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@jimmychoo - Summer in Ravello
A week with 11 incredible talent on the Amalfi Coast. If we messed this one up we might as well quit…
🎬 Prod @clayfilm Dir @beejharris DOP @freddiereedphoto Edit @jackfcantrell @thequarryedit Sound Design @hugoellingham @brother___music Grade @freddiereedphoto Kit @emmyland
🙏 @charlottewagland @carlotafranques @sheenamacauley @brunobusson_ dani_to @ellerychase @catherineturek
💃 @josephineskriver @nadineleopold @lilychee @sandrasheehab @paolalct @izzipoopi @iamrebeccad @rubylyn_ @isaasung @stxph.h
Long story incoming. About 2 years ago I felt like I’d hit a ceiling in my work, things were moving slowly and jobs were becoming repetitive. There was a spark gone that was there when I started my career. Then by chance I met @tomday on a job he was directing in Cleveland, we got chatting and a couple of months later he asked if I could come on to help edit one of his upcoming projects. From there we started an incredibly collaborative relationship spanning across multiple films and projects.
Fast forward to October last year, @tomday and @arthur_lok1 ask me if I wanted to come on board to edit a feature documentary about the Francis Ngannou and Tyson Fury superfight in Riyadh, a dream project for me.
The week that followed felt like we had all stepped into a Hollywood film, shooting and working alongside some icons of the Boxing and MMA world, people I’d watched my whole life.
Then came the fight, what had been touted and talked about as a mockery of the sport and a “gimmick” fight ended up being one of the toughest tests of Fury’s career. Francis Ngannou, the man nobody gave a chance to, took Fury to a the edge of a loss, writing yet another chapter in his unbelievable life story.
When we left Riyadh, I think we all knew we had something special on our hands.
After weeks of late night sessions in the editing suite, working through weekends, Whatsapping ideas back and forth, cutting and recutting scenes, and exporting countless “final” versions, we finished our film.
The Battle of the Baddest is out now on Netflix. What a ride.
Massive thank you to @tomday for the continued trust, support and guidance, to @arthur_lok1 for being an outrageous talent and incredible collaborator, and to @wegoagain for making this all happen.
Biggest thank you to @beibhin for the unwavering support and always putting up with my constant travel and hectic working hours, I couldn’t do any of it without you.
@reecejamesmorrison @fred.white35 @arrttiieeee @lewisthompsoncamera @olivermapp @tommyevansmusic @joeanthonyluk @morganpez @philiplouishambi @niall_rogers_ @carlmasonfilm
ADIDAS x MANCHESTER UNITED “ORIGINALS UNITED”
Starring: @keoghan92
Incredibly excited to see this film go out into the world. Huge team effort across the board and I consider myself beyond lucky to have acted as both Editor and Second Unit Director on this project under the tutelage of the indomitable @tomday.
Huge shoutout to @arthur_lok1 and the whole team at @wegoagain for their incredible talents and constant support and guidance. Also to @fred.white35 for being the best 2nd Unit DOP.
All the ingredients came together on this, it’s a special one
Client: @adidasfootball
Creative Agency: @homegroundldn
Executive Creative Directors: @henryscotland and Rachid Ahouiyek
Creatives: @cparkerbparker and @jonnydmarsh
Social Lead: @dominichew_
Design Director: @Dave.miss
Business Lead: @nicotuppen
Account Team: Lottie Tonks
Agency Producer: @davidsluszny
Production Company: @wegoagain
Director: @tomday
2nd Unit Director: @jackfcantrell
Editor: @jackfcantrell
Sports Choreographer: @marccumberchoreo
Producer: @carlmasonfilm
Production Assistant: Molly Singer
Location Manager: @thechampionsparkplug
Location Assistant: Steve Cooper
1st AD: @dannystoker_
2nd AD: Jacqueline Moore
3rd AD: @noahchebouli
Floor Runners: @ashleyg_ad and Elliot Richards
DOP: @arthur_lok1
1st AC (Day 1): @denizyildiz2
1st AC (Day 2): @lewisthompsoncamera
2nd AC: Jazz Rivans
Steadicam Operator: @karygent
Playback Operator: Lewis Evers
DIT: Faisal Muhammad
Camera Trainees: @bolia_bamolende and @chris_speddings
2nd Unit DOP: @fred.white35
2nd Unit 1st AC: @stephofilms
Gaffer: @arrttiieeee
Sparks: adamwtaylor , @scott_tolladay and @matthewedge_
Sound Recordist: Richard Two and @jakemh_audio
Art Director: Alex Walmsley
Art Assistants: James Kirk, Ruth Jones and Adam Chapman
Hair & Makeup Artist: @louisemeadowsmakeup
Makeup Assistants: @ruchiratna and Holly Dunwoody
Wardrobe Stylist: Emma Jade
Wardrobe Assistants: Claire Hatch, Zoe Wilson, Leila Milne and @flossiescotland
Sound Design: @kinglearlondon
Colourist: @philiplouishambi at @millchannel
@jimmychoo - From the Atelier
Serious gang on this one:
Prod @clayfilm
Dir @beejharris
DOP @freddiereedphoto
1AC @bendsaunders
2AC @thomasjamesinnes
Gaffer @nathancheong_
Spark @jordanclarke_dp
Sound @cael_mcnally
Trainee @michaelscanlonn
Edit @jackfcantrell
Grade @georgeneavecolour
Mix @edcooksound
🙏 @gemmastark @ioannasouti @aprilnwajiobi
No More Red. Tashan’s story 🤍
@arsenal @adidasuk @arsenal_in_the_community
——
An incredibly heartbreaking but important project to be a part of. Thank you to Tashan’s family for trusting us with this delicate story, and well done to @tomday @arthur_lok1 @arrttiieeee @jessica.shadwell @cparkerbparker and @jonnydmarsh for handling it with such care.
——
Director: @tomday
Editor: @jackfcantrell
Adidas:
Carmela Vitale - Senior Comms Manager
Abi Morgan - Head of PR
Arsenal:
Allie Smith - Senior Partnerships Manager
Matt Whiteside - Senior Marketing Manager
Kieran Owen - Comms Manager
Jack Ironside - Senior Manager Social Inclusion
Jennifer Kikomeko - Community Partner Project Manager
Agency: @homegroundldn
Creative / Founder: @henryscotland
Creative Director: @cparkerbparker @jonnydmarsh
Agency Producer: Patrick Haynes
Group Account Director: Lottie Tonks
Account Manager: Elanor Harris
Production: @wegoagain
Dir: @tomday
Producer: @jessica.shadwell
Exec Producer: @arthur_lok1
Editor: @jackfcantrell @thequarryedit
Assistant Editor: @miles.mov
Grade: @philiplouishambi @absolute__colour
Sound design: @patricklee.sound @brother___music
Composition: @tommyevansmusic
1st AD: @dannystoker_
2nd AD: @gwynellismann
3rd AD: AURELIA BLAIR
Runners: Xavier Blair
Runner: Ellie Lever
DoP: @arrttiieeee
2nd Unit DoP: @naoisekettle
Steadicam Op: @steadifabs
A CAM 1st AC: @lewiswattssharps
B CAM 1st AC: @fred.white35
C CAM 1st AC: @lewisthompsoncamera
A CAM 2nd AC: @bethlamyman
B CAM Camera Trainee: @omerdernek
C CAM Camera Trainee: @leabrunet.w
Key Grip: @jem_morton @thegripcompany
Grip: edridgeandy
Head Tech: @brensenden
Grip Trainee/Driver: Richie McDonald
Gaffer: @typical_ianblax
Spark: @onsetwithhannah
Spark: @captaingingernut
Spark: @emil_nolan
Lighting Trainee: @elisendadewit
‘Community Day’ Gaffer: @solar_buckler @solar_corp_lights
Spark: Stephan Krastev
Playback: Steven Toft
DIT: @colore_dit
Sound: @joewarner_
2nd Unit Sound: @rickybarbs
Camera Kit: @cinepups @focuscanning
Lighting Kit: @greenkitlondon
“To win, one must be a touch... Wild.”
It was a lot of fun bringing a touch of Wes Anderson / British Pathe vibes into this one for @wildrefill
Starring: @emmaraducanu
Creative Director for Wild: @jfrayphoto Head of Brand at Wild: Eli Miansarow
Head of Performance Marketing at Wild: Ellie Abbott Co-Founder & CMO Wild: Charlie Bowes-Lyon
Production: @wegoagain
Director: @tomday
Editor: @jackfcantrell @thequarryedit
Assistant Editor: @lawrence_k_lakshmanan
Cinematographer: @arthur_lok1
Producer: @carlmasonfilm
1st Assistant Director: @dannystoker_
Junior Producer: @hannahbinney
Gaffer: @jonathan.dasilva
Production Design: @kdfantasy
Composer: @tommyevansmusic
Sound: @rumble.post
Colour: @peter_oppersdorff_colour @absolute_post @philiplouishambi
Film Scan: @cinelabuk
Watch the Throne - Official Trailer
Delighted to finally see this film out in the world. Half documentary, half narrative, full madness. This was an incredibly fun project to cut, expertly helmed by the unstoppable @tomday
Each time we make one of these films we’re looking for ways to elevate them, and I think we certainly succeeded on this one.
Huge love to @tomday and @arthur_lok1 along with the whole crew at @wegoagain and beyond that helped to pull this monstrous story together. We Go Again.
Watch the Throne is now live on @daznboxing
Directed by @tomday
Produced by @wegoagain @carlmasonfilm
Edited by @jackfcantrell
Cinematography by @arthur_lok1
Colour by @philiplouishambi
Sound by @rumble.post
Music by @tommyevansmusic
TNT Sports | Not Normal | Director’s Cut
Always fun to create a chaotic symphony with @tomday
Huge effort from the whole crew on this, incredibly blessed to work alongside the talented team who pulled this together behind the lens. Supposedly there’s a few familiar faces in front of the camera too.
Client: TNT Sports
Director: @tomday
Editor: @jackfcantrell @thequarryedit
Agency: Brothers and Sisters
CD: Andy Fowler
Agency Producer: Jime Seoane
Production Company: @pulsefilms
Producer: Joseph Goldman
DOP: @hamish_anderson_dop
Art Director: @jamesmid
1st AD: @tomkelly01
PM: Emily Mulkerrins
Sound Recordist: @hi_its_me_tomcat
Gaffer: @nunosaurus
Wardrobe: Gabby Munds
Sports Choreographer: @marccumberchoreo
Edit Producer: Jack O’Mullane
Edit Assist: @lawrence_k_lakshmanan
VFX: @okaystudio
Grade: @philiplouishambi @absolute_post
Sound Design: @750_mph
MCFC and OKX - A New Alternative
@mancity @okx_official
Narrated by @thebugzymalone
Director: @tomday
Editor: @jackfcantrell @thequarryedit
Production Company: Pulse Films (@pulsefilms)
Agency: CAA (@creativeartistsagency)
Cinematography: Arthur Lok (@arthur_lok1)
Assistant Editor: Henry Thackray (@_henry_edits)
Colour: Phil Hambi (@philiplouishambi)
Post Production Company: Absolute (@absolute_post)
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