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Suck It AI

For the latest Dolina Noteci commercial, we decided to create a fully analog, handcrafted world.

@marta__wx , together with her amazing team, built a miniature version of Dolina Noteci, complete with hills, valleys, paths, trees, clouds, and all the tiny details you can imagine. Every single element was made by hand.

We kept post-production to an absolute minimum, with all shots captured in camera.

From the very first ideas through production, the deeper we got, the more challenges appeared. Anyone who has worked with miniature sets knows they come with their own rules, and those rules do not always apply when your main character is not exactly miniature :)

There were plenty of challenges along the way, but we made it happen. Big respect to everyone who contributed to this project.

Backstage photos shot on film

Client: @dolina_noteci
Agency: @adheads_pl
Production: @pinkmediafilm
Producer: @maja.trk
Dir/DP: @kuba_leszko
Set design: @marta__wx
Camera operator: @gut_vibesonly
1AC: @focus_burger
2AC: @mb1one
Editor: @simonkowalczyk
Gaffer: @marcinmackowicz
Grip: @tomasz.grzywacz.16
Color: @konrad.ziecina
VFX: Eternal Monkeys
Concept and VO: Paulina Pajestka @bardzo.slodki.lisek
Sound: @soundprove
Camera gear: @koi_rental
PA: @a.m.bilinska
Photographer: @borysborecki

Suck It AI

For the latest Dolina Noteci commercial, we decided to create a fully analog, handcrafted world.

@marta__wx , together with her amazing team, built a miniature version of Dolina Noteci, complete with hills, valleys, paths, trees, clouds, and all the tiny details you can imagine. Every single element was made by hand.

We kept post-production to an absolute minimum, with all shots captured in camera.

From the very first ideas through production, the deeper we got, the more challenges appeared. Anyone who has worked with miniature sets knows they come with their own rules, and those rules do not always apply when your main character is not exactly miniature :)

There were plenty of challenges along the way, but we made it happen. Big respect to everyone who contributed to this project.

Backstage photos shot on film

Client: @dolina_noteci
Agency: @adheads_pl
Production: @pinkmediafilm
Producer: @maja.trk
Dir/DP: @kuba_leszko
Set design: @marta__wx
Camera operator: @gut_vibesonly
1AC: @focus_burger
2AC: @mb1one
Editor: @simonkowalczyk
Gaffer: @marcinmackowicz
Grip: @tomasz.grzywacz.16
Color: @konrad.ziecina
VFX: Eternal Monkeys
Concept and VO: Paulina Pajestka @bardzo.slodki.lisek
Sound: @soundprove
Camera gear: @koi_rental
PA: @a.m.bilinska
Photographer: @borysborecki

Suck It AI

For the latest Dolina Noteci commercial, we decided to create a fully analog, handcrafted world.

@marta__wx , together with her amazing team, built a miniature version of Dolina Noteci, complete with hills, valleys, paths, trees, clouds, and all the tiny details you can imagine. Every single element was made by hand.

We kept post-production to an absolute minimum, with all shots captured in camera.

From the very first ideas through production, the deeper we got, the more challenges appeared. Anyone who has worked with miniature sets knows they come with their own rules, and those rules do not always apply when your main character is not exactly miniature :)

There were plenty of challenges along the way, but we made it happen. Big respect to everyone who contributed to this project.

Backstage photos shot on film

Client: @dolina_noteci
Agency: @adheads_pl
Production: @pinkmediafilm
Producer: @maja.trk
Dir/DP: @kuba_leszko
Set design: @marta__wx
Camera operator: @gut_vibesonly
1AC: @focus_burger
2AC: @mb1one
Editor: @simonkowalczyk
Gaffer: @marcinmackowicz
Grip: @tomasz.grzywacz.16
Color: @konrad.ziecina
VFX: Eternal Monkeys
Concept and VO: Paulina Pajestka @bardzo.slodki.lisek
Sound: @soundprove
Camera gear: @koi_rental
PA: @a.m.bilinska
Photographer: @borysborecki

Suck It AI

For the latest Dolina Noteci commercial, we decided to create a fully analog, handcrafted world.

@marta__wx , together with her amazing team, built a miniature version of Dolina Noteci, complete with hills, valleys, paths, trees, clouds, and all the tiny details you can imagine. Every single element was made by hand.

We kept post-production to an absolute minimum, with all shots captured in camera.

From the very first ideas through production, the deeper we got, the more challenges appeared. Anyone who has worked with miniature sets knows they come with their own rules, and those rules do not always apply when your main character is not exactly miniature :)

There were plenty of challenges along the way, but we made it happen. Big respect to everyone who contributed to this project.

Backstage photos shot on film

Client: @dolina_noteci
Agency: @adheads_pl
Production: @pinkmediafilm
Producer: @maja.trk
Dir/DP: @kuba_leszko
Set design: @marta__wx
Camera operator: @gut_vibesonly
1AC: @focus_burger
2AC: @mb1one
Editor: @simonkowalczyk
Gaffer: @marcinmackowicz
Grip: @tomasz.grzywacz.16
Color: @konrad.ziecina
VFX: Eternal Monkeys
Concept and VO: Paulina Pajestka @bardzo.slodki.lisek
Sound: @soundprove
Camera gear: @koi_rental
PA: @a.m.bilinska
Photographer: @borysborecki

Suck It AI

For the latest Dolina Noteci commercial, we decided to create a fully analog, handcrafted world.

@marta__wx , together with her amazing team, built a miniature version of Dolina Noteci, complete with hills, valleys, paths, trees, clouds, and all the tiny details you can imagine. Every single element was made by hand.

We kept post-production to an absolute minimum, with all shots captured in camera.

From the very first ideas through production, the deeper we got, the more challenges appeared. Anyone who has worked with miniature sets knows they come with their own rules, and those rules do not always apply when your main character is not exactly miniature :)

There were plenty of challenges along the way, but we made it happen. Big respect to everyone who contributed to this project.

Backstage photos shot on film

Client: @dolina_noteci
Agency: @adheads_pl
Production: @pinkmediafilm
Producer: @maja.trk
Dir/DP: @kuba_leszko
Set design: @marta__wx
Camera operator: @gut_vibesonly
1AC: @focus_burger
2AC: @mb1one
Editor: @simonkowalczyk
Gaffer: @marcinmackowicz
Grip: @tomasz.grzywacz.16
Color: @konrad.ziecina
VFX: Eternal Monkeys
Concept and VO: Paulina Pajestka @bardzo.slodki.lisek
Sound: @soundprove
Camera gear: @koi_rental
PA: @a.m.bilinska
Photographer: @borysborecki

🎬 A few behind-the-scenes moments from our virtual production—captured straight from @skodapolska’s TikTok! Such great memories from this commercial series—👏👏👏 to the whole crew!

Credits:
Client: @skodapolska
Agency: @dentsu.creative | @isobarpl
DIR: @arminkurasz
DOP: @bartek_hlawka
Production: @papaya_films @szill_a
Studio: @atmvirtual
Gaffer: @marcinmackowicz
Grip: @belov_filmotechnic @sybotasergey @art_pylyp4uk @tarikmiskiv @f_jurzyk @filmotechnicworldwide
Visual set design: @ohmylittlehand
Last but not least, Backstage Operator: @magda_wysoczynska 🙌🏻💖

Swipe to see more! 🎥🚀

Moja i Twoja Nadzieja 2024.
No ja dodam tylko tyle:
Lista ekipy teledysku. Wszyscy zrezygnowali z wynagrodzeń na rzecz akcji.
- reżyseria Armin Kurasz @arminkurasz @pointof.you
- producent Łukasz Kasprzycki
- koordynacja artystów Ewa Laskowska – Szemraj
- kierownik produkcji Michał Markuszewski
- II kierownik produkcji Karolina Szczeblewska
- II reżyser Michal Guga
- realizator nagrania Michał Mielnik
- asystent realizatora Patryk Wolentarski
- autor zdjęć Bartek Hlawka @bartek_hlawka
- operatorzy kamer: Mateusz Kanownik @mateuszkanownik , Filip Pasternak @pasternacci_dp
- mistrz oświetlenia Marcin Mackowicz @marcinmackowicz
- oświetleniowcy Łukasz Kocemba, Adrian Tujak, Marcin Hordyjewicz
- montaż Janek Kidawa-Błoński Jr @janek_kb
- konsultacja muzyczna Piotr Kazimierczuk, Jakub Kaczmarek Universal Music Polska
- mix i mastering Rafał Smoleń
- koordynacja make-up Magdalena Szulc
- make-up Magdalena Wiak
- opieka scenograficzna Damian Osek, Maciek Wirtek
- pomoc na planie Olaf Kwiatkowski
- fotosy Natasza Młudzik
- social media Kuba Kapała, Maciek Piwowarczyk
- promocja Biuro Reklamy i Marketingu TVP
- Studio Muzyczne PR im. Agnieszki Osieckiej
- Sylwia Gorlas – kierownik produkcji PR
- Bogdan Koziupa i Grzegorz Rutkowski – Dział Techniki PR
- Leszek Mróz i Piotr Olender - Dział Energetyki PR
- M-MED obsługa medyczna na planie Maciej Kwasiuk
- Baronfilm - dyżur na planie Paweł „Baron” Walendziak, Gabriel Kukułowicz, Łukasz Walendzik @baronfilm
- ATM System Sp. z o.o. - kamery filmowe wraz z osprzętem oraz światło @atmsystem
- GMBprosound - sprzęt nagłośnieniowy
- Scorpio Team - grip - Norbert Możdżyński, Jerzy „Jurgen”Barbaś - grip as., Piotr
Oczkowski, Aneta Możdżyński, Kevin Wildeman @scorpioteam.pl
- Black Photon - postprodukcja obrazu @black.photon.studio
- Kamil Rutkowski- dyrektor technologiczny
- Alicja Karbowska - koordynacja postprodukcji
- Michał Krajewski - konforming
- Hanna Rudkiewicz - korekcja barwna
- Maciej Mika, Iwona Borucka - online
- Bartłomiej Kuszpit – mastering #razemdlawas #mojaitwojanadzieja #telewidzowiepowodzianom

Few years on tv series in one reel. Fot @nyneksrynek666

How I became a gaffer!
#gaffer #filmlife #lightingdepartment #memyselfandi

20 days of European tripin one reel

The A Team.

8 days in one reel #onset #zamosc #gafferslife #filming #bestteam #tvtheatre

„Jeżu ufam dla Ciebie…”
#setlife #lifeonlocation #gripandelectric #gripandlighting photo @marcinmackowicz