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jhenwick
Jess Henwick
Hiker trash. Made a thing on a phone you can watch ⬇️
Spent this morning trying to figure out whether there are any other shorts called ‘Bus Girl’ because BABY WE GOT A @BAFTA NOM!
I brought a ticket to the Children’s Bafta Ceremony when I was 17 because I was curious what it was like (?!), essentially paying to be a seat filler. I’ve had my ticket pinned to my bedroom wall ever since. Can’t believe I get to go back this year as a director with our little @thephonetrilogy 🥲🙏
Live on the @bafta YouTube now! Link in bio ❤️
Spent this morning trying to figure out whether there are any other shorts called ‘Bus Girl’ because BABY WE GOT A @BAFTA NOM!
I brought a ticket to the Children’s Bafta Ceremony when I was 17 because I was curious what it was like (?!), essentially paying to be a seat filler. I’ve had my ticket pinned to my bedroom wall ever since. Can’t believe I get to go back this year as a director with our little @thephonetrilogy 🥲🙏
Live on the @bafta YouTube now! Link in bio ❤️
@character.media lured me back to the west side. Cover is live 🐰
📸 @parsons
🕶️ @p3iwenwang
💄 @kellyzhangagency
💇🏻♀️ @stylebymaciel
@character.media lured me back to the west side. Cover is live 🐰
📸 @parsons
🕶️ @p3iwenwang
💄 @kellyzhangagency
💇🏻♀️ @stylebymaciel
@character.media lured me back to the west side. Cover is live 🐰
📸 @parsons
🕶️ @p3iwenwang
💄 @kellyzhangagency
💇🏻♀️ @stylebymaciel
@character.media lured me back to the west side. Cover is live 🐰
📸 @parsons
🕶️ @p3iwenwang
💄 @kellyzhangagency
💇🏻♀️ @stylebymaciel
Long before Jessica Henwick (@jhenwick) was trading scenes with Glenn Powell or auditioning for Rachel Weisz projects, she was watching; really watching. Shadowing filmmakers, directing short films and quietly building a visual language she couldn’t yet name. Now, with a debut feature about two women, obsession and addiction taking shape, the apprenticeship is almost over. But with her latest role in How to Make a Killing, Henwick isn’t moving behind the camera permanently any time soon.
For the full story from Issue 38: Reality vs. Reality, head to the HUNGER website 🔗
Jessica wears @louisvuitton
Photographer @kantostu_dio
Stylist @annahugheschamberlain at @thewallgroup
Writer @flore.btl
Make-Up Artist @nickyweir_makeup using La Beauté @louisvuitton
Hair Stylist @alexsarghe using @schwarzkopfprouk
Photographer’s Assistant tomhuntsmith
Retouching @a_constance_m
Long before Jessica Henwick (@jhenwick) was trading scenes with Glenn Powell or auditioning for Rachel Weisz projects, she was watching; really watching. Shadowing filmmakers, directing short films and quietly building a visual language she couldn’t yet name. Now, with a debut feature about two women, obsession and addiction taking shape, the apprenticeship is almost over. But with her latest role in How to Make a Killing, Henwick isn’t moving behind the camera permanently any time soon.
For the full story from Issue 38: Reality vs. Reality, head to the HUNGER website 🔗
Jessica wears @louisvuitton
Photographer @kantostu_dio
Stylist @annahugheschamberlain at @thewallgroup
Writer @flore.btl
Make-Up Artist @nickyweir_makeup using La Beauté @louisvuitton
Hair Stylist @alexsarghe using @schwarzkopfprouk
Photographer’s Assistant tomhuntsmith
Retouching @a_constance_m
Long before Jessica Henwick (@jhenwick) was trading scenes with Glenn Powell or auditioning for Rachel Weisz projects, she was watching; really watching. Shadowing filmmakers, directing short films and quietly building a visual language she couldn’t yet name. Now, with a debut feature about two women, obsession and addiction taking shape, the apprenticeship is almost over. But with her latest role in How to Make a Killing, Henwick isn’t moving behind the camera permanently any time soon.
For the full story from Issue 38: Reality vs. Reality, head to the HUNGER website 🔗
Jessica wears @louisvuitton
Photographer @kantostu_dio
Stylist @annahugheschamberlain at @thewallgroup
Writer @flore.btl
Make-Up Artist @nickyweir_makeup using La Beauté @louisvuitton
Hair Stylist @alexsarghe using @schwarzkopfprouk
Photographer’s Assistant tomhuntsmith
Retouching @a_constance_m
Long before Jessica Henwick (@jhenwick) was trading scenes with Glenn Powell or auditioning for Rachel Weisz projects, she was watching; really watching. Shadowing filmmakers, directing short films and quietly building a visual language she couldn’t yet name. Now, with a debut feature about two women, obsession and addiction taking shape, the apprenticeship is almost over. But with her latest role in How to Make a Killing, Henwick isn’t moving behind the camera permanently any time soon.
For the full story from Issue 38: Reality vs. Reality, head to the HUNGER website 🔗
Jessica wears @louisvuitton
Photographer @kantostu_dio
Stylist @annahugheschamberlain at @thewallgroup
Writer @flore.btl
Make-Up Artist @nickyweir_makeup using La Beauté @louisvuitton
Hair Stylist @alexsarghe using @schwarzkopfprouk
Photographer’s Assistant tomhuntsmith
Retouching @a_constance_m
Long before Jessica Henwick (@jhenwick) was trading scenes with Glenn Powell or auditioning for Rachel Weisz projects, she was watching; really watching. Shadowing filmmakers, directing short films and quietly building a visual language she couldn’t yet name. Now, with a debut feature about two women, obsession and addiction taking shape, the apprenticeship is almost over. But with her latest role in How to Make a Killing, Henwick isn’t moving behind the camera permanently any time soon.
For the full story from Issue 38: Reality vs. Reality, head to the HUNGER website 🔗
Jessica wears @louisvuitton
Photographer @kantostu_dio
Stylist @annahugheschamberlain at @thewallgroup
Writer @flore.btl
Make-Up Artist @nickyweir_makeup using La Beauté @louisvuitton
Hair Stylist @alexsarghe using @schwarzkopfprouk
Photographer’s Assistant tomhuntsmith
Retouching @a_constance_m
Long before Jessica Henwick (@jhenwick) was trading scenes with Glenn Powell or auditioning for Rachel Weisz projects, she was watching; really watching. Shadowing filmmakers, directing short films and quietly building a visual language she couldn’t yet name. Now, with a debut feature about two women, obsession and addiction taking shape, the apprenticeship is almost over. But with her latest role in How to Make a Killing, Henwick isn’t moving behind the camera permanently any time soon.
For the full story from Issue 38: Reality vs. Reality, head to the HUNGER website 🔗
Jessica wears @louisvuitton
Photographer @kantostu_dio
Stylist @annahugheschamberlain at @thewallgroup
Writer @flore.btl
Make-Up Artist @nickyweir_makeup using La Beauté @louisvuitton
Hair Stylist @alexsarghe using @schwarzkopfprouk
Photographer’s Assistant tomhuntsmith
Retouching @a_constance_m
Long before Jessica Henwick (@jhenwick) was trading scenes with Glenn Powell or auditioning for Rachel Weisz projects, she was watching; really watching. Shadowing filmmakers, directing short films and quietly building a visual language she couldn’t yet name. Now, with a debut feature about two women, obsession and addiction taking shape, the apprenticeship is almost over. But with her latest role in How to Make a Killing, Henwick isn’t moving behind the camera permanently any time soon.
For the full story from Issue 38: Reality vs. Reality, head to the HUNGER website 🔗
Jessica wears @louisvuitton
Photographer @kantostu_dio
Stylist @annahugheschamberlain at @thewallgroup
Writer @flore.btl
Make-Up Artist @nickyweir_makeup using La Beauté @louisvuitton
Hair Stylist @alexsarghe using @schwarzkopfprouk
Photographer’s Assistant tomhuntsmith
Retouching @a_constance_m
Introducing our Reality vs. Fantasy cover star, Jessica Henwick (@jhenwick) 🖤
Jessica Henwick grew up lost in fantasy realms and sci-fi galaxies, worlds that now form the backdrop of the Game of Thrones star’s career. As she steps into the quieter, more human role of Ruth in A24’s How to Make a Killing, Henwick instead draws on burnout, a fake fringe and the radical act of dreaming smaller. “Success to me is: am I happy? Am I healthy?” the actor says. “I don’t want to lose myself so completely that six months go by and I realise I haven’t done anything for myself.”
For the full story from Issue 38: Reality vs. Reality, head to the HUNGER website 🔗
Jessica wears @louisvuitton
Photographer @kantostu_dio
Stylist @annahugheschamberlain at @thewallgroup
Writer @flore.btl
Make-Up Artist @nickyweir_makeup using La Beauté @louisvuitton
Hair Stylist @alexsarghe using @schwarzkopfprouk
Photographer’s Assistant tomhuntsmith
Retouching @a_constance_m
Shouldn't we chase what we want? Jessica Henwick joins Glen Powell in HOW TO MAKE A KILLING - in UK cinemas March 11 and now playing in US theaters.
Shouldn't we chase what we want? Jessica Henwick joins Glen Powell in HOW TO MAKE A KILLING - in UK cinemas March 11 and now playing in US theaters.
Shouldn't we chase what we want? Jessica Henwick joins Glen Powell in HOW TO MAKE A KILLING - in UK cinemas March 11 and now playing in US theaters.
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
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