Instagram Story Viewer

#gunyahartists

Introducing the next artists-in-residence at Gunyah - Haines & Hinterding!
Joyce Hinterding @joycehinterding and David Haines @davidhainesart are based in the Blue Mountains, on the land of the Dharug and Gundungurra peoples, their renowned collaborative and individual practices operate at the creative intersection of art, aesthetics, and observation. Together, Haines & Hinterding, are known for approaching energy not merely as a subject, but as a ‘mode of expression’.
“… During our residency at Gunyah we will work specifically with the volcanic geomorphology of the Port Stephens area for a new work commissioned by the Blue Mountains Cultural Centre, for 2027. This project continues to build our vision of a speculative environmental techne, grounded in field trips and real-world scanning and recordings. We aim to invent a critically minded psychogeography for unprecedented imaginary landscapes, sparking a provocation about people’s position within the post-colonial Anthropocene. …” - continue reading link in bio @gunyahartists

All images courtesy the artists:
1. Joyce Hinterding and David Haines
2. Haines & Hinterding, Geology, 2015. Installation view, Energies: Haines & Hinterding, Museum of Contemporary Art Australia, Sydney, 2015. Real-time 3D environment, 2 x HD projections, game engine, motion sensor, spatial 3D.
3. Joyce Hinterding, Floric Osscilator, 2023. Graphite on glass, wood, mixer with headphones. Dimensions: 2 units, each 85 x 85cm. An antenna that scavenges electromagnetic energy and a capacitor that stores it.
4. David Haines, Field Study 2, 2023.  665 Nanometer Infrared Photograph, Queenstown, Tasmania. Dimensions: 100 x 100 cm
5. Haines & Hinterding, Pink Steam, 2022. Video and sound installation: Single Channel Video shot in hyper colour infrared at 470 nm on a specially modified camera, Stereo Sound + 6 Channel live sound of Cosmic Rays (muons).

Introducing the next artists-in-residence at Gunyah - Haines & Hinterding!
Joyce Hinterding @joycehinterding and David Haines @davidhainesart are based in the Blue Mountains, on the land of the Dharug and Gundungurra peoples, their renowned collaborative and individual practices operate at the creative intersection of art, aesthetics, and observation. Together, Haines & Hinterding, are known for approaching energy not merely as a subject, but as a ‘mode of expression’.
“… During our residency at Gunyah we will work specifically with the volcanic geomorphology of the Port Stephens area for a new work commissioned by the Blue Mountains Cultural Centre, for 2027. This project continues to build our vision of a speculative environmental techne, grounded in field trips and real-world scanning and recordings. We aim to invent a critically minded psychogeography for unprecedented imaginary landscapes, sparking a provocation about people’s position within the post-colonial Anthropocene. …” - continue reading link in bio @gunyahartists

All images courtesy the artists:
1. Joyce Hinterding and David Haines
2. Haines & Hinterding, Geology, 2015. Installation view, Energies: Haines & Hinterding, Museum of Contemporary Art Australia, Sydney, 2015. Real-time 3D environment, 2 x HD projections, game engine, motion sensor, spatial 3D.
3. Joyce Hinterding, Floric Osscilator, 2023. Graphite on glass, wood, mixer with headphones. Dimensions: 2 units, each 85 x 85cm. An antenna that scavenges electromagnetic energy and a capacitor that stores it.
4. David Haines, Field Study 2, 2023.  665 Nanometer Infrared Photograph, Queenstown, Tasmania. Dimensions: 100 x 100 cm
5. Haines & Hinterding, Pink Steam, 2022. Video and sound installation: Single Channel Video shot in hyper colour infrared at 470 nm on a specially modified camera, Stereo Sound + 6 Channel live sound of Cosmic Rays (muons).

Introducing the next artists-in-residence at Gunyah - Haines & Hinterding!
Joyce Hinterding @joycehinterding and David Haines @davidhainesart are based in the Blue Mountains, on the land of the Dharug and Gundungurra peoples, their renowned collaborative and individual practices operate at the creative intersection of art, aesthetics, and observation. Together, Haines & Hinterding, are known for approaching energy not merely as a subject, but as a ‘mode of expression’.
“… During our residency at Gunyah we will work specifically with the volcanic geomorphology of the Port Stephens area for a new work commissioned by the Blue Mountains Cultural Centre, for 2027. This project continues to build our vision of a speculative environmental techne, grounded in field trips and real-world scanning and recordings. We aim to invent a critically minded psychogeography for unprecedented imaginary landscapes, sparking a provocation about people’s position within the post-colonial Anthropocene. …” - continue reading link in bio @gunyahartists

All images courtesy the artists:
1. Joyce Hinterding and David Haines
2. Haines & Hinterding, Geology, 2015. Installation view, Energies: Haines & Hinterding, Museum of Contemporary Art Australia, Sydney, 2015. Real-time 3D environment, 2 x HD projections, game engine, motion sensor, spatial 3D.
3. Joyce Hinterding, Floric Osscilator, 2023. Graphite on glass, wood, mixer with headphones. Dimensions: 2 units, each 85 x 85cm. An antenna that scavenges electromagnetic energy and a capacitor that stores it.
4. David Haines, Field Study 2, 2023.  665 Nanometer Infrared Photograph, Queenstown, Tasmania. Dimensions: 100 x 100 cm
5. Haines & Hinterding, Pink Steam, 2022. Video and sound installation: Single Channel Video shot in hyper colour infrared at 470 nm on a specially modified camera, Stereo Sound + 6 Channel live sound of Cosmic Rays (muons).

Introducing the next artists-in-residence at Gunyah - Haines & Hinterding!
Joyce Hinterding @joycehinterding and David Haines @davidhainesart are based in the Blue Mountains, on the land of the Dharug and Gundungurra peoples, their renowned collaborative and individual practices operate at the creative intersection of art, aesthetics, and observation. Together, Haines & Hinterding, are known for approaching energy not merely as a subject, but as a ‘mode of expression’.
“… During our residency at Gunyah we will work specifically with the volcanic geomorphology of the Port Stephens area for a new work commissioned by the Blue Mountains Cultural Centre, for 2027. This project continues to build our vision of a speculative environmental techne, grounded in field trips and real-world scanning and recordings. We aim to invent a critically minded psychogeography for unprecedented imaginary landscapes, sparking a provocation about people’s position within the post-colonial Anthropocene. …” - continue reading link in bio @gunyahartists

All images courtesy the artists:
1. Joyce Hinterding and David Haines
2. Haines & Hinterding, Geology, 2015. Installation view, Energies: Haines & Hinterding, Museum of Contemporary Art Australia, Sydney, 2015. Real-time 3D environment, 2 x HD projections, game engine, motion sensor, spatial 3D.
3. Joyce Hinterding, Floric Osscilator, 2023. Graphite on glass, wood, mixer with headphones. Dimensions: 2 units, each 85 x 85cm. An antenna that scavenges electromagnetic energy and a capacitor that stores it.
4. David Haines, Field Study 2, 2023.  665 Nanometer Infrared Photograph, Queenstown, Tasmania. Dimensions: 100 x 100 cm
5. Haines & Hinterding, Pink Steam, 2022. Video and sound installation: Single Channel Video shot in hyper colour infrared at 470 nm on a specially modified camera, Stereo Sound + 6 Channel live sound of Cosmic Rays (muons).

Introducing the next artists-in-residence at Gunyah - Haines & Hinterding!
Joyce Hinterding @joycehinterding and David Haines @davidhainesart are based in the Blue Mountains, on the land of the Dharug and Gundungurra peoples, their renowned collaborative and individual practices operate at the creative intersection of art, aesthetics, and observation. Together, Haines & Hinterding, are known for approaching energy not merely as a subject, but as a ‘mode of expression’.
“… During our residency at Gunyah we will work specifically with the volcanic geomorphology of the Port Stephens area for a new work commissioned by the Blue Mountains Cultural Centre, for 2027. This project continues to build our vision of a speculative environmental techne, grounded in field trips and real-world scanning and recordings. We aim to invent a critically minded psychogeography for unprecedented imaginary landscapes, sparking a provocation about people’s position within the post-colonial Anthropocene. …” - continue reading link in bio @gunyahartists

All images courtesy the artists:
1. Joyce Hinterding and David Haines
2. Haines & Hinterding, Geology, 2015. Installation view, Energies: Haines & Hinterding, Museum of Contemporary Art Australia, Sydney, 2015. Real-time 3D environment, 2 x HD projections, game engine, motion sensor, spatial 3D.
3. Joyce Hinterding, Floric Osscilator, 2023. Graphite on glass, wood, mixer with headphones. Dimensions: 2 units, each 85 x 85cm. An antenna that scavenges electromagnetic energy and a capacitor that stores it.
4. David Haines, Field Study 2, 2023.  665 Nanometer Infrared Photograph, Queenstown, Tasmania. Dimensions: 100 x 100 cm
5. Haines & Hinterding, Pink Steam, 2022. Video and sound installation: Single Channel Video shot in hyper colour infrared at 470 nm on a specially modified camera, Stereo Sound + 6 Channel live sound of Cosmic Rays (muons).

MirrorLineCrackle, 2026

The eternal transmissions of the snapping shrimp, and the spherics of the Atmospheric VLF, come together in thoughts about long line submarine communications systems, where noise and signal, light and electrical pulses bounced between New Zealand and Australia

Transmission Point
28 March – 24 May 2026

Curated by French-Australian Anabelle Lacroix, the exhibition Transmission Point invites sound artists and the public to explore the meaning of transmission at Guriwal / La Perouse. Housed in one of Australia’s first telegraph stations, later transformed into the La Perouse Museum, the exhibition foregrounds contemporary sonic practices to connect histories of telecommunications with colonialism, the coastal environment, Indigenous lineages, and the headland's day-to-day experiences across time.

Many thanks to Anabelle Lacroix, Blake Griffiths, the team at La Perouse Musem and the Bidjigal and Gadigal people.

With the support of the French Australian Cultural Exchange Foundation (FACEF)
@facef.foundation
@laperousemuseum
@_ah_oui
@joycehinterding
@alxandraspence
@nicolasmontgermont
@hhaydenn_
@radioqueens

@syrup.contemporary

La Perouse Museum
1542 Anzac Parade La Perouse NSW 2036

MirrorLineCrackle, 2026

The eternal transmissions of the snapping shrimp, and the spherics of the Atmospheric VLF, come together in thoughts about long line submarine communications systems, where noise and signal, light and electrical pulses bounced between New Zealand and Australia

Transmission Point
28 March – 24 May 2026

Curated by French-Australian Anabelle Lacroix, the exhibition Transmission Point invites sound artists and the public to explore the meaning of transmission at Guriwal / La Perouse. Housed in one of Australia’s first telegraph stations, later transformed into the La Perouse Museum, the exhibition foregrounds contemporary sonic practices to connect histories of telecommunications with colonialism, the coastal environment, Indigenous lineages, and the headland's day-to-day experiences across time.

Many thanks to Anabelle Lacroix, Blake Griffiths, the team at La Perouse Musem and the Bidjigal and Gadigal people.

With the support of the French Australian Cultural Exchange Foundation (FACEF)
@facef.foundation
@laperousemuseum
@_ah_oui
@joycehinterding
@alxandraspence
@nicolasmontgermont
@hhaydenn_
@radioqueens

@syrup.contemporary

La Perouse Museum
1542 Anzac Parade La Perouse NSW 2036

Transmission Point – at La Perouse Museum Opening Event

Join us on the headland for Transmission Point, a new exhibition and public program exploring acts of transmission through signals, storytelling and collaborative sound-making, curated by Anabelle Lacroix.

To celebrate the opening, French artist Nicolas Montgermont, along with Joyce Hinterding, Moss Hopkins, Alexandra Spence, Hayden Ryan & Sisters Akousmatica, will perform across the La Perouse Headland throughout the day.

Saturday 28 March
Official Opening, 2pm
Performances, 2.30pm onwards
Free Entry | All ages | Everyone Welcome

With the support of the French Australian Cultural Exchange Foundation (FACEF) @facef.foundation

@laperousemuseum
@_ah_oui
@joycehinterding
@alxandraspence
@nicolasmontgermont
@hhaydenn_
@radioqueens

La Perouse Museum
1542 Anzac Parade La Perouse NSW 2036

I am very excited to be the subject of one of the ANAT Digest Q&As in the December 2025 issue, alongside Danielle Freakley, discussing my experience with ANAT SPECTRA in 2018.
@anat_australia
https://www.anat.org.au/anat-qa/
https://www.anat.org.au/qa-december-2025-b
See linktree for links
photograph Stephen Oxenbury Photography

#joycehinterding
#haineshinterding
@davidhainesart
@sumer.nz
@syrup.contemporary

Very excited to see Large Ulam VLF Loop (graphite)' 2011 installed and on show at GOMA in the collections exhibition called 'Contraptions' until 22 Feb 2026

https://www.qagoma.qld.gov.au/exhibition/contraptions

Exhibiting alongside Rebecca Baumann, Martin Creed, Eugene Carchesio, Robert Klippel, and Lin Onus, with his tribute to Aboriginal inventor David Unaipon.

Many thanks to the @qagoma install team for the Images and beautiful install.

@sumer.nz
#haineshinterding
#joycehinterding

Very excited to see Large Ulam VLF Loop (graphite)' 2011 installed and on show at GOMA in the collections exhibition called 'Contraptions' until 22 Feb 2026

https://www.qagoma.qld.gov.au/exhibition/contraptions

Exhibiting alongside Rebecca Baumann, Martin Creed, Eugene Carchesio, Robert Klippel, and Lin Onus, with his tribute to Aboriginal inventor David Unaipon.

Many thanks to the @qagoma install team for the Images and beautiful install.

@sumer.nz
#haineshinterding
#joycehinterding

Very excited to see Large Ulam VLF Loop (graphite)' 2011 installed and on show at GOMA in the collections exhibition called 'Contraptions' until 22 Feb 2026

https://www.qagoma.qld.gov.au/exhibition/contraptions

Exhibiting alongside Rebecca Baumann, Martin Creed, Eugene Carchesio, Robert Klippel, and Lin Onus, with his tribute to Aboriginal inventor David Unaipon.

Many thanks to the @qagoma install team for the Images and beautiful install.

@sumer.nz
#haineshinterding
#joycehinterding

Very excited to see Large Ulam VLF Loop (graphite)' 2011 installed and on show at GOMA in the collections exhibition called 'Contraptions' until 22 Feb 2026

https://www.qagoma.qld.gov.au/exhibition/contraptions

Exhibiting alongside Rebecca Baumann, Martin Creed, Eugene Carchesio, Robert Klippel, and Lin Onus, with his tribute to Aboriginal inventor David Unaipon.

Many thanks to the @qagoma install team for the Images and beautiful install.

@sumer.nz
#haineshinterding
#joycehinterding

Very excited to see Large Ulam VLF Loop (graphite)' 2011 installed and on show at GOMA in the collections exhibition called 'Contraptions' until 22 Feb 2026

https://www.qagoma.qld.gov.au/exhibition/contraptions

Exhibiting alongside Rebecca Baumann, Martin Creed, Eugene Carchesio, Robert Klippel, and Lin Onus, with his tribute to Aboriginal inventor David Unaipon.

Many thanks to the @qagoma install team for the Images and beautiful install.

@sumer.nz
#haineshinterding
#joycehinterding

🎨 Joyce Hinterding
Artiste australienne qui transforme l’énergie et l’électromagnétisme en matière poétique. Ses œuvres révèlent la beauté des forces fondamentales qui traversent l’univers. ✨〰️

🎨 Joyce Hinterding
Artiste australienne qui transforme l’énergie et l’électromagnétisme en matière poétique. Ses œuvres révèlent la beauté des forces fondamentales qui traversent l’univers. ✨〰️

🎨 Joyce Hinterding
Artiste australienne qui transforme l’énergie et l’électromagnétisme en matière poétique. Ses œuvres révèlent la beauté des forces fondamentales qui traversent l’univers. ✨〰️

🎨 Joyce Hinterding
Artiste australienne qui transforme l’énergie et l’électromagnétisme en matière poétique. Ses œuvres révèlent la beauté des forces fondamentales qui traversent l’univers. ✨〰️

🎨 Joyce Hinterding
Artiste australienne qui transforme l’énergie et l’électromagnétisme en matière poétique. Ses œuvres révèlent la beauté des forces fondamentales qui traversent l’univers. ✨〰️

🎨 Joyce Hinterding
Artiste australienne qui transforme l’énergie et l’électromagnétisme en matière poétique. Ses œuvres révèlent la beauté des forces fondamentales qui traversent l’univers. ✨〰️

🎨 Joyce Hinterding
Artiste australienne qui transforme l’énergie et l’électromagnétisme en matière poétique. Ses œuvres révèlent la beauté des forces fondamentales qui traversent l’univers. ✨〰️

🎨 Joyce Hinterding
Artiste australienne qui transforme l’énergie et l’électromagnétisme en matière poétique. Ses œuvres révèlent la beauté des forces fondamentales qui traversent l’univers. ✨〰️

🎨 Joyce Hinterding
Artiste australienne qui transforme l’énergie et l’électromagnétisme en matière poétique. Ses œuvres révèlent la beauté des forces fondamentales qui traversent l’univers. ✨〰️

🎨 Joyce Hinterding
Artiste australienne qui transforme l’énergie et l’électromagnétisme en matière poétique. Ses œuvres révèlent la beauté des forces fondamentales qui traversent l’univers. ✨〰️

🎨 Joyce Hinterding
Artiste australienne qui transforme l’énergie et l’électromagnétisme en matière poétique. Ses œuvres révèlent la beauté des forces fondamentales qui traversent l’univers. ✨〰️

I'm excited to discuss the Floric Oscillators and their Atmospheric Relations in a panel next week at UTS for the All That Is Alive Research Symposium.

@uts_art @uts_dab @uts_fass.
The symposium is proudly hosted by UTS Gallery & Art Collection in partnership with the Faculty of Design and Society. You can view the full program on the UTS website: https://www.uts.edu.au/events/research-symposium-atia.

I'm excited to discuss the Floric Oscillators and their Atmospheric Relations in a panel next week at UTS for the All That Is Alive Research Symposium.

@uts_art @uts_dab @uts_fass.
The symposium is proudly hosted by UTS Gallery & Art Collection in partnership with the Faculty of Design and Society. You can view the full program on the UTS website: https://www.uts.edu.au/events/research-symposium-atia.

I'm excited to discuss the Floric Oscillators and their Atmospheric Relations in a panel next week at UTS for the All That Is Alive Research Symposium.

@uts_art @uts_dab @uts_fass.
The symposium is proudly hosted by UTS Gallery & Art Collection in partnership with the Faculty of Design and Society. You can view the full program on the UTS website: https://www.uts.edu.au/events/research-symposium-atia.

I'm excited to discuss the Floric Oscillators and their Atmospheric Relations in a panel next week at UTS for the All That Is Alive Research Symposium.

@uts_art @uts_dab @uts_fass.
The symposium is proudly hosted by UTS Gallery & Art Collection in partnership with the Faculty of Design and Society. You can view the full program on the UTS website: https://www.uts.edu.au/events/research-symposium-atia.

I'm excited to discuss the Floric Oscillators and their Atmospheric Relations in a panel next week at UTS for the All That Is Alive Research Symposium.

@uts_art @uts_dab @uts_fass.
The symposium is proudly hosted by UTS Gallery & Art Collection in partnership with the Faculty of Design and Society. You can view the full program on the UTS website: https://www.uts.edu.au/events/research-symposium-atia.

Sound up. The Well Roll: Listening to subterranean spaces at La Perouse Museum with @julia_drouhin, @radioqueens, @pip_stafford, Anabelle Lacroix @_ah_oui and MP Hopkins, on Bidjigal country for the Transmissions Point workshop. Lots of fun, looking forward to the next steps.