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𝗧𝗛𝗘 𝗔𝗙𝗙𝗜𝗟𝗜𝗔𝗧𝗘𝗦: BLKNWS: Terms and Conditions, Kahlil Joseph’s debut feature edited by @luketheeditor and @paulrogerseditor at @_p.a.r.a.l.l.a.x_has been named as a @nytimes critics’ pick and is #5 on their Best Movies of 2025!
“ Poetry is not trendy. Cinema can feel trendy. For a movie to age well is a huge accomplishment.” - Kahlil Joseph

Excerpt from recent write up from @dazed about Kahlil Joseph’s “must-see” debut feature “BLKNWS: Terms & Conditions” @blknws

Conversation between contributing writer of the film @aselodie and key collaborators, @luketheeditor, @dopevibrations, @kanezaschaal, @gurnafterreading, @anyanwu

“There are so many times in the artwork where we would feel, ‘Of course it works. Of course it makes sense and exists the way it does,’ But the journey is crazy. To try to do anything different is incredibly challenging. In the early iterations, the only direction I got was, ‘What is sampling in the context of a film?’ We did that for months, experimenting with that idea without particular focus on the subjects and the script.” - Editor Luke Lynch

𝗧𝗛𝗘 𝗔𝗙𝗙𝗜𝗟𝗜𝗔𝗧𝗘𝗦: BLKNWS: Terms and Conditions, Kahlil Joseph’s debut feature edited by @luketheeditor and @paulrogerseditor at @_p.a.r.a.l.l.a.x_has been named as a @nytimes critics’ pick and is #5 on their Best Movies of 2025!
“ Poetry is not trendy. Cinema can feel trendy. For a movie to age well is a huge accomplishment.” - Kahlil Joseph

Excerpt from recent write up from @dazed about Kahlil Joseph’s “must-see” debut feature “BLKNWS: Terms & Conditions” @blknws

Conversation between contributing writer of the film @aselodie and key collaborators, @luketheeditor, @dopevibrations, @kanezaschaal, @gurnafterreading, @anyanwu

“There are so many times in the artwork where we would feel, ‘Of course it works. Of course it makes sense and exists the way it does,’ But the journey is crazy. To try to do anything different is incredibly challenging. In the early iterations, the only direction I got was, ‘What is sampling in the context of a film?’ We did that for months, experimenting with that idea without particular focus on the subjects and the script.” - Editor Luke Lynch

𝗧𝗛𝗘 𝗔𝗙𝗙𝗜𝗟𝗜𝗔𝗧𝗘𝗦: BLKNWS: Terms and Conditions, Kahlil Joseph’s debut feature edited by @luketheeditor and @paulrogerseditor at @_p.a.r.a.l.l.a.x_has been named as a @nytimes critics’ pick and is #5 on their Best Movies of 2025!
“ Poetry is not trendy. Cinema can feel trendy. For a movie to age well is a huge accomplishment.” - Kahlil Joseph

Excerpt from recent write up from @dazed about Kahlil Joseph’s “must-see” debut feature “BLKNWS: Terms & Conditions” @blknws

Conversation between contributing writer of the film @aselodie and key collaborators, @luketheeditor, @dopevibrations, @kanezaschaal, @gurnafterreading, @anyanwu

“There are so many times in the artwork where we would feel, ‘Of course it works. Of course it makes sense and exists the way it does,’ But the journey is crazy. To try to do anything different is incredibly challenging. In the early iterations, the only direction I got was, ‘What is sampling in the context of a film?’ We did that for months, experimenting with that idea without particular focus on the subjects and the script.” - Editor Luke Lynch

𝗧𝗛𝗘 𝗔𝗙𝗙𝗜𝗟𝗜𝗔𝗧𝗘𝗦: BLKNWS: Terms and Conditions, Kahlil Joseph’s debut feature edited by @luketheeditor and @paulrogerseditor at @_p.a.r.a.l.l.a.x_has been named as a @nytimes critics’ pick and is #5 on their Best Movies of 2025!
“ Poetry is not trendy. Cinema can feel trendy. For a movie to age well is a huge accomplishment.” - Kahlil Joseph

Excerpt from recent write up from @dazed about Kahlil Joseph’s “must-see” debut feature “BLKNWS: Terms & Conditions” @blknws

Conversation between contributing writer of the film @aselodie and key collaborators, @luketheeditor, @dopevibrations, @kanezaschaal, @gurnafterreading, @anyanwu

“There are so many times in the artwork where we would feel, ‘Of course it works. Of course it makes sense and exists the way it does,’ But the journey is crazy. To try to do anything different is incredibly challenging. In the early iterations, the only direction I got was, ‘What is sampling in the context of a film?’ We did that for months, experimenting with that idea without particular focus on the subjects and the script.” - Editor Luke Lynch

I miss you so so much. I’ll be home soon.Sending love from down under 🇦🇺🐨🦘🌏

I miss you so so much. I’ll be home soon.Sending love from down under 🇦🇺🐨🦘🌏

I miss you so so much. I’ll be home soon.Sending love from down under 🇦🇺🐨🦘🌏

I miss you so so much. I’ll be home soon.Sending love from down under 🇦🇺🐨🦘🌏

I miss you so so much. I’ll be home soon.Sending love from down under 🇦🇺🐨🦘🌏

I miss you so so much. I’ll be home soon.Sending love from down under 🇦🇺🐨🦘🌏

I miss you so so much. I’ll be home soon.Sending love from down under 🇦🇺🐨🦘🌏

@blknws @_p.a.r.a.l.l.a.x_

…from the production diary, january 2000: “as a rule, the first time you see your rough out you’re unequivocally depressed and horrified because it’s the absolute worst state the film will ever be in... yet it’s oddly exciting at the same time because now you get to do everything you can think of to save the damn thing...”

-Don Hertzfeldt
during the production of “REJECTED”

@_p.a.r.a.l.l.a.x_

…from the production diary, january 2000: “as a rule, the first time you see your rough out you’re unequivocally depressed and horrified because it’s the absolute worst state the film will ever be in... yet it’s oddly exciting at the same time because now you get to do everything you can think of to save the damn thing...”

-Don Hertzfeldt
during the production of “REJECTED”

@_p.a.r.a.l.l.a.x_

…from the production diary, january 2000: “as a rule, the first time you see your rough out you’re unequivocally depressed and horrified because it’s the absolute worst state the film will ever be in... yet it’s oddly exciting at the same time because now you get to do everything you can think of to save the damn thing...”

-Don Hertzfeldt
during the production of “REJECTED”

@_p.a.r.a.l.l.a.x_

…from the production diary, january 2000: “as a rule, the first time you see your rough out you’re unequivocally depressed and horrified because it’s the absolute worst state the film will ever be in... yet it’s oddly exciting at the same time because now you get to do everything you can think of to save the damn thing...”

-Don Hertzfeldt
during the production of “REJECTED”

@_p.a.r.a.l.l.a.x_

Wow, where to even begin. The journey of this film has been epic just in the last few days not to mention the last few years. This has been truly a labor of love and a project that has challenged me and demanded every ounce of creative energy I had to give. I have never been more ready to share something to the world than this incredible and unique film. I hope the world is ready…. I certainly am.

Wow, where to even begin. The journey of this film has been epic just in the last few days not to mention the last few years. This has been truly a labor of love and a project that has challenged me and demanded every ounce of creative energy I had to give. I have never been more ready to share something to the world than this incredible and unique film. I hope the world is ready…. I certainly am.

Wow, where to even begin. The journey of this film has been epic just in the last few days not to mention the last few years. This has been truly a labor of love and a project that has challenged me and demanded every ounce of creative energy I had to give. I have never been more ready to share something to the world than this incredible and unique film. I hope the world is ready…. I certainly am.

Rainy season

Super crazy proud of this man.
Can’t wait to see what comes next.

Super crazy proud of this man.
Can’t wait to see what comes next.

Coming soon… @parallax_post

A beautiful person to share a sunset with. 😎

A beautiful person to share a sunset with. 😎

A beautiful person to share a sunset with. 😎

Nice sunset.

Making moves