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Happy to share that Sea Change: Uncovering the Unseen won the Curator’s Choice Award for the Digital Graffiti Festival. @scottmcmahonphoto and I have been working on this piece since last October so it was exciting to see the final projected results.

Glass plate negatives documenting a variety of fish species at the turn of the 20th century were lost in a specimen collection in the basement of a University Biology building, rediscovered over 100 years later. These plates serve as a record of the water damage, deteriorating the photographic image in a serendipitous way. Water, the life-force for these fish, also becomes the culprit of decay.
Samples of ocean water collected from San Diego, where the research of the first female ichthyologist, Rosa Smith Eigenmann was conducted, are examined at a microscopic level, combining an element of artistic discovery with the scientific research. These photographic plates have been transformed over the past 100 years, much like our aquatic ecosystems. We use the archive to re-frame and repurpose this scientific research and methods of discovery through artistic interpretation.

A big thank you to @john_colette for seeing the value in our archival art and science based production methods and for recognizing our work! My first @dgalysbeach was 10 years ago, so receiving this honor felt like a full circle moment. Also thank you to @iumediaschool for awarding this project with a Barbara Restle Grant to fund the research and production. #projectionmapping #bioart #ichthyology #artscience #videoart

Happy to share that Sea Change: Uncovering the Unseen won the Curator’s Choice Award for the Digital Graffiti Festival. @scottmcmahonphoto and I have been working on this piece since last October so it was exciting to see the final projected results.

Glass plate negatives documenting a variety of fish species at the turn of the 20th century were lost in a specimen collection in the basement of a University Biology building, rediscovered over 100 years later. These plates serve as a record of the water damage, deteriorating the photographic image in a serendipitous way. Water, the life-force for these fish, also becomes the culprit of decay.
Samples of ocean water collected from San Diego, where the research of the first female ichthyologist, Rosa Smith Eigenmann was conducted, are examined at a microscopic level, combining an element of artistic discovery with the scientific research. These photographic plates have been transformed over the past 100 years, much like our aquatic ecosystems. We use the archive to re-frame and repurpose this scientific research and methods of discovery through artistic interpretation.

A big thank you to @john_colette for seeing the value in our archival art and science based production methods and for recognizing our work! My first @dgalysbeach was 10 years ago, so receiving this honor felt like a full circle moment. Also thank you to @iumediaschool for awarding this project with a Barbara Restle Grant to fund the research and production. #projectionmapping #bioart #ichthyology #artscience #videoart

Happy to share that Sea Change: Uncovering the Unseen won the Curator’s Choice Award for the Digital Graffiti Festival. @scottmcmahonphoto and I have been working on this piece since last October so it was exciting to see the final projected results.

Glass plate negatives documenting a variety of fish species at the turn of the 20th century were lost in a specimen collection in the basement of a University Biology building, rediscovered over 100 years later. These plates serve as a record of the water damage, deteriorating the photographic image in a serendipitous way. Water, the life-force for these fish, also becomes the culprit of decay.
Samples of ocean water collected from San Diego, where the research of the first female ichthyologist, Rosa Smith Eigenmann was conducted, are examined at a microscopic level, combining an element of artistic discovery with the scientific research. These photographic plates have been transformed over the past 100 years, much like our aquatic ecosystems. We use the archive to re-frame and repurpose this scientific research and methods of discovery through artistic interpretation.

A big thank you to @john_colette for seeing the value in our archival art and science based production methods and for recognizing our work! My first @dgalysbeach was 10 years ago, so receiving this honor felt like a full circle moment. Also thank you to @iumediaschool for awarding this project with a Barbara Restle Grant to fund the research and production. #projectionmapping #bioart #ichthyology #artscience #videoart

Happy to share that Sea Change: Uncovering the Unseen won the Curator’s Choice Award for the Digital Graffiti Festival. @scottmcmahonphoto and I have been working on this piece since last October so it was exciting to see the final projected results.

Glass plate negatives documenting a variety of fish species at the turn of the 20th century were lost in a specimen collection in the basement of a University Biology building, rediscovered over 100 years later. These plates serve as a record of the water damage, deteriorating the photographic image in a serendipitous way. Water, the life-force for these fish, also becomes the culprit of decay.
Samples of ocean water collected from San Diego, where the research of the first female ichthyologist, Rosa Smith Eigenmann was conducted, are examined at a microscopic level, combining an element of artistic discovery with the scientific research. These photographic plates have been transformed over the past 100 years, much like our aquatic ecosystems. We use the archive to re-frame and repurpose this scientific research and methods of discovery through artistic interpretation.

A big thank you to @john_colette for seeing the value in our archival art and science based production methods and for recognizing our work! My first @dgalysbeach was 10 years ago, so receiving this honor felt like a full circle moment. Also thank you to @iumediaschool for awarding this project with a Barbara Restle Grant to fund the research and production. #projectionmapping #bioart #ichthyology #artscience #videoart

Happy to share that Sea Change: Uncovering the Unseen won the Curator’s Choice Award for the Digital Graffiti Festival. @scottmcmahonphoto and I have been working on this piece since last October so it was exciting to see the final projected results.

Glass plate negatives documenting a variety of fish species at the turn of the 20th century were lost in a specimen collection in the basement of a University Biology building, rediscovered over 100 years later. These plates serve as a record of the water damage, deteriorating the photographic image in a serendipitous way. Water, the life-force for these fish, also becomes the culprit of decay.
Samples of ocean water collected from San Diego, where the research of the first female ichthyologist, Rosa Smith Eigenmann was conducted, are examined at a microscopic level, combining an element of artistic discovery with the scientific research. These photographic plates have been transformed over the past 100 years, much like our aquatic ecosystems. We use the archive to re-frame and repurpose this scientific research and methods of discovery through artistic interpretation.

A big thank you to @john_colette for seeing the value in our archival art and science based production methods and for recognizing our work! My first @dgalysbeach was 10 years ago, so receiving this honor felt like a full circle moment. Also thank you to @iumediaschool for awarding this project with a Barbara Restle Grant to fund the research and production. #projectionmapping #bioart #ichthyology #artscience #videoart

Happy to share that Sea Change: Uncovering the Unseen won the Curator’s Choice Award for the Digital Graffiti Festival. @scottmcmahonphoto and I have been working on this piece since last October so it was exciting to see the final projected results.

Glass plate negatives documenting a variety of fish species at the turn of the 20th century were lost in a specimen collection in the basement of a University Biology building, rediscovered over 100 years later. These plates serve as a record of the water damage, deteriorating the photographic image in a serendipitous way. Water, the life-force for these fish, also becomes the culprit of decay.
Samples of ocean water collected from San Diego, where the research of the first female ichthyologist, Rosa Smith Eigenmann was conducted, are examined at a microscopic level, combining an element of artistic discovery with the scientific research. These photographic plates have been transformed over the past 100 years, much like our aquatic ecosystems. We use the archive to re-frame and repurpose this scientific research and methods of discovery through artistic interpretation.

A big thank you to @john_colette for seeing the value in our archival art and science based production methods and for recognizing our work! My first @dgalysbeach was 10 years ago, so receiving this honor felt like a full circle moment. Also thank you to @iumediaschool for awarding this project with a Barbara Restle Grant to fund the research and production. #projectionmapping #bioart #ichthyology #artscience #videoart

Happy to share that Sea Change: Uncovering the Unseen won the Curator’s Choice Award for the Digital Graffiti Festival. @scottmcmahonphoto and I have been working on this piece since last October so it was exciting to see the final projected results.

Glass plate negatives documenting a variety of fish species at the turn of the 20th century were lost in a specimen collection in the basement of a University Biology building, rediscovered over 100 years later. These plates serve as a record of the water damage, deteriorating the photographic image in a serendipitous way. Water, the life-force for these fish, also becomes the culprit of decay.
Samples of ocean water collected from San Diego, where the research of the first female ichthyologist, Rosa Smith Eigenmann was conducted, are examined at a microscopic level, combining an element of artistic discovery with the scientific research. These photographic plates have been transformed over the past 100 years, much like our aquatic ecosystems. We use the archive to re-frame and repurpose this scientific research and methods of discovery through artistic interpretation.

A big thank you to @john_colette for seeing the value in our archival art and science based production methods and for recognizing our work! My first @dgalysbeach was 10 years ago, so receiving this honor felt like a full circle moment. Also thank you to @iumediaschool for awarding this project with a Barbara Restle Grant to fund the research and production. #projectionmapping #bioart #ichthyology #artscience #videoart

Happy to share that Sea Change: Uncovering the Unseen won the Curator’s Choice Award for the Digital Graffiti Festival. @scottmcmahonphoto and I have been working on this piece since last October so it was exciting to see the final projected results.

Glass plate negatives documenting a variety of fish species at the turn of the 20th century were lost in a specimen collection in the basement of a University Biology building, rediscovered over 100 years later. These plates serve as a record of the water damage, deteriorating the photographic image in a serendipitous way. Water, the life-force for these fish, also becomes the culprit of decay.
Samples of ocean water collected from San Diego, where the research of the first female ichthyologist, Rosa Smith Eigenmann was conducted, are examined at a microscopic level, combining an element of artistic discovery with the scientific research. These photographic plates have been transformed over the past 100 years, much like our aquatic ecosystems. We use the archive to re-frame and repurpose this scientific research and methods of discovery through artistic interpretation.

A big thank you to @john_colette for seeing the value in our archival art and science based production methods and for recognizing our work! My first @dgalysbeach was 10 years ago, so receiving this honor felt like a full circle moment. Also thank you to @iumediaschool for awarding this project with a Barbara Restle Grant to fund the research and production. #projectionmapping #bioart #ichthyology #artscience #videoart

Happy to share that Sea Change: Uncovering the Unseen won the Curator’s Choice Award for the Digital Graffiti Festival. @scottmcmahonphoto and I have been working on this piece since last October so it was exciting to see the final projected results.

Glass plate negatives documenting a variety of fish species at the turn of the 20th century were lost in a specimen collection in the basement of a University Biology building, rediscovered over 100 years later. These plates serve as a record of the water damage, deteriorating the photographic image in a serendipitous way. Water, the life-force for these fish, also becomes the culprit of decay.
Samples of ocean water collected from San Diego, where the research of the first female ichthyologist, Rosa Smith Eigenmann was conducted, are examined at a microscopic level, combining an element of artistic discovery with the scientific research. These photographic plates have been transformed over the past 100 years, much like our aquatic ecosystems. We use the archive to re-frame and repurpose this scientific research and methods of discovery through artistic interpretation.

A big thank you to @john_colette for seeing the value in our archival art and science based production methods and for recognizing our work! My first @dgalysbeach was 10 years ago, so receiving this honor felt like a full circle moment. Also thank you to @iumediaschool for awarding this project with a Barbara Restle Grant to fund the research and production. #projectionmapping #bioart #ichthyology #artscience #videoart

Happy to share that Sea Change: Uncovering the Unseen won the Curator’s Choice Award for the Digital Graffiti Festival. @scottmcmahonphoto and I have been working on this piece since last October so it was exciting to see the final projected results.

Glass plate negatives documenting a variety of fish species at the turn of the 20th century were lost in a specimen collection in the basement of a University Biology building, rediscovered over 100 years later. These plates serve as a record of the water damage, deteriorating the photographic image in a serendipitous way. Water, the life-force for these fish, also becomes the culprit of decay.
Samples of ocean water collected from San Diego, where the research of the first female ichthyologist, Rosa Smith Eigenmann was conducted, are examined at a microscopic level, combining an element of artistic discovery with the scientific research. These photographic plates have been transformed over the past 100 years, much like our aquatic ecosystems. We use the archive to re-frame and repurpose this scientific research and methods of discovery through artistic interpretation.

A big thank you to @john_colette for seeing the value in our archival art and science based production methods and for recognizing our work! My first @dgalysbeach was 10 years ago, so receiving this honor felt like a full circle moment. Also thank you to @iumediaschool for awarding this project with a Barbara Restle Grant to fund the research and production. #projectionmapping #bioart #ichthyology #artscience #videoart

Happy to share that Sea Change: Uncovering the Unseen won the Curator’s Choice Award for the Digital Graffiti Festival. @scottmcmahonphoto and I have been working on this piece since last October so it was exciting to see the final projected results.

Glass plate negatives documenting a variety of fish species at the turn of the 20th century were lost in a specimen collection in the basement of a University Biology building, rediscovered over 100 years later. These plates serve as a record of the water damage, deteriorating the photographic image in a serendipitous way. Water, the life-force for these fish, also becomes the culprit of decay.
Samples of ocean water collected from San Diego, where the research of the first female ichthyologist, Rosa Smith Eigenmann was conducted, are examined at a microscopic level, combining an element of artistic discovery with the scientific research. These photographic plates have been transformed over the past 100 years, much like our aquatic ecosystems. We use the archive to re-frame and repurpose this scientific research and methods of discovery through artistic interpretation.

A big thank you to @john_colette for seeing the value in our archival art and science based production methods and for recognizing our work! My first @dgalysbeach was 10 years ago, so receiving this honor felt like a full circle moment. Also thank you to @iumediaschool for awarding this project with a Barbara Restle Grant to fund the research and production. #projectionmapping #bioart #ichthyology #artscience #videoart

Happy to share that Sea Change: Uncovering the Unseen won the Curator’s Choice Award for the Digital Graffiti Festival. @scottmcmahonphoto and I have been working on this piece since last October so it was exciting to see the final projected results.

Glass plate negatives documenting a variety of fish species at the turn of the 20th century were lost in a specimen collection in the basement of a University Biology building, rediscovered over 100 years later. These plates serve as a record of the water damage, deteriorating the photographic image in a serendipitous way. Water, the life-force for these fish, also becomes the culprit of decay.
Samples of ocean water collected from San Diego, where the research of the first female ichthyologist, Rosa Smith Eigenmann was conducted, are examined at a microscopic level, combining an element of artistic discovery with the scientific research. These photographic plates have been transformed over the past 100 years, much like our aquatic ecosystems. We use the archive to re-frame and repurpose this scientific research and methods of discovery through artistic interpretation.

A big thank you to @john_colette for seeing the value in our archival art and science based production methods and for recognizing our work! My first @dgalysbeach was 10 years ago, so receiving this honor felt like a full circle moment. Also thank you to @iumediaschool for awarding this project with a Barbara Restle Grant to fund the research and production. #projectionmapping #bioart #ichthyology #artscience #videoart

Happy to share that Sea Change: Uncovering the Unseen won the Curator’s Choice Award for the Digital Graffiti Festival. @scottmcmahonphoto and I have been working on this piece since last October so it was exciting to see the final projected results.

Glass plate negatives documenting a variety of fish species at the turn of the 20th century were lost in a specimen collection in the basement of a University Biology building, rediscovered over 100 years later. These plates serve as a record of the water damage, deteriorating the photographic image in a serendipitous way. Water, the life-force for these fish, also becomes the culprit of decay.
Samples of ocean water collected from San Diego, where the research of the first female ichthyologist, Rosa Smith Eigenmann was conducted, are examined at a microscopic level, combining an element of artistic discovery with the scientific research. These photographic plates have been transformed over the past 100 years, much like our aquatic ecosystems. We use the archive to re-frame and repurpose this scientific research and methods of discovery through artistic interpretation.

A big thank you to @john_colette for seeing the value in our archival art and science based production methods and for recognizing our work! My first @dgalysbeach was 10 years ago, so receiving this honor felt like a full circle moment. Also thank you to @iumediaschool for awarding this project with a Barbara Restle Grant to fund the research and production. #projectionmapping #bioart #ichthyology #artscience #videoart

Happy to share that Sea Change: Uncovering the Unseen won the Curator’s Choice Award for the Digital Graffiti Festival. @scottmcmahonphoto and I have been working on this piece since last October so it was exciting to see the final projected results.

Glass plate negatives documenting a variety of fish species at the turn of the 20th century were lost in a specimen collection in the basement of a University Biology building, rediscovered over 100 years later. These plates serve as a record of the water damage, deteriorating the photographic image in a serendipitous way. Water, the life-force for these fish, also becomes the culprit of decay.
Samples of ocean water collected from San Diego, where the research of the first female ichthyologist, Rosa Smith Eigenmann was conducted, are examined at a microscopic level, combining an element of artistic discovery with the scientific research. These photographic plates have been transformed over the past 100 years, much like our aquatic ecosystems. We use the archive to re-frame and repurpose this scientific research and methods of discovery through artistic interpretation.

A big thank you to @john_colette for seeing the value in our archival art and science based production methods and for recognizing our work! My first @dgalysbeach was 10 years ago, so receiving this honor felt like a full circle moment. Also thank you to @iumediaschool for awarding this project with a Barbara Restle Grant to fund the research and production. #projectionmapping #bioart #ichthyology #artscience #videoart

Happy to share that Sea Change: Uncovering the Unseen won the Curator’s Choice Award for the Digital Graffiti Festival. @scottmcmahonphoto and I have been working on this piece since last October so it was exciting to see the final projected results.

Glass plate negatives documenting a variety of fish species at the turn of the 20th century were lost in a specimen collection in the basement of a University Biology building, rediscovered over 100 years later. These plates serve as a record of the water damage, deteriorating the photographic image in a serendipitous way. Water, the life-force for these fish, also becomes the culprit of decay.
Samples of ocean water collected from San Diego, where the research of the first female ichthyologist, Rosa Smith Eigenmann was conducted, are examined at a microscopic level, combining an element of artistic discovery with the scientific research. These photographic plates have been transformed over the past 100 years, much like our aquatic ecosystems. We use the archive to re-frame and repurpose this scientific research and methods of discovery through artistic interpretation.

A big thank you to @john_colette for seeing the value in our archival art and science based production methods and for recognizing our work! My first @dgalysbeach was 10 years ago, so receiving this honor felt like a full circle moment. Also thank you to @iumediaschool for awarding this project with a Barbara Restle Grant to fund the research and production. #projectionmapping #bioart #ichthyology #artscience #videoart

Happy to share that Sea Change: Uncovering the Unseen won the Curator’s Choice Award for the Digital Graffiti Festival. @scottmcmahonphoto and I have been working on this piece since last October so it was exciting to see the final projected results.

Glass plate negatives documenting a variety of fish species at the turn of the 20th century were lost in a specimen collection in the basement of a University Biology building, rediscovered over 100 years later. These plates serve as a record of the water damage, deteriorating the photographic image in a serendipitous way. Water, the life-force for these fish, also becomes the culprit of decay.
Samples of ocean water collected from San Diego, where the research of the first female ichthyologist, Rosa Smith Eigenmann was conducted, are examined at a microscopic level, combining an element of artistic discovery with the scientific research. These photographic plates have been transformed over the past 100 years, much like our aquatic ecosystems. We use the archive to re-frame and repurpose this scientific research and methods of discovery through artistic interpretation.

A big thank you to @john_colette for seeing the value in our archival art and science based production methods and for recognizing our work! My first @dgalysbeach was 10 years ago, so receiving this honor felt like a full circle moment. Also thank you to @iumediaschool for awarding this project with a Barbara Restle Grant to fund the research and production. #projectionmapping #bioart #ichthyology #artscience #videoart

Happy to share that Sea Change: Uncovering the Unseen won the Curator’s Choice Award for the Digital Graffiti Festival. @scottmcmahonphoto and I have been working on this piece since last October so it was exciting to see the final projected results.

Glass plate negatives documenting a variety of fish species at the turn of the 20th century were lost in a specimen collection in the basement of a University Biology building, rediscovered over 100 years later. These plates serve as a record of the water damage, deteriorating the photographic image in a serendipitous way. Water, the life-force for these fish, also becomes the culprit of decay.
Samples of ocean water collected from San Diego, where the research of the first female ichthyologist, Rosa Smith Eigenmann was conducted, are examined at a microscopic level, combining an element of artistic discovery with the scientific research. These photographic plates have been transformed over the past 100 years, much like our aquatic ecosystems. We use the archive to re-frame and repurpose this scientific research and methods of discovery through artistic interpretation.

A big thank you to @john_colette for seeing the value in our archival art and science based production methods and for recognizing our work! My first @dgalysbeach was 10 years ago, so receiving this honor felt like a full circle moment. Also thank you to @iumediaschool for awarding this project with a Barbara Restle Grant to fund the research and production. #projectionmapping #bioart #ichthyology #artscience #videoart

Fatima Al-Muftah‘s work @dgalysbeach brought the idea of Bayt Al Sha’ar tenting, where guests are welcomed to gather for Majlis to experience hospitality and community. The Al-Sadu weaving of the tent fabric happens on a massive scale and entire buildings within the projection occasionally give glimpses of the landscape and animals of Qatar. 🇶🇦 A perfect bookend to the sweeping view of this structure afforded by the crossroads of @alysbeach. This@massive image enhances the communal lounges where festival goers sit and socialize framed in the light of young, emerging artists from around the world. Fatima wanted people to be touched by the image of her culture, and it could not have been more appropriate. Our world and its many people are closer, kinder and more hospitable than we are led to believe. May we all come together more. ❤️🙏🏻 #vcuqatar #vcuqkinetic #projectionmapping #qatar

Fatima Al-Muftah‘s work @dgalysbeach brought the idea of Bayt Al Sha’ar tenting, where guests are welcomed to gather for Majlis to experience hospitality and community. The Al-Sadu weaving of the tent fabric happens on a massive scale and entire buildings within the projection occasionally give glimpses of the landscape and animals of Qatar. 🇶🇦 A perfect bookend to the sweeping view of this structure afforded by the crossroads of @alysbeach. This@massive image enhances the communal lounges where festival goers sit and socialize framed in the light of young, emerging artists from around the world. Fatima wanted people to be touched by the image of her culture, and it could not have been more appropriate. Our world and its many people are closer, kinder and more hospitable than we are led to believe. May we all come together more. ❤️🙏🏻 #vcuqatar #vcuqkinetic #projectionmapping #qatar

@sampaikan.co proves you can’t “steal the limelight” but you can be the limelight. This incredible work from Indonesia became the focal point for festival guests @dgalysbeach to become one with the light - making memories from a spectacular night. #projectionmapping #dgalysbeach #30a #events

@sampaikan.co proves you can’t “steal the limelight” but you can be the limelight. This incredible work from Indonesia became the focal point for festival guests @dgalysbeach to become one with the light - making memories from a spectacular night. #projectionmapping #dgalysbeach #30a #events

@sampaikan.co proves you can’t “steal the limelight” but you can be the limelight. This incredible work from Indonesia became the focal point for festival guests @dgalysbeach to become one with the light - making memories from a spectacular night. #projectionmapping #dgalysbeach #30a #events

@sampaikan.co proves you can’t “steal the limelight” but you can be the limelight. This incredible work from Indonesia became the focal point for festival guests @dgalysbeach to become one with the light - making memories from a spectacular night. #projectionmapping #dgalysbeach #30a #events

@sampaikan.co proves you can’t “steal the limelight” but you can be the limelight. This incredible work from Indonesia became the focal point for festival guests @dgalysbeach to become one with the light - making memories from a spectacular night. #projectionmapping #dgalysbeach #30a #events

rsam Al-Nahdi Exhibiting on the largest surface @dgalysbeach with 57 other emerging artists from all over the world. Fantastic to see this incredible program of young talent hold centre stage. Raising the banner for the next generation from Qatar 🇶🇦! #vcuqkinetic #vcu #projectionmapping #dgalysbeach

rsam Al-Nahdi Exhibiting on the largest surface @dgalysbeach with 57 other emerging artists from all over the world. Fantastic to see this incredible program of young talent hold centre stage. Raising the banner for the next generation from Qatar 🇶🇦! #vcuqkinetic #vcu #projectionmapping #dgalysbeach

rsam Al-Nahdi Exhibiting on the largest surface @dgalysbeach with 57 other emerging artists from all over the world. Fantastic to see this incredible program of young talent hold centre stage. Raising the banner for the next generation from Qatar 🇶🇦! #vcuqkinetic #vcu #projectionmapping #dgalysbeach

Jiří Hořavka @__stroyproduced a stunning fully mapped work for Digital Graffiti 2026. Tomorrow for the festival we’ll close the curtains! #dgalysbeach #projectionmapping #mediaarts #projectionfestival

Jiří Hořavka @__stroyproduced a stunning fully mapped work for Digital Graffiti 2026. Tomorrow for the festival we’ll close the curtains! #dgalysbeach #projectionmapping #mediaarts #projectionfestival

Jiří Hořavka @__stroyproduced a stunning fully mapped work for Digital Graffiti 2026. Tomorrow for the festival we’ll close the curtains! #dgalysbeach #projectionmapping #mediaarts #projectionfestival

Jiří Hořavka @__stroyproduced a stunning fully mapped work for Digital Graffiti 2026. Tomorrow for the festival we’ll close the curtains! #dgalysbeach #projectionmapping #mediaarts #projectionfestival

Jiří Hořavka @__stroyproduced a stunning fully mapped work for Digital Graffiti 2026. Tomorrow for the festival we’ll close the curtains! #dgalysbeach #projectionmapping #mediaarts #projectionfestival

Jiří Hořavka @__stroyproduced a stunning fully mapped work for Digital Graffiti 2026. Tomorrow for the festival we’ll close the curtains! #dgalysbeach #projectionmapping #mediaarts #projectionfestival

First Qatari 🇶🇦 artists in the #digitalgraffitifestival at Alys beach. Minahil Saeed transforming the designs on trucks in Pakistan into a mesmerising 80m canvas in the festival preshow last night . More from new VCUQatar artists to come!#dgalysbeach #projection_mapping_world #qatarartist #vcuartsqatar

Rui Yang’s mesmerizing “Sun Deity” forms a new relationship from yantra to surface….
#dgalysbeach #projectionart #projectionfestival #mediaarts

FIAT LVX’s “Occulus Morphogenesis” setup for tonight’s festival #digitalgraffiti #dgalysbeach #projection #projectionmapping #aiart

FIAT LVX’s “Occulus Morphogenesis” setup for tonight’s festival #digitalgraffiti #dgalysbeach #projection #projectionmapping #aiart

FIAT LVX’s “Occulus Morphogenesis” setup for tonight’s festival #digitalgraffiti #dgalysbeach #projection #projectionmapping #aiart

FIAT LVX’s “Occulus Morphogenesis” setup for tonight’s festival #digitalgraffiti #dgalysbeach #projection #projectionmapping #aiart

FIAT LVX’s “Occulus Morphogenesis” setup for tonight’s festival #digitalgraffiti #dgalysbeach #projection #projectionmapping #aiart

Digital Graffiti entries are open until March 1st. Use the link here:https://www.digitalgraffiti.com/digitalgraffiticallforentriesOpen to all media work including single channel video.
Finalists’ installations are reviewed by a panel of judges representing experts in art, architecture, and technology and considered for the Best in Show ($5,000 prize), Curator’s Choice ($2,000 prize), and Special Recognition (3 prizes of $1,000) awards. Residency Artists are pre-selected to receive a modest stipend and are hosted in Alys Beach leading up to the festival for research and development. Finalists are also encouraged to attend Digital Graffiti in-person, with lodging accommodations and access to events and special artists’ functions. #dgalysbeach #projectionmapping

Digital Graffiti entries are open until March 1st. Use the link here:https://www.digitalgraffiti.com/digitalgraffiticallforentriesOpen to all media work including single channel video.
Finalists’ installations are reviewed by a panel of judges representing experts in art, architecture, and technology and considered for the Best in Show ($5,000 prize), Curator’s Choice ($2,000 prize), and Special Recognition (3 prizes of $1,000) awards. Residency Artists are pre-selected to receive a modest stipend and are hosted in Alys Beach leading up to the festival for research and development. Finalists are also encouraged to attend Digital Graffiti in-person, with lodging accommodations and access to events and special artists’ functions. #dgalysbeach #projectionmapping

Digital Graffiti entries are open until March 1st. Use the link here:https://www.digitalgraffiti.com/digitalgraffiticallforentriesOpen to all media work including single channel video.
Finalists’ installations are reviewed by a panel of judges representing experts in art, architecture, and technology and considered for the Best in Show ($5,000 prize), Curator’s Choice ($2,000 prize), and Special Recognition (3 prizes of $1,000) awards. Residency Artists are pre-selected to receive a modest stipend and are hosted in Alys Beach leading up to the festival for research and development. Finalists are also encouraged to attend Digital Graffiti in-person, with lodging accommodations and access to events and special artists’ functions. #dgalysbeach #projectionmapping

Eddy Katt and Arsen Vasquez’ “Kenosis” subverts the sensibilities of the fashion image through cutting, layering and provoking it into a graphic interaction with the built form. At this three story scale it was a complete crowd (and judges) favorite! #dgalysbeach #architectureprojection #panasonicprojectors #projectionmapping #projectionmappingevents #photographer #mediaart #design #alysbeachfl

@rentalunit5 created this stunning residency panorama over 2 buildings for DG2025. #dgalysbeach #mediaart #projectionmapping #projectionart #videoart

Hannah Ford’s “Haunted House” release magi I g the walls of Alys Beach tonight at DG2025. #projectionmappingevents #mediaart #dgalysbeach #projectionmappingart #mediadesign #panasonicprojectors