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krawczyk_tom
Tom Krawczyk
Chicago/LA/Poland
Local 600 Unit Still Photographer
Director and cinematographer of @mydudusdoc now on @nytimes and @pbs
For the last two years, I don’t think a day went by when in some shape or form I didn’t think about this documentary; from the days of climbing trees in my parent’s backyard hoping to catch a special moment with Duduś to the final days of post-production, sitting inches away from the computer screen, teary-eyed from squinting while adjusting the subtitle font shadow opacity for the millionth time. It felt like there was always something.
And now, the film is done and it has a new home online. My brain almost feels a bit empty or maybe lonely is a better word. I always had the documentary to think about. And now, there’s this eerie calm silence. It’s very bittersweet though. The lingering question of “what’s next” is starting to make its rounds. What IS next?
For now, I find myself gazing out the window looking for birds and cheering on squirrels that chase each other up and down trees. Oh no, I think that’s just me getting older.
Playing this Saturday at the Music Box Theatre! Saturday, May 2, 2026 at 11:30am for the Shorts Program 1. If you’re around, come through. One of the coolest festivals in Chicago, in one of the most iconic theatres.
A few years back I was down in Florida working on @bouncybrothersdoc with @nicholasjsantore and @13ravo_. Hot and long days and a lot of figuring out things as we went. Constantly learning your instincts, trusting them, messing up, adjusting, and going again. Proud of what it became.
The doc film itself lives somewhere in that in-between space- brotherhood, second chances, chasing something that might not work out but doing it anyway. There’s a lot of heart in it. Really grateful for that time, the small but mighty crew, and everything it taught me <333
Director: @nicholasjsantore
Cinematography: 👋
Editor: Jordan Bracewell
Composer: Justin Lee Radford
Sound designer: @13ravo_
Music: @ashtontheterrible
Colorist: @shmowells
Playing this Saturday at the Music Box Theatre! Saturday, May 2, 2026 at 11:30am for the Shorts Program 1. If you’re around, come through. One of the coolest festivals in Chicago, in one of the most iconic theatres.
A few years back I was down in Florida working on @bouncybrothersdoc with @nicholasjsantore and @13ravo_. Hot and long days and a lot of figuring out things as we went. Constantly learning your instincts, trusting them, messing up, adjusting, and going again. Proud of what it became.
The doc film itself lives somewhere in that in-between space- brotherhood, second chances, chasing something that might not work out but doing it anyway. There’s a lot of heart in it. Really grateful for that time, the small but mighty crew, and everything it taught me <333
Director: @nicholasjsantore
Cinematography: 👋
Editor: Jordan Bracewell
Composer: Justin Lee Radford
Sound designer: @13ravo_
Music: @ashtontheterrible
Colorist: @shmowells
Playing this Saturday at the Music Box Theatre! Saturday, May 2, 2026 at 11:30am for the Shorts Program 1. If you’re around, come through. One of the coolest festivals in Chicago, in one of the most iconic theatres.
A few years back I was down in Florida working on @bouncybrothersdoc with @nicholasjsantore and @13ravo_. Hot and long days and a lot of figuring out things as we went. Constantly learning your instincts, trusting them, messing up, adjusting, and going again. Proud of what it became.
The doc film itself lives somewhere in that in-between space- brotherhood, second chances, chasing something that might not work out but doing it anyway. There’s a lot of heart in it. Really grateful for that time, the small but mighty crew, and everything it taught me <333
Director: @nicholasjsantore
Cinematography: 👋
Editor: Jordan Bracewell
Composer: Justin Lee Radford
Sound designer: @13ravo_
Music: @ashtontheterrible
Colorist: @shmowells
Playing this Saturday at the Music Box Theatre! Saturday, May 2, 2026 at 11:30am for the Shorts Program 1. If you’re around, come through. One of the coolest festivals in Chicago, in one of the most iconic theatres.
A few years back I was down in Florida working on @bouncybrothersdoc with @nicholasjsantore and @13ravo_. Hot and long days and a lot of figuring out things as we went. Constantly learning your instincts, trusting them, messing up, adjusting, and going again. Proud of what it became.
The doc film itself lives somewhere in that in-between space- brotherhood, second chances, chasing something that might not work out but doing it anyway. There’s a lot of heart in it. Really grateful for that time, the small but mighty crew, and everything it taught me <333
Director: @nicholasjsantore
Cinematography: 👋
Editor: Jordan Bracewell
Composer: Justin Lee Radford
Sound designer: @13ravo_
Music: @ashtontheterrible
Colorist: @shmowells
Playing this Saturday at the Music Box Theatre! Saturday, May 2, 2026 at 11:30am for the Shorts Program 1. If you’re around, come through. One of the coolest festivals in Chicago, in one of the most iconic theatres.
A few years back I was down in Florida working on @bouncybrothersdoc with @nicholasjsantore and @13ravo_. Hot and long days and a lot of figuring out things as we went. Constantly learning your instincts, trusting them, messing up, adjusting, and going again. Proud of what it became.
The doc film itself lives somewhere in that in-between space- brotherhood, second chances, chasing something that might not work out but doing it anyway. There’s a lot of heart in it. Really grateful for that time, the small but mighty crew, and everything it taught me <333
Director: @nicholasjsantore
Cinematography: 👋
Editor: Jordan Bracewell
Composer: Justin Lee Radford
Sound designer: @13ravo_
Music: @ashtontheterrible
Colorist: @shmowells
Playing this Saturday at the Music Box Theatre! Saturday, May 2, 2026 at 11:30am for the Shorts Program 1. If you’re around, come through. One of the coolest festivals in Chicago, in one of the most iconic theatres.
A few years back I was down in Florida working on @bouncybrothersdoc with @nicholasjsantore and @13ravo_. Hot and long days and a lot of figuring out things as we went. Constantly learning your instincts, trusting them, messing up, adjusting, and going again. Proud of what it became.
The doc film itself lives somewhere in that in-between space- brotherhood, second chances, chasing something that might not work out but doing it anyway. There’s a lot of heart in it. Really grateful for that time, the small but mighty crew, and everything it taught me <333
Director: @nicholasjsantore
Cinematography: 👋
Editor: Jordan Bracewell
Composer: Justin Lee Radford
Sound designer: @13ravo_
Music: @ashtontheterrible
Colorist: @shmowells
Playing this Saturday at the Music Box Theatre! Saturday, May 2, 2026 at 11:30am for the Shorts Program 1. If you’re around, come through. One of the coolest festivals in Chicago, in one of the most iconic theatres.
A few years back I was down in Florida working on @bouncybrothersdoc with @nicholasjsantore and @13ravo_. Hot and long days and a lot of figuring out things as we went. Constantly learning your instincts, trusting them, messing up, adjusting, and going again. Proud of what it became.
The doc film itself lives somewhere in that in-between space- brotherhood, second chances, chasing something that might not work out but doing it anyway. There’s a lot of heart in it. Really grateful for that time, the small but mighty crew, and everything it taught me <333
Director: @nicholasjsantore
Cinematography: 👋
Editor: Jordan Bracewell
Composer: Justin Lee Radford
Sound designer: @13ravo_
Music: @ashtontheterrible
Colorist: @shmowells
Playing this Saturday at the Music Box Theatre! Saturday, May 2, 2026 at 11:30am for the Shorts Program 1. If you’re around, come through. One of the coolest festivals in Chicago, in one of the most iconic theatres.
A few years back I was down in Florida working on @bouncybrothersdoc with @nicholasjsantore and @13ravo_. Hot and long days and a lot of figuring out things as we went. Constantly learning your instincts, trusting them, messing up, adjusting, and going again. Proud of what it became.
The doc film itself lives somewhere in that in-between space- brotherhood, second chances, chasing something that might not work out but doing it anyway. There’s a lot of heart in it. Really grateful for that time, the small but mighty crew, and everything it taught me <333
Director: @nicholasjsantore
Cinematography: 👋
Editor: Jordan Bracewell
Composer: Justin Lee Radford
Sound designer: @13ravo_
Music: @ashtontheterrible
Colorist: @shmowells
Behind the scenes and in between moments on @heswatchingyoumovie
Dopest cinematography by the one and only @benjaminkitchens
Directed by @jordon_withano
Behind the scenes and in between moments on @heswatchingyoumovie
Dopest cinematography by the one and only @benjaminkitchens
Directed by @jordon_withano
Behind the scenes and in between moments on @heswatchingyoumovie
Dopest cinematography by the one and only @benjaminkitchens
Directed by @jordon_withano
Behind the scenes and in between moments on @heswatchingyoumovie
Dopest cinematography by the one and only @benjaminkitchens
Directed by @jordon_withano
Behind the scenes and in between moments on @heswatchingyoumovie
Dopest cinematography by the one and only @benjaminkitchens
Directed by @jordon_withano
Behind the scenes and in between moments on @heswatchingyoumovie
Dopest cinematography by the one and only @benjaminkitchens
Directed by @jordon_withano
Some more photos I took for @heswatchingyoumovie
Directed by @jordon_withano
Been into early 2000s techno/ eurodance hence the very fitting song
Some more photos I took for @heswatchingyoumovie
Directed by @jordon_withano
Been into early 2000s techno/ eurodance hence the very fitting song
Some more photos I took for @heswatchingyoumovie
Directed by @jordon_withano
Been into early 2000s techno/ eurodance hence the very fitting song
Two days before the shoot, I was asked if I could do the gallery portraits. The day of, I grabbed a backdrop from Samy’s, found a garage next to set, and borrowed a few Arri lights from the electric department.
Cast members kept knocking every few minutes. I’d pull them in, pose fast, keep it loose, and send them back out.
It was my first gallery shoot, terrifying and exhilarating, but seeing all of these photos come together to create the poster is something special.
Seeing fan art inspired by it afterward has been one of the coolest parts. @xakolev
Go watch @heswatchingyoumovie now streaming!
Two days before the shoot, I was asked if I could do the gallery portraits. The day of, I grabbed a backdrop from Samy’s, found a garage next to set, and borrowed a few Arri lights from the electric department.
Cast members kept knocking every few minutes. I’d pull them in, pose fast, keep it loose, and send them back out.
It was my first gallery shoot, terrifying and exhilarating, but seeing all of these photos come together to create the poster is something special.
Seeing fan art inspired by it afterward has been one of the coolest parts. @xakolev
Go watch @heswatchingyoumovie now streaming!
Two days before the shoot, I was asked if I could do the gallery portraits. The day of, I grabbed a backdrop from Samy’s, found a garage next to set, and borrowed a few Arri lights from the electric department.
Cast members kept knocking every few minutes. I’d pull them in, pose fast, keep it loose, and send them back out.
It was my first gallery shoot, terrifying and exhilarating, but seeing all of these photos come together to create the poster is something special.
Seeing fan art inspired by it afterward has been one of the coolest parts. @xakolev
Go watch @heswatchingyoumovie now streaming!
Two days before the shoot, I was asked if I could do the gallery portraits. The day of, I grabbed a backdrop from Samy’s, found a garage next to set, and borrowed a few Arri lights from the electric department.
Cast members kept knocking every few minutes. I’d pull them in, pose fast, keep it loose, and send them back out.
It was my first gallery shoot, terrifying and exhilarating, but seeing all of these photos come together to create the poster is something special.
Seeing fan art inspired by it afterward has been one of the coolest parts. @xakolev
Go watch @heswatchingyoumovie now streaming!
Two days before the shoot, I was asked if I could do the gallery portraits. The day of, I grabbed a backdrop from Samy’s, found a garage next to set, and borrowed a few Arri lights from the electric department.
Cast members kept knocking every few minutes. I’d pull them in, pose fast, keep it loose, and send them back out.
It was my first gallery shoot, terrifying and exhilarating, but seeing all of these photos come together to create the poster is something special.
Seeing fan art inspired by it afterward has been one of the coolest parts. @xakolev
Go watch @heswatchingyoumovie now streaming!
Two days before the shoot, I was asked if I could do the gallery portraits. The day of, I grabbed a backdrop from Samy’s, found a garage next to set, and borrowed a few Arri lights from the electric department.
Cast members kept knocking every few minutes. I’d pull them in, pose fast, keep it loose, and send them back out.
It was my first gallery shoot, terrifying and exhilarating, but seeing all of these photos come together to create the poster is something special.
Seeing fan art inspired by it afterward has been one of the coolest parts. @xakolev
Go watch @heswatchingyoumovie now streaming!
Two days before the shoot, I was asked if I could do the gallery portraits. The day of, I grabbed a backdrop from Samy’s, found a garage next to set, and borrowed a few Arri lights from the electric department.
Cast members kept knocking every few minutes. I’d pull them in, pose fast, keep it loose, and send them back out.
It was my first gallery shoot, terrifying and exhilarating, but seeing all of these photos come together to create the poster is something special.
Seeing fan art inspired by it afterward has been one of the coolest parts. @xakolev
Go watch @heswatchingyoumovie now streaming!
Photos from the first feature film I worked on as a unit still photographer in California, 2023. Learned a lot on this one, especially seeing how I far I can push my camera in low light. Horrors quickly became one of my favorites to photograph. Hire me @terrifierartclown
Respect to indie filmmaking <3
Go see @heswatchingyoumovie now in theaters and streaming!
Photos from the first feature film I worked on as a unit still photographer in California, 2023. Learned a lot on this one, especially seeing how I far I can push my camera in low light. Horrors quickly became one of my favorites to photograph. Hire me @terrifierartclown
Respect to indie filmmaking <3
Go see @heswatchingyoumovie now in theaters and streaming!
Photos from the first feature film I worked on as a unit still photographer in California, 2023. Learned a lot on this one, especially seeing how I far I can push my camera in low light. Horrors quickly became one of my favorites to photograph. Hire me @terrifierartclown
Respect to indie filmmaking <3
Go see @heswatchingyoumovie now in theaters and streaming!
It’s happening.
The Pill is real.
He’s Watching You available today on @primevideo @appletv and @fandango
My first feature film I worked on as unit still photographer a few years ago in California :) What a blast <3 Stay tuned for more photos
It’s happening.
The Pill is real.
He’s Watching You available today on @primevideo @appletv and @fandango
My first feature film I worked on as unit still photographer a few years ago in California :) What a blast <3 Stay tuned for more photos
2025 brought the highest highs and the lowest lows.
1. Traveled to Vietnam, rode the Hà Giang Loop, and proposed.
2. Lost a friend.
3. Made a film called Bouncy Brothers. Shot it as cinematographer and watched it find its way into festivals, including Big Sky.
4. Went snowmobiling for the first time.
5. Traveled to Poland to work on my next documentary, Long Distance. Coming 2026.
6. Lost my aunt.
7. Did behind-the-scenes video and photo for the film Dog Years.
8. Tried and mostly failed (it’s a long story) RAGBRAI. It’s the world’s largest, oldest, and longest recreational bicycle touring event in Iowa.
9. Worked as the still photographer on the feature film Diary of a Muslim Cynic.
10. Took a shot at working for a news outlet and got assigned my first breaking-news assignment with Reuters.
11. Camped more and remembered how much I need the outdoors.
12. Traveled to Greece. Climbed more and re-ignited my love for it.
13. Worked as the still photographer on the feature film Trash Mountain.
14. Traveled to Mexico for a much-needed break.
2025 brought the highest highs and the lowest lows.
1. Traveled to Vietnam, rode the Hà Giang Loop, and proposed.
2. Lost a friend.
3. Made a film called Bouncy Brothers. Shot it as cinematographer and watched it find its way into festivals, including Big Sky.
4. Went snowmobiling for the first time.
5. Traveled to Poland to work on my next documentary, Long Distance. Coming 2026.
6. Lost my aunt.
7. Did behind-the-scenes video and photo for the film Dog Years.
8. Tried and mostly failed (it’s a long story) RAGBRAI. It’s the world’s largest, oldest, and longest recreational bicycle touring event in Iowa.
9. Worked as the still photographer on the feature film Diary of a Muslim Cynic.
10. Took a shot at working for a news outlet and got assigned my first breaking-news assignment with Reuters.
11. Camped more and remembered how much I need the outdoors.
12. Traveled to Greece. Climbed more and re-ignited my love for it.
13. Worked as the still photographer on the feature film Trash Mountain.
14. Traveled to Mexico for a much-needed break.
2025 brought the highest highs and the lowest lows.
1. Traveled to Vietnam, rode the Hà Giang Loop, and proposed.
2. Lost a friend.
3. Made a film called Bouncy Brothers. Shot it as cinematographer and watched it find its way into festivals, including Big Sky.
4. Went snowmobiling for the first time.
5. Traveled to Poland to work on my next documentary, Long Distance. Coming 2026.
6. Lost my aunt.
7. Did behind-the-scenes video and photo for the film Dog Years.
8. Tried and mostly failed (it’s a long story) RAGBRAI. It’s the world’s largest, oldest, and longest recreational bicycle touring event in Iowa.
9. Worked as the still photographer on the feature film Diary of a Muslim Cynic.
10. Took a shot at working for a news outlet and got assigned my first breaking-news assignment with Reuters.
11. Camped more and remembered how much I need the outdoors.
12. Traveled to Greece. Climbed more and re-ignited my love for it.
13. Worked as the still photographer on the feature film Trash Mountain.
14. Traveled to Mexico for a much-needed break.
2025 brought the highest highs and the lowest lows.
1. Traveled to Vietnam, rode the Hà Giang Loop, and proposed.
2. Lost a friend.
3. Made a film called Bouncy Brothers. Shot it as cinematographer and watched it find its way into festivals, including Big Sky.
4. Went snowmobiling for the first time.
5. Traveled to Poland to work on my next documentary, Long Distance. Coming 2026.
6. Lost my aunt.
7. Did behind-the-scenes video and photo for the film Dog Years.
8. Tried and mostly failed (it’s a long story) RAGBRAI. It’s the world’s largest, oldest, and longest recreational bicycle touring event in Iowa.
9. Worked as the still photographer on the feature film Diary of a Muslim Cynic.
10. Took a shot at working for a news outlet and got assigned my first breaking-news assignment with Reuters.
11. Camped more and remembered how much I need the outdoors.
12. Traveled to Greece. Climbed more and re-ignited my love for it.
13. Worked as the still photographer on the feature film Trash Mountain.
14. Traveled to Mexico for a much-needed break.
2025 brought the highest highs and the lowest lows.
1. Traveled to Vietnam, rode the Hà Giang Loop, and proposed.
2. Lost a friend.
3. Made a film called Bouncy Brothers. Shot it as cinematographer and watched it find its way into festivals, including Big Sky.
4. Went snowmobiling for the first time.
5. Traveled to Poland to work on my next documentary, Long Distance. Coming 2026.
6. Lost my aunt.
7. Did behind-the-scenes video and photo for the film Dog Years.
8. Tried and mostly failed (it’s a long story) RAGBRAI. It’s the world’s largest, oldest, and longest recreational bicycle touring event in Iowa.
9. Worked as the still photographer on the feature film Diary of a Muslim Cynic.
10. Took a shot at working for a news outlet and got assigned my first breaking-news assignment with Reuters.
11. Camped more and remembered how much I need the outdoors.
12. Traveled to Greece. Climbed more and re-ignited my love for it.
13. Worked as the still photographer on the feature film Trash Mountain.
14. Traveled to Mexico for a much-needed break.
2025 brought the highest highs and the lowest lows.
1. Traveled to Vietnam, rode the Hà Giang Loop, and proposed.
2. Lost a friend.
3. Made a film called Bouncy Brothers. Shot it as cinematographer and watched it find its way into festivals, including Big Sky.
4. Went snowmobiling for the first time.
5. Traveled to Poland to work on my next documentary, Long Distance. Coming 2026.
6. Lost my aunt.
7. Did behind-the-scenes video and photo for the film Dog Years.
8. Tried and mostly failed (it’s a long story) RAGBRAI. It’s the world’s largest, oldest, and longest recreational bicycle touring event in Iowa.
9. Worked as the still photographer on the feature film Diary of a Muslim Cynic.
10. Took a shot at working for a news outlet and got assigned my first breaking-news assignment with Reuters.
11. Camped more and remembered how much I need the outdoors.
12. Traveled to Greece. Climbed more and re-ignited my love for it.
13. Worked as the still photographer on the feature film Trash Mountain.
14. Traveled to Mexico for a much-needed break.
2025 brought the highest highs and the lowest lows.
1. Traveled to Vietnam, rode the Hà Giang Loop, and proposed.
2. Lost a friend.
3. Made a film called Bouncy Brothers. Shot it as cinematographer and watched it find its way into festivals, including Big Sky.
4. Went snowmobiling for the first time.
5. Traveled to Poland to work on my next documentary, Long Distance. Coming 2026.
6. Lost my aunt.
7. Did behind-the-scenes video and photo for the film Dog Years.
8. Tried and mostly failed (it’s a long story) RAGBRAI. It’s the world’s largest, oldest, and longest recreational bicycle touring event in Iowa.
9. Worked as the still photographer on the feature film Diary of a Muslim Cynic.
10. Took a shot at working for a news outlet and got assigned my first breaking-news assignment with Reuters.
11. Camped more and remembered how much I need the outdoors.
12. Traveled to Greece. Climbed more and re-ignited my love for it.
13. Worked as the still photographer on the feature film Trash Mountain.
14. Traveled to Mexico for a much-needed break.
2025 brought the highest highs and the lowest lows.
1. Traveled to Vietnam, rode the Hà Giang Loop, and proposed.
2. Lost a friend.
3. Made a film called Bouncy Brothers. Shot it as cinematographer and watched it find its way into festivals, including Big Sky.
4. Went snowmobiling for the first time.
5. Traveled to Poland to work on my next documentary, Long Distance. Coming 2026.
6. Lost my aunt.
7. Did behind-the-scenes video and photo for the film Dog Years.
8. Tried and mostly failed (it’s a long story) RAGBRAI. It’s the world’s largest, oldest, and longest recreational bicycle touring event in Iowa.
9. Worked as the still photographer on the feature film Diary of a Muslim Cynic.
10. Took a shot at working for a news outlet and got assigned my first breaking-news assignment with Reuters.
11. Camped more and remembered how much I need the outdoors.
12. Traveled to Greece. Climbed more and re-ignited my love for it.
13. Worked as the still photographer on the feature film Trash Mountain.
14. Traveled to Mexico for a much-needed break.
2025 brought the highest highs and the lowest lows.
1. Traveled to Vietnam, rode the Hà Giang Loop, and proposed.
2. Lost a friend.
3. Made a film called Bouncy Brothers. Shot it as cinematographer and watched it find its way into festivals, including Big Sky.
4. Went snowmobiling for the first time.
5. Traveled to Poland to work on my next documentary, Long Distance. Coming 2026.
6. Lost my aunt.
7. Did behind-the-scenes video and photo for the film Dog Years.
8. Tried and mostly failed (it’s a long story) RAGBRAI. It’s the world’s largest, oldest, and longest recreational bicycle touring event in Iowa.
9. Worked as the still photographer on the feature film Diary of a Muslim Cynic.
10. Took a shot at working for a news outlet and got assigned my first breaking-news assignment with Reuters.
11. Camped more and remembered how much I need the outdoors.
12. Traveled to Greece. Climbed more and re-ignited my love for it.
13. Worked as the still photographer on the feature film Trash Mountain.
14. Traveled to Mexico for a much-needed break.
2025 brought the highest highs and the lowest lows.
1. Traveled to Vietnam, rode the Hà Giang Loop, and proposed.
2. Lost a friend.
3. Made a film called Bouncy Brothers. Shot it as cinematographer and watched it find its way into festivals, including Big Sky.
4. Went snowmobiling for the first time.
5. Traveled to Poland to work on my next documentary, Long Distance. Coming 2026.
6. Lost my aunt.
7. Did behind-the-scenes video and photo for the film Dog Years.
8. Tried and mostly failed (it’s a long story) RAGBRAI. It’s the world’s largest, oldest, and longest recreational bicycle touring event in Iowa.
9. Worked as the still photographer on the feature film Diary of a Muslim Cynic.
10. Took a shot at working for a news outlet and got assigned my first breaking-news assignment with Reuters.
11. Camped more and remembered how much I need the outdoors.
12. Traveled to Greece. Climbed more and re-ignited my love for it.
13. Worked as the still photographer on the feature film Trash Mountain.
14. Traveled to Mexico for a much-needed break.
2025 brought the highest highs and the lowest lows.
1. Traveled to Vietnam, rode the Hà Giang Loop, and proposed.
2. Lost a friend.
3. Made a film called Bouncy Brothers. Shot it as cinematographer and watched it find its way into festivals, including Big Sky.
4. Went snowmobiling for the first time.
5. Traveled to Poland to work on my next documentary, Long Distance. Coming 2026.
6. Lost my aunt.
7. Did behind-the-scenes video and photo for the film Dog Years.
8. Tried and mostly failed (it’s a long story) RAGBRAI. It’s the world’s largest, oldest, and longest recreational bicycle touring event in Iowa.
9. Worked as the still photographer on the feature film Diary of a Muslim Cynic.
10. Took a shot at working for a news outlet and got assigned my first breaking-news assignment with Reuters.
11. Camped more and remembered how much I need the outdoors.
12. Traveled to Greece. Climbed more and re-ignited my love for it.
13. Worked as the still photographer on the feature film Trash Mountain.
14. Traveled to Mexico for a much-needed break.
2025 brought the highest highs and the lowest lows.
1. Traveled to Vietnam, rode the Hà Giang Loop, and proposed.
2. Lost a friend.
3. Made a film called Bouncy Brothers. Shot it as cinematographer and watched it find its way into festivals, including Big Sky.
4. Went snowmobiling for the first time.
5. Traveled to Poland to work on my next documentary, Long Distance. Coming 2026.
6. Lost my aunt.
7. Did behind-the-scenes video and photo for the film Dog Years.
8. Tried and mostly failed (it’s a long story) RAGBRAI. It’s the world’s largest, oldest, and longest recreational bicycle touring event in Iowa.
9. Worked as the still photographer on the feature film Diary of a Muslim Cynic.
10. Took a shot at working for a news outlet and got assigned my first breaking-news assignment with Reuters.
11. Camped more and remembered how much I need the outdoors.
12. Traveled to Greece. Climbed more and re-ignited my love for it.
13. Worked as the still photographer on the feature film Trash Mountain.
14. Traveled to Mexico for a much-needed break.
2025 brought the highest highs and the lowest lows.
1. Traveled to Vietnam, rode the Hà Giang Loop, and proposed.
2. Lost a friend.
3. Made a film called Bouncy Brothers. Shot it as cinematographer and watched it find its way into festivals, including Big Sky.
4. Went snowmobiling for the first time.
5. Traveled to Poland to work on my next documentary, Long Distance. Coming 2026.
6. Lost my aunt.
7. Did behind-the-scenes video and photo for the film Dog Years.
8. Tried and mostly failed (it’s a long story) RAGBRAI. It’s the world’s largest, oldest, and longest recreational bicycle touring event in Iowa.
9. Worked as the still photographer on the feature film Diary of a Muslim Cynic.
10. Took a shot at working for a news outlet and got assigned my first breaking-news assignment with Reuters.
11. Camped more and remembered how much I need the outdoors.
12. Traveled to Greece. Climbed more and re-ignited my love for it.
13. Worked as the still photographer on the feature film Trash Mountain.
14. Traveled to Mexico for a much-needed break.
2025 brought the highest highs and the lowest lows.
1. Traveled to Vietnam, rode the Hà Giang Loop, and proposed.
2. Lost a friend.
3. Made a film called Bouncy Brothers. Shot it as cinematographer and watched it find its way into festivals, including Big Sky.
4. Went snowmobiling for the first time.
5. Traveled to Poland to work on my next documentary, Long Distance. Coming 2026.
6. Lost my aunt.
7. Did behind-the-scenes video and photo for the film Dog Years.
8. Tried and mostly failed (it’s a long story) RAGBRAI. It’s the world’s largest, oldest, and longest recreational bicycle touring event in Iowa.
9. Worked as the still photographer on the feature film Diary of a Muslim Cynic.
10. Took a shot at working for a news outlet and got assigned my first breaking-news assignment with Reuters.
11. Camped more and remembered how much I need the outdoors.
12. Traveled to Greece. Climbed more and re-ignited my love for it.
13. Worked as the still photographer on the feature film Trash Mountain.
14. Traveled to Mexico for a much-needed break.
Fun phone notes:
Chasing the kind of quiet you only find out here,
where the sky hangs low
and time hums softly through the fields.
Cheese curds and Miller Lites,
a boy with flowers rehearsing forever,
another with a scooter chasing the wind.
Somewhere, a cigarette burns slow,
and the Midwest keeps its secrets.
Fun phone notes:
Chasing the kind of quiet you only find out here,
where the sky hangs low
and time hums softly through the fields.
Cheese curds and Miller Lites,
a boy with flowers rehearsing forever,
another with a scooter chasing the wind.
Somewhere, a cigarette burns slow,
and the Midwest keeps its secrets.
Fun phone notes:
Chasing the kind of quiet you only find out here,
where the sky hangs low
and time hums softly through the fields.
Cheese curds and Miller Lites,
a boy with flowers rehearsing forever,
another with a scooter chasing the wind.
Somewhere, a cigarette burns slow,
and the Midwest keeps its secrets.
Fun phone notes:
Chasing the kind of quiet you only find out here,
where the sky hangs low
and time hums softly through the fields.
Cheese curds and Miller Lites,
a boy with flowers rehearsing forever,
another with a scooter chasing the wind.
Somewhere, a cigarette burns slow,
and the Midwest keeps its secrets.
Fun phone notes:
Chasing the kind of quiet you only find out here,
where the sky hangs low
and time hums softly through the fields.
Cheese curds and Miller Lites,
a boy with flowers rehearsing forever,
another with a scooter chasing the wind.
Somewhere, a cigarette burns slow,
and the Midwest keeps its secrets.
Fun phone notes:
Chasing the kind of quiet you only find out here,
where the sky hangs low
and time hums softly through the fields.
Cheese curds and Miller Lites,
a boy with flowers rehearsing forever,
another with a scooter chasing the wind.
Somewhere, a cigarette burns slow,
and the Midwest keeps its secrets.
The lineup for #hsdff34 just dropped on @deadline!
@bouncybrothersdoc will be screening October 15th at 3:30PM at the Academy Qualifying @hsdff.
We are incredibly honored to be a part of this historic documentary festival and can’t wait to see everyone there!
The lineup for #hsdff34 just dropped on @deadline!
@bouncybrothersdoc will be screening October 15th at 3:30PM at the Academy Qualifying @hsdff.
We are incredibly honored to be a part of this historic documentary festival and can’t wait to see everyone there!
The lineup for #hsdff34 just dropped on @deadline!
@bouncybrothersdoc will be screening October 15th at 3:30PM at the Academy Qualifying @hsdff.
We are incredibly honored to be a part of this historic documentary festival and can’t wait to see everyone there!
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.