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****May 26th****
The World Research Lab presents Planet/Tear: Early Warning Systems at Roulette Intermedium

2nd slide signage: @bobdylanisdead
Flyer: @darmeanie

****May 26th****
The World Research Lab presents Planet/Tear: Early Warning Systems at Roulette Intermedium

2nd slide signage: @bobdylanisdead
Flyer: @darmeanie

****May 26th****
The World Research Lab presents Planet/Tear: Early Warning Systems at Roulette Intermedium

2nd slide signage: @bobdylanisdead
Flyer: @darmeanie

****May 26th****
The World Research Lab presents Planet/Tear: Early Warning Systems at Roulette Intermedium

2nd slide signage: @bobdylanisdead
Flyer: @darmeanie

****May 26th****
The World Research Lab presents Planet/Tear: Early Warning Systems at Roulette Intermedium

2nd slide signage: @bobdylanisdead
Flyer: @darmeanie

****May 26th****
The World Research Lab presents Planet/Tear: Early Warning Systems at Roulette Intermedium

2nd slide signage: @bobdylanisdead
Flyer: @darmeanie

"52 Clowns Share 3 Johns"
8' x 4'
oil, cotton, sugar, tobacco, coffee on canvas
2026?

The United Nations General Assembly has voted to recognize the enslavement of Africans during the transatlantic slave trade as "the gravest crime against humanity"

𝙊𝙉 𝙊𝙏𝙃𝙀𝙍 𝙏𝙀𝙍𝙈𝙎: 𝙋𝙖𝙥 𝙎𝙤𝙪𝙡𝙚𝙮𝙚 𝙁𝙖𝙡𝙡 & 𝘾𝙝𝙖𝙧 𝙅𝙚𝙧é
Curated by Ho Won Kim
Feb 19 – Mar 22, 2026
@papsouleye00
@jeredotcom
@kmhown

Installation shots are available and online now at the Subtitled NYC website, link in bio.
𝙊𝙉 𝙊𝙏𝙃𝙀𝙍 𝙏𝙀𝙍𝙈𝙎 is open Thursday, Friday and this weekend.

📸 by Garrett Carroll @garrettcarrolldotcom

>>2nd floor #11F, 113 Franklin Street, Brooklyn, NY 11222

*For more information please contact us at subtitled.nyc@gmail.com or DM.

𝙊𝙉 𝙊𝙏𝙃𝙀𝙍 𝙏𝙀𝙍𝙈𝙎: 𝙋𝙖𝙥 𝙎𝙤𝙪𝙡𝙚𝙮𝙚 𝙁𝙖𝙡𝙡 & 𝘾𝙝𝙖𝙧 𝙅𝙚𝙧é
Curated by Ho Won Kim
Feb 19 – Mar 22, 2026
@papsouleye00
@jeredotcom
@kmhown

Installation shots are available and online now at the Subtitled NYC website, link in bio.
𝙊𝙉 𝙊𝙏𝙃𝙀𝙍 𝙏𝙀𝙍𝙈𝙎 is open Thursday, Friday and this weekend.

📸 by Garrett Carroll @garrettcarrolldotcom

>>2nd floor #11F, 113 Franklin Street, Brooklyn, NY 11222

*For more information please contact us at subtitled.nyc@gmail.com or DM.

𝙊𝙉 𝙊𝙏𝙃𝙀𝙍 𝙏𝙀𝙍𝙈𝙎: 𝙋𝙖𝙥 𝙎𝙤𝙪𝙡𝙚𝙮𝙚 𝙁𝙖𝙡𝙡 & 𝘾𝙝𝙖𝙧 𝙅𝙚𝙧é
Curated by Ho Won Kim
Feb 19 – Mar 22, 2026
@papsouleye00
@jeredotcom
@kmhown

Installation shots are available and online now at the Subtitled NYC website, link in bio.
𝙊𝙉 𝙊𝙏𝙃𝙀𝙍 𝙏𝙀𝙍𝙈𝙎 is open Thursday, Friday and this weekend.

📸 by Garrett Carroll @garrettcarrolldotcom

>>2nd floor #11F, 113 Franklin Street, Brooklyn, NY 11222

*For more information please contact us at subtitled.nyc@gmail.com or DM.

In The AM Garden Where Everything is PM is an electromagnetic mourning longing for its next Carrington Event.
4ish Beulah Radios, inspired by the crystal radio, are powered entirely by AM broadcast. They harvest stray carrier waves and convert them into audible signal without external electricity.
I built this for my ionospheric ancestors and my thresh hold dwellers : )

Big thanks to my friends for sharing sounds with me to transmit during the run of the show : ) They didn’t disappoint! When you get a moment go check out On Other Terms a two person show with me and @papsouleye00 at @subtitled.nyc curated by @kmhown
Also bing thanks to @jaejoonjayjang for the support : )

Amazing Sound Contributors
@smithtaylorsounds -Jordan
@omololu.refilwe -They Look Out
@djrupture -Rings
@aspaceforsound -Mid-Winter Draw
@gladstonedeluxe - Dub Collisions 4
@kfeelzzz -Courage
@jeredotcom special for no one, Stay One and CWBFA

𝙊𝙉 𝙊𝙏𝙃𝙀𝙍 𝙏𝙀𝙍𝙈𝙎: 𝙋𝙖𝙥 𝙎𝙤𝙪𝙡𝙚𝙮𝙚 𝙁𝙖𝙡𝙡 & 𝘾𝙝𝙖𝙧 𝙅𝙚𝙧é
Curated by Ho Won Kim
Feb 19 – Mar 22, 2026
Opening Reception: Feb 19, 6–8pm

To be legible is to risk capture; to be illegible is to risk disappearance.

𝙊𝙣 𝙊𝙩𝙝𝙚𝙧 𝙏𝙚𝙧𝙢𝙨 brings together 𝙋𝙖𝙥 𝙎𝙤𝙪𝙡𝙚𝙮𝙚 𝙁𝙖𝙡𝙡 and 𝘾𝙝𝙖𝙧 𝙅𝙚𝙧é in an exhibition that works inside this tension, asking not whether to be seen, but how. Both artists inhabit technologies designed to govern presence and turn them against their original logics. Through salvaged materials, chroma key green architectures, detuned radio systems, and structures of shielding and interference, the works produce provisional spaces where capture falters and perception is reorganized.

Fugitivity here is not escape but practice—presence asserted on other terms.
@papsouleye00 @jeredotcom @kmhown

Poster by Jinu Hong @jnchtkt

_
Images:
1. Pap Souleye Fall, INANUTSHELL, 2025, exhibition view at Blade Study. Photo by Kunning Huang
2. Pap Souleye Fall, KEYEDUPKEYEDOUT, 2025, exhibition view at Stellarhighway
3. Char Jeré, Remembering the Mind: A Lesson in Progress, 2025, exhibition view at Andrew Kreps Gallery. Photo by Kunning Huang
4. Char Jeré, Zoo Or An Orchestra, 2023, exhibition view at Artists Space. Photo by Filip Wolack

𝙊𝙉 𝙊𝙏𝙃𝙀𝙍 𝙏𝙀𝙍𝙈𝙎: 𝙋𝙖𝙥 𝙎𝙤𝙪𝙡𝙚𝙮𝙚 𝙁𝙖𝙡𝙡 & 𝘾𝙝𝙖𝙧 𝙅𝙚𝙧é
Curated by Ho Won Kim
Feb 19 – Mar 22, 2026
Opening Reception: Feb 19, 6–8pm

To be legible is to risk capture; to be illegible is to risk disappearance.

𝙊𝙣 𝙊𝙩𝙝𝙚𝙧 𝙏𝙚𝙧𝙢𝙨 brings together 𝙋𝙖𝙥 𝙎𝙤𝙪𝙡𝙚𝙮𝙚 𝙁𝙖𝙡𝙡 and 𝘾𝙝𝙖𝙧 𝙅𝙚𝙧é in an exhibition that works inside this tension, asking not whether to be seen, but how. Both artists inhabit technologies designed to govern presence and turn them against their original logics. Through salvaged materials, chroma key green architectures, detuned radio systems, and structures of shielding and interference, the works produce provisional spaces where capture falters and perception is reorganized.

Fugitivity here is not escape but practice—presence asserted on other terms.
@papsouleye00 @jeredotcom @kmhown

Poster by Jinu Hong @jnchtkt

_
Images:
1. Pap Souleye Fall, INANUTSHELL, 2025, exhibition view at Blade Study. Photo by Kunning Huang
2. Pap Souleye Fall, KEYEDUPKEYEDOUT, 2025, exhibition view at Stellarhighway
3. Char Jeré, Remembering the Mind: A Lesson in Progress, 2025, exhibition view at Andrew Kreps Gallery. Photo by Kunning Huang
4. Char Jeré, Zoo Or An Orchestra, 2023, exhibition view at Artists Space. Photo by Filip Wolack

𝙊𝙉 𝙊𝙏𝙃𝙀𝙍 𝙏𝙀𝙍𝙈𝙎: 𝙋𝙖𝙥 𝙎𝙤𝙪𝙡𝙚𝙮𝙚 𝙁𝙖𝙡𝙡 & 𝘾𝙝𝙖𝙧 𝙅𝙚𝙧é
Curated by Ho Won Kim
Feb 19 – Mar 22, 2026
Opening Reception: Feb 19, 6–8pm

To be legible is to risk capture; to be illegible is to risk disappearance.

𝙊𝙣 𝙊𝙩𝙝𝙚𝙧 𝙏𝙚𝙧𝙢𝙨 brings together 𝙋𝙖𝙥 𝙎𝙤𝙪𝙡𝙚𝙮𝙚 𝙁𝙖𝙡𝙡 and 𝘾𝙝𝙖𝙧 𝙅𝙚𝙧é in an exhibition that works inside this tension, asking not whether to be seen, but how. Both artists inhabit technologies designed to govern presence and turn them against their original logics. Through salvaged materials, chroma key green architectures, detuned radio systems, and structures of shielding and interference, the works produce provisional spaces where capture falters and perception is reorganized.

Fugitivity here is not escape but practice—presence asserted on other terms.
@papsouleye00 @jeredotcom @kmhown

Poster by Jinu Hong @jnchtkt

_
Images:
1. Pap Souleye Fall, INANUTSHELL, 2025, exhibition view at Blade Study. Photo by Kunning Huang
2. Pap Souleye Fall, KEYEDUPKEYEDOUT, 2025, exhibition view at Stellarhighway
3. Char Jeré, Remembering the Mind: A Lesson in Progress, 2025, exhibition view at Andrew Kreps Gallery. Photo by Kunning Huang
4. Char Jeré, Zoo Or An Orchestra, 2023, exhibition view at Artists Space. Photo by Filip Wolack

𝙊𝙉 𝙊𝙏𝙃𝙀𝙍 𝙏𝙀𝙍𝙈𝙎: 𝙋𝙖𝙥 𝙎𝙤𝙪𝙡𝙚𝙮𝙚 𝙁𝙖𝙡𝙡 & 𝘾𝙝𝙖𝙧 𝙅𝙚𝙧é
Curated by Ho Won Kim
Feb 19 – Mar 22, 2026
Opening Reception: Feb 19, 6–8pm

To be legible is to risk capture; to be illegible is to risk disappearance.

𝙊𝙣 𝙊𝙩𝙝𝙚𝙧 𝙏𝙚𝙧𝙢𝙨 brings together 𝙋𝙖𝙥 𝙎𝙤𝙪𝙡𝙚𝙮𝙚 𝙁𝙖𝙡𝙡 and 𝘾𝙝𝙖𝙧 𝙅𝙚𝙧é in an exhibition that works inside this tension, asking not whether to be seen, but how. Both artists inhabit technologies designed to govern presence and turn them against their original logics. Through salvaged materials, chroma key green architectures, detuned radio systems, and structures of shielding and interference, the works produce provisional spaces where capture falters and perception is reorganized.

Fugitivity here is not escape but practice—presence asserted on other terms.
@papsouleye00 @jeredotcom @kmhown

Poster by Jinu Hong @jnchtkt

_
Images:
1. Pap Souleye Fall, INANUTSHELL, 2025, exhibition view at Blade Study. Photo by Kunning Huang
2. Pap Souleye Fall, KEYEDUPKEYEDOUT, 2025, exhibition view at Stellarhighway
3. Char Jeré, Remembering the Mind: A Lesson in Progress, 2025, exhibition view at Andrew Kreps Gallery. Photo by Kunning Huang
4. Char Jeré, Zoo Or An Orchestra, 2023, exhibition view at Artists Space. Photo by Filip Wolack

𝙊𝙉 𝙊𝙏𝙃𝙀𝙍 𝙏𝙀𝙍𝙈𝙎: 𝙋𝙖𝙥 𝙎𝙤𝙪𝙡𝙚𝙮𝙚 𝙁𝙖𝙡𝙡 & 𝘾𝙝𝙖𝙧 𝙅𝙚𝙧é
Curated by Ho Won Kim
Feb 19 – Mar 22, 2026
Opening Reception: Feb 19, 6–8pm

To be legible is to risk capture; to be illegible is to risk disappearance.

𝙊𝙣 𝙊𝙩𝙝𝙚𝙧 𝙏𝙚𝙧𝙢𝙨 brings together 𝙋𝙖𝙥 𝙎𝙤𝙪𝙡𝙚𝙮𝙚 𝙁𝙖𝙡𝙡 and 𝘾𝙝𝙖𝙧 𝙅𝙚𝙧é in an exhibition that works inside this tension, asking not whether to be seen, but how. Both artists inhabit technologies designed to govern presence and turn them against their original logics. Through salvaged materials, chroma key green architectures, detuned radio systems, and structures of shielding and interference, the works produce provisional spaces where capture falters and perception is reorganized.

Fugitivity here is not escape but practice—presence asserted on other terms.
@papsouleye00 @jeredotcom @kmhown

Poster by Jinu Hong @jnchtkt

_
Images:
1. Pap Souleye Fall, INANUTSHELL, 2025, exhibition view at Blade Study. Photo by Kunning Huang
2. Pap Souleye Fall, KEYEDUPKEYEDOUT, 2025, exhibition view at Stellarhighway
3. Char Jeré, Remembering the Mind: A Lesson in Progress, 2025, exhibition view at Andrew Kreps Gallery. Photo by Kunning Huang
4. Char Jeré, Zoo Or An Orchestra, 2023, exhibition view at Artists Space. Photo by Filip Wolack

🔊 Char Jeré – Zone of Nonbeing (2025)

À partir de technologies détournées et piratées, Char Jeré crée une installation immersive où le son et les objets scientifiques rendent perceptible une réalité invisible mais persistante : l’omniprésence du racisme.

Bruit blanc, paraboles, oscillographes et oreilles en céramique composent un paysage sensoriel troublant. Des flacons d’eau de javel évoquent les logiques d’effacement qui menacent les identités noires, tandis que des tableaux périodiques réinventés célèbrent les figures de résistance noire.

En écho aux pensées de Frantz Fanon et Aimé Césaire, cette œuvre interroge l’héritage colonial et imagine d’autres futurs possibles.

🔊 Char Jeré – Zone of Nonbeing (2025)

À partir de technologies détournées et piratées, Char Jeré crée une installation immersive où le son et les objets scientifiques rendent perceptible une réalité invisible mais persistante : l’omniprésence du racisme.

Bruit blanc, paraboles, oscillographes et oreilles en céramique composent un paysage sensoriel troublant. Des flacons d’eau de javel évoquent les logiques d’effacement qui menacent les identités noires, tandis que des tableaux périodiques réinventés célèbrent les figures de résistance noire.

En écho aux pensées de Frantz Fanon et Aimé Césaire, cette œuvre interroge l’héritage colonial et imagine d’autres futurs possibles.

🔊 Char Jeré – Zone of Nonbeing (2025)

À partir de technologies détournées et piratées, Char Jeré crée une installation immersive où le son et les objets scientifiques rendent perceptible une réalité invisible mais persistante : l’omniprésence du racisme.

Bruit blanc, paraboles, oscillographes et oreilles en céramique composent un paysage sensoriel troublant. Des flacons d’eau de javel évoquent les logiques d’effacement qui menacent les identités noires, tandis que des tableaux périodiques réinventés célèbrent les figures de résistance noire.

En écho aux pensées de Frantz Fanon et Aimé Césaire, cette œuvre interroge l’héritage colonial et imagine d’autres futurs possibles.

🔊 Char Jeré – Zone of Nonbeing (2025)

À partir de technologies détournées et piratées, Char Jeré crée une installation immersive où le son et les objets scientifiques rendent perceptible une réalité invisible mais persistante : l’omniprésence du racisme.

Bruit blanc, paraboles, oscillographes et oreilles en céramique composent un paysage sensoriel troublant. Des flacons d’eau de javel évoquent les logiques d’effacement qui menacent les identités noires, tandis que des tableaux périodiques réinventés célèbrent les figures de résistance noire.

En écho aux pensées de Frantz Fanon et Aimé Césaire, cette œuvre interroge l’héritage colonial et imagine d’autres futurs possibles.

🔊 Char Jeré – Zone of Nonbeing (2025)

À partir de technologies détournées et piratées, Char Jeré crée une installation immersive où le son et les objets scientifiques rendent perceptible une réalité invisible mais persistante : l’omniprésence du racisme.

Bruit blanc, paraboles, oscillographes et oreilles en céramique composent un paysage sensoriel troublant. Des flacons d’eau de javel évoquent les logiques d’effacement qui menacent les identités noires, tandis que des tableaux périodiques réinventés célèbrent les figures de résistance noire.

En écho aux pensées de Frantz Fanon et Aimé Césaire, cette œuvre interroge l’héritage colonial et imagine d’autres futurs possibles.

🔊 Char Jeré – Zone of Nonbeing (2025)

À partir de technologies détournées et piratées, Char Jeré crée une installation immersive où le son et les objets scientifiques rendent perceptible une réalité invisible mais persistante : l’omniprésence du racisme.

Bruit blanc, paraboles, oscillographes et oreilles en céramique composent un paysage sensoriel troublant. Des flacons d’eau de javel évoquent les logiques d’effacement qui menacent les identités noires, tandis que des tableaux périodiques réinventés célèbrent les figures de résistance noire.

En écho aux pensées de Frantz Fanon et Aimé Césaire, cette œuvre interroge l’héritage colonial et imagine d’autres futurs possibles.

✊🏿 « Le monde est profondément anti-noir, alors j’ai construit une philosophie appelée afro-fractalisme. »

Les installations de Char Jeré tissent des relations entre race et technologie. L’artiste inscrit sa pratique dans l’afro-fractalisme : un outil conceptuel pour penser le futur des diasporas africaines à rebours des temporalités coloniales et capitalistes.

📍 Son installation est à découvrir dans l’exposition « Echo Delay Reverb : Art américain, pensées francophones », jusqu’au 15 février 2026.

📹 @_juanelvis

Feeling very grateful to be included in the Voice of Space: UFOs and Paranormal Phenomena exhibition @drawingcenter Curated by Olivia Shao : )
Also, want to thank Alex Kitnick @4columnsmag, @gluibizziak @brooklynrail and Cabelle Ahn @artnet for their thoughtful writing about the show and for engaging with my work "Go Bag" and "Boundless".

“Like Gil Scott Heron points out in his anthem ‘Whitey on the Moon,’ we suffer in order for technological spectacle and scientific triumph to exist,...” -Char Jeré in Artnet

Photo Credit 1+2 @connorcreagan

Feeling very grateful to be included in the Voice of Space: UFOs and Paranormal Phenomena exhibition @drawingcenter Curated by Olivia Shao : )
Also, want to thank Alex Kitnick @4columnsmag, @gluibizziak @brooklynrail and Cabelle Ahn @artnet for their thoughtful writing about the show and for engaging with my work "Go Bag" and "Boundless".

“Like Gil Scott Heron points out in his anthem ‘Whitey on the Moon,’ we suffer in order for technological spectacle and scientific triumph to exist,...” -Char Jeré in Artnet

Photo Credit 1+2 @connorcreagan

Feeling very grateful to be included in the Voice of Space: UFOs and Paranormal Phenomena exhibition @drawingcenter Curated by Olivia Shao : )
Also, want to thank Alex Kitnick @4columnsmag, @gluibizziak @brooklynrail and Cabelle Ahn @artnet for their thoughtful writing about the show and for engaging with my work "Go Bag" and "Boundless".

“Like Gil Scott Heron points out in his anthem ‘Whitey on the Moon,’ we suffer in order for technological spectacle and scientific triumph to exist,...” -Char Jeré in Artnet

Photo Credit 1+2 @connorcreagan

Feeling very grateful to be included in the Voice of Space: UFOs and Paranormal Phenomena exhibition @drawingcenter Curated by Olivia Shao : )
Also, want to thank Alex Kitnick @4columnsmag, @gluibizziak @brooklynrail and Cabelle Ahn @artnet for their thoughtful writing about the show and for engaging with my work "Go Bag" and "Boundless".

“Like Gil Scott Heron points out in his anthem ‘Whitey on the Moon,’ we suffer in order for technological spectacle and scientific triumph to exist,...” -Char Jeré in Artnet

Photo Credit 1+2 @connorcreagan

Feeling very grateful to be included in the Voice of Space: UFOs and Paranormal Phenomena exhibition @drawingcenter Curated by Olivia Shao : )
Also, want to thank Alex Kitnick @4columnsmag, @gluibizziak @brooklynrail and Cabelle Ahn @artnet for their thoughtful writing about the show and for engaging with my work "Go Bag" and "Boundless".

“Like Gil Scott Heron points out in his anthem ‘Whitey on the Moon,’ we suffer in order for technological spectacle and scientific triumph to exist,...” -Char Jeré in Artnet

Photo Credit 1+2 @connorcreagan

Feeling very grateful to be included in the Voice of Space: UFOs and Paranormal Phenomena exhibition @drawingcenter Curated by Olivia Shao : )
Also, want to thank Alex Kitnick @4columnsmag, @gluibizziak @brooklynrail and Cabelle Ahn @artnet for their thoughtful writing about the show and for engaging with my work "Go Bag" and "Boundless".

“Like Gil Scott Heron points out in his anthem ‘Whitey on the Moon,’ we suffer in order for technological spectacle and scientific triumph to exist,...” -Char Jeré in Artnet

Photo Credit 1+2 @connorcreagan

I'm performing tomorrow with my dear friend Josie as The World Research Lab @in_ter_comm. I will attempt to make that big block of wood instrument I built the other day sound good. Big thanks to @xanderlouvre for setting this up : )

SOUND STORM II
With
CYAN TWIN @xanderlouvre @alexandermxfine
BLACKBERRY KNUCKLEDUSTER naptimehacker
SPIRAL GENERATOR @30000ad @pamela__ahs
THE WORLD RESEARCH LAB @theworldresearchlab J
DJ Undisclosed Locations @undisclosedxlocations

7:00–11:00PM
$10-30 NOTAFLOF

AT INTERCOMM 584 Woodward Avenue Ridgewood Queens NY Between Grove and Menahan

SCORPIOS ASSEMBLE!

I'm performing tomorrow with my dear friend Josie as The World Research Lab @in_ter_comm. I will attempt to make that big block of wood instrument I built the other day sound good. Big thanks to @xanderlouvre for setting this up : )

SOUND STORM II
With
CYAN TWIN @xanderlouvre @alexandermxfine
BLACKBERRY KNUCKLEDUSTER naptimehacker
SPIRAL GENERATOR @30000ad @pamela__ahs
THE WORLD RESEARCH LAB @theworldresearchlab J
DJ Undisclosed Locations @undisclosedxlocations

7:00–11:00PM
$10-30 NOTAFLOF

AT INTERCOMM 584 Woodward Avenue Ridgewood Queens NY Between Grove and Menahan

SCORPIOS ASSEMBLE!

I'm performing tomorrow with my dear friend Josie as The World Research Lab @in_ter_comm. I will attempt to make that big block of wood instrument I built the other day sound good. Big thanks to @xanderlouvre for setting this up : )

SOUND STORM II
With
CYAN TWIN @xanderlouvre @alexandermxfine
BLACKBERRY KNUCKLEDUSTER naptimehacker
SPIRAL GENERATOR @30000ad @pamela__ahs
THE WORLD RESEARCH LAB @theworldresearchlab J
DJ Undisclosed Locations @undisclosedxlocations

7:00–11:00PM
$10-30 NOTAFLOF

AT INTERCOMM 584 Woodward Avenue Ridgewood Queens NY Between Grove and Menahan

SCORPIOS ASSEMBLE!

Tomorrow my installation “Zone of Non-being” opens at @palaisdetokyo for the Echo Delay Reverb exhibition featuring 60 incredible artists. Feeling very grateful for the amazing team I had the opportunity to work with.
Artistic Director : Naomi Beckwith
Curatorial Team : Amandine Nana, @jmshrtn and @francois_piron assisted by Vincent Neveux
Production Team: @michelparibonfils @franckrausch
Ivan, Guillaume, @khlem.dmr
And so many others : )
7 channel sound installation sonifying NOAA20 and NOAA21’s orbit over Haiti, Chicago, Sudan, Mississippi, Palestine, Tigray and Congo.

Tomorrow my installation “Zone of Non-being” opens at @palaisdetokyo for the Echo Delay Reverb exhibition featuring 60 incredible artists. Feeling very grateful for the amazing team I had the opportunity to work with.
Artistic Director : Naomi Beckwith
Curatorial Team : Amandine Nana, @jmshrtn and @francois_piron assisted by Vincent Neveux
Production Team: @michelparibonfils @franckrausch
Ivan, Guillaume, @khlem.dmr
And so many others : )
7 channel sound installation sonifying NOAA20 and NOAA21’s orbit over Haiti, Chicago, Sudan, Mississippi, Palestine, Tigray and Congo.

Tomorrow my installation “Zone of Non-being” opens at @palaisdetokyo for the Echo Delay Reverb exhibition featuring 60 incredible artists. Feeling very grateful for the amazing team I had the opportunity to work with.
Artistic Director : Naomi Beckwith
Curatorial Team : Amandine Nana, @jmshrtn and @francois_piron assisted by Vincent Neveux
Production Team: @michelparibonfils @franckrausch
Ivan, Guillaume, @khlem.dmr
And so many others : )
7 channel sound installation sonifying NOAA20 and NOAA21’s orbit over Haiti, Chicago, Sudan, Mississippi, Palestine, Tigray and Congo.

Tomorrow my installation “Zone of Non-being” opens at @palaisdetokyo for the Echo Delay Reverb exhibition featuring 60 incredible artists. Feeling very grateful for the amazing team I had the opportunity to work with.
Artistic Director : Naomi Beckwith
Curatorial Team : Amandine Nana, @jmshrtn and @francois_piron assisted by Vincent Neveux
Production Team: @michelparibonfils @franckrausch
Ivan, Guillaume, @khlem.dmr
And so many others : )
7 channel sound installation sonifying NOAA20 and NOAA21’s orbit over Haiti, Chicago, Sudan, Mississippi, Palestine, Tigray and Congo.

Excited to be in this exhibition @drawingcenter : )
Big thanks to Olivia Shao

Opening on Friday, October 17, "Voice of Space: UFOs and Paranormal Phenomena" explores profound mysteries at the intersections of human experience, belief, and the unknown. Through contemporary art, historical works, and the lens of drawing, this exhibition offers a broad perspective on how humanity has sought to depict, interpret, and question the unexplainable and how these ideas have influenced art and culture over time.

Titled after René Magritte's 1931 painting on view in the exhibition, "Voice of Space" invites viewers to consider the ways in which these themes both live in our collective memory and influence our individual imaginations.

If you're around come Thursday, October 16 from 6-8pm for a public opening reception for both upcoming exhibitions, "Trisha Donnelly" and Voice of Space: UFOs and Paranormal Phenomena."

“Fanning the Alarm that Never Stops Chirping in a Black House”
60” x 40”
In order to get into my great-grandmother’s home you had to go through 3 doors. The screen, the storm, and the main wooden door which was reinforced by a 2 x 4.

White terrorism was and still is ordained by the gov’t and its clenched cheeks citizens. No one came to help my great-grandmother in Mississippi NO ONE. Why?
Because The “Tout-Monde” as Glissant calls it, is desperately anti-black and needs a Colace quick.