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kittygrady
Kitty Grady
KG… Writer The Guardian, FT Weekend, HTSI, World of Interiors, Vogue… digital editor @arabbitsfoot
Alana Haim is a drama queen! What a joy to interview the musician-turned-actor for the California issue of @arabbitsfoot. We discussed her upbringing in the San Fernando Valley, working with Paul Thomas Anderson on Licorice Pizza and One Battle After Another, her upcoming role in The Drama alongside Zendaya and RPatz, and why her ultimate dream is to be a backing singer for Joni Mitchell.
Check it out online now and in the latest issue of A Rabbit’s Foot! Photos by @maddyrotman and creative direction by Fatima Khan
Production Director: Anna Pierce (@a.v.pierce)
DP: Mynxii White (@mynxiiwhite)
Video Editor: Alex Stenhouse (@alexstenhouse_)
Film production: Luke Georgiades (@lukegeorgiades)
Production Designer: Alice Jacobs (@a_vaj)
1st Assistant: Alonso Ayala (@yeahaaiiight)
2nd Assistant: Reveka Pasternak (@revbook)
Stylist: Alexander Roth at Talome Agency (@alexanderdroth)
Stylist Assistant: Felipe Xavier Diaz
Stylist Assistant: Carter Bright (@carterbrightt)
Stylist Assistant: Ismail Jallaq (@ismailscoronation)
Hair Artist: Laurie Zanoletti (@lauriezanoletti)
Makeup Artist: Olivia Barad (@oliviabarad)
Studio: Jane Ives Studio NY (@janeivesstudio)
Production Assistant: Kelli Mcguire (@creepykelli)
Creative Assistant: Kitty Spicer (@kitty_spicer)
Cover Title Treatment & Art Direction: Broad Peak Studio
Post Production: Alena Zolotnikova (@retouch_az)
Alana Haim is a drama queen! What a joy to interview the musician-turned-actor for the California issue of @arabbitsfoot. We discussed her upbringing in the San Fernando Valley, working with Paul Thomas Anderson on Licorice Pizza and One Battle After Another, her upcoming role in The Drama alongside Zendaya and RPatz, and why her ultimate dream is to be a backing singer for Joni Mitchell.
Check it out online now and in the latest issue of A Rabbit’s Foot! Photos by @maddyrotman and creative direction by Fatima Khan
Production Director: Anna Pierce (@a.v.pierce)
DP: Mynxii White (@mynxiiwhite)
Video Editor: Alex Stenhouse (@alexstenhouse_)
Film production: Luke Georgiades (@lukegeorgiades)
Production Designer: Alice Jacobs (@a_vaj)
1st Assistant: Alonso Ayala (@yeahaaiiight)
2nd Assistant: Reveka Pasternak (@revbook)
Stylist: Alexander Roth at Talome Agency (@alexanderdroth)
Stylist Assistant: Felipe Xavier Diaz
Stylist Assistant: Carter Bright (@carterbrightt)
Stylist Assistant: Ismail Jallaq (@ismailscoronation)
Hair Artist: Laurie Zanoletti (@lauriezanoletti)
Makeup Artist: Olivia Barad (@oliviabarad)
Studio: Jane Ives Studio NY (@janeivesstudio)
Production Assistant: Kelli Mcguire (@creepykelli)
Creative Assistant: Kitty Spicer (@kitty_spicer)
Cover Title Treatment & Art Direction: Broad Peak Studio
Post Production: Alena Zolotnikova (@retouch_az)
Alana Haim is a drama queen! What a joy to interview the musician-turned-actor for the California issue of @arabbitsfoot. We discussed her upbringing in the San Fernando Valley, working with Paul Thomas Anderson on Licorice Pizza and One Battle After Another, her upcoming role in The Drama alongside Zendaya and RPatz, and why her ultimate dream is to be a backing singer for Joni Mitchell.
Check it out online now and in the latest issue of A Rabbit’s Foot! Photos by @maddyrotman and creative direction by Fatima Khan
Production Director: Anna Pierce (@a.v.pierce)
DP: Mynxii White (@mynxiiwhite)
Video Editor: Alex Stenhouse (@alexstenhouse_)
Film production: Luke Georgiades (@lukegeorgiades)
Production Designer: Alice Jacobs (@a_vaj)
1st Assistant: Alonso Ayala (@yeahaaiiight)
2nd Assistant: Reveka Pasternak (@revbook)
Stylist: Alexander Roth at Talome Agency (@alexanderdroth)
Stylist Assistant: Felipe Xavier Diaz
Stylist Assistant: Carter Bright (@carterbrightt)
Stylist Assistant: Ismail Jallaq (@ismailscoronation)
Hair Artist: Laurie Zanoletti (@lauriezanoletti)
Makeup Artist: Olivia Barad (@oliviabarad)
Studio: Jane Ives Studio NY (@janeivesstudio)
Production Assistant: Kelli Mcguire (@creepykelli)
Creative Assistant: Kitty Spicer (@kitty_spicer)
Cover Title Treatment & Art Direction: Broad Peak Studio
Post Production: Alena Zolotnikova (@retouch_az)
Alana Haim is a drama queen! What a joy to interview the musician-turned-actor for the California issue of @arabbitsfoot. We discussed her upbringing in the San Fernando Valley, working with Paul Thomas Anderson on Licorice Pizza and One Battle After Another, her upcoming role in The Drama alongside Zendaya and RPatz, and why her ultimate dream is to be a backing singer for Joni Mitchell.
Check it out online now and in the latest issue of A Rabbit’s Foot! Photos by @maddyrotman and creative direction by Fatima Khan
Production Director: Anna Pierce (@a.v.pierce)
DP: Mynxii White (@mynxiiwhite)
Video Editor: Alex Stenhouse (@alexstenhouse_)
Film production: Luke Georgiades (@lukegeorgiades)
Production Designer: Alice Jacobs (@a_vaj)
1st Assistant: Alonso Ayala (@yeahaaiiight)
2nd Assistant: Reveka Pasternak (@revbook)
Stylist: Alexander Roth at Talome Agency (@alexanderdroth)
Stylist Assistant: Felipe Xavier Diaz
Stylist Assistant: Carter Bright (@carterbrightt)
Stylist Assistant: Ismail Jallaq (@ismailscoronation)
Hair Artist: Laurie Zanoletti (@lauriezanoletti)
Makeup Artist: Olivia Barad (@oliviabarad)
Studio: Jane Ives Studio NY (@janeivesstudio)
Production Assistant: Kelli Mcguire (@creepykelli)
Creative Assistant: Kitty Spicer (@kitty_spicer)
Cover Title Treatment & Art Direction: Broad Peak Studio
Post Production: Alena Zolotnikova (@retouch_az)
Alana Haim is a drama queen! What a joy to interview the musician-turned-actor for the California issue of @arabbitsfoot. We discussed her upbringing in the San Fernando Valley, working with Paul Thomas Anderson on Licorice Pizza and One Battle After Another, her upcoming role in The Drama alongside Zendaya and RPatz, and why her ultimate dream is to be a backing singer for Joni Mitchell.
Check it out online now and in the latest issue of A Rabbit’s Foot! Photos by @maddyrotman and creative direction by Fatima Khan
Production Director: Anna Pierce (@a.v.pierce)
DP: Mynxii White (@mynxiiwhite)
Video Editor: Alex Stenhouse (@alexstenhouse_)
Film production: Luke Georgiades (@lukegeorgiades)
Production Designer: Alice Jacobs (@a_vaj)
1st Assistant: Alonso Ayala (@yeahaaiiight)
2nd Assistant: Reveka Pasternak (@revbook)
Stylist: Alexander Roth at Talome Agency (@alexanderdroth)
Stylist Assistant: Felipe Xavier Diaz
Stylist Assistant: Carter Bright (@carterbrightt)
Stylist Assistant: Ismail Jallaq (@ismailscoronation)
Hair Artist: Laurie Zanoletti (@lauriezanoletti)
Makeup Artist: Olivia Barad (@oliviabarad)
Studio: Jane Ives Studio NY (@janeivesstudio)
Production Assistant: Kelli Mcguire (@creepykelli)
Creative Assistant: Kitty Spicer (@kitty_spicer)
Cover Title Treatment & Art Direction: Broad Peak Studio
Post Production: Alena Zolotnikova (@retouch_az)
Alana Haim is a drama queen! What a joy to interview the musician-turned-actor for the California issue of @arabbitsfoot. We discussed her upbringing in the San Fernando Valley, working with Paul Thomas Anderson on Licorice Pizza and One Battle After Another, her upcoming role in The Drama alongside Zendaya and RPatz, and why her ultimate dream is to be a backing singer for Joni Mitchell.
Check it out online now and in the latest issue of A Rabbit’s Foot! Photos by @maddyrotman and creative direction by Fatima Khan
Production Director: Anna Pierce (@a.v.pierce)
DP: Mynxii White (@mynxiiwhite)
Video Editor: Alex Stenhouse (@alexstenhouse_)
Film production: Luke Georgiades (@lukegeorgiades)
Production Designer: Alice Jacobs (@a_vaj)
1st Assistant: Alonso Ayala (@yeahaaiiight)
2nd Assistant: Reveka Pasternak (@revbook)
Stylist: Alexander Roth at Talome Agency (@alexanderdroth)
Stylist Assistant: Felipe Xavier Diaz
Stylist Assistant: Carter Bright (@carterbrightt)
Stylist Assistant: Ismail Jallaq (@ismailscoronation)
Hair Artist: Laurie Zanoletti (@lauriezanoletti)
Makeup Artist: Olivia Barad (@oliviabarad)
Studio: Jane Ives Studio NY (@janeivesstudio)
Production Assistant: Kelli Mcguire (@creepykelli)
Creative Assistant: Kitty Spicer (@kitty_spicer)
Cover Title Treatment & Art Direction: Broad Peak Studio
Post Production: Alena Zolotnikova (@retouch_az)
The paper boys! Loved writing this portfolio of stylish men working in publishing today for this weekend’s @fthtsi. I visited Jonah Freud at @referencepoint180 where with @sophiadowsonc he has curated a beautiful library of rare art and photography books that also doubles up as a dance floor. (“If you can come in here and snog someone then suddenly that space doesn’t feel scary anymore,” he told me). I also interviewed Magma Journal’s @paulolivennes, @brunoceschel of SPBH Editions and Yuji Machida of @popeye_magazine_official - check it out! Thank you @jellison22 @bayasimons 🗞️
The paper boys! Loved writing this portfolio of stylish men working in publishing today for this weekend’s @fthtsi. I visited Jonah Freud at @referencepoint180 where with @sophiadowsonc he has curated a beautiful library of rare art and photography books that also doubles up as a dance floor. (“If you can come in here and snog someone then suddenly that space doesn’t feel scary anymore,” he told me). I also interviewed Magma Journal’s @paulolivennes, @brunoceschel of SPBH Editions and Yuji Machida of @popeye_magazine_official - check it out! Thank you @jellison22 @bayasimons 🗞️
The paper boys! Loved writing this portfolio of stylish men working in publishing today for this weekend’s @fthtsi. I visited Jonah Freud at @referencepoint180 where with @sophiadowsonc he has curated a beautiful library of rare art and photography books that also doubles up as a dance floor. (“If you can come in here and snog someone then suddenly that space doesn’t feel scary anymore,” he told me). I also interviewed Magma Journal’s @paulolivennes, @brunoceschel of SPBH Editions and Yuji Machida of @popeye_magazine_official - check it out! Thank you @jellison22 @bayasimons 🗞️
The paper boys! Loved writing this portfolio of stylish men working in publishing today for this weekend’s @fthtsi. I visited Jonah Freud at @referencepoint180 where with @sophiadowsonc he has curated a beautiful library of rare art and photography books that also doubles up as a dance floor. (“If you can come in here and snog someone then suddenly that space doesn’t feel scary anymore,” he told me). I also interviewed Magma Journal’s @paulolivennes, @brunoceschel of SPBH Editions and Yuji Machida of @popeye_magazine_official - check it out! Thank you @jellison22 @bayasimons 🗞️
Went to the @loewe show with @arabbitsfoot and penned a diary about it, ft inflatable invitations (and clothes), scream queen Sissy Spacek, CBK, and even a smile from Anna Wintour. Check it out online now!
Went to the @loewe show with @arabbitsfoot and penned a diary about it, ft inflatable invitations (and clothes), scream queen Sissy Spacek, CBK, and even a smile from Anna Wintour. Check it out online now!
Went to the @loewe show with @arabbitsfoot and penned a diary about it, ft inflatable invitations (and clothes), scream queen Sissy Spacek, CBK, and even a smile from Anna Wintour. Check it out online now!
Went to the @loewe show with @arabbitsfoot and penned a diary about it, ft inflatable invitations (and clothes), scream queen Sissy Spacek, CBK, and even a smile from Anna Wintour. Check it out online now!
Went to the @loewe show with @arabbitsfoot and penned a diary about it, ft inflatable invitations (and clothes), scream queen Sissy Spacek, CBK, and even a smile from Anna Wintour. Check it out online now!
Went to the @loewe show with @arabbitsfoot and penned a diary about it, ft inflatable invitations (and clothes), scream queen Sissy Spacek, CBK, and even a smile from Anna Wintour. Check it out online now!
Went to the @loewe show with @arabbitsfoot and penned a diary about it, ft inflatable invitations (and clothes), scream queen Sissy Spacek, CBK, and even a smile from Anna Wintour. Check it out online now!
Went to the @loewe show with @arabbitsfoot and penned a diary about it, ft inflatable invitations (and clothes), scream queen Sissy Spacek, CBK, and even a smile from Anna Wintour. Check it out online now!
Went to the @loewe show with @arabbitsfoot and penned a diary about it, ft inflatable invitations (and clothes), scream queen Sissy Spacek, CBK, and even a smile from Anna Wintour. Check it out online now!
Went to the @loewe show with @arabbitsfoot and penned a diary about it, ft inflatable invitations (and clothes), scream queen Sissy Spacek, CBK, and even a smile from Anna Wintour. Check it out online now!
Went to the @loewe show with @arabbitsfoot and penned a diary about it, ft inflatable invitations (and clothes), scream queen Sissy Spacek, CBK, and even a smile from Anna Wintour. Check it out online now!
Went to the @loewe show with @arabbitsfoot and penned a diary about it, ft inflatable invitations (and clothes), scream queen Sissy Spacek, CBK, and even a smile from Anna Wintour. Check it out online now!
Went to the @loewe show with @arabbitsfoot and penned a diary about it, ft inflatable invitations (and clothes), scream queen Sissy Spacek, CBK, and even a smile from Anna Wintour. Check it out online now!
Went to the @loewe show with @arabbitsfoot and penned a diary about it, ft inflatable invitations (and clothes), scream queen Sissy Spacek, CBK, and even a smile from Anna Wintour. Check it out online now!
It was wonderful to interview Oscar-winning director Chloe Zhao in the FT Weekend about her upcoming adaptation of Maggie O’Farrell’s Hamnet. With a backdrop of ambient music and the waft of essential oils, we discussed the guided meditation she opened the premiere with at Telluride, her early encounters with Shakespeare as a high school student in Los Angeles, working with Jessie Buckley and Paul Mescal, dealing with fandoms and parental grief. @ft_weekend
It was wonderful to interview Oscar-winning director Chloe Zhao in the FT Weekend about her upcoming adaptation of Maggie O’Farrell’s Hamnet. With a backdrop of ambient music and the waft of essential oils, we discussed the guided meditation she opened the premiere with at Telluride, her early encounters with Shakespeare as a high school student in Los Angeles, working with Jessie Buckley and Paul Mescal, dealing with fandoms and parental grief. @ft_weekend
It was wonderful to interview Oscar-winning director Chloe Zhao in the FT Weekend about her upcoming adaptation of Maggie O’Farrell’s Hamnet. With a backdrop of ambient music and the waft of essential oils, we discussed the guided meditation she opened the premiere with at Telluride, her early encounters with Shakespeare as a high school student in Los Angeles, working with Jessie Buckley and Paul Mescal, dealing with fandoms and parental grief. @ft_weekend
It was wonderful to interview Oscar-winning director Chloe Zhao in the FT Weekend about her upcoming adaptation of Maggie O’Farrell’s Hamnet. With a backdrop of ambient music and the waft of essential oils, we discussed the guided meditation she opened the premiere with at Telluride, her early encounters with Shakespeare as a high school student in Los Angeles, working with Jessie Buckley and Paul Mescal, dealing with fandoms and parental grief. @ft_weekend
With Christmas truly upon us, resharing a recent article I wrote for The Guardian about Pillion (the “dom-com” debut from @hlighton) and why the best Christmas films aren’t really Christmas films, ft traumatic anecdote of seeing The Holiday with my family aged 12. Thank you to @jasebyjason for the commission!
With Christmas truly upon us, resharing a recent article I wrote for The Guardian about Pillion (the “dom-com” debut from @hlighton) and why the best Christmas films aren’t really Christmas films, ft traumatic anecdote of seeing The Holiday with my family aged 12. Thank you to @jasebyjason for the commission!
With Christmas truly upon us, resharing a recent article I wrote for The Guardian about Pillion (the “dom-com” debut from @hlighton) and why the best Christmas films aren’t really Christmas films, ft traumatic anecdote of seeing The Holiday with my family aged 12. Thank you to @jasebyjason for the commission!
With Christmas truly upon us, resharing a recent article I wrote for The Guardian about Pillion (the “dom-com” debut from @hlighton) and why the best Christmas films aren’t really Christmas films, ft traumatic anecdote of seeing The Holiday with my family aged 12. Thank you to @jasebyjason for the commission!
With Christmas truly upon us, resharing a recent article I wrote for The Guardian about Pillion (the “dom-com” debut from @hlighton) and why the best Christmas films aren’t really Christmas films, ft traumatic anecdote of seeing The Holiday with my family aged 12. Thank you to @jasebyjason for the commission!
Eva, baby! The wonderful and hilarious actor-writer-director @evavictor interviewed by me in issue 13 of @arabbitsfoot… we talked about their commitment to cosiness, the soup and toast that went into the writing of their debut feature Sorry, Baby, being inspired by The Holiday, and much much more! Had a hoot writing it - read it now on A Rabbit’s Foot! 🎄and go and watch @sorrybabymovie if you haven’t already
wonderful images by @rashidinoah + styling by @oliviapezzente
Eva, baby! The wonderful and hilarious actor-writer-director @evavictor interviewed by me in issue 13 of @arabbitsfoot… we talked about their commitment to cosiness, the soup and toast that went into the writing of their debut feature Sorry, Baby, being inspired by The Holiday, and much much more! Had a hoot writing it - read it now on A Rabbit’s Foot! 🎄and go and watch @sorrybabymovie if you haven’t already
wonderful images by @rashidinoah + styling by @oliviapezzente
Eva, baby! The wonderful and hilarious actor-writer-director @evavictor interviewed by me in issue 13 of @arabbitsfoot… we talked about their commitment to cosiness, the soup and toast that went into the writing of their debut feature Sorry, Baby, being inspired by The Holiday, and much much more! Had a hoot writing it - read it now on A Rabbit’s Foot! 🎄and go and watch @sorrybabymovie if you haven’t already
wonderful images by @rashidinoah + styling by @oliviapezzente
Eva, baby! The wonderful and hilarious actor-writer-director @evavictor interviewed by me in issue 13 of @arabbitsfoot… we talked about their commitment to cosiness, the soup and toast that went into the writing of their debut feature Sorry, Baby, being inspired by The Holiday, and much much more! Had a hoot writing it - read it now on A Rabbit’s Foot! 🎄and go and watch @sorrybabymovie if you haven’t already
wonderful images by @rashidinoah + styling by @oliviapezzente
Eva, baby! The wonderful and hilarious actor-writer-director @evavictor interviewed by me in issue 13 of @arabbitsfoot… we talked about their commitment to cosiness, the soup and toast that went into the writing of their debut feature Sorry, Baby, being inspired by The Holiday, and much much more! Had a hoot writing it - read it now on A Rabbit’s Foot! 🎄and go and watch @sorrybabymovie if you haven’t already
wonderful images by @rashidinoah + styling by @oliviapezzente
Eva, baby! The wonderful and hilarious actor-writer-director @evavictor interviewed by me in issue 13 of @arabbitsfoot… we talked about their commitment to cosiness, the soup and toast that went into the writing of their debut feature Sorry, Baby, being inspired by The Holiday, and much much more! Had a hoot writing it - read it now on A Rabbit’s Foot! 🎄and go and watch @sorrybabymovie if you haven’t already
wonderful images by @rashidinoah + styling by @oliviapezzente
Eva, baby! The wonderful and hilarious actor-writer-director @evavictor interviewed by me in issue 13 of @arabbitsfoot… we talked about their commitment to cosiness, the soup and toast that went into the writing of their debut feature Sorry, Baby, being inspired by The Holiday, and much much more! Had a hoot writing it - read it now on A Rabbit’s Foot! 🎄and go and watch @sorrybabymovie if you haven’t already
wonderful images by @rashidinoah + styling by @oliviapezzente
Eva, baby! The wonderful and hilarious actor-writer-director @evavictor interviewed by me in issue 13 of @arabbitsfoot… we talked about their commitment to cosiness, the soup and toast that went into the writing of their debut feature Sorry, Baby, being inspired by The Holiday, and much much more! Had a hoot writing it - read it now on A Rabbit’s Foot! 🎄and go and watch @sorrybabymovie if you haven’t already
wonderful images by @rashidinoah + styling by @oliviapezzente
I’m in this weekend’s @fthtsi talking to @barnaba_fornasetti about all things taste! From his palazzo in Milan, we discussed collecting waistcoats, bicycles, post-coffee cigs and Christmas traditions. Read it online and in this weekend’s FT 💫
I’m in this weekend’s @fthtsi talking to @barnaba_fornasetti about all things taste! From his palazzo in Milan, we discussed collecting waistcoats, bicycles, post-coffee cigs and Christmas traditions. Read it online and in this weekend’s FT 💫
I’m in this weekend’s @fthtsi talking to @barnaba_fornasetti about all things taste! From his palazzo in Milan, we discussed collecting waistcoats, bicycles, post-coffee cigs and Christmas traditions. Read it online and in this weekend’s FT 💫
I loved loved loved speaking to Renate Reinsve and Inga Ibsdotter Lilleaas, leading sisters of Joachim Trier’s upcoming film Sentimental Value for the November digital cover of @arabbitsfoot . I spoke to the Norwegian actors about Oscar’s buzz, father figures and why it pays to find success in your thirties. Online now 😎
Creative Director & Photographer: Fatima Khan
Executive Producer: Anna Pierce @a.v.pierce
Production Coordinator: Olivia Kenney @oliviakenney_
Videographer: Katya Ganfeld @katyaganfeld
Video Assistant: Luke Georgiades @luke_georgiades & Kitty Spicer @kitty_spicer
Lighting: Laurence Hills @laurence.hills
Post production: Alena Zolotnikova @retouch_az
Stylist: Karen Clarkson @karenclarkson
Styling Assistant: Virginia Corelli
Hair Stylist (Renate Reinsve): Patrick Wilson @patrickwilson
Make-Up Artist (Renate Reinsve): Valeria Ferreira @valeriaferreiramakeup
Hair Stylist (Inga Ibsdotter Lilleaas): Earl Simms @earlsimms2
Make-Up Artist (Inga Ibsdotter Lilleaas): Kelly Cornwell @lipstickkelly
I loved loved loved speaking to Renate Reinsve and Inga Ibsdotter Lilleaas, leading sisters of Joachim Trier’s upcoming film Sentimental Value for the November digital cover of @arabbitsfoot . I spoke to the Norwegian actors about Oscar’s buzz, father figures and why it pays to find success in your thirties. Online now 😎
Creative Director & Photographer: Fatima Khan
Executive Producer: Anna Pierce @a.v.pierce
Production Coordinator: Olivia Kenney @oliviakenney_
Videographer: Katya Ganfeld @katyaganfeld
Video Assistant: Luke Georgiades @luke_georgiades & Kitty Spicer @kitty_spicer
Lighting: Laurence Hills @laurence.hills
Post production: Alena Zolotnikova @retouch_az
Stylist: Karen Clarkson @karenclarkson
Styling Assistant: Virginia Corelli
Hair Stylist (Renate Reinsve): Patrick Wilson @patrickwilson
Make-Up Artist (Renate Reinsve): Valeria Ferreira @valeriaferreiramakeup
Hair Stylist (Inga Ibsdotter Lilleaas): Earl Simms @earlsimms2
Make-Up Artist (Inga Ibsdotter Lilleaas): Kelly Cornwell @lipstickkelly
I loved loved loved speaking to Renate Reinsve and Inga Ibsdotter Lilleaas, leading sisters of Joachim Trier’s upcoming film Sentimental Value for the November digital cover of @arabbitsfoot . I spoke to the Norwegian actors about Oscar’s buzz, father figures and why it pays to find success in your thirties. Online now 😎
Creative Director & Photographer: Fatima Khan
Executive Producer: Anna Pierce @a.v.pierce
Production Coordinator: Olivia Kenney @oliviakenney_
Videographer: Katya Ganfeld @katyaganfeld
Video Assistant: Luke Georgiades @luke_georgiades & Kitty Spicer @kitty_spicer
Lighting: Laurence Hills @laurence.hills
Post production: Alena Zolotnikova @retouch_az
Stylist: Karen Clarkson @karenclarkson
Styling Assistant: Virginia Corelli
Hair Stylist (Renate Reinsve): Patrick Wilson @patrickwilson
Make-Up Artist (Renate Reinsve): Valeria Ferreira @valeriaferreiramakeup
Hair Stylist (Inga Ibsdotter Lilleaas): Earl Simms @earlsimms2
Make-Up Artist (Inga Ibsdotter Lilleaas): Kelly Cornwell @lipstickkelly
I loved loved loved speaking to Renate Reinsve and Inga Ibsdotter Lilleaas, leading sisters of Joachim Trier’s upcoming film Sentimental Value for the November digital cover of @arabbitsfoot . I spoke to the Norwegian actors about Oscar’s buzz, father figures and why it pays to find success in your thirties. Online now 😎
Creative Director & Photographer: Fatima Khan
Executive Producer: Anna Pierce @a.v.pierce
Production Coordinator: Olivia Kenney @oliviakenney_
Videographer: Katya Ganfeld @katyaganfeld
Video Assistant: Luke Georgiades @luke_georgiades & Kitty Spicer @kitty_spicer
Lighting: Laurence Hills @laurence.hills
Post production: Alena Zolotnikova @retouch_az
Stylist: Karen Clarkson @karenclarkson
Styling Assistant: Virginia Corelli
Hair Stylist (Renate Reinsve): Patrick Wilson @patrickwilson
Make-Up Artist (Renate Reinsve): Valeria Ferreira @valeriaferreiramakeup
Hair Stylist (Inga Ibsdotter Lilleaas): Earl Simms @earlsimms2
Make-Up Artist (Inga Ibsdotter Lilleaas): Kelly Cornwell @lipstickkelly
I loved loved loved speaking to Renate Reinsve and Inga Ibsdotter Lilleaas, leading sisters of Joachim Trier’s upcoming film Sentimental Value for the November digital cover of @arabbitsfoot . I spoke to the Norwegian actors about Oscar’s buzz, father figures and why it pays to find success in your thirties. Online now 😎
Creative Director & Photographer: Fatima Khan
Executive Producer: Anna Pierce @a.v.pierce
Production Coordinator: Olivia Kenney @oliviakenney_
Videographer: Katya Ganfeld @katyaganfeld
Video Assistant: Luke Georgiades @luke_georgiades & Kitty Spicer @kitty_spicer
Lighting: Laurence Hills @laurence.hills
Post production: Alena Zolotnikova @retouch_az
Stylist: Karen Clarkson @karenclarkson
Styling Assistant: Virginia Corelli
Hair Stylist (Renate Reinsve): Patrick Wilson @patrickwilson
Make-Up Artist (Renate Reinsve): Valeria Ferreira @valeriaferreiramakeup
Hair Stylist (Inga Ibsdotter Lilleaas): Earl Simms @earlsimms2
Make-Up Artist (Inga Ibsdotter Lilleaas): Kelly Cornwell @lipstickkelly
I loved loved loved speaking to Renate Reinsve and Inga Ibsdotter Lilleaas, leading sisters of Joachim Trier’s upcoming film Sentimental Value for the November digital cover of @arabbitsfoot . I spoke to the Norwegian actors about Oscar’s buzz, father figures and why it pays to find success in your thirties. Online now 😎
Creative Director & Photographer: Fatima Khan
Executive Producer: Anna Pierce @a.v.pierce
Production Coordinator: Olivia Kenney @oliviakenney_
Videographer: Katya Ganfeld @katyaganfeld
Video Assistant: Luke Georgiades @luke_georgiades & Kitty Spicer @kitty_spicer
Lighting: Laurence Hills @laurence.hills
Post production: Alena Zolotnikova @retouch_az
Stylist: Karen Clarkson @karenclarkson
Styling Assistant: Virginia Corelli
Hair Stylist (Renate Reinsve): Patrick Wilson @patrickwilson
Make-Up Artist (Renate Reinsve): Valeria Ferreira @valeriaferreiramakeup
Hair Stylist (Inga Ibsdotter Lilleaas): Earl Simms @earlsimms2
Make-Up Artist (Inga Ibsdotter Lilleaas): Kelly Cornwell @lipstickkelly
I loved loved loved speaking to Renate Reinsve and Inga Ibsdotter Lilleaas, leading sisters of Joachim Trier’s upcoming film Sentimental Value for the November digital cover of @arabbitsfoot . I spoke to the Norwegian actors about Oscar’s buzz, father figures and why it pays to find success in your thirties. Online now 😎
Creative Director & Photographer: Fatima Khan
Executive Producer: Anna Pierce @a.v.pierce
Production Coordinator: Olivia Kenney @oliviakenney_
Videographer: Katya Ganfeld @katyaganfeld
Video Assistant: Luke Georgiades @luke_georgiades & Kitty Spicer @kitty_spicer
Lighting: Laurence Hills @laurence.hills
Post production: Alena Zolotnikova @retouch_az
Stylist: Karen Clarkson @karenclarkson
Styling Assistant: Virginia Corelli
Hair Stylist (Renate Reinsve): Patrick Wilson @patrickwilson
Make-Up Artist (Renate Reinsve): Valeria Ferreira @valeriaferreiramakeup
Hair Stylist (Inga Ibsdotter Lilleaas): Earl Simms @earlsimms2
Make-Up Artist (Inga Ibsdotter Lilleaas): Kelly Cornwell @lipstickkelly
I loved loved loved speaking to Renate Reinsve and Inga Ibsdotter Lilleaas, leading sisters of Joachim Trier’s upcoming film Sentimental Value for the November digital cover of @arabbitsfoot . I spoke to the Norwegian actors about Oscar’s buzz, father figures and why it pays to find success in your thirties. Online now 😎
Creative Director & Photographer: Fatima Khan
Executive Producer: Anna Pierce @a.v.pierce
Production Coordinator: Olivia Kenney @oliviakenney_
Videographer: Katya Ganfeld @katyaganfeld
Video Assistant: Luke Georgiades @luke_georgiades & Kitty Spicer @kitty_spicer
Lighting: Laurence Hills @laurence.hills
Post production: Alena Zolotnikova @retouch_az
Stylist: Karen Clarkson @karenclarkson
Styling Assistant: Virginia Corelli
Hair Stylist (Renate Reinsve): Patrick Wilson @patrickwilson
Make-Up Artist (Renate Reinsve): Valeria Ferreira @valeriaferreiramakeup
Hair Stylist (Inga Ibsdotter Lilleaas): Earl Simms @earlsimms2
Make-Up Artist (Inga Ibsdotter Lilleaas): Kelly Cornwell @lipstickkelly
The Tuscan monastery of the British sculptor Emily Young, who I visited in July and profiled in the ‘Sanctuary’ issue of @arabbitsfoot (with wonderful photography by @issycarr_ ). At the centre of her home is a chapel whose roof caved in 1928, meaning most of its vaulted arches have been replaced by a panorama of sky. Young told me that if you sit still for long enough, you can see the stars moving: “They arrive from one side, and on the other they disappear because of the turning of the planet… It’s deep time you are looking at. It’s such a thrill if you can get there.” Interview online now
The Tuscan monastery of the British sculptor Emily Young, who I visited in July and profiled in the ‘Sanctuary’ issue of @arabbitsfoot (with wonderful photography by @issycarr_ ). At the centre of her home is a chapel whose roof caved in 1928, meaning most of its vaulted arches have been replaced by a panorama of sky. Young told me that if you sit still for long enough, you can see the stars moving: “They arrive from one side, and on the other they disappear because of the turning of the planet… It’s deep time you are looking at. It’s such a thrill if you can get there.” Interview online now
The Tuscan monastery of the British sculptor Emily Young, who I visited in July and profiled in the ‘Sanctuary’ issue of @arabbitsfoot (with wonderful photography by @issycarr_ ). At the centre of her home is a chapel whose roof caved in 1928, meaning most of its vaulted arches have been replaced by a panorama of sky. Young told me that if you sit still for long enough, you can see the stars moving: “They arrive from one side, and on the other they disappear because of the turning of the planet… It’s deep time you are looking at. It’s such a thrill if you can get there.” Interview online now
The Tuscan monastery of the British sculptor Emily Young, who I visited in July and profiled in the ‘Sanctuary’ issue of @arabbitsfoot (with wonderful photography by @issycarr_ ). At the centre of her home is a chapel whose roof caved in 1928, meaning most of its vaulted arches have been replaced by a panorama of sky. Young told me that if you sit still for long enough, you can see the stars moving: “They arrive from one side, and on the other they disappear because of the turning of the planet… It’s deep time you are looking at. It’s such a thrill if you can get there.” Interview online now
The Tuscan monastery of the British sculptor Emily Young, who I visited in July and profiled in the ‘Sanctuary’ issue of @arabbitsfoot (with wonderful photography by @issycarr_ ). At the centre of her home is a chapel whose roof caved in 1928, meaning most of its vaulted arches have been replaced by a panorama of sky. Young told me that if you sit still for long enough, you can see the stars moving: “They arrive from one side, and on the other they disappear because of the turning of the planet… It’s deep time you are looking at. It’s such a thrill if you can get there.” Interview online now
The Tuscan monastery of the British sculptor Emily Young, who I visited in July and profiled in the ‘Sanctuary’ issue of @arabbitsfoot (with wonderful photography by @issycarr_ ). At the centre of her home is a chapel whose roof caved in 1928, meaning most of its vaulted arches have been replaced by a panorama of sky. Young told me that if you sit still for long enough, you can see the stars moving: “They arrive from one side, and on the other they disappear because of the turning of the planet… It’s deep time you are looking at. It’s such a thrill if you can get there.” Interview online now
The Tuscan monastery of the British sculptor Emily Young, who I visited in July and profiled in the ‘Sanctuary’ issue of @arabbitsfoot (with wonderful photography by @issycarr_ ). At the centre of her home is a chapel whose roof caved in 1928, meaning most of its vaulted arches have been replaced by a panorama of sky. Young told me that if you sit still for long enough, you can see the stars moving: “They arrive from one side, and on the other they disappear because of the turning of the planet… It’s deep time you are looking at. It’s such a thrill if you can get there.” Interview online now
The Tuscan monastery of the British sculptor Emily Young, who I visited in July and profiled in the ‘Sanctuary’ issue of @arabbitsfoot (with wonderful photography by @issycarr_ ). At the centre of her home is a chapel whose roof caved in 1928, meaning most of its vaulted arches have been replaced by a panorama of sky. Young told me that if you sit still for long enough, you can see the stars moving: “They arrive from one side, and on the other they disappear because of the turning of the planet… It’s deep time you are looking at. It’s such a thrill if you can get there.” Interview online now
The Tuscan monastery of the British sculptor Emily Young, who I visited in July and profiled in the ‘Sanctuary’ issue of @arabbitsfoot (with wonderful photography by @issycarr_ ). At the centre of her home is a chapel whose roof caved in 1928, meaning most of its vaulted arches have been replaced by a panorama of sky. Young told me that if you sit still for long enough, you can see the stars moving: “They arrive from one side, and on the other they disappear because of the turning of the planet… It’s deep time you are looking at. It’s such a thrill if you can get there.” Interview online now
What a thrill to interview Marina Abramovic for the Frieze digital cover of A Rabbit’s Foot. I chatted to the artist in her dressing room a couple of hours before the first performance of Balkan Erotic Epic, her staggering 4-hour performance piece which draws on pagan rituals and is a total bender. We also talked about David Lynch, trash TV and being in her pink era. She told me - and Fatima - that we have great eyebrows, which is a compliment I’ll take to the grave. Online now!
Photography @nabil and Fatima Khan
@tatamibo @huxley @saatchiyates @arabbitsfoot
What a thrill to interview Marina Abramovic for the Frieze digital cover of A Rabbit’s Foot. I chatted to the artist in her dressing room a couple of hours before the first performance of Balkan Erotic Epic, her staggering 4-hour performance piece which draws on pagan rituals and is a total bender. We also talked about David Lynch, trash TV and being in her pink era. She told me - and Fatima - that we have great eyebrows, which is a compliment I’ll take to the grave. Online now!
Photography @nabil and Fatima Khan
@tatamibo @huxley @saatchiyates @arabbitsfoot
What a thrill to interview Marina Abramovic for the Frieze digital cover of A Rabbit’s Foot. I chatted to the artist in her dressing room a couple of hours before the first performance of Balkan Erotic Epic, her staggering 4-hour performance piece which draws on pagan rituals and is a total bender. We also talked about David Lynch, trash TV and being in her pink era. She told me - and Fatima - that we have great eyebrows, which is a compliment I’ll take to the grave. Online now!
Photography @nabil and Fatima Khan
@tatamibo @huxley @saatchiyates @arabbitsfoot
What a thrill to interview Marina Abramovic for the Frieze digital cover of A Rabbit’s Foot. I chatted to the artist in her dressing room a couple of hours before the first performance of Balkan Erotic Epic, her staggering 4-hour performance piece which draws on pagan rituals and is a total bender. We also talked about David Lynch, trash TV and being in her pink era. She told me - and Fatima - that we have great eyebrows, which is a compliment I’ll take to the grave. Online now!
Photography @nabil and Fatima Khan
@tatamibo @huxley @saatchiyates @arabbitsfoot
What a thrill to interview Marina Abramovic for the Frieze digital cover of A Rabbit’s Foot. I chatted to the artist in her dressing room a couple of hours before the first performance of Balkan Erotic Epic, her staggering 4-hour performance piece which draws on pagan rituals and is a total bender. We also talked about David Lynch, trash TV and being in her pink era. She told me - and Fatima - that we have great eyebrows, which is a compliment I’ll take to the grave. Online now!
Photography @nabil and Fatima Khan
@tatamibo @huxley @saatchiyates @arabbitsfoot
What a thrill to interview Marina Abramovic for the Frieze digital cover of A Rabbit’s Foot. I chatted to the artist in her dressing room a couple of hours before the first performance of Balkan Erotic Epic, her staggering 4-hour performance piece which draws on pagan rituals and is a total bender. We also talked about David Lynch, trash TV and being in her pink era. She told me - and Fatima - that we have great eyebrows, which is a compliment I’ll take to the grave. Online now!
Photography @nabil and Fatima Khan
@tatamibo @huxley @saatchiyates @arabbitsfoot
What a thrill to interview Marina Abramovic for the Frieze digital cover of A Rabbit’s Foot. I chatted to the artist in her dressing room a couple of hours before the first performance of Balkan Erotic Epic, her staggering 4-hour performance piece which draws on pagan rituals and is a total bender. We also talked about David Lynch, trash TV and being in her pink era. She told me - and Fatima - that we have great eyebrows, which is a compliment I’ll take to the grave. Online now!
Photography @nabil and Fatima Khan
@tatamibo @huxley @saatchiyates @arabbitsfoot
I wrote a diary from the Bottega Veneta SS26 show in Milan! Check it out now on @arabbitsfoot ❤️🔥
I wrote a diary from the Bottega Veneta SS26 show in Milan! Check it out now on @arabbitsfoot ❤️🔥
I wrote a diary from the Bottega Veneta SS26 show in Milan! Check it out now on @arabbitsfoot ❤️🔥
I wrote a diary from the Bottega Veneta SS26 show in Milan! Check it out now on @arabbitsfoot ❤️🔥
I wrote a diary from the Bottega Veneta SS26 show in Milan! Check it out now on @arabbitsfoot ❤️🔥
I wrote a diary from the Bottega Veneta SS26 show in Milan! Check it out now on @arabbitsfoot ❤️🔥
I wrote a diary from the Bottega Veneta SS26 show in Milan! Check it out now on @arabbitsfoot ❤️🔥
I wrote a diary from the Bottega Veneta SS26 show in Milan! Check it out now on @arabbitsfoot ❤️🔥
I wrote a diary from the Bottega Veneta SS26 show in Milan! Check it out now on @arabbitsfoot ❤️🔥
I wrote a diary from the Bottega Veneta SS26 show in Milan! Check it out now on @arabbitsfoot ❤️🔥
I wrote a diary from the Bottega Veneta SS26 show in Milan! Check it out now on @arabbitsfoot ❤️🔥
I wrote a diary from the Bottega Veneta SS26 show in Milan! Check it out now on @arabbitsfoot ❤️🔥
I wrote a diary from the Bottega Veneta SS26 show in Milan! Check it out now on @arabbitsfoot ❤️🔥
I wrote a diary from the Bottega Veneta SS26 show in Milan! Check it out now on @arabbitsfoot ❤️🔥
I wrote a diary from the Bottega Veneta SS26 show in Milan! Check it out now on @arabbitsfoot ❤️🔥
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.