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Whoever said there’s plenty of fish in the sea. undersold it. There’s 3.5 trillion fish in the ocean. Don’t ever trip over 1 swimming away - Almost Forgot How To Swim

#shortfilm

We feeling wonderful immediately after the break up.
1 month later we in silent shambles
- Almost Forgot How To Swim

#shortfilm

Avoid depression at all cost. Pretty much -
Almost Forgot How To Swim

#shortfilm

PEP TALK - Almost Forgot How To Swim

#shortfilm

“Almost Forgot How to Swim”

A short film about healing.

Presented by @Shawscope

Starring Jahmiu Yakubu @sayjahmiu and Melvin Rodriguez @realmelrodriguez
Directed by Casey Shaw @liminal_case
Cinematography by Alejandro Moreno @juander.lust
Edited by Casey Shaw
Color by Seth Mathews @mathews_seth
Post Sound by Spencer Poole @spencerdavidpoole and Monolith Post
Title Design by Casey Shaw and Lane DeLeon @5rything
Original Score by Alex Siegel @alexsiegelmusic
Lab @kodakfilmlabatl @kodak_shootfilm

Featuring Music from the Studio Album “Almost Forgot How to Swim” by Jahmiu. Available now on all platforms.

For a complete experience, watch on Youtube on a large screen with speakers after a breakup.

Camera: Aaton 35-III 4-perf Movement
Lens: Zeiss Standard Speeds
Film Stock: Kodak 5213 200T
Shot on location in Atlanta, GA (Thanks @gshaw1234 @alshaw124 )
Mostly edited in camera.
No AI was used.

#healing #35mm #shotonfilm #breakup #love

@unseenolympiad out now on Youtube and Vimeo.

Director @liminal_case
Cinematographers / Photographers @liminal_case @haleyjshaw @theoffbeatdept @juander.lust
Lab @kodak @digital_orchard
Thank you @gshaw1234 & Alan Shaw
Thank you @the_filmlab_guy
Thank you @milanocortina2026

#olympics #35mm #shotonfilm #fyp #seetheunseen

Thessaloniki at Sunset on 16mm.

A live memory.

Camera: Bolex H16 Reflex
Film: 7212 100T rated at 25 iso
Music: Ride Home by Skrillex

#🇬🇷 #bolex #mood #16mm

True stillness exists in table tennis. There is a sliver of a window of opportunity for each return, and that window is controlled by your opponent.

The active patience these athletes exhibit has taught me to stay present even in moments that are seemingly out of my control. I never know when that window might line up.

Why @tchalamet chose to go to the wonderful city of Chengdu at this time isn’t important. It’s a beautiful synchronicity that two of the only modern movies shot on film involving ping pong, “Marty Supreme” and @unseenolympiad are aligned in the Sichuan capital. Our movies are very different in content, but both interact with values surrounding sport in a way that envelops the audience in the mindset of an athlete. The fictional Marty is a win-at-all-costs player, while our real-life athletes are driven by an internal pursuit for greatness within, regardless of the outcome. Either way, timing is vital.

Unseen Olympiad is available to watch now on Youtube and Vimeo.

#seetheunseen #unseenolympiad #16mm #shotonfilm #shawscope

Nearly 150,000 accounts have watched our snapshots of this year’s Olympics unfold since Feb 17th. 1.2M+ views from nearly 1M accounts in 30 days. Surreal. Thank you!!! As the Paralympics soon begin and the Olympians have returned to their homes, I want to illuminate the purpose behind these posts.

One of the most invisible Olympic stories is the story of the spectator. Hundreds of thousands of people from around the world converge on the Olympic host country every two years. All of them have their own specific reason for attendance. Some raised an athlete from birth. Others are celebrating a family tradition. This often extremely inconvenient and rare migration is made by folks far and wide, and the most we hear from them is through chants and cheers in the background of a TV broadcast.

As a spectator, nearly every piece of the experience is branded by some key sponsor. The Visa souvenir tickets, the Coca-Cola Pin Trading site. McDonald’s once sponsored the Games and there was even a McDonald’s located in the athlete’s village. I would bet that not one single one of these spectators travelled to the Olympics just because they love McDonald’s. There must be something bigger than the commercial fan experience.

With this photo and video series, my sister (12-time Olympic attendee) @haleyjshaw , two close friends and first time Olympic attendees @juander.lust @theoffbeatsdept , and I captured the Games only from the spectator’s perspective. We strictly used cameras and equipment that were allowed in through standard venue security with no official accreditation. Our lenses were restricted to a max length of 20cm, per venue guidelines. This was to create a forced perspective in our work that brings the energy of an attendee of the Games to the forefront, to help you see what they see, and to help us get closer to the why behind this pilgrimage of sport.

Photos 1 🇰🇷 and 4 🇵🇱 by @haleyjshaw
Photos 2 🇸🇮 and 3 🇨🇳 by me.
All 35mm.

@milanocortina2026 @unseenolympiad

#unseenolympiad #beyondsport #milancortina2026 #shotonfilm #35mm

Nearly 150,000 accounts have watched our snapshots of this year’s Olympics unfold since Feb 17th. 1.2M+ views from nearly 1M accounts in 30 days. Surreal. Thank you!!! As the Paralympics soon begin and the Olympians have returned to their homes, I want to illuminate the purpose behind these posts.

One of the most invisible Olympic stories is the story of the spectator. Hundreds of thousands of people from around the world converge on the Olympic host country every two years. All of them have their own specific reason for attendance. Some raised an athlete from birth. Others are celebrating a family tradition. This often extremely inconvenient and rare migration is made by folks far and wide, and the most we hear from them is through chants and cheers in the background of a TV broadcast.

As a spectator, nearly every piece of the experience is branded by some key sponsor. The Visa souvenir tickets, the Coca-Cola Pin Trading site. McDonald’s once sponsored the Games and there was even a McDonald’s located in the athlete’s village. I would bet that not one single one of these spectators travelled to the Olympics just because they love McDonald’s. There must be something bigger than the commercial fan experience.

With this photo and video series, my sister (12-time Olympic attendee) @haleyjshaw , two close friends and first time Olympic attendees @juander.lust @theoffbeatsdept , and I captured the Games only from the spectator’s perspective. We strictly used cameras and equipment that were allowed in through standard venue security with no official accreditation. Our lenses were restricted to a max length of 20cm, per venue guidelines. This was to create a forced perspective in our work that brings the energy of an attendee of the Games to the forefront, to help you see what they see, and to help us get closer to the why behind this pilgrimage of sport.

Photos 1 🇰🇷 and 4 🇵🇱 by @haleyjshaw
Photos 2 🇸🇮 and 3 🇨🇳 by me.
All 35mm.

@milanocortina2026 @unseenolympiad

#unseenolympiad #beyondsport #milancortina2026 #shotonfilm #35mm

Nearly 150,000 accounts have watched our snapshots of this year’s Olympics unfold since Feb 17th. 1.2M+ views from nearly 1M accounts in 30 days. Surreal. Thank you!!! As the Paralympics soon begin and the Olympians have returned to their homes, I want to illuminate the purpose behind these posts.

One of the most invisible Olympic stories is the story of the spectator. Hundreds of thousands of people from around the world converge on the Olympic host country every two years. All of them have their own specific reason for attendance. Some raised an athlete from birth. Others are celebrating a family tradition. This often extremely inconvenient and rare migration is made by folks far and wide, and the most we hear from them is through chants and cheers in the background of a TV broadcast.

As a spectator, nearly every piece of the experience is branded by some key sponsor. The Visa souvenir tickets, the Coca-Cola Pin Trading site. McDonald’s once sponsored the Games and there was even a McDonald’s located in the athlete’s village. I would bet that not one single one of these spectators travelled to the Olympics just because they love McDonald’s. There must be something bigger than the commercial fan experience.

With this photo and video series, my sister (12-time Olympic attendee) @haleyjshaw , two close friends and first time Olympic attendees @juander.lust @theoffbeatsdept , and I captured the Games only from the spectator’s perspective. We strictly used cameras and equipment that were allowed in through standard venue security with no official accreditation. Our lenses were restricted to a max length of 20cm, per venue guidelines. This was to create a forced perspective in our work that brings the energy of an attendee of the Games to the forefront, to help you see what they see, and to help us get closer to the why behind this pilgrimage of sport.

Photos 1 🇰🇷 and 4 🇵🇱 by @haleyjshaw
Photos 2 🇸🇮 and 3 🇨🇳 by me.
All 35mm.

@milanocortina2026 @unseenolympiad

#unseenolympiad #beyondsport #milancortina2026 #shotonfilm #35mm

Nearly 150,000 accounts have watched our snapshots of this year’s Olympics unfold since Feb 17th. 1.2M+ views from nearly 1M accounts in 30 days. Surreal. Thank you!!! As the Paralympics soon begin and the Olympians have returned to their homes, I want to illuminate the purpose behind these posts.

One of the most invisible Olympic stories is the story of the spectator. Hundreds of thousands of people from around the world converge on the Olympic host country every two years. All of them have their own specific reason for attendance. Some raised an athlete from birth. Others are celebrating a family tradition. This often extremely inconvenient and rare migration is made by folks far and wide, and the most we hear from them is through chants and cheers in the background of a TV broadcast.

As a spectator, nearly every piece of the experience is branded by some key sponsor. The Visa souvenir tickets, the Coca-Cola Pin Trading site. McDonald’s once sponsored the Games and there was even a McDonald’s located in the athlete’s village. I would bet that not one single one of these spectators travelled to the Olympics just because they love McDonald’s. There must be something bigger than the commercial fan experience.

With this photo and video series, my sister (12-time Olympic attendee) @haleyjshaw , two close friends and first time Olympic attendees @juander.lust @theoffbeatsdept , and I captured the Games only from the spectator’s perspective. We strictly used cameras and equipment that were allowed in through standard venue security with no official accreditation. Our lenses were restricted to a max length of 20cm, per venue guidelines. This was to create a forced perspective in our work that brings the energy of an attendee of the Games to the forefront, to help you see what they see, and to help us get closer to the why behind this pilgrimage of sport.

Photos 1 🇰🇷 and 4 🇵🇱 by @haleyjshaw
Photos 2 🇸🇮 and 3 🇨🇳 by me.
All 35mm.

@milanocortina2026 @unseenolympiad

#unseenolympiad #beyondsport #milancortina2026 #shotonfilm #35mm

Amber Glenn on 35mm as she performed in the free program of the @milanocortina2026 team event. Her skill resulted in a Gold Medal for her and @teamusa .

For more, watch Unseen Olympiad on Youtube, and visit unseenolympiad.com @unseenolympiad

Camera: Aaton 35-III
Lens: Zeiss 135mm Sonnar f/4
Format: Ultra Shawscope 270
Film: Expired Kodak 5217 200T rated @ 50iso

Shot by me
Music by @charli_xcx
Lab: @kodak_shootfilm London @the_filmlab_guy @digital_orchard
Cover Photo by @juander.lust

@amberglenniceskater
@usfigureskating @isufigureskating
@olympics
@shawscope

#figureskating #milancortina2026 #amberglenn #shotonfilm #35mmfilm

Stefano, Camera Assistant for the Olympic Broadcast Service (OBS)

After my family and friends headed back to the USA, I decided to go to see Ski Jumping alone, with about 175lb of luggage and camera equipment. I took a train to Verona, slept overnight, then a train to Oro, a bus to Tresero, a bus to Panchia, dropped some things at my hotel, and then another bus to Predazzo. From there, I walked about .5 miles up hill to get to the entrance of the Ski Jumping venue, all with my 20lb Aaton 35mm Camera and a backpack with lenses, an extra magazine, and changing tent. I arrived to the venue about two hours before the trial jumps started, and sat for some time catching my breath.

Going into work, Stefano noticed me and my camera and was intrigued, so I showed him my normal demo of my camera when folks are interested. He asked how I would get access to the event with it, and he told me that the security here was extra strict, and because I only had a spectator ticket, they would likely deny my entry. Stefano, who had proper accreditation, offered to take my camera in for me past the initial security checkpoint, and seemingly, I had no other option, so I gave him my camera, he went ahead, and I waited in line to be let into the venue for about an hour.

There is a trust that Ski Jumpers have with everyone involved in the event who makes it possible for them to fly through the air. I felt a fraction of that trust here.

Once inside, Stefano delivered me my camera to the general admission area where I was positioned, and I was able to capture a moment of history on film- the first time in Olympic Ski Jumping that women were given equal access to compete on the same hill as the men.

This story is a reflection of the Olympic moments that happen for every single participant, coach, official, and spectator who takes part in the Games. People try their absolute hardest to even qualify, and still need that one helping hand to get them to compete.

Of course, I will share motion footage soon ⛷️

Camera: Fujica SLR
Lens: 55mm f/1.8
Film: @cinestillfilm 800T at 640iso
Lab: @thegreatdarkroomexperience

#unseenolympiad #milancortina2026 #olympics #sportsonfilm #35mm

Olympic Big Air Snowboarding on Film

Directed / Edited by me
35mm Cinematography by me and @haleyjshaw
16mm Cinematography by @theoffbeatdept
Music: “Infinity” by @ivoxygen_official

Cameras: Aaton 35-III, K3
Lens: Zeiss Standard Speeds, Zeiss 135mm, K3 kit zoom lens
Film: Expired 5201 50D (rated at 12), Expired 5219 500T (rated at 125), 7207 250D
Lab: Kodak London @kodak_shootfilm @digital_orchard @the_filmlab_guy

#unseenolympiad #bigair #snowboard #shotonfilm #milancortina2026