaires) and François-Xavier Gbré (@francoisxaviergbre).
Spend time with Eugène Atget: The Making of a Reputation, which takrs a closer look at how Atget’s legacy took shape through the advocacy of Berenice Abbott.
Gain deeper insight into the work by join one of our final exhibition tours on May 1 at 4 PM or May 2 at 1 PM. Tours are free with museum admission.
Plan your visit at the link in bio.
Images: Jenna Bascom for ICP
Don’t miss the final days to see ICP’s winter exhibitions before they close on May 4.
Discover HARD COPY NEW YORK, an expanded iteration of Aaron Stern (@aaronstern__)'s ongoing project exploring the contemporary use of the photocopied image
Experience Latitudes: Nuits Balnéaires and François-Xavier Gbré, featuring new work by Côte d’Ivoire–based artists Nuits Balnéaires (@nuits_balneaires) and François-Xavier Gbré (@francoisxaviergbre).
Spend time with Eugène Atget: The Making of a Reputation, which takrs a closer look at how Atget’s legacy took shape through the advocacy of Berenice Abbott.
Gain deeper insight into the work by join one of our final exhibition tours on May 1 at 4 PM or May 2 at 1 PM. Tours are free with museum admission.
Plan your visit at the link in bio.
Images: Jenna Bascom for ICP
Don’t miss the final days to see ICP’s winter exhibitions before they close on May 4.
Discover HARD COPY NEW YORK, an expanded iteration of Aaron Stern (@aaronstern__)'s ongoing project exploring the contemporary use of the photocopied image
Experience Latitudes: Nuits Balnéaires and François-Xavier Gbré, featuring new work by Côte d’Ivoire–based artists Nuits Balnéaires (@nuits_balneaires) and François-Xavier Gbré (@francoisxaviergbre).
Spend time with Eugène Atget: The Making of a Reputation, which takrs a closer look at how Atget’s legacy took shape through the advocacy of Berenice Abbott.
Gain deeper insight into the work by join one of our final exhibition tours on May 1 at 4 PM or May 2 at 1 PM. Tours are free with museum admission.
Plan your visit at the link in bio.
Images: Jenna Bascom for ICP
Don’t miss the final days to see ICP’s winter exhibitions before they close on May 4.
Discover HARD COPY NEW YORK, an expanded iteration of Aaron Stern (@aaronstern__)'s ongoing project exploring the contemporary use of the photocopied image
Experience Latitudes: Nuits Balnéaires and François-Xavier Gbré, featuring new work by Côte d’Ivoire–based artists Nuits Balnéaires (@nuits_balneaires) and François-Xavier Gbré (@francoisxaviergbre).
Spend time with Eugène Atget: The Making of a Reputation, which takrs a closer look at how Atget’s legacy took shape through the advocacy of Berenice Abbott.
Gain deeper insight into the work by join one of our final exhibition tours on May 1 at 4 PM or May 2 at 1 PM. Tours are free with museum admission.
Plan your visit at the link in bio.
Images: Jenna Bascom for ICP
May courses at ICP are just around the corner!
Whether you’re developing a long-term project, or learning the fundamentals of film and lighting, these upcoming Open Education courses offer space to refine your practice and push it further.
From a street photography course exploring instinct and observation with Matthew Septimus (@matthewseptimus), to Advancing Your Personal Project (Online) with Martine Fougeron (@martinefougeron) focused on editing, and shaping a body of work, each class is designed to move your work forward.
You can also build technical foundations with Lighting I: The Essentials with Dario Acosta (@darioshoots) or Film Camera Basics with Alina Patrick (@alina.patrick), or take a more personal approach in Framing Grief: Making the Invisible Visible (Online) with Lesly Deschler Canossi (@deschlercanossi) and Anthoula Lelekidis (anthoulalelekidis).
Explore the full lineup and enroll at the links in bio.
May courses at ICP are just around the corner!
Whether you’re developing a long-term project, or learning the fundamentals of film and lighting, these upcoming Open Education courses offer space to refine your practice and push it further.
From a street photography course exploring instinct and observation with Matthew Septimus (@matthewseptimus), to Advancing Your Personal Project (Online) with Martine Fougeron (@martinefougeron) focused on editing, and shaping a body of work, each class is designed to move your work forward.
You can also build technical foundations with Lighting I: The Essentials with Dario Acosta (@darioshoots) or Film Camera Basics with Alina Patrick (@alina.patrick), or take a more personal approach in Framing Grief: Making the Invisible Visible (Online) with Lesly Deschler Canossi (@deschlercanossi) and Anthoula Lelekidis (anthoulalelekidis).
Explore the full lineup and enroll at the links in bio.
May courses at ICP are just around the corner!
Whether you’re developing a long-term project, or learning the fundamentals of film and lighting, these upcoming Open Education courses offer space to refine your practice and push it further.
From a street photography course exploring instinct and observation with Matthew Septimus (@matthewseptimus), to Advancing Your Personal Project (Online) with Martine Fougeron (@martinefougeron) focused on editing, and shaping a body of work, each class is designed to move your work forward.
You can also build technical foundations with Lighting I: The Essentials with Dario Acosta (@darioshoots) or Film Camera Basics with Alina Patrick (@alina.patrick), or take a more personal approach in Framing Grief: Making the Invisible Visible (Online) with Lesly Deschler Canossi (@deschlercanossi) and Anthoula Lelekidis (anthoulalelekidis).
Explore the full lineup and enroll at the links in bio.
May courses at ICP are just around the corner!
Whether you’re developing a long-term project, or learning the fundamentals of film and lighting, these upcoming Open Education courses offer space to refine your practice and push it further.
From a street photography course exploring instinct and observation with Matthew Septimus (@matthewseptimus), to Advancing Your Personal Project (Online) with Martine Fougeron (@martinefougeron) focused on editing, and shaping a body of work, each class is designed to move your work forward.
You can also build technical foundations with Lighting I: The Essentials with Dario Acosta (@darioshoots) or Film Camera Basics with Alina Patrick (@alina.patrick), or take a more personal approach in Framing Grief: Making the Invisible Visible (Online) with Lesly Deschler Canossi (@deschlercanossi) and Anthoula Lelekidis (anthoulalelekidis).
Explore the full lineup and enroll at the links in bio.
May courses at ICP are just around the corner!
Whether you’re developing a long-term project, or learning the fundamentals of film and lighting, these upcoming Open Education courses offer space to refine your practice and push it further.
From a street photography course exploring instinct and observation with Matthew Septimus (@matthewseptimus), to Advancing Your Personal Project (Online) with Martine Fougeron (@martinefougeron) focused on editing, and shaping a body of work, each class is designed to move your work forward.
You can also build technical foundations with Lighting I: The Essentials with Dario Acosta (@darioshoots) or Film Camera Basics with Alina Patrick (@alina.patrick), or take a more personal approach in Framing Grief: Making the Invisible Visible (Online) with Lesly Deschler Canossi (@deschlercanossi) and Anthoula Lelekidis (anthoulalelekidis).
Explore the full lineup and enroll at the links in bio.
Most contemporary photography is concerned with authorship—but what happens when we encounter unmarked archives?
Here's six photographs from ICP's collection, authored by the ever-illusive "Unknown Photographer". What do you see, or gather, from these images and their captions? Tell us in the comments.
You can search the term yourself at icp.org/collections for a surprising trove of images in our collection. How amazing, to admire photographs made by a stranger.
Images
1: Unidentified Photographer, [Unidentified Woman], ca.1920, Museum Purchase, 2005, Entered into the Daniel Cowin Collection (474.2005)
2: Unidentified Photographer[Album of Uniquely Cut and Torn Photographs], 1918–1920, Barbara Levine Collection, Purchase, with funds provided by the ICP Acquisitions Committee in honor of Willis E. Hartshorn, 2009 (2009.32.46)
3: Unidentified Photographer, [Two unidentified girls, one eating watermelon, the other disrobing], ca. 1960, Gift of John and Teenuh Foster, Accidental Mysteries Collection, 2012 (2012.24.1)
4: Unidentified Photographer, [Unidentified Woman], ca. 1930, Gift of Daniel Cowin, 1990 (1239.1990)
5: Unidentified Photographer, [Unidentified Group], ca.1924, Museum Purchase, 2006 (2006.66.1)
6: Unidentified Photographer, [Unidentified Woman], ca.1900, Museum Purchase, 2006 (2006.65.1)
Most contemporary photography is concerned with authorship—but what happens when we encounter unmarked archives?
Here's six photographs from ICP's collection, authored by the ever-illusive "Unknown Photographer". What do you see, or gather, from these images and their captions? Tell us in the comments.
You can search the term yourself at icp.org/collections for a surprising trove of images in our collection. How amazing, to admire photographs made by a stranger.
Images
1: Unidentified Photographer, [Unidentified Woman], ca.1920, Museum Purchase, 2005, Entered into the Daniel Cowin Collection (474.2005)
2: Unidentified Photographer[Album of Uniquely Cut and Torn Photographs], 1918–1920, Barbara Levine Collection, Purchase, with funds provided by the ICP Acquisitions Committee in honor of Willis E. Hartshorn, 2009 (2009.32.46)
3: Unidentified Photographer, [Two unidentified girls, one eating watermelon, the other disrobing], ca. 1960, Gift of John and Teenuh Foster, Accidental Mysteries Collection, 2012 (2012.24.1)
4: Unidentified Photographer, [Unidentified Woman], ca. 1930, Gift of Daniel Cowin, 1990 (1239.1990)
5: Unidentified Photographer, [Unidentified Group], ca.1924, Museum Purchase, 2006 (2006.66.1)
6: Unidentified Photographer, [Unidentified Woman], ca.1900, Museum Purchase, 2006 (2006.65.1)
Most contemporary photography is concerned with authorship—but what happens when we encounter unmarked archives?
Here's six photographs from ICP's collection, authored by the ever-illusive "Unknown Photographer". What do you see, or gather, from these images and their captions? Tell us in the comments.
You can search the term yourself at icp.org/collections for a surprising trove of images in our collection. How amazing, to admire photographs made by a stranger.
Images
1: Unidentified Photographer, [Unidentified Woman], ca.1920, Museum Purchase, 2005, Entered into the Daniel Cowin Collection (474.2005)
2: Unidentified Photographer[Album of Uniquely Cut and Torn Photographs], 1918–1920, Barbara Levine Collection, Purchase, with funds provided by the ICP Acquisitions Committee in honor of Willis E. Hartshorn, 2009 (2009.32.46)
3: Unidentified Photographer, [Two unidentified girls, one eating watermelon, the other disrobing], ca. 1960, Gift of John and Teenuh Foster, Accidental Mysteries Collection, 2012 (2012.24.1)
4: Unidentified Photographer, [Unidentified Woman], ca. 1930, Gift of Daniel Cowin, 1990 (1239.1990)
5: Unidentified Photographer, [Unidentified Group], ca.1924, Museum Purchase, 2006 (2006.66.1)
6: Unidentified Photographer, [Unidentified Woman], ca.1900, Museum Purchase, 2006 (2006.65.1)
Most contemporary photography is concerned with authorship—but what happens when we encounter unmarked archives?
Here's six photographs from ICP's collection, authored by the ever-illusive "Unknown Photographer". What do you see, or gather, from these images and their captions? Tell us in the comments.
You can search the term yourself at icp.org/collections for a surprising trove of images in our collection. How amazing, to admire photographs made by a stranger.
Images
1: Unidentified Photographer, [Unidentified Woman], ca.1920, Museum Purchase, 2005, Entered into the Daniel Cowin Collection (474.2005)
2: Unidentified Photographer[Album of Uniquely Cut and Torn Photographs], 1918–1920, Barbara Levine Collection, Purchase, with funds provided by the ICP Acquisitions Committee in honor of Willis E. Hartshorn, 2009 (2009.32.46)
3: Unidentified Photographer, [Two unidentified girls, one eating watermelon, the other disrobing], ca. 1960, Gift of John and Teenuh Foster, Accidental Mysteries Collection, 2012 (2012.24.1)
4: Unidentified Photographer, [Unidentified Woman], ca. 1930, Gift of Daniel Cowin, 1990 (1239.1990)
5: Unidentified Photographer, [Unidentified Group], ca.1924, Museum Purchase, 2006 (2006.66.1)
6: Unidentified Photographer, [Unidentified Woman], ca.1900, Museum Purchase, 2006 (2006.65.1)
Most contemporary photography is concerned with authorship—but what happens when we encounter unmarked archives?
Here's six photographs from ICP's collection, authored by the ever-illusive "Unknown Photographer". What do you see, or gather, from these images and their captions? Tell us in the comments.
You can search the term yourself at icp.org/collections for a surprising trove of images in our collection. How amazing, to admire photographs made by a stranger.
Images
1: Unidentified Photographer, [Unidentified Woman], ca.1920, Museum Purchase, 2005, Entered into the Daniel Cowin Collection (474.2005)
2: Unidentified Photographer[Album of Uniquely Cut and Torn Photographs], 1918–1920, Barbara Levine Collection, Purchase, with funds provided by the ICP Acquisitions Committee in honor of Willis E. Hartshorn, 2009 (2009.32.46)
3: Unidentified Photographer, [Two unidentified girls, one eating watermelon, the other disrobing], ca. 1960, Gift of John and Teenuh Foster, Accidental Mysteries Collection, 2012 (2012.24.1)
4: Unidentified Photographer, [Unidentified Woman], ca. 1930, Gift of Daniel Cowin, 1990 (1239.1990)
5: Unidentified Photographer, [Unidentified Group], ca.1924, Museum Purchase, 2006 (2006.66.1)
6: Unidentified Photographer, [Unidentified Woman], ca.1900, Museum Purchase, 2006 (2006.65.1)
Most contemporary photography is concerned with authorship—but what happens when we encounter unmarked archives?
Here's six photographs from ICP's collection, authored by the ever-illusive "Unknown Photographer". What do you see, or gather, from these images and their captions? Tell us in the comments.
You can search the term yourself at icp.org/collections for a surprising trove of images in our collection. How amazing, to admire photographs made by a stranger.
Images
1: Unidentified Photographer, [Unidentified Woman], ca.1920, Museum Purchase, 2005, Entered into the Daniel Cowin Collection (474.2005)
2: Unidentified Photographer[Album of Uniquely Cut and Torn Photographs], 1918–1920, Barbara Levine Collection, Purchase, with funds provided by the ICP Acquisitions Committee in honor of Willis E. Hartshorn, 2009 (2009.32.46)
3: Unidentified Photographer, [Two unidentified girls, one eating watermelon, the other disrobing], ca. 1960, Gift of John and Teenuh Foster, Accidental Mysteries Collection, 2012 (2012.24.1)
4: Unidentified Photographer, [Unidentified Woman], ca. 1930, Gift of Daniel Cowin, 1990 (1239.1990)
5: Unidentified Photographer, [Unidentified Group], ca.1924, Museum Purchase, 2006 (2006.66.1)
6: Unidentified Photographer, [Unidentified Woman], ca.1900, Museum Purchase, 2006 (2006.65.1)
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
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The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
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Files are for personal or educational use only and must comply with copyright rules.
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Enter a public username to view or download stories. The service generates direct links for saving content locally.