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maybe I wanna make more video zines 🪦🥀

Elizabeth Xi Bauer is pleased to present ‘COBRA’, an exhibition of new works by Shadi Al-Atallah, a London-based Saudi artist known for emotionally charged figurative paintings that inhabit liminal spaces between intimacy and conflict. While themes of identity, queerness, and spirituality remain central to his practice, ‘COBRA’ marks a striking transformation—shifting from the painterly to the immersive, from the singular image to a multi-sensory world of video, sound, object, and light.

Al-Atallah’s figures—often genderless, fragmented, or in states of transformation—resist binary readings and evoke a terrain of contradictions. Drawing on religious mythology, literature, science, and gender theory, his visual language returns to the body: naked, unbound, and in motion.

This exhibition will be accompanied by curatorial text written by Malak Alhajri. Alhajri is an independent art curator and a multidisciplinary creative based in London. She works between text, sound, and collective practice - often referencing mass culture, experimental approaches, and speculative themes.

2. ‘Sketchbook Study’ (detail), 2025. Digital artwork, 728 x 1299 px. Courtesy of the Artist and Elizabeth Xi Bauer, London

COBRA
Shadi Al-Atallah
Private View 27th November 2025, 6 – 8 pm 
The gallery will be closed for the installation until 28th November 2025 

🔗 Click the link in our bio for more information 

Elizabeth Xi Bauer 
_______________ 
Fuel Tank, 8-12 Creekside 
London, SE8 3DX 
020 3048 5220 
contact@lizxib.com 

@ramenate
@malajri

Elizabeth Xi Bauer is pleased to present ‘COBRA’, an exhibition of new works by Shadi Al-Atallah, a London-based Saudi artist known for emotionally charged figurative paintings that inhabit liminal spaces between intimacy and conflict. While themes of identity, queerness, and spirituality remain central to his practice, ‘COBRA’ marks a striking transformation—shifting from the painterly to the immersive, from the singular image to a multi-sensory world of video, sound, object, and light.

Al-Atallah’s figures—often genderless, fragmented, or in states of transformation—resist binary readings and evoke a terrain of contradictions. Drawing on religious mythology, literature, science, and gender theory, his visual language returns to the body: naked, unbound, and in motion.

This exhibition will be accompanied by curatorial text written by Malak Alhajri. Alhajri is an independent art curator and a multidisciplinary creative based in London. She works between text, sound, and collective practice - often referencing mass culture, experimental approaches, and speculative themes.

2. ‘Sketchbook Study’ (detail), 2025. Digital artwork, 728 x 1299 px. Courtesy of the Artist and Elizabeth Xi Bauer, London

COBRA
Shadi Al-Atallah
Private View 27th November 2025, 6 – 8 pm 
The gallery will be closed for the installation until 28th November 2025 

🔗 Click the link in our bio for more information 

Elizabeth Xi Bauer 
_______________ 
Fuel Tank, 8-12 Creekside 
London, SE8 3DX 
020 3048 5220 
contact@lizxib.com 

@ramenate
@malajri

Barzakh is now on my Bandcamp. (see link in bio)
As part of Transubstantiation: Proliferation and Rot.

“Barzakh” is an audio piece that was made for the exhibition Transubstantiation: Proliferation and Rot at Brompton Cemetery (25-27 July, 2025)

“Translated from Arabic, “Barzakh” is a word that refers to the realm or barrier between the physical world and the afterlife, specifically the period between death and the Day of Resurrection. In other words, it can be understood as a kind of purgatory.
This sound piece offers the artist’s personal interpretation of what that liminal space might sound like. It is made up of layered sonic elements that guide the listener through a process of transition—a limbo between two states. But it’s also about being stuck in that cycle, which is why the piece loops infinitely. It ends just like how it starts.
The composition features experimental vocal effects (not words, but feelings), sampled sounds from the artist’s personal library of nature recordings, layered textures, and instruments where appropriate.
It also acts as a response to the other artworks in this exhibition and to the surrounding environment.”

Barzakh is now on my Bandcamp. (see link in bio)
As part of Transubstantiation: Proliferation and Rot.

“Barzakh” is an audio piece that was made for the exhibition Transubstantiation: Proliferation and Rot at Brompton Cemetery (25-27 July, 2025)

“Translated from Arabic, “Barzakh” is a word that refers to the realm or barrier between the physical world and the afterlife, specifically the period between death and the Day of Resurrection. In other words, it can be understood as a kind of purgatory.
This sound piece offers the artist’s personal interpretation of what that liminal space might sound like. It is made up of layered sonic elements that guide the listener through a process of transition—a limbo between two states. But it’s also about being stuck in that cycle, which is why the piece loops infinitely. It ends just like how it starts.
The composition features experimental vocal effects (not words, but feelings), sampled sounds from the artist’s personal library of nature recordings, layered textures, and instruments where appropriate.
It also acts as a response to the other artworks in this exhibition and to the surrounding environment.”

Barzakh is now on my Bandcamp. (see link in bio)
As part of Transubstantiation: Proliferation and Rot.

“Barzakh” is an audio piece that was made for the exhibition Transubstantiation: Proliferation and Rot at Brompton Cemetery (25-27 July, 2025)

“Translated from Arabic, “Barzakh” is a word that refers to the realm or barrier between the physical world and the afterlife, specifically the period between death and the Day of Resurrection. In other words, it can be understood as a kind of purgatory.
This sound piece offers the artist’s personal interpretation of what that liminal space might sound like. It is made up of layered sonic elements that guide the listener through a process of transition—a limbo between two states. But it’s also about being stuck in that cycle, which is why the piece loops infinitely. It ends just like how it starts.
The composition features experimental vocal effects (not words, but feelings), sampled sounds from the artist’s personal library of nature recordings, layered textures, and instruments where appropriate.
It also acts as a response to the other artworks in this exhibition and to the surrounding environment.”

Barzakh is now on my Bandcamp. (see link in bio)
As part of Transubstantiation: Proliferation and Rot.

“Barzakh” is an audio piece that was made for the exhibition Transubstantiation: Proliferation and Rot at Brompton Cemetery (25-27 July, 2025)

“Translated from Arabic, “Barzakh” is a word that refers to the realm or barrier between the physical world and the afterlife, specifically the period between death and the Day of Resurrection. In other words, it can be understood as a kind of purgatory.
This sound piece offers the artist’s personal interpretation of what that liminal space might sound like. It is made up of layered sonic elements that guide the listener through a process of transition—a limbo between two states. But it’s also about being stuck in that cycle, which is why the piece loops infinitely. It ends just like how it starts.
The composition features experimental vocal effects (not words, but feelings), sampled sounds from the artist’s personal library of nature recordings, layered textures, and instruments where appropriate.
It also acts as a response to the other artworks in this exhibition and to the surrounding environment.”

Thank you to everyone that showed up to Transubstantiation: Proliferation & Rot last weekend, our second installment in a series of exhibitions at Brompton Cemetery Chapel.

We had an unexpected turnout of nearly 700 visitors over 3 days and we're over the moon. Thank you for all of the engaging conversations that were had, thank you for taking the time to visit and support us as artists. We met so many wonderful people.

The show featured 8 artists and 6 new pieces that were made specifically for this show.

Thank you to everyone that helped make this happen.

We cannot wait for the next one!

Thank you to everyone that showed up to Transubstantiation: Proliferation & Rot last weekend, our second installment in a series of exhibitions at Brompton Cemetery Chapel.

We had an unexpected turnout of nearly 700 visitors over 3 days and we're over the moon. Thank you for all of the engaging conversations that were had, thank you for taking the time to visit and support us as artists. We met so many wonderful people.

The show featured 8 artists and 6 new pieces that were made specifically for this show.

Thank you to everyone that helped make this happen.

We cannot wait for the next one!

Thank you to everyone that showed up to Transubstantiation: Proliferation & Rot last weekend, our second installment in a series of exhibitions at Brompton Cemetery Chapel.

We had an unexpected turnout of nearly 700 visitors over 3 days and we're over the moon. Thank you for all of the engaging conversations that were had, thank you for taking the time to visit and support us as artists. We met so many wonderful people.

The show featured 8 artists and 6 new pieces that were made specifically for this show.

Thank you to everyone that helped make this happen.

We cannot wait for the next one!

Thank you to everyone that showed up to Transubstantiation: Proliferation & Rot last weekend, our second installment in a series of exhibitions at Brompton Cemetery Chapel.

We had an unexpected turnout of nearly 700 visitors over 3 days and we're over the moon. Thank you for all of the engaging conversations that were had, thank you for taking the time to visit and support us as artists. We met so many wonderful people.

The show featured 8 artists and 6 new pieces that were made specifically for this show.

Thank you to everyone that helped make this happen.

We cannot wait for the next one!

Thank you to everyone that showed up to Transubstantiation: Proliferation & Rot last weekend, our second installment in a series of exhibitions at Brompton Cemetery Chapel.

We had an unexpected turnout of nearly 700 visitors over 3 days and we're over the moon. Thank you for all of the engaging conversations that were had, thank you for taking the time to visit and support us as artists. We met so many wonderful people.

The show featured 8 artists and 6 new pieces that were made specifically for this show.

Thank you to everyone that helped make this happen.

We cannot wait for the next one!

Thank you to everyone that showed up to Transubstantiation: Proliferation & Rot last weekend, our second installment in a series of exhibitions at Brompton Cemetery Chapel.

We had an unexpected turnout of nearly 700 visitors over 3 days and we're over the moon. Thank you for all of the engaging conversations that were had, thank you for taking the time to visit and support us as artists. We met so many wonderful people.

The show featured 8 artists and 6 new pieces that were made specifically for this show.

Thank you to everyone that helped make this happen.

We cannot wait for the next one!

Thank you to everyone that showed up to Transubstantiation: Proliferation & Rot last weekend, our second installment in a series of exhibitions at Brompton Cemetery Chapel.

We had an unexpected turnout of nearly 700 visitors over 3 days and we're over the moon. Thank you for all of the engaging conversations that were had, thank you for taking the time to visit and support us as artists. We met so many wonderful people.

The show featured 8 artists and 6 new pieces that were made specifically for this show.

Thank you to everyone that helped make this happen.

We cannot wait for the next one!

Thank you to everyone that showed up to Transubstantiation: Proliferation & Rot last weekend, our second installment in a series of exhibitions at Brompton Cemetery Chapel.

We had an unexpected turnout of nearly 700 visitors over 3 days and we're over the moon. Thank you for all of the engaging conversations that were had, thank you for taking the time to visit and support us as artists. We met so many wonderful people.

The show featured 8 artists and 6 new pieces that were made specifically for this show.

Thank you to everyone that helped make this happen.

We cannot wait for the next one!

Thank you to everyone that showed up to Transubstantiation: Proliferation & Rot last weekend, our second installment in a series of exhibitions at Brompton Cemetery Chapel.

We had an unexpected turnout of nearly 700 visitors over 3 days and we're over the moon. Thank you for all of the engaging conversations that were had, thank you for taking the time to visit and support us as artists. We met so many wonderful people.

The show featured 8 artists and 6 new pieces that were made specifically for this show.

Thank you to everyone that helped make this happen.

We cannot wait for the next one!

Thank you to everyone that showed up to Transubstantiation: Proliferation & Rot last weekend, our second installment in a series of exhibitions at Brompton Cemetery Chapel.

We had an unexpected turnout of nearly 700 visitors over 3 days and we're over the moon. Thank you for all of the engaging conversations that were had, thank you for taking the time to visit and support us as artists. We met so many wonderful people.

The show featured 8 artists and 6 new pieces that were made specifically for this show.

Thank you to everyone that helped make this happen.

We cannot wait for the next one!

Thank you to everyone that showed up to Transubstantiation: Proliferation & Rot last weekend, our second installment in a series of exhibitions at Brompton Cemetery Chapel.

We had an unexpected turnout of nearly 700 visitors over 3 days and we're over the moon. Thank you for all of the engaging conversations that were had, thank you for taking the time to visit and support us as artists. We met so many wonderful people.

The show featured 8 artists and 6 new pieces that were made specifically for this show.

Thank you to everyone that helped make this happen.

We cannot wait for the next one!

Thank you to everyone that showed up to Transubstantiation: Proliferation & Rot last weekend, our second installment in a series of exhibitions at Brompton Cemetery Chapel.

We had an unexpected turnout of nearly 700 visitors over 3 days and we're over the moon. Thank you for all of the engaging conversations that were had, thank you for taking the time to visit and support us as artists. We met so many wonderful people.

The show featured 8 artists and 6 new pieces that were made specifically for this show.

Thank you to everyone that helped make this happen.

We cannot wait for the next one!

Thank you to everyone that showed up to Transubstantiation: Proliferation & Rot last weekend, our second installment in a series of exhibitions at Brompton Cemetery Chapel.

We had an unexpected turnout of nearly 700 visitors over 3 days and we're over the moon. Thank you for all of the engaging conversations that were had, thank you for taking the time to visit and support us as artists. We met so many wonderful people.

The show featured 8 artists and 6 new pieces that were made specifically for this show.

Thank you to everyone that helped make this happen.

We cannot wait for the next one!

curated the show, made the merch, performed the fantasy. who needs institutional validation when you’ve got a black tee and speedball?

curated the show, made the merch, performed the fantasy. who needs institutional validation when you’ve got a black tee and speedball?

curated the show, made the merch, performed the fantasy. who needs institutional validation when you’ve got a black tee and speedball?

curated the show, made the merch, performed the fantasy. who needs institutional validation when you’ve got a black tee and speedball?

curated the show, made the merch, performed the fantasy. who needs institutional validation when you’ve got a black tee and speedball?

Transubstantiation: Proliferation and Rot

This exhibition invites 8 artists to explore themes of societal contagion, change and choice through their practice.

The artists will utilise Brompton Cemetery Chapel as a site of working ritual and a communal space to both grieve and celebrate.

It will showcase kinetic metal sculptures, paintings, interactive installations, and other artworks.

FREE EXHIBITION.

Private View: Friday 25 July 5:30-7:30 PM
(DM the curators if you would like to attend the private view)
Public Access: 26-27 July, 12:00-7:00 PM
Brompton Cemetery Chapel, SW10 9UQ

Directed by Hamza @vore.crimes and Rufus Bradshaw @liermichele
Curated by Malak Alhajri @malajri & Ayushi Rajput @ayushidoesdesign
Poster design: Sarah Alt @sarah.alt
Visual identity: Nandal Seo @nandal_seo & Mati Baran @matteorz

Artists Featured:
Nicolò Abate @sylathas
Hamza Aldlimi @vore.crimes
Sarah Alt @sarah.alt
Rufus Bradshaw @liermichele
Olivia Elliott @oliviaerinelliott
Malak @malajri
Cornelia Shrok @cornjpg
Nina Oltarzewska @oltarzewska

We’re happy to announce the line up for our Noise Rituals panel!

💬 Julita Mahrer Vinñas (she/her) @julitachulita
Known as Julita, is a Swiss-Dominican London-based muralist, art director, and educator. Her interdisciplinary practice spans street art, community work, and writing, drawing inspiration from visual infrastructures in popular culture and ritual. Julita uses public mediums to portray language and community codes within Caribbean and diasporic pop culture, reflecting themes of place, belonging, strength, joy, and play as vital means of survival.

As a community curator, Julita fosters inclusive spaces that empower individuals, celebrate collective memory, and encourage communal dreaming. Through her practice, she continues to inspire dialogue and connection within both the art world and interconnected communities.

💬 Hamza (he/him) @vore.crimes
Is an experimental communicator and sculptor. He graduated from the RCA last year with a masters in Visual Communication. Hamza is a part of @buckleartco which is an art collective of POC artists who create work that is primarily influenced by the aesthetics, reach and campiness of pop music and culture. The mediums they deploy include video, audio, zines, writing, collage and many other.

Hamza’s recent individual work is focused on creating large scale kinetic metal sculptures as a method to confront larger-than-life structures of control. He utilizes horror and disruption as a language, which allows him to stretch these structures to extreme yet tangible forms.

💬 Mika Tohmon (they/she) @mikatohmon
is a visual communicator and graphic designer representing SPILLLL which is a collective of four ESEA (East / South-East Asian) queer women creatives figuring out how to bring a salad of non-western heritage, feminism, queerness, food politics, and marginalised communal narratives to the table through zines and workshops. Mika's individual work questions relations between land, sea, rooting, and migrating through designing, publishing, and making.

🎤 Moderated by the curators: @malajri and @nikkinitaramirez

🔗 Tickets are available on the link in our bio!

We’re happy to announce the line up for our Noise Rituals panel!

💬 Julita Mahrer Vinñas (she/her) @julitachulita
Known as Julita, is a Swiss-Dominican London-based muralist, art director, and educator. Her interdisciplinary practice spans street art, community work, and writing, drawing inspiration from visual infrastructures in popular culture and ritual. Julita uses public mediums to portray language and community codes within Caribbean and diasporic pop culture, reflecting themes of place, belonging, strength, joy, and play as vital means of survival.

As a community curator, Julita fosters inclusive spaces that empower individuals, celebrate collective memory, and encourage communal dreaming. Through her practice, she continues to inspire dialogue and connection within both the art world and interconnected communities.

💬 Hamza (he/him) @vore.crimes
Is an experimental communicator and sculptor. He graduated from the RCA last year with a masters in Visual Communication. Hamza is a part of @buckleartco which is an art collective of POC artists who create work that is primarily influenced by the aesthetics, reach and campiness of pop music and culture. The mediums they deploy include video, audio, zines, writing, collage and many other.

Hamza’s recent individual work is focused on creating large scale kinetic metal sculptures as a method to confront larger-than-life structures of control. He utilizes horror and disruption as a language, which allows him to stretch these structures to extreme yet tangible forms.

💬 Mika Tohmon (they/she) @mikatohmon
is a visual communicator and graphic designer representing SPILLLL which is a collective of four ESEA (East / South-East Asian) queer women creatives figuring out how to bring a salad of non-western heritage, feminism, queerness, food politics, and marginalised communal narratives to the table through zines and workshops. Mika's individual work questions relations between land, sea, rooting, and migrating through designing, publishing, and making.

🎤 Moderated by the curators: @malajri and @nikkinitaramirez

🔗 Tickets are available on the link in our bio!

We’re happy to announce the line up for our Noise Rituals panel!

💬 Julita Mahrer Vinñas (she/her) @julitachulita
Known as Julita, is a Swiss-Dominican London-based muralist, art director, and educator. Her interdisciplinary practice spans street art, community work, and writing, drawing inspiration from visual infrastructures in popular culture and ritual. Julita uses public mediums to portray language and community codes within Caribbean and diasporic pop culture, reflecting themes of place, belonging, strength, joy, and play as vital means of survival.

As a community curator, Julita fosters inclusive spaces that empower individuals, celebrate collective memory, and encourage communal dreaming. Through her practice, she continues to inspire dialogue and connection within both the art world and interconnected communities.

💬 Hamza (he/him) @vore.crimes
Is an experimental communicator and sculptor. He graduated from the RCA last year with a masters in Visual Communication. Hamza is a part of @buckleartco which is an art collective of POC artists who create work that is primarily influenced by the aesthetics, reach and campiness of pop music and culture. The mediums they deploy include video, audio, zines, writing, collage and many other.

Hamza’s recent individual work is focused on creating large scale kinetic metal sculptures as a method to confront larger-than-life structures of control. He utilizes horror and disruption as a language, which allows him to stretch these structures to extreme yet tangible forms.

💬 Mika Tohmon (they/she) @mikatohmon
is a visual communicator and graphic designer representing SPILLLL which is a collective of four ESEA (East / South-East Asian) queer women creatives figuring out how to bring a salad of non-western heritage, feminism, queerness, food politics, and marginalised communal narratives to the table through zines and workshops. Mika's individual work questions relations between land, sea, rooting, and migrating through designing, publishing, and making.

🎤 Moderated by the curators: @malajri and @nikkinitaramirez

🔗 Tickets are available on the link in our bio!

We’re happy to announce the line up for our Noise Rituals panel!

💬 Julita Mahrer Vinñas (she/her) @julitachulita
Known as Julita, is a Swiss-Dominican London-based muralist, art director, and educator. Her interdisciplinary practice spans street art, community work, and writing, drawing inspiration from visual infrastructures in popular culture and ritual. Julita uses public mediums to portray language and community codes within Caribbean and diasporic pop culture, reflecting themes of place, belonging, strength, joy, and play as vital means of survival.

As a community curator, Julita fosters inclusive spaces that empower individuals, celebrate collective memory, and encourage communal dreaming. Through her practice, she continues to inspire dialogue and connection within both the art world and interconnected communities.

💬 Hamza (he/him) @vore.crimes
Is an experimental communicator and sculptor. He graduated from the RCA last year with a masters in Visual Communication. Hamza is a part of @buckleartco which is an art collective of POC artists who create work that is primarily influenced by the aesthetics, reach and campiness of pop music and culture. The mediums they deploy include video, audio, zines, writing, collage and many other.

Hamza’s recent individual work is focused on creating large scale kinetic metal sculptures as a method to confront larger-than-life structures of control. He utilizes horror and disruption as a language, which allows him to stretch these structures to extreme yet tangible forms.

💬 Mika Tohmon (they/she) @mikatohmon
is a visual communicator and graphic designer representing SPILLLL which is a collective of four ESEA (East / South-East Asian) queer women creatives figuring out how to bring a salad of non-western heritage, feminism, queerness, food politics, and marginalised communal narratives to the table through zines and workshops. Mika's individual work questions relations between land, sea, rooting, and migrating through designing, publishing, and making.

🎤 Moderated by the curators: @malajri and @nikkinitaramirez

🔗 Tickets are available on the link in our bio!

A series of archived videos & video collages from 2014-2016(?) (I think I edited and posted these on Vine). Wild how they still look cool to me—and even wilder that I feel like the exact same person lol.

A series of archived videos & video collages from 2014-2016(?) (I think I edited and posted these on Vine). Wild how they still look cool to me—and even wilder that I feel like the exact same person lol.

A series of archived videos & video collages from 2014-2016(?) (I think I edited and posted these on Vine). Wild how they still look cool to me—and even wilder that I feel like the exact same person lol.

A series of archived videos & video collages from 2014-2016(?) (I think I edited and posted these on Vine). Wild how they still look cool to me—and even wilder that I feel like the exact same person lol.

A series of archived videos & video collages from 2014-2016(?) (I think I edited and posted these on Vine). Wild how they still look cool to me—and even wilder that I feel like the exact same person lol.

A series of archived videos & video collages from 2014-2016(?) (I think I edited and posted these on Vine). Wild how they still look cool to me—and even wilder that I feel like the exact same person lol.

A series of archived videos & video collages from 2014-2016(?) (I think I edited and posted these on Vine). Wild how they still look cool to me—and even wilder that I feel like the exact same person lol.

A series of archived videos & video collages from 2014-2016(?) (I think I edited and posted these on Vine). Wild how they still look cool to me—and even wilder that I feel like the exact same person lol.

A series of archived videos & video collages from 2014-2016(?) (I think I edited and posted these on Vine). Wild how they still look cool to me—and even wilder that I feel like the exact same person lol.

A series of archived videos & video collages from 2014-2016(?) (I think I edited and posted these on Vine). Wild how they still look cool to me—and even wilder that I feel like the exact same person lol.

I got to show work at Brampton Cemetery Chapel and help with executing the whole thing. Kinda wild, I love doing creative things with my friends 🤠 @buckleartco
Thank you to everyone that went to see the show and everyone that helped making it happen I’m proud of you especially the efforts of @vore.crimes x

I got to show work at Brampton Cemetery Chapel and help with executing the whole thing. Kinda wild, I love doing creative things with my friends 🤠 @buckleartco
Thank you to everyone that went to see the show and everyone that helped making it happen I’m proud of you especially the efforts of @vore.crimes x

I got to show work at Brampton Cemetery Chapel and help with executing the whole thing. Kinda wild, I love doing creative things with my friends 🤠 @buckleartco
Thank you to everyone that went to see the show and everyone that helped making it happen I’m proud of you especially the efforts of @vore.crimes x

I got to show work at Brampton Cemetery Chapel and help with executing the whole thing. Kinda wild, I love doing creative things with my friends 🤠 @buckleartco
Thank you to everyone that went to see the show and everyone that helped making it happen I’m proud of you especially the efforts of @vore.crimes x

I got to show work at Brampton Cemetery Chapel and help with executing the whole thing. Kinda wild, I love doing creative things with my friends 🤠 @buckleartco
Thank you to everyone that went to see the show and everyone that helped making it happen I’m proud of you especially the efforts of @vore.crimes x

Been working on this project for a few months now - this year was full of challenges, this was a fun one.

Available on Bandcamp (link in my bio) 🎚️

Was mentored throughout by legend @lilianechlela ❤️‍🔥🙏🏼

xx

Been working on this project for a few months now - this year was full of challenges, this was a fun one.

Available on Bandcamp (link in my bio) 🎚️

Was mentored throughout by legend @lilianechlela ❤️‍🔥🙏🏼

xx

Been working on this project for a few months now - this year was full of challenges, this was a fun one.

Available on Bandcamp (link in my bio) 🎚️

Was mentored throughout by legend @lilianechlela ❤️‍🔥🙏🏼

xx

so excited to invite you to come see me and friends show work at Brompton Cemetary Chapel on the 7th and 8th of December, from 11:00 to 3:00 🖤

Transubstantiation Part I: Vessel and Witness will act as the opening exhibition in which this unconsecrated chapel will become a transformative agent on the artists and their works. but by virtue of us being there, we also mutate the space

here, transubstantiation ceases to only mean the literal change of bread and wine into the body and blood of Christ, but is expanded to explore its mutative nature as a form
of evolutionary imperative; rather than miracle.

if It does not evolve, It will die.

exhibition lead by @vore.crimes

curation by Elissa @elissalenoirajaka

project managed by Sara @saram_alhajri

visual identity & poster by Mati @matteorz Malak @malajri Ali @themartinipolice and Sarah Alt @sarah.alt

so excited to invite you to come see me and friends show work at Brompton Cemetary Chapel on the 7th and 8th of December, from 11:00 to 3:00 🖤

Transubstantiation Part I: Vessel and Witness will act as the opening exhibition in which this unconsecrated chapel will become a transformative agent on the artists and their works. but by virtue of us being there, we also mutate the space

here, transubstantiation ceases to only mean the literal change of bread and wine into the body and blood of Christ, but is expanded to explore its mutative nature as a form
of evolutionary imperative; rather than miracle.

if It does not evolve, It will die.

exhibition lead by @vore.crimes

curation by Elissa @elissalenoirajaka

project managed by Sara @saram_alhajri

visual identity & poster by Mati @matteorz Malak @malajri Ali @themartinipolice and Sarah Alt @sarah.alt

📂🎹