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liamhiggins
Liam Higgins
🇨🇦🇺🇸
“On 'A Tribe Called Love,' shooting with the ARRI ALEXA 35 came down to practicality and aesthetics. I wanted a camera package that was condensed, nimble, and versatile. The in-camera textures were a bonus—a film-like quality I reach for on every project, budget permitting or not. I always try to shoot a lot of projects on film, and when the budget doesn't really call for it, the ALEXA 35 is exactly the tool for the job,” says cinematographer Liam Higgings on using ALEXA 35 with the Nostalgic texture on “A Tribe Called Love.” In this new feature film, two Somali youths in a Toronto neighbourhood choose to love each other despite the inevitable conflict they will face because they come from rival tribes.
ㅤ
👉 Learn more about ARRI textures at arri.com/textures (link in bio)
ㅤ
Writer/director: Mohamed Ahmed
Production company: @mahaicapoint
Executive producers: @aakdari, @dalmarabuzeid, Trevor Duwyn, Jeremy Hood
Line producer: Candice Chow-How
Producer: @marshallfmt
Production manager: @the.sam.bones
1st AD: @bigphepburn
2nd AD: @abrahamdawod
Script supervisor: Andrea Maxwell
DP: @liamhiggins
1st AC: @13thmovement
2nd AC: @dp.chiripa
Gaffer: @jordanheguy
Best electric: @jhongult
Key grip: @childish_creative
Dolly grip: Christopher Noble, Jarrett Murray
Casting director: @gorinstephanie
Wardrobe: @jeannette.n.linton
Production designer: msjunecharles
Art dept: @reanaole @shharine
MUA: Safiya Daley roxannedenobrega, @nomakeupwipes
Editor: @brettrostrup
Postproduction: @rollingpicturesca
Colorist: @clintonhomuth
Color studio: @artjail
Color producer: Allison Kinnear
Special thanks from the cinematographer to @keslowcamera @kodak
ㅤ
#ARRI #ALEXA35 #CapturedWithARRI #ATribeCalledLove
“On 'A Tribe Called Love,' shooting with the ARRI ALEXA 35 came down to practicality and aesthetics. I wanted a camera package that was condensed, nimble, and versatile. The in-camera textures were a bonus—a film-like quality I reach for on every project, budget permitting or not. I always try to shoot a lot of projects on film, and when the budget doesn't really call for it, the ALEXA 35 is exactly the tool for the job,” says cinematographer Liam Higgings on using ALEXA 35 with the Nostalgic texture on “A Tribe Called Love.” In this new feature film, two Somali youths in a Toronto neighbourhood choose to love each other despite the inevitable conflict they will face because they come from rival tribes.
ㅤ
👉 Learn more about ARRI textures at arri.com/textures (link in bio)
ㅤ
Writer/director: Mohamed Ahmed
Production company: @mahaicapoint
Executive producers: @aakdari, @dalmarabuzeid, Trevor Duwyn, Jeremy Hood
Line producer: Candice Chow-How
Producer: @marshallfmt
Production manager: @the.sam.bones
1st AD: @bigphepburn
2nd AD: @abrahamdawod
Script supervisor: Andrea Maxwell
DP: @liamhiggins
1st AC: @13thmovement
2nd AC: @dp.chiripa
Gaffer: @jordanheguy
Best electric: @jhongult
Key grip: @childish_creative
Dolly grip: Christopher Noble, Jarrett Murray
Casting director: @gorinstephanie
Wardrobe: @jeannette.n.linton
Production designer: msjunecharles
Art dept: @reanaole @shharine
MUA: Safiya Daley roxannedenobrega, @nomakeupwipes
Editor: @brettrostrup
Postproduction: @rollingpicturesca
Colorist: @clintonhomuth
Color studio: @artjail
Color producer: Allison Kinnear
Special thanks from the cinematographer to @keslowcamera @kodak
ㅤ
#ARRI #ALEXA35 #CapturedWithARRI #ATribeCalledLove
“On 'A Tribe Called Love,' shooting with the ARRI ALEXA 35 came down to practicality and aesthetics. I wanted a camera package that was condensed, nimble, and versatile. The in-camera textures were a bonus—a film-like quality I reach for on every project, budget permitting or not. I always try to shoot a lot of projects on film, and when the budget doesn't really call for it, the ALEXA 35 is exactly the tool for the job,” says cinematographer Liam Higgings on using ALEXA 35 with the Nostalgic texture on “A Tribe Called Love.” In this new feature film, two Somali youths in a Toronto neighbourhood choose to love each other despite the inevitable conflict they will face because they come from rival tribes.
ㅤ
👉 Learn more about ARRI textures at arri.com/textures (link in bio)
ㅤ
Writer/director: Mohamed Ahmed
Production company: @mahaicapoint
Executive producers: @aakdari, @dalmarabuzeid, Trevor Duwyn, Jeremy Hood
Line producer: Candice Chow-How
Producer: @marshallfmt
Production manager: @the.sam.bones
1st AD: @bigphepburn
2nd AD: @abrahamdawod
Script supervisor: Andrea Maxwell
DP: @liamhiggins
1st AC: @13thmovement
2nd AC: @dp.chiripa
Gaffer: @jordanheguy
Best electric: @jhongult
Key grip: @childish_creative
Dolly grip: Christopher Noble, Jarrett Murray
Casting director: @gorinstephanie
Wardrobe: @jeannette.n.linton
Production designer: msjunecharles
Art dept: @reanaole @shharine
MUA: Safiya Daley roxannedenobrega, @nomakeupwipes
Editor: @brettrostrup
Postproduction: @rollingpicturesca
Colorist: @clintonhomuth
Color studio: @artjail
Color producer: Allison Kinnear
Special thanks from the cinematographer to @keslowcamera @kodak
ㅤ
#ARRI #ALEXA35 #CapturedWithARRI #ATribeCalledLove
“On 'A Tribe Called Love,' shooting with the ARRI ALEXA 35 came down to practicality and aesthetics. I wanted a camera package that was condensed, nimble, and versatile. The in-camera textures were a bonus—a film-like quality I reach for on every project, budget permitting or not. I always try to shoot a lot of projects on film, and when the budget doesn't really call for it, the ALEXA 35 is exactly the tool for the job,” says cinematographer Liam Higgings on using ALEXA 35 with the Nostalgic texture on “A Tribe Called Love.” In this new feature film, two Somali youths in a Toronto neighbourhood choose to love each other despite the inevitable conflict they will face because they come from rival tribes.
ㅤ
👉 Learn more about ARRI textures at arri.com/textures (link in bio)
ㅤ
Writer/director: Mohamed Ahmed
Production company: @mahaicapoint
Executive producers: @aakdari, @dalmarabuzeid, Trevor Duwyn, Jeremy Hood
Line producer: Candice Chow-How
Producer: @marshallfmt
Production manager: @the.sam.bones
1st AD: @bigphepburn
2nd AD: @abrahamdawod
Script supervisor: Andrea Maxwell
DP: @liamhiggins
1st AC: @13thmovement
2nd AC: @dp.chiripa
Gaffer: @jordanheguy
Best electric: @jhongult
Key grip: @childish_creative
Dolly grip: Christopher Noble, Jarrett Murray
Casting director: @gorinstephanie
Wardrobe: @jeannette.n.linton
Production designer: msjunecharles
Art dept: @reanaole @shharine
MUA: Safiya Daley roxannedenobrega, @nomakeupwipes
Editor: @brettrostrup
Postproduction: @rollingpicturesca
Colorist: @clintonhomuth
Color studio: @artjail
Color producer: Allison Kinnear
Special thanks from the cinematographer to @keslowcamera @kodak
ㅤ
#ARRI #ALEXA35 #CapturedWithARRI #ATribeCalledLove
“On 'A Tribe Called Love,' shooting with the ARRI ALEXA 35 came down to practicality and aesthetics. I wanted a camera package that was condensed, nimble, and versatile. The in-camera textures were a bonus—a film-like quality I reach for on every project, budget permitting or not. I always try to shoot a lot of projects on film, and when the budget doesn't really call for it, the ALEXA 35 is exactly the tool for the job,” says cinematographer Liam Higgings on using ALEXA 35 with the Nostalgic texture on “A Tribe Called Love.” In this new feature film, two Somali youths in a Toronto neighbourhood choose to love each other despite the inevitable conflict they will face because they come from rival tribes.
ㅤ
👉 Learn more about ARRI textures at arri.com/textures (link in bio)
ㅤ
Writer/director: Mohamed Ahmed
Production company: @mahaicapoint
Executive producers: @aakdari, @dalmarabuzeid, Trevor Duwyn, Jeremy Hood
Line producer: Candice Chow-How
Producer: @marshallfmt
Production manager: @the.sam.bones
1st AD: @bigphepburn
2nd AD: @abrahamdawod
Script supervisor: Andrea Maxwell
DP: @liamhiggins
1st AC: @13thmovement
2nd AC: @dp.chiripa
Gaffer: @jordanheguy
Best electric: @jhongult
Key grip: @childish_creative
Dolly grip: Christopher Noble, Jarrett Murray
Casting director: @gorinstephanie
Wardrobe: @jeannette.n.linton
Production designer: msjunecharles
Art dept: @reanaole @shharine
MUA: Safiya Daley roxannedenobrega, @nomakeupwipes
Editor: @brettrostrup
Postproduction: @rollingpicturesca
Colorist: @clintonhomuth
Color studio: @artjail
Color producer: Allison Kinnear
Special thanks from the cinematographer to @keslowcamera @kodak
ㅤ
#ARRI #ALEXA35 #CapturedWithARRI #ATribeCalledLove
“On 'A Tribe Called Love,' shooting with the ARRI ALEXA 35 came down to practicality and aesthetics. I wanted a camera package that was condensed, nimble, and versatile. The in-camera textures were a bonus—a film-like quality I reach for on every project, budget permitting or not. I always try to shoot a lot of projects on film, and when the budget doesn't really call for it, the ALEXA 35 is exactly the tool for the job,” says cinematographer Liam Higgings on using ALEXA 35 with the Nostalgic texture on “A Tribe Called Love.” In this new feature film, two Somali youths in a Toronto neighbourhood choose to love each other despite the inevitable conflict they will face because they come from rival tribes.
ㅤ
👉 Learn more about ARRI textures at arri.com/textures (link in bio)
ㅤ
Writer/director: Mohamed Ahmed
Production company: @mahaicapoint
Executive producers: @aakdari, @dalmarabuzeid, Trevor Duwyn, Jeremy Hood
Line producer: Candice Chow-How
Producer: @marshallfmt
Production manager: @the.sam.bones
1st AD: @bigphepburn
2nd AD: @abrahamdawod
Script supervisor: Andrea Maxwell
DP: @liamhiggins
1st AC: @13thmovement
2nd AC: @dp.chiripa
Gaffer: @jordanheguy
Best electric: @jhongult
Key grip: @childish_creative
Dolly grip: Christopher Noble, Jarrett Murray
Casting director: @gorinstephanie
Wardrobe: @jeannette.n.linton
Production designer: msjunecharles
Art dept: @reanaole @shharine
MUA: Safiya Daley roxannedenobrega, @nomakeupwipes
Editor: @brettrostrup
Postproduction: @rollingpicturesca
Colorist: @clintonhomuth
Color studio: @artjail
Color producer: Allison Kinnear
Special thanks from the cinematographer to @keslowcamera @kodak
ㅤ
#ARRI #ALEXA35 #CapturedWithARRI #ATribeCalledLove
“On 'A Tribe Called Love,' shooting with the ARRI ALEXA 35 came down to practicality and aesthetics. I wanted a camera package that was condensed, nimble, and versatile. The in-camera textures were a bonus—a film-like quality I reach for on every project, budget permitting or not. I always try to shoot a lot of projects on film, and when the budget doesn't really call for it, the ALEXA 35 is exactly the tool for the job,” says cinematographer Liam Higgings on using ALEXA 35 with the Nostalgic texture on “A Tribe Called Love.” In this new feature film, two Somali youths in a Toronto neighbourhood choose to love each other despite the inevitable conflict they will face because they come from rival tribes.
ㅤ
👉 Learn more about ARRI textures at arri.com/textures (link in bio)
ㅤ
Writer/director: Mohamed Ahmed
Production company: @mahaicapoint
Executive producers: @aakdari, @dalmarabuzeid, Trevor Duwyn, Jeremy Hood
Line producer: Candice Chow-How
Producer: @marshallfmt
Production manager: @the.sam.bones
1st AD: @bigphepburn
2nd AD: @abrahamdawod
Script supervisor: Andrea Maxwell
DP: @liamhiggins
1st AC: @13thmovement
2nd AC: @dp.chiripa
Gaffer: @jordanheguy
Best electric: @jhongult
Key grip: @childish_creative
Dolly grip: Christopher Noble, Jarrett Murray
Casting director: @gorinstephanie
Wardrobe: @jeannette.n.linton
Production designer: msjunecharles
Art dept: @reanaole @shharine
MUA: Safiya Daley roxannedenobrega, @nomakeupwipes
Editor: @brettrostrup
Postproduction: @rollingpicturesca
Colorist: @clintonhomuth
Color studio: @artjail
Color producer: Allison Kinnear
Special thanks from the cinematographer to @keslowcamera @kodak
ㅤ
#ARRI #ALEXA35 #CapturedWithARRI #ATribeCalledLove
“On 'A Tribe Called Love,' shooting with the ARRI ALEXA 35 came down to practicality and aesthetics. I wanted a camera package that was condensed, nimble, and versatile. The in-camera textures were a bonus—a film-like quality I reach for on every project, budget permitting or not. I always try to shoot a lot of projects on film, and when the budget doesn't really call for it, the ALEXA 35 is exactly the tool for the job,” says cinematographer Liam Higgings on using ALEXA 35 with the Nostalgic texture on “A Tribe Called Love.” In this new feature film, two Somali youths in a Toronto neighbourhood choose to love each other despite the inevitable conflict they will face because they come from rival tribes.
ㅤ
👉 Learn more about ARRI textures at arri.com/textures (link in bio)
ㅤ
Writer/director: Mohamed Ahmed
Production company: @mahaicapoint
Executive producers: @aakdari, @dalmarabuzeid, Trevor Duwyn, Jeremy Hood
Line producer: Candice Chow-How
Producer: @marshallfmt
Production manager: @the.sam.bones
1st AD: @bigphepburn
2nd AD: @abrahamdawod
Script supervisor: Andrea Maxwell
DP: @liamhiggins
1st AC: @13thmovement
2nd AC: @dp.chiripa
Gaffer: @jordanheguy
Best electric: @jhongult
Key grip: @childish_creative
Dolly grip: Christopher Noble, Jarrett Murray
Casting director: @gorinstephanie
Wardrobe: @jeannette.n.linton
Production designer: msjunecharles
Art dept: @reanaole @shharine
MUA: Safiya Daley roxannedenobrega, @nomakeupwipes
Editor: @brettrostrup
Postproduction: @rollingpicturesca
Colorist: @clintonhomuth
Color studio: @artjail
Color producer: Allison Kinnear
Special thanks from the cinematographer to @keslowcamera @kodak
ㅤ
#ARRI #ALEXA35 #CapturedWithARRI #ATribeCalledLove
"The most challenging part was filming the ending of the music video. We had originally planned to shoot it at sunset, something quiet, controlled, almost resolved. But when we arrived, it started pouring rain. We had to make a decision quickly, either hold onto the plan or let it go. We chose to lean into what was in front of us. We filmed GOVI riding through the downpour, leading him from the back of a moving van with the trunk open. It was uncomfortable, chaotic, and uncertain for all of us." - Director: @jordenandrewlee
GOVI "Couple More Times"
director: @jordenandrewlee
production company: @kidstudio_ @pique
executive producer: @parkdalev imad.eth
producer: @carlo.p
production manager: @alexmeghie @erixonjbernardo
dp: @liamhiggins
1st ac: @oleksii.furdiiak
2nd ac: @lil.queena
gaffer: @stuart.croll
best electric: @birdpolicy
key grip: @dexters_laaaaaaaaaaaaab
grip: @alexandercoelho.dp
stylist: @liemgiaycuatoi
stylist assistant: glaz3yyy
production designer: @hashtagmarina
art pa: claudiaandriichuk
mua: @c_isabellag @sacheu
editor: @jordenandrewlee @michaelbbarker
editing house: @outsidereditorial
colourist: @sgllng
colour studio: @_baconx_
typography: @bornuh
key pa: @jhncrwfrd
pa: Lisa Messeghem
bike technician: @_scottvieira
bts photographer: @alvarogoveia
special thanks: @prismprize @rbcxmusic @keslowcamera @ontariocamera
Tech Specs:
We knew from the beginning that it had to be shot on 4-Perf 35mm. It just felt right for the story.
We shot on the ARRI Arriflex 235 using a mix of ARRI/Zeiss Master Primes, ranging from wider lenses like 14mm and 27mm to longer focal lengths like 65mm and 100mm. Those lenses gave us a kind of precision and intimacy that worked well for the quieter moments. We also used the Angenieux Optimo 24–290mm zoom, which allowed us to stay flexible, especially in more unpredictable situations.
Budget: $5k-$15k
"The most challenging part was filming the ending of the music video. We had originally planned to shoot it at sunset, something quiet, controlled, almost resolved. But when we arrived, it started pouring rain. We had to make a decision quickly, either hold onto the plan or let it go. We chose to lean into what was in front of us. We filmed GOVI riding through the downpour, leading him from the back of a moving van with the trunk open. It was uncomfortable, chaotic, and uncertain for all of us." - Director: @jordenandrewlee
GOVI "Couple More Times"
director: @jordenandrewlee
production company: @kidstudio_ @pique
executive producer: @parkdalev imad.eth
producer: @carlo.p
production manager: @alexmeghie @erixonjbernardo
dp: @liamhiggins
1st ac: @oleksii.furdiiak
2nd ac: @lil.queena
gaffer: @stuart.croll
best electric: @birdpolicy
key grip: @dexters_laaaaaaaaaaaaab
grip: @alexandercoelho.dp
stylist: @liemgiaycuatoi
stylist assistant: glaz3yyy
production designer: @hashtagmarina
art pa: claudiaandriichuk
mua: @c_isabellag @sacheu
editor: @jordenandrewlee @michaelbbarker
editing house: @outsidereditorial
colourist: @sgllng
colour studio: @_baconx_
typography: @bornuh
key pa: @jhncrwfrd
pa: Lisa Messeghem
bike technician: @_scottvieira
bts photographer: @alvarogoveia
special thanks: @prismprize @rbcxmusic @keslowcamera @ontariocamera
Tech Specs:
We knew from the beginning that it had to be shot on 4-Perf 35mm. It just felt right for the story.
We shot on the ARRI Arriflex 235 using a mix of ARRI/Zeiss Master Primes, ranging from wider lenses like 14mm and 27mm to longer focal lengths like 65mm and 100mm. Those lenses gave us a kind of precision and intimacy that worked well for the quieter moments. We also used the Angenieux Optimo 24–290mm zoom, which allowed us to stay flexible, especially in more unpredictable situations.
Budget: $5k-$15k
"The most challenging part was filming the ending of the music video. We had originally planned to shoot it at sunset, something quiet, controlled, almost resolved. But when we arrived, it started pouring rain. We had to make a decision quickly, either hold onto the plan or let it go. We chose to lean into what was in front of us. We filmed GOVI riding through the downpour, leading him from the back of a moving van with the trunk open. It was uncomfortable, chaotic, and uncertain for all of us." - Director: @jordenandrewlee
GOVI "Couple More Times"
director: @jordenandrewlee
production company: @kidstudio_ @pique
executive producer: @parkdalev imad.eth
producer: @carlo.p
production manager: @alexmeghie @erixonjbernardo
dp: @liamhiggins
1st ac: @oleksii.furdiiak
2nd ac: @lil.queena
gaffer: @stuart.croll
best electric: @birdpolicy
key grip: @dexters_laaaaaaaaaaaaab
grip: @alexandercoelho.dp
stylist: @liemgiaycuatoi
stylist assistant: glaz3yyy
production designer: @hashtagmarina
art pa: claudiaandriichuk
mua: @c_isabellag @sacheu
editor: @jordenandrewlee @michaelbbarker
editing house: @outsidereditorial
colourist: @sgllng
colour studio: @_baconx_
typography: @bornuh
key pa: @jhncrwfrd
pa: Lisa Messeghem
bike technician: @_scottvieira
bts photographer: @alvarogoveia
special thanks: @prismprize @rbcxmusic @keslowcamera @ontariocamera
Tech Specs:
We knew from the beginning that it had to be shot on 4-Perf 35mm. It just felt right for the story.
We shot on the ARRI Arriflex 235 using a mix of ARRI/Zeiss Master Primes, ranging from wider lenses like 14mm and 27mm to longer focal lengths like 65mm and 100mm. Those lenses gave us a kind of precision and intimacy that worked well for the quieter moments. We also used the Angenieux Optimo 24–290mm zoom, which allowed us to stay flexible, especially in more unpredictable situations.
Budget: $5k-$15k
"The most challenging part was filming the ending of the music video. We had originally planned to shoot it at sunset, something quiet, controlled, almost resolved. But when we arrived, it started pouring rain. We had to make a decision quickly, either hold onto the plan or let it go. We chose to lean into what was in front of us. We filmed GOVI riding through the downpour, leading him from the back of a moving van with the trunk open. It was uncomfortable, chaotic, and uncertain for all of us." - Director: @jordenandrewlee
GOVI "Couple More Times"
director: @jordenandrewlee
production company: @kidstudio_ @pique
executive producer: @parkdalev imad.eth
producer: @carlo.p
production manager: @alexmeghie @erixonjbernardo
dp: @liamhiggins
1st ac: @oleksii.furdiiak
2nd ac: @lil.queena
gaffer: @stuart.croll
best electric: @birdpolicy
key grip: @dexters_laaaaaaaaaaaaab
grip: @alexandercoelho.dp
stylist: @liemgiaycuatoi
stylist assistant: glaz3yyy
production designer: @hashtagmarina
art pa: claudiaandriichuk
mua: @c_isabellag @sacheu
editor: @jordenandrewlee @michaelbbarker
editing house: @outsidereditorial
colourist: @sgllng
colour studio: @_baconx_
typography: @bornuh
key pa: @jhncrwfrd
pa: Lisa Messeghem
bike technician: @_scottvieira
bts photographer: @alvarogoveia
special thanks: @prismprize @rbcxmusic @keslowcamera @ontariocamera
Tech Specs:
We knew from the beginning that it had to be shot on 4-Perf 35mm. It just felt right for the story.
We shot on the ARRI Arriflex 235 using a mix of ARRI/Zeiss Master Primes, ranging from wider lenses like 14mm and 27mm to longer focal lengths like 65mm and 100mm. Those lenses gave us a kind of precision and intimacy that worked well for the quieter moments. We also used the Angenieux Optimo 24–290mm zoom, which allowed us to stay flexible, especially in more unpredictable situations.
Budget: $5k-$15k
"The most challenging part was filming the ending of the music video. We had originally planned to shoot it at sunset, something quiet, controlled, almost resolved. But when we arrived, it started pouring rain. We had to make a decision quickly, either hold onto the plan or let it go. We chose to lean into what was in front of us. We filmed GOVI riding through the downpour, leading him from the back of a moving van with the trunk open. It was uncomfortable, chaotic, and uncertain for all of us." - Director: @jordenandrewlee
GOVI "Couple More Times"
director: @jordenandrewlee
production company: @kidstudio_ @pique
executive producer: @parkdalev imad.eth
producer: @carlo.p
production manager: @alexmeghie @erixonjbernardo
dp: @liamhiggins
1st ac: @oleksii.furdiiak
2nd ac: @lil.queena
gaffer: @stuart.croll
best electric: @birdpolicy
key grip: @dexters_laaaaaaaaaaaaab
grip: @alexandercoelho.dp
stylist: @liemgiaycuatoi
stylist assistant: glaz3yyy
production designer: @hashtagmarina
art pa: claudiaandriichuk
mua: @c_isabellag @sacheu
editor: @jordenandrewlee @michaelbbarker
editing house: @outsidereditorial
colourist: @sgllng
colour studio: @_baconx_
typography: @bornuh
key pa: @jhncrwfrd
pa: Lisa Messeghem
bike technician: @_scottvieira
bts photographer: @alvarogoveia
special thanks: @prismprize @rbcxmusic @keslowcamera @ontariocamera
Tech Specs:
We knew from the beginning that it had to be shot on 4-Perf 35mm. It just felt right for the story.
We shot on the ARRI Arriflex 235 using a mix of ARRI/Zeiss Master Primes, ranging from wider lenses like 14mm and 27mm to longer focal lengths like 65mm and 100mm. Those lenses gave us a kind of precision and intimacy that worked well for the quieter moments. We also used the Angenieux Optimo 24–290mm zoom, which allowed us to stay flexible, especially in more unpredictable situations.
Budget: $5k-$15k
"The most challenging part was filming the ending of the music video. We had originally planned to shoot it at sunset, something quiet, controlled, almost resolved. But when we arrived, it started pouring rain. We had to make a decision quickly, either hold onto the plan or let it go. We chose to lean into what was in front of us. We filmed GOVI riding through the downpour, leading him from the back of a moving van with the trunk open. It was uncomfortable, chaotic, and uncertain for all of us." - Director: @jordenandrewlee
GOVI "Couple More Times"
director: @jordenandrewlee
production company: @kidstudio_ @pique
executive producer: @parkdalev imad.eth
producer: @carlo.p
production manager: @alexmeghie @erixonjbernardo
dp: @liamhiggins
1st ac: @oleksii.furdiiak
2nd ac: @lil.queena
gaffer: @stuart.croll
best electric: @birdpolicy
key grip: @dexters_laaaaaaaaaaaaab
grip: @alexandercoelho.dp
stylist: @liemgiaycuatoi
stylist assistant: glaz3yyy
production designer: @hashtagmarina
art pa: claudiaandriichuk
mua: @c_isabellag @sacheu
editor: @jordenandrewlee @michaelbbarker
editing house: @outsidereditorial
colourist: @sgllng
colour studio: @_baconx_
typography: @bornuh
key pa: @jhncrwfrd
pa: Lisa Messeghem
bike technician: @_scottvieira
bts photographer: @alvarogoveia
special thanks: @prismprize @rbcxmusic @keslowcamera @ontariocamera
Tech Specs:
We knew from the beginning that it had to be shot on 4-Perf 35mm. It just felt right for the story.
We shot on the ARRI Arriflex 235 using a mix of ARRI/Zeiss Master Primes, ranging from wider lenses like 14mm and 27mm to longer focal lengths like 65mm and 100mm. Those lenses gave us a kind of precision and intimacy that worked well for the quieter moments. We also used the Angenieux Optimo 24–290mm zoom, which allowed us to stay flexible, especially in more unpredictable situations.
Budget: $5k-$15k
"The most challenging part was filming the ending of the music video. We had originally planned to shoot it at sunset, something quiet, controlled, almost resolved. But when we arrived, it started pouring rain. We had to make a decision quickly, either hold onto the plan or let it go. We chose to lean into what was in front of us. We filmed GOVI riding through the downpour, leading him from the back of a moving van with the trunk open. It was uncomfortable, chaotic, and uncertain for all of us." - Director: @jordenandrewlee
GOVI "Couple More Times"
director: @jordenandrewlee
production company: @kidstudio_ @pique
executive producer: @parkdalev imad.eth
producer: @carlo.p
production manager: @alexmeghie @erixonjbernardo
dp: @liamhiggins
1st ac: @oleksii.furdiiak
2nd ac: @lil.queena
gaffer: @stuart.croll
best electric: @birdpolicy
key grip: @dexters_laaaaaaaaaaaaab
grip: @alexandercoelho.dp
stylist: @liemgiaycuatoi
stylist assistant: glaz3yyy
production designer: @hashtagmarina
art pa: claudiaandriichuk
mua: @c_isabellag @sacheu
editor: @jordenandrewlee @michaelbbarker
editing house: @outsidereditorial
colourist: @sgllng
colour studio: @_baconx_
typography: @bornuh
key pa: @jhncrwfrd
pa: Lisa Messeghem
bike technician: @_scottvieira
bts photographer: @alvarogoveia
special thanks: @prismprize @rbcxmusic @keslowcamera @ontariocamera
Tech Specs:
We knew from the beginning that it had to be shot on 4-Perf 35mm. It just felt right for the story.
We shot on the ARRI Arriflex 235 using a mix of ARRI/Zeiss Master Primes, ranging from wider lenses like 14mm and 27mm to longer focal lengths like 65mm and 100mm. Those lenses gave us a kind of precision and intimacy that worked well for the quieter moments. We also used the Angenieux Optimo 24–290mm zoom, which allowed us to stay flexible, especially in more unpredictable situations.
Budget: $5k-$15k
"The most challenging part was filming the ending of the music video. We had originally planned to shoot it at sunset, something quiet, controlled, almost resolved. But when we arrived, it started pouring rain. We had to make a decision quickly, either hold onto the plan or let it go. We chose to lean into what was in front of us. We filmed GOVI riding through the downpour, leading him from the back of a moving van with the trunk open. It was uncomfortable, chaotic, and uncertain for all of us." - Director: @jordenandrewlee
GOVI "Couple More Times"
director: @jordenandrewlee
production company: @kidstudio_ @pique
executive producer: @parkdalev imad.eth
producer: @carlo.p
production manager: @alexmeghie @erixonjbernardo
dp: @liamhiggins
1st ac: @oleksii.furdiiak
2nd ac: @lil.queena
gaffer: @stuart.croll
best electric: @birdpolicy
key grip: @dexters_laaaaaaaaaaaaab
grip: @alexandercoelho.dp
stylist: @liemgiaycuatoi
stylist assistant: glaz3yyy
production designer: @hashtagmarina
art pa: claudiaandriichuk
mua: @c_isabellag @sacheu
editor: @jordenandrewlee @michaelbbarker
editing house: @outsidereditorial
colourist: @sgllng
colour studio: @_baconx_
typography: @bornuh
key pa: @jhncrwfrd
pa: Lisa Messeghem
bike technician: @_scottvieira
bts photographer: @alvarogoveia
special thanks: @prismprize @rbcxmusic @keslowcamera @ontariocamera
Tech Specs:
We knew from the beginning that it had to be shot on 4-Perf 35mm. It just felt right for the story.
We shot on the ARRI Arriflex 235 using a mix of ARRI/Zeiss Master Primes, ranging from wider lenses like 14mm and 27mm to longer focal lengths like 65mm and 100mm. Those lenses gave us a kind of precision and intimacy that worked well for the quieter moments. We also used the Angenieux Optimo 24–290mm zoom, which allowed us to stay flexible, especially in more unpredictable situations.
Budget: $5k-$15k
"The most challenging part was filming the ending of the music video. We had originally planned to shoot it at sunset, something quiet, controlled, almost resolved. But when we arrived, it started pouring rain. We had to make a decision quickly, either hold onto the plan or let it go. We chose to lean into what was in front of us. We filmed GOVI riding through the downpour, leading him from the back of a moving van with the trunk open. It was uncomfortable, chaotic, and uncertain for all of us." - Director: @jordenandrewlee
GOVI "Couple More Times"
director: @jordenandrewlee
production company: @kidstudio_ @pique
executive producer: @parkdalev imad.eth
producer: @carlo.p
production manager: @alexmeghie @erixonjbernardo
dp: @liamhiggins
1st ac: @oleksii.furdiiak
2nd ac: @lil.queena
gaffer: @stuart.croll
best electric: @birdpolicy
key grip: @dexters_laaaaaaaaaaaaab
grip: @alexandercoelho.dp
stylist: @liemgiaycuatoi
stylist assistant: glaz3yyy
production designer: @hashtagmarina
art pa: claudiaandriichuk
mua: @c_isabellag @sacheu
editor: @jordenandrewlee @michaelbbarker
editing house: @outsidereditorial
colourist: @sgllng
colour studio: @_baconx_
typography: @bornuh
key pa: @jhncrwfrd
pa: Lisa Messeghem
bike technician: @_scottvieira
bts photographer: @alvarogoveia
special thanks: @prismprize @rbcxmusic @keslowcamera @ontariocamera
Tech Specs:
We knew from the beginning that it had to be shot on 4-Perf 35mm. It just felt right for the story.
We shot on the ARRI Arriflex 235 using a mix of ARRI/Zeiss Master Primes, ranging from wider lenses like 14mm and 27mm to longer focal lengths like 65mm and 100mm. Those lenses gave us a kind of precision and intimacy that worked well for the quieter moments. We also used the Angenieux Optimo 24–290mm zoom, which allowed us to stay flexible, especially in more unpredictable situations.
Budget: $5k-$15k
"The most challenging part was filming the ending of the music video. We had originally planned to shoot it at sunset, something quiet, controlled, almost resolved. But when we arrived, it started pouring rain. We had to make a decision quickly, either hold onto the plan or let it go. We chose to lean into what was in front of us. We filmed GOVI riding through the downpour, leading him from the back of a moving van with the trunk open. It was uncomfortable, chaotic, and uncertain for all of us." - Director: @jordenandrewlee
GOVI "Couple More Times"
director: @jordenandrewlee
production company: @kidstudio_ @pique
executive producer: @parkdalev imad.eth
producer: @carlo.p
production manager: @alexmeghie @erixonjbernardo
dp: @liamhiggins
1st ac: @oleksii.furdiiak
2nd ac: @lil.queena
gaffer: @stuart.croll
best electric: @birdpolicy
key grip: @dexters_laaaaaaaaaaaaab
grip: @alexandercoelho.dp
stylist: @liemgiaycuatoi
stylist assistant: glaz3yyy
production designer: @hashtagmarina
art pa: claudiaandriichuk
mua: @c_isabellag @sacheu
editor: @jordenandrewlee @michaelbbarker
editing house: @outsidereditorial
colourist: @sgllng
colour studio: @_baconx_
typography: @bornuh
key pa: @jhncrwfrd
pa: Lisa Messeghem
bike technician: @_scottvieira
bts photographer: @alvarogoveia
special thanks: @prismprize @rbcxmusic @keslowcamera @ontariocamera
Tech Specs:
We knew from the beginning that it had to be shot on 4-Perf 35mm. It just felt right for the story.
We shot on the ARRI Arriflex 235 using a mix of ARRI/Zeiss Master Primes, ranging from wider lenses like 14mm and 27mm to longer focal lengths like 65mm and 100mm. Those lenses gave us a kind of precision and intimacy that worked well for the quieter moments. We also used the Angenieux Optimo 24–290mm zoom, which allowed us to stay flexible, especially in more unpredictable situations.
Budget: $5k-$15k
Spaces from Ireland & United Kingdom.
35mm, @kodak_shootfilm
Dec 2025.
Reflecting on this trip by coming back to these photos has been refreshing. The Barbican Centre was a solid reminder for my love of brutalism, and it was great to be inspired by architecture again for the first time in the greater part of a year.
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.
.
#35mm #contaxzeiss @kodak_shootfilm
Spaces from Ireland & United Kingdom.
35mm, @kodak_shootfilm
Dec 2025.
Reflecting on this trip by coming back to these photos has been refreshing. The Barbican Centre was a solid reminder for my love of brutalism, and it was great to be inspired by architecture again for the first time in the greater part of a year.
.
.
.
.
.
#35mm #contaxzeiss @kodak_shootfilm
Spaces from Ireland & United Kingdom.
35mm, @kodak_shootfilm
Dec 2025.
Reflecting on this trip by coming back to these photos has been refreshing. The Barbican Centre was a solid reminder for my love of brutalism, and it was great to be inspired by architecture again for the first time in the greater part of a year.
.
.
.
.
.
#35mm #contaxzeiss @kodak_shootfilm
Spaces from Ireland & United Kingdom.
35mm, @kodak_shootfilm
Dec 2025.
Reflecting on this trip by coming back to these photos has been refreshing. The Barbican Centre was a solid reminder for my love of brutalism, and it was great to be inspired by architecture again for the first time in the greater part of a year.
.
.
.
.
.
#35mm #contaxzeiss @kodak_shootfilm
Spaces from Ireland & United Kingdom.
35mm, @kodak_shootfilm
Dec 2025.
Reflecting on this trip by coming back to these photos has been refreshing. The Barbican Centre was a solid reminder for my love of brutalism, and it was great to be inspired by architecture again for the first time in the greater part of a year.
.
.
.
.
.
#35mm #contaxzeiss @kodak_shootfilm
Spaces from Ireland & United Kingdom.
35mm, @kodak_shootfilm
Dec 2025.
Reflecting on this trip by coming back to these photos has been refreshing. The Barbican Centre was a solid reminder for my love of brutalism, and it was great to be inspired by architecture again for the first time in the greater part of a year.
.
.
.
.
.
#35mm #contaxzeiss @kodak_shootfilm
Spaces from Ireland & United Kingdom.
35mm, @kodak_shootfilm
Dec 2025.
Reflecting on this trip by coming back to these photos has been refreshing. The Barbican Centre was a solid reminder for my love of brutalism, and it was great to be inspired by architecture again for the first time in the greater part of a year.
.
.
.
.
.
#35mm #contaxzeiss @kodak_shootfilm
Spaces from Ireland & United Kingdom.
35mm, @kodak_shootfilm
Dec 2025.
Reflecting on this trip by coming back to these photos has been refreshing. The Barbican Centre was a solid reminder for my love of brutalism, and it was great to be inspired by architecture again for the first time in the greater part of a year.
.
.
.
.
.
#35mm #contaxzeiss @kodak_shootfilm
A Tribe Called Love - my third feature film as a DP
@reelworld 2025 Audience Choice Award
US Premieres Feb 19th in LA at @paffnow !
Available soon on streaming platforms.
Starring @dalmarabuzeid @feavenabera @hassanphills
This project was beautiful, special and made by the most thoughtful crew of people. A project to remember for the rest of my days. 🤍
Credits
Writer, Director: Mohamed Ahmed
Production Company: @mahaicapoint
Executive Producer: @aakdari, @dalmarabuzeid, Trevor Duwyn, Jeremy Hood
Line Producer: Candice Chow-How
Producer: @marshallfmt
Production Manager: @the.sam.bones
1st AD: @bigphepburn
2nd AD: @abrahamdawod
Script Supervisor: Andrea Maxwell
DP: @liamhiggins
1st AC: @13thmovement
2nd AC: @dp.chiripa
Gaffer: @jordanheguy
Best Electric: @jhongult
Key Grip: @childish_creative
Dolly Grip: Christopher Noble, Jarrett Murray
Casting Director: @gorinstephanie
Wardrobe: @jeannette.n.linton
Production Designer: msjunecharles
Art Dept: @reanaole @shharine
MUA: Safiya Daley @roxannedenobrega, @nomakeupwipes
Editor: @brettrostrup
Post Production: @rollingpicturesca
Colourist: @clintonhomuth
Colour Studio: @artjail
Colour Producer: Allison Kinnear
Special thanks @keslowcamera @kodak
Apologies in advance if I missed anyone!
A Tribe Called Love - my third feature film as a DP
@reelworld 2025 Audience Choice Award
US Premieres Feb 19th in LA at @paffnow !
Available soon on streaming platforms.
Starring @dalmarabuzeid @feavenabera @hassanphills
This project was beautiful, special and made by the most thoughtful crew of people. A project to remember for the rest of my days. 🤍
Credits
Writer, Director: Mohamed Ahmed
Production Company: @mahaicapoint
Executive Producer: @aakdari, @dalmarabuzeid, Trevor Duwyn, Jeremy Hood
Line Producer: Candice Chow-How
Producer: @marshallfmt
Production Manager: @the.sam.bones
1st AD: @bigphepburn
2nd AD: @abrahamdawod
Script Supervisor: Andrea Maxwell
DP: @liamhiggins
1st AC: @13thmovement
2nd AC: @dp.chiripa
Gaffer: @jordanheguy
Best Electric: @jhongult
Key Grip: @childish_creative
Dolly Grip: Christopher Noble, Jarrett Murray
Casting Director: @gorinstephanie
Wardrobe: @jeannette.n.linton
Production Designer: msjunecharles
Art Dept: @reanaole @shharine
MUA: Safiya Daley @roxannedenobrega, @nomakeupwipes
Editor: @brettrostrup
Post Production: @rollingpicturesca
Colourist: @clintonhomuth
Colour Studio: @artjail
Colour Producer: Allison Kinnear
Special thanks @keslowcamera @kodak
Apologies in advance if I missed anyone!
A Tribe Called Love - my third feature film as a DP
@reelworld 2025 Audience Choice Award
US Premieres Feb 19th in LA at @paffnow !
Available soon on streaming platforms.
Starring @dalmarabuzeid @feavenabera @hassanphills
This project was beautiful, special and made by the most thoughtful crew of people. A project to remember for the rest of my days. 🤍
Credits
Writer, Director: Mohamed Ahmed
Production Company: @mahaicapoint
Executive Producer: @aakdari, @dalmarabuzeid, Trevor Duwyn, Jeremy Hood
Line Producer: Candice Chow-How
Producer: @marshallfmt
Production Manager: @the.sam.bones
1st AD: @bigphepburn
2nd AD: @abrahamdawod
Script Supervisor: Andrea Maxwell
DP: @liamhiggins
1st AC: @13thmovement
2nd AC: @dp.chiripa
Gaffer: @jordanheguy
Best Electric: @jhongult
Key Grip: @childish_creative
Dolly Grip: Christopher Noble, Jarrett Murray
Casting Director: @gorinstephanie
Wardrobe: @jeannette.n.linton
Production Designer: msjunecharles
Art Dept: @reanaole @shharine
MUA: Safiya Daley @roxannedenobrega, @nomakeupwipes
Editor: @brettrostrup
Post Production: @rollingpicturesca
Colourist: @clintonhomuth
Colour Studio: @artjail
Colour Producer: Allison Kinnear
Special thanks @keslowcamera @kodak
Apologies in advance if I missed anyone!
A Tribe Called Love - my third feature film as a DP
@reelworld 2025 Audience Choice Award
US Premieres Feb 19th in LA at @paffnow !
Available soon on streaming platforms.
Starring @dalmarabuzeid @feavenabera @hassanphills
This project was beautiful, special and made by the most thoughtful crew of people. A project to remember for the rest of my days. 🤍
Credits
Writer, Director: Mohamed Ahmed
Production Company: @mahaicapoint
Executive Producer: @aakdari, @dalmarabuzeid, Trevor Duwyn, Jeremy Hood
Line Producer: Candice Chow-How
Producer: @marshallfmt
Production Manager: @the.sam.bones
1st AD: @bigphepburn
2nd AD: @abrahamdawod
Script Supervisor: Andrea Maxwell
DP: @liamhiggins
1st AC: @13thmovement
2nd AC: @dp.chiripa
Gaffer: @jordanheguy
Best Electric: @jhongult
Key Grip: @childish_creative
Dolly Grip: Christopher Noble, Jarrett Murray
Casting Director: @gorinstephanie
Wardrobe: @jeannette.n.linton
Production Designer: msjunecharles
Art Dept: @reanaole @shharine
MUA: Safiya Daley @roxannedenobrega, @nomakeupwipes
Editor: @brettrostrup
Post Production: @rollingpicturesca
Colourist: @clintonhomuth
Colour Studio: @artjail
Colour Producer: Allison Kinnear
Special thanks @keslowcamera @kodak
Apologies in advance if I missed anyone!
A Tribe Called Love - my third feature film as a DP
@reelworld 2025 Audience Choice Award
US Premieres Feb 19th in LA at @paffnow !
Available soon on streaming platforms.
Starring @dalmarabuzeid @feavenabera @hassanphills
This project was beautiful, special and made by the most thoughtful crew of people. A project to remember for the rest of my days. 🤍
Credits
Writer, Director: Mohamed Ahmed
Production Company: @mahaicapoint
Executive Producer: @aakdari, @dalmarabuzeid, Trevor Duwyn, Jeremy Hood
Line Producer: Candice Chow-How
Producer: @marshallfmt
Production Manager: @the.sam.bones
1st AD: @bigphepburn
2nd AD: @abrahamdawod
Script Supervisor: Andrea Maxwell
DP: @liamhiggins
1st AC: @13thmovement
2nd AC: @dp.chiripa
Gaffer: @jordanheguy
Best Electric: @jhongult
Key Grip: @childish_creative
Dolly Grip: Christopher Noble, Jarrett Murray
Casting Director: @gorinstephanie
Wardrobe: @jeannette.n.linton
Production Designer: msjunecharles
Art Dept: @reanaole @shharine
MUA: Safiya Daley @roxannedenobrega, @nomakeupwipes
Editor: @brettrostrup
Post Production: @rollingpicturesca
Colourist: @clintonhomuth
Colour Studio: @artjail
Colour Producer: Allison Kinnear
Special thanks @keslowcamera @kodak
Apologies in advance if I missed anyone!
A Tribe Called Love - my third feature film as a DP
@reelworld 2025 Audience Choice Award
US Premieres Feb 19th in LA at @paffnow !
Available soon on streaming platforms.
Starring @dalmarabuzeid @feavenabera @hassanphills
This project was beautiful, special and made by the most thoughtful crew of people. A project to remember for the rest of my days. 🤍
Credits
Writer, Director: Mohamed Ahmed
Production Company: @mahaicapoint
Executive Producer: @aakdari, @dalmarabuzeid, Trevor Duwyn, Jeremy Hood
Line Producer: Candice Chow-How
Producer: @marshallfmt
Production Manager: @the.sam.bones
1st AD: @bigphepburn
2nd AD: @abrahamdawod
Script Supervisor: Andrea Maxwell
DP: @liamhiggins
1st AC: @13thmovement
2nd AC: @dp.chiripa
Gaffer: @jordanheguy
Best Electric: @jhongult
Key Grip: @childish_creative
Dolly Grip: Christopher Noble, Jarrett Murray
Casting Director: @gorinstephanie
Wardrobe: @jeannette.n.linton
Production Designer: msjunecharles
Art Dept: @reanaole @shharine
MUA: Safiya Daley @roxannedenobrega, @nomakeupwipes
Editor: @brettrostrup
Post Production: @rollingpicturesca
Colourist: @clintonhomuth
Colour Studio: @artjail
Colour Producer: Allison Kinnear
Special thanks @keslowcamera @kodak
Apologies in advance if I missed anyone!
A Tribe Called Love - my third feature film as a DP
@reelworld 2025 Audience Choice Award
US Premieres Feb 19th in LA at @paffnow !
Available soon on streaming platforms.
Starring @dalmarabuzeid @feavenabera @hassanphills
This project was beautiful, special and made by the most thoughtful crew of people. A project to remember for the rest of my days. 🤍
Credits
Writer, Director: Mohamed Ahmed
Production Company: @mahaicapoint
Executive Producer: @aakdari, @dalmarabuzeid, Trevor Duwyn, Jeremy Hood
Line Producer: Candice Chow-How
Producer: @marshallfmt
Production Manager: @the.sam.bones
1st AD: @bigphepburn
2nd AD: @abrahamdawod
Script Supervisor: Andrea Maxwell
DP: @liamhiggins
1st AC: @13thmovement
2nd AC: @dp.chiripa
Gaffer: @jordanheguy
Best Electric: @jhongult
Key Grip: @childish_creative
Dolly Grip: Christopher Noble, Jarrett Murray
Casting Director: @gorinstephanie
Wardrobe: @jeannette.n.linton
Production Designer: msjunecharles
Art Dept: @reanaole @shharine
MUA: Safiya Daley @roxannedenobrega, @nomakeupwipes
Editor: @brettrostrup
Post Production: @rollingpicturesca
Colourist: @clintonhomuth
Colour Studio: @artjail
Colour Producer: Allison Kinnear
Special thanks @keslowcamera @kodak
Apologies in advance if I missed anyone!
A Tribe Called Love - my third feature film as a DP
@reelworld 2025 Audience Choice Award
US Premieres Feb 19th in LA at @paffnow !
Available soon on streaming platforms.
Starring @dalmarabuzeid @feavenabera @hassanphills
This project was beautiful, special and made by the most thoughtful crew of people. A project to remember for the rest of my days. 🤍
Credits
Writer, Director: Mohamed Ahmed
Production Company: @mahaicapoint
Executive Producer: @aakdari, @dalmarabuzeid, Trevor Duwyn, Jeremy Hood
Line Producer: Candice Chow-How
Producer: @marshallfmt
Production Manager: @the.sam.bones
1st AD: @bigphepburn
2nd AD: @abrahamdawod
Script Supervisor: Andrea Maxwell
DP: @liamhiggins
1st AC: @13thmovement
2nd AC: @dp.chiripa
Gaffer: @jordanheguy
Best Electric: @jhongult
Key Grip: @childish_creative
Dolly Grip: Christopher Noble, Jarrett Murray
Casting Director: @gorinstephanie
Wardrobe: @jeannette.n.linton
Production Designer: msjunecharles
Art Dept: @reanaole @shharine
MUA: Safiya Daley @roxannedenobrega, @nomakeupwipes
Editor: @brettrostrup
Post Production: @rollingpicturesca
Colourist: @clintonhomuth
Colour Studio: @artjail
Colour Producer: Allison Kinnear
Special thanks @keslowcamera @kodak
Apologies in advance if I missed anyone!
A Tribe Called Love - my third feature film as a DP
@reelworld 2025 Audience Choice Award
US Premieres Feb 19th in LA at @paffnow !
Available soon on streaming platforms.
Starring @dalmarabuzeid @feavenabera @hassanphills
This project was beautiful, special and made by the most thoughtful crew of people. A project to remember for the rest of my days. 🤍
Credits
Writer, Director: Mohamed Ahmed
Production Company: @mahaicapoint
Executive Producer: @aakdari, @dalmarabuzeid, Trevor Duwyn, Jeremy Hood
Line Producer: Candice Chow-How
Producer: @marshallfmt
Production Manager: @the.sam.bones
1st AD: @bigphepburn
2nd AD: @abrahamdawod
Script Supervisor: Andrea Maxwell
DP: @liamhiggins
1st AC: @13thmovement
2nd AC: @dp.chiripa
Gaffer: @jordanheguy
Best Electric: @jhongult
Key Grip: @childish_creative
Dolly Grip: Christopher Noble, Jarrett Murray
Casting Director: @gorinstephanie
Wardrobe: @jeannette.n.linton
Production Designer: msjunecharles
Art Dept: @reanaole @shharine
MUA: Safiya Daley @roxannedenobrega, @nomakeupwipes
Editor: @brettrostrup
Post Production: @rollingpicturesca
Colourist: @clintonhomuth
Colour Studio: @artjail
Colour Producer: Allison Kinnear
Special thanks @keslowcamera @kodak
Apologies in advance if I missed anyone!
A Tribe Called Love - my third feature film as a DP
@reelworld 2025 Audience Choice Award
US Premieres Feb 19th in LA at @paffnow !
Available soon on streaming platforms.
Starring @dalmarabuzeid @feavenabera @hassanphills
This project was beautiful, special and made by the most thoughtful crew of people. A project to remember for the rest of my days. 🤍
Credits
Writer, Director: Mohamed Ahmed
Production Company: @mahaicapoint
Executive Producer: @aakdari, @dalmarabuzeid, Trevor Duwyn, Jeremy Hood
Line Producer: Candice Chow-How
Producer: @marshallfmt
Production Manager: @the.sam.bones
1st AD: @bigphepburn
2nd AD: @abrahamdawod
Script Supervisor: Andrea Maxwell
DP: @liamhiggins
1st AC: @13thmovement
2nd AC: @dp.chiripa
Gaffer: @jordanheguy
Best Electric: @jhongult
Key Grip: @childish_creative
Dolly Grip: Christopher Noble, Jarrett Murray
Casting Director: @gorinstephanie
Wardrobe: @jeannette.n.linton
Production Designer: msjunecharles
Art Dept: @reanaole @shharine
MUA: Safiya Daley @roxannedenobrega, @nomakeupwipes
Editor: @brettrostrup
Post Production: @rollingpicturesca
Colourist: @clintonhomuth
Colour Studio: @artjail
Colour Producer: Allison Kinnear
Special thanks @keslowcamera @kodak
Apologies in advance if I missed anyone!
A Tribe Called Love - my third feature film as a DP
@reelworld 2025 Audience Choice Award
US Premieres Feb 19th in LA at @paffnow !
Available soon on streaming platforms.
Starring @dalmarabuzeid @feavenabera @hassanphills
This project was beautiful, special and made by the most thoughtful crew of people. A project to remember for the rest of my days. 🤍
Credits
Writer, Director: Mohamed Ahmed
Production Company: @mahaicapoint
Executive Producer: @aakdari, @dalmarabuzeid, Trevor Duwyn, Jeremy Hood
Line Producer: Candice Chow-How
Producer: @marshallfmt
Production Manager: @the.sam.bones
1st AD: @bigphepburn
2nd AD: @abrahamdawod
Script Supervisor: Andrea Maxwell
DP: @liamhiggins
1st AC: @13thmovement
2nd AC: @dp.chiripa
Gaffer: @jordanheguy
Best Electric: @jhongult
Key Grip: @childish_creative
Dolly Grip: Christopher Noble, Jarrett Murray
Casting Director: @gorinstephanie
Wardrobe: @jeannette.n.linton
Production Designer: msjunecharles
Art Dept: @reanaole @shharine
MUA: Safiya Daley @roxannedenobrega, @nomakeupwipes
Editor: @brettrostrup
Post Production: @rollingpicturesca
Colourist: @clintonhomuth
Colour Studio: @artjail
Colour Producer: Allison Kinnear
Special thanks @keslowcamera @kodak
Apologies in advance if I missed anyone!
A Tribe Called Love - my third feature film as a DP
@reelworld 2025 Audience Choice Award
US Premieres Feb 19th in LA at @paffnow !
Available soon on streaming platforms.
Starring @dalmarabuzeid @feavenabera @hassanphills
This project was beautiful, special and made by the most thoughtful crew of people. A project to remember for the rest of my days. 🤍
Credits
Writer, Director: Mohamed Ahmed
Production Company: @mahaicapoint
Executive Producer: @aakdari, @dalmarabuzeid, Trevor Duwyn, Jeremy Hood
Line Producer: Candice Chow-How
Producer: @marshallfmt
Production Manager: @the.sam.bones
1st AD: @bigphepburn
2nd AD: @abrahamdawod
Script Supervisor: Andrea Maxwell
DP: @liamhiggins
1st AC: @13thmovement
2nd AC: @dp.chiripa
Gaffer: @jordanheguy
Best Electric: @jhongult
Key Grip: @childish_creative
Dolly Grip: Christopher Noble, Jarrett Murray
Casting Director: @gorinstephanie
Wardrobe: @jeannette.n.linton
Production Designer: msjunecharles
Art Dept: @reanaole @shharine
MUA: Safiya Daley @roxannedenobrega, @nomakeupwipes
Editor: @brettrostrup
Post Production: @rollingpicturesca
Colourist: @clintonhomuth
Colour Studio: @artjail
Colour Producer: Allison Kinnear
Special thanks @keslowcamera @kodak
Apologies in advance if I missed anyone!
ᴇxᴛʀᴀ ᴏʀᴅɪɴᴀʀʏ. [⅓]
Images featured in my first photo book, Extra Ordinary
A year of seeking presence. Instinct over concept, light over logic.
A quiet record of growth, captured on celluloid.
Curation one of three.
Prints available for purchase.
Shot on Mamiya 7, @kodak 120 Film.
Shot in Paris, France ; Barcelona, Spain and Toronto, Canada
Photographer & Direction: @liamhiggins
Editor: @liamhiggins
Printing: @mixamprint
Dev & Scan: @mementofilmlab
Gallery: @mementofilmlab
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.
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.
.
#streetphotography #photography #photobook #portfolio #toronto #europe #unitedkingdom #fineartphotography #photoart #artphotography
ᴇxᴛʀᴀ ᴏʀᴅɪɴᴀʀʏ. [⅓]
Images featured in my first photo book, Extra Ordinary
A year of seeking presence. Instinct over concept, light over logic.
A quiet record of growth, captured on celluloid.
Curation one of three.
Prints available for purchase.
Shot on Mamiya 7, @kodak 120 Film.
Shot in Paris, France ; Barcelona, Spain and Toronto, Canada
Photographer & Direction: @liamhiggins
Editor: @liamhiggins
Printing: @mixamprint
Dev & Scan: @mementofilmlab
Gallery: @mementofilmlab
.
.
.
.
.
#streetphotography #photography #photobook #portfolio #toronto #europe #unitedkingdom #fineartphotography #photoart #artphotography
ᴇxᴛʀᴀ ᴏʀᴅɪɴᴀʀʏ. [⅓]
Images featured in my first photo book, Extra Ordinary
A year of seeking presence. Instinct over concept, light over logic.
A quiet record of growth, captured on celluloid.
Curation one of three.
Prints available for purchase.
Shot on Mamiya 7, @kodak 120 Film.
Shot in Paris, France ; Barcelona, Spain and Toronto, Canada
Photographer & Direction: @liamhiggins
Editor: @liamhiggins
Printing: @mixamprint
Dev & Scan: @mementofilmlab
Gallery: @mementofilmlab
.
.
.
.
.
#streetphotography #photography #photobook #portfolio #toronto #europe #unitedkingdom #fineartphotography #photoart #artphotography
ᴇxᴛʀᴀ ᴏʀᴅɪɴᴀʀʏ. [⅓]
Images featured in my first photo book, Extra Ordinary
A year of seeking presence. Instinct over concept, light over logic.
A quiet record of growth, captured on celluloid.
Curation one of three.
Prints available for purchase.
Shot on Mamiya 7, @kodak 120 Film.
Shot in Paris, France ; Barcelona, Spain and Toronto, Canada
Photographer & Direction: @liamhiggins
Editor: @liamhiggins
Printing: @mixamprint
Dev & Scan: @mementofilmlab
Gallery: @mementofilmlab
.
.
.
.
.
#streetphotography #photography #photobook #portfolio #toronto #europe #unitedkingdom #fineartphotography #photoart #artphotography
ᴇxᴛʀᴀ ᴏʀᴅɪɴᴀʀʏ. [⅓]
Images featured in my first photo book, Extra Ordinary
A year of seeking presence. Instinct over concept, light over logic.
A quiet record of growth, captured on celluloid.
Curation one of three.
Prints available for purchase.
Shot on Mamiya 7, @kodak 120 Film.
Shot in Paris, France ; Barcelona, Spain and Toronto, Canada
Photographer & Direction: @liamhiggins
Editor: @liamhiggins
Printing: @mixamprint
Dev & Scan: @mementofilmlab
Gallery: @mementofilmlab
.
.
.
.
.
#streetphotography #photography #photobook #portfolio #toronto #europe #unitedkingdom #fineartphotography #photoart #artphotography
ᴇxᴛʀᴀ ᴏʀᴅɪɴᴀʀʏ. [⅓]
Images featured in my first photo book, Extra Ordinary
A year of seeking presence. Instinct over concept, light over logic.
A quiet record of growth, captured on celluloid.
Curation one of three.
Prints available for purchase.
Shot on Mamiya 7, @kodak 120 Film.
Shot in Paris, France ; Barcelona, Spain and Toronto, Canada
Photographer & Direction: @liamhiggins
Editor: @liamhiggins
Printing: @mixamprint
Dev & Scan: @mementofilmlab
Gallery: @mementofilmlab
.
.
.
.
.
#streetphotography #photography #photobook #portfolio #toronto #europe #unitedkingdom #fineartphotography #photoart #artphotography
ᴇxᴛʀᴀ ᴏʀᴅɪɴᴀʀʏ. [⅓]
Images featured in my first photo book, Extra Ordinary
A year of seeking presence. Instinct over concept, light over logic.
A quiet record of growth, captured on celluloid.
Curation one of three.
Prints available for purchase.
Shot on Mamiya 7, @kodak 120 Film.
Shot in Paris, France ; Barcelona, Spain and Toronto, Canada
Photographer & Direction: @liamhiggins
Editor: @liamhiggins
Printing: @mixamprint
Dev & Scan: @mementofilmlab
Gallery: @mementofilmlab
.
.
.
.
.
#streetphotography #photography #photobook #portfolio #toronto #europe #unitedkingdom #fineartphotography #photoart #artphotography
ᴇxᴛʀᴀ ᴏʀᴅɪɴᴀʀʏ. [⅓]
Images featured in my first photo book, Extra Ordinary
A year of seeking presence. Instinct over concept, light over logic.
A quiet record of growth, captured on celluloid.
Curation one of three.
Prints available for purchase.
Shot on Mamiya 7, @kodak 120 Film.
Shot in Paris, France ; Barcelona, Spain and Toronto, Canada
Photographer & Direction: @liamhiggins
Editor: @liamhiggins
Printing: @mixamprint
Dev & Scan: @mementofilmlab
Gallery: @mementofilmlab
.
.
.
.
.
#streetphotography #photography #photobook #portfolio #toronto #europe #unitedkingdom #fineartphotography #photoart #artphotography
ᴇxᴛʀᴀ ᴏʀᴅɪɴᴀʀʏ. [⅓]
Images featured in my first photo book, Extra Ordinary
A year of seeking presence. Instinct over concept, light over logic.
A quiet record of growth, captured on celluloid.
Curation one of three.
Prints available for purchase.
Shot on Mamiya 7, @kodak 120 Film.
Shot in Paris, France ; Barcelona, Spain and Toronto, Canada
Photographer & Direction: @liamhiggins
Editor: @liamhiggins
Printing: @mixamprint
Dev & Scan: @mementofilmlab
Gallery: @mementofilmlab
.
.
.
.
.
#streetphotography #photography #photobook #portfolio #toronto #europe #unitedkingdom #fineartphotography #photoart #artphotography
GOVI “Couple More Times”
Special thanks to the small but mighty team. 🤍
Shot on 35mm @kodak_shootfilm
Director: @jordenandrewlee
Production Company: @kidstudio_ @pique
Executive Producer: @parkdalev @imad.etc
Producer: @carlo.p
Production Manager: @alexmeghie @erixonjbernardo
DP: @liamhiggins
1st AC: @oleksii.furdiiak
2nd AC: @lil.queena
Gaffer: @stuart.croll
Best Electric: @birdpolicy
Key Grip: @dexters_laaaaaaaaaaaaab
Grip: @alexandercoelho.dp
Stylist: @liemgiaycuatoi
Stylist Assistant: glaz3yyy
Production Designer: @hashtagmarina
Art PA: @claudiaandriichu
MUA: @c_isabellag @sacheu
Editor: @jordenandrewlee @michaelbbarker
Editing House: @outsidereditorial
Colourist: @sgllng
Colour Studio: @baconproduction
Typography: @bornuh
Process & Scan: @Kodak New York
Key PA: @jhncrwfrd
PA: Lisa Messeghem
Bike Technician: @_scottvieira
BTS Photographer: @alvarogoveia
Special thanks: @prismprize @rbcxmusic @keslowcamera @ontariocamera @kodak
•
•
•
#cinematography #35mm #film #musicvideo #toronto
GOVI “Couple More Times”
Special thanks to the small but mighty team. 🤍
Shot on 35mm @kodak_shootfilm
Director: @jordenandrewlee
Production Company: @kidstudio_ @pique
Executive Producer: @parkdalev @imad.etc
Producer: @carlo.p
Production Manager: @alexmeghie @erixonjbernardo
DP: @liamhiggins
1st AC: @oleksii.furdiiak
2nd AC: @lil.queena
Gaffer: @stuart.croll
Best Electric: @birdpolicy
Key Grip: @dexters_laaaaaaaaaaaaab
Grip: @alexandercoelho.dp
Stylist: @liemgiaycuatoi
Stylist Assistant: glaz3yyy
Production Designer: @hashtagmarina
Art PA: @claudiaandriichu
MUA: @c_isabellag @sacheu
Editor: @jordenandrewlee @michaelbbarker
Editing House: @outsidereditorial
Colourist: @sgllng
Colour Studio: @baconproduction
Typography: @bornuh
Process & Scan: @Kodak New York
Key PA: @jhncrwfrd
PA: Lisa Messeghem
Bike Technician: @_scottvieira
BTS Photographer: @alvarogoveia
Special thanks: @prismprize @rbcxmusic @keslowcamera @ontariocamera @kodak
•
•
•
#cinematography #35mm #film #musicvideo #toronto
GOVI “Couple More Times”
Special thanks to the small but mighty team. 🤍
Shot on 35mm @kodak_shootfilm
Director: @jordenandrewlee
Production Company: @kidstudio_ @pique
Executive Producer: @parkdalev @imad.etc
Producer: @carlo.p
Production Manager: @alexmeghie @erixonjbernardo
DP: @liamhiggins
1st AC: @oleksii.furdiiak
2nd AC: @lil.queena
Gaffer: @stuart.croll
Best Electric: @birdpolicy
Key Grip: @dexters_laaaaaaaaaaaaab
Grip: @alexandercoelho.dp
Stylist: @liemgiaycuatoi
Stylist Assistant: glaz3yyy
Production Designer: @hashtagmarina
Art PA: @claudiaandriichu
MUA: @c_isabellag @sacheu
Editor: @jordenandrewlee @michaelbbarker
Editing House: @outsidereditorial
Colourist: @sgllng
Colour Studio: @baconproduction
Typography: @bornuh
Process & Scan: @Kodak New York
Key PA: @jhncrwfrd
PA: Lisa Messeghem
Bike Technician: @_scottvieira
BTS Photographer: @alvarogoveia
Special thanks: @prismprize @rbcxmusic @keslowcamera @ontariocamera @kodak
•
•
•
#cinematography #35mm #film #musicvideo #toronto
GOVI “Couple More Times”
Special thanks to the small but mighty team. 🤍
Shot on 35mm @kodak_shootfilm
Director: @jordenandrewlee
Production Company: @kidstudio_ @pique
Executive Producer: @parkdalev @imad.etc
Producer: @carlo.p
Production Manager: @alexmeghie @erixonjbernardo
DP: @liamhiggins
1st AC: @oleksii.furdiiak
2nd AC: @lil.queena
Gaffer: @stuart.croll
Best Electric: @birdpolicy
Key Grip: @dexters_laaaaaaaaaaaaab
Grip: @alexandercoelho.dp
Stylist: @liemgiaycuatoi
Stylist Assistant: glaz3yyy
Production Designer: @hashtagmarina
Art PA: @claudiaandriichu
MUA: @c_isabellag @sacheu
Editor: @jordenandrewlee @michaelbbarker
Editing House: @outsidereditorial
Colourist: @sgllng
Colour Studio: @baconproduction
Typography: @bornuh
Process & Scan: @Kodak New York
Key PA: @jhncrwfrd
PA: Lisa Messeghem
Bike Technician: @_scottvieira
BTS Photographer: @alvarogoveia
Special thanks: @prismprize @rbcxmusic @keslowcamera @ontariocamera @kodak
•
•
•
#cinematography #35mm #film #musicvideo #toronto
GOVI “Couple More Times”
Special thanks to the small but mighty team. 🤍
Shot on 35mm @kodak_shootfilm
Director: @jordenandrewlee
Production Company: @kidstudio_ @pique
Executive Producer: @parkdalev @imad.etc
Producer: @carlo.p
Production Manager: @alexmeghie @erixonjbernardo
DP: @liamhiggins
1st AC: @oleksii.furdiiak
2nd AC: @lil.queena
Gaffer: @stuart.croll
Best Electric: @birdpolicy
Key Grip: @dexters_laaaaaaaaaaaaab
Grip: @alexandercoelho.dp
Stylist: @liemgiaycuatoi
Stylist Assistant: glaz3yyy
Production Designer: @hashtagmarina
Art PA: @claudiaandriichu
MUA: @c_isabellag @sacheu
Editor: @jordenandrewlee @michaelbbarker
Editing House: @outsidereditorial
Colourist: @sgllng
Colour Studio: @baconproduction
Typography: @bornuh
Process & Scan: @Kodak New York
Key PA: @jhncrwfrd
PA: Lisa Messeghem
Bike Technician: @_scottvieira
BTS Photographer: @alvarogoveia
Special thanks: @prismprize @rbcxmusic @keslowcamera @ontariocamera @kodak
•
•
•
#cinematography #35mm #film #musicvideo #toronto
GOVI “Couple More Times”
Special thanks to the small but mighty team. 🤍
Shot on 35mm @kodak_shootfilm
Director: @jordenandrewlee
Production Company: @kidstudio_ @pique
Executive Producer: @parkdalev @imad.etc
Producer: @carlo.p
Production Manager: @alexmeghie @erixonjbernardo
DP: @liamhiggins
1st AC: @oleksii.furdiiak
2nd AC: @lil.queena
Gaffer: @stuart.croll
Best Electric: @birdpolicy
Key Grip: @dexters_laaaaaaaaaaaaab
Grip: @alexandercoelho.dp
Stylist: @liemgiaycuatoi
Stylist Assistant: glaz3yyy
Production Designer: @hashtagmarina
Art PA: @claudiaandriichu
MUA: @c_isabellag @sacheu
Editor: @jordenandrewlee @michaelbbarker
Editing House: @outsidereditorial
Colourist: @sgllng
Colour Studio: @baconproduction
Typography: @bornuh
Process & Scan: @Kodak New York
Key PA: @jhncrwfrd
PA: Lisa Messeghem
Bike Technician: @_scottvieira
BTS Photographer: @alvarogoveia
Special thanks: @prismprize @rbcxmusic @keslowcamera @ontariocamera @kodak
•
•
•
#cinematography #35mm #film #musicvideo #toronto
GOVI “Couple More Times”
Special thanks to the small but mighty team. 🤍
Shot on 35mm @kodak_shootfilm
Director: @jordenandrewlee
Production Company: @kidstudio_ @pique
Executive Producer: @parkdalev @imad.etc
Producer: @carlo.p
Production Manager: @alexmeghie @erixonjbernardo
DP: @liamhiggins
1st AC: @oleksii.furdiiak
2nd AC: @lil.queena
Gaffer: @stuart.croll
Best Electric: @birdpolicy
Key Grip: @dexters_laaaaaaaaaaaaab
Grip: @alexandercoelho.dp
Stylist: @liemgiaycuatoi
Stylist Assistant: glaz3yyy
Production Designer: @hashtagmarina
Art PA: @claudiaandriichu
MUA: @c_isabellag @sacheu
Editor: @jordenandrewlee @michaelbbarker
Editing House: @outsidereditorial
Colourist: @sgllng
Colour Studio: @baconproduction
Typography: @bornuh
Process & Scan: @Kodak New York
Key PA: @jhncrwfrd
PA: Lisa Messeghem
Bike Technician: @_scottvieira
BTS Photographer: @alvarogoveia
Special thanks: @prismprize @rbcxmusic @keslowcamera @ontariocamera @kodak
•
•
•
#cinematography #35mm #film #musicvideo #toronto
GOVI “Couple More Times”
Special thanks to the small but mighty team. 🤍
Shot on 35mm @kodak_shootfilm
Director: @jordenandrewlee
Production Company: @kidstudio_ @pique
Executive Producer: @parkdalev @imad.etc
Producer: @carlo.p
Production Manager: @alexmeghie @erixonjbernardo
DP: @liamhiggins
1st AC: @oleksii.furdiiak
2nd AC: @lil.queena
Gaffer: @stuart.croll
Best Electric: @birdpolicy
Key Grip: @dexters_laaaaaaaaaaaaab
Grip: @alexandercoelho.dp
Stylist: @liemgiaycuatoi
Stylist Assistant: glaz3yyy
Production Designer: @hashtagmarina
Art PA: @claudiaandriichu
MUA: @c_isabellag @sacheu
Editor: @jordenandrewlee @michaelbbarker
Editing House: @outsidereditorial
Colourist: @sgllng
Colour Studio: @baconproduction
Typography: @bornuh
Process & Scan: @Kodak New York
Key PA: @jhncrwfrd
PA: Lisa Messeghem
Bike Technician: @_scottvieira
BTS Photographer: @alvarogoveia
Special thanks: @prismprize @rbcxmusic @keslowcamera @ontariocamera @kodak
•
•
•
#cinematography #35mm #film #musicvideo #toronto
GOVI “Couple More Times”
Special thanks to the small but mighty team. 🤍
Shot on 35mm @kodak_shootfilm
Director: @jordenandrewlee
Production Company: @kidstudio_ @pique
Executive Producer: @parkdalev @imad.etc
Producer: @carlo.p
Production Manager: @alexmeghie @erixonjbernardo
DP: @liamhiggins
1st AC: @oleksii.furdiiak
2nd AC: @lil.queena
Gaffer: @stuart.croll
Best Electric: @birdpolicy
Key Grip: @dexters_laaaaaaaaaaaaab
Grip: @alexandercoelho.dp
Stylist: @liemgiaycuatoi
Stylist Assistant: glaz3yyy
Production Designer: @hashtagmarina
Art PA: @claudiaandriichu
MUA: @c_isabellag @sacheu
Editor: @jordenandrewlee @michaelbbarker
Editing House: @outsidereditorial
Colourist: @sgllng
Colour Studio: @baconproduction
Typography: @bornuh
Process & Scan: @Kodak New York
Key PA: @jhncrwfrd
PA: Lisa Messeghem
Bike Technician: @_scottvieira
BTS Photographer: @alvarogoveia
Special thanks: @prismprize @rbcxmusic @keslowcamera @ontariocamera @kodak
•
•
•
#cinematography #35mm #film #musicvideo #toronto
GOVI “Couple More Times”
Special thanks to the small but mighty team. 🤍
Shot on 35mm @kodak_shootfilm
Director: @jordenandrewlee
Production Company: @kidstudio_ @pique
Executive Producer: @parkdalev @imad.etc
Producer: @carlo.p
Production Manager: @alexmeghie @erixonjbernardo
DP: @liamhiggins
1st AC: @oleksii.furdiiak
2nd AC: @lil.queena
Gaffer: @stuart.croll
Best Electric: @birdpolicy
Key Grip: @dexters_laaaaaaaaaaaaab
Grip: @alexandercoelho.dp
Stylist: @liemgiaycuatoi
Stylist Assistant: glaz3yyy
Production Designer: @hashtagmarina
Art PA: @claudiaandriichu
MUA: @c_isabellag @sacheu
Editor: @jordenandrewlee @michaelbbarker
Editing House: @outsidereditorial
Colourist: @sgllng
Colour Studio: @baconproduction
Typography: @bornuh
Process & Scan: @Kodak New York
Key PA: @jhncrwfrd
PA: Lisa Messeghem
Bike Technician: @_scottvieira
BTS Photographer: @alvarogoveia
Special thanks: @prismprize @rbcxmusic @keslowcamera @ontariocamera @kodak
•
•
•
#cinematography #35mm #film #musicvideo #toronto
GOVI “Couple More Times”
Special thanks to the small but mighty team. 🤍
Shot on 35mm @kodak_shootfilm
Director: @jordenandrewlee
Production Company: @kidstudio_ @pique
Executive Producer: @parkdalev @imad.etc
Producer: @carlo.p
Production Manager: @alexmeghie @erixonjbernardo
DP: @liamhiggins
1st AC: @oleksii.furdiiak
2nd AC: @lil.queena
Gaffer: @stuart.croll
Best Electric: @birdpolicy
Key Grip: @dexters_laaaaaaaaaaaaab
Grip: @alexandercoelho.dp
Stylist: @liemgiaycuatoi
Stylist Assistant: glaz3yyy
Production Designer: @hashtagmarina
Art PA: @claudiaandriichu
MUA: @c_isabellag @sacheu
Editor: @jordenandrewlee @michaelbbarker
Editing House: @outsidereditorial
Colourist: @sgllng
Colour Studio: @baconproduction
Typography: @bornuh
Process & Scan: @Kodak New York
Key PA: @jhncrwfrd
PA: Lisa Messeghem
Bike Technician: @_scottvieira
BTS Photographer: @alvarogoveia
Special thanks: @prismprize @rbcxmusic @keslowcamera @ontariocamera @kodak
•
•
•
#cinematography #35mm #film #musicvideo #toronto
GOVI “Couple More Times”
Special thanks to the small but mighty team. 🤍
Shot on 35mm @kodak_shootfilm
Director: @jordenandrewlee
Production Company: @kidstudio_ @pique
Executive Producer: @parkdalev @imad.etc
Producer: @carlo.p
Production Manager: @alexmeghie @erixonjbernardo
DP: @liamhiggins
1st AC: @oleksii.furdiiak
2nd AC: @lil.queena
Gaffer: @stuart.croll
Best Electric: @birdpolicy
Key Grip: @dexters_laaaaaaaaaaaaab
Grip: @alexandercoelho.dp
Stylist: @liemgiaycuatoi
Stylist Assistant: glaz3yyy
Production Designer: @hashtagmarina
Art PA: @claudiaandriichu
MUA: @c_isabellag @sacheu
Editor: @jordenandrewlee @michaelbbarker
Editing House: @outsidereditorial
Colourist: @sgllng
Colour Studio: @baconproduction
Typography: @bornuh
Process & Scan: @Kodak New York
Key PA: @jhncrwfrd
PA: Lisa Messeghem
Bike Technician: @_scottvieira
BTS Photographer: @alvarogoveia
Special thanks: @prismprize @rbcxmusic @keslowcamera @ontariocamera @kodak
•
•
•
#cinematography #35mm #film #musicvideo #toronto
GOVI “Couple More Times”
Special thanks to the small but mighty team. 🤍
Shot on 35mm @kodak_shootfilm
Director: @jordenandrewlee
Production Company: @kidstudio_ @pique
Executive Producer: @parkdalev @imad.etc
Producer: @carlo.p
Production Manager: @alexmeghie @erixonjbernardo
DP: @liamhiggins
1st AC: @oleksii.furdiiak
2nd AC: @lil.queena
Gaffer: @stuart.croll
Best Electric: @birdpolicy
Key Grip: @dexters_laaaaaaaaaaaaab
Grip: @alexandercoelho.dp
Stylist: @liemgiaycuatoi
Stylist Assistant: glaz3yyy
Production Designer: @hashtagmarina
Art PA: @claudiaandriichu
MUA: @c_isabellag @sacheu
Editor: @jordenandrewlee @michaelbbarker
Editing House: @outsidereditorial
Colourist: @sgllng
Colour Studio: @baconproduction
Typography: @bornuh
Process & Scan: @Kodak New York
Key PA: @jhncrwfrd
PA: Lisa Messeghem
Bike Technician: @_scottvieira
BTS Photographer: @alvarogoveia
Special thanks: @prismprize @rbcxmusic @keslowcamera @ontariocamera @kodak
•
•
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#cinematography #35mm #film #musicvideo #toronto
GOVI “Couple More Times”
Special thanks to the small but mighty team. 🤍
Shot on 35mm @kodak_shootfilm
Director: @jordenandrewlee
Production Company: @kidstudio_ @pique
Executive Producer: @parkdalev @imad.etc
Producer: @carlo.p
Production Manager: @alexmeghie @erixonjbernardo
DP: @liamhiggins
1st AC: @oleksii.furdiiak
2nd AC: @lil.queena
Gaffer: @stuart.croll
Best Electric: @birdpolicy
Key Grip: @dexters_laaaaaaaaaaaaab
Grip: @alexandercoelho.dp
Stylist: @liemgiaycuatoi
Stylist Assistant: glaz3yyy
Production Designer: @hashtagmarina
Art PA: @claudiaandriichu
MUA: @c_isabellag @sacheu
Editor: @jordenandrewlee @michaelbbarker
Editing House: @outsidereditorial
Colourist: @sgllng
Colour Studio: @baconproduction
Typography: @bornuh
Process & Scan: @Kodak New York
Key PA: @jhncrwfrd
PA: Lisa Messeghem
Bike Technician: @_scottvieira
BTS Photographer: @alvarogoveia
Special thanks: @prismprize @rbcxmusic @keslowcamera @ontariocamera @kodak
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#cinematography #35mm #film #musicvideo #toronto
Household Ornamentation / Jewelry for @mahalavi
Shot on 6x7 film 🎞️ @kodak_shootfilm @kodak
design | @mahalavi
art direction | @jenn_mcnaughton
photo & edit | @liamhiggins
develop & scan | @mementofilmlab
model | @keekova
Household Ornamentation / Jewelry for @mahalavi
Shot on 6x7 film 🎞️ @kodak_shootfilm @kodak
design | @mahalavi
art direction | @jenn_mcnaughton
photo & edit | @liamhiggins
develop & scan | @mementofilmlab
model | @keekova
Household Ornamentation / Jewelry for @mahalavi
Shot on 6x7 film 🎞️ @kodak_shootfilm @kodak
design | @mahalavi
art direction | @jenn_mcnaughton
photo & edit | @liamhiggins
develop & scan | @mementofilmlab
model | @keekova
Household Ornamentation / Jewelry for @mahalavi
Shot on 6x7 film 🎞️ @kodak_shootfilm @kodak
design | @mahalavi
art direction | @jenn_mcnaughton
photo & edit | @liamhiggins
develop & scan | @mementofilmlab
model | @keekova
Household Ornamentation / Jewelry for @mahalavi
Shot on 6x7 film 🎞️ @kodak_shootfilm @kodak
design | @mahalavi
art direction | @jenn_mcnaughton
photo & edit | @liamhiggins
develop & scan | @mementofilmlab
model | @keekova
Household Ornamentation / Jewelry for @mahalavi
Shot on 6x7 film 🎞️ @kodak_shootfilm @kodak
design | @mahalavi
art direction | @jenn_mcnaughton
photo & edit | @liamhiggins
develop & scan | @mementofilmlab
model | @keekova
Household Ornamentation / Jewelry for @mahalavi
Shot on 6x7 film 🎞️ @kodak_shootfilm @kodak
design | @mahalavi
art direction | @jenn_mcnaughton
photo & edit | @liamhiggins
develop & scan | @mementofilmlab
model | @keekova
Household Ornamentation / Jewelry for @mahalavi
Shot on 6x7 film 🎞️ @kodak_shootfilm @kodak
design | @mahalavi
art direction | @jenn_mcnaughton
photo & edit | @liamhiggins
develop & scan | @mementofilmlab
model | @keekova
Household Ornamentation / Jewelry for @mahalavi
Shot on 6x7 film 🎞️ @kodak_shootfilm @kodak
design | @mahalavi
art direction | @jenn_mcnaughton
photo & edit | @liamhiggins
develop & scan | @mementofilmlab
model | @keekova
Household Ornamentation / Jewelry for @mahalavi
Shot on 6x7 film 🎞️ @kodak_shootfilm @kodak
design | @mahalavi
art direction | @jenn_mcnaughton
photo & edit | @liamhiggins
develop & scan | @mementofilmlab
model | @keekova
Household Ornamentation / Jewelry for @mahalavi
Shot on 6x7 film 🎞️ @kodak_shootfilm @kodak
design | @mahalavi
art direction | @jenn_mcnaughton
photo & edit | @liamhiggins
develop & scan | @mementofilmlab
model | @keekova
Household Ornamentation / Jewelry for @mahalavi
Shot on 6x7 film 🎞️ @kodak_shootfilm @kodak
design | @mahalavi
art direction | @jenn_mcnaughton
photo & edit | @liamhiggins
develop & scan | @mementofilmlab
model | @keekova
The many languages of love with @aisl.dress and director @jimmyvi
Shot on 16mm @kodak_shootfilm 🎞️
Client | @aisl.dress
Partnership Manager & Stylist | @linxgao
Marketing Coordinator | Alex Tang
Content Assistant | @dulatot
Assistants | Lisa Liu, Lorraine Chan, Phoebe Zhao
Prod Co | @madebyplot
EP, PLOT | @madanrahul @mlvassenko @ericrichards
Director | @jimmyvi
Producer | @renmichael1
Production Manager | @ajbrace @nikswales
1st AD | @michael_rukavina
DOP | @liamhiggins
Gaffer/Grip | @kiamozaffari
1st AC | @camerongnslvs
2nd AC | @avpol.i
Photographer | @largecrewneck
Swing | @theekwamepipim
Grip | @tae.tte
BTS | @gizaadaa @liannesnowdp
HMU | @ashleyreadings @nnbmakeup
Editor | @gnarrrenevieve
Editing House | @schoolediting
EP, School | Mackenzie Goodwin
Colour House | @artjail
Colourist | @clintonhomuth
Producer, Artjail | @alsnmxwll
Sound | @ta2soundandmusic
EP, Ta2 | @okayitsdrew
Audio Director & Composer | @frustaglioj
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#commercial #cinematography #actors #cinematic #filmphoto #filmcommunity #cinematographer #filmmaking #behindthescenes #director
The many languages of love with @aisl.dress and director @jimmyvi
Shot on 16mm @kodak_shootfilm 🎞️
Client | @aisl.dress
Partnership Manager & Stylist | @linxgao
Marketing Coordinator | Alex Tang
Content Assistant | @dulatot
Assistants | Lisa Liu, Lorraine Chan, Phoebe Zhao
Prod Co | @madebyplot
EP, PLOT | @madanrahul @mlvassenko @ericrichards
Director | @jimmyvi
Producer | @renmichael1
Production Manager | @ajbrace @nikswales
1st AD | @michael_rukavina
DOP | @liamhiggins
Gaffer/Grip | @kiamozaffari
1st AC | @camerongnslvs
2nd AC | @avpol.i
Photographer | @largecrewneck
Swing | @theekwamepipim
Grip | @tae.tte
BTS | @gizaadaa @liannesnowdp
HMU | @ashleyreadings @nnbmakeup
Editor | @gnarrrenevieve
Editing House | @schoolediting
EP, School | Mackenzie Goodwin
Colour House | @artjail
Colourist | @clintonhomuth
Producer, Artjail | @alsnmxwll
Sound | @ta2soundandmusic
EP, Ta2 | @okayitsdrew
Audio Director & Composer | @frustaglioj
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#commercial #cinematography #actors #cinematic #filmphoto #filmcommunity #cinematographer #filmmaking #behindthescenes #director
The many languages of love with @aisl.dress and director @jimmyvi
Shot on 16mm @kodak_shootfilm 🎞️
Client | @aisl.dress
Partnership Manager & Stylist | @linxgao
Marketing Coordinator | Alex Tang
Content Assistant | @dulatot
Assistants | Lisa Liu, Lorraine Chan, Phoebe Zhao
Prod Co | @madebyplot
EP, PLOT | @madanrahul @mlvassenko @ericrichards
Director | @jimmyvi
Producer | @renmichael1
Production Manager | @ajbrace @nikswales
1st AD | @michael_rukavina
DOP | @liamhiggins
Gaffer/Grip | @kiamozaffari
1st AC | @camerongnslvs
2nd AC | @avpol.i
Photographer | @largecrewneck
Swing | @theekwamepipim
Grip | @tae.tte
BTS | @gizaadaa @liannesnowdp
HMU | @ashleyreadings @nnbmakeup
Editor | @gnarrrenevieve
Editing House | @schoolediting
EP, School | Mackenzie Goodwin
Colour House | @artjail
Colourist | @clintonhomuth
Producer, Artjail | @alsnmxwll
Sound | @ta2soundandmusic
EP, Ta2 | @okayitsdrew
Audio Director & Composer | @frustaglioj
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#commercial #cinematography #actors #cinematic #filmphoto #filmcommunity #cinematographer #filmmaking #behindthescenes #director
The many languages of love with @aisl.dress and director @jimmyvi
Shot on 16mm @kodak_shootfilm 🎞️
Client | @aisl.dress
Partnership Manager & Stylist | @linxgao
Marketing Coordinator | Alex Tang
Content Assistant | @dulatot
Assistants | Lisa Liu, Lorraine Chan, Phoebe Zhao
Prod Co | @madebyplot
EP, PLOT | @madanrahul @mlvassenko @ericrichards
Director | @jimmyvi
Producer | @renmichael1
Production Manager | @ajbrace @nikswales
1st AD | @michael_rukavina
DOP | @liamhiggins
Gaffer/Grip | @kiamozaffari
1st AC | @camerongnslvs
2nd AC | @avpol.i
Photographer | @largecrewneck
Swing | @theekwamepipim
Grip | @tae.tte
BTS | @gizaadaa @liannesnowdp
HMU | @ashleyreadings @nnbmakeup
Editor | @gnarrrenevieve
Editing House | @schoolediting
EP, School | Mackenzie Goodwin
Colour House | @artjail
Colourist | @clintonhomuth
Producer, Artjail | @alsnmxwll
Sound | @ta2soundandmusic
EP, Ta2 | @okayitsdrew
Audio Director & Composer | @frustaglioj
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#commercial #cinematography #actors #cinematic #filmphoto #filmcommunity #cinematographer #filmmaking #behindthescenes #director
The many languages of love with @aisl.dress and director @jimmyvi
Shot on 16mm @kodak_shootfilm 🎞️
Client | @aisl.dress
Partnership Manager & Stylist | @linxgao
Marketing Coordinator | Alex Tang
Content Assistant | @dulatot
Assistants | Lisa Liu, Lorraine Chan, Phoebe Zhao
Prod Co | @madebyplot
EP, PLOT | @madanrahul @mlvassenko @ericrichards
Director | @jimmyvi
Producer | @renmichael1
Production Manager | @ajbrace @nikswales
1st AD | @michael_rukavina
DOP | @liamhiggins
Gaffer/Grip | @kiamozaffari
1st AC | @camerongnslvs
2nd AC | @avpol.i
Photographer | @largecrewneck
Swing | @theekwamepipim
Grip | @tae.tte
BTS | @gizaadaa @liannesnowdp
HMU | @ashleyreadings @nnbmakeup
Editor | @gnarrrenevieve
Editing House | @schoolediting
EP, School | Mackenzie Goodwin
Colour House | @artjail
Colourist | @clintonhomuth
Producer, Artjail | @alsnmxwll
Sound | @ta2soundandmusic
EP, Ta2 | @okayitsdrew
Audio Director & Composer | @frustaglioj
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#commercial #cinematography #actors #cinematic #filmphoto #filmcommunity #cinematographer #filmmaking #behindthescenes #director
The many languages of love with @aisl.dress and director @jimmyvi
Shot on 16mm @kodak_shootfilm 🎞️
Client | @aisl.dress
Partnership Manager & Stylist | @linxgao
Marketing Coordinator | Alex Tang
Content Assistant | @dulatot
Assistants | Lisa Liu, Lorraine Chan, Phoebe Zhao
Prod Co | @madebyplot
EP, PLOT | @madanrahul @mlvassenko @ericrichards
Director | @jimmyvi
Producer | @renmichael1
Production Manager | @ajbrace @nikswales
1st AD | @michael_rukavina
DOP | @liamhiggins
Gaffer/Grip | @kiamozaffari
1st AC | @camerongnslvs
2nd AC | @avpol.i
Photographer | @largecrewneck
Swing | @theekwamepipim
Grip | @tae.tte
BTS | @gizaadaa @liannesnowdp
HMU | @ashleyreadings @nnbmakeup
Editor | @gnarrrenevieve
Editing House | @schoolediting
EP, School | Mackenzie Goodwin
Colour House | @artjail
Colourist | @clintonhomuth
Producer, Artjail | @alsnmxwll
Sound | @ta2soundandmusic
EP, Ta2 | @okayitsdrew
Audio Director & Composer | @frustaglioj
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#commercial #cinematography #actors #cinematic #filmphoto #filmcommunity #cinematographer #filmmaking #behindthescenes #director
The many languages of love with @aisl.dress and director @jimmyvi
Shot on 16mm @kodak_shootfilm 🎞️
Client | @aisl.dress
Partnership Manager & Stylist | @linxgao
Marketing Coordinator | Alex Tang
Content Assistant | @dulatot
Assistants | Lisa Liu, Lorraine Chan, Phoebe Zhao
Prod Co | @madebyplot
EP, PLOT | @madanrahul @mlvassenko @ericrichards
Director | @jimmyvi
Producer | @renmichael1
Production Manager | @ajbrace @nikswales
1st AD | @michael_rukavina
DOP | @liamhiggins
Gaffer/Grip | @kiamozaffari
1st AC | @camerongnslvs
2nd AC | @avpol.i
Photographer | @largecrewneck
Swing | @theekwamepipim
Grip | @tae.tte
BTS | @gizaadaa @liannesnowdp
HMU | @ashleyreadings @nnbmakeup
Editor | @gnarrrenevieve
Editing House | @schoolediting
EP, School | Mackenzie Goodwin
Colour House | @artjail
Colourist | @clintonhomuth
Producer, Artjail | @alsnmxwll
Sound | @ta2soundandmusic
EP, Ta2 | @okayitsdrew
Audio Director & Composer | @frustaglioj
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#commercial #cinematography #actors #cinematic #filmphoto #filmcommunity #cinematographer #filmmaking #behindthescenes #director
The many languages of love with @aisl.dress and director @jimmyvi
Shot on 16mm @kodak_shootfilm 🎞️
Client | @aisl.dress
Partnership Manager & Stylist | @linxgao
Marketing Coordinator | Alex Tang
Content Assistant | @dulatot
Assistants | Lisa Liu, Lorraine Chan, Phoebe Zhao
Prod Co | @madebyplot
EP, PLOT | @madanrahul @mlvassenko @ericrichards
Director | @jimmyvi
Producer | @renmichael1
Production Manager | @ajbrace @nikswales
1st AD | @michael_rukavina
DOP | @liamhiggins
Gaffer/Grip | @kiamozaffari
1st AC | @camerongnslvs
2nd AC | @avpol.i
Photographer | @largecrewneck
Swing | @theekwamepipim
Grip | @tae.tte
BTS | @gizaadaa @liannesnowdp
HMU | @ashleyreadings @nnbmakeup
Editor | @gnarrrenevieve
Editing House | @schoolediting
EP, School | Mackenzie Goodwin
Colour House | @artjail
Colourist | @clintonhomuth
Producer, Artjail | @alsnmxwll
Sound | @ta2soundandmusic
EP, Ta2 | @okayitsdrew
Audio Director & Composer | @frustaglioj
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#commercial #cinematography #actors #cinematic #filmphoto #filmcommunity #cinematographer #filmmaking #behindthescenes #director
The many languages of love with @aisl.dress and director @jimmyvi
Shot on 16mm @kodak_shootfilm 🎞️
Client | @aisl.dress
Partnership Manager & Stylist | @linxgao
Marketing Coordinator | Alex Tang
Content Assistant | @dulatot
Assistants | Lisa Liu, Lorraine Chan, Phoebe Zhao
Prod Co | @madebyplot
EP, PLOT | @madanrahul @mlvassenko @ericrichards
Director | @jimmyvi
Producer | @renmichael1
Production Manager | @ajbrace @nikswales
1st AD | @michael_rukavina
DOP | @liamhiggins
Gaffer/Grip | @kiamozaffari
1st AC | @camerongnslvs
2nd AC | @avpol.i
Photographer | @largecrewneck
Swing | @theekwamepipim
Grip | @tae.tte
BTS | @gizaadaa @liannesnowdp
HMU | @ashleyreadings @nnbmakeup
Editor | @gnarrrenevieve
Editing House | @schoolediting
EP, School | Mackenzie Goodwin
Colour House | @artjail
Colourist | @clintonhomuth
Producer, Artjail | @alsnmxwll
Sound | @ta2soundandmusic
EP, Ta2 | @okayitsdrew
Audio Director & Composer | @frustaglioj
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#commercial #cinematography #actors #cinematic #filmphoto #filmcommunity #cinematographer #filmmaking #behindthescenes #director
The many languages of love with @aisl.dress and director @jimmyvi
Shot on 16mm @kodak_shootfilm 🎞️
Client | @aisl.dress
Partnership Manager & Stylist | @linxgao
Marketing Coordinator | Alex Tang
Content Assistant | @dulatot
Assistants | Lisa Liu, Lorraine Chan, Phoebe Zhao
Prod Co | @madebyplot
EP, PLOT | @madanrahul @mlvassenko @ericrichards
Director | @jimmyvi
Producer | @renmichael1
Production Manager | @ajbrace @nikswales
1st AD | @michael_rukavina
DOP | @liamhiggins
Gaffer/Grip | @kiamozaffari
1st AC | @camerongnslvs
2nd AC | @avpol.i
Photographer | @largecrewneck
Swing | @theekwamepipim
Grip | @tae.tte
BTS | @gizaadaa @liannesnowdp
HMU | @ashleyreadings @nnbmakeup
Editor | @gnarrrenevieve
Editing House | @schoolediting
EP, School | Mackenzie Goodwin
Colour House | @artjail
Colourist | @clintonhomuth
Producer, Artjail | @alsnmxwll
Sound | @ta2soundandmusic
EP, Ta2 | @okayitsdrew
Audio Director & Composer | @frustaglioj
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#commercial #cinematography #actors #cinematic #filmphoto #filmcommunity #cinematographer #filmmaking #behindthescenes #director
The many languages of love with @aisl.dress and director @jimmyvi
Shot on 16mm @kodak_shootfilm 🎞️
Client | @aisl.dress
Partnership Manager & Stylist | @linxgao
Marketing Coordinator | Alex Tang
Content Assistant | @dulatot
Assistants | Lisa Liu, Lorraine Chan, Phoebe Zhao
Prod Co | @madebyplot
EP, PLOT | @madanrahul @mlvassenko @ericrichards
Director | @jimmyvi
Producer | @renmichael1
Production Manager | @ajbrace @nikswales
1st AD | @michael_rukavina
DOP | @liamhiggins
Gaffer/Grip | @kiamozaffari
1st AC | @camerongnslvs
2nd AC | @avpol.i
Photographer | @largecrewneck
Swing | @theekwamepipim
Grip | @tae.tte
BTS | @gizaadaa @liannesnowdp
HMU | @ashleyreadings @nnbmakeup
Editor | @gnarrrenevieve
Editing House | @schoolediting
EP, School | Mackenzie Goodwin
Colour House | @artjail
Colourist | @clintonhomuth
Producer, Artjail | @alsnmxwll
Sound | @ta2soundandmusic
EP, Ta2 | @okayitsdrew
Audio Director & Composer | @frustaglioj
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#commercial #cinematography #actors #cinematic #filmphoto #filmcommunity #cinematographer #filmmaking #behindthescenes #director
The many languages of love with @aisl.dress and director @jimmyvi
Shot on 16mm @kodak_shootfilm 🎞️
Client | @aisl.dress
Partnership Manager & Stylist | @linxgao
Marketing Coordinator | Alex Tang
Content Assistant | @dulatot
Assistants | Lisa Liu, Lorraine Chan, Phoebe Zhao
Prod Co | @madebyplot
EP, PLOT | @madanrahul @mlvassenko @ericrichards
Director | @jimmyvi
Producer | @renmichael1
Production Manager | @ajbrace @nikswales
1st AD | @michael_rukavina
DOP | @liamhiggins
Gaffer/Grip | @kiamozaffari
1st AC | @camerongnslvs
2nd AC | @avpol.i
Photographer | @largecrewneck
Swing | @theekwamepipim
Grip | @tae.tte
BTS | @gizaadaa @liannesnowdp
HMU | @ashleyreadings @nnbmakeup
Editor | @gnarrrenevieve
Editing House | @schoolediting
EP, School | Mackenzie Goodwin
Colour House | @artjail
Colourist | @clintonhomuth
Producer, Artjail | @alsnmxwll
Sound | @ta2soundandmusic
EP, Ta2 | @okayitsdrew
Audio Director & Composer | @frustaglioj
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#commercial #cinematography #actors #cinematic #filmphoto #filmcommunity #cinematographer #filmmaking #behindthescenes #director
A fleeting feeling of summer in the city - for @octobersveryown
Client | OVO @octobersveryown
@matsschram @laurelmm @nicholas.cordi
Director | @nethyj
Producer | @april.hos
DOP | @liamhiggins
Gaffer, Key Grip | @childish_creative
Editor | @nick.yumul
Editing House | @church_edit
Colourist | @clintonhomuth
Colour House | @artjail
Score | @govi
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#commercial #cinematography #actors #cinematic #filmphoto #filmcommunity #cinematographer #filmmaking #behindthescenes #director
A fleeting feeling of summer in the city - for @octobersveryown
Client | OVO @octobersveryown
@matsschram @laurelmm @nicholas.cordi
Director | @nethyj
Producer | @april.hos
DOP | @liamhiggins
Gaffer, Key Grip | @childish_creative
Editor | @nick.yumul
Editing House | @church_edit
Colourist | @clintonhomuth
Colour House | @artjail
Score | @govi
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#commercial #cinematography #actors #cinematic #filmphoto #filmcommunity #cinematographer #filmmaking #behindthescenes #director
A fleeting feeling of summer in the city - for @octobersveryown
Client | OVO @octobersveryown
@matsschram @laurelmm @nicholas.cordi
Director | @nethyj
Producer | @april.hos
DOP | @liamhiggins
Gaffer, Key Grip | @childish_creative
Editor | @nick.yumul
Editing House | @church_edit
Colourist | @clintonhomuth
Colour House | @artjail
Score | @govi
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#commercial #cinematography #actors #cinematic #filmphoto #filmcommunity #cinematographer #filmmaking #behindthescenes #director
A fleeting feeling of summer in the city - for @octobersveryown
Client | OVO @octobersveryown
@matsschram @laurelmm @nicholas.cordi
Director | @nethyj
Producer | @april.hos
DOP | @liamhiggins
Gaffer, Key Grip | @childish_creative
Editor | @nick.yumul
Editing House | @church_edit
Colourist | @clintonhomuth
Colour House | @artjail
Score | @govi
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#commercial #cinematography #actors #cinematic #filmphoto #filmcommunity #cinematographer #filmmaking #behindthescenes #director
A fleeting feeling of summer in the city - for @octobersveryown
Client | OVO @octobersveryown
@matsschram @laurelmm @nicholas.cordi
Director | @nethyj
Producer | @april.hos
DOP | @liamhiggins
Gaffer, Key Grip | @childish_creative
Editor | @nick.yumul
Editing House | @church_edit
Colourist | @clintonhomuth
Colour House | @artjail
Score | @govi
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#commercial #cinematography #actors #cinematic #filmphoto #filmcommunity #cinematographer #filmmaking #behindthescenes #director
A fleeting feeling of summer in the city - for @octobersveryown
Client | OVO @octobersveryown
@matsschram @laurelmm @nicholas.cordi
Director | @nethyj
Producer | @april.hos
DOP | @liamhiggins
Gaffer, Key Grip | @childish_creative
Editor | @nick.yumul
Editing House | @church_edit
Colourist | @clintonhomuth
Colour House | @artjail
Score | @govi
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#commercial #cinematography #actors #cinematic #filmphoto #filmcommunity #cinematographer #filmmaking #behindthescenes #director
A fleeting feeling of summer in the city - for @octobersveryown
Client | OVO @octobersveryown
@matsschram @laurelmm @nicholas.cordi
Director | @nethyj
Producer | @april.hos
DOP | @liamhiggins
Gaffer, Key Grip | @childish_creative
Editor | @nick.yumul
Editing House | @church_edit
Colourist | @clintonhomuth
Colour House | @artjail
Score | @govi
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#commercial #cinematography #actors #cinematic #filmphoto #filmcommunity #cinematographer #filmmaking #behindthescenes #director
A fleeting feeling of summer in the city - for @octobersveryown
Client | OVO @octobersveryown
@matsschram @laurelmm @nicholas.cordi
Director | @nethyj
Producer | @april.hos
DOP | @liamhiggins
Gaffer, Key Grip | @childish_creative
Editor | @nick.yumul
Editing House | @church_edit
Colourist | @clintonhomuth
Colour House | @artjail
Score | @govi
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#commercial #cinematography #actors #cinematic #filmphoto #filmcommunity #cinematographer #filmmaking #behindthescenes #director
A fleeting feeling of summer in the city - for @octobersveryown
Client | OVO @octobersveryown
@matsschram @laurelmm @nicholas.cordi
Director | @nethyj
Producer | @april.hos
DOP | @liamhiggins
Gaffer, Key Grip | @childish_creative
Editor | @nick.yumul
Editing House | @church_edit
Colourist | @clintonhomuth
Colour House | @artjail
Score | @govi
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#commercial #cinematography #actors #cinematic #filmphoto #filmcommunity #cinematographer #filmmaking #behindthescenes #director
A fleeting feeling of summer in the city - for @octobersveryown
Client | OVO @octobersveryown
@matsschram @laurelmm @nicholas.cordi
Director | @nethyj
Producer | @april.hos
DOP | @liamhiggins
Gaffer, Key Grip | @childish_creative
Editor | @nick.yumul
Editing House | @church_edit
Colourist | @clintonhomuth
Colour House | @artjail
Score | @govi
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#commercial #cinematography #actors #cinematic #filmphoto #filmcommunity #cinematographer #filmmaking #behindthescenes #director
A fleeting feeling of summer in the city - for @octobersveryown
Client | OVO @octobersveryown
@matsschram @laurelmm @nicholas.cordi
Director | @nethyj
Producer | @april.hos
DOP | @liamhiggins
Gaffer, Key Grip | @childish_creative
Editor | @nick.yumul
Editing House | @church_edit
Colourist | @clintonhomuth
Colour House | @artjail
Score | @govi
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#commercial #cinematography #actors #cinematic #filmphoto #filmcommunity #cinematographer #filmmaking #behindthescenes #director
A fleeting feeling of summer in the city - for @octobersveryown
Client | OVO @octobersveryown
@matsschram @laurelmm @nicholas.cordi
Director | @nethyj
Producer | @april.hos
DOP | @liamhiggins
Gaffer, Key Grip | @childish_creative
Editor | @nick.yumul
Editing House | @church_edit
Colourist | @clintonhomuth
Colour House | @artjail
Score | @govi
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#commercial #cinematography #actors #cinematic #filmphoto #filmcommunity #cinematographer #filmmaking #behindthescenes #director
Sticks & Spirits
with @spy_films and director @nethyj for @bauerhockey
Shot on @redcamerausers Raptor & @leitzcine Summilux C’s
I love making stuff with Justin, plain and simple. I’ve been creating with since the beginning of my career, and he never misses. 🎥
Client | @bauerhockey
Director | @nethyj
Executive Producers | @mtrulli1 @aasttha @marchioe
Head of Production | @tyklementti
Producer | @leahmunro_ @peter_widdrington
DOP | @liamhiggins
1st AC | @camerongnslvs
2nd AC & DMT| @avigallevona
Production Designer | Abby Vladsy
Gaffer | @jordanheguy
Key Grip | Nazariy Andhrukiv
Swings | Miles Maximillian, Meto Asi, Indigo Schwarz
Locations | Doug Moore
Production Assistant| Ryan Hammond
Editor | @nick.yumul @nimiopere
Editors Assistant | @biancabissada
Colourist | @clintonhomuth @artjail
Colour Producer | @alsnmxwll
Colourist Assistant | @austin_tang_
Audio Executive Producer | @umber_hamid @bbxsound
Audio Creative Director | @chrisyonge
Music Supervisor | Robert Todd @tribalspiritmusic & @bearygarcia_thegratefulred
Drum Group | Black Bear Singers (Manawan Quebec)
Score | Chris Mejaki & @chrisyonge
Recording Engineer & Mixer (Sound Design) | @karamackinlay
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#commercial #cinematography #actors #cinematic #filmphoto #filmcommunity #cinematographer #filmmaking #behindthescenes #director
BEHEMOTH with director @briandsakalauskas
Shot on @kodak_shootfilm 16mm.
Coming soon
Shot on ARRI SR3 with Ultra16 Primes.
PROD CO | @french_toast_films
EP | @dominicewenson
DIRECTOR | @briandsakalauskas
PRODUCER | @renw4
1ST AD | @matthewmaggi
DOP | @liamhiggins
1ST AC | @alexnunes.ca
EDITOR | @adelaide.b_
COLOURIST | @clintonhomuth
COLOUR HOUSE | @artjail
SOUND MIX | @_gluch
GAFFER | @jordanheguy
KEY GRIP | @childish_creative
PRODUCTION DESIGNER | @somervilleblack
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#commercial #cinematography #actors #cinematic #filmphoto #filmcommunity #cinematographer #filmmaking #behindthescenes #director
BEHEMOTH with director @briandsakalauskas
Shot on @kodak_shootfilm 16mm.
Coming soon
Shot on ARRI SR3 with Ultra16 Primes.
PROD CO | @french_toast_films
EP | @dominicewenson
DIRECTOR | @briandsakalauskas
PRODUCER | @renw4
1ST AD | @matthewmaggi
DOP | @liamhiggins
1ST AC | @alexnunes.ca
EDITOR | @adelaide.b_
COLOURIST | @clintonhomuth
COLOUR HOUSE | @artjail
SOUND MIX | @_gluch
GAFFER | @jordanheguy
KEY GRIP | @childish_creative
PRODUCTION DESIGNER | @somervilleblack
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#commercial #cinematography #actors #cinematic #filmphoto #filmcommunity #cinematographer #filmmaking #behindthescenes #director
BEHEMOTH with director @briandsakalauskas
Shot on @kodak_shootfilm 16mm.
Coming soon
Shot on ARRI SR3 with Ultra16 Primes.
PROD CO | @french_toast_films
EP | @dominicewenson
DIRECTOR | @briandsakalauskas
PRODUCER | @renw4
1ST AD | @matthewmaggi
DOP | @liamhiggins
1ST AC | @alexnunes.ca
EDITOR | @adelaide.b_
COLOURIST | @clintonhomuth
COLOUR HOUSE | @artjail
SOUND MIX | @_gluch
GAFFER | @jordanheguy
KEY GRIP | @childish_creative
PRODUCTION DESIGNER | @somervilleblack
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#commercial #cinematography #actors #cinematic #filmphoto #filmcommunity #cinematographer #filmmaking #behindthescenes #director
BEHEMOTH with director @briandsakalauskas
Shot on @kodak_shootfilm 16mm.
Coming soon
Shot on ARRI SR3 with Ultra16 Primes.
PROD CO | @french_toast_films
EP | @dominicewenson
DIRECTOR | @briandsakalauskas
PRODUCER | @renw4
1ST AD | @matthewmaggi
DOP | @liamhiggins
1ST AC | @alexnunes.ca
EDITOR | @adelaide.b_
COLOURIST | @clintonhomuth
COLOUR HOUSE | @artjail
SOUND MIX | @_gluch
GAFFER | @jordanheguy
KEY GRIP | @childish_creative
PRODUCTION DESIGNER | @somervilleblack
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#commercial #cinematography #actors #cinematic #filmphoto #filmcommunity #cinematographer #filmmaking #behindthescenes #director
BEHEMOTH with director @briandsakalauskas
Shot on @kodak_shootfilm 16mm.
Coming soon
Shot on ARRI SR3 with Ultra16 Primes.
PROD CO | @french_toast_films
EP | @dominicewenson
DIRECTOR | @briandsakalauskas
PRODUCER | @renw4
1ST AD | @matthewmaggi
DOP | @liamhiggins
1ST AC | @alexnunes.ca
EDITOR | @adelaide.b_
COLOURIST | @clintonhomuth
COLOUR HOUSE | @artjail
SOUND MIX | @_gluch
GAFFER | @jordanheguy
KEY GRIP | @childish_creative
PRODUCTION DESIGNER | @somervilleblack
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#commercial #cinematography #actors #cinematic #filmphoto #filmcommunity #cinematographer #filmmaking #behindthescenes #director
BEHEMOTH with director @briandsakalauskas
Shot on @kodak_shootfilm 16mm.
Coming soon
Shot on ARRI SR3 with Ultra16 Primes.
PROD CO | @french_toast_films
EP | @dominicewenson
DIRECTOR | @briandsakalauskas
PRODUCER | @renw4
1ST AD | @matthewmaggi
DOP | @liamhiggins
1ST AC | @alexnunes.ca
EDITOR | @adelaide.b_
COLOURIST | @clintonhomuth
COLOUR HOUSE | @artjail
SOUND MIX | @_gluch
GAFFER | @jordanheguy
KEY GRIP | @childish_creative
PRODUCTION DESIGNER | @somervilleblack
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#commercial #cinematography #actors #cinematic #filmphoto #filmcommunity #cinematographer #filmmaking #behindthescenes #director
BEHEMOTH with director @briandsakalauskas
Shot on @kodak_shootfilm 16mm.
Coming soon
Shot on ARRI SR3 with Ultra16 Primes.
PROD CO | @french_toast_films
EP | @dominicewenson
DIRECTOR | @briandsakalauskas
PRODUCER | @renw4
1ST AD | @matthewmaggi
DOP | @liamhiggins
1ST AC | @alexnunes.ca
EDITOR | @adelaide.b_
COLOURIST | @clintonhomuth
COLOUR HOUSE | @artjail
SOUND MIX | @_gluch
GAFFER | @jordanheguy
KEY GRIP | @childish_creative
PRODUCTION DESIGNER | @somervilleblack
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#commercial #cinematography #actors #cinematic #filmphoto #filmcommunity #cinematographer #filmmaking #behindthescenes #director
BEHEMOTH with director @briandsakalauskas
Shot on @kodak_shootfilm 16mm.
Coming soon
Shot on ARRI SR3 with Ultra16 Primes.
PROD CO | @french_toast_films
EP | @dominicewenson
DIRECTOR | @briandsakalauskas
PRODUCER | @renw4
1ST AD | @matthewmaggi
DOP | @liamhiggins
1ST AC | @alexnunes.ca
EDITOR | @adelaide.b_
COLOURIST | @clintonhomuth
COLOUR HOUSE | @artjail
SOUND MIX | @_gluch
GAFFER | @jordanheguy
KEY GRIP | @childish_creative
PRODUCTION DESIGNER | @somervilleblack
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#commercial #cinematography #actors #cinematic #filmphoto #filmcommunity #cinematographer #filmmaking #behindthescenes #director
BEHEMOTH with director @briandsakalauskas
Shot on @kodak_shootfilm 16mm.
Coming soon
Shot on ARRI SR3 with Ultra16 Primes.
PROD CO | @french_toast_films
EP | @dominicewenson
DIRECTOR | @briandsakalauskas
PRODUCER | @renw4
1ST AD | @matthewmaggi
DOP | @liamhiggins
1ST AC | @alexnunes.ca
EDITOR | @adelaide.b_
COLOURIST | @clintonhomuth
COLOUR HOUSE | @artjail
SOUND MIX | @_gluch
GAFFER | @jordanheguy
KEY GRIP | @childish_creative
PRODUCTION DESIGNER | @somervilleblack
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#commercial #cinematography #actors #cinematic #filmphoto #filmcommunity #cinematographer #filmmaking #behindthescenes #director
BEHEMOTH with director @briandsakalauskas
Shot on @kodak_shootfilm 16mm.
Coming soon
Shot on ARRI SR3 with Ultra16 Primes.
PROD CO | @french_toast_films
EP | @dominicewenson
DIRECTOR | @briandsakalauskas
PRODUCER | @renw4
1ST AD | @matthewmaggi
DOP | @liamhiggins
1ST AC | @alexnunes.ca
EDITOR | @adelaide.b_
COLOURIST | @clintonhomuth
COLOUR HOUSE | @artjail
SOUND MIX | @_gluch
GAFFER | @jordanheguy
KEY GRIP | @childish_creative
PRODUCTION DESIGNER | @somervilleblack
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#commercial #cinematography #actors #cinematic #filmphoto #filmcommunity #cinematographer #filmmaking #behindthescenes #director
BEHEMOTH with director @briandsakalauskas
Shot on @kodak_shootfilm 16mm.
Coming soon
Shot on ARRI SR3 with Ultra16 Primes.
PROD CO | @french_toast_films
EP | @dominicewenson
DIRECTOR | @briandsakalauskas
PRODUCER | @renw4
1ST AD | @matthewmaggi
DOP | @liamhiggins
1ST AC | @alexnunes.ca
EDITOR | @adelaide.b_
COLOURIST | @clintonhomuth
COLOUR HOUSE | @artjail
SOUND MIX | @_gluch
GAFFER | @jordanheguy
KEY GRIP | @childish_creative
PRODUCTION DESIGNER | @somervilleblack
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#commercial #cinematography #actors #cinematic #filmphoto #filmcommunity #cinematographer #filmmaking #behindthescenes #director
BEHEMOTH with director @briandsakalauskas
Shot on @kodak_shootfilm 16mm.
Coming soon
Shot on ARRI SR3 with Ultra16 Primes.
PROD CO | @french_toast_films
EP | @dominicewenson
DIRECTOR | @briandsakalauskas
PRODUCER | @renw4
1ST AD | @matthewmaggi
DOP | @liamhiggins
1ST AC | @alexnunes.ca
EDITOR | @adelaide.b_
COLOURIST | @clintonhomuth
COLOUR HOUSE | @artjail
SOUND MIX | @_gluch
GAFFER | @jordanheguy
KEY GRIP | @childish_creative
PRODUCTION DESIGNER | @somervilleblack
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#commercial #cinematography #actors #cinematic #filmphoto #filmcommunity #cinematographer #filmmaking #behindthescenes #director
BEHEMOTH with director @briandsakalauskas
Shot on @kodak_shootfilm 16mm.
Coming soon
Shot on ARRI SR3 with Ultra16 Primes.
PROD CO | @french_toast_films
EP | @dominicewenson
DIRECTOR | @briandsakalauskas
PRODUCER | @renw4
1ST AD | @matthewmaggi
DOP | @liamhiggins
1ST AC | @alexnunes.ca
EDITOR | @adelaide.b_
COLOURIST | @clintonhomuth
COLOUR HOUSE | @artjail
SOUND MIX | @_gluch
GAFFER | @jordanheguy
KEY GRIP | @childish_creative
PRODUCTION DESIGNER | @somervilleblack
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#commercial #cinematography #actors #cinematic #filmphoto #filmcommunity #cinematographer #filmmaking #behindthescenes #director
BEHEMOTH with director @briandsakalauskas
Shot on @kodak_shootfilm 16mm.
Coming soon
Shot on ARRI SR3 with Ultra16 Primes.
PROD CO | @french_toast_films
EP | @dominicewenson
DIRECTOR | @briandsakalauskas
PRODUCER | @renw4
1ST AD | @matthewmaggi
DOP | @liamhiggins
1ST AC | @alexnunes.ca
EDITOR | @adelaide.b_
COLOURIST | @clintonhomuth
COLOUR HOUSE | @artjail
SOUND MIX | @_gluch
GAFFER | @jordanheguy
KEY GRIP | @childish_creative
PRODUCTION DESIGNER | @somervilleblack
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#commercial #cinematography #actors #cinematic #filmphoto #filmcommunity #cinematographer #filmmaking #behindthescenes #director
The Olympics not only shine a light on the greatest athletes in the world, they are also a great opportunity for brands to showcase their best spots around the world of sports. Cinematographer Liam Higgins (@liamhiggins) and director Mike Mildon (@mikemildon) recently shot @flare_yyz’s beautiful spot “Feed The Dream” for the Canadian supermarket chain Sobeys on ARRI’s ALEXA 35. Find out why the camera proved to be the perfect tool to bring their vision to life:
“Director Mike Mildon and I really wanted to shoot this project on 35mm film because we wanted to make this spot feel more life-like and truthful - almost like we were in the room with these athletes experiencing the solitude of training. But, with a tight timeline, we had to create the same look in digital. The dynamic range and the textures option provided by the ALEXA 35 made this camera a no-brainer for the project. I normally only ever shoot with ARRI cameras when shooting digital, and the ALEXA 35 has become a go-to tool for me on projects with tight turnarounds when I can’t shoot film. Its compact and modular design allowed us the sort of freeness to explore different options from using the dolly with our swimmer, to tracking with our runner handheld. It’s one of the most versatile cameras for shoots like these.”
Learn more about the ALEXA 35 at arri.com/alexa35!
BTS 📸: Kyle K Chappell (@chappelldigital)
#ARRI #ALEXA35 #CapturedwithARRI #CapturedwithALEXA35 #Cinematography #commercial #cinematographer #filmmaking
The Olympics not only shine a light on the greatest athletes in the world, they are also a great opportunity for brands to showcase their best spots around the world of sports. Cinematographer Liam Higgins (@liamhiggins) and director Mike Mildon (@mikemildon) recently shot @flare_yyz’s beautiful spot “Feed The Dream” for the Canadian supermarket chain Sobeys on ARRI’s ALEXA 35. Find out why the camera proved to be the perfect tool to bring their vision to life:
“Director Mike Mildon and I really wanted to shoot this project on 35mm film because we wanted to make this spot feel more life-like and truthful - almost like we were in the room with these athletes experiencing the solitude of training. But, with a tight timeline, we had to create the same look in digital. The dynamic range and the textures option provided by the ALEXA 35 made this camera a no-brainer for the project. I normally only ever shoot with ARRI cameras when shooting digital, and the ALEXA 35 has become a go-to tool for me on projects with tight turnarounds when I can’t shoot film. Its compact and modular design allowed us the sort of freeness to explore different options from using the dolly with our swimmer, to tracking with our runner handheld. It’s one of the most versatile cameras for shoots like these.”
Learn more about the ALEXA 35 at arri.com/alexa35!
BTS 📸: Kyle K Chappell (@chappelldigital)
#ARRI #ALEXA35 #CapturedwithARRI #CapturedwithALEXA35 #Cinematography #commercial #cinematographer #filmmaking
The Olympics not only shine a light on the greatest athletes in the world, they are also a great opportunity for brands to showcase their best spots around the world of sports. Cinematographer Liam Higgins (@liamhiggins) and director Mike Mildon (@mikemildon) recently shot @flare_yyz’s beautiful spot “Feed The Dream” for the Canadian supermarket chain Sobeys on ARRI’s ALEXA 35. Find out why the camera proved to be the perfect tool to bring their vision to life:
“Director Mike Mildon and I really wanted to shoot this project on 35mm film because we wanted to make this spot feel more life-like and truthful - almost like we were in the room with these athletes experiencing the solitude of training. But, with a tight timeline, we had to create the same look in digital. The dynamic range and the textures option provided by the ALEXA 35 made this camera a no-brainer for the project. I normally only ever shoot with ARRI cameras when shooting digital, and the ALEXA 35 has become a go-to tool for me on projects with tight turnarounds when I can’t shoot film. Its compact and modular design allowed us the sort of freeness to explore different options from using the dolly with our swimmer, to tracking with our runner handheld. It’s one of the most versatile cameras for shoots like these.”
Learn more about the ALEXA 35 at arri.com/alexa35!
BTS 📸: Kyle K Chappell (@chappelldigital)
#ARRI #ALEXA35 #CapturedwithARRI #CapturedwithALEXA35 #Cinematography #commercial #cinematographer #filmmaking
The Olympics not only shine a light on the greatest athletes in the world, they are also a great opportunity for brands to showcase their best spots around the world of sports. Cinematographer Liam Higgins (@liamhiggins) and director Mike Mildon (@mikemildon) recently shot @flare_yyz’s beautiful spot “Feed The Dream” for the Canadian supermarket chain Sobeys on ARRI’s ALEXA 35. Find out why the camera proved to be the perfect tool to bring their vision to life:
“Director Mike Mildon and I really wanted to shoot this project on 35mm film because we wanted to make this spot feel more life-like and truthful - almost like we were in the room with these athletes experiencing the solitude of training. But, with a tight timeline, we had to create the same look in digital. The dynamic range and the textures option provided by the ALEXA 35 made this camera a no-brainer for the project. I normally only ever shoot with ARRI cameras when shooting digital, and the ALEXA 35 has become a go-to tool for me on projects with tight turnarounds when I can’t shoot film. Its compact and modular design allowed us the sort of freeness to explore different options from using the dolly with our swimmer, to tracking with our runner handheld. It’s one of the most versatile cameras for shoots like these.”
Learn more about the ALEXA 35 at arri.com/alexa35!
BTS 📸: Kyle K Chappell (@chappelldigital)
#ARRI #ALEXA35 #CapturedwithARRI #CapturedwithALEXA35 #Cinematography #commercial #cinematographer #filmmaking
The Olympics not only shine a light on the greatest athletes in the world, they are also a great opportunity for brands to showcase their best spots around the world of sports. Cinematographer Liam Higgins (@liamhiggins) and director Mike Mildon (@mikemildon) recently shot @flare_yyz’s beautiful spot “Feed The Dream” for the Canadian supermarket chain Sobeys on ARRI’s ALEXA 35. Find out why the camera proved to be the perfect tool to bring their vision to life:
“Director Mike Mildon and I really wanted to shoot this project on 35mm film because we wanted to make this spot feel more life-like and truthful - almost like we were in the room with these athletes experiencing the solitude of training. But, with a tight timeline, we had to create the same look in digital. The dynamic range and the textures option provided by the ALEXA 35 made this camera a no-brainer for the project. I normally only ever shoot with ARRI cameras when shooting digital, and the ALEXA 35 has become a go-to tool for me on projects with tight turnarounds when I can’t shoot film. Its compact and modular design allowed us the sort of freeness to explore different options from using the dolly with our swimmer, to tracking with our runner handheld. It’s one of the most versatile cameras for shoots like these.”
Learn more about the ALEXA 35 at arri.com/alexa35!
BTS 📸: Kyle K Chappell (@chappelldigital)
#ARRI #ALEXA35 #CapturedwithARRI #CapturedwithALEXA35 #Cinematography #commercial #cinematographer #filmmaking
The Olympics not only shine a light on the greatest athletes in the world, they are also a great opportunity for brands to showcase their best spots around the world of sports. Cinematographer Liam Higgins (@liamhiggins) and director Mike Mildon (@mikemildon) recently shot @flare_yyz’s beautiful spot “Feed The Dream” for the Canadian supermarket chain Sobeys on ARRI’s ALEXA 35. Find out why the camera proved to be the perfect tool to bring their vision to life:
“Director Mike Mildon and I really wanted to shoot this project on 35mm film because we wanted to make this spot feel more life-like and truthful - almost like we were in the room with these athletes experiencing the solitude of training. But, with a tight timeline, we had to create the same look in digital. The dynamic range and the textures option provided by the ALEXA 35 made this camera a no-brainer for the project. I normally only ever shoot with ARRI cameras when shooting digital, and the ALEXA 35 has become a go-to tool for me on projects with tight turnarounds when I can’t shoot film. Its compact and modular design allowed us the sort of freeness to explore different options from using the dolly with our swimmer, to tracking with our runner handheld. It’s one of the most versatile cameras for shoots like these.”
Learn more about the ALEXA 35 at arri.com/alexa35!
BTS 📸: Kyle K Chappell (@chappelldigital)
#ARRI #ALEXA35 #CapturedwithARRI #CapturedwithALEXA35 #Cinematography #commercial #cinematographer #filmmaking
The Olympics not only shine a light on the greatest athletes in the world, they are also a great opportunity for brands to showcase their best spots around the world of sports. Cinematographer Liam Higgins (@liamhiggins) and director Mike Mildon (@mikemildon) recently shot @flare_yyz’s beautiful spot “Feed The Dream” for the Canadian supermarket chain Sobeys on ARRI’s ALEXA 35. Find out why the camera proved to be the perfect tool to bring their vision to life:
“Director Mike Mildon and I really wanted to shoot this project on 35mm film because we wanted to make this spot feel more life-like and truthful - almost like we were in the room with these athletes experiencing the solitude of training. But, with a tight timeline, we had to create the same look in digital. The dynamic range and the textures option provided by the ALEXA 35 made this camera a no-brainer for the project. I normally only ever shoot with ARRI cameras when shooting digital, and the ALEXA 35 has become a go-to tool for me on projects with tight turnarounds when I can’t shoot film. Its compact and modular design allowed us the sort of freeness to explore different options from using the dolly with our swimmer, to tracking with our runner handheld. It’s one of the most versatile cameras for shoots like these.”
Learn more about the ALEXA 35 at arri.com/alexa35!
BTS 📸: Kyle K Chappell (@chappelldigital)
#ARRI #ALEXA35 #CapturedwithARRI #CapturedwithALEXA35 #Cinematography #commercial #cinematographer #filmmaking
The Olympics not only shine a light on the greatest athletes in the world, they are also a great opportunity for brands to showcase their best spots around the world of sports. Cinematographer Liam Higgins (@liamhiggins) and director Mike Mildon (@mikemildon) recently shot @flare_yyz’s beautiful spot “Feed The Dream” for the Canadian supermarket chain Sobeys on ARRI’s ALEXA 35. Find out why the camera proved to be the perfect tool to bring their vision to life:
“Director Mike Mildon and I really wanted to shoot this project on 35mm film because we wanted to make this spot feel more life-like and truthful - almost like we were in the room with these athletes experiencing the solitude of training. But, with a tight timeline, we had to create the same look in digital. The dynamic range and the textures option provided by the ALEXA 35 made this camera a no-brainer for the project. I normally only ever shoot with ARRI cameras when shooting digital, and the ALEXA 35 has become a go-to tool for me on projects with tight turnarounds when I can’t shoot film. Its compact and modular design allowed us the sort of freeness to explore different options from using the dolly with our swimmer, to tracking with our runner handheld. It’s one of the most versatile cameras for shoots like these.”
Learn more about the ALEXA 35 at arri.com/alexa35!
BTS 📸: Kyle K Chappell (@chappelldigital)
#ARRI #ALEXA35 #CapturedwithARRI #CapturedwithALEXA35 #Cinematography #commercial #cinematographer #filmmaking
The Olympics not only shine a light on the greatest athletes in the world, they are also a great opportunity for brands to showcase their best spots around the world of sports. Cinematographer Liam Higgins (@liamhiggins) and director Mike Mildon (@mikemildon) recently shot @flare_yyz’s beautiful spot “Feed The Dream” for the Canadian supermarket chain Sobeys on ARRI’s ALEXA 35. Find out why the camera proved to be the perfect tool to bring their vision to life:
“Director Mike Mildon and I really wanted to shoot this project on 35mm film because we wanted to make this spot feel more life-like and truthful - almost like we were in the room with these athletes experiencing the solitude of training. But, with a tight timeline, we had to create the same look in digital. The dynamic range and the textures option provided by the ALEXA 35 made this camera a no-brainer for the project. I normally only ever shoot with ARRI cameras when shooting digital, and the ALEXA 35 has become a go-to tool for me on projects with tight turnarounds when I can’t shoot film. Its compact and modular design allowed us the sort of freeness to explore different options from using the dolly with our swimmer, to tracking with our runner handheld. It’s one of the most versatile cameras for shoots like these.”
Learn more about the ALEXA 35 at arri.com/alexa35!
BTS 📸: Kyle K Chappell (@chappelldigital)
#ARRI #ALEXA35 #CapturedwithARRI #CapturedwithALEXA35 #Cinematography #commercial #cinematographer #filmmaking
The Olympics not only shine a light on the greatest athletes in the world, they are also a great opportunity for brands to showcase their best spots around the world of sports. Cinematographer Liam Higgins (@liamhiggins) and director Mike Mildon (@mikemildon) recently shot @flare_yyz’s beautiful spot “Feed The Dream” for the Canadian supermarket chain Sobeys on ARRI’s ALEXA 35. Find out why the camera proved to be the perfect tool to bring their vision to life:
“Director Mike Mildon and I really wanted to shoot this project on 35mm film because we wanted to make this spot feel more life-like and truthful - almost like we were in the room with these athletes experiencing the solitude of training. But, with a tight timeline, we had to create the same look in digital. The dynamic range and the textures option provided by the ALEXA 35 made this camera a no-brainer for the project. I normally only ever shoot with ARRI cameras when shooting digital, and the ALEXA 35 has become a go-to tool for me on projects with tight turnarounds when I can’t shoot film. Its compact and modular design allowed us the sort of freeness to explore different options from using the dolly with our swimmer, to tracking with our runner handheld. It’s one of the most versatile cameras for shoots like these.”
Learn more about the ALEXA 35 at arri.com/alexa35!
BTS 📸: Kyle K Chappell (@chappelldigital)
#ARRI #ALEXA35 #CapturedwithARRI #CapturedwithALEXA35 #Cinematography #commercial #cinematographer #filmmaking
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.