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lylevincent
Lyle Vincent
Cinematographer The Beast in Me, Rosemead, Carry-On, The Staircase, Kate, Bad Education, A Girl Walks Home Alone at Night, Thoroughbreds /Rep@UTA
More From Thoroughbreds 2017 Directed by Cory Finely featuring @anyataylorjoy @livkatecooke Paul Sparks an Anton Yelchin Arri Alexa mini with @panavisionofficial G series and primo anamorphic lenses
More From Thoroughbreds 2017 Directed by Cory Finely featuring @anyataylorjoy @livkatecooke Paul Sparks an Anton Yelchin Arri Alexa mini with @panavisionofficial G series and primo anamorphic lenses
More From Thoroughbreds 2017 Directed by Cory Finely featuring @anyataylorjoy @livkatecooke Paul Sparks an Anton Yelchin Arri Alexa mini with @panavisionofficial G series and primo anamorphic lenses
More From Thoroughbreds 2017 Directed by Cory Finely featuring @anyataylorjoy @livkatecooke Paul Sparks an Anton Yelchin Arri Alexa mini with @panavisionofficial G series and primo anamorphic lenses
More From Thoroughbreds 2017 Directed by Cory Finely featuring @anyataylorjoy @livkatecooke Paul Sparks an Anton Yelchin Arri Alexa mini with @panavisionofficial G series and primo anamorphic lenses
More From Thoroughbreds 2017 Directed by Cory Finely featuring @anyataylorjoy @livkatecooke Paul Sparks an Anton Yelchin Arri Alexa mini with @panavisionofficial G series and primo anamorphic lenses
More From Thoroughbreds 2017 Directed by Cory Finely featuring @anyataylorjoy @livkatecooke Paul Sparks an Anton Yelchin Arri Alexa mini with @panavisionofficial G series and primo anamorphic lenses
More From Thoroughbreds 2017 Directed by Cory Finely featuring @anyataylorjoy @livkatecooke Paul Sparks an Anton Yelchin Arri Alexa mini with @panavisionofficial G series and primo anamorphic lenses
More From Thoroughbreds 2017 Directed by Cory Finely featuring @anyataylorjoy @livkatecooke Paul Sparks an Anton Yelchin Arri Alexa mini with @panavisionofficial G series and primo anamorphic lenses
More From Thoroughbreds 2017 Directed by Cory Finely featuring @anyataylorjoy @livkatecooke Paul Sparks an Anton Yelchin Arri Alexa mini with @panavisionofficial G series and primo anamorphic lenses
More From Thoroughbreds 2017 Directed by Cory Finely featuring @anyataylorjoy @livkatecooke Paul Sparks an Anton Yelchin Arri Alexa mini with @panavisionofficial G series and primo anamorphic lenses
More From Thoroughbreds 2017 Directed by Cory Finely featuring @anyataylorjoy @livkatecooke Paul Sparks an Anton Yelchin Arri Alexa mini with @panavisionofficial G series and primo anamorphic lenses
More From Thoroughbreds 2017 Directed by Cory Finely featuring @anyataylorjoy @livkatecooke Paul Sparks an Anton Yelchin Arri Alexa mini with @panavisionofficial G series and primo anamorphic lenses
More From Thoroughbreds 2017 Directed by Cory Finely featuring @anyataylorjoy @livkatecooke Paul Sparks an Anton Yelchin Arri Alexa mini with @panavisionofficial G series and primo anamorphic lenses
More From Thoroughbreds 2017 Directed by Cory Finely featuring @anyataylorjoy @livkatecooke Paul Sparks an Anton Yelchin Arri Alexa mini with @panavisionofficial G series and primo anamorphic lenses
More From Thoroughbreds 2017 Directed by Cory Finely featuring @anyataylorjoy @livkatecooke Paul Sparks an Anton Yelchin Arri Alexa mini with @panavisionofficial G series and primo anamorphic lenses
More From Thoroughbreds 2017 Directed by Cory Finely featuring @anyataylorjoy @livkatecooke Paul Sparks an Anton Yelchin Arri Alexa mini with @panavisionofficial G series and primo anamorphic lenses
Thoroughbreds 2017 Directed by Cory Finely featuring @anyataylorjoy @livkatecooke Paul Sparks and Anton Yelchin Alexa Mini @panavisionofficial primo anamorphic and G series Anamorphic
Thoroughbreds 2017 Directed by Cory Finely featuring @anyataylorjoy @livkatecooke Paul Sparks and Anton Yelchin Alexa Mini @panavisionofficial primo anamorphic and G series Anamorphic
Thoroughbreds 2017 Directed by Cory Finely featuring @anyataylorjoy @livkatecooke Paul Sparks and Anton Yelchin Alexa Mini @panavisionofficial primo anamorphic and G series Anamorphic
Thoroughbreds 2017 Directed by Cory Finely featuring @anyataylorjoy @livkatecooke Paul Sparks and Anton Yelchin Alexa Mini @panavisionofficial primo anamorphic and G series Anamorphic
Thoroughbreds 2017 Directed by Cory Finely featuring @anyataylorjoy @livkatecooke Paul Sparks and Anton Yelchin Alexa Mini @panavisionofficial primo anamorphic and G series Anamorphic
Thoroughbreds 2017 Directed by Cory Finely featuring @anyataylorjoy @livkatecooke Paul Sparks and Anton Yelchin Alexa Mini @panavisionofficial primo anamorphic and G series Anamorphic
Thoroughbreds 2017 Directed by Cory Finely featuring @anyataylorjoy @livkatecooke Paul Sparks and Anton Yelchin Alexa Mini @panavisionofficial primo anamorphic and G series Anamorphic
Thoroughbreds 2017 Directed by Cory Finely featuring @anyataylorjoy @livkatecooke Paul Sparks and Anton Yelchin Alexa Mini @panavisionofficial primo anamorphic and G series Anamorphic
Thoroughbreds 2017 Directed by Cory Finely featuring @anyataylorjoy @livkatecooke Paul Sparks and Anton Yelchin Alexa Mini @panavisionofficial primo anamorphic and G series Anamorphic
Thoroughbreds 2017 Directed by Cory Finely featuring @anyataylorjoy @livkatecooke Paul Sparks and Anton Yelchin Alexa Mini @panavisionofficial primo anamorphic and G series Anamorphic
Thoroughbreds 2017 Directed by Cory Finely featuring @anyataylorjoy @livkatecooke Paul Sparks and Anton Yelchin Alexa Mini @panavisionofficial primo anamorphic and G series Anamorphic
@rosemeadfilm
When family comes to the LED studio.
After watching to movie I finally understand the significance of the driving scene as well of its efficiency to move the story.
Well done @holdtheframe
‘Rosemead’ - Vertical
(Join the Lens Addiction Community - Link in bio)
🔎1- PANAVISION E Series 50mm T2
🔎2- PANAVISION E Series 100mm T2
🔎3- PANAVISION E Series 75mm T2
🔎4- PANAVISION E Series 135mm T2.8
🔎5- PANAVISION E Series 50mm T2
📹 ARRI Alexa 35
Dir. @holdtheframe
DP. @lylevincent
Writer. @marilynsfu
Producer. @mynettelouie
Producer. @uncorked85
Producer. @lucyliu
Distributor. @verticalentertainment
Featuring. @lucyliu @lawrenceshou
A Cam Op. @tinxchan
B Cam Op/Steadicam. @71yan
A Cam 1st AC. @yuo_were
B Cam 1st AC. @bobby.ghoulz
A Cam 2nd AC. @rachelfedorkova
B Cam 2nd AC. @hallie.arias
Loader. @paul_spang
DIT.i @pomovision
1st AC LA unit. @camerachannel
2nd AC LA unit. Bianca Brennan
Operator LA Unit. @jquiros13
Post. @company_3
Colorist. @tomopoole
Editor. @approcomm
Gaffer. @sethalancoleman
Gaffer. @passthekubasieyy
Best Boy. Alex DiBacco
Key Grip. @sbailey1987
Best Boy.n @mike___wils
Dolly Grip. sethcrosby713
Key Grip LA unit. @griplife
Script Supervisor. @yabiyabiyajing
Production Design. @evalinewuhuang
Props. Meghan Chou
Sound. @dennisrainaldi
Boom. Sam Stevenson-Yang
Costumes Designer. @verachowdesigns
Hairstylist. @annemariembradley
Makeup Head. @roxannerizzo
1st AD. @daynsiusmaximus
2nd AD. Liz Peace-Power
.
.
#lensaddiction #panavisioneseries
‘Rosemead’ - Vertical
(Join the Lens Addiction Community - Link in bio)
🔎1- PANAVISION E Series 50mm T2
🔎2- PANAVISION E Series 100mm T2
🔎3- PANAVISION E Series 75mm T2
🔎4- PANAVISION E Series 135mm T2.8
🔎5- PANAVISION E Series 50mm T2
📹 ARRI Alexa 35
Dir. @holdtheframe
DP. @lylevincent
Writer. @marilynsfu
Producer. @mynettelouie
Producer. @uncorked85
Producer. @lucyliu
Distributor. @verticalentertainment
Featuring. @lucyliu @lawrenceshou
A Cam Op. @tinxchan
B Cam Op/Steadicam. @71yan
A Cam 1st AC. @yuo_were
B Cam 1st AC. @bobby.ghoulz
A Cam 2nd AC. @rachelfedorkova
B Cam 2nd AC. @hallie.arias
Loader. @paul_spang
DIT.i @pomovision
1st AC LA unit. @camerachannel
2nd AC LA unit. Bianca Brennan
Operator LA Unit. @jquiros13
Post. @company_3
Colorist. @tomopoole
Editor. @approcomm
Gaffer. @sethalancoleman
Gaffer. @passthekubasieyy
Best Boy. Alex DiBacco
Key Grip. @sbailey1987
Best Boy.n @mike___wils
Dolly Grip. sethcrosby713
Key Grip LA unit. @griplife
Script Supervisor. @yabiyabiyajing
Production Design. @evalinewuhuang
Props. Meghan Chou
Sound. @dennisrainaldi
Boom. Sam Stevenson-Yang
Costumes Designer. @verachowdesigns
Hairstylist. @annemariembradley
Makeup Head. @roxannerizzo
1st AD. @daynsiusmaximus
2nd AD. Liz Peace-Power
.
.
#lensaddiction #panavisioneseries
‘Rosemead’ - Vertical
(Join the Lens Addiction Community - Link in bio)
🔎1- PANAVISION E Series 50mm T2
🔎2- PANAVISION E Series 100mm T2
🔎3- PANAVISION E Series 75mm T2
🔎4- PANAVISION E Series 135mm T2.8
🔎5- PANAVISION E Series 50mm T2
📹 ARRI Alexa 35
Dir. @holdtheframe
DP. @lylevincent
Writer. @marilynsfu
Producer. @mynettelouie
Producer. @uncorked85
Producer. @lucyliu
Distributor. @verticalentertainment
Featuring. @lucyliu @lawrenceshou
A Cam Op. @tinxchan
B Cam Op/Steadicam. @71yan
A Cam 1st AC. @yuo_were
B Cam 1st AC. @bobby.ghoulz
A Cam 2nd AC. @rachelfedorkova
B Cam 2nd AC. @hallie.arias
Loader. @paul_spang
DIT.i @pomovision
1st AC LA unit. @camerachannel
2nd AC LA unit. Bianca Brennan
Operator LA Unit. @jquiros13
Post. @company_3
Colorist. @tomopoole
Editor. @approcomm
Gaffer. @sethalancoleman
Gaffer. @passthekubasieyy
Best Boy. Alex DiBacco
Key Grip. @sbailey1987
Best Boy.n @mike___wils
Dolly Grip. sethcrosby713
Key Grip LA unit. @griplife
Script Supervisor. @yabiyabiyajing
Production Design. @evalinewuhuang
Props. Meghan Chou
Sound. @dennisrainaldi
Boom. Sam Stevenson-Yang
Costumes Designer. @verachowdesigns
Hairstylist. @annemariembradley
Makeup Head. @roxannerizzo
1st AD. @daynsiusmaximus
2nd AD. Liz Peace-Power
.
.
#lensaddiction #panavisioneseries
‘Rosemead’ - Vertical
(Join the Lens Addiction Community - Link in bio)
🔎1- PANAVISION E Series 50mm T2
🔎2- PANAVISION E Series 100mm T2
🔎3- PANAVISION E Series 75mm T2
🔎4- PANAVISION E Series 135mm T2.8
🔎5- PANAVISION E Series 50mm T2
📹 ARRI Alexa 35
Dir. @holdtheframe
DP. @lylevincent
Writer. @marilynsfu
Producer. @mynettelouie
Producer. @uncorked85
Producer. @lucyliu
Distributor. @verticalentertainment
Featuring. @lucyliu @lawrenceshou
A Cam Op. @tinxchan
B Cam Op/Steadicam. @71yan
A Cam 1st AC. @yuo_were
B Cam 1st AC. @bobby.ghoulz
A Cam 2nd AC. @rachelfedorkova
B Cam 2nd AC. @hallie.arias
Loader. @paul_spang
DIT.i @pomovision
1st AC LA unit. @camerachannel
2nd AC LA unit. Bianca Brennan
Operator LA Unit. @jquiros13
Post. @company_3
Colorist. @tomopoole
Editor. @approcomm
Gaffer. @sethalancoleman
Gaffer. @passthekubasieyy
Best Boy. Alex DiBacco
Key Grip. @sbailey1987
Best Boy.n @mike___wils
Dolly Grip. sethcrosby713
Key Grip LA unit. @griplife
Script Supervisor. @yabiyabiyajing
Production Design. @evalinewuhuang
Props. Meghan Chou
Sound. @dennisrainaldi
Boom. Sam Stevenson-Yang
Costumes Designer. @verachowdesigns
Hairstylist. @annemariembradley
Makeup Head. @roxannerizzo
1st AD. @daynsiusmaximus
2nd AD. Liz Peace-Power
.
.
#lensaddiction #panavisioneseries
‘Rosemead’ - Vertical
(Join the Lens Addiction Community - Link in bio)
🔎1- PANAVISION E Series 50mm T2
🔎2- PANAVISION E Series 100mm T2
🔎3- PANAVISION E Series 75mm T2
🔎4- PANAVISION E Series 135mm T2.8
🔎5- PANAVISION E Series 50mm T2
📹 ARRI Alexa 35
Dir. @holdtheframe
DP. @lylevincent
Writer. @marilynsfu
Producer. @mynettelouie
Producer. @uncorked85
Producer. @lucyliu
Distributor. @verticalentertainment
Featuring. @lucyliu @lawrenceshou
A Cam Op. @tinxchan
B Cam Op/Steadicam. @71yan
A Cam 1st AC. @yuo_were
B Cam 1st AC. @bobby.ghoulz
A Cam 2nd AC. @rachelfedorkova
B Cam 2nd AC. @hallie.arias
Loader. @paul_spang
DIT.i @pomovision
1st AC LA unit. @camerachannel
2nd AC LA unit. Bianca Brennan
Operator LA Unit. @jquiros13
Post. @company_3
Colorist. @tomopoole
Editor. @approcomm
Gaffer. @sethalancoleman
Gaffer. @passthekubasieyy
Best Boy. Alex DiBacco
Key Grip. @sbailey1987
Best Boy.n @mike___wils
Dolly Grip. sethcrosby713
Key Grip LA unit. @griplife
Script Supervisor. @yabiyabiyajing
Production Design. @evalinewuhuang
Props. Meghan Chou
Sound. @dennisrainaldi
Boom. Sam Stevenson-Yang
Costumes Designer. @verachowdesigns
Hairstylist. @annemariembradley
Makeup Head. @roxannerizzo
1st AD. @daynsiusmaximus
2nd AD. Liz Peace-Power
.
.
#lensaddiction #panavisioneseries
“The look of ‘Rosemead’ is grounded and intimate, but also expressive in its subjectivity,” says visionary #cinematographer Lyle Vincent (@lylevincent) about his work on @rosemeadfilm. “Our main visual references were Bong Joon Ho’s ‘Mother’ in the depiction of the main character, ‘Black Swan’ in its subjective camera and lensing, ‘Clean Shaven’ in depiction of schizophrenia, and the still photography of Jessica Chou – specifically her work in the San Gabriel valley’s Chinese community. The actual locations in Rosemead CA and the motel where the tragic events transpired did serve as inspiration as we wanted to capture a dreamlike frozen in subjective memory of a certain place.
I find the #ESeries to be very well balanced within #Panavision 's #anamorphic offerings. Firstly we felt anamorphic would suit the story in that the format captures faces in CU in a very intimate and beautiful way, which draws you into the frame. Also, because this movie is so much about the performance, we wanted a lens that draws you in but doesn’t call attention to itself. The E series seem to have the just right amount of character and expressiveness but without going over the top. The distortion, the curves, focus fall off and flares are very well controlled, but not taken out completely, and still holds a classic anamorphic feel.
Even from a young age I had a love of movies and their ability to transport the viewer to other worlds or ages. I found a love of making movies – and specifically photographing movies – at NYU Tisch Graduate Film Program where I actually met Eric Lin (@holdtheframe), the director of #Rosemead. What keeps me inspired today is the potential of transposing a story written in a script into the reality of an emotional experience across a large screen.”
See 'Rosemead' in theaters now! 🎥
“The look of ‘Rosemead’ is grounded and intimate, but also expressive in its subjectivity,” says visionary #cinematographer Lyle Vincent (@lylevincent) about his work on @rosemeadfilm. “Our main visual references were Bong Joon Ho’s ‘Mother’ in the depiction of the main character, ‘Black Swan’ in its subjective camera and lensing, ‘Clean Shaven’ in depiction of schizophrenia, and the still photography of Jessica Chou – specifically her work in the San Gabriel valley’s Chinese community. The actual locations in Rosemead CA and the motel where the tragic events transpired did serve as inspiration as we wanted to capture a dreamlike frozen in subjective memory of a certain place.
I find the #ESeries to be very well balanced within #Panavision 's #anamorphic offerings. Firstly we felt anamorphic would suit the story in that the format captures faces in CU in a very intimate and beautiful way, which draws you into the frame. Also, because this movie is so much about the performance, we wanted a lens that draws you in but doesn’t call attention to itself. The E series seem to have the just right amount of character and expressiveness but without going over the top. The distortion, the curves, focus fall off and flares are very well controlled, but not taken out completely, and still holds a classic anamorphic feel.
Even from a young age I had a love of movies and their ability to transport the viewer to other worlds or ages. I found a love of making movies – and specifically photographing movies – at NYU Tisch Graduate Film Program where I actually met Eric Lin (@holdtheframe), the director of #Rosemead. What keeps me inspired today is the potential of transposing a story written in a script into the reality of an emotional experience across a large screen.”
See 'Rosemead' in theaters now! 🎥
“The look of ‘Rosemead’ is grounded and intimate, but also expressive in its subjectivity,” says visionary #cinematographer Lyle Vincent (@lylevincent) about his work on @rosemeadfilm. “Our main visual references were Bong Joon Ho’s ‘Mother’ in the depiction of the main character, ‘Black Swan’ in its subjective camera and lensing, ‘Clean Shaven’ in depiction of schizophrenia, and the still photography of Jessica Chou – specifically her work in the San Gabriel valley’s Chinese community. The actual locations in Rosemead CA and the motel where the tragic events transpired did serve as inspiration as we wanted to capture a dreamlike frozen in subjective memory of a certain place.
I find the #ESeries to be very well balanced within #Panavision 's #anamorphic offerings. Firstly we felt anamorphic would suit the story in that the format captures faces in CU in a very intimate and beautiful way, which draws you into the frame. Also, because this movie is so much about the performance, we wanted a lens that draws you in but doesn’t call attention to itself. The E series seem to have the just right amount of character and expressiveness but without going over the top. The distortion, the curves, focus fall off and flares are very well controlled, but not taken out completely, and still holds a classic anamorphic feel.
Even from a young age I had a love of movies and their ability to transport the viewer to other worlds or ages. I found a love of making movies – and specifically photographing movies – at NYU Tisch Graduate Film Program where I actually met Eric Lin (@holdtheframe), the director of #Rosemead. What keeps me inspired today is the potential of transposing a story written in a script into the reality of an emotional experience across a large screen.”
See 'Rosemead' in theaters now! 🎥
“The look of ‘Rosemead’ is grounded and intimate, but also expressive in its subjectivity,” says visionary #cinematographer Lyle Vincent (@lylevincent) about his work on @rosemeadfilm. “Our main visual references were Bong Joon Ho’s ‘Mother’ in the depiction of the main character, ‘Black Swan’ in its subjective camera and lensing, ‘Clean Shaven’ in depiction of schizophrenia, and the still photography of Jessica Chou – specifically her work in the San Gabriel valley’s Chinese community. The actual locations in Rosemead CA and the motel where the tragic events transpired did serve as inspiration as we wanted to capture a dreamlike frozen in subjective memory of a certain place.
I find the #ESeries to be very well balanced within #Panavision 's #anamorphic offerings. Firstly we felt anamorphic would suit the story in that the format captures faces in CU in a very intimate and beautiful way, which draws you into the frame. Also, because this movie is so much about the performance, we wanted a lens that draws you in but doesn’t call attention to itself. The E series seem to have the just right amount of character and expressiveness but without going over the top. The distortion, the curves, focus fall off and flares are very well controlled, but not taken out completely, and still holds a classic anamorphic feel.
Even from a young age I had a love of movies and their ability to transport the viewer to other worlds or ages. I found a love of making movies – and specifically photographing movies – at NYU Tisch Graduate Film Program where I actually met Eric Lin (@holdtheframe), the director of #Rosemead. What keeps me inspired today is the potential of transposing a story written in a script into the reality of an emotional experience across a large screen.”
See 'Rosemead' in theaters now! 🎥
“The look of ‘Rosemead’ is grounded and intimate, but also expressive in its subjectivity,” says visionary #cinematographer Lyle Vincent (@lylevincent) about his work on @rosemeadfilm. “Our main visual references were Bong Joon Ho’s ‘Mother’ in the depiction of the main character, ‘Black Swan’ in its subjective camera and lensing, ‘Clean Shaven’ in depiction of schizophrenia, and the still photography of Jessica Chou – specifically her work in the San Gabriel valley’s Chinese community. The actual locations in Rosemead CA and the motel where the tragic events transpired did serve as inspiration as we wanted to capture a dreamlike frozen in subjective memory of a certain place.
I find the #ESeries to be very well balanced within #Panavision 's #anamorphic offerings. Firstly we felt anamorphic would suit the story in that the format captures faces in CU in a very intimate and beautiful way, which draws you into the frame. Also, because this movie is so much about the performance, we wanted a lens that draws you in but doesn’t call attention to itself. The E series seem to have the just right amount of character and expressiveness but without going over the top. The distortion, the curves, focus fall off and flares are very well controlled, but not taken out completely, and still holds a classic anamorphic feel.
Even from a young age I had a love of movies and their ability to transport the viewer to other worlds or ages. I found a love of making movies – and specifically photographing movies – at NYU Tisch Graduate Film Program where I actually met Eric Lin (@holdtheframe), the director of #Rosemead. What keeps me inspired today is the potential of transposing a story written in a script into the reality of an emotional experience across a large screen.”
See 'Rosemead' in theaters now! 🎥
“The look of ‘Rosemead’ is grounded and intimate, but also expressive in its subjectivity,” says visionary #cinematographer Lyle Vincent (@lylevincent) about his work on @rosemeadfilm. “Our main visual references were Bong Joon Ho’s ‘Mother’ in the depiction of the main character, ‘Black Swan’ in its subjective camera and lensing, ‘Clean Shaven’ in depiction of schizophrenia, and the still photography of Jessica Chou – specifically her work in the San Gabriel valley’s Chinese community. The actual locations in Rosemead CA and the motel where the tragic events transpired did serve as inspiration as we wanted to capture a dreamlike frozen in subjective memory of a certain place.
I find the #ESeries to be very well balanced within #Panavision 's #anamorphic offerings. Firstly we felt anamorphic would suit the story in that the format captures faces in CU in a very intimate and beautiful way, which draws you into the frame. Also, because this movie is so much about the performance, we wanted a lens that draws you in but doesn’t call attention to itself. The E series seem to have the just right amount of character and expressiveness but without going over the top. The distortion, the curves, focus fall off and flares are very well controlled, but not taken out completely, and still holds a classic anamorphic feel.
Even from a young age I had a love of movies and their ability to transport the viewer to other worlds or ages. I found a love of making movies – and specifically photographing movies – at NYU Tisch Graduate Film Program where I actually met Eric Lin (@holdtheframe), the director of #Rosemead. What keeps me inspired today is the potential of transposing a story written in a script into the reality of an emotional experience across a large screen.”
See 'Rosemead' in theaters now! 🎥
“The look of ‘Rosemead’ is grounded and intimate, but also expressive in its subjectivity,” says visionary #cinematographer Lyle Vincent (@lylevincent) about his work on @rosemeadfilm. “Our main visual references were Bong Joon Ho’s ‘Mother’ in the depiction of the main character, ‘Black Swan’ in its subjective camera and lensing, ‘Clean Shaven’ in depiction of schizophrenia, and the still photography of Jessica Chou – specifically her work in the San Gabriel valley’s Chinese community. The actual locations in Rosemead CA and the motel where the tragic events transpired did serve as inspiration as we wanted to capture a dreamlike frozen in subjective memory of a certain place.
I find the #ESeries to be very well balanced within #Panavision 's #anamorphic offerings. Firstly we felt anamorphic would suit the story in that the format captures faces in CU in a very intimate and beautiful way, which draws you into the frame. Also, because this movie is so much about the performance, we wanted a lens that draws you in but doesn’t call attention to itself. The E series seem to have the just right amount of character and expressiveness but without going over the top. The distortion, the curves, focus fall off and flares are very well controlled, but not taken out completely, and still holds a classic anamorphic feel.
Even from a young age I had a love of movies and their ability to transport the viewer to other worlds or ages. I found a love of making movies – and specifically photographing movies – at NYU Tisch Graduate Film Program where I actually met Eric Lin (@holdtheframe), the director of #Rosemead. What keeps me inspired today is the potential of transposing a story written in a script into the reality of an emotional experience across a large screen.”
See 'Rosemead' in theaters now! 🎥
“The look of ‘Rosemead’ is grounded and intimate, but also expressive in its subjectivity,” says visionary #cinematographer Lyle Vincent (@lylevincent) about his work on @rosemeadfilm. “Our main visual references were Bong Joon Ho’s ‘Mother’ in the depiction of the main character, ‘Black Swan’ in its subjective camera and lensing, ‘Clean Shaven’ in depiction of schizophrenia, and the still photography of Jessica Chou – specifically her work in the San Gabriel valley’s Chinese community. The actual locations in Rosemead CA and the motel where the tragic events transpired did serve as inspiration as we wanted to capture a dreamlike frozen in subjective memory of a certain place.
I find the #ESeries to be very well balanced within #Panavision 's #anamorphic offerings. Firstly we felt anamorphic would suit the story in that the format captures faces in CU in a very intimate and beautiful way, which draws you into the frame. Also, because this movie is so much about the performance, we wanted a lens that draws you in but doesn’t call attention to itself. The E series seem to have the just right amount of character and expressiveness but without going over the top. The distortion, the curves, focus fall off and flares are very well controlled, but not taken out completely, and still holds a classic anamorphic feel.
Even from a young age I had a love of movies and their ability to transport the viewer to other worlds or ages. I found a love of making movies – and specifically photographing movies – at NYU Tisch Graduate Film Program where I actually met Eric Lin (@holdtheframe), the director of #Rosemead. What keeps me inspired today is the potential of transposing a story written in a script into the reality of an emotional experience across a large screen.”
See 'Rosemead' in theaters now! 🎥
“The look of ‘Rosemead’ is grounded and intimate, but also expressive in its subjectivity,” says visionary #cinematographer Lyle Vincent (@lylevincent) about his work on @rosemeadfilm. “Our main visual references were Bong Joon Ho’s ‘Mother’ in the depiction of the main character, ‘Black Swan’ in its subjective camera and lensing, ‘Clean Shaven’ in depiction of schizophrenia, and the still photography of Jessica Chou – specifically her work in the San Gabriel valley’s Chinese community. The actual locations in Rosemead CA and the motel where the tragic events transpired did serve as inspiration as we wanted to capture a dreamlike frozen in subjective memory of a certain place.
I find the #ESeries to be very well balanced within #Panavision 's #anamorphic offerings. Firstly we felt anamorphic would suit the story in that the format captures faces in CU in a very intimate and beautiful way, which draws you into the frame. Also, because this movie is so much about the performance, we wanted a lens that draws you in but doesn’t call attention to itself. The E series seem to have the just right amount of character and expressiveness but without going over the top. The distortion, the curves, focus fall off and flares are very well controlled, but not taken out completely, and still holds a classic anamorphic feel.
Even from a young age I had a love of movies and their ability to transport the viewer to other worlds or ages. I found a love of making movies – and specifically photographing movies – at NYU Tisch Graduate Film Program where I actually met Eric Lin (@holdtheframe), the director of #Rosemead. What keeps me inspired today is the potential of transposing a story written in a script into the reality of an emotional experience across a large screen.”
See 'Rosemead' in theaters now! 🎥
“The look of ‘Rosemead’ is grounded and intimate, but also expressive in its subjectivity,” says visionary #cinematographer Lyle Vincent (@lylevincent) about his work on @rosemeadfilm. “Our main visual references were Bong Joon Ho’s ‘Mother’ in the depiction of the main character, ‘Black Swan’ in its subjective camera and lensing, ‘Clean Shaven’ in depiction of schizophrenia, and the still photography of Jessica Chou – specifically her work in the San Gabriel valley’s Chinese community. The actual locations in Rosemead CA and the motel where the tragic events transpired did serve as inspiration as we wanted to capture a dreamlike frozen in subjective memory of a certain place.
I find the #ESeries to be very well balanced within #Panavision 's #anamorphic offerings. Firstly we felt anamorphic would suit the story in that the format captures faces in CU in a very intimate and beautiful way, which draws you into the frame. Also, because this movie is so much about the performance, we wanted a lens that draws you in but doesn’t call attention to itself. The E series seem to have the just right amount of character and expressiveness but without going over the top. The distortion, the curves, focus fall off and flares are very well controlled, but not taken out completely, and still holds a classic anamorphic feel.
Even from a young age I had a love of movies and their ability to transport the viewer to other worlds or ages. I found a love of making movies – and specifically photographing movies – at NYU Tisch Graduate Film Program where I actually met Eric Lin (@holdtheframe), the director of #Rosemead. What keeps me inspired today is the potential of transposing a story written in a script into the reality of an emotional experience across a large screen.”
See 'Rosemead' in theaters now! 🎥
Rosemead
Expanded Theatrical Release January 9th @verticalentertainment
Director Eric Lin @holdtheframe
Writer Marilyn Fu @marilynsfu
Producer Mynette Louie @mynettelouie
Producer Andrew Corkin @uncorked85
Producer Lucy Liu @lucyliu
Featuring @lucyliu @lawrenceshou @jameschennyc
Cinematography Lyle Vincent @lylevincent
A Cam Op Tinx Chan @tinxchan
B Cam Op/ Steadicam Qianzhi Shen @71yan
A Cam 1st AC Justin Simpson @yuo_were
B Cam 1st ACRob Agulo @bobby.ghoulz
A Cam 2nd AC Rachel Fedorkova @rachelfedorkova
B Cam 2nd AC Hallie Arias @hallie.arias
Loader Paul Spang @paul_spang
DIT Michael Pomorski @pomovision
First AC LA unit Jason Wittenberg @camerachannel
2nd AC LA unit Bianca Brennan
Operator LA Unit Josh Quiros @jquiros13
Post at @company_3
Colorist Tom Poole @tomopoole
Editor Joesph Krings @approcomm
GafferSeth Coleman @sethalancoleman
Gaffer LA Unit Matt Kubas @passthekubasieyy
Best Boy Electric Alex DiBacco
Key Grip Stratton Bailey@sbailey1987
Best Boy Grip Mike Wilson @mike___wils
Dolly Grip Seth Crosby @sethcrosby713
Key Grip LA unit Marlow Nunez @griplife
Script Supervisor Yajing Wu @yabiyabiyajing
Production Design Evaline Wu Huang @evalinewuhuang
Props Meghan Chou
Sound Denis Rainaldi @dennisrainaldi
Boom Sam Stevenson-Yang
Costumes Designer Vera Chow @verachowdesigns
Hairstylist Annemarie Bradley-Sherron @annemariembradley
Makeup Head Roxanne Rizzo @roxannerizzo
first AD Dayna Schutz @daynsiusmaximus
2nd AD Liz Peace-Power
Line Producer Alex Peace-Power@alexpeacepower
co producer Tony Yang @teezy319
Associate producer Mona Mengnan Chu @monaachuu
@rosemeadfilm#rosemeadmovie #lucyliucamera and lenses by @panavisionofficial
Rosemead
Expanded Theatrical Release January 9th @verticalentertainment
Director Eric Lin @holdtheframe
Writer Marilyn Fu @marilynsfu
Producer Mynette Louie @mynettelouie
Producer Andrew Corkin @uncorked85
Producer Lucy Liu @lucyliu
Featuring @lucyliu @lawrenceshou @jameschennyc
Cinematography Lyle Vincent @lylevincent
A Cam Op Tinx Chan @tinxchan
B Cam Op/ Steadicam Qianzhi Shen @71yan
A Cam 1st AC Justin Simpson @yuo_were
B Cam 1st ACRob Agulo @bobby.ghoulz
A Cam 2nd AC Rachel Fedorkova @rachelfedorkova
B Cam 2nd AC Hallie Arias @hallie.arias
Loader Paul Spang @paul_spang
DIT Michael Pomorski @pomovision
First AC LA unit Jason Wittenberg @camerachannel
2nd AC LA unit Bianca Brennan
Operator LA Unit Josh Quiros @jquiros13
Post at @company_3
Colorist Tom Poole @tomopoole
Editor Joesph Krings @approcomm
GafferSeth Coleman @sethalancoleman
Gaffer LA Unit Matt Kubas @passthekubasieyy
Best Boy Electric Alex DiBacco
Key Grip Stratton Bailey@sbailey1987
Best Boy Grip Mike Wilson @mike___wils
Dolly Grip Seth Crosby @sethcrosby713
Key Grip LA unit Marlow Nunez @griplife
Script Supervisor Yajing Wu @yabiyabiyajing
Production Design Evaline Wu Huang @evalinewuhuang
Props Meghan Chou
Sound Denis Rainaldi @dennisrainaldi
Boom Sam Stevenson-Yang
Costumes Designer Vera Chow @verachowdesigns
Hairstylist Annemarie Bradley-Sherron @annemariembradley
Makeup Head Roxanne Rizzo @roxannerizzo
first AD Dayna Schutz @daynsiusmaximus
2nd AD Liz Peace-Power
Line Producer Alex Peace-Power@alexpeacepower
co producer Tony Yang @teezy319
Associate producer Mona Mengnan Chu @monaachuu
@rosemeadfilm#rosemeadmovie #lucyliucamera and lenses by @panavisionofficial
Rosemead
Expanded Theatrical Release January 9th @verticalentertainment
Director Eric Lin @holdtheframe
Writer Marilyn Fu @marilynsfu
Producer Mynette Louie @mynettelouie
Producer Andrew Corkin @uncorked85
Producer Lucy Liu @lucyliu
Featuring @lucyliu @lawrenceshou @jameschennyc
Cinematography Lyle Vincent @lylevincent
A Cam Op Tinx Chan @tinxchan
B Cam Op/ Steadicam Qianzhi Shen @71yan
A Cam 1st AC Justin Simpson @yuo_were
B Cam 1st ACRob Agulo @bobby.ghoulz
A Cam 2nd AC Rachel Fedorkova @rachelfedorkova
B Cam 2nd AC Hallie Arias @hallie.arias
Loader Paul Spang @paul_spang
DIT Michael Pomorski @pomovision
First AC LA unit Jason Wittenberg @camerachannel
2nd AC LA unit Bianca Brennan
Operator LA Unit Josh Quiros @jquiros13
Post at @company_3
Colorist Tom Poole @tomopoole
Editor Joesph Krings @approcomm
GafferSeth Coleman @sethalancoleman
Gaffer LA Unit Matt Kubas @passthekubasieyy
Best Boy Electric Alex DiBacco
Key Grip Stratton Bailey@sbailey1987
Best Boy Grip Mike Wilson @mike___wils
Dolly Grip Seth Crosby @sethcrosby713
Key Grip LA unit Marlow Nunez @griplife
Script Supervisor Yajing Wu @yabiyabiyajing
Production Design Evaline Wu Huang @evalinewuhuang
Props Meghan Chou
Sound Denis Rainaldi @dennisrainaldi
Boom Sam Stevenson-Yang
Costumes Designer Vera Chow @verachowdesigns
Hairstylist Annemarie Bradley-Sherron @annemariembradley
Makeup Head Roxanne Rizzo @roxannerizzo
first AD Dayna Schutz @daynsiusmaximus
2nd AD Liz Peace-Power
Line Producer Alex Peace-Power@alexpeacepower
co producer Tony Yang @teezy319
Associate producer Mona Mengnan Chu @monaachuu
@rosemeadfilm#rosemeadmovie #lucyliucamera and lenses by @panavisionofficial
Rosemead
Expanded Theatrical Release January 9th @verticalentertainment
Director Eric Lin @holdtheframe
Writer Marilyn Fu @marilynsfu
Producer Mynette Louie @mynettelouie
Producer Andrew Corkin @uncorked85
Producer Lucy Liu @lucyliu
Featuring @lucyliu @lawrenceshou @jameschennyc
Cinematography Lyle Vincent @lylevincent
A Cam Op Tinx Chan @tinxchan
B Cam Op/ Steadicam Qianzhi Shen @71yan
A Cam 1st AC Justin Simpson @yuo_were
B Cam 1st ACRob Agulo @bobby.ghoulz
A Cam 2nd AC Rachel Fedorkova @rachelfedorkova
B Cam 2nd AC Hallie Arias @hallie.arias
Loader Paul Spang @paul_spang
DIT Michael Pomorski @pomovision
First AC LA unit Jason Wittenberg @camerachannel
2nd AC LA unit Bianca Brennan
Operator LA Unit Josh Quiros @jquiros13
Post at @company_3
Colorist Tom Poole @tomopoole
Editor Joesph Krings @approcomm
GafferSeth Coleman @sethalancoleman
Gaffer LA Unit Matt Kubas @passthekubasieyy
Best Boy Electric Alex DiBacco
Key Grip Stratton Bailey@sbailey1987
Best Boy Grip Mike Wilson @mike___wils
Dolly Grip Seth Crosby @sethcrosby713
Key Grip LA unit Marlow Nunez @griplife
Script Supervisor Yajing Wu @yabiyabiyajing
Production Design Evaline Wu Huang @evalinewuhuang
Props Meghan Chou
Sound Denis Rainaldi @dennisrainaldi
Boom Sam Stevenson-Yang
Costumes Designer Vera Chow @verachowdesigns
Hairstylist Annemarie Bradley-Sherron @annemariembradley
Makeup Head Roxanne Rizzo @roxannerizzo
first AD Dayna Schutz @daynsiusmaximus
2nd AD Liz Peace-Power
Line Producer Alex Peace-Power@alexpeacepower
co producer Tony Yang @teezy319
Associate producer Mona Mengnan Chu @monaachuu
@rosemeadfilm#rosemeadmovie #lucyliucamera and lenses by @panavisionofficial
Rosemead
Expanded Theatrical Release January 9th @verticalentertainment
Director Eric Lin @holdtheframe
Writer Marilyn Fu @marilynsfu
Producer Mynette Louie @mynettelouie
Producer Andrew Corkin @uncorked85
Producer Lucy Liu @lucyliu
Featuring @lucyliu @lawrenceshou @jameschennyc
Cinematography Lyle Vincent @lylevincent
A Cam Op Tinx Chan @tinxchan
B Cam Op/ Steadicam Qianzhi Shen @71yan
A Cam 1st AC Justin Simpson @yuo_were
B Cam 1st ACRob Agulo @bobby.ghoulz
A Cam 2nd AC Rachel Fedorkova @rachelfedorkova
B Cam 2nd AC Hallie Arias @hallie.arias
Loader Paul Spang @paul_spang
DIT Michael Pomorski @pomovision
First AC LA unit Jason Wittenberg @camerachannel
2nd AC LA unit Bianca Brennan
Operator LA Unit Josh Quiros @jquiros13
Post at @company_3
Colorist Tom Poole @tomopoole
Editor Joesph Krings @approcomm
GafferSeth Coleman @sethalancoleman
Gaffer LA Unit Matt Kubas @passthekubasieyy
Best Boy Electric Alex DiBacco
Key Grip Stratton Bailey@sbailey1987
Best Boy Grip Mike Wilson @mike___wils
Dolly Grip Seth Crosby @sethcrosby713
Key Grip LA unit Marlow Nunez @griplife
Script Supervisor Yajing Wu @yabiyabiyajing
Production Design Evaline Wu Huang @evalinewuhuang
Props Meghan Chou
Sound Denis Rainaldi @dennisrainaldi
Boom Sam Stevenson-Yang
Costumes Designer Vera Chow @verachowdesigns
Hairstylist Annemarie Bradley-Sherron @annemariembradley
Makeup Head Roxanne Rizzo @roxannerizzo
first AD Dayna Schutz @daynsiusmaximus
2nd AD Liz Peace-Power
Line Producer Alex Peace-Power@alexpeacepower
co producer Tony Yang @teezy319
Associate producer Mona Mengnan Chu @monaachuu
@rosemeadfilm#rosemeadmovie #lucyliucamera and lenses by @panavisionofficial
Rosemead
Expanded Theatrical Release January 9th @verticalentertainment
Director Eric Lin @holdtheframe
Writer Marilyn Fu @marilynsfu
Producer Mynette Louie @mynettelouie
Producer Andrew Corkin @uncorked85
Producer Lucy Liu @lucyliu
Featuring @lucyliu @lawrenceshou @jameschennyc
Cinematography Lyle Vincent @lylevincent
A Cam Op Tinx Chan @tinxchan
B Cam Op/ Steadicam Qianzhi Shen @71yan
A Cam 1st AC Justin Simpson @yuo_were
B Cam 1st ACRob Agulo @bobby.ghoulz
A Cam 2nd AC Rachel Fedorkova @rachelfedorkova
B Cam 2nd AC Hallie Arias @hallie.arias
Loader Paul Spang @paul_spang
DIT Michael Pomorski @pomovision
First AC LA unit Jason Wittenberg @camerachannel
2nd AC LA unit Bianca Brennan
Operator LA Unit Josh Quiros @jquiros13
Post at @company_3
Colorist Tom Poole @tomopoole
Editor Joesph Krings @approcomm
GafferSeth Coleman @sethalancoleman
Gaffer LA Unit Matt Kubas @passthekubasieyy
Best Boy Electric Alex DiBacco
Key Grip Stratton Bailey@sbailey1987
Best Boy Grip Mike Wilson @mike___wils
Dolly Grip Seth Crosby @sethcrosby713
Key Grip LA unit Marlow Nunez @griplife
Script Supervisor Yajing Wu @yabiyabiyajing
Production Design Evaline Wu Huang @evalinewuhuang
Props Meghan Chou
Sound Denis Rainaldi @dennisrainaldi
Boom Sam Stevenson-Yang
Costumes Designer Vera Chow @verachowdesigns
Hairstylist Annemarie Bradley-Sherron @annemariembradley
Makeup Head Roxanne Rizzo @roxannerizzo
first AD Dayna Schutz @daynsiusmaximus
2nd AD Liz Peace-Power
Line Producer Alex Peace-Power@alexpeacepower
co producer Tony Yang @teezy319
Associate producer Mona Mengnan Chu @monaachuu
@rosemeadfilm#rosemeadmovie #lucyliucamera and lenses by @panavisionofficial
Rosemead
Expanded Theatrical Release January 9th @verticalentertainment
Director Eric Lin @holdtheframe
Writer Marilyn Fu @marilynsfu
Producer Mynette Louie @mynettelouie
Producer Andrew Corkin @uncorked85
Producer Lucy Liu @lucyliu
Featuring @lucyliu @lawrenceshou @jameschennyc
Cinematography Lyle Vincent @lylevincent
A Cam Op Tinx Chan @tinxchan
B Cam Op/ Steadicam Qianzhi Shen @71yan
A Cam 1st AC Justin Simpson @yuo_were
B Cam 1st ACRob Agulo @bobby.ghoulz
A Cam 2nd AC Rachel Fedorkova @rachelfedorkova
B Cam 2nd AC Hallie Arias @hallie.arias
Loader Paul Spang @paul_spang
DIT Michael Pomorski @pomovision
First AC LA unit Jason Wittenberg @camerachannel
2nd AC LA unit Bianca Brennan
Operator LA Unit Josh Quiros @jquiros13
Post at @company_3
Colorist Tom Poole @tomopoole
Editor Joesph Krings @approcomm
GafferSeth Coleman @sethalancoleman
Gaffer LA Unit Matt Kubas @passthekubasieyy
Best Boy Electric Alex DiBacco
Key Grip Stratton Bailey@sbailey1987
Best Boy Grip Mike Wilson @mike___wils
Dolly Grip Seth Crosby @sethcrosby713
Key Grip LA unit Marlow Nunez @griplife
Script Supervisor Yajing Wu @yabiyabiyajing
Production Design Evaline Wu Huang @evalinewuhuang
Props Meghan Chou
Sound Denis Rainaldi @dennisrainaldi
Boom Sam Stevenson-Yang
Costumes Designer Vera Chow @verachowdesigns
Hairstylist Annemarie Bradley-Sherron @annemariembradley
Makeup Head Roxanne Rizzo @roxannerizzo
first AD Dayna Schutz @daynsiusmaximus
2nd AD Liz Peace-Power
Line Producer Alex Peace-Power@alexpeacepower
co producer Tony Yang @teezy319
Associate producer Mona Mengnan Chu @monaachuu
@rosemeadfilm#rosemeadmovie #lucyliucamera and lenses by @panavisionofficial
Rosemead
Expanded Theatrical Release January 9th @verticalentertainment
Director Eric Lin @holdtheframe
Writer Marilyn Fu @marilynsfu
Producer Mynette Louie @mynettelouie
Producer Andrew Corkin @uncorked85
Producer Lucy Liu @lucyliu
Featuring @lucyliu @lawrenceshou @jameschennyc
Cinematography Lyle Vincent @lylevincent
A Cam Op Tinx Chan @tinxchan
B Cam Op/ Steadicam Qianzhi Shen @71yan
A Cam 1st AC Justin Simpson @yuo_were
B Cam 1st ACRob Agulo @bobby.ghoulz
A Cam 2nd AC Rachel Fedorkova @rachelfedorkova
B Cam 2nd AC Hallie Arias @hallie.arias
Loader Paul Spang @paul_spang
DIT Michael Pomorski @pomovision
First AC LA unit Jason Wittenberg @camerachannel
2nd AC LA unit Bianca Brennan
Operator LA Unit Josh Quiros @jquiros13
Post at @company_3
Colorist Tom Poole @tomopoole
Editor Joesph Krings @approcomm
GafferSeth Coleman @sethalancoleman
Gaffer LA Unit Matt Kubas @passthekubasieyy
Best Boy Electric Alex DiBacco
Key Grip Stratton Bailey@sbailey1987
Best Boy Grip Mike Wilson @mike___wils
Dolly Grip Seth Crosby @sethcrosby713
Key Grip LA unit Marlow Nunez @griplife
Script Supervisor Yajing Wu @yabiyabiyajing
Production Design Evaline Wu Huang @evalinewuhuang
Props Meghan Chou
Sound Denis Rainaldi @dennisrainaldi
Boom Sam Stevenson-Yang
Costumes Designer Vera Chow @verachowdesigns
Hairstylist Annemarie Bradley-Sherron @annemariembradley
Makeup Head Roxanne Rizzo @roxannerizzo
first AD Dayna Schutz @daynsiusmaximus
2nd AD Liz Peace-Power
Line Producer Alex Peace-Power@alexpeacepower
co producer Tony Yang @teezy319
Associate producer Mona Mengnan Chu @monaachuu
@rosemeadfilm#rosemeadmovie #lucyliucamera and lenses by @panavisionofficial
Rosemead
Expanded Theatrical Release January 9th @verticalentertainment
Director Eric Lin @holdtheframe
Writer Marilyn Fu @marilynsfu
Producer Mynette Louie @mynettelouie
Producer Andrew Corkin @uncorked85
Producer Lucy Liu @lucyliu
Featuring @lucyliu @lawrenceshou @jameschennyc
Cinematography Lyle Vincent @lylevincent
A Cam Op Tinx Chan @tinxchan
B Cam Op/ Steadicam Qianzhi Shen @71yan
A Cam 1st AC Justin Simpson @yuo_were
B Cam 1st ACRob Agulo @bobby.ghoulz
A Cam 2nd AC Rachel Fedorkova @rachelfedorkova
B Cam 2nd AC Hallie Arias @hallie.arias
Loader Paul Spang @paul_spang
DIT Michael Pomorski @pomovision
First AC LA unit Jason Wittenberg @camerachannel
2nd AC LA unit Bianca Brennan
Operator LA Unit Josh Quiros @jquiros13
Post at @company_3
Colorist Tom Poole @tomopoole
Editor Joesph Krings @approcomm
GafferSeth Coleman @sethalancoleman
Gaffer LA Unit Matt Kubas @passthekubasieyy
Best Boy Electric Alex DiBacco
Key Grip Stratton Bailey@sbailey1987
Best Boy Grip Mike Wilson @mike___wils
Dolly Grip Seth Crosby @sethcrosby713
Key Grip LA unit Marlow Nunez @griplife
Script Supervisor Yajing Wu @yabiyabiyajing
Production Design Evaline Wu Huang @evalinewuhuang
Props Meghan Chou
Sound Denis Rainaldi @dennisrainaldi
Boom Sam Stevenson-Yang
Costumes Designer Vera Chow @verachowdesigns
Hairstylist Annemarie Bradley-Sherron @annemariembradley
Makeup Head Roxanne Rizzo @roxannerizzo
first AD Dayna Schutz @daynsiusmaximus
2nd AD Liz Peace-Power
Line Producer Alex Peace-Power@alexpeacepower
co producer Tony Yang @teezy319
Associate producer Mona Mengnan Chu @monaachuu
@rosemeadfilm#rosemeadmovie #lucyliucamera and lenses by @panavisionofficial
The Beast in Me Episode 101 Directed By Antonio Campos
Show Runner Howard Gordon
Writer/Producer Gabe Rotter @rotterworkstv
Writer/producer Daniel Pearl @danielpearl
Featuring @clairedanes @thematthewrhys and David Lyons
Cinematography @lylevincent
A Cam Op @erin.m.henning
B Cam Op/ Steadicam Qianzhi Shen @71yan
A Cam 1st AC Anthony Coan @ripofff
B Cam 1st AC Chris Wiezorek @wiezorek
A Cam 2nd AC@jamesdrummond and @ddibologna
B Cam 2nd AC Sancheev Ravichandran @sancheevrav
Loaders Brett Norman@shortstack.__ and @tom_parrish
DIT Michael Pomorski @pomovision
Colorist Damien Vandercruyssen @damienvdc &Karim Elkatari @karimelkat
Post at @harborpictureco
Gaffer Jerad Molkenthin @jmolk3
Best Boy Electric @hectorherrera
Key Grip Cesar Baptista @sir_grips_a_lot
Dolly Grip A Cam Dan Trauger @danstagram820
Dolly Grip B Cam Al Delia
Script Supervisor Amina El Etreby @madamonz
Production Designer Loren Weeks @lweeksdesign
Set Decorator Michael Nallan @nallan_drome
Costumes Designer Arjun Bhasin @arjunbhasincostume
Hair Satoko Ichinose @satokohair
Makeup Head tisahowardmakeup
Makeup Key @maralynnpalumbo
Unit Production Manager Caroline Baron
Line Producer Sean Fogel @fogelsean
co producer Alexandria Vivas @ale_vvcamera and lenses @panavisionofficial
The Beast in Me Episode 101 Directed By Antonio Campos
Show Runner Howard Gordon
Writer/Producer Gabe Rotter @rotterworkstv
Writer/producer Daniel Pearl @danielpearl
Featuring @clairedanes @thematthewrhys and David Lyons
Cinematography @lylevincent
A Cam Op @erin.m.henning
B Cam Op/ Steadicam Qianzhi Shen @71yan
A Cam 1st AC Anthony Coan @ripofff
B Cam 1st AC Chris Wiezorek @wiezorek
A Cam 2nd AC@jamesdrummond and @ddibologna
B Cam 2nd AC Sancheev Ravichandran @sancheevrav
Loaders Brett Norman@shortstack.__ and @tom_parrish
DIT Michael Pomorski @pomovision
Colorist Damien Vandercruyssen @damienvdc &Karim Elkatari @karimelkat
Post at @harborpictureco
Gaffer Jerad Molkenthin @jmolk3
Best Boy Electric @hectorherrera
Key Grip Cesar Baptista @sir_grips_a_lot
Dolly Grip A Cam Dan Trauger @danstagram820
Dolly Grip B Cam Al Delia
Script Supervisor Amina El Etreby @madamonz
Production Designer Loren Weeks @lweeksdesign
Set Decorator Michael Nallan @nallan_drome
Costumes Designer Arjun Bhasin @arjunbhasincostume
Hair Satoko Ichinose @satokohair
Makeup Head tisahowardmakeup
Makeup Key @maralynnpalumbo
Unit Production Manager Caroline Baron
Line Producer Sean Fogel @fogelsean
co producer Alexandria Vivas @ale_vvcamera and lenses @panavisionofficial
The Beast in Me Episode 101 Directed By Antonio Campos
Show Runner Howard Gordon
Writer/Producer Gabe Rotter @rotterworkstv
Writer/producer Daniel Pearl @danielpearl
Featuring @clairedanes @thematthewrhys and David Lyons
Cinematography @lylevincent
A Cam Op @erin.m.henning
B Cam Op/ Steadicam Qianzhi Shen @71yan
A Cam 1st AC Anthony Coan @ripofff
B Cam 1st AC Chris Wiezorek @wiezorek
A Cam 2nd AC@jamesdrummond and @ddibologna
B Cam 2nd AC Sancheev Ravichandran @sancheevrav
Loaders Brett Norman@shortstack.__ and @tom_parrish
DIT Michael Pomorski @pomovision
Colorist Damien Vandercruyssen @damienvdc &Karim Elkatari @karimelkat
Post at @harborpictureco
Gaffer Jerad Molkenthin @jmolk3
Best Boy Electric @hectorherrera
Key Grip Cesar Baptista @sir_grips_a_lot
Dolly Grip A Cam Dan Trauger @danstagram820
Dolly Grip B Cam Al Delia
Script Supervisor Amina El Etreby @madamonz
Production Designer Loren Weeks @lweeksdesign
Set Decorator Michael Nallan @nallan_drome
Costumes Designer Arjun Bhasin @arjunbhasincostume
Hair Satoko Ichinose @satokohair
Makeup Head tisahowardmakeup
Makeup Key @maralynnpalumbo
Unit Production Manager Caroline Baron
Line Producer Sean Fogel @fogelsean
co producer Alexandria Vivas @ale_vvcamera and lenses @panavisionofficial
The Beast in Me Episode 101 Directed By Antonio Campos
Show Runner Howard Gordon
Writer/Producer Gabe Rotter @rotterworkstv
Writer/producer Daniel Pearl @danielpearl
Featuring @clairedanes @thematthewrhys and David Lyons
Cinematography @lylevincent
A Cam Op @erin.m.henning
B Cam Op/ Steadicam Qianzhi Shen @71yan
A Cam 1st AC Anthony Coan @ripofff
B Cam 1st AC Chris Wiezorek @wiezorek
A Cam 2nd AC@jamesdrummond and @ddibologna
B Cam 2nd AC Sancheev Ravichandran @sancheevrav
Loaders Brett Norman@shortstack.__ and @tom_parrish
DIT Michael Pomorski @pomovision
Colorist Damien Vandercruyssen @damienvdc &Karim Elkatari @karimelkat
Post at @harborpictureco
Gaffer Jerad Molkenthin @jmolk3
Best Boy Electric @hectorherrera
Key Grip Cesar Baptista @sir_grips_a_lot
Dolly Grip A Cam Dan Trauger @danstagram820
Dolly Grip B Cam Al Delia
Script Supervisor Amina El Etreby @madamonz
Production Designer Loren Weeks @lweeksdesign
Set Decorator Michael Nallan @nallan_drome
Costumes Designer Arjun Bhasin @arjunbhasincostume
Hair Satoko Ichinose @satokohair
Makeup Head tisahowardmakeup
Makeup Key @maralynnpalumbo
Unit Production Manager Caroline Baron
Line Producer Sean Fogel @fogelsean
co producer Alexandria Vivas @ale_vvcamera and lenses @panavisionofficial
The Beast in Me Episode 101 Directed By Antonio Campos
Show Runner Howard Gordon
Writer/Producer Gabe Rotter @rotterworkstv
Writer/producer Daniel Pearl @danielpearl
Featuring @clairedanes @thematthewrhys and David Lyons
Cinematography @lylevincent
A Cam Op @erin.m.henning
B Cam Op/ Steadicam Qianzhi Shen @71yan
A Cam 1st AC Anthony Coan @ripofff
B Cam 1st AC Chris Wiezorek @wiezorek
A Cam 2nd AC@jamesdrummond and @ddibologna
B Cam 2nd AC Sancheev Ravichandran @sancheevrav
Loaders Brett Norman@shortstack.__ and @tom_parrish
DIT Michael Pomorski @pomovision
Colorist Damien Vandercruyssen @damienvdc &Karim Elkatari @karimelkat
Post at @harborpictureco
Gaffer Jerad Molkenthin @jmolk3
Best Boy Electric @hectorherrera
Key Grip Cesar Baptista @sir_grips_a_lot
Dolly Grip A Cam Dan Trauger @danstagram820
Dolly Grip B Cam Al Delia
Script Supervisor Amina El Etreby @madamonz
Production Designer Loren Weeks @lweeksdesign
Set Decorator Michael Nallan @nallan_drome
Costumes Designer Arjun Bhasin @arjunbhasincostume
Hair Satoko Ichinose @satokohair
Makeup Head tisahowardmakeup
Makeup Key @maralynnpalumbo
Unit Production Manager Caroline Baron
Line Producer Sean Fogel @fogelsean
co producer Alexandria Vivas @ale_vvcamera and lenses @panavisionofficial
The Beast in Me Episode 101 Directed By Antonio Campos
Show Runner Howard Gordon
Writer/Producer Gabe Rotter @rotterworkstv
Writer/producer Daniel Pearl @danielpearl
Featuring @clairedanes @thematthewrhys and David Lyons
Cinematography @lylevincent
A Cam Op @erin.m.henning
B Cam Op/ Steadicam Qianzhi Shen @71yan
A Cam 1st AC Anthony Coan @ripofff
B Cam 1st AC Chris Wiezorek @wiezorek
A Cam 2nd AC@jamesdrummond and @ddibologna
B Cam 2nd AC Sancheev Ravichandran @sancheevrav
Loaders Brett Norman@shortstack.__ and @tom_parrish
DIT Michael Pomorski @pomovision
Colorist Damien Vandercruyssen @damienvdc &Karim Elkatari @karimelkat
Post at @harborpictureco
Gaffer Jerad Molkenthin @jmolk3
Best Boy Electric @hectorherrera
Key Grip Cesar Baptista @sir_grips_a_lot
Dolly Grip A Cam Dan Trauger @danstagram820
Dolly Grip B Cam Al Delia
Script Supervisor Amina El Etreby @madamonz
Production Designer Loren Weeks @lweeksdesign
Set Decorator Michael Nallan @nallan_drome
Costumes Designer Arjun Bhasin @arjunbhasincostume
Hair Satoko Ichinose @satokohair
Makeup Head tisahowardmakeup
Makeup Key @maralynnpalumbo
Unit Production Manager Caroline Baron
Line Producer Sean Fogel @fogelsean
co producer Alexandria Vivas @ale_vvcamera and lenses @panavisionofficial
The Beast in Me Episode 101 Directed By Antonio Campos
Show Runner Howard Gordon
Writer/Producer Gabe Rotter @rotterworkstv
Writer/producer Daniel Pearl @danielpearl
Featuring @clairedanes @thematthewrhys and David Lyons
Cinematography @lylevincent
A Cam Op @erin.m.henning
B Cam Op/ Steadicam Qianzhi Shen @71yan
A Cam 1st AC Anthony Coan @ripofff
B Cam 1st AC Chris Wiezorek @wiezorek
A Cam 2nd AC@jamesdrummond and @ddibologna
B Cam 2nd AC Sancheev Ravichandran @sancheevrav
Loaders Brett Norman@shortstack.__ and @tom_parrish
DIT Michael Pomorski @pomovision
Colorist Damien Vandercruyssen @damienvdc &Karim Elkatari @karimelkat
Post at @harborpictureco
Gaffer Jerad Molkenthin @jmolk3
Best Boy Electric @hectorherrera
Key Grip Cesar Baptista @sir_grips_a_lot
Dolly Grip A Cam Dan Trauger @danstagram820
Dolly Grip B Cam Al Delia
Script Supervisor Amina El Etreby @madamonz
Production Designer Loren Weeks @lweeksdesign
Set Decorator Michael Nallan @nallan_drome
Costumes Designer Arjun Bhasin @arjunbhasincostume
Hair Satoko Ichinose @satokohair
Makeup Head tisahowardmakeup
Makeup Key @maralynnpalumbo
Unit Production Manager Caroline Baron
Line Producer Sean Fogel @fogelsean
co producer Alexandria Vivas @ale_vvcamera and lenses @panavisionofficial
The Beast in Me Episode 101 Directed By Antonio Campos
Show Runner Howard Gordon
Writer/Producer Gabe Rotter @rotterworkstv
Writer/producer Daniel Pearl @danielpearl
Featuring @clairedanes @thematthewrhys and David Lyons
Cinematography @lylevincent
A Cam Op @erin.m.henning
B Cam Op/ Steadicam Qianzhi Shen @71yan
A Cam 1st AC Anthony Coan @ripofff
B Cam 1st AC Chris Wiezorek @wiezorek
A Cam 2nd AC@jamesdrummond and @ddibologna
B Cam 2nd AC Sancheev Ravichandran @sancheevrav
Loaders Brett Norman@shortstack.__ and @tom_parrish
DIT Michael Pomorski @pomovision
Colorist Damien Vandercruyssen @damienvdc &Karim Elkatari @karimelkat
Post at @harborpictureco
Gaffer Jerad Molkenthin @jmolk3
Best Boy Electric @hectorherrera
Key Grip Cesar Baptista @sir_grips_a_lot
Dolly Grip A Cam Dan Trauger @danstagram820
Dolly Grip B Cam Al Delia
Script Supervisor Amina El Etreby @madamonz
Production Designer Loren Weeks @lweeksdesign
Set Decorator Michael Nallan @nallan_drome
Costumes Designer Arjun Bhasin @arjunbhasincostume
Hair Satoko Ichinose @satokohair
Makeup Head tisahowardmakeup
Makeup Key @maralynnpalumbo
Unit Production Manager Caroline Baron
Line Producer Sean Fogel @fogelsean
co producer Alexandria Vivas @ale_vvcamera and lenses @panavisionofficial
The Beast in Me Episode 101 Directed By Antonio Campos
Show Runner Howard Gordon
Writer/Producer Gabe Rotter @rotterworkstv
Writer/producer Daniel Pearl @danielpearl
Featuring @clairedanes @thematthewrhys and David Lyons
Cinematography @lylevincent
A Cam Op @erin.m.henning
B Cam Op/ Steadicam Qianzhi Shen @71yan
A Cam 1st AC Anthony Coan @ripofff
B Cam 1st AC Chris Wiezorek @wiezorek
A Cam 2nd AC@jamesdrummond and @ddibologna
B Cam 2nd AC Sancheev Ravichandran @sancheevrav
Loaders Brett Norman@shortstack.__ and @tom_parrish
DIT Michael Pomorski @pomovision
Colorist Damien Vandercruyssen @damienvdc &Karim Elkatari @karimelkat
Post at @harborpictureco
Gaffer Jerad Molkenthin @jmolk3
Best Boy Electric @hectorherrera
Key Grip Cesar Baptista @sir_grips_a_lot
Dolly Grip A Cam Dan Trauger @danstagram820
Dolly Grip B Cam Al Delia
Script Supervisor Amina El Etreby @madamonz
Production Designer Loren Weeks @lweeksdesign
Set Decorator Michael Nallan @nallan_drome
Costumes Designer Arjun Bhasin @arjunbhasincostume
Hair Satoko Ichinose @satokohair
Makeup Head tisahowardmakeup
Makeup Key @maralynnpalumbo
Unit Production Manager Caroline Baron
Line Producer Sean Fogel @fogelsean
co producer Alexandria Vivas @ale_vvcamera and lenses @panavisionofficial
The Beast in Me Episode 101 Directed By Antonio Campos
Show Runner Howard Gordon
Writer/Producer Gabe Rotter @rotterworkstv
Writer/producer Daniel Pearl @danielpearl
Featuring @clairedanes @thematthewrhys and David Lyons
Cinematography @lylevincent
A Cam Op @erin.m.henning
B Cam Op/ Steadicam Qianzhi Shen @71yan
A Cam 1st AC Anthony Coan @ripofff
B Cam 1st AC Chris Wiezorek @wiezorek
A Cam 2nd AC@jamesdrummond and @ddibologna
B Cam 2nd AC Sancheev Ravichandran @sancheevrav
Loaders Brett Norman@shortstack.__ and @tom_parrish
DIT Michael Pomorski @pomovision
Colorist Damien Vandercruyssen @damienvdc &Karim Elkatari @karimelkat
Post at @harborpictureco
Gaffer Jerad Molkenthin @jmolk3
Best Boy Electric @hectorherrera
Key Grip Cesar Baptista @sir_grips_a_lot
Dolly Grip A Cam Dan Trauger @danstagram820
Dolly Grip B Cam Al Delia
Script Supervisor Amina El Etreby @madamonz
Production Designer Loren Weeks @lweeksdesign
Set Decorator Michael Nallan @nallan_drome
Costumes Designer Arjun Bhasin @arjunbhasincostume
Hair Satoko Ichinose @satokohair
Makeup Head tisahowardmakeup
Makeup Key @maralynnpalumbo
Unit Production Manager Caroline Baron
Line Producer Sean Fogel @fogelsean
co producer Alexandria Vivas @ale_vvcamera and lenses @panavisionofficial
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.