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mandywalkerdp
Mandy Walker
AM, ASC, ACS
Mandy Walker, ASC, ACS, AM Elected ASC President!
Mandy Walker @mandywalkerdp has been elected President of the American Society of Cinematographers, becoming the first woman to lead the Society in its 105-year history. Known for her groundbreaking work on Elvis, Hidden Figures and Mulan, Walker brings decades of artistry and leadership to the role.
“I’m humbled to represent a society that has carved out an inspiring, inclusive space to meet and support other cinematographers,” says Walker.
Read more at TheASC.com or link in bio.
#ASC #MandyWalkerASC #WomenInFilm #Cinematography #ElvisMovie #AmericanCinematographer #HiddenFigures #Mulan #FilmLeadership #ACMagazine #ASCLeadership
To all the women who stand up here accepting this award after me 💪💋thank you @the__asc
Hair by the best @robertlopezcut
Dress by @i.do.murats
To all the women who stand up here accepting this award after me 💪💋thank you @the__asc
Hair by the best @robertlopezcut
Dress by @i.do.murats
To all the women who stand up here accepting this award after me 💪💋thank you @the__asc
Hair by the best @robertlopezcut
Dress by @i.do.murats
To all the women who stand up here accepting this award after me 💪💋thank you @the__asc
Hair by the best @robertlopezcut
Dress by @i.do.murats
To all the women who stand up here accepting this award after me 💪💋thank you @the__asc
Hair by the best @robertlopezcut
Dress by @i.do.murats
To all the women who stand up here accepting this award after me 💪💋thank you @the__asc
Hair by the best @robertlopezcut
Dress by @i.do.murats
To all the women who stand up here accepting this award after me 💪💋thank you @the__asc
Hair by the best @robertlopezcut
Dress by @i.do.murats
To all the women who stand up here accepting this award after me 💪💋thank you @the__asc
Hair by the best @robertlopezcut
Dress by @i.do.murats
To all the women who stand up here accepting this award after me 💪💋thank you @the__asc
Hair by the best @robertlopezcut
Dress by @i.do.murats
To all the women who stand up here accepting this award after me 💪💋thank you @the__asc
Hair by the best @robertlopezcut
Dress by @i.do.murats
Which film is your favorite?
Mandy Walker, ASC, ACS, AM @mandywalkerdp takes on Movie Rapid Fire, reflecting on a range of iconic films. Filmed at the 40th ASC Awards @the__asc , many of these films are covered in depth in the American Cinematographer archives.
Read more at theasc.com.
#ASC #AmericanCinematographer #MandyWalker
Fantastic opening night at @leicagalleryla exhibiting alongside my daughter @rubybell + @katbenzova_rockphoto + @ewphotos1
Catch the exhibition in Los Angeles until April 13
Contact for print enquiries
Thank you @paris.chong for the amazing showcase of female photographers
Fantastic opening night at @leicagalleryla exhibiting alongside my daughter @rubybell + @katbenzova_rockphoto + @ewphotos1
Catch the exhibition in Los Angeles until April 13
Contact for print enquiries
Thank you @paris.chong for the amazing showcase of female photographers
Fantastic opening night at @leicagalleryla exhibiting alongside my daughter @rubybell + @katbenzova_rockphoto + @ewphotos1
Catch the exhibition in Los Angeles until April 13
Contact for print enquiries
Thank you @paris.chong for the amazing showcase of female photographers
Fantastic opening night at @leicagalleryla exhibiting alongside my daughter @rubybell + @katbenzova_rockphoto + @ewphotos1
Catch the exhibition in Los Angeles until April 13
Contact for print enquiries
Thank you @paris.chong for the amazing showcase of female photographers
Fantastic opening night at @leicagalleryla exhibiting alongside my daughter @rubybell + @katbenzova_rockphoto + @ewphotos1
Catch the exhibition in Los Angeles until April 13
Contact for print enquiries
Thank you @paris.chong for the amazing showcase of female photographers
Fantastic opening night at @leicagalleryla exhibiting alongside my daughter @rubybell + @katbenzova_rockphoto + @ewphotos1
Catch the exhibition in Los Angeles until April 13
Contact for print enquiries
Thank you @paris.chong for the amazing showcase of female photographers
Fantastic opening night at @leicagalleryla exhibiting alongside my daughter @rubybell + @katbenzova_rockphoto + @ewphotos1
Catch the exhibition in Los Angeles until April 13
Contact for print enquiries
Thank you @paris.chong for the amazing showcase of female photographers
Fantastic opening night at @leicagalleryla exhibiting alongside my daughter @rubybell + @katbenzova_rockphoto + @ewphotos1
Catch the exhibition in Los Angeles until April 13
Contact for print enquiries
Thank you @paris.chong for the amazing showcase of female photographers
40th ASC Awards
Xx Madam President
Dress by @alexandermcqueen
Hair by @robertlopezcut
40th ASC Awards
Xx Madam President
Dress by @alexandermcqueen
Hair by @robertlopezcut
40th ASC Awards
Xx Madam President
Dress by @alexandermcqueen
Hair by @robertlopezcut
40th ASC Awards
Xx Madam President
Dress by @alexandermcqueen
Hair by @robertlopezcut
40th ASC Awards
Xx Madam President
Dress by @alexandermcqueen
Hair by @robertlopezcut
40th ASC Awards
Xx Madam President
Dress by @alexandermcqueen
Hair by @robertlopezcut
40th ASC Awards
Xx Madam President
Dress by @alexandermcqueen
Hair by @robertlopezcut
40th ASC Awards
Xx Madam President
Dress by @alexandermcqueen
Hair by @robertlopezcut
40th ASC Awards
Xx Madam President
Dress by @alexandermcqueen
Hair by @robertlopezcut
40th ASC Awards
Xx Madam President
Dress by @alexandermcqueen
Hair by @robertlopezcut
40th ASC Awards
Xx Madam President
Dress by @alexandermcqueen
Hair by @robertlopezcut
40th ASC Awards
Xx Madam President
Dress by @alexandermcqueen
Hair by @robertlopezcut
40th ASC Awards
Xx Madam President
Dress by @alexandermcqueen
Hair by @robertlopezcut
40th ASC Awards
Xx Madam President
Dress by @alexandermcqueen
Hair by @robertlopezcut
40th ASC Awards
Xx Madam President
Dress by @alexandermcqueen
Hair by @robertlopezcut
Many thanks @aacta for a great awards night and festival, and thank you for trusting me to present Best Documentary 🏆
Many thanks @aacta for a great awards night and festival, and thank you for trusting me to present Best Documentary 🏆
Many thanks @aacta for a great awards night and festival, and thank you for trusting me to present Best Documentary 🏆
Many thanks @aacta for a great awards night and festival, and thank you for trusting me to present Best Documentary 🏆
Many thanks @aacta for a great awards night and festival, and thank you for trusting me to present Best Documentary 🏆
Many thanks @aacta for a great awards night and festival, and thank you for trusting me to present Best Documentary 🏆
Many thanks @aacta for a great awards night and festival, and thank you for trusting me to present Best Documentary 🏆
Many thanks @aacta for a great awards night and festival, and thank you for trusting me to present Best Documentary 🏆
I had the pleasure of presenting a restored version of the first feature film I ever DP’d Return Home, starring a young Ben Mendelsohn, alongside my mentor and the film’s director Ray Argall. I am often asked how I started out as a cinematographer. Ray was an accomplished DP himself and when he had the opportunity to direct his first film he asked me to jump in the deep end with him. I am forever thankful to his support and encouragement. We achieved a lot on a micro budget and I’m proud of what my 25 year old self achieved and learnt. This was shot on Fujifilm 64 ASA negative film stock
I had the pleasure of presenting a restored version of the first feature film I ever DP’d Return Home, starring a young Ben Mendelsohn, alongside my mentor and the film’s director Ray Argall. I am often asked how I started out as a cinematographer. Ray was an accomplished DP himself and when he had the opportunity to direct his first film he asked me to jump in the deep end with him. I am forever thankful to his support and encouragement. We achieved a lot on a micro budget and I’m proud of what my 25 year old self achieved and learnt. This was shot on Fujifilm 64 ASA negative film stock
I had the pleasure of presenting a restored version of the first feature film I ever DP’d Return Home, starring a young Ben Mendelsohn, alongside my mentor and the film’s director Ray Argall. I am often asked how I started out as a cinematographer. Ray was an accomplished DP himself and when he had the opportunity to direct his first film he asked me to jump in the deep end with him. I am forever thankful to his support and encouragement. We achieved a lot on a micro budget and I’m proud of what my 25 year old self achieved and learnt. This was shot on Fujifilm 64 ASA negative film stock
I had the pleasure of presenting a restored version of the first feature film I ever DP’d Return Home, starring a young Ben Mendelsohn, alongside my mentor and the film’s director Ray Argall. I am often asked how I started out as a cinematographer. Ray was an accomplished DP himself and when he had the opportunity to direct his first film he asked me to jump in the deep end with him. I am forever thankful to his support and encouragement. We achieved a lot on a micro budget and I’m proud of what my 25 year old self achieved and learnt. This was shot on Fujifilm 64 ASA negative film stock
I had the pleasure of presenting a restored version of the first feature film I ever DP’d Return Home, starring a young Ben Mendelsohn, alongside my mentor and the film’s director Ray Argall. I am often asked how I started out as a cinematographer. Ray was an accomplished DP himself and when he had the opportunity to direct his first film he asked me to jump in the deep end with him. I am forever thankful to his support and encouragement. We achieved a lot on a micro budget and I’m proud of what my 25 year old self achieved and learnt. This was shot on Fujifilm 64 ASA negative film stock
I had the pleasure of presenting a restored version of the first feature film I ever DP’d Return Home, starring a young Ben Mendelsohn, alongside my mentor and the film’s director Ray Argall. I am often asked how I started out as a cinematographer. Ray was an accomplished DP himself and when he had the opportunity to direct his first film he asked me to jump in the deep end with him. I am forever thankful to his support and encouragement. We achieved a lot on a micro budget and I’m proud of what my 25 year old self achieved and learnt. This was shot on Fujifilm 64 ASA negative film stock
I had the pleasure of presenting a restored version of the first feature film I ever DP’d Return Home, starring a young Ben Mendelsohn, alongside my mentor and the film’s director Ray Argall. I am often asked how I started out as a cinematographer. Ray was an accomplished DP himself and when he had the opportunity to direct his first film he asked me to jump in the deep end with him. I am forever thankful to his support and encouragement. We achieved a lot on a micro budget and I’m proud of what my 25 year old self achieved and learnt. This was shot on Fujifilm 64 ASA negative film stock
I had the pleasure of presenting a restored version of the first feature film I ever DP’d Return Home, starring a young Ben Mendelsohn, alongside my mentor and the film’s director Ray Argall. I am often asked how I started out as a cinematographer. Ray was an accomplished DP himself and when he had the opportunity to direct his first film he asked me to jump in the deep end with him. I am forever thankful to his support and encouragement. We achieved a lot on a micro budget and I’m proud of what my 25 year old self achieved and learnt. This was shot on Fujifilm 64 ASA negative film stock
I had the pleasure of presenting a restored version of the first feature film I ever DP’d Return Home, starring a young Ben Mendelsohn, alongside my mentor and the film’s director Ray Argall. I am often asked how I started out as a cinematographer. Ray was an accomplished DP himself and when he had the opportunity to direct his first film he asked me to jump in the deep end with him. I am forever thankful to his support and encouragement. We achieved a lot on a micro budget and I’m proud of what my 25 year old self achieved and learnt. This was shot on Fujifilm 64 ASA negative film stock
I had the pleasure of presenting a restored version of the first feature film I ever DP’d Return Home, starring a young Ben Mendelsohn, alongside my mentor and the film’s director Ray Argall. I am often asked how I started out as a cinematographer. Ray was an accomplished DP himself and when he had the opportunity to direct his first film he asked me to jump in the deep end with him. I am forever thankful to his support and encouragement. We achieved a lot on a micro budget and I’m proud of what my 25 year old self achieved and learnt. This was shot on Fujifilm 64 ASA negative film stock
I had the pleasure of presenting a restored version of the first feature film I ever DP’d Return Home, starring a young Ben Mendelsohn, alongside my mentor and the film’s director Ray Argall. I am often asked how I started out as a cinematographer. Ray was an accomplished DP himself and when he had the opportunity to direct his first film he asked me to jump in the deep end with him. I am forever thankful to his support and encouragement. We achieved a lot on a micro budget and I’m proud of what my 25 year old self achieved and learnt. This was shot on Fujifilm 64 ASA negative film stock
I had the pleasure of presenting a restored version of the first feature film I ever DP’d Return Home, starring a young Ben Mendelsohn, alongside my mentor and the film’s director Ray Argall. I am often asked how I started out as a cinematographer. Ray was an accomplished DP himself and when he had the opportunity to direct his first film he asked me to jump in the deep end with him. I am forever thankful to his support and encouragement. We achieved a lot on a micro budget and I’m proud of what my 25 year old self achieved and learnt. This was shot on Fujifilm 64 ASA negative film stock
I had the pleasure of presenting a restored version of the first feature film I ever DP’d Return Home, starring a young Ben Mendelsohn, alongside my mentor and the film’s director Ray Argall. I am often asked how I started out as a cinematographer. Ray was an accomplished DP himself and when he had the opportunity to direct his first film he asked me to jump in the deep end with him. I am forever thankful to his support and encouragement. We achieved a lot on a micro budget and I’m proud of what my 25 year old self achieved and learnt. This was shot on Fujifilm 64 ASA negative film stock
I had the pleasure of presenting a restored version of the first feature film I ever DP’d Return Home, starring a young Ben Mendelsohn, alongside my mentor and the film’s director Ray Argall. I am often asked how I started out as a cinematographer. Ray was an accomplished DP himself and when he had the opportunity to direct his first film he asked me to jump in the deep end with him. I am forever thankful to his support and encouragement. We achieved a lot on a micro budget and I’m proud of what my 25 year old self achieved and learnt. This was shot on Fujifilm 64 ASA negative film stock
I had the pleasure of presenting a restored version of the first feature film I ever DP’d Return Home, starring a young Ben Mendelsohn, alongside my mentor and the film’s director Ray Argall. I am often asked how I started out as a cinematographer. Ray was an accomplished DP himself and when he had the opportunity to direct his first film he asked me to jump in the deep end with him. I am forever thankful to his support and encouragement. We achieved a lot on a micro budget and I’m proud of what my 25 year old self achieved and learnt. This was shot on Fujifilm 64 ASA negative film stock
I had the pleasure of presenting a restored version of the first feature film I ever DP’d Return Home, starring a young Ben Mendelsohn, alongside my mentor and the film’s director Ray Argall. I am often asked how I started out as a cinematographer. Ray was an accomplished DP himself and when he had the opportunity to direct his first film he asked me to jump in the deep end with him. I am forever thankful to his support and encouragement. We achieved a lot on a micro budget and I’m proud of what my 25 year old self achieved and learnt. This was shot on Fujifilm 64 ASA negative film stock
I had the pleasure of presenting a restored version of the first feature film I ever DP’d Return Home, starring a young Ben Mendelsohn, alongside my mentor and the film’s director Ray Argall. I am often asked how I started out as a cinematographer. Ray was an accomplished DP himself and when he had the opportunity to direct his first film he asked me to jump in the deep end with him. I am forever thankful to his support and encouragement. We achieved a lot on a micro budget and I’m proud of what my 25 year old self achieved and learnt. This was shot on Fujifilm 64 ASA negative film stock
“That’ll put hairs on your chest.”
Don’t miss the 4K Restoration Screening of Return Home, at ACMI in Melbourne, this Sunday 15th of February at 1pm. Presented by Unknown Pleasures.
Join us for a post-screening Q&A with Ray Argall AM and Mandy Walker AM ASC ACS, moderated by film critic Digby Houghton.
I invite you to join us on March 5 at @leicagalleryla for the opening night of my exhibition
Celebrating International Women’s Month with my photos alongside @rubybell @katbenzova_rockphoto @ewphotos1
Thank you @leica_camera @paris.chong
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