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jermainedwards
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α΄ΙͺΙ΄α΄α΄α΄α΄α΄Ι’Κα΄α΄Κα΄Κ
Represented by @itg_ltd
Yeah, My Father's Shadow + ISH Cannes & Venice winners
α΄α΄Κα΄α΄ΙͺΙ΄α΄α΄
α΄‘α΄Κα΄
κ±@Ι’α΄α΄ΙͺΚ.α΄α΄α΄
βMy eye and my sensibilities kind of always lead to 500T,β says My Father's Shadow DP Jermaine Edwards. βI really like the way it renders an image, I like the reds, I like the image I get from it as a starting pointβ¦ Iβm comfortable using it, and it gives me that extra sensitivity that I need in tight spots.β
Around 12 years ago it seemed that manufacturing of motion picture film stock might end forever, but thanks to Kodakβs rise and recent developments elsewhere, filmmakers today still have creative choice when it comes to stock.
Read more from Edwards and other DPs in our Focus on Film Guide - available on our website!
βMy eye and my sensibilities kind of always lead to 500T,β says My Father's Shadow DP Jermaine Edwards. βI really like the way it renders an image, I like the reds, I like the image I get from it as a starting pointβ¦ Iβm comfortable using it, and it gives me that extra sensitivity that I need in tight spots.β
Around 12 years ago it seemed that manufacturing of motion picture film stock might end forever, but thanks to Kodakβs rise and recent developments elsewhere, filmmakers today still have creative choice when it comes to stock.
Read more from Edwards and other DPs in our Focus on Film Guide - available on our website!
βMy eye and my sensibilities kind of always lead to 500T,β says My Father's Shadow DP Jermaine Edwards. βI really like the way it renders an image, I like the reds, I like the image I get from it as a starting pointβ¦ Iβm comfortable using it, and it gives me that extra sensitivity that I need in tight spots.β
Around 12 years ago it seemed that manufacturing of motion picture film stock might end forever, but thanks to Kodakβs rise and recent developments elsewhere, filmmakers today still have creative choice when it comes to stock.
Read more from Edwards and other DPs in our Focus on Film Guide - available on our website!
βMy eye and my sensibilities kind of always lead to 500T,β says My Father's Shadow DP Jermaine Edwards. βI really like the way it renders an image, I like the reds, I like the image I get from it as a starting pointβ¦ Iβm comfortable using it, and it gives me that extra sensitivity that I need in tight spots.β
Around 12 years ago it seemed that manufacturing of motion picture film stock might end forever, but thanks to Kodakβs rise and recent developments elsewhere, filmmakers today still have creative choice when it comes to stock.
Read more from Edwards and other DPs in our Focus on Film Guide - available on our website!
Jermaine Edwards didnβt just light My Fatherβs Shadow β he built a visual rulebook for it. π₯
From sun-bleached wides to handheld urgency, the cinematographer breaks down how film stock, shaped βnaturalβ light and pure instinct (not to mention physical wear and tear) guided every frame of the Camera dβOr Special Mention winner.
Read more at the link in bio.
#cinematographers #myfathersshadow #cinematography
Jermaine Edwards didnβt just light My Fatherβs Shadow β he built a visual rulebook for it. π₯
From sun-bleached wides to handheld urgency, the cinematographer breaks down how film stock, shaped βnaturalβ light and pure instinct (not to mention physical wear and tear) guided every frame of the Camera dβOr Special Mention winner.
Read more at the link in bio.
#cinematographers #myfathersshadow #cinematography
Jermaine Edwards didnβt just light My Fatherβs Shadow β he built a visual rulebook for it. π₯
From sun-bleached wides to handheld urgency, the cinematographer breaks down how film stock, shaped βnaturalβ light and pure instinct (not to mention physical wear and tear) guided every frame of the Camera dβOr Special Mention winner.
Read more at the link in bio.
#cinematographers #myfathersshadow #cinematography
Jermaine Edwards didnβt just light My Fatherβs Shadow β he built a visual rulebook for it. π₯
From sun-bleached wides to handheld urgency, the cinematographer breaks down how film stock, shaped βnaturalβ light and pure instinct (not to mention physical wear and tear) guided every frame of the Camera dβOr Special Mention winner.
Read more at the link in bio.
#cinematographers #myfathersshadow #cinematography
Jermaine Edwards didnβt just light My Fatherβs Shadow β he built a visual rulebook for it. π₯
From sun-bleached wides to handheld urgency, the cinematographer breaks down how film stock, shaped βnaturalβ light and pure instinct (not to mention physical wear and tear) guided every frame of the Camera dβOr Special Mention winner.
Read more at the link in bio.
#cinematographers #myfathersshadow #cinematography
Jermaine Edwards didnβt just light My Fatherβs Shadow β he built a visual rulebook for it. π₯
From sun-bleached wides to handheld urgency, the cinematographer breaks down how film stock, shaped βnaturalβ light and pure instinct (not to mention physical wear and tear) guided every frame of the Camera dβOr Special Mention winner.
Read more at the link in bio.
#cinematographers #myfathersshadow #cinematography
Cannes winning debut feature + Nigerian π³π¬ food? - weβre very excited to launch our first supper club with @akinoladaviesjrβs transcendent debut MY FATHERβs SHADOW.
Weβve partnered with @chukusldnβs on this one & our friends @gohubstudio for our first βwatch & dine experienceβ.
Very limited spaces. Link in our bio π
Cannes winning debut feature + Nigerian π³π¬ food? - weβre very excited to launch our first supper club with @akinoladaviesjrβs transcendent debut MY FATHERβs SHADOW.
Weβve partnered with @chukusldnβs on this one & our friends @gohubstudio for our first βwatch & dine experienceβ.
Very limited spaces. Link in our bio π
Cannes winning debut feature + Nigerian π³π¬ food? - weβre very excited to launch our first supper club with @akinoladaviesjrβs transcendent debut MY FATHERβs SHADOW.
Weβve partnered with @chukusldnβs on this one & our friends @gohubstudio for our first βwatch & dine experienceβ.
Very limited spaces. Link in our bio π
Cannes winning debut feature + Nigerian π³π¬ food? - weβre very excited to launch our first supper club with @akinoladaviesjrβs transcendent debut MY FATHERβs SHADOW.
Weβve partnered with @chukusldnβs on this one & our friends @gohubstudio for our first βwatch & dine experienceβ.
Very limited spaces. Link in our bio π
Our Focus On: Shooting on Film guide is out now β and free to all British Cinematographer readers! π₯
Film is experiencing a revival as cinematographers working across projects of varying budgets and genres increasingly choose celluloid to realise their creative visions and tell captivating stories. Instead of purely being rooted in nostalgia, the resurgence is driven by filmβs unique discipline, texture and process. Rather than limitations, filmβs constraints are seen as strengths by many, engraining intention and focus in every frame.
Inside this special issue, you can find:
- DPs including Robbie Ryan BSC ISC and Vanessa Whyte BSC on embracing the unique aesthetics of analogue
- Jermaine Edwards, Sean Ellis BSC and more on choosing the right film cameras
- William Rexer ASC, Nelisa Alcalde and others on how creatives see, shoot and select glass
- How film combines with virtual production
- Whether lighting demands differ when shooting on celluloid
- Ways to make shooting on film more sustainable
β¦ and much more.
Read the full guide on our website now!
(Cover photo: @jimagraphy)
Our Focus On: Shooting on Film guide is out now β and free to all British Cinematographer readers! π₯
Film is experiencing a revival as cinematographers working across projects of varying budgets and genres increasingly choose celluloid to realise their creative visions and tell captivating stories. Instead of purely being rooted in nostalgia, the resurgence is driven by filmβs unique discipline, texture and process. Rather than limitations, filmβs constraints are seen as strengths by many, engraining intention and focus in every frame.
Inside this special issue, you can find:
- DPs including Robbie Ryan BSC ISC and Vanessa Whyte BSC on embracing the unique aesthetics of analogue
- Jermaine Edwards, Sean Ellis BSC and more on choosing the right film cameras
- William Rexer ASC, Nelisa Alcalde and others on how creatives see, shoot and select glass
- How film combines with virtual production
- Whether lighting demands differ when shooting on celluloid
- Ways to make shooting on film more sustainable
β¦ and much more.
Read the full guide on our website now!
(Cover photo: @jimagraphy)
Our Focus On: Shooting on Film guide is out now β and free to all British Cinematographer readers! π₯
Film is experiencing a revival as cinematographers working across projects of varying budgets and genres increasingly choose celluloid to realise their creative visions and tell captivating stories. Instead of purely being rooted in nostalgia, the resurgence is driven by filmβs unique discipline, texture and process. Rather than limitations, filmβs constraints are seen as strengths by many, engraining intention and focus in every frame.
Inside this special issue, you can find:
- DPs including Robbie Ryan BSC ISC and Vanessa Whyte BSC on embracing the unique aesthetics of analogue
- Jermaine Edwards, Sean Ellis BSC and more on choosing the right film cameras
- William Rexer ASC, Nelisa Alcalde and others on how creatives see, shoot and select glass
- How film combines with virtual production
- Whether lighting demands differ when shooting on celluloid
- Ways to make shooting on film more sustainable
β¦ and much more.
Read the full guide on our website now!
(Cover photo: @jimagraphy)
Our Focus On: Shooting on Film guide is out now β and free to all British Cinematographer readers! π₯
Film is experiencing a revival as cinematographers working across projects of varying budgets and genres increasingly choose celluloid to realise their creative visions and tell captivating stories. Instead of purely being rooted in nostalgia, the resurgence is driven by filmβs unique discipline, texture and process. Rather than limitations, filmβs constraints are seen as strengths by many, engraining intention and focus in every frame.
Inside this special issue, you can find:
- DPs including Robbie Ryan BSC ISC and Vanessa Whyte BSC on embracing the unique aesthetics of analogue
- Jermaine Edwards, Sean Ellis BSC and more on choosing the right film cameras
- William Rexer ASC, Nelisa Alcalde and others on how creatives see, shoot and select glass
- How film combines with virtual production
- Whether lighting demands differ when shooting on celluloid
- Ways to make shooting on film more sustainable
β¦ and much more.
Read the full guide on our website now!
(Cover photo: @jimagraphy)
Our Focus On: Shooting on Film guide is out now β and free to all British Cinematographer readers! π₯
Film is experiencing a revival as cinematographers working across projects of varying budgets and genres increasingly choose celluloid to realise their creative visions and tell captivating stories. Instead of purely being rooted in nostalgia, the resurgence is driven by filmβs unique discipline, texture and process. Rather than limitations, filmβs constraints are seen as strengths by many, engraining intention and focus in every frame.
Inside this special issue, you can find:
- DPs including Robbie Ryan BSC ISC and Vanessa Whyte BSC on embracing the unique aesthetics of analogue
- Jermaine Edwards, Sean Ellis BSC and more on choosing the right film cameras
- William Rexer ASC, Nelisa Alcalde and others on how creatives see, shoot and select glass
- How film combines with virtual production
- Whether lighting demands differ when shooting on celluloid
- Ways to make shooting on film more sustainable
β¦ and much more.
Read the full guide on our website now!
(Cover photo: @jimagraphy)
Our Focus On: Shooting on Film guide is out now β and free to all British Cinematographer readers! π₯
Film is experiencing a revival as cinematographers working across projects of varying budgets and genres increasingly choose celluloid to realise their creative visions and tell captivating stories. Instead of purely being rooted in nostalgia, the resurgence is driven by filmβs unique discipline, texture and process. Rather than limitations, filmβs constraints are seen as strengths by many, engraining intention and focus in every frame.
Inside this special issue, you can find:
- DPs including Robbie Ryan BSC ISC and Vanessa Whyte BSC on embracing the unique aesthetics of analogue
- Jermaine Edwards, Sean Ellis BSC and more on choosing the right film cameras
- William Rexer ASC, Nelisa Alcalde and others on how creatives see, shoot and select glass
- How film combines with virtual production
- Whether lighting demands differ when shooting on celluloid
- Ways to make shooting on film more sustainable
β¦ and much more.
Read the full guide on our website now!
(Cover photo: @jimagraphy)
Our Focus On: Shooting on Film guide is out now β and free to all British Cinematographer readers! π₯
Film is experiencing a revival as cinematographers working across projects of varying budgets and genres increasingly choose celluloid to realise their creative visions and tell captivating stories. Instead of purely being rooted in nostalgia, the resurgence is driven by filmβs unique discipline, texture and process. Rather than limitations, filmβs constraints are seen as strengths by many, engraining intention and focus in every frame.
Inside this special issue, you can find:
- DPs including Robbie Ryan BSC ISC and Vanessa Whyte BSC on embracing the unique aesthetics of analogue
- Jermaine Edwards, Sean Ellis BSC and more on choosing the right film cameras
- William Rexer ASC, Nelisa Alcalde and others on how creatives see, shoot and select glass
- How film combines with virtual production
- Whether lighting demands differ when shooting on celluloid
- Ways to make shooting on film more sustainable
β¦ and much more.
Read the full guide on our website now!
(Cover photo: @jimagraphy)
Our Focus On: Shooting on Film guide is out now β and free to all British Cinematographer readers! π₯
Film is experiencing a revival as cinematographers working across projects of varying budgets and genres increasingly choose celluloid to realise their creative visions and tell captivating stories. Instead of purely being rooted in nostalgia, the resurgence is driven by filmβs unique discipline, texture and process. Rather than limitations, filmβs constraints are seen as strengths by many, engraining intention and focus in every frame.
Inside this special issue, you can find:
- DPs including Robbie Ryan BSC ISC and Vanessa Whyte BSC on embracing the unique aesthetics of analogue
- Jermaine Edwards, Sean Ellis BSC and more on choosing the right film cameras
- William Rexer ASC, Nelisa Alcalde and others on how creatives see, shoot and select glass
- How film combines with virtual production
- Whether lighting demands differ when shooting on celluloid
- Ways to make shooting on film more sustainable
β¦ and much more.
Read the full guide on our website now!
(Cover photo: @jimagraphy)
Our Focus On: Shooting on Film guide is out now β and free to all British Cinematographer readers! π₯
Film is experiencing a revival as cinematographers working across projects of varying budgets and genres increasingly choose celluloid to realise their creative visions and tell captivating stories. Instead of purely being rooted in nostalgia, the resurgence is driven by filmβs unique discipline, texture and process. Rather than limitations, filmβs constraints are seen as strengths by many, engraining intention and focus in every frame.
Inside this special issue, you can find:
- DPs including Robbie Ryan BSC ISC and Vanessa Whyte BSC on embracing the unique aesthetics of analogue
- Jermaine Edwards, Sean Ellis BSC and more on choosing the right film cameras
- William Rexer ASC, Nelisa Alcalde and others on how creatives see, shoot and select glass
- How film combines with virtual production
- Whether lighting demands differ when shooting on celluloid
- Ways to make shooting on film more sustainable
β¦ and much more.
Read the full guide on our website now!
(Cover photo: @jimagraphy)
Our Focus On: Shooting on Film guide is out now β and free to all British Cinematographer readers! π₯
Film is experiencing a revival as cinematographers working across projects of varying budgets and genres increasingly choose celluloid to realise their creative visions and tell captivating stories. Instead of purely being rooted in nostalgia, the resurgence is driven by filmβs unique discipline, texture and process. Rather than limitations, filmβs constraints are seen as strengths by many, engraining intention and focus in every frame.
Inside this special issue, you can find:
- DPs including Robbie Ryan BSC ISC and Vanessa Whyte BSC on embracing the unique aesthetics of analogue
- Jermaine Edwards, Sean Ellis BSC and more on choosing the right film cameras
- William Rexer ASC, Nelisa Alcalde and others on how creatives see, shoot and select glass
- How film combines with virtual production
- Whether lighting demands differ when shooting on celluloid
- Ways to make shooting on film more sustainable
β¦ and much more.
Read the full guide on our website now!
(Cover photo: @jimagraphy)
Our Focus On: Shooting on Film guide is out now β and free to all British Cinematographer readers! π₯
Film is experiencing a revival as cinematographers working across projects of varying budgets and genres increasingly choose celluloid to realise their creative visions and tell captivating stories. Instead of purely being rooted in nostalgia, the resurgence is driven by filmβs unique discipline, texture and process. Rather than limitations, filmβs constraints are seen as strengths by many, engraining intention and focus in every frame.
Inside this special issue, you can find:
- DPs including Robbie Ryan BSC ISC and Vanessa Whyte BSC on embracing the unique aesthetics of analogue
- Jermaine Edwards, Sean Ellis BSC and more on choosing the right film cameras
- William Rexer ASC, Nelisa Alcalde and others on how creatives see, shoot and select glass
- How film combines with virtual production
- Whether lighting demands differ when shooting on celluloid
- Ways to make shooting on film more sustainable
β¦ and much more.
Read the full guide on our website now!
(Cover photo: @jimagraphy)
Our Focus On: Shooting on Film guide is out now β and free to all British Cinematographer readers! π₯
Film is experiencing a revival as cinematographers working across projects of varying budgets and genres increasingly choose celluloid to realise their creative visions and tell captivating stories. Instead of purely being rooted in nostalgia, the resurgence is driven by filmβs unique discipline, texture and process. Rather than limitations, filmβs constraints are seen as strengths by many, engraining intention and focus in every frame.
Inside this special issue, you can find:
- DPs including Robbie Ryan BSC ISC and Vanessa Whyte BSC on embracing the unique aesthetics of analogue
- Jermaine Edwards, Sean Ellis BSC and more on choosing the right film cameras
- William Rexer ASC, Nelisa Alcalde and others on how creatives see, shoot and select glass
- How film combines with virtual production
- Whether lighting demands differ when shooting on celluloid
- Ways to make shooting on film more sustainable
β¦ and much more.
Read the full guide on our website now!
(Cover photo: @jimagraphy)
Our Focus On: Shooting on Film guide is out now β and free to all British Cinematographer readers! π₯
Film is experiencing a revival as cinematographers working across projects of varying budgets and genres increasingly choose celluloid to realise their creative visions and tell captivating stories. Instead of purely being rooted in nostalgia, the resurgence is driven by filmβs unique discipline, texture and process. Rather than limitations, filmβs constraints are seen as strengths by many, engraining intention and focus in every frame.
Inside this special issue, you can find:
- DPs including Robbie Ryan BSC ISC and Vanessa Whyte BSC on embracing the unique aesthetics of analogue
- Jermaine Edwards, Sean Ellis BSC and more on choosing the right film cameras
- William Rexer ASC, Nelisa Alcalde and others on how creatives see, shoot and select glass
- How film combines with virtual production
- Whether lighting demands differ when shooting on celluloid
- Ways to make shooting on film more sustainable
β¦ and much more.
Read the full guide on our website now!
(Cover photo: @jimagraphy)
Good luck to the talented team that put together βWeβre All Black Down Hereβ, which is screening at the final of the @britishshorts competition this week in Berlin. Some amazing projects on show, nice to be a part of a great lineup. π₯ #ShortFilm #WABDH
Good luck to the talented team that put together βWeβre All Black Down Hereβ, which is screening at the final of the @britishshorts competition this week in Berlin. Some amazing projects on show, nice to be a part of a great lineup. π₯ #ShortFilm #WABDH
βEncountering Nigeria for the first time, I almost saw it in the same way as the childrenβthrough rose-tinted glasses, with awe and curiosity.
βWe went lower and wider [with the perspective], so the world feels larger as they move out of their familiar environment. That sense of scale and wonder was essential.βΒ
From shooting in Nigeria to walking the red carpet at the Cannes premiere, Jermaine Edwardsβ cinematographic journey with My Fatherβs Shadowβhis first featureβsaw him explore capturing the feeling of childhood memory on 16mm celluloid.Β
Read more on our website.
βEncountering Nigeria for the first time, I almost saw it in the same way as the childrenβthrough rose-tinted glasses, with awe and curiosity.
βWe went lower and wider [with the perspective], so the world feels larger as they move out of their familiar environment. That sense of scale and wonder was essential.βΒ
From shooting in Nigeria to walking the red carpet at the Cannes premiere, Jermaine Edwardsβ cinematographic journey with My Fatherβs Shadowβhis first featureβsaw him explore capturing the feeling of childhood memory on 16mm celluloid.Β
Read more on our website.
βEncountering Nigeria for the first time, I almost saw it in the same way as the childrenβthrough rose-tinted glasses, with awe and curiosity.
βWe went lower and wider [with the perspective], so the world feels larger as they move out of their familiar environment. That sense of scale and wonder was essential.βΒ
From shooting in Nigeria to walking the red carpet at the Cannes premiere, Jermaine Edwardsβ cinematographic journey with My Fatherβs Shadowβhis first featureβsaw him explore capturing the feeling of childhood memory on 16mm celluloid.Β
Read more on our website.
βEncountering Nigeria for the first time, I almost saw it in the same way as the childrenβthrough rose-tinted glasses, with awe and curiosity.
βWe went lower and wider [with the perspective], so the world feels larger as they move out of their familiar environment. That sense of scale and wonder was essential.βΒ
From shooting in Nigeria to walking the red carpet at the Cannes premiere, Jermaine Edwardsβ cinematographic journey with My Fatherβs Shadowβhis first featureβsaw him explore capturing the feeling of childhood memory on 16mm celluloid.Β
Read more on our website.
βEncountering Nigeria for the first time, I almost saw it in the same way as the childrenβthrough rose-tinted glasses, with awe and curiosity.
βWe went lower and wider [with the perspective], so the world feels larger as they move out of their familiar environment. That sense of scale and wonder was essential.βΒ
From shooting in Nigeria to walking the red carpet at the Cannes premiere, Jermaine Edwardsβ cinematographic journey with My Fatherβs Shadowβhis first featureβsaw him explore capturing the feeling of childhood memory on 16mm celluloid.Β
Read more on our website.
βEncountering Nigeria for the first time, I almost saw it in the same way as the childrenβthrough rose-tinted glasses, with awe and curiosity.
βWe went lower and wider [with the perspective], so the world feels larger as they move out of their familiar environment. That sense of scale and wonder was essential.βΒ
From shooting in Nigeria to walking the red carpet at the Cannes premiere, Jermaine Edwardsβ cinematographic journey with My Fatherβs Shadowβhis first featureβsaw him explore capturing the feeling of childhood memory on 16mm celluloid.Β
Read more on our website.
@bbcfilmofficial @britishfilminstitute @element_pictures @mubi @akinoladaviesjr @kingxdavies Rachel Dargavel @wearefatherland @kodak_shootfilm @panavisionofficial @bifa_film @crisaa @nick.hayes_ @nickmilligan96 @customerdisservice_ @lucycjlocket @ama.ampadu @evayatest @miabays @festivaldecannes @funmbi_o
#villainark
And so many more
A special night β¨π₯
Jermaine Edwards celebrated with a nomination for My Fatherβs Shadow, and Seamus McGarvey ASC BSC ISC won Best Cinematography for Die My Love. Both recognised in the same category β proud of them both π«ΆπΌβ¨β€οΈ
Thank you Riba for the pic πΈ
@bifa_film @mubi @mubiuk
βWe were shooting from a children's perspective, which allows you to be very serious about the world, allows you to look down as opposed to always looking up, and allows you to lean into the magic.β
Nominated for 12 @bifa_film awards, 'My Father's Shadow' writer/director @akinoladaviesjr talks to DN about his collaborative process, from co-writing the deeply personal script with his brother to shooting on Super 16mm in Lagos with DOP @jermainedwards, his approach to working with child actors, and how he balanced a tender family story with a tense political backdrop.
Watch our full interview with Akinola over on DN β―οΈ
// Credits //
Director & Co-Writer @akinoladaviesjr
Writer @kingxdavies
Producer @iamdargavel
Producer @funmbi_o
Presented by: BBC, @britishfilminstitute @thematchfactory @fremantle @electric_theatre_collective @mubi
Production Company: @element_pictures @wearefatherland Crybaby Productions
Director of Photography @jermainedwards
1st AC @crisaa
2nd AC @nickmilligan96
Central Loader @customerdisservice_
Camera Trainee @ojevwevictor
Camera Trainee @dave_shoter
Playback Op @adedoyinadebukolaadetayo
Line Producer @nick.hayes_
NG Production Manager @atintin
UK Production Manager Shuku Anderson
Production Manager @jumaforthegreat
1st AD @adeoshinslim
Location Manager @iyeoluwawunmi
Gaffer @tamubakr
Key Grip @heedman1
Production Designer @anti.design
Costume Designer pc_williams
Make-up Designer @feyzomua
Key Hair Designer @25thfairyhair
Sound Recordist @piusfatoke
Unit Manager Afolabi Olatunbosun
Film Processing/Scans: Kodak Film Labs: London / @digital_orchard
βWe were shooting from a children's perspective, which allows you to be very serious about the world, allows you to look down as opposed to always looking up, and allows you to lean into the magic.β
Nominated for 12 @bifa_film awards, 'My Father's Shadow' writer/director @akinoladaviesjr talks to DN about his collaborative process, from co-writing the deeply personal script with his brother to shooting on Super 16mm in Lagos with DOP @jermainedwards, his approach to working with child actors, and how he balanced a tender family story with a tense political backdrop.
Watch our full interview with Akinola over on DN β―οΈ
// Credits //
Director & Co-Writer @akinoladaviesjr
Writer @kingxdavies
Producer @iamdargavel
Producer @funmbi_o
Presented by: BBC, @britishfilminstitute @thematchfactory @fremantle @electric_theatre_collective @mubi
Production Company: @element_pictures @wearefatherland Crybaby Productions
Director of Photography @jermainedwards
1st AC @crisaa
2nd AC @nickmilligan96
Central Loader @customerdisservice_
Camera Trainee @ojevwevictor
Camera Trainee @dave_shoter
Playback Op @adedoyinadebukolaadetayo
Line Producer @nick.hayes_
NG Production Manager @atintin
UK Production Manager Shuku Anderson
Production Manager @jumaforthegreat
1st AD @adeoshinslim
Location Manager @iyeoluwawunmi
Gaffer @tamubakr
Key Grip @heedman1
Production Designer @anti.design
Costume Designer pc_williams
Make-up Designer @feyzomua
Key Hair Designer @25thfairyhair
Sound Recordist @piusfatoke
Unit Manager Afolabi Olatunbosun
Film Processing/Scans: Kodak Film Labs: London / @digital_orchard
βWe were shooting from a children's perspective, which allows you to be very serious about the world, allows you to look down as opposed to always looking up, and allows you to lean into the magic.β
Nominated for 12 @bifa_film awards, 'My Father's Shadow' writer/director @akinoladaviesjr talks to DN about his collaborative process, from co-writing the deeply personal script with his brother to shooting on Super 16mm in Lagos with DOP @jermainedwards, his approach to working with child actors, and how he balanced a tender family story with a tense political backdrop.
Watch our full interview with Akinola over on DN β―οΈ
// Credits //
Director & Co-Writer @akinoladaviesjr
Writer @kingxdavies
Producer @iamdargavel
Producer @funmbi_o
Presented by: BBC, @britishfilminstitute @thematchfactory @fremantle @electric_theatre_collective @mubi
Production Company: @element_pictures @wearefatherland Crybaby Productions
Director of Photography @jermainedwards
1st AC @crisaa
2nd AC @nickmilligan96
Central Loader @customerdisservice_
Camera Trainee @ojevwevictor
Camera Trainee @dave_shoter
Playback Op @adedoyinadebukolaadetayo
Line Producer @nick.hayes_
NG Production Manager @atintin
UK Production Manager Shuku Anderson
Production Manager @jumaforthegreat
1st AD @adeoshinslim
Location Manager @iyeoluwawunmi
Gaffer @tamubakr
Key Grip @heedman1
Production Designer @anti.design
Costume Designer pc_williams
Make-up Designer @feyzomua
Key Hair Designer @25thfairyhair
Sound Recordist @piusfatoke
Unit Manager Afolabi Olatunbosun
Film Processing/Scans: Kodak Film Labs: London / @digital_orchard
βWe were shooting from a children's perspective, which allows you to be very serious about the world, allows you to look down as opposed to always looking up, and allows you to lean into the magic.β
Nominated for 12 @bifa_film awards, 'My Father's Shadow' writer/director @akinoladaviesjr talks to DN about his collaborative process, from co-writing the deeply personal script with his brother to shooting on Super 16mm in Lagos with DOP @jermainedwards, his approach to working with child actors, and how he balanced a tender family story with a tense political backdrop.
Watch our full interview with Akinola over on DN β―οΈ
// Credits //
Director & Co-Writer @akinoladaviesjr
Writer @kingxdavies
Producer @iamdargavel
Producer @funmbi_o
Presented by: BBC, @britishfilminstitute @thematchfactory @fremantle @electric_theatre_collective @mubi
Production Company: @element_pictures @wearefatherland Crybaby Productions
Director of Photography @jermainedwards
1st AC @crisaa
2nd AC @nickmilligan96
Central Loader @customerdisservice_
Camera Trainee @ojevwevictor
Camera Trainee @dave_shoter
Playback Op @adedoyinadebukolaadetayo
Line Producer @nick.hayes_
NG Production Manager @atintin
UK Production Manager Shuku Anderson
Production Manager @jumaforthegreat
1st AD @adeoshinslim
Location Manager @iyeoluwawunmi
Gaffer @tamubakr
Key Grip @heedman1
Production Designer @anti.design
Costume Designer pc_williams
Make-up Designer @feyzomua
Key Hair Designer @25thfairyhair
Sound Recordist @piusfatoke
Unit Manager Afolabi Olatunbosun
Film Processing/Scans: Kodak Film Labs: London / @digital_orchard
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The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
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Frequently asked questions
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