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Pilar Zeta and Marina Abramović meet in a conversation that pushes beyond art into perception itself, in which reality feels less fixed than constantly constructed through presence, attention, and internal state.

Abramović speaks from radical presence and emptiness: nothing added, only received. “First you have to make yourself empty to create space for the idea to come in.” Zeta moves through layered perception, where imagination behaves like another reality. “I experience imagination as another layer of reality,” she says, describing a process where the work doesn’t just form, it reshapes her in return. Across emptiness and imagination, they approach the same question from opposite ends: how does the invisible become form, and what does it transform in the process?

@pilarzeta
@abramovicinstitute

Available to pre-order now @kingkongmagazine Issue 21.

Collage and artwork @pilarzeta
Photography @carlosmart1
Styling @nayelidealba_
Jewelry @suotstudio
Makeup @anagdev
Hair @fracazototal
Art direction @sstanziolao
Lighting @jairfranco.raw + @danielcortiz
Styling assistants @yara_calderon @marr_ross_
Production @omarovleaguestudio
Special thanks @modern_matters and @hugohuertam

Pilar Zeta and Marina Abramović meet in a conversation that pushes beyond art into perception itself, in which reality feels less fixed than constantly constructed through presence, attention, and internal state.

Abramović speaks from radical presence and emptiness: nothing added, only received. “First you have to make yourself empty to create space for the idea to come in.” Zeta moves through layered perception, where imagination behaves like another reality. “I experience imagination as another layer of reality,” she says, describing a process where the work doesn’t just form, it reshapes her in return. Across emptiness and imagination, they approach the same question from opposite ends: how does the invisible become form, and what does it transform in the process?

@pilarzeta
@abramovicinstitute

Available to pre-order now @kingkongmagazine Issue 21.

Collage and artwork @pilarzeta
Photography @carlosmart1
Styling @nayelidealba_
Jewelry @suotstudio
Makeup @anagdev
Hair @fracazototal
Art direction @sstanziolao
Lighting @jairfranco.raw + @danielcortiz
Styling assistants @yara_calderon @marr_ross_
Production @omarovleaguestudio
Special thanks @modern_matters and @hugohuertam

Pilar Zeta and Marina Abramović meet in a conversation that pushes beyond art into perception itself, in which reality feels less fixed than constantly constructed through presence, attention, and internal state.

Abramović speaks from radical presence and emptiness: nothing added, only received. “First you have to make yourself empty to create space for the idea to come in.” Zeta moves through layered perception, where imagination behaves like another reality. “I experience imagination as another layer of reality,” she says, describing a process where the work doesn’t just form, it reshapes her in return. Across emptiness and imagination, they approach the same question from opposite ends: how does the invisible become form, and what does it transform in the process?

@pilarzeta
@abramovicinstitute

Available to pre-order now @kingkongmagazine Issue 21.

Collage and artwork @pilarzeta
Photography @carlosmart1
Styling @nayelidealba_
Jewelry @suotstudio
Makeup @anagdev
Hair @fracazototal
Art direction @sstanziolao
Lighting @jairfranco.raw + @danielcortiz
Styling assistants @yara_calderon @marr_ross_
Production @omarovleaguestudio
Special thanks @modern_matters and @hugohuertam

Pilar Zeta and Marina Abramović meet in a conversation that pushes beyond art into perception itself, in which reality feels less fixed than constantly constructed through presence, attention, and internal state.

Abramović speaks from radical presence and emptiness: nothing added, only received. “First you have to make yourself empty to create space for the idea to come in.” Zeta moves through layered perception, where imagination behaves like another reality. “I experience imagination as another layer of reality,” she says, describing a process where the work doesn’t just form, it reshapes her in return. Across emptiness and imagination, they approach the same question from opposite ends: how does the invisible become form, and what does it transform in the process?

@pilarzeta
@abramovicinstitute

Available to pre-order now @kingkongmagazine Issue 21.

Collage and artwork @pilarzeta
Photography @carlosmart1
Styling @nayelidealba_
Jewelry @suotstudio
Makeup @anagdev
Hair @fracazototal
Art direction @sstanziolao
Lighting @jairfranco.raw + @danielcortiz
Styling assistants @yara_calderon @marr_ross_
Production @omarovleaguestudio
Special thanks @modern_matters and @hugohuertam

King Kong Editions presents a limited edition by @gifnugget, curated by @lorenzoxiques.

Tangled (2018/2026) unfolds in a suspended moment where bodies merge, dissolve, and reconfigure into a hybrid form, shifting between organic and synthetic states. Moving between sculpture, image, and simulation, it reflects on transformation and entanglement, where identity is no longer fixed but constantly reshaped through interaction, technology, and environment, holding a quiet tension between intimacy and alienation, stillness and mutation.

King Kong Editions, a curated program by King Kong Studio, publishes limited museum-quality prints on Hahnemühle FineArt Baryta Satin 300, digitally signed and accompanied by a certificate of authenticity.

The edition and full interview are now available via our webshop—link in bio.

King Kong Editions presents a limited edition by @dariobiancullo, curated by @lorenzoxiques.

Laura La Divina (2025) centers on an iconic “femminiella” figure within Neapolitan culture — portrayed in her intimate domestic space. @laura.la.divina.real.official.

Moving between portrait and manifesto, the work reflects on identity, resistance, and self-definition beyond imposed norms. Rooted in a long-term relationship, it carries a shared history of care, presence, and recognition.

100% of the artist’s share of the proceeds from this edition goes directly to Laura La Divina.

King Kong Editions, a curated program by King Kong Studio, publishes limited museum-quality prints on Hahnemühle FineArt Baryta Satin 300, digitally signed and accompanied by a certificate of authenticity.

The edition and full interview are now available via our webshop—link in bio.

King Kong Editions presents a limited edition by @wedding_scammer, curated by @lorenzoxiques.

Spiralize (2025) unfolds within Wedding Scammer’s hybrid practice across digital storytelling, performance, and image-making. Working between fiction and reality, the artist constructs layered environments where identity, memory, and technology intersect, drawing from fragmented visual languages and online material to reflect a moment of inner confrontation — poised between overload, rupture, and re-alignment. The spiral emerges as both structure and symbol: a recurring movement through tension, transformation, and release, positioning the self as unstable, mediated, and constantly in the process of becoming.

King Kong Editions, a curated program by King Kong Studio, publishes limited museum-quality prints on Hahnemühle FineArt Baryta Satin 300, digitally signed and accompanied by a certificate of authenticity.

The edition and full interview are now available via our webshop—link in bio.

King Kong Editions presents a limited edition by @kobramulata, curated by @lorenzoxiques.

DOLL (2024) emerges from Kobramulata’s practice across music, performance, and visual art. Born in Brazil and based in Italy, she draws from club culture and queer performance to explore transformation and resistance. Originally the cover for her track Dolll, the work’s marble-like, ambiguous figure proposes identity as fluid and self-defined, while the phrase “Pretty like a (i)dea” frames identity as both concept and goddess — a portal toward voice and self-discovery.

King Kong Editions, a curated program by King Kong Studio, publishes limited museum-quality prints on Hahnemühle FineArt Baryta Satin 300, digitally signed and accompanied by a certificate of authenticity.

The edition and full interview are now available via our webshop—link in bio.

King Kong Editions presents a limited edition by @buildgreene_, curated by @lorenzoxiques.

Attribute (2025) gathers fragments from Greene’s studio archive—objects, scans, and images that probe the body as an enduring surface and system. Layered references—from clowning classes, massage devices, leather processing, and face yoga—reflect a pursuit of mutable potential for self-identification. The materials foreground skin as both placeholder and barrier.

King Kong Editions, a curated program by King Kong Studio, publishes limited museum-quality prints on Hahnemühle FineArt Baryta Satin 300, digitally signed and accompanied by a certificate of authenticity.

The edition and full interview are now available via our webshop—link in bio.

King Kong Editions presents a limited edition by @evestainton, curated by @lorenzoxiques.

Litter Tray Series – Ailuranthropy (2021) forms part of Stainton’s ongoing exploration of intimacy, queerness, and DIY languages. Working across performance, sculpture and digital collage, the artist constructs environments where gesture, material, and community intersect.

King Kong Editions, a curated program by King Kong Studio, publishes limited museum-quality prints on Hahnemühle FineArt Baryta Satin 300, digitally signed and accompanied by a certificate of authenticity.

The edition and full interview are now available via our webshop—link in bio.

King Kong Editions presents a limited edition by @willwalidfredo, curated by @lorenzoxiques.

IMPERFECT LOVERS (MANUEL CALAFATE – JOHANN HAMMES) (2025) opens a portal across time and geography—merging 19th-century Afro-Brazilian resistance with WWII dissidence in a Berlin forest. The work emerges from Fredo’s maroonage project, where they invited @beccy.korang, @softchaosssss, and alfobuenolima to perform a collective ritual of imperfect solidarity, summoning forgotten archives to resist the rising tide of authoritarianism.

King Kong Editions, a curated program by King Kong Studio, publishes limited museum-quality prints on Hahnemühle FineArt Baryta Satin 300, digitally signed and accompanied by a certificate of authenticity.

The edition and full interview are now available via our webshop—link in bio.

King Kong Editions presents a limited edition by @the_guest_of_seraphim, curated by @lorenzoxiques.

ORFEO & EURIDICE (2025) descends into the threshold between worlds—where the underworld’s frost meets the living’s glimmer of sky. The work emerges from Domenichetti’s practice of spiritual inquiry, where fashion, text, and magical technology converge into acts of care, transforming death from silence into a space of knowledge, repair, and radical presence.

King Kong Editions, a curated program by King Kong Studio, publishes limited museum-quality prints on Hahnemühle FineArt Baryta Satin 300, digitally signed and accompanied by a certificate of authenticity.

The edition and full interview are now available via our webshop—link in bio.

King Kong Editions presents a limited edition by @sara.leghissa, curated by @lorenzoxiques.

“Does the Street Belong to Anyone?” (2019), developed through conversations with Palestinian people in Ramallah, examines power and visibility in public space under colonial occupation. Arabic text overlays English, questioning ownership and privilege in shared urban landscapes.

King Kong Editions, a curated program by King Kong Studio, publishes limited museum-quality prints on Hahnemühle FineArt Baryta Satin 300, digitally signed and accompanied by a certificate of authenticity.

The edition and full interview are now available via our webshop—link in bio.

King Kong Editions launches its first release: a limited edition by @annaehrenstein, curated by @lorenzoxiques.

Chommie (2023), created with South African artists @mahubediseko and @brianmontshiwa_studio, explores queer visibility in algorithmic spaces, where intimacy, performance, and surveillance intersect.

King Kong Editions, a curated program by King Kong Studio, publishes limited museum-quality prints on Hahnemühle Photo Rag Baryta, digitally signed and accompanied by a certificate of authenticity.

The edition and full interview are now available via our webshop—link in bio.

White tee blue jeans, in the mud with @insignificantfunds for the Branded Issue of @kingkongmagazine.

Photos @mattyflader

White tee blue jeans, in the mud with @insignificantfunds for the Branded Issue of @kingkongmagazine.

Photos @mattyflader

White tee blue jeans, in the mud with @insignificantfunds for the Branded Issue of @kingkongmagazine.

Photos @mattyflader

White tee blue jeans, in the mud with @insignificantfunds for the Branded Issue of @kingkongmagazine.

Photos @mattyflader

White tee blue jeans, in the mud with @insignificantfunds for the Branded Issue of @kingkongmagazine.

Photos @mattyflader

White tee blue jeans, in the mud with @insignificantfunds for the Branded Issue of @kingkongmagazine.

Photos @mattyflader