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kfal
Kyle Fallon
Cinematographer
Pictionary Pictato
Director: @erickaclevenger
Producer: @tracy_chitupatham
Production Company: @concrete__studios
EP: @chitownburke
1st AD: @allenscudder
DP: @kfal
1st AC: @marijosbadillo
Gaffer: @jonbassfilm
Key Grip: @benjaminryanmoeller
Production Designer: @niafreshman
Costume Designer: @orchidsatellite
HMU: @lindsaybyrd
Editor: @editjames
Colorist: @marceloaprile
🎥 Alexa Mini LF + Canon FD primes
Lenses from the always wonderful @old_fast_glass
Pictionary Pictato
Director: @erickaclevenger
Producer: @tracy_chitupatham
Production Company: @concrete__studios
EP: @chitownburke
1st AD: @allenscudder
DP: @kfal
1st AC: @marijosbadillo
Gaffer: @jonbassfilm
Key Grip: @benjaminryanmoeller
Production Designer: @niafreshman
Costume Designer: @orchidsatellite
HMU: @lindsaybyrd
Editor: @editjames
Colorist: @marceloaprile
🎥 Alexa Mini LF + Canon FD primes
Lenses from the always wonderful @old_fast_glass
Pictionary Pictato
Director: @erickaclevenger
Producer: @tracy_chitupatham
Production Company: @concrete__studios
EP: @chitownburke
1st AD: @allenscudder
DP: @kfal
1st AC: @marijosbadillo
Gaffer: @jonbassfilm
Key Grip: @benjaminryanmoeller
Production Designer: @niafreshman
Costume Designer: @orchidsatellite
HMU: @lindsaybyrd
Editor: @editjames
Colorist: @marceloaprile
🎥 Alexa Mini LF + Canon FD primes
Lenses from the always wonderful @old_fast_glass
Pictionary Pictato
Director: @erickaclevenger
Producer: @tracy_chitupatham
Production Company: @concrete__studios
EP: @chitownburke
1st AD: @allenscudder
DP: @kfal
1st AC: @marijosbadillo
Gaffer: @jonbassfilm
Key Grip: @benjaminryanmoeller
Production Designer: @niafreshman
Costume Designer: @orchidsatellite
HMU: @lindsaybyrd
Editor: @editjames
Colorist: @marceloaprile
🎥 Alexa Mini LF + Canon FD primes
Lenses from the always wonderful @old_fast_glass
Pictionary Pictato
Director: @erickaclevenger
Producer: @tracy_chitupatham
Production Company: @concrete__studios
EP: @chitownburke
1st AD: @allenscudder
DP: @kfal
1st AC: @marijosbadillo
Gaffer: @jonbassfilm
Key Grip: @benjaminryanmoeller
Production Designer: @niafreshman
Costume Designer: @orchidsatellite
HMU: @lindsaybyrd
Editor: @editjames
Colorist: @marceloaprile
🎥 Alexa Mini LF + Canon FD primes
Lenses from the always wonderful @old_fast_glass
FanDrop - “Own The Moment”
Directed by @nicksuitt
DP @kfal
PM @astronaut_aus
EP @chitownburke
1st AD @allenscudder
1st AC @marijosbadillo
Gaffer @zachtrout77
Key Grip @dpsamanthab
Production Designer @soyandrewkim
Art Director @fridaroliva
Costume Designer @clarelaflar3
Colorist @marceloaprile
Lenses provided by @old_fast_glass
G&E gear provided by @zzgripelectric
@concrete__studios
FanDrop - “Own The Moment”
Directed by @nicksuitt
DP @kfal
PM @astronaut_aus
EP @chitownburke
1st AD @allenscudder
1st AC @marijosbadillo
Gaffer @zachtrout77
Key Grip @dpsamanthab
Production Designer @soyandrewkim
Art Director @fridaroliva
Costume Designer @clarelaflar3
Colorist @marceloaprile
Lenses provided by @old_fast_glass
G&E gear provided by @zzgripelectric
@concrete__studios
FanDrop - “Own The Moment”
Directed by @nicksuitt
DP @kfal
PM @astronaut_aus
EP @chitownburke
1st AD @allenscudder
1st AC @marijosbadillo
Gaffer @zachtrout77
Key Grip @dpsamanthab
Production Designer @soyandrewkim
Art Director @fridaroliva
Costume Designer @clarelaflar3
Colorist @marceloaprile
Lenses provided by @old_fast_glass
G&E gear provided by @zzgripelectric
@concrete__studios
FanDrop - “Own The Moment”
Directed by @nicksuitt
DP @kfal
PM @astronaut_aus
EP @chitownburke
1st AD @allenscudder
1st AC @marijosbadillo
Gaffer @zachtrout77
Key Grip @dpsamanthab
Production Designer @soyandrewkim
Art Director @fridaroliva
Costume Designer @clarelaflar3
Colorist @marceloaprile
Lenses provided by @old_fast_glass
G&E gear provided by @zzgripelectric
@concrete__studios
FanDrop - “Own The Moment”
Directed by @nicksuitt
DP @kfal
PM @astronaut_aus
EP @chitownburke
1st AD @allenscudder
1st AC @marijosbadillo
Gaffer @zachtrout77
Key Grip @dpsamanthab
Production Designer @soyandrewkim
Art Director @fridaroliva
Costume Designer @clarelaflar3
Colorist @marceloaprile
Lenses provided by @old_fast_glass
G&E gear provided by @zzgripelectric
@concrete__studios
FanDrop - “Own The Moment”
Directed by @nicksuitt
DP @kfal
PM @astronaut_aus
EP @chitownburke
1st AD @allenscudder
1st AC @marijosbadillo
Gaffer @zachtrout77
Key Grip @dpsamanthab
Production Designer @soyandrewkim
Art Director @fridaroliva
Costume Designer @clarelaflar3
Colorist @marceloaprile
Lenses provided by @old_fast_glass
G&E gear provided by @zzgripelectric
@concrete__studios
FanDrop - “Own The Moment”
Directed by @nicksuitt
DP @kfal
PM @astronaut_aus
EP @chitownburke
1st AD @allenscudder
1st AC @marijosbadillo
Gaffer @zachtrout77
Key Grip @dpsamanthab
Production Designer @soyandrewkim
Art Director @fridaroliva
Costume Designer @clarelaflar3
Colorist @marceloaprile
Lenses provided by @old_fast_glass
G&E gear provided by @zzgripelectric
@concrete__studios
Jumanji Stampede 🦏
Director: @mikeyyounesi
DP: 👋
1st AD: @allenscudder
EP: @chitownburke
PM: @rickylloydgeorge
1st AC: @marijosbadillo
Gaffer: @zebracloak
Key Grip: @zachtrout77
Production Designer: @manshark.tv
Colorist: @colorbysanti
Lighting gear @zzgripelectric
Camera gear @nienhuiscamera
@concrete__studios
@benbridgejwlr “Mother’s Day”
Director @triana.studio
DP 👋
Production Manager @oryanbrody
1st AC Patrick Gonzalez
Gaffer @aaronjacoba
Key Grip @consumptionfilms
Editor: Don Broida
Colorist @oliverojeil
Art Director: Montana Tippett
HMU @lindseyjwatkins
@benbridgejwlr “Mother’s Day”
Director @triana.studio
DP 👋
Production Manager @oryanbrody
1st AC Patrick Gonzalez
Gaffer @aaronjacoba
Key Grip @consumptionfilms
Editor: Don Broida
Colorist @oliverojeil
Art Director: Montana Tippett
HMU @lindseyjwatkins
@benbridgejwlr “Mother’s Day”
Director @triana.studio
DP 👋
Production Manager @oryanbrody
1st AC Patrick Gonzalez
Gaffer @aaronjacoba
Key Grip @consumptionfilms
Editor: Don Broida
Colorist @oliverojeil
Art Director: Montana Tippett
HMU @lindseyjwatkins
@benbridgejwlr “Mother’s Day”
Director @triana.studio
DP 👋
Production Manager @oryanbrody
1st AC Patrick Gonzalez
Gaffer @aaronjacoba
Key Grip @consumptionfilms
Editor: Don Broida
Colorist @oliverojeil
Art Director: Montana Tippett
HMU @lindseyjwatkins
@benbridgejwlr “Mother’s Day”
Director @triana.studio
DP 👋
Production Manager @oryanbrody
1st AC Patrick Gonzalez
Gaffer @aaronjacoba
Key Grip @consumptionfilms
Editor: Don Broida
Colorist @oliverojeil
Art Director: Montana Tippett
HMU @lindseyjwatkins
@benbridgejwlr “Mother’s Day”
Director @triana.studio
DP 👋
Production Manager @oryanbrody
1st AC Patrick Gonzalez
Gaffer @aaronjacoba
Key Grip @consumptionfilms
Editor: Don Broida
Colorist @oliverojeil
Art Director: Montana Tippett
HMU @lindseyjwatkins
@benbridgejwlr “Mother’s Day”
Director @triana.studio
DP 👋
Production Manager @oryanbrody
1st AC Patrick Gonzalez
Gaffer @aaronjacoba
Key Grip @consumptionfilms
Editor: Don Broida
Colorist @oliverojeil
Art Director: Montana Tippett
HMU @lindseyjwatkins
“We wanted ‘Loose Ends’ to feel like it was ripped from a different era of Los Angeles cinema,” writer/director of the forthcoming dark comedy film @looseendsfilmofficial Michael Younesi (@mikeyyounesi) tells us. “Something that lives in the universe of Jackie Brown, The Big Lebowski, or Casino (if it were shot in Van Nuys!) It’s a stylized, character-driven world that’s grounded in reality but still has a heightened, cinematic energy. The look needed warmth, texture, and personality – not a sterile or hyper-modern aesthetic. We leaned into bold contrast, rich color, and a sense of effortless cool that gives the film its own timeless visual identity.
#Panavision has supported my work for years, and they’re the gold standard. We knew we needed glass that could deliver classic beauty but still let the grit and soul of the story shine through. And beyond gear, the Panavision team – along with our partners at #LightIron, who helped craft our #LUT – really became creative collaborators in shaping the look and feel of ‘Loose Ends’."
#Cinematographer Kyle Fallon (@kfal) adds: "The #Primo 70s gave us the perfect balance of cinematic polish and emotional texture. There’s a classic Panavision quality to the way they render the world – confident and timeless without unnecessary flourish. They deliver rich, filmic contrast and beautifully natural skin tones, with subtle roundness and dimensionality that keep the image from ever feeling clinical. And for this story, we wanted that straightforward elegance – combining the spirit of the 1990s cinema that inspired us with a more contemporary visual language – which is why we chose to stay #spherical rather than go anamorphic. It allowed the film to feel grounded and intentional while still carrying real visual weight.”
“We wanted ‘Loose Ends’ to feel like it was ripped from a different era of Los Angeles cinema,” writer/director of the forthcoming dark comedy film @looseendsfilmofficial Michael Younesi (@mikeyyounesi) tells us. “Something that lives in the universe of Jackie Brown, The Big Lebowski, or Casino (if it were shot in Van Nuys!) It’s a stylized, character-driven world that’s grounded in reality but still has a heightened, cinematic energy. The look needed warmth, texture, and personality – not a sterile or hyper-modern aesthetic. We leaned into bold contrast, rich color, and a sense of effortless cool that gives the film its own timeless visual identity.
#Panavision has supported my work for years, and they’re the gold standard. We knew we needed glass that could deliver classic beauty but still let the grit and soul of the story shine through. And beyond gear, the Panavision team – along with our partners at #LightIron, who helped craft our #LUT – really became creative collaborators in shaping the look and feel of ‘Loose Ends’."
#Cinematographer Kyle Fallon (@kfal) adds: "The #Primo 70s gave us the perfect balance of cinematic polish and emotional texture. There’s a classic Panavision quality to the way they render the world – confident and timeless without unnecessary flourish. They deliver rich, filmic contrast and beautifully natural skin tones, with subtle roundness and dimensionality that keep the image from ever feeling clinical. And for this story, we wanted that straightforward elegance – combining the spirit of the 1990s cinema that inspired us with a more contemporary visual language – which is why we chose to stay #spherical rather than go anamorphic. It allowed the film to feel grounded and intentional while still carrying real visual weight.”
“We wanted ‘Loose Ends’ to feel like it was ripped from a different era of Los Angeles cinema,” writer/director of the forthcoming dark comedy film @looseendsfilmofficial Michael Younesi (@mikeyyounesi) tells us. “Something that lives in the universe of Jackie Brown, The Big Lebowski, or Casino (if it were shot in Van Nuys!) It’s a stylized, character-driven world that’s grounded in reality but still has a heightened, cinematic energy. The look needed warmth, texture, and personality – not a sterile or hyper-modern aesthetic. We leaned into bold contrast, rich color, and a sense of effortless cool that gives the film its own timeless visual identity.
#Panavision has supported my work for years, and they’re the gold standard. We knew we needed glass that could deliver classic beauty but still let the grit and soul of the story shine through. And beyond gear, the Panavision team – along with our partners at #LightIron, who helped craft our #LUT – really became creative collaborators in shaping the look and feel of ‘Loose Ends’."
#Cinematographer Kyle Fallon (@kfal) adds: "The #Primo 70s gave us the perfect balance of cinematic polish and emotional texture. There’s a classic Panavision quality to the way they render the world – confident and timeless without unnecessary flourish. They deliver rich, filmic contrast and beautifully natural skin tones, with subtle roundness and dimensionality that keep the image from ever feeling clinical. And for this story, we wanted that straightforward elegance – combining the spirit of the 1990s cinema that inspired us with a more contemporary visual language – which is why we chose to stay #spherical rather than go anamorphic. It allowed the film to feel grounded and intentional while still carrying real visual weight.”
“We wanted ‘Loose Ends’ to feel like it was ripped from a different era of Los Angeles cinema,” writer/director of the forthcoming dark comedy film @looseendsfilmofficial Michael Younesi (@mikeyyounesi) tells us. “Something that lives in the universe of Jackie Brown, The Big Lebowski, or Casino (if it were shot in Van Nuys!) It’s a stylized, character-driven world that’s grounded in reality but still has a heightened, cinematic energy. The look needed warmth, texture, and personality – not a sterile or hyper-modern aesthetic. We leaned into bold contrast, rich color, and a sense of effortless cool that gives the film its own timeless visual identity.
#Panavision has supported my work for years, and they’re the gold standard. We knew we needed glass that could deliver classic beauty but still let the grit and soul of the story shine through. And beyond gear, the Panavision team – along with our partners at #LightIron, who helped craft our #LUT – really became creative collaborators in shaping the look and feel of ‘Loose Ends’."
#Cinematographer Kyle Fallon (@kfal) adds: "The #Primo 70s gave us the perfect balance of cinematic polish and emotional texture. There’s a classic Panavision quality to the way they render the world – confident and timeless without unnecessary flourish. They deliver rich, filmic contrast and beautifully natural skin tones, with subtle roundness and dimensionality that keep the image from ever feeling clinical. And for this story, we wanted that straightforward elegance – combining the spirit of the 1990s cinema that inspired us with a more contemporary visual language – which is why we chose to stay #spherical rather than go anamorphic. It allowed the film to feel grounded and intentional while still carrying real visual weight.”
Hot Wheels - “Try. Fail. Repeat.”
Directed by @mikeyyounesi
DP 👋
PM @dinorawrphil @tracy_chitupatham
1st AD @allenscudder
EP @chitownburke
1st AC: @marijosbadillo
Gaffer: @zebracloak
Key Grip: @zachtrout77
Production Designer @manshark.tv
Lighting Gear by @zzgripelectric
Camera Gear by @old_fast_glass
Hot Wheels - “Try. Fail. Repeat.”
Directed by @mikeyyounesi
DP 👋
PM @dinorawrphil @tracy_chitupatham
1st AD @allenscudder
EP @chitownburke
1st AC: @marijosbadillo
Gaffer: @zebracloak
Key Grip: @zachtrout77
Production Designer @manshark.tv
Lighting Gear by @zzgripelectric
Camera Gear by @old_fast_glass
Hot Wheels - “Try. Fail. Repeat.”
Directed by @mikeyyounesi
DP 👋
PM @dinorawrphil @tracy_chitupatham
1st AD @allenscudder
EP @chitownburke
1st AC: @marijosbadillo
Gaffer: @zebracloak
Key Grip: @zachtrout77
Production Designer @manshark.tv
Lighting Gear by @zzgripelectric
Camera Gear by @old_fast_glass
Hot Wheels - “Try. Fail. Repeat.”
Directed by @mikeyyounesi
DP 👋
PM @dinorawrphil @tracy_chitupatham
1st AD @allenscudder
EP @chitownburke
1st AC: @marijosbadillo
Gaffer: @zebracloak
Key Grip: @zachtrout77
Production Designer @manshark.tv
Lighting Gear by @zzgripelectric
Camera Gear by @old_fast_glass
Hot Wheels - “Try. Fail. Repeat.”
Directed by @mikeyyounesi
DP 👋
PM @dinorawrphil @tracy_chitupatham
1st AD @allenscudder
EP @chitownburke
1st AC: @marijosbadillo
Gaffer: @zebracloak
Key Grip: @zachtrout77
Production Designer @manshark.tv
Lighting Gear by @zzgripelectric
Camera Gear by @old_fast_glass
Hot Wheels - “Try. Fail. Repeat.”
Directed by @mikeyyounesi
DP 👋
PM @dinorawrphil @tracy_chitupatham
1st AD @allenscudder
EP @chitownburke
1st AC: @marijosbadillo
Gaffer: @zebracloak
Key Grip: @zachtrout77
Production Designer @manshark.tv
Lighting Gear by @zzgripelectric
Camera Gear by @old_fast_glass
Hot Wheels - “Try. Fail. Repeat.”
Directed by @mikeyyounesi
DP 👋
PM @dinorawrphil @tracy_chitupatham
1st AD @allenscudder
EP @chitownburke
1st AC: @marijosbadillo
Gaffer: @zebracloak
Key Grip: @zachtrout77
Production Designer @manshark.tv
Lighting Gear by @zzgripelectric
Camera Gear by @old_fast_glass
Hot Wheels - “Try. Fail. Repeat.”
Directed by @mikeyyounesi
DP 👋
PM @dinorawrphil @tracy_chitupatham
1st AD @allenscudder
EP @chitownburke
1st AC: @marijosbadillo
Gaffer: @zebracloak
Key Grip: @zachtrout77
Production Designer @manshark.tv
Lighting Gear by @zzgripelectric
Camera Gear by @old_fast_glass
Hot Wheels - “Try. Fail. Repeat.”
Directed by @mikeyyounesi
DP 👋
PM @dinorawrphil @tracy_chitupatham
1st AD @allenscudder
EP @chitownburke
1st AC: @marijosbadillo
Gaffer: @zebracloak
Key Grip: @zachtrout77
Production Designer @manshark.tv
Lighting Gear by @zzgripelectric
Camera Gear by @old_fast_glass
Hot Wheels - Try. Fail. Repeat.
Director: @mikeyyounesi
DP: @kfal
1st AD: @allenscudder
EP: @chitownburke
1st AC: @marijosbadillo
Gaffer: @zebracloak
Key Grip: @zachtrout77
Line Producer/PM: @dinorawrphil
G&E Gear by @zzgripelectric
Camera gear by @old_fast_glass
@concrete__studios
“Loose Ends” is wrapped! Congrats to this amazing cast and crew. Proud of what we’ve done 😊
@looseendsfilmofficial
#looseendsfilmofficial
“Loose Ends” is wrapped! Congrats to this amazing cast and crew. Proud of what we’ve done 😊
@looseendsfilmofficial
#looseendsfilmofficial
“Loose Ends” is wrapped! Congrats to this amazing cast and crew. Proud of what we’ve done 😊
@looseendsfilmofficial
#looseendsfilmofficial
“Loose Ends” is wrapped! Congrats to this amazing cast and crew. Proud of what we’ve done 😊
@looseendsfilmofficial
#looseendsfilmofficial
“Loose Ends” is wrapped! Congrats to this amazing cast and crew. Proud of what we’ve done 😊
@looseendsfilmofficial
#looseendsfilmofficial
“Loose Ends” is wrapped! Congrats to this amazing cast and crew. Proud of what we’ve done 😊
@looseendsfilmofficial
#looseendsfilmofficial
“Loose Ends” is wrapped! Congrats to this amazing cast and crew. Proud of what we’ve done 😊
@looseendsfilmofficial
#looseendsfilmofficial
“Out to Run: A tale of Blood Velvet”
We shot on Alexa 35 w/ Super16 lenses cropping the sensor down to Super16. We were inspired by 1970s Italian giallo films and 90s independent movies. Wanted a gritty, filmy, Grindhouse-y nostalgic look. Had such a blast working on this and we are so indebted to every single person who poured their blood sweat and tears into making this fun little piece of madness.
The feature, “Blood Velvet”, currently in pre-pro 🙂 shooting next year.
Written & Directed by James Berry
DP: 👋
Editor: @kylewalczak
Casting Director: Jamie Ember
Costume Designer: Megan Spatz
Hair, Makeup & SFX Makeup: @wrenwitting
Production Designer: @sj_rachel
1st AD: @moviemaniacgirl
Intimacy & Stunt Coordinator: @zackorriahzachariah
Production Sound Mixer: @david13an
1st AC: @marijosbadillo
2nd AC: @kbrewery @sperlock_holmes
Gaffer: @zebracloak
Key Grip: @jakereardon14
PAs: Peter Henry Bussian Filomena Franchina Jeremy Svenson
VFX Artist: Jonathan Stromberg
CAST
@mccarya
@milestagtmeyer
@houseofvenskus
Matt Lauria
Produced by @kfal @claytonmconroy @kylewalczak Matt Lauria James Berry
Grip/Electric Package provided by:
@zzgripelectric
@jakereardon14
Camera & Production Services by
@nienhuiscamera
@otm_cameralighting
1904 Pictures in association with @tuff_contender
“Out to Run: A tale of Blood Velvet”
We shot on Alexa 35 w/ Super16 lenses cropping the sensor down to Super16. We were inspired by 1970s Italian giallo films and 90s independent movies. Wanted a gritty, filmy, Grindhouse-y nostalgic look. Had such a blast working on this and we are so indebted to every single person who poured their blood sweat and tears into making this fun little piece of madness.
The feature, “Blood Velvet”, currently in pre-pro 🙂 shooting next year.
Written & Directed by James Berry
DP: 👋
Editor: @kylewalczak
Casting Director: Jamie Ember
Costume Designer: Megan Spatz
Hair, Makeup & SFX Makeup: @wrenwitting
Production Designer: @sj_rachel
1st AD: @moviemaniacgirl
Intimacy & Stunt Coordinator: @zackorriahzachariah
Production Sound Mixer: @david13an
1st AC: @marijosbadillo
2nd AC: @kbrewery @sperlock_holmes
Gaffer: @zebracloak
Key Grip: @jakereardon14
PAs: Peter Henry Bussian Filomena Franchina Jeremy Svenson
VFX Artist: Jonathan Stromberg
CAST
@mccarya
@milestagtmeyer
@houseofvenskus
Matt Lauria
Produced by @kfal @claytonmconroy @kylewalczak Matt Lauria James Berry
Grip/Electric Package provided by:
@zzgripelectric
@jakereardon14
Camera & Production Services by
@nienhuiscamera
@otm_cameralighting
1904 Pictures in association with @tuff_contender
“Out to Run: A tale of Blood Velvet”
We shot on Alexa 35 w/ Super16 lenses cropping the sensor down to Super16. We were inspired by 1970s Italian giallo films and 90s independent movies. Wanted a gritty, filmy, Grindhouse-y nostalgic look. Had such a blast working on this and we are so indebted to every single person who poured their blood sweat and tears into making this fun little piece of madness.
The feature, “Blood Velvet”, currently in pre-pro 🙂 shooting next year.
Written & Directed by James Berry
DP: 👋
Editor: @kylewalczak
Casting Director: Jamie Ember
Costume Designer: Megan Spatz
Hair, Makeup & SFX Makeup: @wrenwitting
Production Designer: @sj_rachel
1st AD: @moviemaniacgirl
Intimacy & Stunt Coordinator: @zackorriahzachariah
Production Sound Mixer: @david13an
1st AC: @marijosbadillo
2nd AC: @kbrewery @sperlock_holmes
Gaffer: @zebracloak
Key Grip: @jakereardon14
PAs: Peter Henry Bussian Filomena Franchina Jeremy Svenson
VFX Artist: Jonathan Stromberg
CAST
@mccarya
@milestagtmeyer
@houseofvenskus
Matt Lauria
Produced by @kfal @claytonmconroy @kylewalczak Matt Lauria James Berry
Grip/Electric Package provided by:
@zzgripelectric
@jakereardon14
Camera & Production Services by
@nienhuiscamera
@otm_cameralighting
1904 Pictures in association with @tuff_contender
“Out to Run: A tale of Blood Velvet”
We shot on Alexa 35 w/ Super16 lenses cropping the sensor down to Super16. We were inspired by 1970s Italian giallo films and 90s independent movies. Wanted a gritty, filmy, Grindhouse-y nostalgic look. Had such a blast working on this and we are so indebted to every single person who poured their blood sweat and tears into making this fun little piece of madness.
The feature, “Blood Velvet”, currently in pre-pro 🙂 shooting next year.
Written & Directed by James Berry
DP: 👋
Editor: @kylewalczak
Casting Director: Jamie Ember
Costume Designer: Megan Spatz
Hair, Makeup & SFX Makeup: @wrenwitting
Production Designer: @sj_rachel
1st AD: @moviemaniacgirl
Intimacy & Stunt Coordinator: @zackorriahzachariah
Production Sound Mixer: @david13an
1st AC: @marijosbadillo
2nd AC: @kbrewery @sperlock_holmes
Gaffer: @zebracloak
Key Grip: @jakereardon14
PAs: Peter Henry Bussian Filomena Franchina Jeremy Svenson
VFX Artist: Jonathan Stromberg
CAST
@mccarya
@milestagtmeyer
@houseofvenskus
Matt Lauria
Produced by @kfal @claytonmconroy @kylewalczak Matt Lauria James Berry
Grip/Electric Package provided by:
@zzgripelectric
@jakereardon14
Camera & Production Services by
@nienhuiscamera
@otm_cameralighting
1904 Pictures in association with @tuff_contender
“Out to Run: A tale of Blood Velvet”
We shot on Alexa 35 w/ Super16 lenses cropping the sensor down to Super16. We were inspired by 1970s Italian giallo films and 90s independent movies. Wanted a gritty, filmy, Grindhouse-y nostalgic look. Had such a blast working on this and we are so indebted to every single person who poured their blood sweat and tears into making this fun little piece of madness.
The feature, “Blood Velvet”, currently in pre-pro 🙂 shooting next year.
Written & Directed by James Berry
DP: 👋
Editor: @kylewalczak
Casting Director: Jamie Ember
Costume Designer: Megan Spatz
Hair, Makeup & SFX Makeup: @wrenwitting
Production Designer: @sj_rachel
1st AD: @moviemaniacgirl
Intimacy & Stunt Coordinator: @zackorriahzachariah
Production Sound Mixer: @david13an
1st AC: @marijosbadillo
2nd AC: @kbrewery @sperlock_holmes
Gaffer: @zebracloak
Key Grip: @jakereardon14
PAs: Peter Henry Bussian Filomena Franchina Jeremy Svenson
VFX Artist: Jonathan Stromberg
CAST
@mccarya
@milestagtmeyer
@houseofvenskus
Matt Lauria
Produced by @kfal @claytonmconroy @kylewalczak Matt Lauria James Berry
Grip/Electric Package provided by:
@zzgripelectric
@jakereardon14
Camera & Production Services by
@nienhuiscamera
@otm_cameralighting
1904 Pictures in association with @tuff_contender
“Out to Run: A tale of Blood Velvet”
We shot on Alexa 35 w/ Super16 lenses cropping the sensor down to Super16. We were inspired by 1970s Italian giallo films and 90s independent movies. Wanted a gritty, filmy, Grindhouse-y nostalgic look. Had such a blast working on this and we are so indebted to every single person who poured their blood sweat and tears into making this fun little piece of madness.
The feature, “Blood Velvet”, currently in pre-pro 🙂 shooting next year.
Written & Directed by James Berry
DP: 👋
Editor: @kylewalczak
Casting Director: Jamie Ember
Costume Designer: Megan Spatz
Hair, Makeup & SFX Makeup: @wrenwitting
Production Designer: @sj_rachel
1st AD: @moviemaniacgirl
Intimacy & Stunt Coordinator: @zackorriahzachariah
Production Sound Mixer: @david13an
1st AC: @marijosbadillo
2nd AC: @kbrewery @sperlock_holmes
Gaffer: @zebracloak
Key Grip: @jakereardon14
PAs: Peter Henry Bussian Filomena Franchina Jeremy Svenson
VFX Artist: Jonathan Stromberg
CAST
@mccarya
@milestagtmeyer
@houseofvenskus
Matt Lauria
Produced by @kfal @claytonmconroy @kylewalczak Matt Lauria James Berry
Grip/Electric Package provided by:
@zzgripelectric
@jakereardon14
Camera & Production Services by
@nienhuiscamera
@otm_cameralighting
1904 Pictures in association with @tuff_contender
“Out to Run: A tale of Blood Velvet”
We shot on Alexa 35 w/ Super16 lenses cropping the sensor down to Super16. We were inspired by 1970s Italian giallo films and 90s independent movies. Wanted a gritty, filmy, Grindhouse-y nostalgic look. Had such a blast working on this and we are so indebted to every single person who poured their blood sweat and tears into making this fun little piece of madness.
The feature, “Blood Velvet”, currently in pre-pro 🙂 shooting next year.
Written & Directed by James Berry
DP: 👋
Editor: @kylewalczak
Casting Director: Jamie Ember
Costume Designer: Megan Spatz
Hair, Makeup & SFX Makeup: @wrenwitting
Production Designer: @sj_rachel
1st AD: @moviemaniacgirl
Intimacy & Stunt Coordinator: @zackorriahzachariah
Production Sound Mixer: @david13an
1st AC: @marijosbadillo
2nd AC: @kbrewery @sperlock_holmes
Gaffer: @zebracloak
Key Grip: @jakereardon14
PAs: Peter Henry Bussian Filomena Franchina Jeremy Svenson
VFX Artist: Jonathan Stromberg
CAST
@mccarya
@milestagtmeyer
@houseofvenskus
Matt Lauria
Produced by @kfal @claytonmconroy @kylewalczak Matt Lauria James Berry
Grip/Electric Package provided by:
@zzgripelectric
@jakereardon14
Camera & Production Services by
@nienhuiscamera
@otm_cameralighting
1904 Pictures in association with @tuff_contender
“Out to Run: A tale of Blood Velvet”
We shot on Alexa 35 w/ Super16 lenses cropping the sensor down to Super16. We were inspired by 1970s Italian giallo films and 90s independent movies. Wanted a gritty, filmy, Grindhouse-y nostalgic look. Had such a blast working on this and we are so indebted to every single person who poured their blood sweat and tears into making this fun little piece of madness.
The feature, “Blood Velvet”, currently in pre-pro 🙂 shooting next year.
Written & Directed by James Berry
DP: 👋
Editor: @kylewalczak
Casting Director: Jamie Ember
Costume Designer: Megan Spatz
Hair, Makeup & SFX Makeup: @wrenwitting
Production Designer: @sj_rachel
1st AD: @moviemaniacgirl
Intimacy & Stunt Coordinator: @zackorriahzachariah
Production Sound Mixer: @david13an
1st AC: @marijosbadillo
2nd AC: @kbrewery @sperlock_holmes
Gaffer: @zebracloak
Key Grip: @jakereardon14
PAs: Peter Henry Bussian Filomena Franchina Jeremy Svenson
VFX Artist: Jonathan Stromberg
CAST
@mccarya
@milestagtmeyer
@houseofvenskus
Matt Lauria
Produced by @kfal @claytonmconroy @kylewalczak Matt Lauria James Berry
Grip/Electric Package provided by:
@zzgripelectric
@jakereardon14
Camera & Production Services by
@nienhuiscamera
@otm_cameralighting
1904 Pictures in association with @tuff_contender
“Out to Run: A tale of Blood Velvet”
We shot on Alexa 35 w/ Super16 lenses cropping the sensor down to Super16. We were inspired by 1970s Italian giallo films and 90s independent movies. Wanted a gritty, filmy, Grindhouse-y nostalgic look. Had such a blast working on this and we are so indebted to every single person who poured their blood sweat and tears into making this fun little piece of madness.
The feature, “Blood Velvet”, currently in pre-pro 🙂 shooting next year.
Written & Directed by James Berry
DP: 👋
Editor: @kylewalczak
Casting Director: Jamie Ember
Costume Designer: Megan Spatz
Hair, Makeup & SFX Makeup: @wrenwitting
Production Designer: @sj_rachel
1st AD: @moviemaniacgirl
Intimacy & Stunt Coordinator: @zackorriahzachariah
Production Sound Mixer: @david13an
1st AC: @marijosbadillo
2nd AC: @kbrewery @sperlock_holmes
Gaffer: @zebracloak
Key Grip: @jakereardon14
PAs: Peter Henry Bussian Filomena Franchina Jeremy Svenson
VFX Artist: Jonathan Stromberg
CAST
@mccarya
@milestagtmeyer
@houseofvenskus
Matt Lauria
Produced by @kfal @claytonmconroy @kylewalczak Matt Lauria James Berry
Grip/Electric Package provided by:
@zzgripelectric
@jakereardon14
Camera & Production Services by
@nienhuiscamera
@otm_cameralighting
1904 Pictures in association with @tuff_contender
“Out to Run: A tale of Blood Velvet”
We shot on Alexa 35 w/ Super16 lenses cropping the sensor down to Super16. We were inspired by 1970s Italian giallo films and 90s independent movies. Wanted a gritty, filmy, Grindhouse-y nostalgic look. Had such a blast working on this and we are so indebted to every single person who poured their blood sweat and tears into making this fun little piece of madness.
The feature, “Blood Velvet”, currently in pre-pro 🙂 shooting next year.
Written & Directed by James Berry
DP: 👋
Editor: @kylewalczak
Casting Director: Jamie Ember
Costume Designer: Megan Spatz
Hair, Makeup & SFX Makeup: @wrenwitting
Production Designer: @sj_rachel
1st AD: @moviemaniacgirl
Intimacy & Stunt Coordinator: @zackorriahzachariah
Production Sound Mixer: @david13an
1st AC: @marijosbadillo
2nd AC: @kbrewery @sperlock_holmes
Gaffer: @zebracloak
Key Grip: @jakereardon14
PAs: Peter Henry Bussian Filomena Franchina Jeremy Svenson
VFX Artist: Jonathan Stromberg
CAST
@mccarya
@milestagtmeyer
@houseofvenskus
Matt Lauria
Produced by @kfal @claytonmconroy @kylewalczak Matt Lauria James Berry
Grip/Electric Package provided by:
@zzgripelectric
@jakereardon14
Camera & Production Services by
@nienhuiscamera
@otm_cameralighting
1904 Pictures in association with @tuff_contender
“Out to Run: A tale of Blood Velvet”
We shot on Alexa 35 w/ Super16 lenses cropping the sensor down to Super16. We were inspired by 1970s Italian giallo films and 90s independent movies. Wanted a gritty, filmy, Grindhouse-y nostalgic look. Had such a blast working on this and we are so indebted to every single person who poured their blood sweat and tears into making this fun little piece of madness.
The feature, “Blood Velvet”, currently in pre-pro 🙂 shooting next year.
Written & Directed by James Berry
DP: 👋
Editor: @kylewalczak
Casting Director: Jamie Ember
Costume Designer: Megan Spatz
Hair, Makeup & SFX Makeup: @wrenwitting
Production Designer: @sj_rachel
1st AD: @moviemaniacgirl
Intimacy & Stunt Coordinator: @zackorriahzachariah
Production Sound Mixer: @david13an
1st AC: @marijosbadillo
2nd AC: @kbrewery @sperlock_holmes
Gaffer: @zebracloak
Key Grip: @jakereardon14
PAs: Peter Henry Bussian Filomena Franchina Jeremy Svenson
VFX Artist: Jonathan Stromberg
CAST
@mccarya
@milestagtmeyer
@houseofvenskus
Matt Lauria
Produced by @kfal @claytonmconroy @kylewalczak Matt Lauria James Berry
Grip/Electric Package provided by:
@zzgripelectric
@jakereardon14
Camera & Production Services by
@nienhuiscamera
@otm_cameralighting
1904 Pictures in association with @tuff_contender
“Out to Run: A tale of Blood Velvet”
We shot on Alexa 35 w/ Super16 lenses cropping the sensor down to Super16. We were inspired by 1970s Italian giallo films and 90s independent movies. Wanted a gritty, filmy, Grindhouse-y nostalgic look. Had such a blast working on this and we are so indebted to every single person who poured their blood sweat and tears into making this fun little piece of madness.
The feature, “Blood Velvet”, currently in pre-pro 🙂 shooting next year.
Written & Directed by James Berry
DP: 👋
Editor: @kylewalczak
Casting Director: Jamie Ember
Costume Designer: Megan Spatz
Hair, Makeup & SFX Makeup: @wrenwitting
Production Designer: @sj_rachel
1st AD: @moviemaniacgirl
Intimacy & Stunt Coordinator: @zackorriahzachariah
Production Sound Mixer: @david13an
1st AC: @marijosbadillo
2nd AC: @kbrewery @sperlock_holmes
Gaffer: @zebracloak
Key Grip: @jakereardon14
PAs: Peter Henry Bussian Filomena Franchina Jeremy Svenson
VFX Artist: Jonathan Stromberg
CAST
@mccarya
@milestagtmeyer
@houseofvenskus
Matt Lauria
Produced by @kfal @claytonmconroy @kylewalczak Matt Lauria James Berry
Grip/Electric Package provided by:
@zzgripelectric
@jakereardon14
Camera & Production Services by
@nienhuiscamera
@otm_cameralighting
1904 Pictures in association with @tuff_contender
“Out to Run: A tale of Blood Velvet”
We shot on Alexa 35 w/ Super16 lenses cropping the sensor down to Super16. We were inspired by 1970s Italian giallo films and 90s independent movies. Wanted a gritty, filmy, Grindhouse-y nostalgic look. Had such a blast working on this and we are so indebted to every single person who poured their blood sweat and tears into making this fun little piece of madness.
The feature, “Blood Velvet”, currently in pre-pro 🙂 shooting next year.
Written & Directed by James Berry
DP: 👋
Editor: @kylewalczak
Casting Director: Jamie Ember
Costume Designer: Megan Spatz
Hair, Makeup & SFX Makeup: @wrenwitting
Production Designer: @sj_rachel
1st AD: @moviemaniacgirl
Intimacy & Stunt Coordinator: @zackorriahzachariah
Production Sound Mixer: @david13an
1st AC: @marijosbadillo
2nd AC: @kbrewery @sperlock_holmes
Gaffer: @zebracloak
Key Grip: @jakereardon14
PAs: Peter Henry Bussian Filomena Franchina Jeremy Svenson
VFX Artist: Jonathan Stromberg
CAST
@mccarya
@milestagtmeyer
@houseofvenskus
Matt Lauria
Produced by @kfal @claytonmconroy @kylewalczak Matt Lauria James Berry
Grip/Electric Package provided by:
@zzgripelectric
@jakereardon14
Camera & Production Services by
@nienhuiscamera
@otm_cameralighting
1904 Pictures in association with @tuff_contender
Is it fair to say that she... slayed? Comment ⚔️ to get a link to the full short film!
"Out To Run: A Tale of Blood Velvet", is now available to watch on Klipist 📺
@traviemccoy - “Loved Me Back To Life”
.
Director @djaybrawner
Executive Producers @maxdrose @felicityjayn
Production Company @tuff_contender
Producer @daniel.losangeles
DP @kfal
1st AC @marijosbadillo
Steadicam @nickserabynsteadi
1st AD @izzymenow
2nd AD Nate Negron
Gaffer @conorsoules
Key Grip @maxgoldberg
BBE @jonbassfilm
BBG @danwattfilm
Wardrobe Stylist @meganonbyathread
Hair & Makeup @dredremua
Hair & Makeup Assist @blakehunterrr
Production Designer @fozzymayfield
Key PA Tyler Gillentine
PA Eric Guo
PA Jake Orlin
CCO Kevin Munoz
BTS @adri_law
Editor @jonryanisdead
Titles Joey Thunder
Color @afx_color
Directors Rep @lasbandasbebrave @sweetjinny
Commissioner @erinchoi
Management @hodg3
Cast
Girlfriend @kelemmakonnen
Counter Guy @gedgata
Attacked Guy @tobymorse
Paramedic @chadtepper
Attacked Guy 2 @wesperiod
Attacked Girl 1 Mariah Delamore
Attacked Girl 2 @rikkileemillbank
Travie Attacker zackass
Derby Girl 1 @adri_law
Derby Girl 2 @brielyynn
Derby Girl 3 @itstiagoossen
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
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Explore IG Stories Privately
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Private Instagram Viewer
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Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
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Anonstories lets users view Instagram stories without alerting the creator.
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Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
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Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
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Downloads photos (JPEG) and videos (MP4) with ease.
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Content from private accounts can only be accessed by followers.
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Files are for personal or educational use only and must comply with copyright rules.
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Enter a public username to view or download stories. The service generates direct links for saving content locally.