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Our final One to Watch for 2024 is Imane Djamil. The Moroccan artist was nominated by Magnum photographer Myriam Boulos, who highlighted her “intertwined political and love stories”, such as those explored in ‘Slow Days in the Fortunate Isle’, a series exploring journeys from the Moroccan coastal town of Tarfaya to the nearby Canary Islands, and Fuerteventura specifically.
In the pictures, “I don’t want people to make a difference between what Fuerteventura is and what Tarfaya is,” Djamil explains. “I want them to not distinguish.” This approach was inspired by Djamil’s love of docu-fiction, but also driven by her frustration at western documentary practices, which often leave subjects dehumanised, objectified, or sensationalised. The result is pictures which are allusive while also retaining the hallmarks of Djamil’s photojournalistic background.
You can read more about her work at the link in our bio.
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Thanks to my dear @myriamboulos for her nomination and words & @dalia.aldu for the interview❤️
📷: @idjamil
🖊: @dalia.aldu
Repost from @bjp1854
•
Our final One to Watch for 2024 is Imane Djamil. The Moroccan artist was nominated by Magnum photographer Myriam Boulos, who highlighted her “intertwined political and love stories”, such as those explored in ‘Slow Days in the Fortunate Isle’, a series exploring journeys from the Moroccan coastal town of Tarfaya to the nearby Canary Islands, and Fuerteventura specifically.
In the pictures, “I don’t want people to make a difference between what Fuerteventura is and what Tarfaya is,” Djamil explains. “I want them to not distinguish.” This approach was inspired by Djamil’s love of docu-fiction, but also driven by her frustration at western documentary practices, which often leave subjects dehumanised, objectified, or sensationalised. The result is pictures which are allusive while also retaining the hallmarks of Djamil’s photojournalistic background.
You can read more about her work at the link in our bio.
-
Thanks to my dear @myriamboulos for her nomination and words & @dalia.aldu for the interview❤️
📷: @idjamil
🖊: @dalia.aldu
Repost from @bjp1854
•
Our final One to Watch for 2024 is Imane Djamil. The Moroccan artist was nominated by Magnum photographer Myriam Boulos, who highlighted her “intertwined political and love stories”, such as those explored in ‘Slow Days in the Fortunate Isle’, a series exploring journeys from the Moroccan coastal town of Tarfaya to the nearby Canary Islands, and Fuerteventura specifically.
In the pictures, “I don’t want people to make a difference between what Fuerteventura is and what Tarfaya is,” Djamil explains. “I want them to not distinguish.” This approach was inspired by Djamil’s love of docu-fiction, but also driven by her frustration at western documentary practices, which often leave subjects dehumanised, objectified, or sensationalised. The result is pictures which are allusive while also retaining the hallmarks of Djamil’s photojournalistic background.
You can read more about her work at the link in our bio.
-
Thanks to my dear @myriamboulos for her nomination and words & @dalia.aldu for the interview❤️
📷: @idjamil
🖊: @dalia.aldu
Repost from @bjp1854
•
Our final One to Watch for 2024 is Imane Djamil. The Moroccan artist was nominated by Magnum photographer Myriam Boulos, who highlighted her “intertwined political and love stories”, such as those explored in ‘Slow Days in the Fortunate Isle’, a series exploring journeys from the Moroccan coastal town of Tarfaya to the nearby Canary Islands, and Fuerteventura specifically.
In the pictures, “I don’t want people to make a difference between what Fuerteventura is and what Tarfaya is,” Djamil explains. “I want them to not distinguish.” This approach was inspired by Djamil’s love of docu-fiction, but also driven by her frustration at western documentary practices, which often leave subjects dehumanised, objectified, or sensationalised. The result is pictures which are allusive while also retaining the hallmarks of Djamil’s photojournalistic background.
You can read more about her work at the link in our bio.
-
Thanks to my dear @myriamboulos for her nomination and words & @dalia.aldu for the interview❤️
📷: @idjamil
🖊: @dalia.aldu
Repost from @bjp1854
•
Our final One to Watch for 2024 is Imane Djamil. The Moroccan artist was nominated by Magnum photographer Myriam Boulos, who highlighted her “intertwined political and love stories”, such as those explored in ‘Slow Days in the Fortunate Isle’, a series exploring journeys from the Moroccan coastal town of Tarfaya to the nearby Canary Islands, and Fuerteventura specifically.
In the pictures, “I don’t want people to make a difference between what Fuerteventura is and what Tarfaya is,” Djamil explains. “I want them to not distinguish.” This approach was inspired by Djamil’s love of docu-fiction, but also driven by her frustration at western documentary practices, which often leave subjects dehumanised, objectified, or sensationalised. The result is pictures which are allusive while also retaining the hallmarks of Djamil’s photojournalistic background.
You can read more about her work at the link in our bio.
-
Thanks to my dear @myriamboulos for her nomination and words & @dalia.aldu for the interview❤️
📷: @idjamil
🖊: @dalia.aldu
إيمان مصورة فوتوغرافية بدات صغيرة بزاف وطريقتها في التصوير كتعتمد فيها ديما على سرد القصص
وهادو هما 5 التصاور لي ماركاوها في المسيرة ديالها ✨
Last October, for the first time since the Talibans’ return in August 2021, the Afghan women’s team competed in an official tournament. It was held in Morocco, with all the players living in exile, and under close FIFA surveillance.
It was also an opportunity to meet them and reflect on their lives before and after August 15, 2021, a date they will never forget.
Read the full story in issue 233 of @sofoot with @victor_jzql.
Last October, for the first time since the Talibans’ return in August 2021, the Afghan women’s team competed in an official tournament. It was held in Morocco, with all the players living in exile, and under close FIFA surveillance.
It was also an opportunity to meet them and reflect on their lives before and after August 15, 2021, a date they will never forget.
Read the full story in issue 233 of @sofoot with @victor_jzql.
Last October, for the first time since the Talibans’ return in August 2021, the Afghan women’s team competed in an official tournament. It was held in Morocco, with all the players living in exile, and under close FIFA surveillance.
It was also an opportunity to meet them and reflect on their lives before and after August 15, 2021, a date they will never forget.
Read the full story in issue 233 of @sofoot with @victor_jzql.
Last October, for the first time since the Talibans’ return in August 2021, the Afghan women’s team competed in an official tournament. It was held in Morocco, with all the players living in exile, and under close FIFA surveillance.
It was also an opportunity to meet them and reflect on their lives before and after August 15, 2021, a date they will never forget.
Read the full story in issue 233 of @sofoot with @victor_jzql.
Last October, for the first time since the Talibans’ return in August 2021, the Afghan women’s team competed in an official tournament. It was held in Morocco, with all the players living in exile, and under close FIFA surveillance.
It was also an opportunity to meet them and reflect on their lives before and after August 15, 2021, a date they will never forget.
Read the full story in issue 233 of @sofoot with @victor_jzql.
Last October, for the first time since the Talibans’ return in August 2021, the Afghan women’s team competed in an official tournament. It was held in Morocco, with all the players living in exile, and under close FIFA surveillance.
It was also an opportunity to meet them and reflect on their lives before and after August 15, 2021, a date they will never forget.
Read the full story in issue 233 of @sofoot with @victor_jzql.
Last October, for the first time since the Talibans’ return in August 2021, the Afghan women’s team competed in an official tournament. It was held in Morocco, with all the players living in exile, and under close FIFA surveillance.
It was also an opportunity to meet them and reflect on their lives before and after August 15, 2021, a date they will never forget.
Read the full story in issue 233 of @sofoot with @victor_jzql.
Last October, for the first time since the Talibans’ return in August 2021, the Afghan women’s team competed in an official tournament. It was held in Morocco, with all the players living in exile, and under close FIFA surveillance.
It was also an opportunity to meet them and reflect on their lives before and after August 15, 2021, a date they will never forget.
Read the full story in issue 233 of @sofoot with @victor_jzql.
Last October, for the first time since the Talibans’ return in August 2021, the Afghan women’s team competed in an official tournament. It was held in Morocco, with all the players living in exile, and under close FIFA surveillance.
It was also an opportunity to meet them and reflect on their lives before and after August 15, 2021, a date they will never forget.
Read the full story in issue 233 of @sofoot with @victor_jzql.
Last October, for the first time since the Talibans’ return in August 2021, the Afghan women’s team competed in an official tournament. It was held in Morocco, with all the players living in exile, and under close FIFA surveillance.
It was also an opportunity to meet them and reflect on their lives before and after August 15, 2021, a date they will never forget.
Read the full story in issue 233 of @sofoot with @victor_jzql.
Last October, for the first time since the Talibans’ return in August 2021, the Afghan women’s team competed in an official tournament. It was held in Morocco, with all the players living in exile, and under close FIFA surveillance.
It was also an opportunity to meet them and reflect on their lives before and after August 15, 2021, a date they will never forget.
Read the full story in issue 233 of @sofoot with @victor_jzql.
Last October, for the first time since the Talibans’ return in August 2021, the Afghan women’s team competed in an official tournament. It was held in Morocco, with all the players living in exile, and under close FIFA surveillance.
It was also an opportunity to meet them and reflect on their lives before and after August 15, 2021, a date they will never forget.
Read the full story in issue 233 of @sofoot with @victor_jzql.
Afghanistan Women’s National Football Team’s Fatima Yusufi, Mursal Sadat and Nilab Mohammadi for @sofoot with @victor_jzql
Afghanistan Women’s National Football Team’s Fatima Yusufi, Mursal Sadat and Nilab Mohammadi for @sofoot with @victor_jzql
Afghanistan Women’s National Football Team’s Fatima Yusufi, Mursal Sadat and Nilab Mohammadi for @sofoot with @victor_jzql
A small selection of photographs from a story I shot for @sofoot back in October.
“In the shadow of the upcoming Africa Cup of Nations in Morocco, thousands of West-African migrants
stranded in Casablanca are trying to capitalize on the tournament’s spotlight to catch the eye of a scout and earn their ticket to Europe and professional football. Until reality catches up with them…” with @victor_jzql @can_a_2025
A small selection of photographs from a story I shot for @sofoot back in October.
“In the shadow of the upcoming Africa Cup of Nations in Morocco, thousands of West-African migrants
stranded in Casablanca are trying to capitalize on the tournament’s spotlight to catch the eye of a scout and earn their ticket to Europe and professional football. Until reality catches up with them…” with @victor_jzql @can_a_2025
A small selection of photographs from a story I shot for @sofoot back in October.
“In the shadow of the upcoming Africa Cup of Nations in Morocco, thousands of West-African migrants
stranded in Casablanca are trying to capitalize on the tournament’s spotlight to catch the eye of a scout and earn their ticket to Europe and professional football. Until reality catches up with them…” with @victor_jzql @can_a_2025
A small selection of photographs from a story I shot for @sofoot back in October.
“In the shadow of the upcoming Africa Cup of Nations in Morocco, thousands of West-African migrants
stranded in Casablanca are trying to capitalize on the tournament’s spotlight to catch the eye of a scout and earn their ticket to Europe and professional football. Until reality catches up with them…” with @victor_jzql @can_a_2025
A small selection of photographs from a story I shot for @sofoot back in October.
“In the shadow of the upcoming Africa Cup of Nations in Morocco, thousands of West-African migrants
stranded in Casablanca are trying to capitalize on the tournament’s spotlight to catch the eye of a scout and earn their ticket to Europe and professional football. Until reality catches up with them…” with @victor_jzql @can_a_2025
A small selection of photographs from a story I shot for @sofoot back in October.
“In the shadow of the upcoming Africa Cup of Nations in Morocco, thousands of West-African migrants
stranded in Casablanca are trying to capitalize on the tournament’s spotlight to catch the eye of a scout and earn their ticket to Europe and professional football. Until reality catches up with them…” with @victor_jzql @can_a_2025
A small selection of photographs from a story I shot for @sofoot back in October.
“In the shadow of the upcoming Africa Cup of Nations in Morocco, thousands of West-African migrants
stranded in Casablanca are trying to capitalize on the tournament’s spotlight to catch the eye of a scout and earn their ticket to Europe and professional football. Until reality catches up with them…” with @victor_jzql @can_a_2025
A small selection of photographs from a story I shot for @sofoot back in October.
“In the shadow of the upcoming Africa Cup of Nations in Morocco, thousands of West-African migrants
stranded in Casablanca are trying to capitalize on the tournament’s spotlight to catch the eye of a scout and earn their ticket to Europe and professional football. Until reality catches up with them…” with @victor_jzql @can_a_2025
A small selection of photographs from a story I shot for @sofoot back in October.
“In the shadow of the upcoming Africa Cup of Nations in Morocco, thousands of West-African migrants
stranded in Casablanca are trying to capitalize on the tournament’s spotlight to catch the eye of a scout and earn their ticket to Europe and professional football. Until reality catches up with them…” with @victor_jzql @can_a_2025
A small selection of photographs from a story I shot for @sofoot back in October.
“In the shadow of the upcoming Africa Cup of Nations in Morocco, thousands of West-African migrants
stranded in Casablanca are trying to capitalize on the tournament’s spotlight to catch the eye of a scout and earn their ticket to Europe and professional football. Until reality catches up with them…” with @victor_jzql @can_a_2025
A small selection of photographs from a story I shot for @sofoot back in October.
“In the shadow of the upcoming Africa Cup of Nations in Morocco, thousands of West-African migrants
stranded in Casablanca are trying to capitalize on the tournament’s spotlight to catch the eye of a scout and earn their ticket to Europe and professional football. Until reality catches up with them…” with @victor_jzql @can_a_2025
A small selection of photographs from a story I shot for @sofoot back in October.
“In the shadow of the upcoming Africa Cup of Nations in Morocco, thousands of West-African migrants
stranded in Casablanca are trying to capitalize on the tournament’s spotlight to catch the eye of a scout and earn their ticket to Europe and professional football. Until reality catches up with them…” with @victor_jzql @can_a_2025
A small selection of photographs from a story I shot for @sofoot back in October.
“In the shadow of the upcoming Africa Cup of Nations in Morocco, thousands of West-African migrants
stranded in Casablanca are trying to capitalize on the tournament’s spotlight to catch the eye of a scout and earn their ticket to Europe and professional football. Until reality catches up with them…” with @victor_jzql @can_a_2025
The text above is the presentation of my last project. I wrote it last month during the @worldpressphoto Joop Swart Masterclass and it took a few times rehearsing it in my room before I could finally read it on stage without crying. I wasn’t sure I wanted to share it on instagram but I’ve got butterflies in my stomach after watching the videos from Bin Ljraf, Rabat and Algiers 💗
The text above is the presentation of my last project. I wrote it last month during the @worldpressphoto Joop Swart Masterclass and it took a few times rehearsing it in my room before I could finally read it on stage without crying. I wasn’t sure I wanted to share it on instagram but I’ve got butterflies in my stomach after watching the videos from Bin Ljraf, Rabat and Algiers 💗
The text above is the presentation of my last project. I wrote it last month during the @worldpressphoto Joop Swart Masterclass and it took a few times rehearsing it in my room before I could finally read it on stage without crying. I wasn’t sure I wanted to share it on instagram but I’ve got butterflies in my stomach after watching the videos from Bin Ljraf, Rabat and Algiers 💗
The text above is the presentation of my last project. I wrote it last month during the @worldpressphoto Joop Swart Masterclass and it took a few times rehearsing it in my room before I could finally read it on stage without crying. I wasn’t sure I wanted to share it on instagram but I’ve got butterflies in my stomach after watching the videos from Bin Ljraf, Rabat and Algiers 💗
The text above is the presentation of my last project. I wrote it last month during the @worldpressphoto Joop Swart Masterclass and it took a few times rehearsing it in my room before I could finally read it on stage without crying. I wasn’t sure I wanted to share it on instagram but I’ve got butterflies in my stomach after watching the videos from Bin Ljraf, Rabat and Algiers 💗
The text above is the presentation of my last project. I wrote it last month during the @worldpressphoto Joop Swart Masterclass and it took a few times rehearsing it in my room before I could finally read it on stage without crying. I wasn’t sure I wanted to share it on instagram but I’ve got butterflies in my stomach after watching the videos from Bin Ljraf, Rabat and Algiers 💗
The text above is the presentation of my last project. I wrote it last month during the @worldpressphoto Joop Swart Masterclass and it took a few times rehearsing it in my room before I could finally read it on stage without crying. I wasn’t sure I wanted to share it on instagram but I’ve got butterflies in my stomach after watching the videos from Bin Ljraf, Rabat and Algiers 💗
A story for @sofoot with @victor_jzql .
“A semi-finalist in Qatar three years ago, Morocco, which will host the Africa Cup of Nations this winter and the World Cup in 2030, is undoubtedly experiencing the best moment in its sports history. But on the ground, young people are up in arms against the millions of euros wasted on the construction of oversized stadiums, while schools and hospitals are neglected and unemployment is skyrocketing. This revolt is obviously fueled by the ultras, particularly in Casablanca where anger has been simmering in the stands for years.”
A story for @sofoot with @victor_jzql .
“A semi-finalist in Qatar three years ago, Morocco, which will host the Africa Cup of Nations this winter and the World Cup in 2030, is undoubtedly experiencing the best moment in its sports history. But on the ground, young people are up in arms against the millions of euros wasted on the construction of oversized stadiums, while schools and hospitals are neglected and unemployment is skyrocketing. This revolt is obviously fueled by the ultras, particularly in Casablanca where anger has been simmering in the stands for years.”
A story for @sofoot with @victor_jzql .
“A semi-finalist in Qatar three years ago, Morocco, which will host the Africa Cup of Nations this winter and the World Cup in 2030, is undoubtedly experiencing the best moment in its sports history. But on the ground, young people are up in arms against the millions of euros wasted on the construction of oversized stadiums, while schools and hospitals are neglected and unemployment is skyrocketing. This revolt is obviously fueled by the ultras, particularly in Casablanca where anger has been simmering in the stands for years.”
A story for @sofoot with @victor_jzql .
“A semi-finalist in Qatar three years ago, Morocco, which will host the Africa Cup of Nations this winter and the World Cup in 2030, is undoubtedly experiencing the best moment in its sports history. But on the ground, young people are up in arms against the millions of euros wasted on the construction of oversized stadiums, while schools and hospitals are neglected and unemployment is skyrocketing. This revolt is obviously fueled by the ultras, particularly in Casablanca where anger has been simmering in the stands for years.”
A story for @sofoot with @victor_jzql .
“A semi-finalist in Qatar three years ago, Morocco, which will host the Africa Cup of Nations this winter and the World Cup in 2030, is undoubtedly experiencing the best moment in its sports history. But on the ground, young people are up in arms against the millions of euros wasted on the construction of oversized stadiums, while schools and hospitals are neglected and unemployment is skyrocketing. This revolt is obviously fueled by the ultras, particularly in Casablanca where anger has been simmering in the stands for years.”
A story for @sofoot with @victor_jzql .
“A semi-finalist in Qatar three years ago, Morocco, which will host the Africa Cup of Nations this winter and the World Cup in 2030, is undoubtedly experiencing the best moment in its sports history. But on the ground, young people are up in arms against the millions of euros wasted on the construction of oversized stadiums, while schools and hospitals are neglected and unemployment is skyrocketing. This revolt is obviously fueled by the ultras, particularly in Casablanca where anger has been simmering in the stands for years.”
A story for @sofoot with @victor_jzql .
“A semi-finalist in Qatar three years ago, Morocco, which will host the Africa Cup of Nations this winter and the World Cup in 2030, is undoubtedly experiencing the best moment in its sports history. But on the ground, young people are up in arms against the millions of euros wasted on the construction of oversized stadiums, while schools and hospitals are neglected and unemployment is skyrocketing. This revolt is obviously fueled by the ultras, particularly in Casablanca where anger has been simmering in the stands for years.”
A story for @sofoot with @victor_jzql .
“A semi-finalist in Qatar three years ago, Morocco, which will host the Africa Cup of Nations this winter and the World Cup in 2030, is undoubtedly experiencing the best moment in its sports history. But on the ground, young people are up in arms against the millions of euros wasted on the construction of oversized stadiums, while schools and hospitals are neglected and unemployment is skyrocketing. This revolt is obviously fueled by the ultras, particularly in Casablanca where anger has been simmering in the stands for years.”
A story for @sofoot with @victor_jzql .
“A semi-finalist in Qatar three years ago, Morocco, which will host the Africa Cup of Nations this winter and the World Cup in 2030, is undoubtedly experiencing the best moment in its sports history. But on the ground, young people are up in arms against the millions of euros wasted on the construction of oversized stadiums, while schools and hospitals are neglected and unemployment is skyrocketing. This revolt is obviously fueled by the ultras, particularly in Casablanca where anger has been simmering in the stands for years.”
A story for @sofoot with @victor_jzql .
“A semi-finalist in Qatar three years ago, Morocco, which will host the Africa Cup of Nations this winter and the World Cup in 2030, is undoubtedly experiencing the best moment in its sports history. But on the ground, young people are up in arms against the millions of euros wasted on the construction of oversized stadiums, while schools and hospitals are neglected and unemployment is skyrocketing. This revolt is obviously fueled by the ultras, particularly in Casablanca where anger has been simmering in the stands for years.”
A story for @sofoot with @victor_jzql .
“A semi-finalist in Qatar three years ago, Morocco, which will host the Africa Cup of Nations this winter and the World Cup in 2030, is undoubtedly experiencing the best moment in its sports history. But on the ground, young people are up in arms against the millions of euros wasted on the construction of oversized stadiums, while schools and hospitals are neglected and unemployment is skyrocketing. This revolt is obviously fueled by the ultras, particularly in Casablanca where anger has been simmering in the stands for years.”
A story for @sofoot with @victor_jzql .
“A semi-finalist in Qatar three years ago, Morocco, which will host the Africa Cup of Nations this winter and the World Cup in 2030, is undoubtedly experiencing the best moment in its sports history. But on the ground, young people are up in arms against the millions of euros wasted on the construction of oversized stadiums, while schools and hospitals are neglected and unemployment is skyrocketing. This revolt is obviously fueled by the ultras, particularly in Casablanca where anger has been simmering in the stands for years.”
Introducing the project ‘And the Lands Ground Against Each Other Until the Dust Chokes the Sky’ by Imane Djamil (@idjamil), participant of the 2025 Joop Swart Masterclass.
This multimedia project explores the relationship between Morocco and Algeria through a personal lens. The land border has been closed since 1994, and the air border since 2021. Propaganda in the media and on social networks has fueled hatred between people who have never met.
“This project is a personal diary — a love letter, sometimes joyful, sometimes angry — to both countries, to myself, my loved ones, and to all who have surrendered their fate to bots and headlines.” – Imane Djamil
Seen here is a selection of the images from the project by @idjamil:
1. A Moroccan family swims right on the sea border between Morocco and Algeria, in 2025.
2. A photograph of a group of boys who are on their way to the beach in Algiers, Algeria in 2022.
3. A photograph of the “Coming Inshallah” (“if God is willing”) in Bejaia, Algeria, in 2022, which is an intercity bus line in Algeria.
4. A map drawn by the photographer.
Imane Djamil (Morocco) is a Casablanca-based visual storyteller. She engages viewers in photographic projects imbued with the style of docudramas. Her works straddle the realistic and phantasmagoric.
The Joop Swart Masterclass continued its focus on the MENA region this year, thanks to funding from the Porticus Foundation (@porticusglobal).
🔗 Discover more about #JSM2025 via the link in our bio.
Introducing the project ‘And the Lands Ground Against Each Other Until the Dust Chokes the Sky’ by Imane Djamil (@idjamil), participant of the 2025 Joop Swart Masterclass.
This multimedia project explores the relationship between Morocco and Algeria through a personal lens. The land border has been closed since 1994, and the air border since 2021. Propaganda in the media and on social networks has fueled hatred between people who have never met.
“This project is a personal diary — a love letter, sometimes joyful, sometimes angry — to both countries, to myself, my loved ones, and to all who have surrendered their fate to bots and headlines.” – Imane Djamil
Seen here is a selection of the images from the project by @idjamil:
1. A Moroccan family swims right on the sea border between Morocco and Algeria, in 2025.
2. A photograph of a group of boys who are on their way to the beach in Algiers, Algeria in 2022.
3. A photograph of the “Coming Inshallah” (“if God is willing”) in Bejaia, Algeria, in 2022, which is an intercity bus line in Algeria.
4. A map drawn by the photographer.
Imane Djamil (Morocco) is a Casablanca-based visual storyteller. She engages viewers in photographic projects imbued with the style of docudramas. Her works straddle the realistic and phantasmagoric.
The Joop Swart Masterclass continued its focus on the MENA region this year, thanks to funding from the Porticus Foundation (@porticusglobal).
🔗 Discover more about #JSM2025 via the link in our bio.
Introducing the project ‘And the Lands Ground Against Each Other Until the Dust Chokes the Sky’ by Imane Djamil (@idjamil), participant of the 2025 Joop Swart Masterclass.
This multimedia project explores the relationship between Morocco and Algeria through a personal lens. The land border has been closed since 1994, and the air border since 2021. Propaganda in the media and on social networks has fueled hatred between people who have never met.
“This project is a personal diary — a love letter, sometimes joyful, sometimes angry — to both countries, to myself, my loved ones, and to all who have surrendered their fate to bots and headlines.” – Imane Djamil
Seen here is a selection of the images from the project by @idjamil:
1. A Moroccan family swims right on the sea border between Morocco and Algeria, in 2025.
2. A photograph of a group of boys who are on their way to the beach in Algiers, Algeria in 2022.
3. A photograph of the “Coming Inshallah” (“if God is willing”) in Bejaia, Algeria, in 2022, which is an intercity bus line in Algeria.
4. A map drawn by the photographer.
Imane Djamil (Morocco) is a Casablanca-based visual storyteller. She engages viewers in photographic projects imbued with the style of docudramas. Her works straddle the realistic and phantasmagoric.
The Joop Swart Masterclass continued its focus on the MENA region this year, thanks to funding from the Porticus Foundation (@porticusglobal).
🔗 Discover more about #JSM2025 via the link in our bio.
Introducing the project ‘And the Lands Ground Against Each Other Until the Dust Chokes the Sky’ by Imane Djamil (@idjamil), participant of the 2025 Joop Swart Masterclass.
This multimedia project explores the relationship between Morocco and Algeria through a personal lens. The land border has been closed since 1994, and the air border since 2021. Propaganda in the media and on social networks has fueled hatred between people who have never met.
“This project is a personal diary — a love letter, sometimes joyful, sometimes angry — to both countries, to myself, my loved ones, and to all who have surrendered their fate to bots and headlines.” – Imane Djamil
Seen here is a selection of the images from the project by @idjamil:
1. A Moroccan family swims right on the sea border between Morocco and Algeria, in 2025.
2. A photograph of a group of boys who are on their way to the beach in Algiers, Algeria in 2022.
3. A photograph of the “Coming Inshallah” (“if God is willing”) in Bejaia, Algeria, in 2022, which is an intercity bus line in Algeria.
4. A map drawn by the photographer.
Imane Djamil (Morocco) is a Casablanca-based visual storyteller. She engages viewers in photographic projects imbued with the style of docudramas. Her works straddle the realistic and phantasmagoric.
The Joop Swart Masterclass continued its focus on the MENA region this year, thanks to funding from the Porticus Foundation (@porticusglobal).
🔗 Discover more about #JSM2025 via the link in our bio.
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.