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Insanely fun shoot w/ @tydollasign x @juicyj x @projectpat for “Hottest In The City” • #cinematography #musicvideo
Director: @davidcamarena
Producer: @directorsuj
PC: @newedgecinema
PM: @myfriendlopes
DP: @lightscameron
Editor: @troycharbonnet
Colorist: @kinanchabani
VFX: @rynozoom95
1st AD: @george_solomon
2nd AD: Amanjah Anthony
1St AC: @noahrollei
2nd AC: @jenroh
Steadicam Op: @noswayjose
Gaffer: @oliverkompst
BBE: @michaelrosnerhyman
KG: @Dkreuzig
BBG: @Thegreatwhitesharker
Swing: @chris.van.lieshout
BG MUA: @kimandglitter
BG Stylist: @kaitlinjanelleacosta
PA: @nicolasgeorgecarle
PA: @KackVisuals
PA: @createdbyblu
PA: @YoungAsadd
Casting: @espritcasting
Atlantic Label: @alexbittan @djbusy @hackavelii

Insanely fun shoot w/ @tydollasign x @juicyj x @projectpat for “Hottest In The City” • #cinematography #musicvideo
Director: @davidcamarena
Producer: @directorsuj
PC: @newedgecinema
PM: @myfriendlopes
DP: @lightscameron
Editor: @troycharbonnet
Colorist: @kinanchabani
VFX: @rynozoom95
1st AD: @george_solomon
2nd AD: Amanjah Anthony
1St AC: @noahrollei
2nd AC: @jenroh
Steadicam Op: @noswayjose
Gaffer: @oliverkompst
BBE: @michaelrosnerhyman
KG: @Dkreuzig
BBG: @Thegreatwhitesharker
Swing: @chris.van.lieshout
BG MUA: @kimandglitter
BG Stylist: @kaitlinjanelleacosta
PA: @nicolasgeorgecarle
PA: @KackVisuals
PA: @createdbyblu
PA: @YoungAsadd
Casting: @espritcasting
Atlantic Label: @alexbittan @djbusy @hackavelii

Insanely fun shoot w/ @tydollasign x @juicyj x @projectpat for “Hottest In The City” • #cinematography #musicvideo
Director: @davidcamarena
Producer: @directorsuj
PC: @newedgecinema
PM: @myfriendlopes
DP: @lightscameron
Editor: @troycharbonnet
Colorist: @kinanchabani
VFX: @rynozoom95
1st AD: @george_solomon
2nd AD: Amanjah Anthony
1St AC: @noahrollei
2nd AC: @jenroh
Steadicam Op: @noswayjose
Gaffer: @oliverkompst
BBE: @michaelrosnerhyman
KG: @Dkreuzig
BBG: @Thegreatwhitesharker
Swing: @chris.van.lieshout
BG MUA: @kimandglitter
BG Stylist: @kaitlinjanelleacosta
PA: @nicolasgeorgecarle
PA: @KackVisuals
PA: @createdbyblu
PA: @YoungAsadd
Casting: @espritcasting
Atlantic Label: @alexbittan @djbusy @hackavelii

Insanely fun shoot w/ @tydollasign x @juicyj x @projectpat for “Hottest In The City” • #cinematography #musicvideo
Director: @davidcamarena
Producer: @directorsuj
PC: @newedgecinema
PM: @myfriendlopes
DP: @lightscameron
Editor: @troycharbonnet
Colorist: @kinanchabani
VFX: @rynozoom95
1st AD: @george_solomon
2nd AD: Amanjah Anthony
1St AC: @noahrollei
2nd AC: @jenroh
Steadicam Op: @noswayjose
Gaffer: @oliverkompst
BBE: @michaelrosnerhyman
KG: @Dkreuzig
BBG: @Thegreatwhitesharker
Swing: @chris.van.lieshout
BG MUA: @kimandglitter
BG Stylist: @kaitlinjanelleacosta
PA: @nicolasgeorgecarle
PA: @KackVisuals
PA: @createdbyblu
PA: @YoungAsadd
Casting: @espritcasting
Atlantic Label: @alexbittan @djbusy @hackavelii

Insanely fun shoot w/ @tydollasign x @juicyj x @projectpat for “Hottest In The City” • #cinematography #musicvideo
Director: @davidcamarena
Producer: @directorsuj
PC: @newedgecinema
PM: @myfriendlopes
DP: @lightscameron
Editor: @troycharbonnet
Colorist: @kinanchabani
VFX: @rynozoom95
1st AD: @george_solomon
2nd AD: Amanjah Anthony
1St AC: @noahrollei
2nd AC: @jenroh
Steadicam Op: @noswayjose
Gaffer: @oliverkompst
BBE: @michaelrosnerhyman
KG: @Dkreuzig
BBG: @Thegreatwhitesharker
Swing: @chris.van.lieshout
BG MUA: @kimandglitter
BG Stylist: @kaitlinjanelleacosta
PA: @nicolasgeorgecarle
PA: @KackVisuals
PA: @createdbyblu
PA: @YoungAsadd
Casting: @espritcasting
Atlantic Label: @alexbittan @djbusy @hackavelii

Insanely fun shoot w/ @tydollasign x @juicyj x @projectpat for “Hottest In The City” • #cinematography #musicvideo
Director: @davidcamarena
Producer: @directorsuj
PC: @newedgecinema
PM: @myfriendlopes
DP: @lightscameron
Editor: @troycharbonnet
Colorist: @kinanchabani
VFX: @rynozoom95
1st AD: @george_solomon
2nd AD: Amanjah Anthony
1St AC: @noahrollei
2nd AC: @jenroh
Steadicam Op: @noswayjose
Gaffer: @oliverkompst
BBE: @michaelrosnerhyman
KG: @Dkreuzig
BBG: @Thegreatwhitesharker
Swing: @chris.van.lieshout
BG MUA: @kimandglitter
BG Stylist: @kaitlinjanelleacosta
PA: @nicolasgeorgecarle
PA: @KackVisuals
PA: @createdbyblu
PA: @YoungAsadd
Casting: @espritcasting
Atlantic Label: @alexbittan @djbusy @hackavelii

Insanely fun shoot w/ @tydollasign x @juicyj x @projectpat for “Hottest In The City” • #cinematography #musicvideo
Director: @davidcamarena
Producer: @directorsuj
PC: @newedgecinema
PM: @myfriendlopes
DP: @lightscameron
Editor: @troycharbonnet
Colorist: @kinanchabani
VFX: @rynozoom95
1st AD: @george_solomon
2nd AD: Amanjah Anthony
1St AC: @noahrollei
2nd AC: @jenroh
Steadicam Op: @noswayjose
Gaffer: @oliverkompst
BBE: @michaelrosnerhyman
KG: @Dkreuzig
BBG: @Thegreatwhitesharker
Swing: @chris.van.lieshout
BG MUA: @kimandglitter
BG Stylist: @kaitlinjanelleacosta
PA: @nicolasgeorgecarle
PA: @KackVisuals
PA: @createdbyblu
PA: @YoungAsadd
Casting: @espritcasting
Atlantic Label: @alexbittan @djbusy @hackavelii

We created a few promos for @disneyjunior featuring THE Mickey Mouse. He was such a pleasure to work with! I’m grateful for opportunities like these. The set was so dreamy • #cinematography
Director @nayipramos
Producer @wearefictitious
Production Design @salliefalls

New DP work for @21savage and @future

@ksi “Number 2” Co-Directed by @nayipramos @troyroscoe Shout out to the team Gaffers @barrettd55 @davewilwayco 1st ac @statusvisuals Technocrane @elifranks.dp pd @__loganrose__ ge @namvle_ @riigtiig @luiscardenassv production @haleynelly @mamate11 @joshlindquistbp produced by @cschreffler stage @thunderstudios

New DP work for @21savage and @future

@ksi “Number 2” Co-Directed by @nayipramos @troyroscoe Shout out to the team Gaffers @barrettd55 @davewilwayco 1st ac @statusvisuals Technocrane @elifranks.dp pd @__loganrose__ ge @namvle_ @riigtiig @luiscardenassv production @haleynelly @mamate11 @joshlindquistbp produced by @cschreffler stage @thunderstudios

New DP work for @21savage and @future

@ksi “Number 2” Co-Directed by @nayipramos @troyroscoe Shout out to the team Gaffers @barrettd55 @davewilwayco 1st ac @statusvisuals Technocrane @elifranks.dp pd @__loganrose__ ge @namvle_ @riigtiig @luiscardenassv production @haleynelly @mamate11 @joshlindquistbp produced by @cschreffler stage @thunderstudios

New DP work for @21savage and @future

@ksi “Number 2” Co-Directed by @nayipramos @troyroscoe Shout out to the team Gaffers @barrettd55 @davewilwayco 1st ac @statusvisuals Technocrane @elifranks.dp pd @__loganrose__ ge @namvle_ @riigtiig @luiscardenassv production @haleynelly @mamate11 @joshlindquistbp produced by @cschreffler stage @thunderstudios

My lighting setup on a music video for @guy_tang Shout out to @pipe.lighting for the hookup on this one. More BTS coming soon ✨#cinematography #musicvideo

Stoked to finally share a bit of BTS from a game show I lensed for State Farm.What began as e-sports driven experimental content, resulted in undeniable audience and engagement metrics that has carried this show 4 seasons now.This post will showcase seasons 1 and 2 behind the scenes shot in Austin, Texas crewed by the best locals.I’ll share season 3 in another post when we moved this circus to Atlanta and revamped the entire creative.

Here you’ll see over 200 lights, across a few universes, illuminating a couple hundred people’s work across all departments. We shot to tape however it was a real tournament with interactive SFX, so lighting had to be pre-cued and ready for all possible scenarios. This job was definitely an ‘under promise over deliver’ opportunity.Being able to show agency and clients all the creative possibilities once all the prep work and rigging work completed was so rewarding. These are the shows that reinforce my motto of - No job is too small or too big. I’m grateful for any chance to create together.

Director @brycejrich
Producer @jeff_walken
Director of Photography @lightscameron
Production Company @paperlytefilms
Agency @infinitymarketing

Stoked to finally share a bit of BTS from a game show I lensed for State Farm.What began as e-sports driven experimental content, resulted in undeniable audience and engagement metrics that has carried this show 4 seasons now.This post will showcase seasons 1 and 2 behind the scenes shot in Austin, Texas crewed by the best locals.I’ll share season 3 in another post when we moved this circus to Atlanta and revamped the entire creative.

Here you’ll see over 200 lights, across a few universes, illuminating a couple hundred people’s work across all departments. We shot to tape however it was a real tournament with interactive SFX, so lighting had to be pre-cued and ready for all possible scenarios. This job was definitely an ‘under promise over deliver’ opportunity.Being able to show agency and clients all the creative possibilities once all the prep work and rigging work completed was so rewarding. These are the shows that reinforce my motto of - No job is too small or too big. I’m grateful for any chance to create together.

Director @brycejrich
Producer @jeff_walken
Director of Photography @lightscameron
Production Company @paperlytefilms
Agency @infinitymarketing

Stoked to finally share a bit of BTS from a game show I lensed for State Farm.What began as e-sports driven experimental content, resulted in undeniable audience and engagement metrics that has carried this show 4 seasons now.This post will showcase seasons 1 and 2 behind the scenes shot in Austin, Texas crewed by the best locals.I’ll share season 3 in another post when we moved this circus to Atlanta and revamped the entire creative.

Here you’ll see over 200 lights, across a few universes, illuminating a couple hundred people’s work across all departments. We shot to tape however it was a real tournament with interactive SFX, so lighting had to be pre-cued and ready for all possible scenarios. This job was definitely an ‘under promise over deliver’ opportunity.Being able to show agency and clients all the creative possibilities once all the prep work and rigging work completed was so rewarding. These are the shows that reinforce my motto of - No job is too small or too big. I’m grateful for any chance to create together.

Director @brycejrich
Producer @jeff_walken
Director of Photography @lightscameron
Production Company @paperlytefilms
Agency @infinitymarketing

Stoked to finally share a bit of BTS from a game show I lensed for State Farm.What began as e-sports driven experimental content, resulted in undeniable audience and engagement metrics that has carried this show 4 seasons now.This post will showcase seasons 1 and 2 behind the scenes shot in Austin, Texas crewed by the best locals.I’ll share season 3 in another post when we moved this circus to Atlanta and revamped the entire creative.

Here you’ll see over 200 lights, across a few universes, illuminating a couple hundred people’s work across all departments. We shot to tape however it was a real tournament with interactive SFX, so lighting had to be pre-cued and ready for all possible scenarios. This job was definitely an ‘under promise over deliver’ opportunity.Being able to show agency and clients all the creative possibilities once all the prep work and rigging work completed was so rewarding. These are the shows that reinforce my motto of - No job is too small or too big. I’m grateful for any chance to create together.

Director @brycejrich
Producer @jeff_walken
Director of Photography @lightscameron
Production Company @paperlytefilms
Agency @infinitymarketing

Stoked to finally share a bit of BTS from a game show I lensed for State Farm.What began as e-sports driven experimental content, resulted in undeniable audience and engagement metrics that has carried this show 4 seasons now.This post will showcase seasons 1 and 2 behind the scenes shot in Austin, Texas crewed by the best locals.I’ll share season 3 in another post when we moved this circus to Atlanta and revamped the entire creative.

Here you’ll see over 200 lights, across a few universes, illuminating a couple hundred people’s work across all departments. We shot to tape however it was a real tournament with interactive SFX, so lighting had to be pre-cued and ready for all possible scenarios. This job was definitely an ‘under promise over deliver’ opportunity.Being able to show agency and clients all the creative possibilities once all the prep work and rigging work completed was so rewarding. These are the shows that reinforce my motto of - No job is too small or too big. I’m grateful for any chance to create together.

Director @brycejrich
Producer @jeff_walken
Director of Photography @lightscameron
Production Company @paperlytefilms
Agency @infinitymarketing

Stoked to finally share a bit of BTS from a game show I lensed for State Farm.What began as e-sports driven experimental content, resulted in undeniable audience and engagement metrics that has carried this show 4 seasons now.This post will showcase seasons 1 and 2 behind the scenes shot in Austin, Texas crewed by the best locals.I’ll share season 3 in another post when we moved this circus to Atlanta and revamped the entire creative.

Here you’ll see over 200 lights, across a few universes, illuminating a couple hundred people’s work across all departments. We shot to tape however it was a real tournament with interactive SFX, so lighting had to be pre-cued and ready for all possible scenarios. This job was definitely an ‘under promise over deliver’ opportunity.Being able to show agency and clients all the creative possibilities once all the prep work and rigging work completed was so rewarding. These are the shows that reinforce my motto of - No job is too small or too big. I’m grateful for any chance to create together.

Director @brycejrich
Producer @jeff_walken
Director of Photography @lightscameron
Production Company @paperlytefilms
Agency @infinitymarketing

Stoked to finally share a bit of BTS from a game show I lensed for State Farm.What began as e-sports driven experimental content, resulted in undeniable audience and engagement metrics that has carried this show 4 seasons now.This post will showcase seasons 1 and 2 behind the scenes shot in Austin, Texas crewed by the best locals.I’ll share season 3 in another post when we moved this circus to Atlanta and revamped the entire creative.

Here you’ll see over 200 lights, across a few universes, illuminating a couple hundred people’s work across all departments. We shot to tape however it was a real tournament with interactive SFX, so lighting had to be pre-cued and ready for all possible scenarios. This job was definitely an ‘under promise over deliver’ opportunity.Being able to show agency and clients all the creative possibilities once all the prep work and rigging work completed was so rewarding. These are the shows that reinforce my motto of - No job is too small or too big. I’m grateful for any chance to create together.

Director @brycejrich
Producer @jeff_walken
Director of Photography @lightscameron
Production Company @paperlytefilms
Agency @infinitymarketing

Stoked to finally share a bit of BTS from a game show I lensed for State Farm.What began as e-sports driven experimental content, resulted in undeniable audience and engagement metrics that has carried this show 4 seasons now.This post will showcase seasons 1 and 2 behind the scenes shot in Austin, Texas crewed by the best locals.I’ll share season 3 in another post when we moved this circus to Atlanta and revamped the entire creative.

Here you’ll see over 200 lights, across a few universes, illuminating a couple hundred people’s work across all departments. We shot to tape however it was a real tournament with interactive SFX, so lighting had to be pre-cued and ready for all possible scenarios. This job was definitely an ‘under promise over deliver’ opportunity.Being able to show agency and clients all the creative possibilities once all the prep work and rigging work completed was so rewarding. These are the shows that reinforce my motto of - No job is too small or too big. I’m grateful for any chance to create together.

Director @brycejrich
Producer @jeff_walken
Director of Photography @lightscameron
Production Company @paperlytefilms
Agency @infinitymarketing

Stoked to finally share a bit of BTS from a game show I lensed for State Farm.What began as e-sports driven experimental content, resulted in undeniable audience and engagement metrics that has carried this show 4 seasons now.This post will showcase seasons 1 and 2 behind the scenes shot in Austin, Texas crewed by the best locals.I’ll share season 3 in another post when we moved this circus to Atlanta and revamped the entire creative.

Here you’ll see over 200 lights, across a few universes, illuminating a couple hundred people’s work across all departments. We shot to tape however it was a real tournament with interactive SFX, so lighting had to be pre-cued and ready for all possible scenarios. This job was definitely an ‘under promise over deliver’ opportunity.Being able to show agency and clients all the creative possibilities once all the prep work and rigging work completed was so rewarding. These are the shows that reinforce my motto of - No job is too small or too big. I’m grateful for any chance to create together.

Director @brycejrich
Producer @jeff_walken
Director of Photography @lightscameron
Production Company @paperlytefilms
Agency @infinitymarketing

Stoked to finally share a bit of BTS from a game show I lensed for State Farm.What began as e-sports driven experimental content, resulted in undeniable audience and engagement metrics that has carried this show 4 seasons now.This post will showcase seasons 1 and 2 behind the scenes shot in Austin, Texas crewed by the best locals.I’ll share season 3 in another post when we moved this circus to Atlanta and revamped the entire creative.

Here you’ll see over 200 lights, across a few universes, illuminating a couple hundred people’s work across all departments. We shot to tape however it was a real tournament with interactive SFX, so lighting had to be pre-cued and ready for all possible scenarios. This job was definitely an ‘under promise over deliver’ opportunity.Being able to show agency and clients all the creative possibilities once all the prep work and rigging work completed was so rewarding. These are the shows that reinforce my motto of - No job is too small or too big. I’m grateful for any chance to create together.

Director @brycejrich
Producer @jeff_walken
Director of Photography @lightscameron
Production Company @paperlytefilms
Agency @infinitymarketing

Stoked to finally share a bit of BTS from a game show I lensed for State Farm.What began as e-sports driven experimental content, resulted in undeniable audience and engagement metrics that has carried this show 4 seasons now.This post will showcase seasons 1 and 2 behind the scenes shot in Austin, Texas crewed by the best locals.I’ll share season 3 in another post when we moved this circus to Atlanta and revamped the entire creative.

Here you’ll see over 200 lights, across a few universes, illuminating a couple hundred people’s work across all departments. We shot to tape however it was a real tournament with interactive SFX, so lighting had to be pre-cued and ready for all possible scenarios. This job was definitely an ‘under promise over deliver’ opportunity.Being able to show agency and clients all the creative possibilities once all the prep work and rigging work completed was so rewarding. These are the shows that reinforce my motto of - No job is too small or too big. I’m grateful for any chance to create together.

Director @brycejrich
Producer @jeff_walken
Director of Photography @lightscameron
Production Company @paperlytefilms
Agency @infinitymarketing

Stoked to finally share a bit of BTS from a game show I lensed for State Farm.What began as e-sports driven experimental content, resulted in undeniable audience and engagement metrics that has carried this show 4 seasons now.This post will showcase seasons 1 and 2 behind the scenes shot in Austin, Texas crewed by the best locals.I’ll share season 3 in another post when we moved this circus to Atlanta and revamped the entire creative.

Here you’ll see over 200 lights, across a few universes, illuminating a couple hundred people’s work across all departments. We shot to tape however it was a real tournament with interactive SFX, so lighting had to be pre-cued and ready for all possible scenarios. This job was definitely an ‘under promise over deliver’ opportunity.Being able to show agency and clients all the creative possibilities once all the prep work and rigging work completed was so rewarding. These are the shows that reinforce my motto of - No job is too small or too big. I’m grateful for any chance to create together.

Director @brycejrich
Producer @jeff_walken
Director of Photography @lightscameron
Production Company @paperlytefilms
Agency @infinitymarketing

Stoked to finally share a bit of BTS from a game show I lensed for State Farm.What began as e-sports driven experimental content, resulted in undeniable audience and engagement metrics that has carried this show 4 seasons now.This post will showcase seasons 1 and 2 behind the scenes shot in Austin, Texas crewed by the best locals.I’ll share season 3 in another post when we moved this circus to Atlanta and revamped the entire creative.

Here you’ll see over 200 lights, across a few universes, illuminating a couple hundred people’s work across all departments. We shot to tape however it was a real tournament with interactive SFX, so lighting had to be pre-cued and ready for all possible scenarios. This job was definitely an ‘under promise over deliver’ opportunity.Being able to show agency and clients all the creative possibilities once all the prep work and rigging work completed was so rewarding. These are the shows that reinforce my motto of - No job is too small or too big. I’m grateful for any chance to create together.

Director @brycejrich
Producer @jeff_walken
Director of Photography @lightscameron
Production Company @paperlytefilms
Agency @infinitymarketing

Stoked to finally share a bit of BTS from a game show I lensed for State Farm.What began as e-sports driven experimental content, resulted in undeniable audience and engagement metrics that has carried this show 4 seasons now.This post will showcase seasons 1 and 2 behind the scenes shot in Austin, Texas crewed by the best locals.I’ll share season 3 in another post when we moved this circus to Atlanta and revamped the entire creative.

Here you’ll see over 200 lights, across a few universes, illuminating a couple hundred people’s work across all departments. We shot to tape however it was a real tournament with interactive SFX, so lighting had to be pre-cued and ready for all possible scenarios. This job was definitely an ‘under promise over deliver’ opportunity.Being able to show agency and clients all the creative possibilities once all the prep work and rigging work completed was so rewarding. These are the shows that reinforce my motto of - No job is too small or too big. I’m grateful for any chance to create together.

Director @brycejrich
Producer @jeff_walken
Director of Photography @lightscameron
Production Company @paperlytefilms
Agency @infinitymarketing

Stoked to finally share a bit of BTS from a game show I lensed for State Farm.What began as e-sports driven experimental content, resulted in undeniable audience and engagement metrics that has carried this show 4 seasons now.This post will showcase seasons 1 and 2 behind the scenes shot in Austin, Texas crewed by the best locals.I’ll share season 3 in another post when we moved this circus to Atlanta and revamped the entire creative.

Here you’ll see over 200 lights, across a few universes, illuminating a couple hundred people’s work across all departments. We shot to tape however it was a real tournament with interactive SFX, so lighting had to be pre-cued and ready for all possible scenarios. This job was definitely an ‘under promise over deliver’ opportunity.Being able to show agency and clients all the creative possibilities once all the prep work and rigging work completed was so rewarding. These are the shows that reinforce my motto of - No job is too small or too big. I’m grateful for any chance to create together.

Director @brycejrich
Producer @jeff_walken
Director of Photography @lightscameron
Production Company @paperlytefilms
Agency @infinitymarketing

Stoked to finally share a bit of BTS from a game show I lensed for State Farm.What began as e-sports driven experimental content, resulted in undeniable audience and engagement metrics that has carried this show 4 seasons now.This post will showcase seasons 1 and 2 behind the scenes shot in Austin, Texas crewed by the best locals.I’ll share season 3 in another post when we moved this circus to Atlanta and revamped the entire creative.

Here you’ll see over 200 lights, across a few universes, illuminating a couple hundred people’s work across all departments. We shot to tape however it was a real tournament with interactive SFX, so lighting had to be pre-cued and ready for all possible scenarios. This job was definitely an ‘under promise over deliver’ opportunity.Being able to show agency and clients all the creative possibilities once all the prep work and rigging work completed was so rewarding. These are the shows that reinforce my motto of - No job is too small or too big. I’m grateful for any chance to create together.

Director @brycejrich
Producer @jeff_walken
Director of Photography @lightscameron
Production Company @paperlytefilms
Agency @infinitymarketing

Stoked to finally share a bit of BTS from a game show I lensed for State Farm.What began as e-sports driven experimental content, resulted in undeniable audience and engagement metrics that has carried this show 4 seasons now.This post will showcase seasons 1 and 2 behind the scenes shot in Austin, Texas crewed by the best locals.I’ll share season 3 in another post when we moved this circus to Atlanta and revamped the entire creative.

Here you’ll see over 200 lights, across a few universes, illuminating a couple hundred people’s work across all departments. We shot to tape however it was a real tournament with interactive SFX, so lighting had to be pre-cued and ready for all possible scenarios. This job was definitely an ‘under promise over deliver’ opportunity.Being able to show agency and clients all the creative possibilities once all the prep work and rigging work completed was so rewarding. These are the shows that reinforce my motto of - No job is too small or too big. I’m grateful for any chance to create together.

Director @brycejrich
Producer @jeff_walken
Director of Photography @lightscameron
Production Company @paperlytefilms
Agency @infinitymarketing

Stoked to finally share a bit of BTS from a game show I lensed for State Farm.What began as e-sports driven experimental content, resulted in undeniable audience and engagement metrics that has carried this show 4 seasons now.This post will showcase seasons 1 and 2 behind the scenes shot in Austin, Texas crewed by the best locals.I’ll share season 3 in another post when we moved this circus to Atlanta and revamped the entire creative.

Here you’ll see over 200 lights, across a few universes, illuminating a couple hundred people’s work across all departments. We shot to tape however it was a real tournament with interactive SFX, so lighting had to be pre-cued and ready for all possible scenarios. This job was definitely an ‘under promise over deliver’ opportunity.Being able to show agency and clients all the creative possibilities once all the prep work and rigging work completed was so rewarding. These are the shows that reinforce my motto of - No job is too small or too big. I’m grateful for any chance to create together.

Director @brycejrich
Producer @jeff_walken
Director of Photography @lightscameron
Production Company @paperlytefilms
Agency @infinitymarketing

Stoked to finally share a bit of BTS from a game show I lensed for State Farm.What began as e-sports driven experimental content, resulted in undeniable audience and engagement metrics that has carried this show 4 seasons now.This post will showcase seasons 1 and 2 behind the scenes shot in Austin, Texas crewed by the best locals.I’ll share season 3 in another post when we moved this circus to Atlanta and revamped the entire creative.

Here you’ll see over 200 lights, across a few universes, illuminating a couple hundred people’s work across all departments. We shot to tape however it was a real tournament with interactive SFX, so lighting had to be pre-cued and ready for all possible scenarios. This job was definitely an ‘under promise over deliver’ opportunity.Being able to show agency and clients all the creative possibilities once all the prep work and rigging work completed was so rewarding. These are the shows that reinforce my motto of - No job is too small or too big. I’m grateful for any chance to create together.

Director @brycejrich
Producer @jeff_walken
Director of Photography @lightscameron
Production Company @paperlytefilms
Agency @infinitymarketing

Stoked to finally share a bit of BTS from a game show I lensed for State Farm.What began as e-sports driven experimental content, resulted in undeniable audience and engagement metrics that has carried this show 4 seasons now.This post will showcase seasons 1 and 2 behind the scenes shot in Austin, Texas crewed by the best locals.I’ll share season 3 in another post when we moved this circus to Atlanta and revamped the entire creative.

Here you’ll see over 200 lights, across a few universes, illuminating a couple hundred people’s work across all departments. We shot to tape however it was a real tournament with interactive SFX, so lighting had to be pre-cued and ready for all possible scenarios. This job was definitely an ‘under promise over deliver’ opportunity.Being able to show agency and clients all the creative possibilities once all the prep work and rigging work completed was so rewarding. These are the shows that reinforce my motto of - No job is too small or too big. I’m grateful for any chance to create together.

Director @brycejrich
Producer @jeff_walken
Director of Photography @lightscameron
Production Company @paperlytefilms
Agency @infinitymarketing

@wisdm for @forbes Top Creators 2025

@wisdm for @forbes Top Creators 2025

A warm intimate performance setup for @ericzayne ‘Tropicana Kisses’ Beautiful results thanks to a solid team.

Directors @laurenhashianofficial @iamspicyrico
Producer @reelgoats
Starring @prettybtches_bychloe

Director of Photography @lightscameron
1st AC @michaelcardenasfilms
CLT @saintpablo___
Steadicam @steadidon
Color @bryansmaller @company_3

A warm intimate performance setup for @ericzayne ‘Tropicana Kisses’ Beautiful results thanks to a solid team.

Directors @laurenhashianofficial @iamspicyrico
Producer @reelgoats
Starring @prettybtches_bychloe

Director of Photography @lightscameron
1st AC @michaelcardenasfilms
CLT @saintpablo___
Steadicam @steadidon
Color @bryansmaller @company_3

A warm intimate performance setup for @ericzayne ‘Tropicana Kisses’ Beautiful results thanks to a solid team.

Directors @laurenhashianofficial @iamspicyrico
Producer @reelgoats
Starring @prettybtches_bychloe

Director of Photography @lightscameron
1st AC @michaelcardenasfilms
CLT @saintpablo___
Steadicam @steadidon
Color @bryansmaller @company_3

A warm intimate performance setup for @ericzayne ‘Tropicana Kisses’ Beautiful results thanks to a solid team.

Directors @laurenhashianofficial @iamspicyrico
Producer @reelgoats
Starring @prettybtches_bychloe

Director of Photography @lightscameron
1st AC @michaelcardenasfilms
CLT @saintpablo___
Steadicam @steadidon
Color @bryansmaller @company_3

A warm intimate performance setup for @ericzayne ‘Tropicana Kisses’ Beautiful results thanks to a solid team.

Directors @laurenhashianofficial @iamspicyrico
Producer @reelgoats
Starring @prettybtches_bychloe

Director of Photography @lightscameron
1st AC @michaelcardenasfilms
CLT @saintpablo___
Steadicam @steadidon
Color @bryansmaller @company_3

A warm intimate performance setup for @ericzayne ‘Tropicana Kisses’ Beautiful results thanks to a solid team.

Directors @laurenhashianofficial @iamspicyrico
Producer @reelgoats
Starring @prettybtches_bychloe

Director of Photography @lightscameron
1st AC @michaelcardenasfilms
CLT @saintpablo___
Steadicam @steadidon
Color @bryansmaller @company_3

A warm intimate performance setup for @ericzayne ‘Tropicana Kisses’ Beautiful results thanks to a solid team.

Directors @laurenhashianofficial @iamspicyrico
Producer @reelgoats
Starring @prettybtches_bychloe

Director of Photography @lightscameron
1st AC @michaelcardenasfilms
CLT @saintpablo___
Steadicam @steadidon
Color @bryansmaller @company_3

A warm intimate performance setup for @ericzayne ‘Tropicana Kisses’ Beautiful results thanks to a solid team.

Directors @laurenhashianofficial @iamspicyrico
Producer @reelgoats
Starring @prettybtches_bychloe

Director of Photography @lightscameron
1st AC @michaelcardenasfilms
CLT @saintpablo___
Steadicam @steadidon
Color @bryansmaller @company_3

Honored to capture Jamie Lee Curtis for @forbes #50over50
Photographer @celestesloman
Hair @paulnortonhair
Makeup @catherinemariehighland

Honored to capture Jamie Lee Curtis for @forbes #50over50
Photographer @celestesloman
Hair @paulnortonhair
Makeup @catherinemariehighland

Honored to capture Jamie Lee Curtis for @forbes #50over50
Photographer @celestesloman
Hair @paulnortonhair
Makeup @catherinemariehighland

Honored to capture Jamie Lee Curtis for @forbes #50over50
Photographer @celestesloman
Hair @paulnortonhair
Makeup @catherinemariehighland

New commercial DP work for Infiniti featuring Robert Glasper • #cinematography #commercial

@InfinitiUSA x @RobertGlasper

Director @nayipramos
DP 🙋🏼‍♂️
Production @centertainmentla
Gaffer @chad_mcclellan
Key Grip @coreymillikin
Best Boy Electric @erickchaseson
Best Boy Grip @ianymeeny
BCam @arthurcastellano.dp
1st AC @jasonhguerrero
HMU @kristenpulice
DIT @wherzneal
Color @sderlug
Pursuit Vehicle @drivers_eye_la
Post @digitalsword_

New commercial DP work for Infiniti featuring Robert Glasper • #cinematography #commercial

@InfinitiUSA x @RobertGlasper

Director @nayipramos
DP 🙋🏼‍♂️
Production @centertainmentla
Gaffer @chad_mcclellan
Key Grip @coreymillikin
Best Boy Electric @erickchaseson
Best Boy Grip @ianymeeny
BCam @arthurcastellano.dp
1st AC @jasonhguerrero
HMU @kristenpulice
DIT @wherzneal
Color @sderlug
Pursuit Vehicle @drivers_eye_la
Post @digitalsword_

New commercial DP work for Infiniti featuring Robert Glasper • #cinematography #commercial

@InfinitiUSA x @RobertGlasper

Director @nayipramos
DP 🙋🏼‍♂️
Production @centertainmentla
Gaffer @chad_mcclellan
Key Grip @coreymillikin
Best Boy Electric @erickchaseson
Best Boy Grip @ianymeeny
BCam @arthurcastellano.dp
1st AC @jasonhguerrero
HMU @kristenpulice
DIT @wherzneal
Color @sderlug
Pursuit Vehicle @drivers_eye_la
Post @digitalsword_

New commercial DP work for Infiniti featuring Robert Glasper • #cinematography #commercial

@InfinitiUSA x @RobertGlasper

Director @nayipramos
DP 🙋🏼‍♂️
Production @centertainmentla
Gaffer @chad_mcclellan
Key Grip @coreymillikin
Best Boy Electric @erickchaseson
Best Boy Grip @ianymeeny
BCam @arthurcastellano.dp
1st AC @jasonhguerrero
HMU @kristenpulice
DIT @wherzneal
Color @sderlug
Pursuit Vehicle @drivers_eye_la
Post @digitalsword_

New commercial DP work for Infiniti featuring Robert Glasper • #cinematography #commercial

@InfinitiUSA x @RobertGlasper

Director @nayipramos
DP 🙋🏼‍♂️
Production @centertainmentla
Gaffer @chad_mcclellan
Key Grip @coreymillikin
Best Boy Electric @erickchaseson
Best Boy Grip @ianymeeny
BCam @arthurcastellano.dp
1st AC @jasonhguerrero
HMU @kristenpulice
DIT @wherzneal
Color @sderlug
Pursuit Vehicle @drivers_eye_la
Post @digitalsword_

New commercial DP work for Infiniti featuring Robert Glasper • #cinematography #commercial

@InfinitiUSA x @RobertGlasper

Director @nayipramos
DP 🙋🏼‍♂️
Production @centertainmentla
Gaffer @chad_mcclellan
Key Grip @coreymillikin
Best Boy Electric @erickchaseson
Best Boy Grip @ianymeeny
BCam @arthurcastellano.dp
1st AC @jasonhguerrero
HMU @kristenpulice
DIT @wherzneal
Color @sderlug
Pursuit Vehicle @drivers_eye_la
Post @digitalsword_

New commercial DP work for Infiniti featuring Robert Glasper • #cinematography #commercial

@InfinitiUSA x @RobertGlasper

Director @nayipramos
DP 🙋🏼‍♂️
Production @centertainmentla
Gaffer @chad_mcclellan
Key Grip @coreymillikin
Best Boy Electric @erickchaseson
Best Boy Grip @ianymeeny
BCam @arthurcastellano.dp
1st AC @jasonhguerrero
HMU @kristenpulice
DIT @wherzneal
Color @sderlug
Pursuit Vehicle @drivers_eye_la
Post @digitalsword_

New commercial DP work for Infiniti featuring Robert Glasper • #cinematography #commercial

@InfinitiUSA x @RobertGlasper

Director @nayipramos
DP 🙋🏼‍♂️
Production @centertainmentla
Gaffer @chad_mcclellan
Key Grip @coreymillikin
Best Boy Electric @erickchaseson
Best Boy Grip @ianymeeny
BCam @arthurcastellano.dp
1st AC @jasonhguerrero
HMU @kristenpulice
DIT @wherzneal
Color @sderlug
Pursuit Vehicle @drivers_eye_la
Post @digitalsword_

New commercial DP work for Infiniti featuring Robert Glasper • #cinematography #commercial

@InfinitiUSA x @RobertGlasper

Director @nayipramos
DP 🙋🏼‍♂️
Production @centertainmentla
Gaffer @chad_mcclellan
Key Grip @coreymillikin
Best Boy Electric @erickchaseson
Best Boy Grip @ianymeeny
BCam @arthurcastellano.dp
1st AC @jasonhguerrero
HMU @kristenpulice
DIT @wherzneal
Color @sderlug
Pursuit Vehicle @drivers_eye_la
Post @digitalsword_

New commercial DP work for Infiniti featuring Robert Glasper • #cinematography #commercial

@InfinitiUSA x @RobertGlasper

Director @nayipramos
DP 🙋🏼‍♂️
Production @centertainmentla
Gaffer @chad_mcclellan
Key Grip @coreymillikin
Best Boy Electric @erickchaseson
Best Boy Grip @ianymeeny
BCam @arthurcastellano.dp
1st AC @jasonhguerrero
HMU @kristenpulice
DIT @wherzneal
Color @sderlug
Pursuit Vehicle @drivers_eye_la
Post @digitalsword_

“ONE QUESTION” - @tegipannu

I had a blast shooting this one and living under the almighty softbox for as much of the day as I could ✨

Director: @directorboota
DP: @lightscameron
AC: @arthurcastellano.dp
Steadicam: @steadistanke
HMU: @shaina_makeupfx
Model @ariiianaj
PD: @loucontino
Gaffer: @mikewilliamsoncinema
BBE: @isaacmarz
Electric: @matthewthemann
Key Grip: @swervinherman
BBG: @unsightlysounds
Grip: @tommyguns33
GE: @specialpurposelightingandgrip
Generator: @amplepowergenerators
Editor: @editedbychaz
Color: @dylanmhageman
VFX: @apixfilms @hugopayen
Sound Design @ayodouson

“ONE QUESTION” - @tegipannu

I had a blast shooting this one and living under the almighty softbox for as much of the day as I could ✨

Director: @directorboota
DP: @lightscameron
AC: @arthurcastellano.dp
Steadicam: @steadistanke
HMU: @shaina_makeupfx
Model @ariiianaj
PD: @loucontino
Gaffer: @mikewilliamsoncinema
BBE: @isaacmarz
Electric: @matthewthemann
Key Grip: @swervinherman
BBG: @unsightlysounds
Grip: @tommyguns33
GE: @specialpurposelightingandgrip
Generator: @amplepowergenerators
Editor: @editedbychaz
Color: @dylanmhageman
VFX: @apixfilms @hugopayen
Sound Design @ayodouson

“ONE QUESTION” - @tegipannu

I had a blast shooting this one and living under the almighty softbox for as much of the day as I could ✨

Director: @directorboota
DP: @lightscameron
AC: @arthurcastellano.dp
Steadicam: @steadistanke
HMU: @shaina_makeupfx
Model @ariiianaj
PD: @loucontino
Gaffer: @mikewilliamsoncinema
BBE: @isaacmarz
Electric: @matthewthemann
Key Grip: @swervinherman
BBG: @unsightlysounds
Grip: @tommyguns33
GE: @specialpurposelightingandgrip
Generator: @amplepowergenerators
Editor: @editedbychaz
Color: @dylanmhageman
VFX: @apixfilms @hugopayen
Sound Design @ayodouson

“ONE QUESTION” - @tegipannu

I had a blast shooting this one and living under the almighty softbox for as much of the day as I could ✨

Director: @directorboota
DP: @lightscameron
AC: @arthurcastellano.dp
Steadicam: @steadistanke
HMU: @shaina_makeupfx
Model @ariiianaj
PD: @loucontino
Gaffer: @mikewilliamsoncinema
BBE: @isaacmarz
Electric: @matthewthemann
Key Grip: @swervinherman
BBG: @unsightlysounds
Grip: @tommyguns33
GE: @specialpurposelightingandgrip
Generator: @amplepowergenerators
Editor: @editedbychaz
Color: @dylanmhageman
VFX: @apixfilms @hugopayen
Sound Design @ayodouson

“ONE QUESTION” - @tegipannu

I had a blast shooting this one and living under the almighty softbox for as much of the day as I could ✨

Director: @directorboota
DP: @lightscameron
AC: @arthurcastellano.dp
Steadicam: @steadistanke
HMU: @shaina_makeupfx
Model @ariiianaj
PD: @loucontino
Gaffer: @mikewilliamsoncinema
BBE: @isaacmarz
Electric: @matthewthemann
Key Grip: @swervinherman
BBG: @unsightlysounds
Grip: @tommyguns33
GE: @specialpurposelightingandgrip
Generator: @amplepowergenerators
Editor: @editedbychaz
Color: @dylanmhageman
VFX: @apixfilms @hugopayen
Sound Design @ayodouson

“ONE QUESTION” - @tegipannu

I had a blast shooting this one and living under the almighty softbox for as much of the day as I could ✨

Director: @directorboota
DP: @lightscameron
AC: @arthurcastellano.dp
Steadicam: @steadistanke
HMU: @shaina_makeupfx
Model @ariiianaj
PD: @loucontino
Gaffer: @mikewilliamsoncinema
BBE: @isaacmarz
Electric: @matthewthemann
Key Grip: @swervinherman
BBG: @unsightlysounds
Grip: @tommyguns33
GE: @specialpurposelightingandgrip
Generator: @amplepowergenerators
Editor: @editedbychaz
Color: @dylanmhageman
VFX: @apixfilms @hugopayen
Sound Design @ayodouson

“ONE QUESTION” - @tegipannu

I had a blast shooting this one and living under the almighty softbox for as much of the day as I could ✨

Director: @directorboota
DP: @lightscameron
AC: @arthurcastellano.dp
Steadicam: @steadistanke
HMU: @shaina_makeupfx
Model @ariiianaj
PD: @loucontino
Gaffer: @mikewilliamsoncinema
BBE: @isaacmarz
Electric: @matthewthemann
Key Grip: @swervinherman
BBG: @unsightlysounds
Grip: @tommyguns33
GE: @specialpurposelightingandgrip
Generator: @amplepowergenerators
Editor: @editedbychaz
Color: @dylanmhageman
VFX: @apixfilms @hugopayen
Sound Design @ayodouson

“ONE QUESTION” - @tegipannu

I had a blast shooting this one and living under the almighty softbox for as much of the day as I could ✨

Director: @directorboota
DP: @lightscameron
AC: @arthurcastellano.dp
Steadicam: @steadistanke
HMU: @shaina_makeupfx
Model @ariiianaj
PD: @loucontino
Gaffer: @mikewilliamsoncinema
BBE: @isaacmarz
Electric: @matthewthemann
Key Grip: @swervinherman
BBG: @unsightlysounds
Grip: @tommyguns33
GE: @specialpurposelightingandgrip
Generator: @amplepowergenerators
Editor: @editedbychaz
Color: @dylanmhageman
VFX: @apixfilms @hugopayen
Sound Design @ayodouson

“ONE QUESTION” - @tegipannu

I had a blast shooting this one and living under the almighty softbox for as much of the day as I could ✨

Director: @directorboota
DP: @lightscameron
AC: @arthurcastellano.dp
Steadicam: @steadistanke
HMU: @shaina_makeupfx
Model @ariiianaj
PD: @loucontino
Gaffer: @mikewilliamsoncinema
BBE: @isaacmarz
Electric: @matthewthemann
Key Grip: @swervinherman
BBG: @unsightlysounds
Grip: @tommyguns33
GE: @specialpurposelightingandgrip
Generator: @amplepowergenerators
Editor: @editedbychaz
Color: @dylanmhageman
VFX: @apixfilms @hugopayen
Sound Design @ayodouson

Here’s a few more frames from the @neyo video I shot - directed by @teyanataylor for the song ‘You Got The Body’

The whole team along with the treatment were all for black and white. Ultimately in editorial, someone wanted to see some flesh tones. I don’t mind it! I had a feeling that could happen so during the grade we worked to find a balance between the original intent and what we delivered.

Director: @aspiketeyjoint⁣
DP: @lightscameron⁣
EP: @teyanatylor⁣
EP: @coco_gilbert⁣
EP: @chrisargueta⁣
LP: @jevinrl⁣
Production: @theauntiesinc⁣
Production: @mirrorboxltd⁣
⁣
1st AD: @kelo_of_dopeness⁣
Steadi: @steadi.g⁣
Jib: @1jibguy⁣
1st AC: @r.j.maurer⁣
Gaffer: @saintpablo___ ⁣
KG: @spenseradelstein⁣
Swing: @alancontreras16⁣
PD: @lorrvolatier⁣
Stylist: @haasrach⁣
Hair: @_douglasjack⁣
MUA: @sinhvo⁣
Ne-Yo’s Barber: Mike Fikes⁣
Ne-Yo’s MUA: Courtney⁣
Crystal’s Hair Stylist: TeTe⁣
Choreo: @jamaicacraft⁣
Dancers: @itscrystalsmith, @_taylorterry, tanayahenry, @babyy_chocolate⁣
Art Dept: @lorrvolatier
PAs: @matt_lunch, Ryan Davis, @krestor95⁣
Catering: @chefmelh
⁣
Post House: @kidsdontknow_⁣
Post Prod: @edgardaniel199x ⁣
Edit: @brandonesparza⁣
⁣
Post Prod: @kvnhrtlss⁣
Color: @cinesthetics⁣
BTS Video/Stills: @kvnhrtlss

Here’s a few more frames from the @neyo video I shot - directed by @teyanataylor for the song ‘You Got The Body’

The whole team along with the treatment were all for black and white. Ultimately in editorial, someone wanted to see some flesh tones. I don’t mind it! I had a feeling that could happen so during the grade we worked to find a balance between the original intent and what we delivered.

Director: @aspiketeyjoint⁣
DP: @lightscameron⁣
EP: @teyanatylor⁣
EP: @coco_gilbert⁣
EP: @chrisargueta⁣
LP: @jevinrl⁣
Production: @theauntiesinc⁣
Production: @mirrorboxltd⁣
⁣
1st AD: @kelo_of_dopeness⁣
Steadi: @steadi.g⁣
Jib: @1jibguy⁣
1st AC: @r.j.maurer⁣
Gaffer: @saintpablo___ ⁣
KG: @spenseradelstein⁣
Swing: @alancontreras16⁣
PD: @lorrvolatier⁣
Stylist: @haasrach⁣
Hair: @_douglasjack⁣
MUA: @sinhvo⁣
Ne-Yo’s Barber: Mike Fikes⁣
Ne-Yo’s MUA: Courtney⁣
Crystal’s Hair Stylist: TeTe⁣
Choreo: @jamaicacraft⁣
Dancers: @itscrystalsmith, @_taylorterry, tanayahenry, @babyy_chocolate⁣
Art Dept: @lorrvolatier
PAs: @matt_lunch, Ryan Davis, @krestor95⁣
Catering: @chefmelh
⁣
Post House: @kidsdontknow_⁣
Post Prod: @edgardaniel199x ⁣
Edit: @brandonesparza⁣
⁣
Post Prod: @kvnhrtlss⁣
Color: @cinesthetics⁣
BTS Video/Stills: @kvnhrtlss

Here’s a few more frames from the @neyo video I shot - directed by @teyanataylor for the song ‘You Got The Body’

The whole team along with the treatment were all for black and white. Ultimately in editorial, someone wanted to see some flesh tones. I don’t mind it! I had a feeling that could happen so during the grade we worked to find a balance between the original intent and what we delivered.

Director: @aspiketeyjoint⁣
DP: @lightscameron⁣
EP: @teyanatylor⁣
EP: @coco_gilbert⁣
EP: @chrisargueta⁣
LP: @jevinrl⁣
Production: @theauntiesinc⁣
Production: @mirrorboxltd⁣
⁣
1st AD: @kelo_of_dopeness⁣
Steadi: @steadi.g⁣
Jib: @1jibguy⁣
1st AC: @r.j.maurer⁣
Gaffer: @saintpablo___ ⁣
KG: @spenseradelstein⁣
Swing: @alancontreras16⁣
PD: @lorrvolatier⁣
Stylist: @haasrach⁣
Hair: @_douglasjack⁣
MUA: @sinhvo⁣
Ne-Yo’s Barber: Mike Fikes⁣
Ne-Yo’s MUA: Courtney⁣
Crystal’s Hair Stylist: TeTe⁣
Choreo: @jamaicacraft⁣
Dancers: @itscrystalsmith, @_taylorterry, tanayahenry, @babyy_chocolate⁣
Art Dept: @lorrvolatier
PAs: @matt_lunch, Ryan Davis, @krestor95⁣
Catering: @chefmelh
⁣
Post House: @kidsdontknow_⁣
Post Prod: @edgardaniel199x ⁣
Edit: @brandonesparza⁣
⁣
Post Prod: @kvnhrtlss⁣
Color: @cinesthetics⁣
BTS Video/Stills: @kvnhrtlss

Here’s a few more frames from the @neyo video I shot - directed by @teyanataylor for the song ‘You Got The Body’

The whole team along with the treatment were all for black and white. Ultimately in editorial, someone wanted to see some flesh tones. I don’t mind it! I had a feeling that could happen so during the grade we worked to find a balance between the original intent and what we delivered.

Director: @aspiketeyjoint⁣
DP: @lightscameron⁣
EP: @teyanatylor⁣
EP: @coco_gilbert⁣
EP: @chrisargueta⁣
LP: @jevinrl⁣
Production: @theauntiesinc⁣
Production: @mirrorboxltd⁣
⁣
1st AD: @kelo_of_dopeness⁣
Steadi: @steadi.g⁣
Jib: @1jibguy⁣
1st AC: @r.j.maurer⁣
Gaffer: @saintpablo___ ⁣
KG: @spenseradelstein⁣
Swing: @alancontreras16⁣
PD: @lorrvolatier⁣
Stylist: @haasrach⁣
Hair: @_douglasjack⁣
MUA: @sinhvo⁣
Ne-Yo’s Barber: Mike Fikes⁣
Ne-Yo’s MUA: Courtney⁣
Crystal’s Hair Stylist: TeTe⁣
Choreo: @jamaicacraft⁣
Dancers: @itscrystalsmith, @_taylorterry, tanayahenry, @babyy_chocolate⁣
Art Dept: @lorrvolatier
PAs: @matt_lunch, Ryan Davis, @krestor95⁣
Catering: @chefmelh
⁣
Post House: @kidsdontknow_⁣
Post Prod: @edgardaniel199x ⁣
Edit: @brandonesparza⁣
⁣
Post Prod: @kvnhrtlss⁣
Color: @cinesthetics⁣
BTS Video/Stills: @kvnhrtlss

Here’s a few more frames from the @neyo video I shot - directed by @teyanataylor for the song ‘You Got The Body’

The whole team along with the treatment were all for black and white. Ultimately in editorial, someone wanted to see some flesh tones. I don’t mind it! I had a feeling that could happen so during the grade we worked to find a balance between the original intent and what we delivered.

Director: @aspiketeyjoint⁣
DP: @lightscameron⁣
EP: @teyanatylor⁣
EP: @coco_gilbert⁣
EP: @chrisargueta⁣
LP: @jevinrl⁣
Production: @theauntiesinc⁣
Production: @mirrorboxltd⁣
⁣
1st AD: @kelo_of_dopeness⁣
Steadi: @steadi.g⁣
Jib: @1jibguy⁣
1st AC: @r.j.maurer⁣
Gaffer: @saintpablo___ ⁣
KG: @spenseradelstein⁣
Swing: @alancontreras16⁣
PD: @lorrvolatier⁣
Stylist: @haasrach⁣
Hair: @_douglasjack⁣
MUA: @sinhvo⁣
Ne-Yo’s Barber: Mike Fikes⁣
Ne-Yo’s MUA: Courtney⁣
Crystal’s Hair Stylist: TeTe⁣
Choreo: @jamaicacraft⁣
Dancers: @itscrystalsmith, @_taylorterry, tanayahenry, @babyy_chocolate⁣
Art Dept: @lorrvolatier
PAs: @matt_lunch, Ryan Davis, @krestor95⁣
Catering: @chefmelh
⁣
Post House: @kidsdontknow_⁣
Post Prod: @edgardaniel199x ⁣
Edit: @brandonesparza⁣
⁣
Post Prod: @kvnhrtlss⁣
Color: @cinesthetics⁣
BTS Video/Stills: @kvnhrtlss

Here’s a few more frames from the @neyo video I shot - directed by @teyanataylor for the song ‘You Got The Body’

The whole team along with the treatment were all for black and white. Ultimately in editorial, someone wanted to see some flesh tones. I don’t mind it! I had a feeling that could happen so during the grade we worked to find a balance between the original intent and what we delivered.

Director: @aspiketeyjoint⁣
DP: @lightscameron⁣
EP: @teyanatylor⁣
EP: @coco_gilbert⁣
EP: @chrisargueta⁣
LP: @jevinrl⁣
Production: @theauntiesinc⁣
Production: @mirrorboxltd⁣
⁣
1st AD: @kelo_of_dopeness⁣
Steadi: @steadi.g⁣
Jib: @1jibguy⁣
1st AC: @r.j.maurer⁣
Gaffer: @saintpablo___ ⁣
KG: @spenseradelstein⁣
Swing: @alancontreras16⁣
PD: @lorrvolatier⁣
Stylist: @haasrach⁣
Hair: @_douglasjack⁣
MUA: @sinhvo⁣
Ne-Yo’s Barber: Mike Fikes⁣
Ne-Yo’s MUA: Courtney⁣
Crystal’s Hair Stylist: TeTe⁣
Choreo: @jamaicacraft⁣
Dancers: @itscrystalsmith, @_taylorterry, tanayahenry, @babyy_chocolate⁣
Art Dept: @lorrvolatier
PAs: @matt_lunch, Ryan Davis, @krestor95⁣
Catering: @chefmelh
⁣
Post House: @kidsdontknow_⁣
Post Prod: @edgardaniel199x ⁣
Edit: @brandonesparza⁣
⁣
Post Prod: @kvnhrtlss⁣
Color: @cinesthetics⁣
BTS Video/Stills: @kvnhrtlss

I’ve shot videos for six artists performing this weekend at @coachella - so it’s time for a retrospective carousel post. Thankful for these opportunities and more to come 🎥🦾 @postmalone @diljitdosanjh @flomillishit @21savage @future @kaliuchis

I’ve shot videos for six artists performing this weekend at @coachella - so it’s time for a retrospective carousel post. Thankful for these opportunities and more to come 🎥🦾 @postmalone @diljitdosanjh @flomillishit @21savage @future @kaliuchis

I’ve shot videos for six artists performing this weekend at @coachella - so it’s time for a retrospective carousel post. Thankful for these opportunities and more to come 🎥🦾 @postmalone @diljitdosanjh @flomillishit @21savage @future @kaliuchis

I’ve shot videos for six artists performing this weekend at @coachella - so it’s time for a retrospective carousel post. Thankful for these opportunities and more to come 🎥🦾 @postmalone @diljitdosanjh @flomillishit @21savage @future @kaliuchis

I’ve shot videos for six artists performing this weekend at @coachella - so it’s time for a retrospective carousel post. Thankful for these opportunities and more to come 🎥🦾 @postmalone @diljitdosanjh @flomillishit @21savage @future @kaliuchis

I’ve shot videos for six artists performing this weekend at @coachella - so it’s time for a retrospective carousel post. Thankful for these opportunities and more to come 🎥🦾 @postmalone @diljitdosanjh @flomillishit @21savage @future @kaliuchis

I’ve shot videos for six artists performing this weekend at @coachella - so it’s time for a retrospective carousel post. Thankful for these opportunities and more to come 🎥🦾 @postmalone @diljitdosanjh @flomillishit @21savage @future @kaliuchis

I’ve shot videos for six artists performing this weekend at @coachella - so it’s time for a retrospective carousel post. Thankful for these opportunities and more to come 🎥🦾 @postmalone @diljitdosanjh @flomillishit @21savage @future @kaliuchis

I’ve shot videos for six artists performing this weekend at @coachella - so it’s time for a retrospective carousel post. Thankful for these opportunities and more to come 🎥🦾 @postmalone @diljitdosanjh @flomillishit @21savage @future @kaliuchis

I’ve shot videos for six artists performing this weekend at @coachella - so it’s time for a retrospective carousel post. Thankful for these opportunities and more to come 🎥🦾 @postmalone @diljitdosanjh @flomillishit @21savage @future @kaliuchis