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It’s beginning to look like Christmas, good tidings of joy, hope, peace and beautiful faces.

Creative Direction & Photography: @odoemmanuelphotography
Production Design: @jaasconcept
Creative Props: @jaasnificent_props

It’s beginning to look like Christmas, good tidings of joy, hope, peace and beautiful faces.

Creative Direction & Photography: @odoemmanuelphotography
Production Design: @jaasconcept
Creative Props: @jaasnificent_props

It’s beginning to look like Christmas, good tidings of joy, hope, peace and beautiful faces.

Creative Direction & Photography: @odoemmanuelphotography
Production Design: @jaasconcept
Creative Props: @jaasnificent_props

It’s beginning to look like Christmas, good tidings of joy, hope, peace and beautiful faces.

Creative Direction & Photography: @odoemmanuelphotography
Production Design: @jaasconcept
Creative Props: @jaasnificent_props

It’s beginning to look like Christmas, good tidings of joy, hope, peace and beautiful faces.

Creative Direction & Photography: @odoemmanuelphotography
Production Design: @jaasconcept
Creative Props: @jaasnificent_props

Set design by me

Mo Bebe @yemialade

Set design by me

Mo Bebe @yemialade

Set design by me

Mo Bebe @yemialade

Set design by me

Mo Bebe @yemialade

Set design by me

Mo Bebe @yemialade

I just might add Pet styling to my bio.
From painting a cow to dressing a horse. I wonder what next? 🤔

From the stables of @thisishumanly , I present @seyi_vibez ft @omah_lay #myhealer

I just might add Pet styling to my bio.
From painting a cow to dressing a horse. I wonder what next? 🤔

From the stables of @thisishumanly , I present @seyi_vibez ft @omah_lay #myhealer

I just might add Pet styling to my bio.
From painting a cow to dressing a horse. I wonder what next? 🤔

From the stables of @thisishumanly , I present @seyi_vibez ft @omah_lay #myhealer

I just might add Pet styling to my bio.
From painting a cow to dressing a horse. I wonder what next? 🤔

From the stables of @thisishumanly , I present @seyi_vibez ft @omah_lay #myhealer

I just might add Pet styling to my bio.
From painting a cow to dressing a horse. I wonder what next? 🤔

From the stables of @thisishumanly , I present @seyi_vibez ft @omah_lay #myhealer

I just might add Pet styling to my bio.
From painting a cow to dressing a horse. I wonder what next? 🤔

From the stables of @thisishumanly , I present @seyi_vibez ft @omah_lay #myhealer

I just might add Pet styling to my bio.
From painting a cow to dressing a horse. I wonder what next? 🤔

From the stables of @thisishumanly , I present @seyi_vibez ft @omah_lay #myhealer

It’s another piece from @Jaasnificent workshop

🎙 @thislovn
📸 @kwamee_lee

It’s another piece from @Jaasnificent workshop

🎙 @thislovn
📸 @kwamee_lee

It’s another piece from @Jaasnificent workshop

🎙 @thislovn
📸 @kwamee_lee

It’s another piece from @Jaasnificent workshop

🎙 @thislovn
📸 @kwamee_lee

It’s another piece from @Jaasnificent workshop

🎙 @thislovn
📸 @kwamee_lee

Dearest Gentle Reader. Happy Valentine’s Day from our blossoming garden.

🎥 @sasshotit

Movement choreographer @blvck_reemah

Set, prop and styling @jaasconcept @jaasnificentstudio @jaasnificent_props

Muse @its.ayafr @boluwatifee._ @_.busolamiie @gblinkdancetic @blvck_reemah @jaasconcept

#valentinesday #setdesign #linedance

Dearest gentle reader. We bring you love on valentines.

Anticipate!

#bridgertonnetflix #set #prop

In 2024, at the 4th edition of the @lagos_biennial, I encountered an installation that stayed with me long after I left the site. I can no longer recall the artist’s name, and I’m not sure I ever came across a text accompanying the work, but its presence was unmistakable. The installation centered on a heavy-duty construction vehicle—the kind typically reserved for state-led projects of immense scale. Suspended from it was a gigantic brick, hung by a metal cable. Another brick sat firmly on the ground below, as though the suspended one was being lowered into place, mid-process, frozen in motion. Up close, I realized the bricks were not real but props. I remember feeling briefly disappointed. Still, the message had already landed.What struck me most was the use of unconventional instruments, industrial machinery and monumental forms, within an art context. It felt powerful, unmistakably political. The work seemed to insist on the seriousness of art, suggesting that the very tools the government uses to shape—or unshape—society can also be reclaimed by artists to reshape it. I remember thinking then: if I were to make an installation, it would have to be heavy, uncompromising, and forceful.Looking back now, after Soro Soke: What Do You Remember —a commemorative event marking the End SARS massacre of 2020—I find myself wondering whether that Biennial encounter had quietly shaped my thinking. One of the installations from the commemoration, Face Me, I Face You, featured two massive road demarcation bricks: one fallen, the other standing upright at a right angle. They were installed using a heavy-duty vehicle, and even the act of transporting and placing them prompted questions: Is this still art? Facing the bricks was a large mirror, positioned almost confrontationally.The installation sought to recreate the tension of the night at the Lekki Toll Gate, offering audiences a way to stand within that moment and see themselves reflected on that ground. Many young people begin recounting their October 2020 experiences by saying, “I could easily have been there that night.” And it’s true—we all could have been. 👇

In 2024, at the 4th edition of the @lagos_biennial, I encountered an installation that stayed with me long after I left the site. I can no longer recall the artist’s name, and I’m not sure I ever came across a text accompanying the work, but its presence was unmistakable. The installation centered on a heavy-duty construction vehicle—the kind typically reserved for state-led projects of immense scale. Suspended from it was a gigantic brick, hung by a metal cable. Another brick sat firmly on the ground below, as though the suspended one was being lowered into place, mid-process, frozen in motion. Up close, I realized the bricks were not real but props. I remember feeling briefly disappointed. Still, the message had already landed.What struck me most was the use of unconventional instruments, industrial machinery and monumental forms, within an art context. It felt powerful, unmistakably political. The work seemed to insist on the seriousness of art, suggesting that the very tools the government uses to shape—or unshape—society can also be reclaimed by artists to reshape it. I remember thinking then: if I were to make an installation, it would have to be heavy, uncompromising, and forceful.Looking back now, after Soro Soke: What Do You Remember —a commemorative event marking the End SARS massacre of 2020—I find myself wondering whether that Biennial encounter had quietly shaped my thinking. One of the installations from the commemoration, Face Me, I Face You, featured two massive road demarcation bricks: one fallen, the other standing upright at a right angle. They were installed using a heavy-duty vehicle, and even the act of transporting and placing them prompted questions: Is this still art? Facing the bricks was a large mirror, positioned almost confrontationally.The installation sought to recreate the tension of the night at the Lekki Toll Gate, offering audiences a way to stand within that moment and see themselves reflected on that ground. Many young people begin recounting their October 2020 experiences by saying, “I could easily have been there that night.” And it’s true—we all could have been. 👇

Tag a mother,that can match this energy!!!

W/ @jaasconcept @_.busolamiie @ore_ceci @yollie_mandy

PS : Scene 2 still streaming on YouTube
#beatnfeetconcert #beatnfeet #themovie #owambe

Earlier this year, while working on Art & Country—a project marking five years since the EndSARS massacre—the question of space became unavoidable. The project needed to sit in Lekki, symbolically. From the beginning of the year, arrangements were made with a space, planning toward October. Then, close to the event, the space withdrew. The reason was simple and heavy: the theme was “too sensitive.”

This moment happened alongside the controversy around the Owambe exhibition, where another space had also pulled out. Suddenly, space was no longer a neutral container. It revealed itself as an active force—shaping what can be said, remembered, or publicly held.

We moved from space to space, meeting hesitation, silence, and refusal. Until one space chose to step in @wunikamukangallery stood in the gap when it mattered most. Not as a gesture of convenience, but as an act of courage.

This post is a thank you to Wunikan Mukan Gallery for aligning with the spirit of freedom, for standing with memory and truth when it was easier to step away. This reaffirm why space matters—not just architecturally, but ethically and politically.

As a society, we must rethink what art spaces mean. Not as safe, neutral grounds, but as sites of responsibility, risk, and possibility. @goetheinstitut_nigeria

Merry Christmas 🎄🎁
A season of love, soft moments, and beautiful hearts 🤍

Creative Direction & Photography: @odoemmanuelphotography
Production Design: @jaasconcept
Creative Props: @jaasnificent_props

Merry Christmas 🎄🎁
A season of love, soft moments, and beautiful hearts 🤍

Creative Direction & Photography: @odoemmanuelphotography
Production Design: @jaasconcept
Creative Props: @jaasnificent_props

Merry Christmas 🎄🎁
A season of love, soft moments, and beautiful hearts 🤍

Creative Direction & Photography: @odoemmanuelphotography
Production Design: @jaasconcept
Creative Props: @jaasnificent_props

Merry Christmas 🎄🎁
A season of love, soft moments, and beautiful hearts 🤍

Creative Direction & Photography: @odoemmanuelphotography
Production Design: @jaasconcept
Creative Props: @jaasnificent_props

Merry Christmas 🎄🎁
A season of love, soft moments, and beautiful hearts 🤍

Creative Direction & Photography: @odoemmanuelphotography
Production Design: @jaasconcept
Creative Props: @jaasnificent_props

Merry Christmas 🎄🎁
A season of love, soft moments, and beautiful hearts 🤍

Creative Direction & Photography: @odoemmanuelphotography
Production Design: @jaasconcept
Creative Props: @jaasnificent_props

Merry Christmas 🎄🎁
A season of love, soft moments, and beautiful hearts 🤍

Creative Direction & Photography: @odoemmanuelphotography
Production Design: @jaasconcept
Creative Props: @jaasnificent_props

Hot stuff from my creative hands. Get your @oraimostore_nigeria product at lovely discounts

Set designer my humble self and my baddest assistants.