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mancanagara
Maharani Mancanagara
🌼Selamat memperingati Hari Kartini~sebuah momentum untuk merayakan keberanian, suara, dan perjuangan perempuan dalam meretas batas-batas yang diwariskan sejarah.
📜Melalui karya The Tale of Bubutan, Maharani Mancanagara menelusuri batas yang rapuh antara sejarah dan ingatan personal. Berangkat dari keyakinan bahwa sejarah tidak pernah utuh maupun final, ia menghadirkan narasi yang bergerak di antara fakta, interpretasi, dan konstruksi ideologis. Dalam ruang ini, sejarah tidak lagi berdiri sebagai kebenaran tunggal, melainkan sebagai medan yang terus dinegosiasikan—tempat di mana suara-suara tertentu diangkat, sementara yang lain terpinggirkan atau dilupakan.
Bertolak dari arsip personal berupa catatan harian kakeknya, Maharani merangkai apa yang ia sebut sebagai particle history sebuah rekonstruksi yang melampaui batas antara fakta dan fiksi. Narasi ini tidak berupaya mengukuhkan kebenaran, melainkan membuka kemungkinan untuk membayangkan ulang sejarah di luar kerangka besar yang mapan. Dalam semangat Kartini, karya ini turut mengingatkan bahwa banyak kisah, termasuk suara perempuan yang kerap hadir di pinggiran sejarah resmi, dan perlu terus dihadirkan kembali sebagai bagian dari pembacaan yang lebih adil dan utuh.
—
Artwork Highlight ✍🏼📜
The Tale of Bubutan
Maharani Mancanagara, 2017
#tumurunmuseum #objek #politikkehadiran #material #indonesiancontemporaryart
Ngariung bersama:
Maharani Mancanagara
—
Mereplikasi objek Museum Nasional dari kayu daur ulang, menyoroti kepemilikan dan narasi sejarah, serta menegaskan museum sebagai ruang kritis yang mengangkat cerita akar rumput.
Pameran Ngariunguntuk umum
hingga 25 Maret 2026
Dia.Lo.Gue @ dotHub Space
Jl. Bulevar Teknopolis 1
Gedebage, Summarecon Bandung
-
#pameranngariung #dialogueartspace #dialoguebandung
Ngariung bersama:
Maharani Mancanagara
—
Mereplikasi objek Museum Nasional dari kayu daur ulang, menyoroti kepemilikan dan narasi sejarah, serta menegaskan museum sebagai ruang kritis yang mengangkat cerita akar rumput.
Pameran Ngariunguntuk umum
hingga 25 Maret 2026
Dia.Lo.Gue @ dotHub Space
Jl. Bulevar Teknopolis 1
Gedebage, Summarecon Bandung
-
#pameranngariung #dialogueartspace #dialoguebandung
Ngariung bersama:
Maharani Mancanagara
—
Mereplikasi objek Museum Nasional dari kayu daur ulang, menyoroti kepemilikan dan narasi sejarah, serta menegaskan museum sebagai ruang kritis yang mengangkat cerita akar rumput.
Pameran Ngariunguntuk umum
hingga 25 Maret 2026
Dia.Lo.Gue @ dotHub Space
Jl. Bulevar Teknopolis 1
Gedebage, Summarecon Bandung
-
#pameranngariung #dialogueartspace #dialoguebandung
Pameran “Dalam Gelap Kugenggam Ingatan” dari Suvi Wahyudianto, dan Maharani Mancanagara telah memasuki satu minggu terakhir sebelum ditutup. Pameran ini akan berlangsung hingga tanggal 27 December 2025, dan pameran ini merupakan pameran terakhir dari Cemeti Institut di tahun 2025.
Pameran ini mengundang Suvi Wahyudianto dan Maharani Mancanagara, dua seniman yang secara konsisten melakukan penelitian berbasis sejarah sebagai bagian dari proses penciptaan mereka. Pendekatan kerja mereka yang menggunakan arsip, serta pencatatan yang teliti menjadi penting untuk melihat bagaimana seni beririsan dengan praktik dokumentatif sebagai upaya merawat ingatan dan berspekulasi atas masa depan.
Sejak tahun 2023, Suvi melakukan perjalanan mengikuti jejak peristiwa konflik antara Madura dan Sambas. Bersama dengan Aloysius, fotografer-videografer yang berasal dari Sambas, Kalimantan Barat, ia melakukan perjalanan untuk memahami lebih jauh terkait konflik kekerasan yang terjadi di tahun 1999, satu tahun pasca reformasi Indonesia. Memiliki ketertarikan yang sama pada sejarah, Maharani Mancanagara meneliti sejarah Indonesia dengan menelusuri jejak kakeknya, R. Soegriwo Joedodiwirdjo. Melalui penelusuran ini, Rani menemukan bagaimana gejolak politik di Indonesia pada tahun 1965 terhubung pada narasi personal keluarganya.
Pameran ini merupakan kerjasama dengan Festival Film Dokumenter (FFD) 2025.
Sampai jumpa di program-program kami selanjutnya.
Pameran “Dalam Gelap Kugenggam Ingatan” dari Suvi Wahyudianto, dan Maharani Mancanagara telah memasuki satu minggu terakhir sebelum ditutup. Pameran ini akan berlangsung hingga tanggal 27 December 2025, dan pameran ini merupakan pameran terakhir dari Cemeti Institut di tahun 2025.
Pameran ini mengundang Suvi Wahyudianto dan Maharani Mancanagara, dua seniman yang secara konsisten melakukan penelitian berbasis sejarah sebagai bagian dari proses penciptaan mereka. Pendekatan kerja mereka yang menggunakan arsip, serta pencatatan yang teliti menjadi penting untuk melihat bagaimana seni beririsan dengan praktik dokumentatif sebagai upaya merawat ingatan dan berspekulasi atas masa depan.
Sejak tahun 2023, Suvi melakukan perjalanan mengikuti jejak peristiwa konflik antara Madura dan Sambas. Bersama dengan Aloysius, fotografer-videografer yang berasal dari Sambas, Kalimantan Barat, ia melakukan perjalanan untuk memahami lebih jauh terkait konflik kekerasan yang terjadi di tahun 1999, satu tahun pasca reformasi Indonesia. Memiliki ketertarikan yang sama pada sejarah, Maharani Mancanagara meneliti sejarah Indonesia dengan menelusuri jejak kakeknya, R. Soegriwo Joedodiwirdjo. Melalui penelusuran ini, Rani menemukan bagaimana gejolak politik di Indonesia pada tahun 1965 terhubung pada narasi personal keluarganya.
Pameran ini merupakan kerjasama dengan Festival Film Dokumenter (FFD) 2025.
Sampai jumpa di program-program kami selanjutnya.
Pameran “Dalam Gelap Kugenggam Ingatan” dari Suvi Wahyudianto, dan Maharani Mancanagara telah memasuki satu minggu terakhir sebelum ditutup. Pameran ini akan berlangsung hingga tanggal 27 December 2025, dan pameran ini merupakan pameran terakhir dari Cemeti Institut di tahun 2025.
Pameran ini mengundang Suvi Wahyudianto dan Maharani Mancanagara, dua seniman yang secara konsisten melakukan penelitian berbasis sejarah sebagai bagian dari proses penciptaan mereka. Pendekatan kerja mereka yang menggunakan arsip, serta pencatatan yang teliti menjadi penting untuk melihat bagaimana seni beririsan dengan praktik dokumentatif sebagai upaya merawat ingatan dan berspekulasi atas masa depan.
Sejak tahun 2023, Suvi melakukan perjalanan mengikuti jejak peristiwa konflik antara Madura dan Sambas. Bersama dengan Aloysius, fotografer-videografer yang berasal dari Sambas, Kalimantan Barat, ia melakukan perjalanan untuk memahami lebih jauh terkait konflik kekerasan yang terjadi di tahun 1999, satu tahun pasca reformasi Indonesia. Memiliki ketertarikan yang sama pada sejarah, Maharani Mancanagara meneliti sejarah Indonesia dengan menelusuri jejak kakeknya, R. Soegriwo Joedodiwirdjo. Melalui penelusuran ini, Rani menemukan bagaimana gejolak politik di Indonesia pada tahun 1965 terhubung pada narasi personal keluarganya.
Pameran ini merupakan kerjasama dengan Festival Film Dokumenter (FFD) 2025.
Sampai jumpa di program-program kami selanjutnya.
Pameran “Dalam Gelap Kugenggam Ingatan” dari Suvi Wahyudianto, dan Maharani Mancanagara telah memasuki satu minggu terakhir sebelum ditutup. Pameran ini akan berlangsung hingga tanggal 27 December 2025, dan pameran ini merupakan pameran terakhir dari Cemeti Institut di tahun 2025.
Pameran ini mengundang Suvi Wahyudianto dan Maharani Mancanagara, dua seniman yang secara konsisten melakukan penelitian berbasis sejarah sebagai bagian dari proses penciptaan mereka. Pendekatan kerja mereka yang menggunakan arsip, serta pencatatan yang teliti menjadi penting untuk melihat bagaimana seni beririsan dengan praktik dokumentatif sebagai upaya merawat ingatan dan berspekulasi atas masa depan.
Sejak tahun 2023, Suvi melakukan perjalanan mengikuti jejak peristiwa konflik antara Madura dan Sambas. Bersama dengan Aloysius, fotografer-videografer yang berasal dari Sambas, Kalimantan Barat, ia melakukan perjalanan untuk memahami lebih jauh terkait konflik kekerasan yang terjadi di tahun 1999, satu tahun pasca reformasi Indonesia. Memiliki ketertarikan yang sama pada sejarah, Maharani Mancanagara meneliti sejarah Indonesia dengan menelusuri jejak kakeknya, R. Soegriwo Joedodiwirdjo. Melalui penelusuran ini, Rani menemukan bagaimana gejolak politik di Indonesia pada tahun 1965 terhubung pada narasi personal keluarganya.
Pameran ini merupakan kerjasama dengan Festival Film Dokumenter (FFD) 2025.
Sampai jumpa di program-program kami selanjutnya.
Pameran “Dalam Gelap Kugenggam Ingatan” dari Suvi Wahyudianto, dan Maharani Mancanagara telah memasuki satu minggu terakhir sebelum ditutup. Pameran ini akan berlangsung hingga tanggal 27 December 2025, dan pameran ini merupakan pameran terakhir dari Cemeti Institut di tahun 2025.
Pameran ini mengundang Suvi Wahyudianto dan Maharani Mancanagara, dua seniman yang secara konsisten melakukan penelitian berbasis sejarah sebagai bagian dari proses penciptaan mereka. Pendekatan kerja mereka yang menggunakan arsip, serta pencatatan yang teliti menjadi penting untuk melihat bagaimana seni beririsan dengan praktik dokumentatif sebagai upaya merawat ingatan dan berspekulasi atas masa depan.
Sejak tahun 2023, Suvi melakukan perjalanan mengikuti jejak peristiwa konflik antara Madura dan Sambas. Bersama dengan Aloysius, fotografer-videografer yang berasal dari Sambas, Kalimantan Barat, ia melakukan perjalanan untuk memahami lebih jauh terkait konflik kekerasan yang terjadi di tahun 1999, satu tahun pasca reformasi Indonesia. Memiliki ketertarikan yang sama pada sejarah, Maharani Mancanagara meneliti sejarah Indonesia dengan menelusuri jejak kakeknya, R. Soegriwo Joedodiwirdjo. Melalui penelusuran ini, Rani menemukan bagaimana gejolak politik di Indonesia pada tahun 1965 terhubung pada narasi personal keluarganya.
Pameran ini merupakan kerjasama dengan Festival Film Dokumenter (FFD) 2025.
Sampai jumpa di program-program kami selanjutnya.
Pameran “Dalam Gelap Kugenggam Ingatan” dari Suvi Wahyudianto, dan Maharani Mancanagara telah memasuki satu minggu terakhir sebelum ditutup. Pameran ini akan berlangsung hingga tanggal 27 December 2025, dan pameran ini merupakan pameran terakhir dari Cemeti Institut di tahun 2025.
Pameran ini mengundang Suvi Wahyudianto dan Maharani Mancanagara, dua seniman yang secara konsisten melakukan penelitian berbasis sejarah sebagai bagian dari proses penciptaan mereka. Pendekatan kerja mereka yang menggunakan arsip, serta pencatatan yang teliti menjadi penting untuk melihat bagaimana seni beririsan dengan praktik dokumentatif sebagai upaya merawat ingatan dan berspekulasi atas masa depan.
Sejak tahun 2023, Suvi melakukan perjalanan mengikuti jejak peristiwa konflik antara Madura dan Sambas. Bersama dengan Aloysius, fotografer-videografer yang berasal dari Sambas, Kalimantan Barat, ia melakukan perjalanan untuk memahami lebih jauh terkait konflik kekerasan yang terjadi di tahun 1999, satu tahun pasca reformasi Indonesia. Memiliki ketertarikan yang sama pada sejarah, Maharani Mancanagara meneliti sejarah Indonesia dengan menelusuri jejak kakeknya, R. Soegriwo Joedodiwirdjo. Melalui penelusuran ini, Rani menemukan bagaimana gejolak politik di Indonesia pada tahun 1965 terhubung pada narasi personal keluarganya.
Pameran ini merupakan kerjasama dengan Festival Film Dokumenter (FFD) 2025.
Sampai jumpa di program-program kami selanjutnya.
Pameran “Dalam Gelap Kugenggam Ingatan” dari Suvi Wahyudianto, dan Maharani Mancanagara telah memasuki satu minggu terakhir sebelum ditutup. Pameran ini akan berlangsung hingga tanggal 27 December 2025, dan pameran ini merupakan pameran terakhir dari Cemeti Institut di tahun 2025.
Pameran ini mengundang Suvi Wahyudianto dan Maharani Mancanagara, dua seniman yang secara konsisten melakukan penelitian berbasis sejarah sebagai bagian dari proses penciptaan mereka. Pendekatan kerja mereka yang menggunakan arsip, serta pencatatan yang teliti menjadi penting untuk melihat bagaimana seni beririsan dengan praktik dokumentatif sebagai upaya merawat ingatan dan berspekulasi atas masa depan.
Sejak tahun 2023, Suvi melakukan perjalanan mengikuti jejak peristiwa konflik antara Madura dan Sambas. Bersama dengan Aloysius, fotografer-videografer yang berasal dari Sambas, Kalimantan Barat, ia melakukan perjalanan untuk memahami lebih jauh terkait konflik kekerasan yang terjadi di tahun 1999, satu tahun pasca reformasi Indonesia. Memiliki ketertarikan yang sama pada sejarah, Maharani Mancanagara meneliti sejarah Indonesia dengan menelusuri jejak kakeknya, R. Soegriwo Joedodiwirdjo. Melalui penelusuran ini, Rani menemukan bagaimana gejolak politik di Indonesia pada tahun 1965 terhubung pada narasi personal keluarganya.
Pameran ini merupakan kerjasama dengan Festival Film Dokumenter (FFD) 2025.
Sampai jumpa di program-program kami selanjutnya.
Pameran “Dalam Gelap Kugenggam Ingatan” dari Suvi Wahyudianto, dan Maharani Mancanagara telah memasuki satu minggu terakhir sebelum ditutup. Pameran ini akan berlangsung hingga tanggal 27 December 2025, dan pameran ini merupakan pameran terakhir dari Cemeti Institut di tahun 2025.
Pameran ini mengundang Suvi Wahyudianto dan Maharani Mancanagara, dua seniman yang secara konsisten melakukan penelitian berbasis sejarah sebagai bagian dari proses penciptaan mereka. Pendekatan kerja mereka yang menggunakan arsip, serta pencatatan yang teliti menjadi penting untuk melihat bagaimana seni beririsan dengan praktik dokumentatif sebagai upaya merawat ingatan dan berspekulasi atas masa depan.
Sejak tahun 2023, Suvi melakukan perjalanan mengikuti jejak peristiwa konflik antara Madura dan Sambas. Bersama dengan Aloysius, fotografer-videografer yang berasal dari Sambas, Kalimantan Barat, ia melakukan perjalanan untuk memahami lebih jauh terkait konflik kekerasan yang terjadi di tahun 1999, satu tahun pasca reformasi Indonesia. Memiliki ketertarikan yang sama pada sejarah, Maharani Mancanagara meneliti sejarah Indonesia dengan menelusuri jejak kakeknya, R. Soegriwo Joedodiwirdjo. Melalui penelusuran ini, Rani menemukan bagaimana gejolak politik di Indonesia pada tahun 1965 terhubung pada narasi personal keluarganya.
Pameran ini merupakan kerjasama dengan Festival Film Dokumenter (FFD) 2025.
Sampai jumpa di program-program kami selanjutnya.
Pameran “Dalam Gelap Kugenggam Ingatan” dari Suvi Wahyudianto, dan Maharani Mancanagara telah memasuki satu minggu terakhir sebelum ditutup. Pameran ini akan berlangsung hingga tanggal 27 December 2025, dan pameran ini merupakan pameran terakhir dari Cemeti Institut di tahun 2025.
Pameran ini mengundang Suvi Wahyudianto dan Maharani Mancanagara, dua seniman yang secara konsisten melakukan penelitian berbasis sejarah sebagai bagian dari proses penciptaan mereka. Pendekatan kerja mereka yang menggunakan arsip, serta pencatatan yang teliti menjadi penting untuk melihat bagaimana seni beririsan dengan praktik dokumentatif sebagai upaya merawat ingatan dan berspekulasi atas masa depan.
Sejak tahun 2023, Suvi melakukan perjalanan mengikuti jejak peristiwa konflik antara Madura dan Sambas. Bersama dengan Aloysius, fotografer-videografer yang berasal dari Sambas, Kalimantan Barat, ia melakukan perjalanan untuk memahami lebih jauh terkait konflik kekerasan yang terjadi di tahun 1999, satu tahun pasca reformasi Indonesia. Memiliki ketertarikan yang sama pada sejarah, Maharani Mancanagara meneliti sejarah Indonesia dengan menelusuri jejak kakeknya, R. Soegriwo Joedodiwirdjo. Melalui penelusuran ini, Rani menemukan bagaimana gejolak politik di Indonesia pada tahun 1965 terhubung pada narasi personal keluarganya.
Pameran ini merupakan kerjasama dengan Festival Film Dokumenter (FFD) 2025.
Sampai jumpa di program-program kami selanjutnya.
Pameran “Dalam Gelap Kugenggam Ingatan” dari Suvi Wahyudianto, dan Maharani Mancanagara telah memasuki satu minggu terakhir sebelum ditutup. Pameran ini akan berlangsung hingga tanggal 27 December 2025, dan pameran ini merupakan pameran terakhir dari Cemeti Institut di tahun 2025.
Pameran ini mengundang Suvi Wahyudianto dan Maharani Mancanagara, dua seniman yang secara konsisten melakukan penelitian berbasis sejarah sebagai bagian dari proses penciptaan mereka. Pendekatan kerja mereka yang menggunakan arsip, serta pencatatan yang teliti menjadi penting untuk melihat bagaimana seni beririsan dengan praktik dokumentatif sebagai upaya merawat ingatan dan berspekulasi atas masa depan.
Sejak tahun 2023, Suvi melakukan perjalanan mengikuti jejak peristiwa konflik antara Madura dan Sambas. Bersama dengan Aloysius, fotografer-videografer yang berasal dari Sambas, Kalimantan Barat, ia melakukan perjalanan untuk memahami lebih jauh terkait konflik kekerasan yang terjadi di tahun 1999, satu tahun pasca reformasi Indonesia. Memiliki ketertarikan yang sama pada sejarah, Maharani Mancanagara meneliti sejarah Indonesia dengan menelusuri jejak kakeknya, R. Soegriwo Joedodiwirdjo. Melalui penelusuran ini, Rani menemukan bagaimana gejolak politik di Indonesia pada tahun 1965 terhubung pada narasi personal keluarganya.
Pameran ini merupakan kerjasama dengan Festival Film Dokumenter (FFD) 2025.
Sampai jumpa di program-program kami selanjutnya.
Pameran “Dalam Gelap Kugenggam Ingatan” dari Suvi Wahyudianto, dan Maharani Mancanagara telah memasuki satu minggu terakhir sebelum ditutup. Pameran ini akan berlangsung hingga tanggal 27 December 2025, dan pameran ini merupakan pameran terakhir dari Cemeti Institut di tahun 2025.
Pameran ini mengundang Suvi Wahyudianto dan Maharani Mancanagara, dua seniman yang secara konsisten melakukan penelitian berbasis sejarah sebagai bagian dari proses penciptaan mereka. Pendekatan kerja mereka yang menggunakan arsip, serta pencatatan yang teliti menjadi penting untuk melihat bagaimana seni beririsan dengan praktik dokumentatif sebagai upaya merawat ingatan dan berspekulasi atas masa depan.
Sejak tahun 2023, Suvi melakukan perjalanan mengikuti jejak peristiwa konflik antara Madura dan Sambas. Bersama dengan Aloysius, fotografer-videografer yang berasal dari Sambas, Kalimantan Barat, ia melakukan perjalanan untuk memahami lebih jauh terkait konflik kekerasan yang terjadi di tahun 1999, satu tahun pasca reformasi Indonesia. Memiliki ketertarikan yang sama pada sejarah, Maharani Mancanagara meneliti sejarah Indonesia dengan menelusuri jejak kakeknya, R. Soegriwo Joedodiwirdjo. Melalui penelusuran ini, Rani menemukan bagaimana gejolak politik di Indonesia pada tahun 1965 terhubung pada narasi personal keluarganya.
Pameran ini merupakan kerjasama dengan Festival Film Dokumenter (FFD) 2025.
Sampai jumpa di program-program kami selanjutnya.
Maharani Mancanagara’s practice frequently challenges the dominant narratives of Indonesian history by recovering compelling personal stories and subjective experiences. Her work on history began with her grandfather’s diary, a personal archive that revealed the complex, layered truths often absent from documented accounts.
In this powerful diptych, Maharani extends this inquiry to the history of care and survival, utilizing the exhibition’s theme of paraphasia; the failure of words, to highlight knowledge that survives outside of written language. The fragmented, stitched cloth of the diptych itself mirrors the uneven, patched nature of inherited knowledge.
In the context of the Sea Mogul exhibition, Maharani’s dyed fabrics act as an embodied archive that overcomes the gap of documented history. They utilize color, texture, and ritual subject matter to convey knowledge that survives not through documents or “talk,” but through the silent, persistent practice of care.
‘She Held The Fire, He Held The Roots’
2025
-
‘He Held The Fire, She Held The Roots’
2025
Maharani Mancanagara’s practice frequently challenges the dominant narratives of Indonesian history by recovering compelling personal stories and subjective experiences. Her work on history began with her grandfather’s diary, a personal archive that revealed the complex, layered truths often absent from documented accounts.
In this powerful diptych, Maharani extends this inquiry to the history of care and survival, utilizing the exhibition’s theme of paraphasia; the failure of words, to highlight knowledge that survives outside of written language. The fragmented, stitched cloth of the diptych itself mirrors the uneven, patched nature of inherited knowledge.
In the context of the Sea Mogul exhibition, Maharani’s dyed fabrics act as an embodied archive that overcomes the gap of documented history. They utilize color, texture, and ritual subject matter to convey knowledge that survives not through documents or “talk,” but through the silent, persistent practice of care.
‘She Held The Fire, He Held The Roots’
2025
-
‘He Held The Fire, She Held The Roots’
2025
Maharani Mancanagara’s practice frequently challenges the dominant narratives of Indonesian history by recovering compelling personal stories and subjective experiences. Her work on history began with her grandfather’s diary, a personal archive that revealed the complex, layered truths often absent from documented accounts.
In this powerful diptych, Maharani extends this inquiry to the history of care and survival, utilizing the exhibition’s theme of paraphasia; the failure of words, to highlight knowledge that survives outside of written language. The fragmented, stitched cloth of the diptych itself mirrors the uneven, patched nature of inherited knowledge.
In the context of the Sea Mogul exhibition, Maharani’s dyed fabrics act as an embodied archive that overcomes the gap of documented history. They utilize color, texture, and ritual subject matter to convey knowledge that survives not through documents or “talk,” but through the silent, persistent practice of care.
‘She Held The Fire, He Held The Roots’
2025
-
‘He Held The Fire, She Held The Roots’
2025
Maharani Mancanagara’s practice frequently challenges the dominant narratives of Indonesian history by recovering compelling personal stories and subjective experiences. Her work on history began with her grandfather’s diary, a personal archive that revealed the complex, layered truths often absent from documented accounts.
In this powerful diptych, Maharani extends this inquiry to the history of care and survival, utilizing the exhibition’s theme of paraphasia; the failure of words, to highlight knowledge that survives outside of written language. The fragmented, stitched cloth of the diptych itself mirrors the uneven, patched nature of inherited knowledge.
In the context of the Sea Mogul exhibition, Maharani’s dyed fabrics act as an embodied archive that overcomes the gap of documented history. They utilize color, texture, and ritual subject matter to convey knowledge that survives not through documents or “talk,” but through the silent, persistent practice of care.
‘She Held The Fire, He Held The Roots’
2025
-
‘He Held The Fire, She Held The Roots’
2025
Maharani Mancanagara’s practice frequently challenges the dominant narratives of Indonesian history by recovering compelling personal stories and subjective experiences. Her work on history began with her grandfather’s diary, a personal archive that revealed the complex, layered truths often absent from documented accounts.
In this powerful diptych, Maharani extends this inquiry to the history of care and survival, utilizing the exhibition’s theme of paraphasia; the failure of words, to highlight knowledge that survives outside of written language. The fragmented, stitched cloth of the diptych itself mirrors the uneven, patched nature of inherited knowledge.
In the context of the Sea Mogul exhibition, Maharani’s dyed fabrics act as an embodied archive that overcomes the gap of documented history. They utilize color, texture, and ritual subject matter to convey knowledge that survives not through documents or “talk,” but through the silent, persistent practice of care.
‘She Held The Fire, He Held The Roots’
2025
-
‘He Held The Fire, She Held The Roots’
2025
Maharani Mancanagara’s practice frequently challenges the dominant narratives of Indonesian history by recovering compelling personal stories and subjective experiences. Her work on history began with her grandfather’s diary, a personal archive that revealed the complex, layered truths often absent from documented accounts.
In this powerful diptych, Maharani extends this inquiry to the history of care and survival, utilizing the exhibition’s theme of paraphasia; the failure of words, to highlight knowledge that survives outside of written language. The fragmented, stitched cloth of the diptych itself mirrors the uneven, patched nature of inherited knowledge.
In the context of the Sea Mogul exhibition, Maharani’s dyed fabrics act as an embodied archive that overcomes the gap of documented history. They utilize color, texture, and ritual subject matter to convey knowledge that survives not through documents or “talk,” but through the silent, persistent practice of care.
‘She Held The Fire, He Held The Roots’
2025
-
‘He Held The Fire, She Held The Roots’
2025
Maharani Mancanagara’s practice frequently challenges the dominant narratives of Indonesian history by recovering compelling personal stories and subjective experiences. Her work on history began with her grandfather’s diary, a personal archive that revealed the complex, layered truths often absent from documented accounts.
In this powerful diptych, Maharani extends this inquiry to the history of care and survival, utilizing the exhibition’s theme of paraphasia; the failure of words, to highlight knowledge that survives outside of written language. The fragmented, stitched cloth of the diptych itself mirrors the uneven, patched nature of inherited knowledge.
In the context of the Sea Mogul exhibition, Maharani’s dyed fabrics act as an embodied archive that overcomes the gap of documented history. They utilize color, texture, and ritual subject matter to convey knowledge that survives not through documents or “talk,” but through the silent, persistent practice of care.
‘She Held The Fire, He Held The Roots’
2025
-
‘He Held The Fire, She Held The Roots’
2025
Maharani Mancanagara’s practice frequently challenges the dominant narratives of Indonesian history by recovering compelling personal stories and subjective experiences. Her work on history began with her grandfather’s diary, a personal archive that revealed the complex, layered truths often absent from documented accounts.
In this powerful diptych, Maharani extends this inquiry to the history of care and survival, utilizing the exhibition’s theme of paraphasia; the failure of words, to highlight knowledge that survives outside of written language. The fragmented, stitched cloth of the diptych itself mirrors the uneven, patched nature of inherited knowledge.
In the context of the Sea Mogul exhibition, Maharani’s dyed fabrics act as an embodied archive that overcomes the gap of documented history. They utilize color, texture, and ritual subject matter to convey knowledge that survives not through documents or “talk,” but through the silent, persistent practice of care.
‘She Held The Fire, He Held The Roots’
2025
-
‘He Held The Fire, She Held The Roots’
2025
Hikayat Wanatentrem ver. 3.0 approaches shadow-puppet theatre as a method for looking at memory, place, and the ways stories shift over time. Using wayang’s formal language alongside contemporary scenographic tools, the work examines how light, shadow, and sound structure attention and shape the relationship between what is seen and what is suggested.
Created in collaboration with @jalanteater Indonesia and Nurrachmat @mas_ito Widyasena, this iteration focuses on how traditional storytelling frameworks can be reworked and extended into present-day performance contexts. This year Hikayat Wanatentrem ver. 3.0 have opportunity to performed for Scenofest - Worldstage Design 2025 at Sharjah Performing Arts Academy.
—
Hikayat Wanatentrem (Tale of Wanatentrem), created by Maharani Mancanagara in 2018, is a contemporary folklore that revisits Indonesia’s 1965 tragedy through layers of myth and allegory. Rather than retelling events in historical terms, the work unfolds as a fable of animals and imagined lands, where silence, loss, and memory take shape in symbolic form.
At its heart is the mousedeer—small, cunning, and vulnerable—whose quiet resilience has long been a figure in Southeast Asian folktales. Here, the mousedeer becomes a keeper of stories, slipping between danger and survival, embodying the fragile yet enduring voices often left unheard. Through this poetic distance, Hikayat Wanatentrem gestures toward the unsaid—the fragments of personal histories that linger beneath official narratives. It is less a chronicle of the past than a vessel of care, where memory can breathe, endure, and find new ways of speaking to the present.
Hikayat Wanatentrem ver. 3.0 approaches shadow-puppet theatre as a method for looking at memory, place, and the ways stories shift over time. Using wayang’s formal language alongside contemporary scenographic tools, the work examines how light, shadow, and sound structure attention and shape the relationship between what is seen and what is suggested.
Created in collaboration with @jalanteater Indonesia and Nurrachmat @mas_ito Widyasena, this iteration focuses on how traditional storytelling frameworks can be reworked and extended into present-day performance contexts. This year Hikayat Wanatentrem ver. 3.0 have opportunity to performed for Scenofest - Worldstage Design 2025 at Sharjah Performing Arts Academy.
—
Hikayat Wanatentrem (Tale of Wanatentrem), created by Maharani Mancanagara in 2018, is a contemporary folklore that revisits Indonesia’s 1965 tragedy through layers of myth and allegory. Rather than retelling events in historical terms, the work unfolds as a fable of animals and imagined lands, where silence, loss, and memory take shape in symbolic form.
At its heart is the mousedeer—small, cunning, and vulnerable—whose quiet resilience has long been a figure in Southeast Asian folktales. Here, the mousedeer becomes a keeper of stories, slipping between danger and survival, embodying the fragile yet enduring voices often left unheard. Through this poetic distance, Hikayat Wanatentrem gestures toward the unsaid—the fragments of personal histories that linger beneath official narratives. It is less a chronicle of the past than a vessel of care, where memory can breathe, endure, and find new ways of speaking to the present.
Hikayat Wanatentrem ver. 3.0 approaches shadow-puppet theatre as a method for looking at memory, place, and the ways stories shift over time. Using wayang’s formal language alongside contemporary scenographic tools, the work examines how light, shadow, and sound structure attention and shape the relationship between what is seen and what is suggested.
Created in collaboration with @jalanteater Indonesia and Nurrachmat @mas_ito Widyasena, this iteration focuses on how traditional storytelling frameworks can be reworked and extended into present-day performance contexts. This year Hikayat Wanatentrem ver. 3.0 have opportunity to performed for Scenofest - Worldstage Design 2025 at Sharjah Performing Arts Academy.
—
Hikayat Wanatentrem (Tale of Wanatentrem), created by Maharani Mancanagara in 2018, is a contemporary folklore that revisits Indonesia’s 1965 tragedy through layers of myth and allegory. Rather than retelling events in historical terms, the work unfolds as a fable of animals and imagined lands, where silence, loss, and memory take shape in symbolic form.
At its heart is the mousedeer—small, cunning, and vulnerable—whose quiet resilience has long been a figure in Southeast Asian folktales. Here, the mousedeer becomes a keeper of stories, slipping between danger and survival, embodying the fragile yet enduring voices often left unheard. Through this poetic distance, Hikayat Wanatentrem gestures toward the unsaid—the fragments of personal histories that linger beneath official narratives. It is less a chronicle of the past than a vessel of care, where memory can breathe, endure, and find new ways of speaking to the present.
Hikayat Wanatentrem ver. 3.0 approaches shadow-puppet theatre as a method for looking at memory, place, and the ways stories shift over time. Using wayang’s formal language alongside contemporary scenographic tools, the work examines how light, shadow, and sound structure attention and shape the relationship between what is seen and what is suggested.
Created in collaboration with @jalanteater Indonesia and Nurrachmat @mas_ito Widyasena, this iteration focuses on how traditional storytelling frameworks can be reworked and extended into present-day performance contexts. This year Hikayat Wanatentrem ver. 3.0 have opportunity to performed for Scenofest - Worldstage Design 2025 at Sharjah Performing Arts Academy.
—
Hikayat Wanatentrem (Tale of Wanatentrem), created by Maharani Mancanagara in 2018, is a contemporary folklore that revisits Indonesia’s 1965 tragedy through layers of myth and allegory. Rather than retelling events in historical terms, the work unfolds as a fable of animals and imagined lands, where silence, loss, and memory take shape in symbolic form.
At its heart is the mousedeer—small, cunning, and vulnerable—whose quiet resilience has long been a figure in Southeast Asian folktales. Here, the mousedeer becomes a keeper of stories, slipping between danger and survival, embodying the fragile yet enduring voices often left unheard. Through this poetic distance, Hikayat Wanatentrem gestures toward the unsaid—the fragments of personal histories that linger beneath official narratives. It is less a chronicle of the past than a vessel of care, where memory can breathe, endure, and find new ways of speaking to the present.
Hikayat Wanatentrem ver. 3.0 approaches shadow-puppet theatre as a method for looking at memory, place, and the ways stories shift over time. Using wayang’s formal language alongside contemporary scenographic tools, the work examines how light, shadow, and sound structure attention and shape the relationship between what is seen and what is suggested.
Created in collaboration with @jalanteater Indonesia and Nurrachmat @mas_ito Widyasena, this iteration focuses on how traditional storytelling frameworks can be reworked and extended into present-day performance contexts. This year Hikayat Wanatentrem ver. 3.0 have opportunity to performed for Scenofest - Worldstage Design 2025 at Sharjah Performing Arts Academy.
—
Hikayat Wanatentrem (Tale of Wanatentrem), created by Maharani Mancanagara in 2018, is a contemporary folklore that revisits Indonesia’s 1965 tragedy through layers of myth and allegory. Rather than retelling events in historical terms, the work unfolds as a fable of animals and imagined lands, where silence, loss, and memory take shape in symbolic form.
At its heart is the mousedeer—small, cunning, and vulnerable—whose quiet resilience has long been a figure in Southeast Asian folktales. Here, the mousedeer becomes a keeper of stories, slipping between danger and survival, embodying the fragile yet enduring voices often left unheard. Through this poetic distance, Hikayat Wanatentrem gestures toward the unsaid—the fragments of personal histories that linger beneath official narratives. It is less a chronicle of the past than a vessel of care, where memory can breathe, endure, and find new ways of speaking to the present.
Hikayat Wanatentrem ver. 3.0 approaches shadow-puppet theatre as a method for looking at memory, place, and the ways stories shift over time. Using wayang’s formal language alongside contemporary scenographic tools, the work examines how light, shadow, and sound structure attention and shape the relationship between what is seen and what is suggested.
Created in collaboration with @jalanteater Indonesia and Nurrachmat @mas_ito Widyasena, this iteration focuses on how traditional storytelling frameworks can be reworked and extended into present-day performance contexts. This year Hikayat Wanatentrem ver. 3.0 have opportunity to performed for Scenofest - Worldstage Design 2025 at Sharjah Performing Arts Academy.
—
Hikayat Wanatentrem (Tale of Wanatentrem), created by Maharani Mancanagara in 2018, is a contemporary folklore that revisits Indonesia’s 1965 tragedy through layers of myth and allegory. Rather than retelling events in historical terms, the work unfolds as a fable of animals and imagined lands, where silence, loss, and memory take shape in symbolic form.
At its heart is the mousedeer—small, cunning, and vulnerable—whose quiet resilience has long been a figure in Southeast Asian folktales. Here, the mousedeer becomes a keeper of stories, slipping between danger and survival, embodying the fragile yet enduring voices often left unheard. Through this poetic distance, Hikayat Wanatentrem gestures toward the unsaid—the fragments of personal histories that linger beneath official narratives. It is less a chronicle of the past than a vessel of care, where memory can breathe, endure, and find new ways of speaking to the present.
Hikayat Wanatentrem ver. 3.0 approaches shadow-puppet theatre as a method for looking at memory, place, and the ways stories shift over time. Using wayang’s formal language alongside contemporary scenographic tools, the work examines how light, shadow, and sound structure attention and shape the relationship between what is seen and what is suggested.
Created in collaboration with @jalanteater Indonesia and Nurrachmat @mas_ito Widyasena, this iteration focuses on how traditional storytelling frameworks can be reworked and extended into present-day performance contexts. This year Hikayat Wanatentrem ver. 3.0 have opportunity to performed for Scenofest - Worldstage Design 2025 at Sharjah Performing Arts Academy.
—
Hikayat Wanatentrem (Tale of Wanatentrem), created by Maharani Mancanagara in 2018, is a contemporary folklore that revisits Indonesia’s 1965 tragedy through layers of myth and allegory. Rather than retelling events in historical terms, the work unfolds as a fable of animals and imagined lands, where silence, loss, and memory take shape in symbolic form.
At its heart is the mousedeer—small, cunning, and vulnerable—whose quiet resilience has long been a figure in Southeast Asian folktales. Here, the mousedeer becomes a keeper of stories, slipping between danger and survival, embodying the fragile yet enduring voices often left unheard. Through this poetic distance, Hikayat Wanatentrem gestures toward the unsaid—the fragments of personal histories that linger beneath official narratives. It is less a chronicle of the past than a vessel of care, where memory can breathe, endure, and find new ways of speaking to the present.
Hikayat Wanatentrem ver. 3.0 approaches shadow-puppet theatre as a method for looking at memory, place, and the ways stories shift over time. Using wayang’s formal language alongside contemporary scenographic tools, the work examines how light, shadow, and sound structure attention and shape the relationship between what is seen and what is suggested.
Created in collaboration with @jalanteater Indonesia and Nurrachmat @mas_ito Widyasena, this iteration focuses on how traditional storytelling frameworks can be reworked and extended into present-day performance contexts. This year Hikayat Wanatentrem ver. 3.0 have opportunity to performed for Scenofest - Worldstage Design 2025 at Sharjah Performing Arts Academy.
—
Hikayat Wanatentrem (Tale of Wanatentrem), created by Maharani Mancanagara in 2018, is a contemporary folklore that revisits Indonesia’s 1965 tragedy through layers of myth and allegory. Rather than retelling events in historical terms, the work unfolds as a fable of animals and imagined lands, where silence, loss, and memory take shape in symbolic form.
At its heart is the mousedeer—small, cunning, and vulnerable—whose quiet resilience has long been a figure in Southeast Asian folktales. Here, the mousedeer becomes a keeper of stories, slipping between danger and survival, embodying the fragile yet enduring voices often left unheard. Through this poetic distance, Hikayat Wanatentrem gestures toward the unsaid—the fragments of personal histories that linger beneath official narratives. It is less a chronicle of the past than a vessel of care, where memory can breathe, endure, and find new ways of speaking to the present.
Hikayat Wanatentrem ver. 3.0 approaches shadow-puppet theatre as a method for looking at memory, place, and the ways stories shift over time. Using wayang’s formal language alongside contemporary scenographic tools, the work examines how light, shadow, and sound structure attention and shape the relationship between what is seen and what is suggested.
Created in collaboration with @jalanteater Indonesia and Nurrachmat @mas_ito Widyasena, this iteration focuses on how traditional storytelling frameworks can be reworked and extended into present-day performance contexts. This year Hikayat Wanatentrem ver. 3.0 have opportunity to performed for Scenofest - Worldstage Design 2025 at Sharjah Performing Arts Academy.
—
Hikayat Wanatentrem (Tale of Wanatentrem), created by Maharani Mancanagara in 2018, is a contemporary folklore that revisits Indonesia’s 1965 tragedy through layers of myth and allegory. Rather than retelling events in historical terms, the work unfolds as a fable of animals and imagined lands, where silence, loss, and memory take shape in symbolic form.
At its heart is the mousedeer—small, cunning, and vulnerable—whose quiet resilience has long been a figure in Southeast Asian folktales. Here, the mousedeer becomes a keeper of stories, slipping between danger and survival, embodying the fragile yet enduring voices often left unheard. Through this poetic distance, Hikayat Wanatentrem gestures toward the unsaid—the fragments of personal histories that linger beneath official narratives. It is less a chronicle of the past than a vessel of care, where memory can breathe, endure, and find new ways of speaking to the present.
Hikayat Wanatentrem ver. 3.0 approaches shadow-puppet theatre as a method for looking at memory, place, and the ways stories shift over time. Using wayang’s formal language alongside contemporary scenographic tools, the work examines how light, shadow, and sound structure attention and shape the relationship between what is seen and what is suggested.
Created in collaboration with @jalanteater Indonesia and Nurrachmat @mas_ito Widyasena, this iteration focuses on how traditional storytelling frameworks can be reworked and extended into present-day performance contexts. This year Hikayat Wanatentrem ver. 3.0 have opportunity to performed for Scenofest - Worldstage Design 2025 at Sharjah Performing Arts Academy.
—
Hikayat Wanatentrem (Tale of Wanatentrem), created by Maharani Mancanagara in 2018, is a contemporary folklore that revisits Indonesia’s 1965 tragedy through layers of myth and allegory. Rather than retelling events in historical terms, the work unfolds as a fable of animals and imagined lands, where silence, loss, and memory take shape in symbolic form.
At its heart is the mousedeer—small, cunning, and vulnerable—whose quiet resilience has long been a figure in Southeast Asian folktales. Here, the mousedeer becomes a keeper of stories, slipping between danger and survival, embodying the fragile yet enduring voices often left unheard. Through this poetic distance, Hikayat Wanatentrem gestures toward the unsaid—the fragments of personal histories that linger beneath official narratives. It is less a chronicle of the past than a vessel of care, where memory can breathe, endure, and find new ways of speaking to the present.
Hikayat Wanatentrem ver. 3.0 approaches shadow-puppet theatre as a method for looking at memory, place, and the ways stories shift over time. Using wayang’s formal language alongside contemporary scenographic tools, the work examines how light, shadow, and sound structure attention and shape the relationship between what is seen and what is suggested.
Created in collaboration with @jalanteater Indonesia and Nurrachmat @mas_ito Widyasena, this iteration focuses on how traditional storytelling frameworks can be reworked and extended into present-day performance contexts. This year Hikayat Wanatentrem ver. 3.0 have opportunity to performed for Scenofest - Worldstage Design 2025 at Sharjah Performing Arts Academy.
—
Hikayat Wanatentrem (Tale of Wanatentrem), created by Maharani Mancanagara in 2018, is a contemporary folklore that revisits Indonesia’s 1965 tragedy through layers of myth and allegory. Rather than retelling events in historical terms, the work unfolds as a fable of animals and imagined lands, where silence, loss, and memory take shape in symbolic form.
At its heart is the mousedeer—small, cunning, and vulnerable—whose quiet resilience has long been a figure in Southeast Asian folktales. Here, the mousedeer becomes a keeper of stories, slipping between danger and survival, embodying the fragile yet enduring voices often left unheard. Through this poetic distance, Hikayat Wanatentrem gestures toward the unsaid—the fragments of personal histories that linger beneath official narratives. It is less a chronicle of the past than a vessel of care, where memory can breathe, endure, and find new ways of speaking to the present.
Hikayat Wanatentrem ver. 3.0 approaches shadow-puppet theatre as a method for looking at memory, place, and the ways stories shift over time. Using wayang’s formal language alongside contemporary scenographic tools, the work examines how light, shadow, and sound structure attention and shape the relationship between what is seen and what is suggested.
Created in collaboration with @jalanteater Indonesia and Nurrachmat @mas_ito Widyasena, this iteration focuses on how traditional storytelling frameworks can be reworked and extended into present-day performance contexts. This year Hikayat Wanatentrem ver. 3.0 have opportunity to performed for Scenofest - Worldstage Design 2025 at Sharjah Performing Arts Academy.
—
Hikayat Wanatentrem (Tale of Wanatentrem), created by Maharani Mancanagara in 2018, is a contemporary folklore that revisits Indonesia’s 1965 tragedy through layers of myth and allegory. Rather than retelling events in historical terms, the work unfolds as a fable of animals and imagined lands, where silence, loss, and memory take shape in symbolic form.
At its heart is the mousedeer—small, cunning, and vulnerable—whose quiet resilience has long been a figure in Southeast Asian folktales. Here, the mousedeer becomes a keeper of stories, slipping between danger and survival, embodying the fragile yet enduring voices often left unheard. Through this poetic distance, Hikayat Wanatentrem gestures toward the unsaid—the fragments of personal histories that linger beneath official narratives. It is less a chronicle of the past than a vessel of care, where memory can breathe, endure, and find new ways of speaking to the present.
Mentally I'm in a Shoujou Anime
Crying in the rain 🥹🥹🥹
Rain Room Sharjah
By Random International
📷 @adimas_bayu
Mentally I'm in a Shoujou Anime
Crying in the rain 🥹🥹🥹
Rain Room Sharjah
By Random International
📷 @adimas_bayu
Mentally I'm in a Shoujou Anime
Crying in the rain 🥹🥹🥹
Rain Room Sharjah
By Random International
📷 @adimas_bayu
Mentally I'm in a Shoujou Anime
Crying in the rain 🥹🥹🥹
Rain Room Sharjah
By Random International
📷 @adimas_bayu
Mentally I'm in a Shoujou Anime
Crying in the rain 🥹🥹🥹
Rain Room Sharjah
By Random International
📷 @adimas_bayu
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 stages a long-awaited dialogue between two artistic positions that have walked in parallel for more than a decade. Maharani Mancanagara turns to the past, tracing the colonial history of knowledge production, from botanical gardens to scientific archives, to reveal how nature and people were classified, ordered, and governed. Nurrachmat Widyasena, in contrast, faces the horizon of the future, exposing how promises of technological progress in postcolonial Indonesia have remained suspended, forever imagined yet never fully realized.
For the first time in ten years, these two artists — who have consistently refused to be framed as a pair 😅😅😅, reunited in a mature way. Through their distinct visual languages, Mancanagara and Widyasena anchor the exhibition in two spectrum that continue to shape Indonesia today : the weight of the colonial past and the fragility of the technocratic future.
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 (Arriving Without Departing) brings these polarities into a single space, not to resolve them, but to reveal the tension that binds them. Between what has been inherited and what has yet to come, the exhibition asks a simple but urgent question: can we move forward if the past still governs how we imagine the future?
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
D Gallerie
Jl Barito I No.3
Jakarta 12130
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 stages a long-awaited dialogue between two artistic positions that have walked in parallel for more than a decade. Maharani Mancanagara turns to the past, tracing the colonial history of knowledge production, from botanical gardens to scientific archives, to reveal how nature and people were classified, ordered, and governed. Nurrachmat Widyasena, in contrast, faces the horizon of the future, exposing how promises of technological progress in postcolonial Indonesia have remained suspended, forever imagined yet never fully realized.
For the first time in ten years, these two artists — who have consistently refused to be framed as a pair 😅😅😅, reunited in a mature way. Through their distinct visual languages, Mancanagara and Widyasena anchor the exhibition in two spectrum that continue to shape Indonesia today : the weight of the colonial past and the fragility of the technocratic future.
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 (Arriving Without Departing) brings these polarities into a single space, not to resolve them, but to reveal the tension that binds them. Between what has been inherited and what has yet to come, the exhibition asks a simple but urgent question: can we move forward if the past still governs how we imagine the future?
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
D Gallerie
Jl Barito I No.3
Jakarta 12130
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 stages a long-awaited dialogue between two artistic positions that have walked in parallel for more than a decade. Maharani Mancanagara turns to the past, tracing the colonial history of knowledge production, from botanical gardens to scientific archives, to reveal how nature and people were classified, ordered, and governed. Nurrachmat Widyasena, in contrast, faces the horizon of the future, exposing how promises of technological progress in postcolonial Indonesia have remained suspended, forever imagined yet never fully realized.
For the first time in ten years, these two artists — who have consistently refused to be framed as a pair 😅😅😅, reunited in a mature way. Through their distinct visual languages, Mancanagara and Widyasena anchor the exhibition in two spectrum that continue to shape Indonesia today : the weight of the colonial past and the fragility of the technocratic future.
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 (Arriving Without Departing) brings these polarities into a single space, not to resolve them, but to reveal the tension that binds them. Between what has been inherited and what has yet to come, the exhibition asks a simple but urgent question: can we move forward if the past still governs how we imagine the future?
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
D Gallerie
Jl Barito I No.3
Jakarta 12130
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 stages a long-awaited dialogue between two artistic positions that have walked in parallel for more than a decade. Maharani Mancanagara turns to the past, tracing the colonial history of knowledge production, from botanical gardens to scientific archives, to reveal how nature and people were classified, ordered, and governed. Nurrachmat Widyasena, in contrast, faces the horizon of the future, exposing how promises of technological progress in postcolonial Indonesia have remained suspended, forever imagined yet never fully realized.
For the first time in ten years, these two artists — who have consistently refused to be framed as a pair 😅😅😅, reunited in a mature way. Through their distinct visual languages, Mancanagara and Widyasena anchor the exhibition in two spectrum that continue to shape Indonesia today : the weight of the colonial past and the fragility of the technocratic future.
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 (Arriving Without Departing) brings these polarities into a single space, not to resolve them, but to reveal the tension that binds them. Between what has been inherited and what has yet to come, the exhibition asks a simple but urgent question: can we move forward if the past still governs how we imagine the future?
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
D Gallerie
Jl Barito I No.3
Jakarta 12130
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 stages a long-awaited dialogue between two artistic positions that have walked in parallel for more than a decade. Maharani Mancanagara turns to the past, tracing the colonial history of knowledge production, from botanical gardens to scientific archives, to reveal how nature and people were classified, ordered, and governed. Nurrachmat Widyasena, in contrast, faces the horizon of the future, exposing how promises of technological progress in postcolonial Indonesia have remained suspended, forever imagined yet never fully realized.
For the first time in ten years, these two artists — who have consistently refused to be framed as a pair 😅😅😅, reunited in a mature way. Through their distinct visual languages, Mancanagara and Widyasena anchor the exhibition in two spectrum that continue to shape Indonesia today : the weight of the colonial past and the fragility of the technocratic future.
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 (Arriving Without Departing) brings these polarities into a single space, not to resolve them, but to reveal the tension that binds them. Between what has been inherited and what has yet to come, the exhibition asks a simple but urgent question: can we move forward if the past still governs how we imagine the future?
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
D Gallerie
Jl Barito I No.3
Jakarta 12130
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 stages a long-awaited dialogue between two artistic positions that have walked in parallel for more than a decade. Maharani Mancanagara turns to the past, tracing the colonial history of knowledge production, from botanical gardens to scientific archives, to reveal how nature and people were classified, ordered, and governed. Nurrachmat Widyasena, in contrast, faces the horizon of the future, exposing how promises of technological progress in postcolonial Indonesia have remained suspended, forever imagined yet never fully realized.
For the first time in ten years, these two artists — who have consistently refused to be framed as a pair 😅😅😅, reunited in a mature way. Through their distinct visual languages, Mancanagara and Widyasena anchor the exhibition in two spectrum that continue to shape Indonesia today : the weight of the colonial past and the fragility of the technocratic future.
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 (Arriving Without Departing) brings these polarities into a single space, not to resolve them, but to reveal the tension that binds them. Between what has been inherited and what has yet to come, the exhibition asks a simple but urgent question: can we move forward if the past still governs how we imagine the future?
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
D Gallerie
Jl Barito I No.3
Jakarta 12130
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 stages a long-awaited dialogue between two artistic positions that have walked in parallel for more than a decade. Maharani Mancanagara turns to the past, tracing the colonial history of knowledge production, from botanical gardens to scientific archives, to reveal how nature and people were classified, ordered, and governed. Nurrachmat Widyasena, in contrast, faces the horizon of the future, exposing how promises of technological progress in postcolonial Indonesia have remained suspended, forever imagined yet never fully realized.
For the first time in ten years, these two artists — who have consistently refused to be framed as a pair 😅😅😅, reunited in a mature way. Through their distinct visual languages, Mancanagara and Widyasena anchor the exhibition in two spectrum that continue to shape Indonesia today : the weight of the colonial past and the fragility of the technocratic future.
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 (Arriving Without Departing) brings these polarities into a single space, not to resolve them, but to reveal the tension that binds them. Between what has been inherited and what has yet to come, the exhibition asks a simple but urgent question: can we move forward if the past still governs how we imagine the future?
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
D Gallerie
Jl Barito I No.3
Jakarta 12130
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 stages a long-awaited dialogue between two artistic positions that have walked in parallel for more than a decade. Maharani Mancanagara turns to the past, tracing the colonial history of knowledge production, from botanical gardens to scientific archives, to reveal how nature and people were classified, ordered, and governed. Nurrachmat Widyasena, in contrast, faces the horizon of the future, exposing how promises of technological progress in postcolonial Indonesia have remained suspended, forever imagined yet never fully realized.
For the first time in ten years, these two artists — who have consistently refused to be framed as a pair 😅😅😅, reunited in a mature way. Through their distinct visual languages, Mancanagara and Widyasena anchor the exhibition in two spectrum that continue to shape Indonesia today : the weight of the colonial past and the fragility of the technocratic future.
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 (Arriving Without Departing) brings these polarities into a single space, not to resolve them, but to reveal the tension that binds them. Between what has been inherited and what has yet to come, the exhibition asks a simple but urgent question: can we move forward if the past still governs how we imagine the future?
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
D Gallerie
Jl Barito I No.3
Jakarta 12130
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 stages a long-awaited dialogue between two artistic positions that have walked in parallel for more than a decade. Maharani Mancanagara turns to the past, tracing the colonial history of knowledge production, from botanical gardens to scientific archives, to reveal how nature and people were classified, ordered, and governed. Nurrachmat Widyasena, in contrast, faces the horizon of the future, exposing how promises of technological progress in postcolonial Indonesia have remained suspended, forever imagined yet never fully realized.
For the first time in ten years, these two artists — who have consistently refused to be framed as a pair 😅😅😅, reunited in a mature way. Through their distinct visual languages, Mancanagara and Widyasena anchor the exhibition in two spectrum that continue to shape Indonesia today : the weight of the colonial past and the fragility of the technocratic future.
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 (Arriving Without Departing) brings these polarities into a single space, not to resolve them, but to reveal the tension that binds them. Between what has been inherited and what has yet to come, the exhibition asks a simple but urgent question: can we move forward if the past still governs how we imagine the future?
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
D Gallerie
Jl Barito I No.3
Jakarta 12130
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 stages a long-awaited dialogue between two artistic positions that have walked in parallel for more than a decade. Maharani Mancanagara turns to the past, tracing the colonial history of knowledge production, from botanical gardens to scientific archives, to reveal how nature and people were classified, ordered, and governed. Nurrachmat Widyasena, in contrast, faces the horizon of the future, exposing how promises of technological progress in postcolonial Indonesia have remained suspended, forever imagined yet never fully realized.
For the first time in ten years, these two artists — who have consistently refused to be framed as a pair 😅😅😅, reunited in a mature way. Through their distinct visual languages, Mancanagara and Widyasena anchor the exhibition in two spectrum that continue to shape Indonesia today : the weight of the colonial past and the fragility of the technocratic future.
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 (Arriving Without Departing) brings these polarities into a single space, not to resolve them, but to reveal the tension that binds them. Between what has been inherited and what has yet to come, the exhibition asks a simple but urgent question: can we move forward if the past still governs how we imagine the future?
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
D Gallerie
Jl Barito I No.3
Jakarta 12130
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 stages a long-awaited dialogue between two artistic positions that have walked in parallel for more than a decade. Maharani Mancanagara turns to the past, tracing the colonial history of knowledge production, from botanical gardens to scientific archives, to reveal how nature and people were classified, ordered, and governed. Nurrachmat Widyasena, in contrast, faces the horizon of the future, exposing how promises of technological progress in postcolonial Indonesia have remained suspended, forever imagined yet never fully realized.
For the first time in ten years, these two artists — who have consistently refused to be framed as a pair 😅😅😅, reunited in a mature way. Through their distinct visual languages, Mancanagara and Widyasena anchor the exhibition in two spectrum that continue to shape Indonesia today : the weight of the colonial past and the fragility of the technocratic future.
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 (Arriving Without Departing) brings these polarities into a single space, not to resolve them, but to reveal the tension that binds them. Between what has been inherited and what has yet to come, the exhibition asks a simple but urgent question: can we move forward if the past still governs how we imagine the future?
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
D Gallerie
Jl Barito I No.3
Jakarta 12130
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 stages a long-awaited dialogue between two artistic positions that have walked in parallel for more than a decade. Maharani Mancanagara turns to the past, tracing the colonial history of knowledge production, from botanical gardens to scientific archives, to reveal how nature and people were classified, ordered, and governed. Nurrachmat Widyasena, in contrast, faces the horizon of the future, exposing how promises of technological progress in postcolonial Indonesia have remained suspended, forever imagined yet never fully realized.
For the first time in ten years, these two artists — who have consistently refused to be framed as a pair 😅😅😅, reunited in a mature way. Through their distinct visual languages, Mancanagara and Widyasena anchor the exhibition in two spectrum that continue to shape Indonesia today : the weight of the colonial past and the fragility of the technocratic future.
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 (Arriving Without Departing) brings these polarities into a single space, not to resolve them, but to reveal the tension that binds them. Between what has been inherited and what has yet to come, the exhibition asks a simple but urgent question: can we move forward if the past still governs how we imagine the future?
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
D Gallerie
Jl Barito I No.3
Jakarta 12130
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 stages a long-awaited dialogue between two artistic positions that have walked in parallel for more than a decade. Maharani Mancanagara turns to the past, tracing the colonial history of knowledge production, from botanical gardens to scientific archives, to reveal how nature and people were classified, ordered, and governed. Nurrachmat Widyasena, in contrast, faces the horizon of the future, exposing how promises of technological progress in postcolonial Indonesia have remained suspended, forever imagined yet never fully realized.
For the first time in ten years, these two artists — who have consistently refused to be framed as a pair 😅😅😅, reunited in a mature way. Through their distinct visual languages, Mancanagara and Widyasena anchor the exhibition in two spectrum that continue to shape Indonesia today : the weight of the colonial past and the fragility of the technocratic future.
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 (Arriving Without Departing) brings these polarities into a single space, not to resolve them, but to reveal the tension that binds them. Between what has been inherited and what has yet to come, the exhibition asks a simple but urgent question: can we move forward if the past still governs how we imagine the future?
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
D Gallerie
Jl Barito I No.3
Jakarta 12130
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 stages a long-awaited dialogue between two artistic positions that have walked in parallel for more than a decade. Maharani Mancanagara turns to the past, tracing the colonial history of knowledge production, from botanical gardens to scientific archives, to reveal how nature and people were classified, ordered, and governed. Nurrachmat Widyasena, in contrast, faces the horizon of the future, exposing how promises of technological progress in postcolonial Indonesia have remained suspended, forever imagined yet never fully realized.
For the first time in ten years, these two artists — who have consistently refused to be framed as a pair 😅😅😅, reunited in a mature way. Through their distinct visual languages, Mancanagara and Widyasena anchor the exhibition in two spectrum that continue to shape Indonesia today : the weight of the colonial past and the fragility of the technocratic future.
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 (Arriving Without Departing) brings these polarities into a single space, not to resolve them, but to reveal the tension that binds them. Between what has been inherited and what has yet to come, the exhibition asks a simple but urgent question: can we move forward if the past still governs how we imagine the future?
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
D Gallerie
Jl Barito I No.3
Jakarta 12130
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 stages a long-awaited dialogue between two artistic positions that have walked in parallel for more than a decade. Maharani Mancanagara turns to the past, tracing the colonial history of knowledge production, from botanical gardens to scientific archives, to reveal how nature and people were classified, ordered, and governed. Nurrachmat Widyasena, in contrast, faces the horizon of the future, exposing how promises of technological progress in postcolonial Indonesia have remained suspended, forever imagined yet never fully realized.
For the first time in ten years, these two artists — who have consistently refused to be framed as a pair 😅😅😅, reunited in a mature way. Through their distinct visual languages, Mancanagara and Widyasena anchor the exhibition in two spectrum that continue to shape Indonesia today : the weight of the colonial past and the fragility of the technocratic future.
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 (Arriving Without Departing) brings these polarities into a single space, not to resolve them, but to reveal the tension that binds them. Between what has been inherited and what has yet to come, the exhibition asks a simple but urgent question: can we move forward if the past still governs how we imagine the future?
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
D Gallerie
Jl Barito I No.3
Jakarta 12130
Terima kasih kepada semua teman, dan kolega yang telah bergabung bersama kami dalam pembukaan pameran "Dalam Gelap Kugenggam Ingatan" dari Maharani Mancanagara dan Suvi Wahyudianto di Cemeti – Institut untuk Seni dan Masyarakat. Pameran ini berlangsung hingga 27 Desember 2025. Jangan lewatkan!
_____
Thank you to everyone who joined us in the opening of "Dalam Gelap Kugenggam Ingatan" by Maharani Mancanagara and Suvi Wahyudianto at Cemeti-Institute for Art and Society. The exhibition is ongoing until the 27th of December, 2025. Don't miss it!
Terima kasih kepada semua teman, dan kolega yang telah bergabung bersama kami dalam pembukaan pameran "Dalam Gelap Kugenggam Ingatan" dari Maharani Mancanagara dan Suvi Wahyudianto di Cemeti – Institut untuk Seni dan Masyarakat. Pameran ini berlangsung hingga 27 Desember 2025. Jangan lewatkan!
_____
Thank you to everyone who joined us in the opening of "Dalam Gelap Kugenggam Ingatan" by Maharani Mancanagara and Suvi Wahyudianto at Cemeti-Institute for Art and Society. The exhibition is ongoing until the 27th of December, 2025. Don't miss it!
Terima kasih kepada semua teman, dan kolega yang telah bergabung bersama kami dalam pembukaan pameran "Dalam Gelap Kugenggam Ingatan" dari Maharani Mancanagara dan Suvi Wahyudianto di Cemeti – Institut untuk Seni dan Masyarakat. Pameran ini berlangsung hingga 27 Desember 2025. Jangan lewatkan!
_____
Thank you to everyone who joined us in the opening of "Dalam Gelap Kugenggam Ingatan" by Maharani Mancanagara and Suvi Wahyudianto at Cemeti-Institute for Art and Society. The exhibition is ongoing until the 27th of December, 2025. Don't miss it!
Terima kasih kepada semua teman, dan kolega yang telah bergabung bersama kami dalam pembukaan pameran "Dalam Gelap Kugenggam Ingatan" dari Maharani Mancanagara dan Suvi Wahyudianto di Cemeti – Institut untuk Seni dan Masyarakat. Pameran ini berlangsung hingga 27 Desember 2025. Jangan lewatkan!
_____
Thank you to everyone who joined us in the opening of "Dalam Gelap Kugenggam Ingatan" by Maharani Mancanagara and Suvi Wahyudianto at Cemeti-Institute for Art and Society. The exhibition is ongoing until the 27th of December, 2025. Don't miss it!
Terima kasih kepada semua teman, dan kolega yang telah bergabung bersama kami dalam pembukaan pameran "Dalam Gelap Kugenggam Ingatan" dari Maharani Mancanagara dan Suvi Wahyudianto di Cemeti – Institut untuk Seni dan Masyarakat. Pameran ini berlangsung hingga 27 Desember 2025. Jangan lewatkan!
_____
Thank you to everyone who joined us in the opening of "Dalam Gelap Kugenggam Ingatan" by Maharani Mancanagara and Suvi Wahyudianto at Cemeti-Institute for Art and Society. The exhibition is ongoing until the 27th of December, 2025. Don't miss it!
Terima kasih kepada semua teman, dan kolega yang telah bergabung bersama kami dalam pembukaan pameran "Dalam Gelap Kugenggam Ingatan" dari Maharani Mancanagara dan Suvi Wahyudianto di Cemeti – Institut untuk Seni dan Masyarakat. Pameran ini berlangsung hingga 27 Desember 2025. Jangan lewatkan!
_____
Thank you to everyone who joined us in the opening of "Dalam Gelap Kugenggam Ingatan" by Maharani Mancanagara and Suvi Wahyudianto at Cemeti-Institute for Art and Society. The exhibition is ongoing until the 27th of December, 2025. Don't miss it!
Terima kasih kepada semua teman, dan kolega yang telah bergabung bersama kami dalam pembukaan pameran "Dalam Gelap Kugenggam Ingatan" dari Maharani Mancanagara dan Suvi Wahyudianto di Cemeti – Institut untuk Seni dan Masyarakat. Pameran ini berlangsung hingga 27 Desember 2025. Jangan lewatkan!
_____
Thank you to everyone who joined us in the opening of "Dalam Gelap Kugenggam Ingatan" by Maharani Mancanagara and Suvi Wahyudianto at Cemeti-Institute for Art and Society. The exhibition is ongoing until the 27th of December, 2025. Don't miss it!
Terima kasih kepada semua teman, dan kolega yang telah bergabung bersama kami dalam pembukaan pameran "Dalam Gelap Kugenggam Ingatan" dari Maharani Mancanagara dan Suvi Wahyudianto di Cemeti – Institut untuk Seni dan Masyarakat. Pameran ini berlangsung hingga 27 Desember 2025. Jangan lewatkan!
_____
Thank you to everyone who joined us in the opening of "Dalam Gelap Kugenggam Ingatan" by Maharani Mancanagara and Suvi Wahyudianto at Cemeti-Institute for Art and Society. The exhibition is ongoing until the 27th of December, 2025. Don't miss it!
Terima kasih kepada semua teman, dan kolega yang telah bergabung bersama kami dalam pembukaan pameran "Dalam Gelap Kugenggam Ingatan" dari Maharani Mancanagara dan Suvi Wahyudianto di Cemeti – Institut untuk Seni dan Masyarakat. Pameran ini berlangsung hingga 27 Desember 2025. Jangan lewatkan!
_____
Thank you to everyone who joined us in the opening of "Dalam Gelap Kugenggam Ingatan" by Maharani Mancanagara and Suvi Wahyudianto at Cemeti-Institute for Art and Society. The exhibition is ongoing until the 27th of December, 2025. Don't miss it!
Terima kasih kepada semua teman, dan kolega yang telah bergabung bersama kami dalam pembukaan pameran "Dalam Gelap Kugenggam Ingatan" dari Maharani Mancanagara dan Suvi Wahyudianto di Cemeti – Institut untuk Seni dan Masyarakat. Pameran ini berlangsung hingga 27 Desember 2025. Jangan lewatkan!
_____
Thank you to everyone who joined us in the opening of "Dalam Gelap Kugenggam Ingatan" by Maharani Mancanagara and Suvi Wahyudianto at Cemeti-Institute for Art and Society. The exhibition is ongoing until the 27th of December, 2025. Don't miss it!
Terima kasih kepada semua teman, dan kolega yang telah bergabung bersama kami dalam pembukaan pameran "Dalam Gelap Kugenggam Ingatan" dari Maharani Mancanagara dan Suvi Wahyudianto di Cemeti – Institut untuk Seni dan Masyarakat. Pameran ini berlangsung hingga 27 Desember 2025. Jangan lewatkan!
_____
Thank you to everyone who joined us in the opening of "Dalam Gelap Kugenggam Ingatan" by Maharani Mancanagara and Suvi Wahyudianto at Cemeti-Institute for Art and Society. The exhibition is ongoing until the 27th of December, 2025. Don't miss it!
Terima kasih kepada semua teman, dan kolega yang telah bergabung bersama kami dalam pembukaan pameran "Dalam Gelap Kugenggam Ingatan" dari Maharani Mancanagara dan Suvi Wahyudianto di Cemeti – Institut untuk Seni dan Masyarakat. Pameran ini berlangsung hingga 27 Desember 2025. Jangan lewatkan!
_____
Thank you to everyone who joined us in the opening of "Dalam Gelap Kugenggam Ingatan" by Maharani Mancanagara and Suvi Wahyudianto at Cemeti-Institute for Art and Society. The exhibition is ongoing until the 27th of December, 2025. Don't miss it!
Terima kasih kepada semua teman, dan kolega yang telah bergabung bersama kami dalam pembukaan pameran "Dalam Gelap Kugenggam Ingatan" dari Maharani Mancanagara dan Suvi Wahyudianto di Cemeti – Institut untuk Seni dan Masyarakat. Pameran ini berlangsung hingga 27 Desember 2025. Jangan lewatkan!
_____
Thank you to everyone who joined us in the opening of "Dalam Gelap Kugenggam Ingatan" by Maharani Mancanagara and Suvi Wahyudianto at Cemeti-Institute for Art and Society. The exhibition is ongoing until the 27th of December, 2025. Don't miss it!
Terima kasih kepada semua teman, dan kolega yang telah bergabung bersama kami dalam pembukaan pameran "Dalam Gelap Kugenggam Ingatan" dari Maharani Mancanagara dan Suvi Wahyudianto di Cemeti – Institut untuk Seni dan Masyarakat. Pameran ini berlangsung hingga 27 Desember 2025. Jangan lewatkan!
_____
Thank you to everyone who joined us in the opening of "Dalam Gelap Kugenggam Ingatan" by Maharani Mancanagara and Suvi Wahyudianto at Cemeti-Institute for Art and Society. The exhibition is ongoing until the 27th of December, 2025. Don't miss it!
Terima kasih kepada semua teman, dan kolega yang telah bergabung bersama kami dalam pembukaan pameran "Dalam Gelap Kugenggam Ingatan" dari Maharani Mancanagara dan Suvi Wahyudianto di Cemeti – Institut untuk Seni dan Masyarakat. Pameran ini berlangsung hingga 27 Desember 2025. Jangan lewatkan!
_____
Thank you to everyone who joined us in the opening of "Dalam Gelap Kugenggam Ingatan" by Maharani Mancanagara and Suvi Wahyudianto at Cemeti-Institute for Art and Society. The exhibition is ongoing until the 27th of December, 2025. Don't miss it!
𝐑𝐞𝐦𝐧𝐚𝐧𝐭 𝐚𝐭 𝐭𝐡𝐞 𝐋𝐢𝐦𝐞𝐧
14 — 28 November 2025
Maharani Mancanagara x Nurrachmat Widyasena @mancanagara @mas_ito
𝐉𝐞𝐣𝐚𝐤 𝐀𝐛𝐮 𝐁𝐚𝐲𝐚𝐧𝐠 𝐁𝐚𝐫𝐮 #𝟏
acrylic on recycled gray paper made from the remnants of the Krack Studio fire, with acrylic frame, wood, brass plate, hollow steel, and burnt window wood from the site
82.5 x 75 x 4 cm
2025
𝐉𝐞𝐣𝐚𝐤 𝐀𝐛𝐮 𝐁𝐚𝐲𝐚𝐧𝐠 𝐁𝐚𝐫𝐮 #𝟐
acrylic on recycled gray paper made from the remnants of the Krack Studio fire, with acrylic frame, wood, brass plate, hollow steel, and burnt window wood from the site
77.5 x 75 x 4 cm
2025
Gallery Hours
Mon - Sat: 10am - 10pm
Sun: 1pm - 7pm
Ace House - Langgeng Art Space
Jl. Suryodiningratan No. 37, Yogyakarta
𝐑𝐞𝐦𝐧𝐚𝐧𝐭 𝐚𝐭 𝐭𝐡𝐞 𝐋𝐢𝐦𝐞𝐧
14 — 28 November 2025
Maharani Mancanagara x Nurrachmat Widyasena @mancanagara @mas_ito
𝐉𝐞𝐣𝐚𝐤 𝐀𝐛𝐮 𝐁𝐚𝐲𝐚𝐧𝐠 𝐁𝐚𝐫𝐮 #𝟏
acrylic on recycled gray paper made from the remnants of the Krack Studio fire, with acrylic frame, wood, brass plate, hollow steel, and burnt window wood from the site
82.5 x 75 x 4 cm
2025
𝐉𝐞𝐣𝐚𝐤 𝐀𝐛𝐮 𝐁𝐚𝐲𝐚𝐧𝐠 𝐁𝐚𝐫𝐮 #𝟐
acrylic on recycled gray paper made from the remnants of the Krack Studio fire, with acrylic frame, wood, brass plate, hollow steel, and burnt window wood from the site
77.5 x 75 x 4 cm
2025
Gallery Hours
Mon - Sat: 10am - 10pm
Sun: 1pm - 7pm
Ace House - Langgeng Art Space
Jl. Suryodiningratan No. 37, Yogyakarta
𝐑𝐞𝐦𝐧𝐚𝐧𝐭 𝐚𝐭 𝐭𝐡𝐞 𝐋𝐢𝐦𝐞𝐧
14 — 28 November 2025
Maharani Mancanagara x Nurrachmat Widyasena @mancanagara @mas_ito
𝐉𝐞𝐣𝐚𝐤 𝐀𝐛𝐮 𝐁𝐚𝐲𝐚𝐧𝐠 𝐁𝐚𝐫𝐮 #𝟏
acrylic on recycled gray paper made from the remnants of the Krack Studio fire, with acrylic frame, wood, brass plate, hollow steel, and burnt window wood from the site
82.5 x 75 x 4 cm
2025
𝐉𝐞𝐣𝐚𝐤 𝐀𝐛𝐮 𝐁𝐚𝐲𝐚𝐧𝐠 𝐁𝐚𝐫𝐮 #𝟐
acrylic on recycled gray paper made from the remnants of the Krack Studio fire, with acrylic frame, wood, brass plate, hollow steel, and burnt window wood from the site
77.5 x 75 x 4 cm
2025
Gallery Hours
Mon - Sat: 10am - 10pm
Sun: 1pm - 7pm
Ace House - Langgeng Art Space
Jl. Suryodiningratan No. 37, Yogyakarta
𝐑𝐞𝐦𝐧𝐚𝐧𝐭 𝐚𝐭 𝐭𝐡𝐞 𝐋𝐢𝐦𝐞𝐧
14 — 28 November 2025
Maharani Mancanagara x Nurrachmat Widyasena @mancanagara @mas_ito
𝐉𝐞𝐣𝐚𝐤 𝐀𝐛𝐮 𝐁𝐚𝐲𝐚𝐧𝐠 𝐁𝐚𝐫𝐮 #𝟏
acrylic on recycled gray paper made from the remnants of the Krack Studio fire, with acrylic frame, wood, brass plate, hollow steel, and burnt window wood from the site
82.5 x 75 x 4 cm
2025
𝐉𝐞𝐣𝐚𝐤 𝐀𝐛𝐮 𝐁𝐚𝐲𝐚𝐧𝐠 𝐁𝐚𝐫𝐮 #𝟐
acrylic on recycled gray paper made from the remnants of the Krack Studio fire, with acrylic frame, wood, brass plate, hollow steel, and burnt window wood from the site
77.5 x 75 x 4 cm
2025
Gallery Hours
Mon - Sat: 10am - 10pm
Sun: 1pm - 7pm
Ace House - Langgeng Art Space
Jl. Suryodiningratan No. 37, Yogyakarta
𝐑𝐞𝐦𝐧𝐚𝐧𝐭 𝐚𝐭 𝐭𝐡𝐞 𝐋𝐢𝐦𝐞𝐧
14 — 28 November 2025
Maharani Mancanagara x Nurrachmat Widyasena @mancanagara @mas_ito
𝐉𝐞𝐣𝐚𝐤 𝐀𝐛𝐮 𝐁𝐚𝐲𝐚𝐧𝐠 𝐁𝐚𝐫𝐮 #𝟏
acrylic on recycled gray paper made from the remnants of the Krack Studio fire, with acrylic frame, wood, brass plate, hollow steel, and burnt window wood from the site
82.5 x 75 x 4 cm
2025
𝐉𝐞𝐣𝐚𝐤 𝐀𝐛𝐮 𝐁𝐚𝐲𝐚𝐧𝐠 𝐁𝐚𝐫𝐮 #𝟐
acrylic on recycled gray paper made from the remnants of the Krack Studio fire, with acrylic frame, wood, brass plate, hollow steel, and burnt window wood from the site
77.5 x 75 x 4 cm
2025
Gallery Hours
Mon - Sat: 10am - 10pm
Sun: 1pm - 7pm
Ace House - Langgeng Art Space
Jl. Suryodiningratan No. 37, Yogyakarta
𝐑𝐞𝐦𝐧𝐚𝐧𝐭 𝐚𝐭 𝐭𝐡𝐞 𝐋𝐢𝐦𝐞𝐧
14 — 28 November 2025
Maharani Mancanagara x Nurrachmat Widyasena @mancanagara @mas_ito
𝐉𝐞𝐣𝐚𝐤 𝐀𝐛𝐮 𝐁𝐚𝐲𝐚𝐧𝐠 𝐁𝐚𝐫𝐮 #𝟏
acrylic on recycled gray paper made from the remnants of the Krack Studio fire, with acrylic frame, wood, brass plate, hollow steel, and burnt window wood from the site
82.5 x 75 x 4 cm
2025
𝐉𝐞𝐣𝐚𝐤 𝐀𝐛𝐮 𝐁𝐚𝐲𝐚𝐧𝐠 𝐁𝐚𝐫𝐮 #𝟐
acrylic on recycled gray paper made from the remnants of the Krack Studio fire, with acrylic frame, wood, brass plate, hollow steel, and burnt window wood from the site
77.5 x 75 x 4 cm
2025
Gallery Hours
Mon - Sat: 10am - 10pm
Sun: 1pm - 7pm
Ace House - Langgeng Art Space
Jl. Suryodiningratan No. 37, Yogyakarta
𝐑𝐞𝐦𝐧𝐚𝐧𝐭 𝐚𝐭 𝐭𝐡𝐞 𝐋𝐢𝐦𝐞𝐧
14 — 28 November 2025
Maharani Mancanagara x Nurrachmat Widyasena @mancanagara @mas_ito
𝐉𝐞𝐣𝐚𝐤 𝐀𝐛𝐮 𝐁𝐚𝐲𝐚𝐧𝐠 𝐁𝐚𝐫𝐮 #𝟏
acrylic on recycled gray paper made from the remnants of the Krack Studio fire, with acrylic frame, wood, brass plate, hollow steel, and burnt window wood from the site
82.5 x 75 x 4 cm
2025
𝐉𝐞𝐣𝐚𝐤 𝐀𝐛𝐮 𝐁𝐚𝐲𝐚𝐧𝐠 𝐁𝐚𝐫𝐮 #𝟐
acrylic on recycled gray paper made from the remnants of the Krack Studio fire, with acrylic frame, wood, brass plate, hollow steel, and burnt window wood from the site
77.5 x 75 x 4 cm
2025
Gallery Hours
Mon - Sat: 10am - 10pm
Sun: 1pm - 7pm
Ace House - Langgeng Art Space
Jl. Suryodiningratan No. 37, Yogyakarta
𝐑𝐞𝐦𝐧𝐚𝐧𝐭 𝐚𝐭 𝐭𝐡𝐞 𝐋𝐢𝐦𝐞𝐧
14 — 28 November 2025
Maharani Mancanagara x Nurrachmat Widyasena @mancanagara @mas_ito
𝐉𝐞𝐣𝐚𝐤 𝐀𝐛𝐮 𝐁𝐚𝐲𝐚𝐧𝐠 𝐁𝐚𝐫𝐮 #𝟏
acrylic on recycled gray paper made from the remnants of the Krack Studio fire, with acrylic frame, wood, brass plate, hollow steel, and burnt window wood from the site
82.5 x 75 x 4 cm
2025
𝐉𝐞𝐣𝐚𝐤 𝐀𝐛𝐮 𝐁𝐚𝐲𝐚𝐧𝐠 𝐁𝐚𝐫𝐮 #𝟐
acrylic on recycled gray paper made from the remnants of the Krack Studio fire, with acrylic frame, wood, brass plate, hollow steel, and burnt window wood from the site
77.5 x 75 x 4 cm
2025
Gallery Hours
Mon - Sat: 10am - 10pm
Sun: 1pm - 7pm
Ace House - Langgeng Art Space
Jl. Suryodiningratan No. 37, Yogyakarta
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 maps the long entanglement between knowledge, power, and imagination in Indonesia. From the colonial era to the New Order, knowledge has never existed in a neutral space; it has served state interests, turning science and technology into instruments to organize nature, govern society, and define the future.
Through two temporal orientations, the works of Maharani Mancanagara and Nurrachmat Widyasena reveal how this legacy persists. Mancanagara uncovers the colonial history of botany and botanical gardens as laboratories of power, exposing how scientific classification continues to shape our ways of seeing the world today. Widyasena, in contrast, reflects on futures promised but never fulfilled, revealing how postcolonial science and technology policies inherit a logic that controls rather than liberates imagination.
By weaving together past and future, 𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 (Arriving Without Departing) positions art as a space to reclaim imagination from the structures that confine it. It invites us to reconsider the meaning of progress — not as a linear journey forward, but as a reckoning with where we come from, and why we so often struggle to move.
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
@dgalleriejakarta
D Gallerie
Jl Barito I No.3
Jakarta 12130
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 maps the long entanglement between knowledge, power, and imagination in Indonesia. From the colonial era to the New Order, knowledge has never existed in a neutral space; it has served state interests, turning science and technology into instruments to organize nature, govern society, and define the future.
Through two temporal orientations, the works of Maharani Mancanagara and Nurrachmat Widyasena reveal how this legacy persists. Mancanagara uncovers the colonial history of botany and botanical gardens as laboratories of power, exposing how scientific classification continues to shape our ways of seeing the world today. Widyasena, in contrast, reflects on futures promised but never fulfilled, revealing how postcolonial science and technology policies inherit a logic that controls rather than liberates imagination.
By weaving together past and future, 𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 (Arriving Without Departing) positions art as a space to reclaim imagination from the structures that confine it. It invites us to reconsider the meaning of progress — not as a linear journey forward, but as a reckoning with where we come from, and why we so often struggle to move.
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
@dgalleriejakarta
D Gallerie
Jl Barito I No.3
Jakarta 12130
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 maps the long entanglement between knowledge, power, and imagination in Indonesia. From the colonial era to the New Order, knowledge has never existed in a neutral space; it has served state interests, turning science and technology into instruments to organize nature, govern society, and define the future.
Through two temporal orientations, the works of Maharani Mancanagara and Nurrachmat Widyasena reveal how this legacy persists. Mancanagara uncovers the colonial history of botany and botanical gardens as laboratories of power, exposing how scientific classification continues to shape our ways of seeing the world today. Widyasena, in contrast, reflects on futures promised but never fulfilled, revealing how postcolonial science and technology policies inherit a logic that controls rather than liberates imagination.
By weaving together past and future, 𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 (Arriving Without Departing) positions art as a space to reclaim imagination from the structures that confine it. It invites us to reconsider the meaning of progress — not as a linear journey forward, but as a reckoning with where we come from, and why we so often struggle to move.
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
@dgalleriejakarta
D Gallerie
Jl Barito I No.3
Jakarta 12130
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 maps the long entanglement between knowledge, power, and imagination in Indonesia. From the colonial era to the New Order, knowledge has never existed in a neutral space; it has served state interests, turning science and technology into instruments to organize nature, govern society, and define the future.
Through two temporal orientations, the works of Maharani Mancanagara and Nurrachmat Widyasena reveal how this legacy persists. Mancanagara uncovers the colonial history of botany and botanical gardens as laboratories of power, exposing how scientific classification continues to shape our ways of seeing the world today. Widyasena, in contrast, reflects on futures promised but never fulfilled, revealing how postcolonial science and technology policies inherit a logic that controls rather than liberates imagination.
By weaving together past and future, 𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 (Arriving Without Departing) positions art as a space to reclaim imagination from the structures that confine it. It invites us to reconsider the meaning of progress — not as a linear journey forward, but as a reckoning with where we come from, and why we so often struggle to move.
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
@dgalleriejakarta
D Gallerie
Jl Barito I No.3
Jakarta 12130
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 maps the long entanglement between knowledge, power, and imagination in Indonesia. From the colonial era to the New Order, knowledge has never existed in a neutral space; it has served state interests, turning science and technology into instruments to organize nature, govern society, and define the future.
Through two temporal orientations, the works of Maharani Mancanagara and Nurrachmat Widyasena reveal how this legacy persists. Mancanagara uncovers the colonial history of botany and botanical gardens as laboratories of power, exposing how scientific classification continues to shape our ways of seeing the world today. Widyasena, in contrast, reflects on futures promised but never fulfilled, revealing how postcolonial science and technology policies inherit a logic that controls rather than liberates imagination.
By weaving together past and future, 𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 (Arriving Without Departing) positions art as a space to reclaim imagination from the structures that confine it. It invites us to reconsider the meaning of progress — not as a linear journey forward, but as a reckoning with where we come from, and why we so often struggle to move.
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
@dgalleriejakarta
D Gallerie
Jl Barito I No.3
Jakarta 12130
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 maps the long entanglement between knowledge, power, and imagination in Indonesia. From the colonial era to the New Order, knowledge has never existed in a neutral space; it has served state interests, turning science and technology into instruments to organize nature, govern society, and define the future.
Through two temporal orientations, the works of Maharani Mancanagara and Nurrachmat Widyasena reveal how this legacy persists. Mancanagara uncovers the colonial history of botany and botanical gardens as laboratories of power, exposing how scientific classification continues to shape our ways of seeing the world today. Widyasena, in contrast, reflects on futures promised but never fulfilled, revealing how postcolonial science and technology policies inherit a logic that controls rather than liberates imagination.
By weaving together past and future, 𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 (Arriving Without Departing) positions art as a space to reclaim imagination from the structures that confine it. It invites us to reconsider the meaning of progress — not as a linear journey forward, but as a reckoning with where we come from, and why we so often struggle to move.
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
@dgalleriejakarta
D Gallerie
Jl Barito I No.3
Jakarta 12130
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 maps the long entanglement between knowledge, power, and imagination in Indonesia. From the colonial era to the New Order, knowledge has never existed in a neutral space; it has served state interests, turning science and technology into instruments to organize nature, govern society, and define the future.
Through two temporal orientations, the works of Maharani Mancanagara and Nurrachmat Widyasena reveal how this legacy persists. Mancanagara uncovers the colonial history of botany and botanical gardens as laboratories of power, exposing how scientific classification continues to shape our ways of seeing the world today. Widyasena, in contrast, reflects on futures promised but never fulfilled, revealing how postcolonial science and technology policies inherit a logic that controls rather than liberates imagination.
By weaving together past and future, 𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 (Arriving Without Departing) positions art as a space to reclaim imagination from the structures that confine it. It invites us to reconsider the meaning of progress — not as a linear journey forward, but as a reckoning with where we come from, and why we so often struggle to move.
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
@dgalleriejakarta
D Gallerie
Jl Barito I No.3
Jakarta 12130
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 maps the long entanglement between knowledge, power, and imagination in Indonesia. From the colonial era to the New Order, knowledge has never existed in a neutral space; it has served state interests, turning science and technology into instruments to organize nature, govern society, and define the future.
Through two temporal orientations, the works of Maharani Mancanagara and Nurrachmat Widyasena reveal how this legacy persists. Mancanagara uncovers the colonial history of botany and botanical gardens as laboratories of power, exposing how scientific classification continues to shape our ways of seeing the world today. Widyasena, in contrast, reflects on futures promised but never fulfilled, revealing how postcolonial science and technology policies inherit a logic that controls rather than liberates imagination.
By weaving together past and future, 𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 (Arriving Without Departing) positions art as a space to reclaim imagination from the structures that confine it. It invites us to reconsider the meaning of progress — not as a linear journey forward, but as a reckoning with where we come from, and why we so often struggle to move.
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
@dgalleriejakarta
D Gallerie
Jl Barito I No.3
Jakarta 12130
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 maps the long entanglement between knowledge, power, and imagination in Indonesia. From the colonial era to the New Order, knowledge has never existed in a neutral space; it has served state interests, turning science and technology into instruments to organize nature, govern society, and define the future.
Through two temporal orientations, the works of Maharani Mancanagara and Nurrachmat Widyasena reveal how this legacy persists. Mancanagara uncovers the colonial history of botany and botanical gardens as laboratories of power, exposing how scientific classification continues to shape our ways of seeing the world today. Widyasena, in contrast, reflects on futures promised but never fulfilled, revealing how postcolonial science and technology policies inherit a logic that controls rather than liberates imagination.
By weaving together past and future, 𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 (Arriving Without Departing) positions art as a space to reclaim imagination from the structures that confine it. It invites us to reconsider the meaning of progress — not as a linear journey forward, but as a reckoning with where we come from, and why we so often struggle to move.
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
@dgalleriejakarta
D Gallerie
Jl Barito I No.3
Jakarta 12130
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 maps the long entanglement between knowledge, power, and imagination in Indonesia. From the colonial era to the New Order, knowledge has never existed in a neutral space; it has served state interests, turning science and technology into instruments to organize nature, govern society, and define the future.
Through two temporal orientations, the works of Maharani Mancanagara and Nurrachmat Widyasena reveal how this legacy persists. Mancanagara uncovers the colonial history of botany and botanical gardens as laboratories of power, exposing how scientific classification continues to shape our ways of seeing the world today. Widyasena, in contrast, reflects on futures promised but never fulfilled, revealing how postcolonial science and technology policies inherit a logic that controls rather than liberates imagination.
By weaving together past and future, 𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 (Arriving Without Departing) positions art as a space to reclaim imagination from the structures that confine it. It invites us to reconsider the meaning of progress — not as a linear journey forward, but as a reckoning with where we come from, and why we so often struggle to move.
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
@dgalleriejakarta
D Gallerie
Jl Barito I No.3
Jakarta 12130
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 maps the long entanglement between knowledge, power, and imagination in Indonesia. From the colonial era to the New Order, knowledge has never existed in a neutral space; it has served state interests, turning science and technology into instruments to organize nature, govern society, and define the future.
Through two temporal orientations, the works of Maharani Mancanagara and Nurrachmat Widyasena reveal how this legacy persists. Mancanagara uncovers the colonial history of botany and botanical gardens as laboratories of power, exposing how scientific classification continues to shape our ways of seeing the world today. Widyasena, in contrast, reflects on futures promised but never fulfilled, revealing how postcolonial science and technology policies inherit a logic that controls rather than liberates imagination.
By weaving together past and future, 𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 (Arriving Without Departing) positions art as a space to reclaim imagination from the structures that confine it. It invites us to reconsider the meaning of progress — not as a linear journey forward, but as a reckoning with where we come from, and why we so often struggle to move.
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
@dgalleriejakarta
D Gallerie
Jl Barito I No.3
Jakarta 12130
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 maps the long entanglement between knowledge, power, and imagination in Indonesia. From the colonial era to the New Order, knowledge has never existed in a neutral space; it has served state interests, turning science and technology into instruments to organize nature, govern society, and define the future.
Through two temporal orientations, the works of Maharani Mancanagara and Nurrachmat Widyasena reveal how this legacy persists. Mancanagara uncovers the colonial history of botany and botanical gardens as laboratories of power, exposing how scientific classification continues to shape our ways of seeing the world today. Widyasena, in contrast, reflects on futures promised but never fulfilled, revealing how postcolonial science and technology policies inherit a logic that controls rather than liberates imagination.
By weaving together past and future, 𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 (Arriving Without Departing) positions art as a space to reclaim imagination from the structures that confine it. It invites us to reconsider the meaning of progress — not as a linear journey forward, but as a reckoning with where we come from, and why we so often struggle to move.
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
@dgalleriejakarta
D Gallerie
Jl Barito I No.3
Jakarta 12130
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 maps the long entanglement between knowledge, power, and imagination in Indonesia. From the colonial era to the New Order, knowledge has never existed in a neutral space; it has served state interests, turning science and technology into instruments to organize nature, govern society, and define the future.
Through two temporal orientations, the works of Maharani Mancanagara and Nurrachmat Widyasena reveal how this legacy persists. Mancanagara uncovers the colonial history of botany and botanical gardens as laboratories of power, exposing how scientific classification continues to shape our ways of seeing the world today. Widyasena, in contrast, reflects on futures promised but never fulfilled, revealing how postcolonial science and technology policies inherit a logic that controls rather than liberates imagination.
By weaving together past and future, 𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 (Arriving Without Departing) positions art as a space to reclaim imagination from the structures that confine it. It invites us to reconsider the meaning of progress — not as a linear journey forward, but as a reckoning with where we come from, and why we so often struggle to move.
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
@dgalleriejakarta
D Gallerie
Jl Barito I No.3
Jakarta 12130
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 maps the long entanglement between knowledge, power, and imagination in Indonesia. From the colonial era to the New Order, knowledge has never existed in a neutral space; it has served state interests, turning science and technology into instruments to organize nature, govern society, and define the future.
Through two temporal orientations, the works of Maharani Mancanagara and Nurrachmat Widyasena reveal how this legacy persists. Mancanagara uncovers the colonial history of botany and botanical gardens as laboratories of power, exposing how scientific classification continues to shape our ways of seeing the world today. Widyasena, in contrast, reflects on futures promised but never fulfilled, revealing how postcolonial science and technology policies inherit a logic that controls rather than liberates imagination.
By weaving together past and future, 𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 (Arriving Without Departing) positions art as a space to reclaim imagination from the structures that confine it. It invites us to reconsider the meaning of progress — not as a linear journey forward, but as a reckoning with where we come from, and why we so often struggle to move.
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
@dgalleriejakarta
D Gallerie
Jl Barito I No.3
Jakarta 12130
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 maps the long entanglement between knowledge, power, and imagination in Indonesia. From the colonial era to the New Order, knowledge has never existed in a neutral space; it has served state interests, turning science and technology into instruments to organize nature, govern society, and define the future.
Through two temporal orientations, the works of Maharani Mancanagara and Nurrachmat Widyasena reveal how this legacy persists. Mancanagara uncovers the colonial history of botany and botanical gardens as laboratories of power, exposing how scientific classification continues to shape our ways of seeing the world today. Widyasena, in contrast, reflects on futures promised but never fulfilled, revealing how postcolonial science and technology policies inherit a logic that controls rather than liberates imagination.
By weaving together past and future, 𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 (Arriving Without Departing) positions art as a space to reclaim imagination from the structures that confine it. It invites us to reconsider the meaning of progress — not as a linear journey forward, but as a reckoning with where we come from, and why we so often struggle to move.
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
@dgalleriejakarta
D Gallerie
Jl Barito I No.3
Jakarta 12130
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 maps the long entanglement between knowledge, power, and imagination in Indonesia. From the colonial era to the New Order, knowledge has never existed in a neutral space; it has served state interests, turning science and technology into instruments to organize nature, govern society, and define the future.
Through two temporal orientations, the works of Maharani Mancanagara and Nurrachmat Widyasena reveal how this legacy persists. Mancanagara uncovers the colonial history of botany and botanical gardens as laboratories of power, exposing how scientific classification continues to shape our ways of seeing the world today. Widyasena, in contrast, reflects on futures promised but never fulfilled, revealing how postcolonial science and technology policies inherit a logic that controls rather than liberates imagination.
By weaving together past and future, 𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 (Arriving Without Departing) positions art as a space to reclaim imagination from the structures that confine it. It invites us to reconsider the meaning of progress — not as a linear journey forward, but as a reckoning with where we come from, and why we so often struggle to move.
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
@dgalleriejakarta
D Gallerie
Jl Barito I No.3
Jakarta 12130
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 maps the long entanglement between knowledge, power, and imagination in Indonesia. From the colonial era to the New Order, knowledge has never existed in a neutral space; it has served state interests, turning science and technology into instruments to organize nature, govern society, and define the future.
Through two temporal orientations, the works of Maharani Mancanagara and Nurrachmat Widyasena reveal how this legacy persists. Mancanagara uncovers the colonial history of botany and botanical gardens as laboratories of power, exposing how scientific classification continues to shape our ways of seeing the world today. Widyasena, in contrast, reflects on futures promised but never fulfilled, revealing how postcolonial science and technology policies inherit a logic that controls rather than liberates imagination.
By weaving together past and future, 𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 (Arriving Without Departing) positions art as a space to reclaim imagination from the structures that confine it. It invites us to reconsider the meaning of progress — not as a linear journey forward, but as a reckoning with where we come from, and why we so often struggle to move.
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
@dgalleriejakarta
D Gallerie
Jl Barito I No.3
Jakarta 12130
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 maps the long entanglement between knowledge, power, and imagination in Indonesia. From the colonial era to the New Order, knowledge has never existed in a neutral space; it has served state interests, turning science and technology into instruments to organize nature, govern society, and define the future.
Through two temporal orientations, the works of Maharani Mancanagara and Nurrachmat Widyasena reveal how this legacy persists. Mancanagara uncovers the colonial history of botany and botanical gardens as laboratories of power, exposing how scientific classification continues to shape our ways of seeing the world today. Widyasena, in contrast, reflects on futures promised but never fulfilled, revealing how postcolonial science and technology policies inherit a logic that controls rather than liberates imagination.
By weaving together past and future, 𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 (Arriving Without Departing) positions art as a space to reclaim imagination from the structures that confine it. It invites us to reconsider the meaning of progress — not as a linear journey forward, but as a reckoning with where we come from, and why we so often struggle to move.
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
@dgalleriejakarta
D Gallerie
Jl Barito I No.3
Jakarta 12130
“Dalam Gelap Kugenggam Ingatan”
21 November - 27 Desember, 2025
Seniman | Artists:
Suvi Wahyudianto
Maharani Mancanagara
Pembukaan | Opening:
21 November 2025 - 13.00 WIB
Foto: Dokumentasi ARTJOG
___
[ID]
Berangkat dari ketertarikan sekaligus kekhawatiran terhadap narasi tunggal sejarah, program kolaborasi antara Forum Film Dokumenter dengan Cemeti Institut untuk Seni dan Masyarakat ini diselenggarakan. Pameran ini mengundang Suvi Wahyudianto dan Maharani Mancanagara, dua seniman yang secara konsisten melakukan penelitian berbasis sejarah sebagai bagian dari proses penciptaan mereka. Pendekatan kerja mereka yang menggunakan arsip, serta pencatatan yang teliti menjadi penting untuk melihat bagaimana seni beririsan dengan praktik dokumentatif sebagai upaya merawat ingatan dan berspekulasi atas masa depan.
Program yang hadir dalam format pameran ini merupakan bagian dari proses panjang untuk kami, sebagai institusi bersama dengan seniman dan berbagai praktisi lintas disiplin belajar kembali tentang relasi sejarah dan kekerasan. Upaya untuk belajar sejarah ini kemudian menjadi titik pijak yang penting untuk kita dapat memahami makna solidaritas dalam cakupan yang luas, khususnya dalam berbagai perjuangan atas krisis dan konflik yang terjadi di berbagai wilayah baik di dalam maupun di luar Indonesia.
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 marks the first duo exhibition in a decade for Maharani Mancanagara and Nurrachmat Widyasena. Through colonial botanical surveys and bureaucratized futures, they trace the story of science in Indonesia as inseparable from the story of power, revealing what remains constant across centuries: not progress, but control.
—
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
Opening Reception
Saturday, 8 November 2025
4PM
D Gallerie
Jl Barito I No.3
Jakarta 12130
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 marks the first duo exhibition in a decade for Maharani Mancanagara and Nurrachmat Widyasena. Through colonial botanical surveys and bureaucratized futures, they trace the story of science in Indonesia as inseparable from the story of power, revealing what remains constant across centuries: not progress, but control.
—
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
Opening Reception
Saturday, 8 November 2025
4PM
D Gallerie
Jl Barito I No.3
Jakarta 12130
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 marks the first duo exhibition in a decade for Maharani Mancanagara and Nurrachmat Widyasena. Through colonial botanical surveys and bureaucratized futures, they trace the story of science in Indonesia as inseparable from the story of power, revealing what remains constant across centuries: not progress, but control.
—
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
Opening Reception
Saturday, 8 November 2025
4PM
D Gallerie
Jl Barito I No.3
Jakarta 12130
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 marks the first duo exhibition in a decade for Maharani Mancanagara and Nurrachmat Widyasena. Through colonial botanical surveys and bureaucratized futures, they trace the story of science in Indonesia as inseparable from the story of power, revealing what remains constant across centuries: not progress, but control.
—
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
Opening Reception
Saturday, 8 November 2025
4PM
D Gallerie
Jl Barito I No.3
Jakarta 12130
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 marks the first duo exhibition in a decade for Maharani Mancanagara and Nurrachmat Widyasena. Through colonial botanical surveys and bureaucratized futures, they trace the story of science in Indonesia as inseparable from the story of power, revealing what remains constant across centuries: not progress, but control.
—
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
Opening Reception
Saturday, 8 November 2025
4PM
D Gallerie
Jl Barito I No.3
Jakarta 12130
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 marks the first duo exhibition in a decade for Maharani Mancanagara and Nurrachmat Widyasena. Through colonial botanical surveys and bureaucratized futures, they trace the story of science in Indonesia as inseparable from the story of power, revealing what remains constant across centuries: not progress, but control.
—
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
Opening Reception
Saturday, 8 November 2025
4PM
D Gallerie
Jl Barito I No.3
Jakarta 12130
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 marks the first duo exhibition in a decade for Maharani Mancanagara and Nurrachmat Widyasena. Through colonial botanical surveys and bureaucratized futures, they trace the story of science in Indonesia as inseparable from the story of power, revealing what remains constant across centuries: not progress, but control.
—
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
Opening Reception
Saturday, 8 November 2025
4PM
D Gallerie
Jl Barito I No.3
Jakarta 12130
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 marks the first duo exhibition in a decade for Maharani Mancanagara and Nurrachmat Widyasena. Through colonial botanical surveys and bureaucratized futures, they trace the story of science in Indonesia as inseparable from the story of power, revealing what remains constant across centuries: not progress, but control.
—
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
Opening Reception
Saturday, 8 November 2025
4PM
D Gallerie
Jl Barito I No.3
Jakarta 12130
𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵 marks the first duo exhibition in a decade for Maharani Mancanagara and Nurrachmat Widyasena. Through colonial botanical surveys and bureaucratized futures, they trace the story of science in Indonesia as inseparable from the story of power, revealing what remains constant across centuries: not progress, but control.
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𝘛𝘪𝘣𝘢 𝘛𝘢𝘯𝘱𝘢 𝘉𝘦𝘳𝘢𝘯𝘨𝘬𝘢𝘵
by Maharani Mancanagara & Nurrachmat Widyasena
Exhibition Period
8 November - 7 December 2025
Opening Reception
Saturday, 8 November 2025
4PM
D Gallerie
Jl Barito I No.3
Jakarta 12130
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