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Lertulo-model, actress, builder, designer of accessories, clothing, and interiors,In these challenging times, it’s important to master many professions and strive to be both creative and #professional in each one , A personal thank you to my personal stylist (vangelika❤️)@lumpenmen#lifestyle 👊💃💪😉

My big #play-toy#hardwork@lumpenmen#lifestyle 💪👊💃

Actually, I’m a civilmodel l,designer,engineer ,with 23 years of experience, and I design interiorsand builder in the style of David Lynch… and actress 💃-Lertulo @lumpenmen #lifestyle👊💪❤️🤘

Since I’m learning a new language, I compare the meanings of words in Russian, French, and English @lumpenmen#lifestyle 👊💃

Eng:People often ask me how I built muscle without going to the gym—it’s really simple: I’m always on my feet doing home repairs and construction work.💪💃 @lumpenmen 👊🤘 rus:Меня часто спрашивают как я накачала мышцы без спортзала-очень просто ,полыхает задом по ремонту и стройкамLertulo #lifestyle 💥🎬

I really do save a lot of money for the clients who work with me ,Hard work and experience are the most valuable assets Lertulo @lumpenmen#lifestyle 🤘💪💃👊

Want to learn how to thrive, stand out, be interesting, and become independent? Search for “Lertulo” on YouTube—it’s my personal channel 💪 full interview @lumpenmen 👊💃❤️

@lumpenmenon @artparisartfair2026👊💃❤️🎉

SPEED AS FAITH: Confessional Delay Protocol.

This video work, featuring performer Lertulo, is presented within the group exhibition CONFESSION at Emergency @emergency_space_ ╳ FAUX. Filmed in Église Saint-Gervais and Salle paroissiale Jeanne d’Arc, the piece operates at the intersection of documentation and constructed ritual.
The performance is not a reenactment but a staged interpretation of a lived moment. Lertulo conducts a confession of everyday life. What is recorded is not belief, but its residual structure: posture, delay, silence. The confessional becomes an interface, the body a unit held in suspension, the camera a neutral witness.
In alignment with the exhibition’s speculative approach to religion, the work treats the sacred as an operational condition rather than a fixed category. Ritual is displaced from institution into gesture. The church does not produce transcendence; it processes presence.

STAGED INTERPRETATION: Documentary → Ritual Interface.
location_01 = Église Saint-Gervais
location_02 = Salle paroissiale Jeanne d’Arc

[director] @xuaf_username
[producer] @pskowska
[artist] @lertulo05
[sound design] @cotton_pills
[style] @danyashershev

SPEED AS FAITH: Confessional Delay Protocol.

This video work, featuring performer Lertulo, is presented within the group exhibition CONFESSION at Emergency @emergency_space_ ╳ FAUX. Filmed in Église Saint-Gervais and Salle paroissiale Jeanne d’Arc, the piece operates at the intersection of documentation and constructed ritual.
The performance is not a reenactment but a staged interpretation of a lived moment. Lertulo conducts a confession of everyday life. What is recorded is not belief, but its residual structure: posture, delay, silence. The confessional becomes an interface, the body a unit held in suspension, the camera a neutral witness.
In alignment with the exhibition’s speculative approach to religion, the work treats the sacred as an operational condition rather than a fixed category. Ritual is displaced from institution into gesture. The church does not produce transcendence; it processes presence.

STAGED INTERPRETATION: Documentary → Ritual Interface.
location_01 = Église Saint-Gervais
location_02 = Salle paroissiale Jeanne d’Arc

[director] @xuaf_username
[producer] @pskowska
[artist] @lertulo05
[sound design] @cotton_pills
[style] @danyashershev

SPEED AS FAITH: Confessional Delay Protocol.

This video work, featuring performer Lertulo, is presented within the group exhibition CONFESSION at Emergency @emergency_space_ ╳ FAUX. Filmed in Église Saint-Gervais and Salle paroissiale Jeanne d’Arc, the piece operates at the intersection of documentation and constructed ritual.
The performance is not a reenactment but a staged interpretation of a lived moment. Lertulo conducts a confession of everyday life. What is recorded is not belief, but its residual structure: posture, delay, silence. The confessional becomes an interface, the body a unit held in suspension, the camera a neutral witness.
In alignment with the exhibition’s speculative approach to religion, the work treats the sacred as an operational condition rather than a fixed category. Ritual is displaced from institution into gesture. The church does not produce transcendence; it processes presence.

STAGED INTERPRETATION: Documentary → Ritual Interface.
location_01 = Église Saint-Gervais
location_02 = Salle paroissiale Jeanne d’Arc

[director] @xuaf_username
[producer] @pskowska
[artist] @lertulo05
[sound design] @cotton_pills
[style] @danyashershev

Lertulo #lifehack@lumpenmen#lifestyle 💪💃🤘👊

I don't know how to make videos, but I'm a pro at virtual reality One day, while I was cleaning three floors all by myself, the owners came in, and their daughter asked, “How do you manage to do this all by yourself? It’s impossible!”…to which her mom replied, “My dear, it’s Lertulo💪💃😀” @lumpenmen#lifestyle 💪👊💃😉 P.S.: A quick look at accessories and clothing in my style