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justinusami
JUSTIN USAMI
Chief Lighting Technician - Lighting Designer
@umamilighting owner
@lightforce.rentals based
@iatselocal728
@natasha.abdul shooting @faouzia "Peace & Violence" MV
@natasha.abdul and I prioritized mobility and efficiency in prep. Knowing that we had a limited amount of resources and time, we picked and chose our battles carefully. Thanks to our crew we were able to stay flexible and mobile🙏 really love y'all
The work horses for us was the @k5600lighting JoLeko 800 & the @aputure.lighting 1200X which allowed us to light spaces in interesting ways with speed, and was relatively inexpensive to rent.
We also had what I call a "Titan Mat." A custom fixture in the proportions of a Litemat 4 but have tube clips inside to hold Titan Tubes. See slide 5.
All in all, very appreciative of @natasha.abdul for calling me for this job. She's hands down one of my favorite people to create art with. She doesn't let the creative get in the way of still taking care of crew. Which I appreciate and respect very much.
And thank you to @gerardodeniro94 you're always my partner in crime. Appreciate you always coming out and crushing it with me 🫶
And @brady.berryhill_dp saved my life. Thank you for coming out and giving me peace of mind. Brady's an incredible DP, so hit him up if you need pretty pictures.
Also, if y'all need a killer AC if good vibes and OCD, hit up @reecemoffett
He'll take care of your soul and your camera.
Director: @bobbyhanaford
Producer: @aidentroyweber
Prod co: @ptreepictures
Editor: @jstaudenmaier
Colorist: @kaybaycolor
VFX: @joey_deutsch
DP: @natasha.abdul
Steady: @steadistan
First ac: @reecemoffett
Second ac: @jewelsluna
PD: @isabella.a.monge.gmail
CLT: @justinusami
ACLT: @brady.berryhill_dp
SLT: @sotolikephoto
SLT: @cinenam
SLT: @jayadeep_jay
⚡️: @umamilighting
⚡️: @lightforce.rentals
KG: @gerardodeniro94
BBG: @miles_roddy45
🔨: @thegriphouse
PA: @stokemore
Lead PA: Cameron Mack
Prod coordination: @wemakemovies
Hair: @rachellitahair
Rental house: @otm_cameralighting
Photo: @directoramami
Film: @kodak_shootfilm
scanner: @thom_kuo
Commissioner: @santayfeyyy
Location: @legend_locations
@natasha.abdul shooting @faouzia "Peace & Violence" MV
@natasha.abdul and I prioritized mobility and efficiency in prep. Knowing that we had a limited amount of resources and time, we picked and chose our battles carefully. Thanks to our crew we were able to stay flexible and mobile🙏 really love y'all
The work horses for us was the @k5600lighting JoLeko 800 & the @aputure.lighting 1200X which allowed us to light spaces in interesting ways with speed, and was relatively inexpensive to rent.
We also had what I call a "Titan Mat." A custom fixture in the proportions of a Litemat 4 but have tube clips inside to hold Titan Tubes. See slide 5.
All in all, very appreciative of @natasha.abdul for calling me for this job. She's hands down one of my favorite people to create art with. She doesn't let the creative get in the way of still taking care of crew. Which I appreciate and respect very much.
And thank you to @gerardodeniro94 you're always my partner in crime. Appreciate you always coming out and crushing it with me 🫶
And @brady.berryhill_dp saved my life. Thank you for coming out and giving me peace of mind. Brady's an incredible DP, so hit him up if you need pretty pictures.
Also, if y'all need a killer AC if good vibes and OCD, hit up @reecemoffett
He'll take care of your soul and your camera.
Director: @bobbyhanaford
Producer: @aidentroyweber
Prod co: @ptreepictures
Editor: @jstaudenmaier
Colorist: @kaybaycolor
VFX: @joey_deutsch
DP: @natasha.abdul
Steady: @steadistan
First ac: @reecemoffett
Second ac: @jewelsluna
PD: @isabella.a.monge.gmail
CLT: @justinusami
ACLT: @brady.berryhill_dp
SLT: @sotolikephoto
SLT: @cinenam
SLT: @jayadeep_jay
⚡️: @umamilighting
⚡️: @lightforce.rentals
KG: @gerardodeniro94
BBG: @miles_roddy45
🔨: @thegriphouse
PA: @stokemore
Lead PA: Cameron Mack
Prod coordination: @wemakemovies
Hair: @rachellitahair
Rental house: @otm_cameralighting
Photo: @directoramami
Film: @kodak_shootfilm
scanner: @thom_kuo
Commissioner: @santayfeyyy
Location: @legend_locations
@natasha.abdul shooting @faouzia "Peace & Violence" MV
@natasha.abdul and I prioritized mobility and efficiency in prep. Knowing that we had a limited amount of resources and time, we picked and chose our battles carefully. Thanks to our crew we were able to stay flexible and mobile🙏 really love y'all
The work horses for us was the @k5600lighting JoLeko 800 & the @aputure.lighting 1200X which allowed us to light spaces in interesting ways with speed, and was relatively inexpensive to rent.
We also had what I call a "Titan Mat." A custom fixture in the proportions of a Litemat 4 but have tube clips inside to hold Titan Tubes. See slide 5.
All in all, very appreciative of @natasha.abdul for calling me for this job. She's hands down one of my favorite people to create art with. She doesn't let the creative get in the way of still taking care of crew. Which I appreciate and respect very much.
And thank you to @gerardodeniro94 you're always my partner in crime. Appreciate you always coming out and crushing it with me 🫶
And @brady.berryhill_dp saved my life. Thank you for coming out and giving me peace of mind. Brady's an incredible DP, so hit him up if you need pretty pictures.
Also, if y'all need a killer AC if good vibes and OCD, hit up @reecemoffett
He'll take care of your soul and your camera.
Director: @bobbyhanaford
Producer: @aidentroyweber
Prod co: @ptreepictures
Editor: @jstaudenmaier
Colorist: @kaybaycolor
VFX: @joey_deutsch
DP: @natasha.abdul
Steady: @steadistan
First ac: @reecemoffett
Second ac: @jewelsluna
PD: @isabella.a.monge.gmail
CLT: @justinusami
ACLT: @brady.berryhill_dp
SLT: @sotolikephoto
SLT: @cinenam
SLT: @jayadeep_jay
⚡️: @umamilighting
⚡️: @lightforce.rentals
KG: @gerardodeniro94
BBG: @miles_roddy45
🔨: @thegriphouse
PA: @stokemore
Lead PA: Cameron Mack
Prod coordination: @wemakemovies
Hair: @rachellitahair
Rental house: @otm_cameralighting
Photo: @directoramami
Film: @kodak_shootfilm
scanner: @thom_kuo
Commissioner: @santayfeyyy
Location: @legend_locations
@natasha.abdul shooting @faouzia "Peace & Violence" MV
@natasha.abdul and I prioritized mobility and efficiency in prep. Knowing that we had a limited amount of resources and time, we picked and chose our battles carefully. Thanks to our crew we were able to stay flexible and mobile🙏 really love y'all
The work horses for us was the @k5600lighting JoLeko 800 & the @aputure.lighting 1200X which allowed us to light spaces in interesting ways with speed, and was relatively inexpensive to rent.
We also had what I call a "Titan Mat." A custom fixture in the proportions of a Litemat 4 but have tube clips inside to hold Titan Tubes. See slide 5.
All in all, very appreciative of @natasha.abdul for calling me for this job. She's hands down one of my favorite people to create art with. She doesn't let the creative get in the way of still taking care of crew. Which I appreciate and respect very much.
And thank you to @gerardodeniro94 you're always my partner in crime. Appreciate you always coming out and crushing it with me 🫶
And @brady.berryhill_dp saved my life. Thank you for coming out and giving me peace of mind. Brady's an incredible DP, so hit him up if you need pretty pictures.
Also, if y'all need a killer AC if good vibes and OCD, hit up @reecemoffett
He'll take care of your soul and your camera.
Director: @bobbyhanaford
Producer: @aidentroyweber
Prod co: @ptreepictures
Editor: @jstaudenmaier
Colorist: @kaybaycolor
VFX: @joey_deutsch
DP: @natasha.abdul
Steady: @steadistan
First ac: @reecemoffett
Second ac: @jewelsluna
PD: @isabella.a.monge.gmail
CLT: @justinusami
ACLT: @brady.berryhill_dp
SLT: @sotolikephoto
SLT: @cinenam
SLT: @jayadeep_jay
⚡️: @umamilighting
⚡️: @lightforce.rentals
KG: @gerardodeniro94
BBG: @miles_roddy45
🔨: @thegriphouse
PA: @stokemore
Lead PA: Cameron Mack
Prod coordination: @wemakemovies
Hair: @rachellitahair
Rental house: @otm_cameralighting
Photo: @directoramami
Film: @kodak_shootfilm
scanner: @thom_kuo
Commissioner: @santayfeyyy
Location: @legend_locations
@natasha.abdul shooting @faouzia "Peace & Violence" MV
@natasha.abdul and I prioritized mobility and efficiency in prep. Knowing that we had a limited amount of resources and time, we picked and chose our battles carefully. Thanks to our crew we were able to stay flexible and mobile🙏 really love y'all
The work horses for us was the @k5600lighting JoLeko 800 & the @aputure.lighting 1200X which allowed us to light spaces in interesting ways with speed, and was relatively inexpensive to rent.
We also had what I call a "Titan Mat." A custom fixture in the proportions of a Litemat 4 but have tube clips inside to hold Titan Tubes. See slide 5.
All in all, very appreciative of @natasha.abdul for calling me for this job. She's hands down one of my favorite people to create art with. She doesn't let the creative get in the way of still taking care of crew. Which I appreciate and respect very much.
And thank you to @gerardodeniro94 you're always my partner in crime. Appreciate you always coming out and crushing it with me 🫶
And @brady.berryhill_dp saved my life. Thank you for coming out and giving me peace of mind. Brady's an incredible DP, so hit him up if you need pretty pictures.
Also, if y'all need a killer AC if good vibes and OCD, hit up @reecemoffett
He'll take care of your soul and your camera.
Director: @bobbyhanaford
Producer: @aidentroyweber
Prod co: @ptreepictures
Editor: @jstaudenmaier
Colorist: @kaybaycolor
VFX: @joey_deutsch
DP: @natasha.abdul
Steady: @steadistan
First ac: @reecemoffett
Second ac: @jewelsluna
PD: @isabella.a.monge.gmail
CLT: @justinusami
ACLT: @brady.berryhill_dp
SLT: @sotolikephoto
SLT: @cinenam
SLT: @jayadeep_jay
⚡️: @umamilighting
⚡️: @lightforce.rentals
KG: @gerardodeniro94
BBG: @miles_roddy45
🔨: @thegriphouse
PA: @stokemore
Lead PA: Cameron Mack
Prod coordination: @wemakemovies
Hair: @rachellitahair
Rental house: @otm_cameralighting
Photo: @directoramami
Film: @kodak_shootfilm
scanner: @thom_kuo
Commissioner: @santayfeyyy
Location: @legend_locations
@natasha.abdul shooting @faouzia "Peace & Violence" MV
@natasha.abdul and I prioritized mobility and efficiency in prep. Knowing that we had a limited amount of resources and time, we picked and chose our battles carefully. Thanks to our crew we were able to stay flexible and mobile🙏 really love y'all
The work horses for us was the @k5600lighting JoLeko 800 & the @aputure.lighting 1200X which allowed us to light spaces in interesting ways with speed, and was relatively inexpensive to rent.
We also had what I call a "Titan Mat." A custom fixture in the proportions of a Litemat 4 but have tube clips inside to hold Titan Tubes. See slide 5.
All in all, very appreciative of @natasha.abdul for calling me for this job. She's hands down one of my favorite people to create art with. She doesn't let the creative get in the way of still taking care of crew. Which I appreciate and respect very much.
And thank you to @gerardodeniro94 you're always my partner in crime. Appreciate you always coming out and crushing it with me 🫶
And @brady.berryhill_dp saved my life. Thank you for coming out and giving me peace of mind. Brady's an incredible DP, so hit him up if you need pretty pictures.
Also, if y'all need a killer AC if good vibes and OCD, hit up @reecemoffett
He'll take care of your soul and your camera.
Director: @bobbyhanaford
Producer: @aidentroyweber
Prod co: @ptreepictures
Editor: @jstaudenmaier
Colorist: @kaybaycolor
VFX: @joey_deutsch
DP: @natasha.abdul
Steady: @steadistan
First ac: @reecemoffett
Second ac: @jewelsluna
PD: @isabella.a.monge.gmail
CLT: @justinusami
ACLT: @brady.berryhill_dp
SLT: @sotolikephoto
SLT: @cinenam
SLT: @jayadeep_jay
⚡️: @umamilighting
⚡️: @lightforce.rentals
KG: @gerardodeniro94
BBG: @miles_roddy45
🔨: @thegriphouse
PA: @stokemore
Lead PA: Cameron Mack
Prod coordination: @wemakemovies
Hair: @rachellitahair
Rental house: @otm_cameralighting
Photo: @directoramami
Film: @kodak_shootfilm
scanner: @thom_kuo
Commissioner: @santayfeyyy
Location: @legend_locations
@natasha.abdul shooting @faouzia "Peace & Violence" MV
@natasha.abdul and I prioritized mobility and efficiency in prep. Knowing that we had a limited amount of resources and time, we picked and chose our battles carefully. Thanks to our crew we were able to stay flexible and mobile🙏 really love y'all
The work horses for us was the @k5600lighting JoLeko 800 & the @aputure.lighting 1200X which allowed us to light spaces in interesting ways with speed, and was relatively inexpensive to rent.
We also had what I call a "Titan Mat." A custom fixture in the proportions of a Litemat 4 but have tube clips inside to hold Titan Tubes. See slide 5.
All in all, very appreciative of @natasha.abdul for calling me for this job. She's hands down one of my favorite people to create art with. She doesn't let the creative get in the way of still taking care of crew. Which I appreciate and respect very much.
And thank you to @gerardodeniro94 you're always my partner in crime. Appreciate you always coming out and crushing it with me 🫶
And @brady.berryhill_dp saved my life. Thank you for coming out and giving me peace of mind. Brady's an incredible DP, so hit him up if you need pretty pictures.
Also, if y'all need a killer AC if good vibes and OCD, hit up @reecemoffett
He'll take care of your soul and your camera.
Director: @bobbyhanaford
Producer: @aidentroyweber
Prod co: @ptreepictures
Editor: @jstaudenmaier
Colorist: @kaybaycolor
VFX: @joey_deutsch
DP: @natasha.abdul
Steady: @steadistan
First ac: @reecemoffett
Second ac: @jewelsluna
PD: @isabella.a.monge.gmail
CLT: @justinusami
ACLT: @brady.berryhill_dp
SLT: @sotolikephoto
SLT: @cinenam
SLT: @jayadeep_jay
⚡️: @umamilighting
⚡️: @lightforce.rentals
KG: @gerardodeniro94
BBG: @miles_roddy45
🔨: @thegriphouse
PA: @stokemore
Lead PA: Cameron Mack
Prod coordination: @wemakemovies
Hair: @rachellitahair
Rental house: @otm_cameralighting
Photo: @directoramami
Film: @kodak_shootfilm
scanner: @thom_kuo
Commissioner: @santayfeyyy
Location: @legend_locations
@natasha.abdul shooting @faouzia "Peace & Violence" MV
@natasha.abdul and I prioritized mobility and efficiency in prep. Knowing that we had a limited amount of resources and time, we picked and chose our battles carefully. Thanks to our crew we were able to stay flexible and mobile🙏 really love y'all
The work horses for us was the @k5600lighting JoLeko 800 & the @aputure.lighting 1200X which allowed us to light spaces in interesting ways with speed, and was relatively inexpensive to rent.
We also had what I call a "Titan Mat." A custom fixture in the proportions of a Litemat 4 but have tube clips inside to hold Titan Tubes. See slide 5.
All in all, very appreciative of @natasha.abdul for calling me for this job. She's hands down one of my favorite people to create art with. She doesn't let the creative get in the way of still taking care of crew. Which I appreciate and respect very much.
And thank you to @gerardodeniro94 you're always my partner in crime. Appreciate you always coming out and crushing it with me 🫶
And @brady.berryhill_dp saved my life. Thank you for coming out and giving me peace of mind. Brady's an incredible DP, so hit him up if you need pretty pictures.
Also, if y'all need a killer AC if good vibes and OCD, hit up @reecemoffett
He'll take care of your soul and your camera.
Director: @bobbyhanaford
Producer: @aidentroyweber
Prod co: @ptreepictures
Editor: @jstaudenmaier
Colorist: @kaybaycolor
VFX: @joey_deutsch
DP: @natasha.abdul
Steady: @steadistan
First ac: @reecemoffett
Second ac: @jewelsluna
PD: @isabella.a.monge.gmail
CLT: @justinusami
ACLT: @brady.berryhill_dp
SLT: @sotolikephoto
SLT: @cinenam
SLT: @jayadeep_jay
⚡️: @umamilighting
⚡️: @lightforce.rentals
KG: @gerardodeniro94
BBG: @miles_roddy45
🔨: @thegriphouse
PA: @stokemore
Lead PA: Cameron Mack
Prod coordination: @wemakemovies
Hair: @rachellitahair
Rental house: @otm_cameralighting
Photo: @directoramami
Film: @kodak_shootfilm
scanner: @thom_kuo
Commissioner: @santayfeyyy
Location: @legend_locations
@natasha.abdul shooting @faouzia "Peace & Violence" MV
@natasha.abdul and I prioritized mobility and efficiency in prep. Knowing that we had a limited amount of resources and time, we picked and chose our battles carefully. Thanks to our crew we were able to stay flexible and mobile🙏 really love y'all
The work horses for us was the @k5600lighting JoLeko 800 & the @aputure.lighting 1200X which allowed us to light spaces in interesting ways with speed, and was relatively inexpensive to rent.
We also had what I call a "Titan Mat." A custom fixture in the proportions of a Litemat 4 but have tube clips inside to hold Titan Tubes. See slide 5.
All in all, very appreciative of @natasha.abdul for calling me for this job. She's hands down one of my favorite people to create art with. She doesn't let the creative get in the way of still taking care of crew. Which I appreciate and respect very much.
And thank you to @gerardodeniro94 you're always my partner in crime. Appreciate you always coming out and crushing it with me 🫶
And @brady.berryhill_dp saved my life. Thank you for coming out and giving me peace of mind. Brady's an incredible DP, so hit him up if you need pretty pictures.
Also, if y'all need a killer AC if good vibes and OCD, hit up @reecemoffett
He'll take care of your soul and your camera.
Director: @bobbyhanaford
Producer: @aidentroyweber
Prod co: @ptreepictures
Editor: @jstaudenmaier
Colorist: @kaybaycolor
VFX: @joey_deutsch
DP: @natasha.abdul
Steady: @steadistan
First ac: @reecemoffett
Second ac: @jewelsluna
PD: @isabella.a.monge.gmail
CLT: @justinusami
ACLT: @brady.berryhill_dp
SLT: @sotolikephoto
SLT: @cinenam
SLT: @jayadeep_jay
⚡️: @umamilighting
⚡️: @lightforce.rentals
KG: @gerardodeniro94
BBG: @miles_roddy45
🔨: @thegriphouse
PA: @stokemore
Lead PA: Cameron Mack
Prod coordination: @wemakemovies
Hair: @rachellitahair
Rental house: @otm_cameralighting
Photo: @directoramami
Film: @kodak_shootfilm
scanner: @thom_kuo
Commissioner: @santayfeyyy
Location: @legend_locations
@natasha.abdul shooting @faouzia "Peace & Violence" MV
@natasha.abdul and I prioritized mobility and efficiency in prep. Knowing that we had a limited amount of resources and time, we picked and chose our battles carefully. Thanks to our crew we were able to stay flexible and mobile🙏 really love y'all
The work horses for us was the @k5600lighting JoLeko 800 & the @aputure.lighting 1200X which allowed us to light spaces in interesting ways with speed, and was relatively inexpensive to rent.
We also had what I call a "Titan Mat." A custom fixture in the proportions of a Litemat 4 but have tube clips inside to hold Titan Tubes. See slide 5.
All in all, very appreciative of @natasha.abdul for calling me for this job. She's hands down one of my favorite people to create art with. She doesn't let the creative get in the way of still taking care of crew. Which I appreciate and respect very much.
And thank you to @gerardodeniro94 you're always my partner in crime. Appreciate you always coming out and crushing it with me 🫶
And @brady.berryhill_dp saved my life. Thank you for coming out and giving me peace of mind. Brady's an incredible DP, so hit him up if you need pretty pictures.
Also, if y'all need a killer AC if good vibes and OCD, hit up @reecemoffett
He'll take care of your soul and your camera.
Director: @bobbyhanaford
Producer: @aidentroyweber
Prod co: @ptreepictures
Editor: @jstaudenmaier
Colorist: @kaybaycolor
VFX: @joey_deutsch
DP: @natasha.abdul
Steady: @steadistan
First ac: @reecemoffett
Second ac: @jewelsluna
PD: @isabella.a.monge.gmail
CLT: @justinusami
ACLT: @brady.berryhill_dp
SLT: @sotolikephoto
SLT: @cinenam
SLT: @jayadeep_jay
⚡️: @umamilighting
⚡️: @lightforce.rentals
KG: @gerardodeniro94
BBG: @miles_roddy45
🔨: @thegriphouse
PA: @stokemore
Lead PA: Cameron Mack
Prod coordination: @wemakemovies
Hair: @rachellitahair
Rental house: @otm_cameralighting
Photo: @directoramami
Film: @kodak_shootfilm
scanner: @thom_kuo
Commissioner: @santayfeyyy
Location: @legend_locations
@natasha.abdul shooting @faouzia "Peace & Violence" MV
@natasha.abdul and I prioritized mobility and efficiency in prep. Knowing that we had a limited amount of resources and time, we picked and chose our battles carefully. Thanks to our crew we were able to stay flexible and mobile🙏 really love y'all
The work horses for us was the @k5600lighting JoLeko 800 & the @aputure.lighting 1200X which allowed us to light spaces in interesting ways with speed, and was relatively inexpensive to rent.
We also had what I call a "Titan Mat." A custom fixture in the proportions of a Litemat 4 but have tube clips inside to hold Titan Tubes. See slide 5.
All in all, very appreciative of @natasha.abdul for calling me for this job. She's hands down one of my favorite people to create art with. She doesn't let the creative get in the way of still taking care of crew. Which I appreciate and respect very much.
And thank you to @gerardodeniro94 you're always my partner in crime. Appreciate you always coming out and crushing it with me 🫶
And @brady.berryhill_dp saved my life. Thank you for coming out and giving me peace of mind. Brady's an incredible DP, so hit him up if you need pretty pictures.
Also, if y'all need a killer AC if good vibes and OCD, hit up @reecemoffett
He'll take care of your soul and your camera.
Director: @bobbyhanaford
Producer: @aidentroyweber
Prod co: @ptreepictures
Editor: @jstaudenmaier
Colorist: @kaybaycolor
VFX: @joey_deutsch
DP: @natasha.abdul
Steady: @steadistan
First ac: @reecemoffett
Second ac: @jewelsluna
PD: @isabella.a.monge.gmail
CLT: @justinusami
ACLT: @brady.berryhill_dp
SLT: @sotolikephoto
SLT: @cinenam
SLT: @jayadeep_jay
⚡️: @umamilighting
⚡️: @lightforce.rentals
KG: @gerardodeniro94
BBG: @miles_roddy45
🔨: @thegriphouse
PA: @stokemore
Lead PA: Cameron Mack
Prod coordination: @wemakemovies
Hair: @rachellitahair
Rental house: @otm_cameralighting
Photo: @directoramami
Film: @kodak_shootfilm
scanner: @thom_kuo
Commissioner: @santayfeyyy
Location: @legend_locations
@natasha.abdul shooting @faouzia "Peace & Violence" MV
@natasha.abdul and I prioritized mobility and efficiency in prep. Knowing that we had a limited amount of resources and time, we picked and chose our battles carefully. Thanks to our crew we were able to stay flexible and mobile🙏 really love y'all
The work horses for us was the @k5600lighting JoLeko 800 & the @aputure.lighting 1200X which allowed us to light spaces in interesting ways with speed, and was relatively inexpensive to rent.
We also had what I call a "Titan Mat." A custom fixture in the proportions of a Litemat 4 but have tube clips inside to hold Titan Tubes. See slide 5.
All in all, very appreciative of @natasha.abdul for calling me for this job. She's hands down one of my favorite people to create art with. She doesn't let the creative get in the way of still taking care of crew. Which I appreciate and respect very much.
And thank you to @gerardodeniro94 you're always my partner in crime. Appreciate you always coming out and crushing it with me 🫶
And @brady.berryhill_dp saved my life. Thank you for coming out and giving me peace of mind. Brady's an incredible DP, so hit him up if you need pretty pictures.
Also, if y'all need a killer AC if good vibes and OCD, hit up @reecemoffett
He'll take care of your soul and your camera.
Director: @bobbyhanaford
Producer: @aidentroyweber
Prod co: @ptreepictures
Editor: @jstaudenmaier
Colorist: @kaybaycolor
VFX: @joey_deutsch
DP: @natasha.abdul
Steady: @steadistan
First ac: @reecemoffett
Second ac: @jewelsluna
PD: @isabella.a.monge.gmail
CLT: @justinusami
ACLT: @brady.berryhill_dp
SLT: @sotolikephoto
SLT: @cinenam
SLT: @jayadeep_jay
⚡️: @umamilighting
⚡️: @lightforce.rentals
KG: @gerardodeniro94
BBG: @miles_roddy45
🔨: @thegriphouse
PA: @stokemore
Lead PA: Cameron Mack
Prod coordination: @wemakemovies
Hair: @rachellitahair
Rental house: @otm_cameralighting
Photo: @directoramami
Film: @kodak_shootfilm
scanner: @thom_kuo
Commissioner: @santayfeyyy
Location: @legend_locations
@natasha.abdul shooting @faouzia "Peace & Violence" MV
@natasha.abdul and I prioritized mobility and efficiency in prep. Knowing that we had a limited amount of resources and time, we picked and chose our battles carefully. Thanks to our crew we were able to stay flexible and mobile🙏 really love y'all
The work horses for us was the @k5600lighting JoLeko 800 & the @aputure.lighting 1200X which allowed us to light spaces in interesting ways with speed, and was relatively inexpensive to rent.
We also had what I call a "Titan Mat." A custom fixture in the proportions of a Litemat 4 but have tube clips inside to hold Titan Tubes. See slide 5.
All in all, very appreciative of @natasha.abdul for calling me for this job. She's hands down one of my favorite people to create art with. She doesn't let the creative get in the way of still taking care of crew. Which I appreciate and respect very much.
And thank you to @gerardodeniro94 you're always my partner in crime. Appreciate you always coming out and crushing it with me 🫶
And @brady.berryhill_dp saved my life. Thank you for coming out and giving me peace of mind. Brady's an incredible DP, so hit him up if you need pretty pictures.
Also, if y'all need a killer AC if good vibes and OCD, hit up @reecemoffett
He'll take care of your soul and your camera.
Director: @bobbyhanaford
Producer: @aidentroyweber
Prod co: @ptreepictures
Editor: @jstaudenmaier
Colorist: @kaybaycolor
VFX: @joey_deutsch
DP: @natasha.abdul
Steady: @steadistan
First ac: @reecemoffett
Second ac: @jewelsluna
PD: @isabella.a.monge.gmail
CLT: @justinusami
ACLT: @brady.berryhill_dp
SLT: @sotolikephoto
SLT: @cinenam
SLT: @jayadeep_jay
⚡️: @umamilighting
⚡️: @lightforce.rentals
KG: @gerardodeniro94
BBG: @miles_roddy45
🔨: @thegriphouse
PA: @stokemore
Lead PA: Cameron Mack
Prod coordination: @wemakemovies
Hair: @rachellitahair
Rental house: @otm_cameralighting
Photo: @directoramami
Film: @kodak_shootfilm
scanner: @thom_kuo
Commissioner: @santayfeyyy
Location: @legend_locations
@natasha.abdul shooting @faouzia "Peace & Violence" MV
@natasha.abdul and I prioritized mobility and efficiency in prep. Knowing that we had a limited amount of resources and time, we picked and chose our battles carefully. Thanks to our crew we were able to stay flexible and mobile🙏 really love y'all
The work horses for us was the @k5600lighting JoLeko 800 & the @aputure.lighting 1200X which allowed us to light spaces in interesting ways with speed, and was relatively inexpensive to rent.
We also had what I call a "Titan Mat." A custom fixture in the proportions of a Litemat 4 but have tube clips inside to hold Titan Tubes. See slide 5.
All in all, very appreciative of @natasha.abdul for calling me for this job. She's hands down one of my favorite people to create art with. She doesn't let the creative get in the way of still taking care of crew. Which I appreciate and respect very much.
And thank you to @gerardodeniro94 you're always my partner in crime. Appreciate you always coming out and crushing it with me 🫶
And @brady.berryhill_dp saved my life. Thank you for coming out and giving me peace of mind. Brady's an incredible DP, so hit him up if you need pretty pictures.
Also, if y'all need a killer AC if good vibes and OCD, hit up @reecemoffett
He'll take care of your soul and your camera.
Director: @bobbyhanaford
Producer: @aidentroyweber
Prod co: @ptreepictures
Editor: @jstaudenmaier
Colorist: @kaybaycolor
VFX: @joey_deutsch
DP: @natasha.abdul
Steady: @steadistan
First ac: @reecemoffett
Second ac: @jewelsluna
PD: @isabella.a.monge.gmail
CLT: @justinusami
ACLT: @brady.berryhill_dp
SLT: @sotolikephoto
SLT: @cinenam
SLT: @jayadeep_jay
⚡️: @umamilighting
⚡️: @lightforce.rentals
KG: @gerardodeniro94
BBG: @miles_roddy45
🔨: @thegriphouse
PA: @stokemore
Lead PA: Cameron Mack
Prod coordination: @wemakemovies
Hair: @rachellitahair
Rental house: @otm_cameralighting
Photo: @directoramami
Film: @kodak_shootfilm
scanner: @thom_kuo
Commissioner: @santayfeyyy
Location: @legend_locations
@natasha.abdul shooting @faouzia "Peace & Violence" MV
@natasha.abdul and I prioritized mobility and efficiency in prep. Knowing that we had a limited amount of resources and time, we picked and chose our battles carefully. Thanks to our crew we were able to stay flexible and mobile🙏 really love y'all
The work horses for us was the @k5600lighting JoLeko 800 & the @aputure.lighting 1200X which allowed us to light spaces in interesting ways with speed, and was relatively inexpensive to rent.
We also had what I call a "Titan Mat." A custom fixture in the proportions of a Litemat 4 but have tube clips inside to hold Titan Tubes. See slide 5.
All in all, very appreciative of @natasha.abdul for calling me for this job. She's hands down one of my favorite people to create art with. She doesn't let the creative get in the way of still taking care of crew. Which I appreciate and respect very much.
And thank you to @gerardodeniro94 you're always my partner in crime. Appreciate you always coming out and crushing it with me 🫶
And @brady.berryhill_dp saved my life. Thank you for coming out and giving me peace of mind. Brady's an incredible DP, so hit him up if you need pretty pictures.
Also, if y'all need a killer AC if good vibes and OCD, hit up @reecemoffett
He'll take care of your soul and your camera.
Director: @bobbyhanaford
Producer: @aidentroyweber
Prod co: @ptreepictures
Editor: @jstaudenmaier
Colorist: @kaybaycolor
VFX: @joey_deutsch
DP: @natasha.abdul
Steady: @steadistan
First ac: @reecemoffett
Second ac: @jewelsluna
PD: @isabella.a.monge.gmail
CLT: @justinusami
ACLT: @brady.berryhill_dp
SLT: @sotolikephoto
SLT: @cinenam
SLT: @jayadeep_jay
⚡️: @umamilighting
⚡️: @lightforce.rentals
KG: @gerardodeniro94
BBG: @miles_roddy45
🔨: @thegriphouse
PA: @stokemore
Lead PA: Cameron Mack
Prod coordination: @wemakemovies
Hair: @rachellitahair
Rental house: @otm_cameralighting
Photo: @directoramami
Film: @kodak_shootfilm
scanner: @thom_kuo
Commissioner: @santayfeyyy
Location: @legend_locations
@natasha.abdul shooting @faouzia "Peace & Violence" MV
@natasha.abdul and I prioritized mobility and efficiency in prep. Knowing that we had a limited amount of resources and time, we picked and chose our battles carefully. Thanks to our crew we were able to stay flexible and mobile🙏 really love y'all
The work horses for us was the @k5600lighting JoLeko 800 & the @aputure.lighting 1200X which allowed us to light spaces in interesting ways with speed, and was relatively inexpensive to rent.
We also had what I call a "Titan Mat." A custom fixture in the proportions of a Litemat 4 but have tube clips inside to hold Titan Tubes. See slide 5.
All in all, very appreciative of @natasha.abdul for calling me for this job. She's hands down one of my favorite people to create art with. She doesn't let the creative get in the way of still taking care of crew. Which I appreciate and respect very much.
And thank you to @gerardodeniro94 you're always my partner in crime. Appreciate you always coming out and crushing it with me 🫶
And @brady.berryhill_dp saved my life. Thank you for coming out and giving me peace of mind. Brady's an incredible DP, so hit him up if you need pretty pictures.
Also, if y'all need a killer AC if good vibes and OCD, hit up @reecemoffett
He'll take care of your soul and your camera.
Director: @bobbyhanaford
Producer: @aidentroyweber
Prod co: @ptreepictures
Editor: @jstaudenmaier
Colorist: @kaybaycolor
VFX: @joey_deutsch
DP: @natasha.abdul
Steady: @steadistan
First ac: @reecemoffett
Second ac: @jewelsluna
PD: @isabella.a.monge.gmail
CLT: @justinusami
ACLT: @brady.berryhill_dp
SLT: @sotolikephoto
SLT: @cinenam
SLT: @jayadeep_jay
⚡️: @umamilighting
⚡️: @lightforce.rentals
KG: @gerardodeniro94
BBG: @miles_roddy45
🔨: @thegriphouse
PA: @stokemore
Lead PA: Cameron Mack
Prod coordination: @wemakemovies
Hair: @rachellitahair
Rental house: @otm_cameralighting
Photo: @directoramami
Film: @kodak_shootfilm
scanner: @thom_kuo
Commissioner: @santayfeyyy
Location: @legend_locations
@natasha.abdul shooting @faouzia "Peace & Violence" MV
@natasha.abdul and I prioritized mobility and efficiency in prep. Knowing that we had a limited amount of resources and time, we picked and chose our battles carefully. Thanks to our crew we were able to stay flexible and mobile🙏 really love y'all
The work horses for us was the @k5600lighting JoLeko 800 & the @aputure.lighting 1200X which allowed us to light spaces in interesting ways with speed, and was relatively inexpensive to rent.
We also had what I call a "Titan Mat." A custom fixture in the proportions of a Litemat 4 but have tube clips inside to hold Titan Tubes. See slide 5.
All in all, very appreciative of @natasha.abdul for calling me for this job. She's hands down one of my favorite people to create art with. She doesn't let the creative get in the way of still taking care of crew. Which I appreciate and respect very much.
And thank you to @gerardodeniro94 you're always my partner in crime. Appreciate you always coming out and crushing it with me 🫶
And @brady.berryhill_dp saved my life. Thank you for coming out and giving me peace of mind. Brady's an incredible DP, so hit him up if you need pretty pictures.
Also, if y'all need a killer AC if good vibes and OCD, hit up @reecemoffett
He'll take care of your soul and your camera.
Director: @bobbyhanaford
Producer: @aidentroyweber
Prod co: @ptreepictures
Editor: @jstaudenmaier
Colorist: @kaybaycolor
VFX: @joey_deutsch
DP: @natasha.abdul
Steady: @steadistan
First ac: @reecemoffett
Second ac: @jewelsluna
PD: @isabella.a.monge.gmail
CLT: @justinusami
ACLT: @brady.berryhill_dp
SLT: @sotolikephoto
SLT: @cinenam
SLT: @jayadeep_jay
⚡️: @umamilighting
⚡️: @lightforce.rentals
KG: @gerardodeniro94
BBG: @miles_roddy45
🔨: @thegriphouse
PA: @stokemore
Lead PA: Cameron Mack
Prod coordination: @wemakemovies
Hair: @rachellitahair
Rental house: @otm_cameralighting
Photo: @directoramami
Film: @kodak_shootfilm
scanner: @thom_kuo
Commissioner: @santayfeyyy
Location: @legend_locations
@natasha.abdul shooting @faouzia "Peace & Violence" MV
@natasha.abdul and I prioritized mobility and efficiency in prep. Knowing that we had a limited amount of resources and time, we picked and chose our battles carefully. Thanks to our crew we were able to stay flexible and mobile🙏 really love y'all
The work horses for us was the @k5600lighting JoLeko 800 & the @aputure.lighting 1200X which allowed us to light spaces in interesting ways with speed, and was relatively inexpensive to rent.
We also had what I call a "Titan Mat." A custom fixture in the proportions of a Litemat 4 but have tube clips inside to hold Titan Tubes. See slide 5.
All in all, very appreciative of @natasha.abdul for calling me for this job. She's hands down one of my favorite people to create art with. She doesn't let the creative get in the way of still taking care of crew. Which I appreciate and respect very much.
And thank you to @gerardodeniro94 you're always my partner in crime. Appreciate you always coming out and crushing it with me 🫶
And @brady.berryhill_dp saved my life. Thank you for coming out and giving me peace of mind. Brady's an incredible DP, so hit him up if you need pretty pictures.
Also, if y'all need a killer AC if good vibes and OCD, hit up @reecemoffett
He'll take care of your soul and your camera.
Director: @bobbyhanaford
Producer: @aidentroyweber
Prod co: @ptreepictures
Editor: @jstaudenmaier
Colorist: @kaybaycolor
VFX: @joey_deutsch
DP: @natasha.abdul
Steady: @steadistan
First ac: @reecemoffett
Second ac: @jewelsluna
PD: @isabella.a.monge.gmail
CLT: @justinusami
ACLT: @brady.berryhill_dp
SLT: @sotolikephoto
SLT: @cinenam
SLT: @jayadeep_jay
⚡️: @umamilighting
⚡️: @lightforce.rentals
KG: @gerardodeniro94
BBG: @miles_roddy45
🔨: @thegriphouse
PA: @stokemore
Lead PA: Cameron Mack
Prod coordination: @wemakemovies
Hair: @rachellitahair
Rental house: @otm_cameralighting
Photo: @directoramami
Film: @kodak_shootfilm
scanner: @thom_kuo
Commissioner: @santayfeyyy
Location: @legend_locations
Very honored to have worked on this job. Deep gratitude for @durrman for the call and @williamreidiv & @adamnewportberra for patiently working with me
luther - @kendricklamar x @sza
DP: @adamnewportberra
CLT: @durrman
CLT: @williamreidiv
ACLT: @jpzbrennan
SLT: @johnnybizness82
SLT: @marekbojsza
SLT: @almostalbino
SLT: @kozelchikmax
SLT: @spratt2217
SLT: @lac_tid
728/399: Javier Lopez
728/399: @joseruiz1818
LCP: @justinusami 👋
⚡️: @lightforce.rentals
Thank you to this crew. I continue to learn things from each and every one of you. Appreciate the continual patient and generous teachings. Grateful to be able to work along side you all.
Thank you for having me 🙏
Very honored to have worked on this job. Deep gratitude for @durrman for the call and @williamreidiv & @adamnewportberra for patiently working with me
luther - @kendricklamar x @sza
DP: @adamnewportberra
CLT: @durrman
CLT: @williamreidiv
ACLT: @jpzbrennan
SLT: @johnnybizness82
SLT: @marekbojsza
SLT: @almostalbino
SLT: @kozelchikmax
SLT: @spratt2217
SLT: @lac_tid
728/399: Javier Lopez
728/399: @joseruiz1818
LCP: @justinusami 👋
⚡️: @lightforce.rentals
Thank you to this crew. I continue to learn things from each and every one of you. Appreciate the continual patient and generous teachings. Grateful to be able to work along side you all.
Thank you for having me 🙏
Very honored to have worked on this job. Deep gratitude for @durrman for the call and @williamreidiv & @adamnewportberra for patiently working with me
luther - @kendricklamar x @sza
DP: @adamnewportberra
CLT: @durrman
CLT: @williamreidiv
ACLT: @jpzbrennan
SLT: @johnnybizness82
SLT: @marekbojsza
SLT: @almostalbino
SLT: @kozelchikmax
SLT: @spratt2217
SLT: @lac_tid
728/399: Javier Lopez
728/399: @joseruiz1818
LCP: @justinusami 👋
⚡️: @lightforce.rentals
Thank you to this crew. I continue to learn things from each and every one of you. Appreciate the continual patient and generous teachings. Grateful to be able to work along side you all.
Thank you for having me 🙏
Very honored to have worked on this job. Deep gratitude for @durrman for the call and @williamreidiv & @adamnewportberra for patiently working with me
luther - @kendricklamar x @sza
DP: @adamnewportberra
CLT: @durrman
CLT: @williamreidiv
ACLT: @jpzbrennan
SLT: @johnnybizness82
SLT: @marekbojsza
SLT: @almostalbino
SLT: @kozelchikmax
SLT: @spratt2217
SLT: @lac_tid
728/399: Javier Lopez
728/399: @joseruiz1818
LCP: @justinusami 👋
⚡️: @lightforce.rentals
Thank you to this crew. I continue to learn things from each and every one of you. Appreciate the continual patient and generous teachings. Grateful to be able to work along side you all.
Thank you for having me 🙏
Very honored to have worked on this job. Deep gratitude for @durrman for the call and @williamreidiv & @adamnewportberra for patiently working with me
luther - @kendricklamar x @sza
DP: @adamnewportberra
CLT: @durrman
CLT: @williamreidiv
ACLT: @jpzbrennan
SLT: @johnnybizness82
SLT: @marekbojsza
SLT: @almostalbino
SLT: @kozelchikmax
SLT: @spratt2217
SLT: @lac_tid
728/399: Javier Lopez
728/399: @joseruiz1818
LCP: @justinusami 👋
⚡️: @lightforce.rentals
Thank you to this crew. I continue to learn things from each and every one of you. Appreciate the continual patient and generous teachings. Grateful to be able to work along side you all.
Thank you for having me 🙏
Very honored to have worked on this job. Deep gratitude for @durrman for the call and @williamreidiv & @adamnewportberra for patiently working with me
luther - @kendricklamar x @sza
DP: @adamnewportberra
CLT: @durrman
CLT: @williamreidiv
ACLT: @jpzbrennan
SLT: @johnnybizness82
SLT: @marekbojsza
SLT: @almostalbino
SLT: @kozelchikmax
SLT: @spratt2217
SLT: @lac_tid
728/399: Javier Lopez
728/399: @joseruiz1818
LCP: @justinusami 👋
⚡️: @lightforce.rentals
Thank you to this crew. I continue to learn things from each and every one of you. Appreciate the continual patient and generous teachings. Grateful to be able to work along side you all.
Thank you for having me 🙏
Very honored to have worked on this job. Deep gratitude for @durrman for the call and @williamreidiv & @adamnewportberra for patiently working with me
luther - @kendricklamar x @sza
DP: @adamnewportberra
CLT: @durrman
CLT: @williamreidiv
ACLT: @jpzbrennan
SLT: @johnnybizness82
SLT: @marekbojsza
SLT: @almostalbino
SLT: @kozelchikmax
SLT: @spratt2217
SLT: @lac_tid
728/399: Javier Lopez
728/399: @joseruiz1818
LCP: @justinusami 👋
⚡️: @lightforce.rentals
Thank you to this crew. I continue to learn things from each and every one of you. Appreciate the continual patient and generous teachings. Grateful to be able to work along side you all.
Thank you for having me 🙏
Very honored to have worked on this job. Deep gratitude for @durrman for the call and @williamreidiv & @adamnewportberra for patiently working with me
luther - @kendricklamar x @sza
DP: @adamnewportberra
CLT: @durrman
CLT: @williamreidiv
ACLT: @jpzbrennan
SLT: @johnnybizness82
SLT: @marekbojsza
SLT: @almostalbino
SLT: @kozelchikmax
SLT: @spratt2217
SLT: @lac_tid
728/399: Javier Lopez
728/399: @joseruiz1818
LCP: @justinusami 👋
⚡️: @lightforce.rentals
Thank you to this crew. I continue to learn things from each and every one of you. Appreciate the continual patient and generous teachings. Grateful to be able to work along side you all.
Thank you for having me 🙏
Very honored to have worked on this job. Deep gratitude for @durrman for the call and @williamreidiv & @adamnewportberra for patiently working with me
luther - @kendricklamar x @sza
DP: @adamnewportberra
CLT: @durrman
CLT: @williamreidiv
ACLT: @jpzbrennan
SLT: @johnnybizness82
SLT: @marekbojsza
SLT: @almostalbino
SLT: @kozelchikmax
SLT: @spratt2217
SLT: @lac_tid
728/399: Javier Lopez
728/399: @joseruiz1818
LCP: @justinusami 👋
⚡️: @lightforce.rentals
Thank you to this crew. I continue to learn things from each and every one of you. Appreciate the continual patient and generous teachings. Grateful to be able to work along side you all.
Thank you for having me 🙏
Was an honor lighting the @obx boys for @cosmopolitan 🙏 Thank you for an incredibly smooth collaborative process @kevinkimframes , and thank you to @brady.berryhill_dp for connecting me with Kevin!
Kevin is incredibly good at thinking on his feet and making calm and quick decisions while still being open to suggestions. Kevin, looking forward to watching you continue to do bigger and bigger shoots. You're gonna kill it dawg 🤘
Incredibly proud of this vingette, with @gerardodeniro94 supporting with grip as always (thank you brother) and @mollyfarrellwhite always keeping it sharp 🔪
Y'all rock! Looking forward to doing it again.
Producer: @liesllar
Photographer/director: @sarakbyrne
Photographer/director: @philchester
DP: @kevinkimframes
1st AC: @mollyfarrellwhite
CLT: @justin_usami
KG: @gerardodeniro94
Vendor: @milk
Was an honor lighting the @obx boys for @cosmopolitan 🙏 Thank you for an incredibly smooth collaborative process @kevinkimframes , and thank you to @brady.berryhill_dp for connecting me with Kevin!
Kevin is incredibly good at thinking on his feet and making calm and quick decisions while still being open to suggestions. Kevin, looking forward to watching you continue to do bigger and bigger shoots. You're gonna kill it dawg 🤘
Incredibly proud of this vingette, with @gerardodeniro94 supporting with grip as always (thank you brother) and @mollyfarrellwhite always keeping it sharp 🔪
Y'all rock! Looking forward to doing it again.
Producer: @liesllar
Photographer/director: @sarakbyrne
Photographer/director: @philchester
DP: @kevinkimframes
1st AC: @mollyfarrellwhite
CLT: @justin_usami
KG: @gerardodeniro94
Vendor: @milk
Was an honor lighting the @obx boys for @cosmopolitan 🙏 Thank you for an incredibly smooth collaborative process @kevinkimframes , and thank you to @brady.berryhill_dp for connecting me with Kevin!
Kevin is incredibly good at thinking on his feet and making calm and quick decisions while still being open to suggestions. Kevin, looking forward to watching you continue to do bigger and bigger shoots. You're gonna kill it dawg 🤘
Incredibly proud of this vingette, with @gerardodeniro94 supporting with grip as always (thank you brother) and @mollyfarrellwhite always keeping it sharp 🔪
Y'all rock! Looking forward to doing it again.
Producer: @liesllar
Photographer/director: @sarakbyrne
Photographer/director: @philchester
DP: @kevinkimframes
1st AC: @mollyfarrellwhite
CLT: @justin_usami
KG: @gerardodeniro94
Vendor: @milk
Was an honor lighting the @obx boys for @cosmopolitan 🙏 Thank you for an incredibly smooth collaborative process @kevinkimframes , and thank you to @brady.berryhill_dp for connecting me with Kevin!
Kevin is incredibly good at thinking on his feet and making calm and quick decisions while still being open to suggestions. Kevin, looking forward to watching you continue to do bigger and bigger shoots. You're gonna kill it dawg 🤘
Incredibly proud of this vingette, with @gerardodeniro94 supporting with grip as always (thank you brother) and @mollyfarrellwhite always keeping it sharp 🔪
Y'all rock! Looking forward to doing it again.
Producer: @liesllar
Photographer/director: @sarakbyrne
Photographer/director: @philchester
DP: @kevinkimframes
1st AC: @mollyfarrellwhite
CLT: @justin_usami
KG: @gerardodeniro94
Vendor: @milk
Green Bananas (2025)
Very honored to be a part of a project that tied my work and my cultural background together. 🇯🇵
Thank you for letting me light for you @tim_toda
You are so genuinely kind as you are talented. Incredibly grateful to be on this journey with you
Writer/Director: @shollandfilms
Producer: @melaniecliu
Executive Producer: Verity Bullard
1st AD: @rachmfrank
Production Designer: @joanna.cabalquinto
DP: @tim_toda
1st AC: @philiphoangx
2nd AC: @cherrypicket
Stills Photographer: @hovigkazandjian
CLT: @justinusami
Key Grip: @gerardodeniro94
Swing: @braedon.walters
⚡️: @umamilighting
⚡️: @lightforce.rentals
🔨: @the_griphouse_
Wardrobe: @doglvr555
HMUA :@nicolebehling.mua
HMUA: @jennygoldbergmua
Sound Mixer: @paddy_mixes
Sound Mixer: Chapin Long
PA: @nickvandros
Editor: @kleague8
Composer: @benthornewill
Post Sound: @meadfox
Colorist: @philchoe
VFX: @traviskingeditor
Script Consultant & Japanese Translator: @hana_otwol
JIICHAN - @hidetoshiimura
HINA - @hanakurihara
HINA’S HUSBAND - _james_macapagal
HINA’S CHILD - Arielle Wei
#japan #filmmaking #lighting #shortfilm #japanese
Green Bananas (2025)
Very honored to be a part of a project that tied my work and my cultural background together. 🇯🇵
Thank you for letting me light for you @tim_toda
You are so genuinely kind as you are talented. Incredibly grateful to be on this journey with you
Writer/Director: @shollandfilms
Producer: @melaniecliu
Executive Producer: Verity Bullard
1st AD: @rachmfrank
Production Designer: @joanna.cabalquinto
DP: @tim_toda
1st AC: @philiphoangx
2nd AC: @cherrypicket
Stills Photographer: @hovigkazandjian
CLT: @justinusami
Key Grip: @gerardodeniro94
Swing: @braedon.walters
⚡️: @umamilighting
⚡️: @lightforce.rentals
🔨: @the_griphouse_
Wardrobe: @doglvr555
HMUA :@nicolebehling.mua
HMUA: @jennygoldbergmua
Sound Mixer: @paddy_mixes
Sound Mixer: Chapin Long
PA: @nickvandros
Editor: @kleague8
Composer: @benthornewill
Post Sound: @meadfox
Colorist: @philchoe
VFX: @traviskingeditor
Script Consultant & Japanese Translator: @hana_otwol
JIICHAN - @hidetoshiimura
HINA - @hanakurihara
HINA’S HUSBAND - _james_macapagal
HINA’S CHILD - Arielle Wei
#japan #filmmaking #lighting #shortfilm #japanese
Green Bananas (2025)
Very honored to be a part of a project that tied my work and my cultural background together. 🇯🇵
Thank you for letting me light for you @tim_toda
You are so genuinely kind as you are talented. Incredibly grateful to be on this journey with you
Writer/Director: @shollandfilms
Producer: @melaniecliu
Executive Producer: Verity Bullard
1st AD: @rachmfrank
Production Designer: @joanna.cabalquinto
DP: @tim_toda
1st AC: @philiphoangx
2nd AC: @cherrypicket
Stills Photographer: @hovigkazandjian
CLT: @justinusami
Key Grip: @gerardodeniro94
Swing: @braedon.walters
⚡️: @umamilighting
⚡️: @lightforce.rentals
🔨: @the_griphouse_
Wardrobe: @doglvr555
HMUA :@nicolebehling.mua
HMUA: @jennygoldbergmua
Sound Mixer: @paddy_mixes
Sound Mixer: Chapin Long
PA: @nickvandros
Editor: @kleague8
Composer: @benthornewill
Post Sound: @meadfox
Colorist: @philchoe
VFX: @traviskingeditor
Script Consultant & Japanese Translator: @hana_otwol
JIICHAN - @hidetoshiimura
HINA - @hanakurihara
HINA’S HUSBAND - _james_macapagal
HINA’S CHILD - Arielle Wei
#japan #filmmaking #lighting #shortfilm #japanese
Green Bananas (2025)
Very honored to be a part of a project that tied my work and my cultural background together. 🇯🇵
Thank you for letting me light for you @tim_toda
You are so genuinely kind as you are talented. Incredibly grateful to be on this journey with you
Writer/Director: @shollandfilms
Producer: @melaniecliu
Executive Producer: Verity Bullard
1st AD: @rachmfrank
Production Designer: @joanna.cabalquinto
DP: @tim_toda
1st AC: @philiphoangx
2nd AC: @cherrypicket
Stills Photographer: @hovigkazandjian
CLT: @justinusami
Key Grip: @gerardodeniro94
Swing: @braedon.walters
⚡️: @umamilighting
⚡️: @lightforce.rentals
🔨: @the_griphouse_
Wardrobe: @doglvr555
HMUA :@nicolebehling.mua
HMUA: @jennygoldbergmua
Sound Mixer: @paddy_mixes
Sound Mixer: Chapin Long
PA: @nickvandros
Editor: @kleague8
Composer: @benthornewill
Post Sound: @meadfox
Colorist: @philchoe
VFX: @traviskingeditor
Script Consultant & Japanese Translator: @hana_otwol
JIICHAN - @hidetoshiimura
HINA - @hanakurihara
HINA’S HUSBAND - _james_macapagal
HINA’S CHILD - Arielle Wei
#japan #filmmaking #lighting #shortfilm #japanese
Green Bananas (2025)
Very honored to be a part of a project that tied my work and my cultural background together. 🇯🇵
Thank you for letting me light for you @tim_toda
You are so genuinely kind as you are talented. Incredibly grateful to be on this journey with you
Writer/Director: @shollandfilms
Producer: @melaniecliu
Executive Producer: Verity Bullard
1st AD: @rachmfrank
Production Designer: @joanna.cabalquinto
DP: @tim_toda
1st AC: @philiphoangx
2nd AC: @cherrypicket
Stills Photographer: @hovigkazandjian
CLT: @justinusami
Key Grip: @gerardodeniro94
Swing: @braedon.walters
⚡️: @umamilighting
⚡️: @lightforce.rentals
🔨: @the_griphouse_
Wardrobe: @doglvr555
HMUA :@nicolebehling.mua
HMUA: @jennygoldbergmua
Sound Mixer: @paddy_mixes
Sound Mixer: Chapin Long
PA: @nickvandros
Editor: @kleague8
Composer: @benthornewill
Post Sound: @meadfox
Colorist: @philchoe
VFX: @traviskingeditor
Script Consultant & Japanese Translator: @hana_otwol
JIICHAN - @hidetoshiimura
HINA - @hanakurihara
HINA’S HUSBAND - _james_macapagal
HINA’S CHILD - Arielle Wei
#japan #filmmaking #lighting #shortfilm #japanese
Green Bananas (2025)
Very honored to be a part of a project that tied my work and my cultural background together. 🇯🇵
Thank you for letting me light for you @tim_toda
You are so genuinely kind as you are talented. Incredibly grateful to be on this journey with you
Writer/Director: @shollandfilms
Producer: @melaniecliu
Executive Producer: Verity Bullard
1st AD: @rachmfrank
Production Designer: @joanna.cabalquinto
DP: @tim_toda
1st AC: @philiphoangx
2nd AC: @cherrypicket
Stills Photographer: @hovigkazandjian
CLT: @justinusami
Key Grip: @gerardodeniro94
Swing: @braedon.walters
⚡️: @umamilighting
⚡️: @lightforce.rentals
🔨: @the_griphouse_
Wardrobe: @doglvr555
HMUA :@nicolebehling.mua
HMUA: @jennygoldbergmua
Sound Mixer: @paddy_mixes
Sound Mixer: Chapin Long
PA: @nickvandros
Editor: @kleague8
Composer: @benthornewill
Post Sound: @meadfox
Colorist: @philchoe
VFX: @traviskingeditor
Script Consultant & Japanese Translator: @hana_otwol
JIICHAN - @hidetoshiimura
HINA - @hanakurihara
HINA’S HUSBAND - _james_macapagal
HINA’S CHILD - Arielle Wei
#japan #filmmaking #lighting #shortfilm #japanese
Green Bananas (2025)
Very honored to be a part of a project that tied my work and my cultural background together. 🇯🇵
Thank you for letting me light for you @tim_toda
You are so genuinely kind as you are talented. Incredibly grateful to be on this journey with you
Writer/Director: @shollandfilms
Producer: @melaniecliu
Executive Producer: Verity Bullard
1st AD: @rachmfrank
Production Designer: @joanna.cabalquinto
DP: @tim_toda
1st AC: @philiphoangx
2nd AC: @cherrypicket
Stills Photographer: @hovigkazandjian
CLT: @justinusami
Key Grip: @gerardodeniro94
Swing: @braedon.walters
⚡️: @umamilighting
⚡️: @lightforce.rentals
🔨: @the_griphouse_
Wardrobe: @doglvr555
HMUA :@nicolebehling.mua
HMUA: @jennygoldbergmua
Sound Mixer: @paddy_mixes
Sound Mixer: Chapin Long
PA: @nickvandros
Editor: @kleague8
Composer: @benthornewill
Post Sound: @meadfox
Colorist: @philchoe
VFX: @traviskingeditor
Script Consultant & Japanese Translator: @hana_otwol
JIICHAN - @hidetoshiimura
HINA - @hanakurihara
HINA’S HUSBAND - _james_macapagal
HINA’S CHILD - Arielle Wei
#japan #filmmaking #lighting #shortfilm #japanese
Green Bananas (2025)
Very honored to be a part of a project that tied my work and my cultural background together. 🇯🇵
Thank you for letting me light for you @tim_toda
You are so genuinely kind as you are talented. Incredibly grateful to be on this journey with you
Writer/Director: @shollandfilms
Producer: @melaniecliu
Executive Producer: Verity Bullard
1st AD: @rachmfrank
Production Designer: @joanna.cabalquinto
DP: @tim_toda
1st AC: @philiphoangx
2nd AC: @cherrypicket
Stills Photographer: @hovigkazandjian
CLT: @justinusami
Key Grip: @gerardodeniro94
Swing: @braedon.walters
⚡️: @umamilighting
⚡️: @lightforce.rentals
🔨: @the_griphouse_
Wardrobe: @doglvr555
HMUA :@nicolebehling.mua
HMUA: @jennygoldbergmua
Sound Mixer: @paddy_mixes
Sound Mixer: Chapin Long
PA: @nickvandros
Editor: @kleague8
Composer: @benthornewill
Post Sound: @meadfox
Colorist: @philchoe
VFX: @traviskingeditor
Script Consultant & Japanese Translator: @hana_otwol
JIICHAN - @hidetoshiimura
HINA - @hanakurihara
HINA’S HUSBAND - _james_macapagal
HINA’S CHILD - Arielle Wei
#japan #filmmaking #lighting #shortfilm #japanese
Green Bananas (2025)
Very honored to be a part of a project that tied my work and my cultural background together. 🇯🇵
Thank you for letting me light for you @tim_toda
You are so genuinely kind as you are talented. Incredibly grateful to be on this journey with you
Writer/Director: @shollandfilms
Producer: @melaniecliu
Executive Producer: Verity Bullard
1st AD: @rachmfrank
Production Designer: @joanna.cabalquinto
DP: @tim_toda
1st AC: @philiphoangx
2nd AC: @cherrypicket
Stills Photographer: @hovigkazandjian
CLT: @justinusami
Key Grip: @gerardodeniro94
Swing: @braedon.walters
⚡️: @umamilighting
⚡️: @lightforce.rentals
🔨: @the_griphouse_
Wardrobe: @doglvr555
HMUA :@nicolebehling.mua
HMUA: @jennygoldbergmua
Sound Mixer: @paddy_mixes
Sound Mixer: Chapin Long
PA: @nickvandros
Editor: @kleague8
Composer: @benthornewill
Post Sound: @meadfox
Colorist: @philchoe
VFX: @traviskingeditor
Script Consultant & Japanese Translator: @hana_otwol
JIICHAN - @hidetoshiimura
HINA - @hanakurihara
HINA’S HUSBAND - _james_macapagal
HINA’S CHILD - Arielle Wei
#japan #filmmaking #lighting #shortfilm #japanese
Green Bananas (2025)
Very honored to be a part of a project that tied my work and my cultural background together. 🇯🇵
Thank you for letting me light for you @tim_toda
You are so genuinely kind as you are talented. Incredibly grateful to be on this journey with you
Writer/Director: @shollandfilms
Producer: @melaniecliu
Executive Producer: Verity Bullard
1st AD: @rachmfrank
Production Designer: @joanna.cabalquinto
DP: @tim_toda
1st AC: @philiphoangx
2nd AC: @cherrypicket
Stills Photographer: @hovigkazandjian
CLT: @justinusami
Key Grip: @gerardodeniro94
Swing: @braedon.walters
⚡️: @umamilighting
⚡️: @lightforce.rentals
🔨: @the_griphouse_
Wardrobe: @doglvr555
HMUA :@nicolebehling.mua
HMUA: @jennygoldbergmua
Sound Mixer: @paddy_mixes
Sound Mixer: Chapin Long
PA: @nickvandros
Editor: @kleague8
Composer: @benthornewill
Post Sound: @meadfox
Colorist: @philchoe
VFX: @traviskingeditor
Script Consultant & Japanese Translator: @hana_otwol
JIICHAN - @hidetoshiimura
HINA - @hanakurihara
HINA’S HUSBAND - _james_macapagal
HINA’S CHILD - Arielle Wei
#japan #filmmaking #lighting #shortfilm #japanese
Green Bananas (2025)
Very honored to be a part of a project that tied my work and my cultural background together. 🇯🇵
Thank you for letting me light for you @tim_toda
You are so genuinely kind as you are talented. Incredibly grateful to be on this journey with you
Writer/Director: @shollandfilms
Producer: @melaniecliu
Executive Producer: Verity Bullard
1st AD: @rachmfrank
Production Designer: @joanna.cabalquinto
DP: @tim_toda
1st AC: @philiphoangx
2nd AC: @cherrypicket
Stills Photographer: @hovigkazandjian
CLT: @justinusami
Key Grip: @gerardodeniro94
Swing: @braedon.walters
⚡️: @umamilighting
⚡️: @lightforce.rentals
🔨: @the_griphouse_
Wardrobe: @doglvr555
HMUA :@nicolebehling.mua
HMUA: @jennygoldbergmua
Sound Mixer: @paddy_mixes
Sound Mixer: Chapin Long
PA: @nickvandros
Editor: @kleague8
Composer: @benthornewill
Post Sound: @meadfox
Colorist: @philchoe
VFX: @traviskingeditor
Script Consultant & Japanese Translator: @hana_otwol
JIICHAN - @hidetoshiimura
HINA - @hanakurihara
HINA’S HUSBAND - _james_macapagal
HINA’S CHILD - Arielle Wei
#japan #filmmaking #lighting #shortfilm #japanese
Green Bananas (2025)
Very honored to be a part of a project that tied my work and my cultural background together. 🇯🇵
Thank you for letting me light for you @tim_toda
You are so genuinely kind as you are talented. Incredibly grateful to be on this journey with you
Writer/Director: @shollandfilms
Producer: @melaniecliu
Executive Producer: Verity Bullard
1st AD: @rachmfrank
Production Designer: @joanna.cabalquinto
DP: @tim_toda
1st AC: @philiphoangx
2nd AC: @cherrypicket
Stills Photographer: @hovigkazandjian
CLT: @justinusami
Key Grip: @gerardodeniro94
Swing: @braedon.walters
⚡️: @umamilighting
⚡️: @lightforce.rentals
🔨: @the_griphouse_
Wardrobe: @doglvr555
HMUA :@nicolebehling.mua
HMUA: @jennygoldbergmua
Sound Mixer: @paddy_mixes
Sound Mixer: Chapin Long
PA: @nickvandros
Editor: @kleague8
Composer: @benthornewill
Post Sound: @meadfox
Colorist: @philchoe
VFX: @traviskingeditor
Script Consultant & Japanese Translator: @hana_otwol
JIICHAN - @hidetoshiimura
HINA - @hanakurihara
HINA’S HUSBAND - _james_macapagal
HINA’S CHILD - Arielle Wei
#japan #filmmaking #lighting #shortfilm #japanese
Green Bananas (2025)
Very honored to be a part of a project that tied my work and my cultural background together. 🇯🇵
Thank you for letting me light for you @tim_toda
You are so genuinely kind as you are talented. Incredibly grateful to be on this journey with you
Writer/Director: @shollandfilms
Producer: @melaniecliu
Executive Producer: Verity Bullard
1st AD: @rachmfrank
Production Designer: @joanna.cabalquinto
DP: @tim_toda
1st AC: @philiphoangx
2nd AC: @cherrypicket
Stills Photographer: @hovigkazandjian
CLT: @justinusami
Key Grip: @gerardodeniro94
Swing: @braedon.walters
⚡️: @umamilighting
⚡️: @lightforce.rentals
🔨: @the_griphouse_
Wardrobe: @doglvr555
HMUA :@nicolebehling.mua
HMUA: @jennygoldbergmua
Sound Mixer: @paddy_mixes
Sound Mixer: Chapin Long
PA: @nickvandros
Editor: @kleague8
Composer: @benthornewill
Post Sound: @meadfox
Colorist: @philchoe
VFX: @traviskingeditor
Script Consultant & Japanese Translator: @hana_otwol
JIICHAN - @hidetoshiimura
HINA - @hanakurihara
HINA’S HUSBAND - _james_macapagal
HINA’S CHILD - Arielle Wei
#japan #filmmaking #lighting #shortfilm #japanese
Green Bananas (2025)
Very honored to be a part of a project that tied my work and my cultural background together. 🇯🇵
Thank you for letting me light for you @tim_toda
You are so genuinely kind as you are talented. Incredibly grateful to be on this journey with you
Writer/Director: @shollandfilms
Producer: @melaniecliu
Executive Producer: Verity Bullard
1st AD: @rachmfrank
Production Designer: @joanna.cabalquinto
DP: @tim_toda
1st AC: @philiphoangx
2nd AC: @cherrypicket
Stills Photographer: @hovigkazandjian
CLT: @justinusami
Key Grip: @gerardodeniro94
Swing: @braedon.walters
⚡️: @umamilighting
⚡️: @lightforce.rentals
🔨: @the_griphouse_
Wardrobe: @doglvr555
HMUA :@nicolebehling.mua
HMUA: @jennygoldbergmua
Sound Mixer: @paddy_mixes
Sound Mixer: Chapin Long
PA: @nickvandros
Editor: @kleague8
Composer: @benthornewill
Post Sound: @meadfox
Colorist: @philchoe
VFX: @traviskingeditor
Script Consultant & Japanese Translator: @hana_otwol
JIICHAN - @hidetoshiimura
HINA - @hanakurihara
HINA’S HUSBAND - _james_macapagal
HINA’S CHILD - Arielle Wei
#japan #filmmaking #lighting #shortfilm #japanese
Green Bananas (2025)
Very honored to be a part of a project that tied my work and my cultural background together. 🇯🇵
Thank you for letting me light for you @tim_toda
You are so genuinely kind as you are talented. Incredibly grateful to be on this journey with you
Writer/Director: @shollandfilms
Producer: @melaniecliu
Executive Producer: Verity Bullard
1st AD: @rachmfrank
Production Designer: @joanna.cabalquinto
DP: @tim_toda
1st AC: @philiphoangx
2nd AC: @cherrypicket
Stills Photographer: @hovigkazandjian
CLT: @justinusami
Key Grip: @gerardodeniro94
Swing: @braedon.walters
⚡️: @umamilighting
⚡️: @lightforce.rentals
🔨: @the_griphouse_
Wardrobe: @doglvr555
HMUA :@nicolebehling.mua
HMUA: @jennygoldbergmua
Sound Mixer: @paddy_mixes
Sound Mixer: Chapin Long
PA: @nickvandros
Editor: @kleague8
Composer: @benthornewill
Post Sound: @meadfox
Colorist: @philchoe
VFX: @traviskingeditor
Script Consultant & Japanese Translator: @hana_otwol
JIICHAN - @hidetoshiimura
HINA - @hanakurihara
HINA’S HUSBAND - _james_macapagal
HINA’S CHILD - Arielle Wei
#japan #filmmaking #lighting #shortfilm #japanese
Looking back at my first union, 10 ton job.
Coinmaster Commercial (2024)
I was incredibly privileged to have Matt Deetsch on as my Lighting Console Programmer and was an incredible collaborator and kept everything very straight.
Thanks for making sense of my drawings.
Thank you for bringing together a killer team @mierke
You brought LT's from Rebel Moon, Tenet, and Oppenheimer, just to name a few. Was very honored to learn from each and every one of you.
CLT: @justinusami
ACLT: @mierke
LCP: Matthew Deetsch
Driver: David Galadjian
Driver: @joseruiz1818
SLT: Martin Baird
SLT: Bob White
SLT: @commandersunset
SLT: @itsericakim
⚡️: @umamilighting
⚡️: @lightforce.rentals
DP: @kenjikamera
Cam Op: @aliivosevich
1st AC - A Cam: @duy.a.nguyen
1st AC - B Cam: @brent_johnson
2nd AC: @uncleboone.mp3
DIT: @gboot
KG: @gerardodeniro94
BBG: @whiskeybeans
Dolly Grip: @rangermatt80
Driver: Rick Antonette
Grip: @luis__18__19
🔨: @thegriphouse
Production Designer: @araewebner
Art Department Coordinator: @reginafe
Prop Master: Morgan McNeal
Leadperson: Mie Frausto
Producer: @sammiesam310
Production Supervisor: @breanneghamilton
Production Coordinator: Arlene Trejo
1st AD: @mreconiglio
2nd AD: @santosliz_
2nd 2nd AD: Mike “Ski” Rutkowski
#commercial #coinmaster #filmmaking #lighting #gripandelectric
Looking back at my first union, 10 ton job.
Coinmaster Commercial (2024)
I was incredibly privileged to have Matt Deetsch on as my Lighting Console Programmer and was an incredible collaborator and kept everything very straight.
Thanks for making sense of my drawings.
Thank you for bringing together a killer team @mierke
You brought LT's from Rebel Moon, Tenet, and Oppenheimer, just to name a few. Was very honored to learn from each and every one of you.
CLT: @justinusami
ACLT: @mierke
LCP: Matthew Deetsch
Driver: David Galadjian
Driver: @joseruiz1818
SLT: Martin Baird
SLT: Bob White
SLT: @commandersunset
SLT: @itsericakim
⚡️: @umamilighting
⚡️: @lightforce.rentals
DP: @kenjikamera
Cam Op: @aliivosevich
1st AC - A Cam: @duy.a.nguyen
1st AC - B Cam: @brent_johnson
2nd AC: @uncleboone.mp3
DIT: @gboot
KG: @gerardodeniro94
BBG: @whiskeybeans
Dolly Grip: @rangermatt80
Driver: Rick Antonette
Grip: @luis__18__19
🔨: @thegriphouse
Production Designer: @araewebner
Art Department Coordinator: @reginafe
Prop Master: Morgan McNeal
Leadperson: Mie Frausto
Producer: @sammiesam310
Production Supervisor: @breanneghamilton
Production Coordinator: Arlene Trejo
1st AD: @mreconiglio
2nd AD: @santosliz_
2nd 2nd AD: Mike “Ski” Rutkowski
#commercial #coinmaster #filmmaking #lighting #gripandelectric
Looking back at my first union, 10 ton job.
Coinmaster Commercial (2024)
I was incredibly privileged to have Matt Deetsch on as my Lighting Console Programmer and was an incredible collaborator and kept everything very straight.
Thanks for making sense of my drawings.
Thank you for bringing together a killer team @mierke
You brought LT's from Rebel Moon, Tenet, and Oppenheimer, just to name a few. Was very honored to learn from each and every one of you.
CLT: @justinusami
ACLT: @mierke
LCP: Matthew Deetsch
Driver: David Galadjian
Driver: @joseruiz1818
SLT: Martin Baird
SLT: Bob White
SLT: @commandersunset
SLT: @itsericakim
⚡️: @umamilighting
⚡️: @lightforce.rentals
DP: @kenjikamera
Cam Op: @aliivosevich
1st AC - A Cam: @duy.a.nguyen
1st AC - B Cam: @brent_johnson
2nd AC: @uncleboone.mp3
DIT: @gboot
KG: @gerardodeniro94
BBG: @whiskeybeans
Dolly Grip: @rangermatt80
Driver: Rick Antonette
Grip: @luis__18__19
🔨: @thegriphouse
Production Designer: @araewebner
Art Department Coordinator: @reginafe
Prop Master: Morgan McNeal
Leadperson: Mie Frausto
Producer: @sammiesam310
Production Supervisor: @breanneghamilton
Production Coordinator: Arlene Trejo
1st AD: @mreconiglio
2nd AD: @santosliz_
2nd 2nd AD: Mike “Ski” Rutkowski
#commercial #coinmaster #filmmaking #lighting #gripandelectric
Looking back at my first union, 10 ton job.
Coinmaster Commercial (2024)
I was incredibly privileged to have Matt Deetsch on as my Lighting Console Programmer and was an incredible collaborator and kept everything very straight.
Thanks for making sense of my drawings.
Thank you for bringing together a killer team @mierke
You brought LT's from Rebel Moon, Tenet, and Oppenheimer, just to name a few. Was very honored to learn from each and every one of you.
CLT: @justinusami
ACLT: @mierke
LCP: Matthew Deetsch
Driver: David Galadjian
Driver: @joseruiz1818
SLT: Martin Baird
SLT: Bob White
SLT: @commandersunset
SLT: @itsericakim
⚡️: @umamilighting
⚡️: @lightforce.rentals
DP: @kenjikamera
Cam Op: @aliivosevich
1st AC - A Cam: @duy.a.nguyen
1st AC - B Cam: @brent_johnson
2nd AC: @uncleboone.mp3
DIT: @gboot
KG: @gerardodeniro94
BBG: @whiskeybeans
Dolly Grip: @rangermatt80
Driver: Rick Antonette
Grip: @luis__18__19
🔨: @thegriphouse
Production Designer: @araewebner
Art Department Coordinator: @reginafe
Prop Master: Morgan McNeal
Leadperson: Mie Frausto
Producer: @sammiesam310
Production Supervisor: @breanneghamilton
Production Coordinator: Arlene Trejo
1st AD: @mreconiglio
2nd AD: @santosliz_
2nd 2nd AD: Mike “Ski” Rutkowski
#commercial #coinmaster #filmmaking #lighting #gripandelectric
Looking back at my first union, 10 ton job.
Coinmaster Commercial (2024)
I was incredibly privileged to have Matt Deetsch on as my Lighting Console Programmer and was an incredible collaborator and kept everything very straight.
Thanks for making sense of my drawings.
Thank you for bringing together a killer team @mierke
You brought LT's from Rebel Moon, Tenet, and Oppenheimer, just to name a few. Was very honored to learn from each and every one of you.
CLT: @justinusami
ACLT: @mierke
LCP: Matthew Deetsch
Driver: David Galadjian
Driver: @joseruiz1818
SLT: Martin Baird
SLT: Bob White
SLT: @commandersunset
SLT: @itsericakim
⚡️: @umamilighting
⚡️: @lightforce.rentals
DP: @kenjikamera
Cam Op: @aliivosevich
1st AC - A Cam: @duy.a.nguyen
1st AC - B Cam: @brent_johnson
2nd AC: @uncleboone.mp3
DIT: @gboot
KG: @gerardodeniro94
BBG: @whiskeybeans
Dolly Grip: @rangermatt80
Driver: Rick Antonette
Grip: @luis__18__19
🔨: @thegriphouse
Production Designer: @araewebner
Art Department Coordinator: @reginafe
Prop Master: Morgan McNeal
Leadperson: Mie Frausto
Producer: @sammiesam310
Production Supervisor: @breanneghamilton
Production Coordinator: Arlene Trejo
1st AD: @mreconiglio
2nd AD: @santosliz_
2nd 2nd AD: Mike “Ski” Rutkowski
#commercial #coinmaster #filmmaking #lighting #gripandelectric
Looking back at my first union, 10 ton job.
Coinmaster Commercial (2024)
I was incredibly privileged to have Matt Deetsch on as my Lighting Console Programmer and was an incredible collaborator and kept everything very straight.
Thanks for making sense of my drawings.
Thank you for bringing together a killer team @mierke
You brought LT's from Rebel Moon, Tenet, and Oppenheimer, just to name a few. Was very honored to learn from each and every one of you.
CLT: @justinusami
ACLT: @mierke
LCP: Matthew Deetsch
Driver: David Galadjian
Driver: @joseruiz1818
SLT: Martin Baird
SLT: Bob White
SLT: @commandersunset
SLT: @itsericakim
⚡️: @umamilighting
⚡️: @lightforce.rentals
DP: @kenjikamera
Cam Op: @aliivosevich
1st AC - A Cam: @duy.a.nguyen
1st AC - B Cam: @brent_johnson
2nd AC: @uncleboone.mp3
DIT: @gboot
KG: @gerardodeniro94
BBG: @whiskeybeans
Dolly Grip: @rangermatt80
Driver: Rick Antonette
Grip: @luis__18__19
🔨: @thegriphouse
Production Designer: @araewebner
Art Department Coordinator: @reginafe
Prop Master: Morgan McNeal
Leadperson: Mie Frausto
Producer: @sammiesam310
Production Supervisor: @breanneghamilton
Production Coordinator: Arlene Trejo
1st AD: @mreconiglio
2nd AD: @santosliz_
2nd 2nd AD: Mike “Ski” Rutkowski
#commercial #coinmaster #filmmaking #lighting #gripandelectric
Looking back at my first union, 10 ton job.
Coinmaster Commercial (2024)
I was incredibly privileged to have Matt Deetsch on as my Lighting Console Programmer and was an incredible collaborator and kept everything very straight.
Thanks for making sense of my drawings.
Thank you for bringing together a killer team @mierke
You brought LT's from Rebel Moon, Tenet, and Oppenheimer, just to name a few. Was very honored to learn from each and every one of you.
CLT: @justinusami
ACLT: @mierke
LCP: Matthew Deetsch
Driver: David Galadjian
Driver: @joseruiz1818
SLT: Martin Baird
SLT: Bob White
SLT: @commandersunset
SLT: @itsericakim
⚡️: @umamilighting
⚡️: @lightforce.rentals
DP: @kenjikamera
Cam Op: @aliivosevich
1st AC - A Cam: @duy.a.nguyen
1st AC - B Cam: @brent_johnson
2nd AC: @uncleboone.mp3
DIT: @gboot
KG: @gerardodeniro94
BBG: @whiskeybeans
Dolly Grip: @rangermatt80
Driver: Rick Antonette
Grip: @luis__18__19
🔨: @thegriphouse
Production Designer: @araewebner
Art Department Coordinator: @reginafe
Prop Master: Morgan McNeal
Leadperson: Mie Frausto
Producer: @sammiesam310
Production Supervisor: @breanneghamilton
Production Coordinator: Arlene Trejo
1st AD: @mreconiglio
2nd AD: @santosliz_
2nd 2nd AD: Mike “Ski” Rutkowski
#commercial #coinmaster #filmmaking #lighting #gripandelectric
Looking back at my first union, 10 ton job.
Coinmaster Commercial (2024)
I was incredibly privileged to have Matt Deetsch on as my Lighting Console Programmer and was an incredible collaborator and kept everything very straight.
Thanks for making sense of my drawings.
Thank you for bringing together a killer team @mierke
You brought LT's from Rebel Moon, Tenet, and Oppenheimer, just to name a few. Was very honored to learn from each and every one of you.
CLT: @justinusami
ACLT: @mierke
LCP: Matthew Deetsch
Driver: David Galadjian
Driver: @joseruiz1818
SLT: Martin Baird
SLT: Bob White
SLT: @commandersunset
SLT: @itsericakim
⚡️: @umamilighting
⚡️: @lightforce.rentals
DP: @kenjikamera
Cam Op: @aliivosevich
1st AC - A Cam: @duy.a.nguyen
1st AC - B Cam: @brent_johnson
2nd AC: @uncleboone.mp3
DIT: @gboot
KG: @gerardodeniro94
BBG: @whiskeybeans
Dolly Grip: @rangermatt80
Driver: Rick Antonette
Grip: @luis__18__19
🔨: @thegriphouse
Production Designer: @araewebner
Art Department Coordinator: @reginafe
Prop Master: Morgan McNeal
Leadperson: Mie Frausto
Producer: @sammiesam310
Production Supervisor: @breanneghamilton
Production Coordinator: Arlene Trejo
1st AD: @mreconiglio
2nd AD: @santosliz_
2nd 2nd AD: Mike “Ski” Rutkowski
#commercial #coinmaster #filmmaking #lighting #gripandelectric
Looking back at my first union, 10 ton job.
Coinmaster Commercial (2024)
I was incredibly privileged to have Matt Deetsch on as my Lighting Console Programmer and was an incredible collaborator and kept everything very straight.
Thanks for making sense of my drawings.
Thank you for bringing together a killer team @mierke
You brought LT's from Rebel Moon, Tenet, and Oppenheimer, just to name a few. Was very honored to learn from each and every one of you.
CLT: @justinusami
ACLT: @mierke
LCP: Matthew Deetsch
Driver: David Galadjian
Driver: @joseruiz1818
SLT: Martin Baird
SLT: Bob White
SLT: @commandersunset
SLT: @itsericakim
⚡️: @umamilighting
⚡️: @lightforce.rentals
DP: @kenjikamera
Cam Op: @aliivosevich
1st AC - A Cam: @duy.a.nguyen
1st AC - B Cam: @brent_johnson
2nd AC: @uncleboone.mp3
DIT: @gboot
KG: @gerardodeniro94
BBG: @whiskeybeans
Dolly Grip: @rangermatt80
Driver: Rick Antonette
Grip: @luis__18__19
🔨: @thegriphouse
Production Designer: @araewebner
Art Department Coordinator: @reginafe
Prop Master: Morgan McNeal
Leadperson: Mie Frausto
Producer: @sammiesam310
Production Supervisor: @breanneghamilton
Production Coordinator: Arlene Trejo
1st AD: @mreconiglio
2nd AD: @santosliz_
2nd 2nd AD: Mike “Ski” Rutkowski
#commercial #coinmaster #filmmaking #lighting #gripandelectric
This was my first union job as a gaffer and my first 10 ton job. Very appreciative of @kenjikamera for trusting me and @gerardodeniro94 on this endeavor.
And thank you to @jacklangloiscamera for entrusting me with @kenjikamera
Three generations of gaffers for Kenji, from @fablighting to @jacklangloiscamera to me. And I'm so incredibly grateful to be a part of it.
Huge shout out to @mierke
Without you, the job would not have gone as well. You spotted me on equipment, staffed a phenomenal electric team, and delegated work incredibly efficiently.
Really grateful of @sammiesam310 and her production team. Was very well taken care of and supported to do the work we needed to do.
Thank you to this incredible electric team:
CLT: @justinusami
ACLT: @mierke
LCP: Matthew Deetsch
Driver: David Galadjian
Driver: @joseruiz1818
SLT: Martin Baird
SLT: Bob White
SLT: @commandersunset
SLT: @itsericakim
⚡️: @umamilighting
⚡️: @lightforce.rentals
DP: @kenjikamera
Cam Op: @aliivosevich
1st AC - A Cam: @duy.a.nguyen
1st AC - B Cam: @brent_johnson
2nd AC: @uncleboone.mp3
DIT: @gboot
KG: @gerardodeniro94
BBG: @whiskeybeans
Dolly Grip: @rangermatt80
Driver: Rick Antonette
Grip: @luis__18__19
🔨: @thegriphouse
Production Designer: @araewebner
Art Department Coordinator: @reginafe
Prop Master: Morgan McNeal
Leadperson: Mie Frausto
Producer: @sammiesam310
Production Supervisor: @breanneghamilton
Production Coordinator: Arlene Trejo
1st AD: @mreconiglio
2nd AD: @santosliz_
2nd 2nd AD: Mike "Ski" Rutkowski
This was my first union job as a gaffer and my first 10 ton job. Very appreciative of @kenjikamera for trusting me and @gerardodeniro94 on this endeavor.
And thank you to @jacklangloiscamera for entrusting me with @kenjikamera
Three generations of gaffers for Kenji, from @fablighting to @jacklangloiscamera to me. And I'm so incredibly grateful to be a part of it.
Huge shout out to @mierke
Without you, the job would not have gone as well. You spotted me on equipment, staffed a phenomenal electric team, and delegated work incredibly efficiently.
Really grateful of @sammiesam310 and her production team. Was very well taken care of and supported to do the work we needed to do.
Thank you to this incredible electric team:
CLT: @justinusami
ACLT: @mierke
LCP: Matthew Deetsch
Driver: David Galadjian
Driver: @joseruiz1818
SLT: Martin Baird
SLT: Bob White
SLT: @commandersunset
SLT: @itsericakim
⚡️: @umamilighting
⚡️: @lightforce.rentals
DP: @kenjikamera
Cam Op: @aliivosevich
1st AC - A Cam: @duy.a.nguyen
1st AC - B Cam: @brent_johnson
2nd AC: @uncleboone.mp3
DIT: @gboot
KG: @gerardodeniro94
BBG: @whiskeybeans
Dolly Grip: @rangermatt80
Driver: Rick Antonette
Grip: @luis__18__19
🔨: @thegriphouse
Production Designer: @araewebner
Art Department Coordinator: @reginafe
Prop Master: Morgan McNeal
Leadperson: Mie Frausto
Producer: @sammiesam310
Production Supervisor: @breanneghamilton
Production Coordinator: Arlene Trejo
1st AD: @mreconiglio
2nd AD: @santosliz_
2nd 2nd AD: Mike "Ski" Rutkowski
This was my first union job as a gaffer and my first 10 ton job. Very appreciative of @kenjikamera for trusting me and @gerardodeniro94 on this endeavor.
And thank you to @jacklangloiscamera for entrusting me with @kenjikamera
Three generations of gaffers for Kenji, from @fablighting to @jacklangloiscamera to me. And I'm so incredibly grateful to be a part of it.
Huge shout out to @mierke
Without you, the job would not have gone as well. You spotted me on equipment, staffed a phenomenal electric team, and delegated work incredibly efficiently.
Really grateful of @sammiesam310 and her production team. Was very well taken care of and supported to do the work we needed to do.
Thank you to this incredible electric team:
CLT: @justinusami
ACLT: @mierke
LCP: Matthew Deetsch
Driver: David Galadjian
Driver: @joseruiz1818
SLT: Martin Baird
SLT: Bob White
SLT: @commandersunset
SLT: @itsericakim
⚡️: @umamilighting
⚡️: @lightforce.rentals
DP: @kenjikamera
Cam Op: @aliivosevich
1st AC - A Cam: @duy.a.nguyen
1st AC - B Cam: @brent_johnson
2nd AC: @uncleboone.mp3
DIT: @gboot
KG: @gerardodeniro94
BBG: @whiskeybeans
Dolly Grip: @rangermatt80
Driver: Rick Antonette
Grip: @luis__18__19
🔨: @thegriphouse
Production Designer: @araewebner
Art Department Coordinator: @reginafe
Prop Master: Morgan McNeal
Leadperson: Mie Frausto
Producer: @sammiesam310
Production Supervisor: @breanneghamilton
Production Coordinator: Arlene Trejo
1st AD: @mreconiglio
2nd AD: @santosliz_
2nd 2nd AD: Mike "Ski" Rutkowski
This was my first union job as a gaffer and my first 10 ton job. Very appreciative of @kenjikamera for trusting me and @gerardodeniro94 on this endeavor.
And thank you to @jacklangloiscamera for entrusting me with @kenjikamera
Three generations of gaffers for Kenji, from @fablighting to @jacklangloiscamera to me. And I'm so incredibly grateful to be a part of it.
Huge shout out to @mierke
Without you, the job would not have gone as well. You spotted me on equipment, staffed a phenomenal electric team, and delegated work incredibly efficiently.
Really grateful of @sammiesam310 and her production team. Was very well taken care of and supported to do the work we needed to do.
Thank you to this incredible electric team:
CLT: @justinusami
ACLT: @mierke
LCP: Matthew Deetsch
Driver: David Galadjian
Driver: @joseruiz1818
SLT: Martin Baird
SLT: Bob White
SLT: @commandersunset
SLT: @itsericakim
⚡️: @umamilighting
⚡️: @lightforce.rentals
DP: @kenjikamera
Cam Op: @aliivosevich
1st AC - A Cam: @duy.a.nguyen
1st AC - B Cam: @brent_johnson
2nd AC: @uncleboone.mp3
DIT: @gboot
KG: @gerardodeniro94
BBG: @whiskeybeans
Dolly Grip: @rangermatt80
Driver: Rick Antonette
Grip: @luis__18__19
🔨: @thegriphouse
Production Designer: @araewebner
Art Department Coordinator: @reginafe
Prop Master: Morgan McNeal
Leadperson: Mie Frausto
Producer: @sammiesam310
Production Supervisor: @breanneghamilton
Production Coordinator: Arlene Trejo
1st AD: @mreconiglio
2nd AD: @santosliz_
2nd 2nd AD: Mike "Ski" Rutkowski
This was my first union job as a gaffer and my first 10 ton job. Very appreciative of @kenjikamera for trusting me and @gerardodeniro94 on this endeavor.
And thank you to @jacklangloiscamera for entrusting me with @kenjikamera
Three generations of gaffers for Kenji, from @fablighting to @jacklangloiscamera to me. And I'm so incredibly grateful to be a part of it.
Huge shout out to @mierke
Without you, the job would not have gone as well. You spotted me on equipment, staffed a phenomenal electric team, and delegated work incredibly efficiently.
Really grateful of @sammiesam310 and her production team. Was very well taken care of and supported to do the work we needed to do.
Thank you to this incredible electric team:
CLT: @justinusami
ACLT: @mierke
LCP: Matthew Deetsch
Driver: David Galadjian
Driver: @joseruiz1818
SLT: Martin Baird
SLT: Bob White
SLT: @commandersunset
SLT: @itsericakim
⚡️: @umamilighting
⚡️: @lightforce.rentals
DP: @kenjikamera
Cam Op: @aliivosevich
1st AC - A Cam: @duy.a.nguyen
1st AC - B Cam: @brent_johnson
2nd AC: @uncleboone.mp3
DIT: @gboot
KG: @gerardodeniro94
BBG: @whiskeybeans
Dolly Grip: @rangermatt80
Driver: Rick Antonette
Grip: @luis__18__19
🔨: @thegriphouse
Production Designer: @araewebner
Art Department Coordinator: @reginafe
Prop Master: Morgan McNeal
Leadperson: Mie Frausto
Producer: @sammiesam310
Production Supervisor: @breanneghamilton
Production Coordinator: Arlene Trejo
1st AD: @mreconiglio
2nd AD: @santosliz_
2nd 2nd AD: Mike "Ski" Rutkowski
This was my first union job as a gaffer and my first 10 ton job. Very appreciative of @kenjikamera for trusting me and @gerardodeniro94 on this endeavor.
And thank you to @jacklangloiscamera for entrusting me with @kenjikamera
Three generations of gaffers for Kenji, from @fablighting to @jacklangloiscamera to me. And I'm so incredibly grateful to be a part of it.
Huge shout out to @mierke
Without you, the job would not have gone as well. You spotted me on equipment, staffed a phenomenal electric team, and delegated work incredibly efficiently.
Really grateful of @sammiesam310 and her production team. Was very well taken care of and supported to do the work we needed to do.
Thank you to this incredible electric team:
CLT: @justinusami
ACLT: @mierke
LCP: Matthew Deetsch
Driver: David Galadjian
Driver: @joseruiz1818
SLT: Martin Baird
SLT: Bob White
SLT: @commandersunset
SLT: @itsericakim
⚡️: @umamilighting
⚡️: @lightforce.rentals
DP: @kenjikamera
Cam Op: @aliivosevich
1st AC - A Cam: @duy.a.nguyen
1st AC - B Cam: @brent_johnson
2nd AC: @uncleboone.mp3
DIT: @gboot
KG: @gerardodeniro94
BBG: @whiskeybeans
Dolly Grip: @rangermatt80
Driver: Rick Antonette
Grip: @luis__18__19
🔨: @thegriphouse
Production Designer: @araewebner
Art Department Coordinator: @reginafe
Prop Master: Morgan McNeal
Leadperson: Mie Frausto
Producer: @sammiesam310
Production Supervisor: @breanneghamilton
Production Coordinator: Arlene Trejo
1st AD: @mreconiglio
2nd AD: @santosliz_
2nd 2nd AD: Mike "Ski" Rutkowski
This was my first union job as a gaffer and my first 10 ton job. Very appreciative of @kenjikamera for trusting me and @gerardodeniro94 on this endeavor.
And thank you to @jacklangloiscamera for entrusting me with @kenjikamera
Three generations of gaffers for Kenji, from @fablighting to @jacklangloiscamera to me. And I'm so incredibly grateful to be a part of it.
Huge shout out to @mierke
Without you, the job would not have gone as well. You spotted me on equipment, staffed a phenomenal electric team, and delegated work incredibly efficiently.
Really grateful of @sammiesam310 and her production team. Was very well taken care of and supported to do the work we needed to do.
Thank you to this incredible electric team:
CLT: @justinusami
ACLT: @mierke
LCP: Matthew Deetsch
Driver: David Galadjian
Driver: @joseruiz1818
SLT: Martin Baird
SLT: Bob White
SLT: @commandersunset
SLT: @itsericakim
⚡️: @umamilighting
⚡️: @lightforce.rentals
DP: @kenjikamera
Cam Op: @aliivosevich
1st AC - A Cam: @duy.a.nguyen
1st AC - B Cam: @brent_johnson
2nd AC: @uncleboone.mp3
DIT: @gboot
KG: @gerardodeniro94
BBG: @whiskeybeans
Dolly Grip: @rangermatt80
Driver: Rick Antonette
Grip: @luis__18__19
🔨: @thegriphouse
Production Designer: @araewebner
Art Department Coordinator: @reginafe
Prop Master: Morgan McNeal
Leadperson: Mie Frausto
Producer: @sammiesam310
Production Supervisor: @breanneghamilton
Production Coordinator: Arlene Trejo
1st AD: @mreconiglio
2nd AD: @santosliz_
2nd 2nd AD: Mike "Ski" Rutkowski
This was my first union job as a gaffer and my first 10 ton job. Very appreciative of @kenjikamera for trusting me and @gerardodeniro94 on this endeavor.
And thank you to @jacklangloiscamera for entrusting me with @kenjikamera
Three generations of gaffers for Kenji, from @fablighting to @jacklangloiscamera to me. And I'm so incredibly grateful to be a part of it.
Huge shout out to @mierke
Without you, the job would not have gone as well. You spotted me on equipment, staffed a phenomenal electric team, and delegated work incredibly efficiently.
Really grateful of @sammiesam310 and her production team. Was very well taken care of and supported to do the work we needed to do.
Thank you to this incredible electric team:
CLT: @justinusami
ACLT: @mierke
LCP: Matthew Deetsch
Driver: David Galadjian
Driver: @joseruiz1818
SLT: Martin Baird
SLT: Bob White
SLT: @commandersunset
SLT: @itsericakim
⚡️: @umamilighting
⚡️: @lightforce.rentals
DP: @kenjikamera
Cam Op: @aliivosevich
1st AC - A Cam: @duy.a.nguyen
1st AC - B Cam: @brent_johnson
2nd AC: @uncleboone.mp3
DIT: @gboot
KG: @gerardodeniro94
BBG: @whiskeybeans
Dolly Grip: @rangermatt80
Driver: Rick Antonette
Grip: @luis__18__19
🔨: @thegriphouse
Production Designer: @araewebner
Art Department Coordinator: @reginafe
Prop Master: Morgan McNeal
Leadperson: Mie Frausto
Producer: @sammiesam310
Production Supervisor: @breanneghamilton
Production Coordinator: Arlene Trejo
1st AD: @mreconiglio
2nd AD: @santosliz_
2nd 2nd AD: Mike "Ski" Rutkowski
This was my first union job as a gaffer and my first 10 ton job. Very appreciative of @kenjikamera for trusting me and @gerardodeniro94 on this endeavor.
And thank you to @jacklangloiscamera for entrusting me with @kenjikamera
Three generations of gaffers for Kenji, from @fablighting to @jacklangloiscamera to me. And I'm so incredibly grateful to be a part of it.
Huge shout out to @mierke
Without you, the job would not have gone as well. You spotted me on equipment, staffed a phenomenal electric team, and delegated work incredibly efficiently.
Really grateful of @sammiesam310 and her production team. Was very well taken care of and supported to do the work we needed to do.
Thank you to this incredible electric team:
CLT: @justinusami
ACLT: @mierke
LCP: Matthew Deetsch
Driver: David Galadjian
Driver: @joseruiz1818
SLT: Martin Baird
SLT: Bob White
SLT: @commandersunset
SLT: @itsericakim
⚡️: @umamilighting
⚡️: @lightforce.rentals
DP: @kenjikamera
Cam Op: @aliivosevich
1st AC - A Cam: @duy.a.nguyen
1st AC - B Cam: @brent_johnson
2nd AC: @uncleboone.mp3
DIT: @gboot
KG: @gerardodeniro94
BBG: @whiskeybeans
Dolly Grip: @rangermatt80
Driver: Rick Antonette
Grip: @luis__18__19
🔨: @thegriphouse
Production Designer: @araewebner
Art Department Coordinator: @reginafe
Prop Master: Morgan McNeal
Leadperson: Mie Frausto
Producer: @sammiesam310
Production Supervisor: @breanneghamilton
Production Coordinator: Arlene Trejo
1st AD: @mreconiglio
2nd AD: @santosliz_
2nd 2nd AD: Mike "Ski" Rutkowski
This was my first union job as a gaffer and my first 10 ton job. Very appreciative of @kenjikamera for trusting me and @gerardodeniro94 on this endeavor.
And thank you to @jacklangloiscamera for entrusting me with @kenjikamera
Three generations of gaffers for Kenji, from @fablighting to @jacklangloiscamera to me. And I'm so incredibly grateful to be a part of it.
Huge shout out to @mierke
Without you, the job would not have gone as well. You spotted me on equipment, staffed a phenomenal electric team, and delegated work incredibly efficiently.
Really grateful of @sammiesam310 and her production team. Was very well taken care of and supported to do the work we needed to do.
Thank you to this incredible electric team:
CLT: @justinusami
ACLT: @mierke
LCP: Matthew Deetsch
Driver: David Galadjian
Driver: @joseruiz1818
SLT: Martin Baird
SLT: Bob White
SLT: @commandersunset
SLT: @itsericakim
⚡️: @umamilighting
⚡️: @lightforce.rentals
DP: @kenjikamera
Cam Op: @aliivosevich
1st AC - A Cam: @duy.a.nguyen
1st AC - B Cam: @brent_johnson
2nd AC: @uncleboone.mp3
DIT: @gboot
KG: @gerardodeniro94
BBG: @whiskeybeans
Dolly Grip: @rangermatt80
Driver: Rick Antonette
Grip: @luis__18__19
🔨: @thegriphouse
Production Designer: @araewebner
Art Department Coordinator: @reginafe
Prop Master: Morgan McNeal
Leadperson: Mie Frausto
Producer: @sammiesam310
Production Supervisor: @breanneghamilton
Production Coordinator: Arlene Trejo
1st AD: @mreconiglio
2nd AD: @santosliz_
2nd 2nd AD: Mike "Ski" Rutkowski
"Welcome to the Opra" - @anyma
Visuals for the Vegas Sphere, lit by @durrman
Thank you again @durrman for the call. Very honored to work on an @anyma visual feat. @grimes
CLT: @durrman
ACLT: @jeffgordon
SLT/Driver: @jacksonmach_
LCP: @justinusami on @blackoutlightingconsole
⚡️: @lightforce.rentals
KG: @griplife
🔨: @thegriphouse
"Welcome to the Opra" - @anyma
Visuals for the Vegas Sphere, lit by @durrman
Thank you again @durrman for the call. Very honored to work on an @anyma visual feat. @grimes
CLT: @durrman
ACLT: @jeffgordon
SLT/Driver: @jacksonmach_
LCP: @justinusami on @blackoutlightingconsole
⚡️: @lightforce.rentals
KG: @griplife
🔨: @thegriphouse
"Welcome to the Opra" - @anyma
Visuals for the Vegas Sphere, lit by @durrman
Thank you again @durrman for the call. Very honored to work on an @anyma visual feat. @grimes
CLT: @durrman
ACLT: @jeffgordon
SLT/Driver: @jacksonmach_
LCP: @justinusami on @blackoutlightingconsole
⚡️: @lightforce.rentals
KG: @griplife
🔨: @thegriphouse
Had the privilege of programming for @durrman on an @anyma visual for his performance of "Samsara" at the Sphere feat. @sevdaliza
Thank you for the call @durrman
Incredibly grateful for the opportunity. Learn something everytime.
CLT: @durrman
ACLT: @jpzbrennan
SLT: @williamreidiv
SLT: @krankyfranky311
SLT: @jacksonmach_
LCP: @justinusami on @blackoutlightingconsole
⚡️: @lightforce.rentals
KG: @griplife
🔨: @thegriphouse
Had the privilege of programming for @durrman on an @anyma visual for his performance of "Samsara" at the Sphere feat. @sevdaliza
Thank you for the call @durrman
Incredibly grateful for the opportunity. Learn something everytime.
CLT: @durrman
ACLT: @jpzbrennan
SLT: @williamreidiv
SLT: @krankyfranky311
SLT: @jacksonmach_
LCP: @justinusami on @blackoutlightingconsole
⚡️: @lightforce.rentals
KG: @griplife
🔨: @thegriphouse
Had the privilege of programming for @durrman on an @anyma visual for his performance of "Samsara" at the Sphere feat. @sevdaliza
Thank you for the call @durrman
Incredibly grateful for the opportunity. Learn something everytime.
CLT: @durrman
ACLT: @jpzbrennan
SLT: @williamreidiv
SLT: @krankyfranky311
SLT: @jacksonmach_
LCP: @justinusami on @blackoutlightingconsole
⚡️: @lightforce.rentals
KG: @griplife
🔨: @thegriphouse
Had the privilege of programming for @durrman on an @anyma visual for his performance of "Samsara" at the Sphere feat. @sevdaliza
Thank you for the call @durrman
Incredibly grateful for the opportunity. Learn something everytime.
CLT: @durrman
ACLT: @jpzbrennan
SLT: @williamreidiv
SLT: @krankyfranky311
SLT: @jacksonmach_
LCP: @justinusami on @blackoutlightingconsole
⚡️: @lightforce.rentals
KG: @griplife
🔨: @thegriphouse
Photo by @sotolikephoto
New face routine & life experiences by @briannaamesmua
Where would I be without you both.
Probably in a ditch
📸: @sotolikephoto
📸: @xtra.jpg
Photo by @sotolikephoto
New face routine & life experiences by @briannaamesmua
Where would I be without you both.
Probably in a ditch
📸: @sotolikephoto
📸: @xtra.jpg
Photo by @sotolikephoto
New face routine & life experiences by @briannaamesmua
Where would I be without you both.
Probably in a ditch
📸: @sotolikephoto
📸: @xtra.jpg
Photo by @sotolikephoto
New face routine & life experiences by @briannaamesmua
Where would I be without you both.
Probably in a ditch
📸: @sotolikephoto
📸: @xtra.jpg
Photo by @sotolikephoto
New face routine & life experiences by @briannaamesmua
Where would I be without you both.
Probably in a ditch
📸: @sotolikephoto
📸: @xtra.jpg
Photo by @sotolikephoto
New face routine & life experiences by @briannaamesmua
Where would I be without you both.
Probably in a ditch
📸: @sotolikephoto
📸: @xtra.jpg
STUNNING album cover shot by @mattyvogel for @verzachemane 🔥
@mattyvogel 's ability to make people feel seen on set is one of the greatest talents I've been able to witness. By making everybody around him feel heard, he's able to pull some incredible things out of the talent and crew that he works with. He'll gently come up to you and say, "here's what I'm thinking ____. I want this feeling ____" and then he'll look at you and ask, "what do you think?"
Feeling like you were able to be a part of art, is an incredibly exciting feeling that Matty knows how to share with people extremely well.
Thank you for having us @mattyvogel 🫶
Production Company: @first3
Executive Producers: @elmakias @thomasfalcone
Producer: @camthatasp
Photo Assist: @xtra.jpg
Digitech: @tim_toda
Chief Lighting Director: @justinusami
Key Grip: @gerardodeniro94
Production Designer: @mollie.thomas
Set Dresser: @aka_bones @martin_viola14
Production Assistant: @sandrajamphoto
Artist MGMT: @bradcmgmt
⚡️: @umamilighting
⚡️: @lightforce.rentals
🔨: @thegriphouse
STUNNING album cover shot by @mattyvogel for @verzachemane 🔥
@mattyvogel 's ability to make people feel seen on set is one of the greatest talents I've been able to witness. By making everybody around him feel heard, he's able to pull some incredible things out of the talent and crew that he works with. He'll gently come up to you and say, "here's what I'm thinking ____. I want this feeling ____" and then he'll look at you and ask, "what do you think?"
Feeling like you were able to be a part of art, is an incredibly exciting feeling that Matty knows how to share with people extremely well.
Thank you for having us @mattyvogel 🫶
Production Company: @first3
Executive Producers: @elmakias @thomasfalcone
Producer: @camthatasp
Photo Assist: @xtra.jpg
Digitech: @tim_toda
Chief Lighting Director: @justinusami
Key Grip: @gerardodeniro94
Production Designer: @mollie.thomas
Set Dresser: @aka_bones @martin_viola14
Production Assistant: @sandrajamphoto
Artist MGMT: @bradcmgmt
⚡️: @umamilighting
⚡️: @lightforce.rentals
🔨: @thegriphouse
STUNNING album cover shot by @mattyvogel for @verzachemane 🔥
@mattyvogel 's ability to make people feel seen on set is one of the greatest talents I've been able to witness. By making everybody around him feel heard, he's able to pull some incredible things out of the talent and crew that he works with. He'll gently come up to you and say, "here's what I'm thinking ____. I want this feeling ____" and then he'll look at you and ask, "what do you think?"
Feeling like you were able to be a part of art, is an incredibly exciting feeling that Matty knows how to share with people extremely well.
Thank you for having us @mattyvogel 🫶
Production Company: @first3
Executive Producers: @elmakias @thomasfalcone
Producer: @camthatasp
Photo Assist: @xtra.jpg
Digitech: @tim_toda
Chief Lighting Director: @justinusami
Key Grip: @gerardodeniro94
Production Designer: @mollie.thomas
Set Dresser: @aka_bones @martin_viola14
Production Assistant: @sandrajamphoto
Artist MGMT: @bradcmgmt
⚡️: @umamilighting
⚡️: @lightforce.rentals
🔨: @thegriphouse
STUNNING album cover shot by @mattyvogel for @verzachemane 🔥
@mattyvogel 's ability to make people feel seen on set is one of the greatest talents I've been able to witness. By making everybody around him feel heard, he's able to pull some incredible things out of the talent and crew that he works with. He'll gently come up to you and say, "here's what I'm thinking ____. I want this feeling ____" and then he'll look at you and ask, "what do you think?"
Feeling like you were able to be a part of art, is an incredibly exciting feeling that Matty knows how to share with people extremely well.
Thank you for having us @mattyvogel 🫶
Production Company: @first3
Executive Producers: @elmakias @thomasfalcone
Producer: @camthatasp
Photo Assist: @xtra.jpg
Digitech: @tim_toda
Chief Lighting Director: @justinusami
Key Grip: @gerardodeniro94
Production Designer: @mollie.thomas
Set Dresser: @aka_bones @martin_viola14
Production Assistant: @sandrajamphoto
Artist MGMT: @bradcmgmt
⚡️: @umamilighting
⚡️: @lightforce.rentals
🔨: @thegriphouse
STUNNING album cover shot by @mattyvogel for @verzachemane 🔥
@mattyvogel 's ability to make people feel seen on set is one of the greatest talents I've been able to witness. By making everybody around him feel heard, he's able to pull some incredible things out of the talent and crew that he works with. He'll gently come up to you and say, "here's what I'm thinking ____. I want this feeling ____" and then he'll look at you and ask, "what do you think?"
Feeling like you were able to be a part of art, is an incredibly exciting feeling that Matty knows how to share with people extremely well.
Thank you for having us @mattyvogel 🫶
Production Company: @first3
Executive Producers: @elmakias @thomasfalcone
Producer: @camthatasp
Photo Assist: @xtra.jpg
Digitech: @tim_toda
Chief Lighting Director: @justinusami
Key Grip: @gerardodeniro94
Production Designer: @mollie.thomas
Set Dresser: @aka_bones @martin_viola14
Production Assistant: @sandrajamphoto
Artist MGMT: @bradcmgmt
⚡️: @umamilighting
⚡️: @lightforce.rentals
🔨: @thegriphouse
STUNNING album cover shot by @mattyvogel for @verzachemane 🔥
@mattyvogel 's ability to make people feel seen on set is one of the greatest talents I've been able to witness. By making everybody around him feel heard, he's able to pull some incredible things out of the talent and crew that he works with. He'll gently come up to you and say, "here's what I'm thinking ____. I want this feeling ____" and then he'll look at you and ask, "what do you think?"
Feeling like you were able to be a part of art, is an incredibly exciting feeling that Matty knows how to share with people extremely well.
Thank you for having us @mattyvogel 🫶
Production Company: @first3
Executive Producers: @elmakias @thomasfalcone
Producer: @camthatasp
Photo Assist: @xtra.jpg
Digitech: @tim_toda
Chief Lighting Director: @justinusami
Key Grip: @gerardodeniro94
Production Designer: @mollie.thomas
Set Dresser: @aka_bones @martin_viola14
Production Assistant: @sandrajamphoto
Artist MGMT: @bradcmgmt
⚡️: @umamilighting
⚡️: @lightforce.rentals
🔨: @thegriphouse
STUNNING album cover shot by @mattyvogel for @verzachemane 🔥
@mattyvogel 's ability to make people feel seen on set is one of the greatest talents I've been able to witness. By making everybody around him feel heard, he's able to pull some incredible things out of the talent and crew that he works with. He'll gently come up to you and say, "here's what I'm thinking ____. I want this feeling ____" and then he'll look at you and ask, "what do you think?"
Feeling like you were able to be a part of art, is an incredibly exciting feeling that Matty knows how to share with people extremely well.
Thank you for having us @mattyvogel 🫶
Production Company: @first3
Executive Producers: @elmakias @thomasfalcone
Producer: @camthatasp
Photo Assist: @xtra.jpg
Digitech: @tim_toda
Chief Lighting Director: @justinusami
Key Grip: @gerardodeniro94
Production Designer: @mollie.thomas
Set Dresser: @aka_bones @martin_viola14
Production Assistant: @sandrajamphoto
Artist MGMT: @bradcmgmt
⚡️: @umamilighting
⚡️: @lightforce.rentals
🔨: @thegriphouse
STUNNING album cover shot by @mattyvogel for @verzachemane 🔥
@mattyvogel 's ability to make people feel seen on set is one of the greatest talents I've been able to witness. By making everybody around him feel heard, he's able to pull some incredible things out of the talent and crew that he works with. He'll gently come up to you and say, "here's what I'm thinking ____. I want this feeling ____" and then he'll look at you and ask, "what do you think?"
Feeling like you were able to be a part of art, is an incredibly exciting feeling that Matty knows how to share with people extremely well.
Thank you for having us @mattyvogel 🫶
Production Company: @first3
Executive Producers: @elmakias @thomasfalcone
Producer: @camthatasp
Photo Assist: @xtra.jpg
Digitech: @tim_toda
Chief Lighting Director: @justinusami
Key Grip: @gerardodeniro94
Production Designer: @mollie.thomas
Set Dresser: @aka_bones @martin_viola14
Production Assistant: @sandrajamphoto
Artist MGMT: @bradcmgmt
⚡️: @umamilighting
⚡️: @lightforce.rentals
🔨: @thegriphouse
STUNNING album cover shot by @mattyvogel for @verzachemane 🔥
@mattyvogel 's ability to make people feel seen on set is one of the greatest talents I've been able to witness. By making everybody around him feel heard, he's able to pull some incredible things out of the talent and crew that he works with. He'll gently come up to you and say, "here's what I'm thinking ____. I want this feeling ____" and then he'll look at you and ask, "what do you think?"
Feeling like you were able to be a part of art, is an incredibly exciting feeling that Matty knows how to share with people extremely well.
Thank you for having us @mattyvogel 🫶
Production Company: @first3
Executive Producers: @elmakias @thomasfalcone
Producer: @camthatasp
Photo Assist: @xtra.jpg
Digitech: @tim_toda
Chief Lighting Director: @justinusami
Key Grip: @gerardodeniro94
Production Designer: @mollie.thomas
Set Dresser: @aka_bones @martin_viola14
Production Assistant: @sandrajamphoto
Artist MGMT: @bradcmgmt
⚡️: @umamilighting
⚡️: @lightforce.rentals
🔨: @thegriphouse
STUNNING album cover shot by @mattyvogel for @verzachemane 🔥
@mattyvogel 's ability to make people feel seen on set is one of the greatest talents I've been able to witness. By making everybody around him feel heard, he's able to pull some incredible things out of the talent and crew that he works with. He'll gently come up to you and say, "here's what I'm thinking ____. I want this feeling ____" and then he'll look at you and ask, "what do you think?"
Feeling like you were able to be a part of art, is an incredibly exciting feeling that Matty knows how to share with people extremely well.
Thank you for having us @mattyvogel 🫶
Production Company: @first3
Executive Producers: @elmakias @thomasfalcone
Producer: @camthatasp
Photo Assist: @xtra.jpg
Digitech: @tim_toda
Chief Lighting Director: @justinusami
Key Grip: @gerardodeniro94
Production Designer: @mollie.thomas
Set Dresser: @aka_bones @martin_viola14
Production Assistant: @sandrajamphoto
Artist MGMT: @bradcmgmt
⚡️: @umamilighting
⚡️: @lightforce.rentals
🔨: @thegriphouse
STUNNING album cover shot by @mattyvogel for @verzachemane 🔥
@mattyvogel 's ability to make people feel seen on set is one of the greatest talents I've been able to witness. By making everybody around him feel heard, he's able to pull some incredible things out of the talent and crew that he works with. He'll gently come up to you and say, "here's what I'm thinking ____. I want this feeling ____" and then he'll look at you and ask, "what do you think?"
Feeling like you were able to be a part of art, is an incredibly exciting feeling that Matty knows how to share with people extremely well.
Thank you for having us @mattyvogel 🫶
Production Company: @first3
Executive Producers: @elmakias @thomasfalcone
Producer: @camthatasp
Photo Assist: @xtra.jpg
Digitech: @tim_toda
Chief Lighting Director: @justinusami
Key Grip: @gerardodeniro94
Production Designer: @mollie.thomas
Set Dresser: @aka_bones @martin_viola14
Production Assistant: @sandrajamphoto
Artist MGMT: @bradcmgmt
⚡️: @umamilighting
⚡️: @lightforce.rentals
🔨: @thegriphouse
BTS from @faouzia 's "Peace & Violence" MV
Phenomenal work from
DP: @natasha.abdul
Steadi: @steadistan
Director: @bobbyhanaford
Producer: @aidentroyweber
Prod co: @ptreepictures
Editor: @jstaudenmaier
Colorist: @kaybaycolor
VFX: @joey_deutsch
DP: @natasha.abdul
Steady: @steadistan
First ac: @reecemoffett
Second ac: @jewelsluna
PD: @isabella.a.monge.gmail
CLT: @justinusami
ACLT: @brady.berryhill_dp
SLT: @sotolikephoto
SLT: @cinenam
SLT: @jayadeep_jay
⚡️: @umamilighting
⚡️: @lightforce.rentals
KG: @gerardodeniro94
BBG: @miles_roddy45
🔨: @thegriphouse
PA: @stokemore
Lead PA: Cameron Mack
Prod coordination: @wemakemovies
Hair: @rachellitahair
Rental house: @otm_cameralighting
Photo: @directoramami
Film: @kodak_shootfilm
scanner: @thom_kuo
Commissioner: @santayfeyyy
Location: @legend_locations
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.