Marcus Söderlund
Director at Academy Films | Reset | BR•F | Iconoclast | Wanda 👊🏾
New work for Maker’s Mark - Perfectly Unreasonable
Huge thanks to the fantastic crew in Canmore and Santiago who made this happen.
Starring - @vincent_moisy
Client - @makersmark @comcgowan
Agency - @carmichael_lynch
Prod. Co - @resetcontent
DOP - Jakob Ihre
Producer - @mjchurch
24/7
Producer - @maxcruzb

A quietly epic celebration of ’Trains, Planes and Automobiles.’ Cheers to Maker’s Mark for this adventure.🥃

A quietly epic celebration of ’Trains, Planes and Automobiles.’ Cheers to Maker’s Mark for this adventure.🥃

A quietly epic celebration of ’Trains, Planes and Automobiles.’ Cheers to Maker’s Mark for this adventure.🥃

A quietly epic celebration of ’Trains, Planes and Automobiles.’ Cheers to Maker’s Mark for this adventure.🥃

A quietly epic celebration of ’Trains, Planes and Automobiles.’ Cheers to Maker’s Mark for this adventure.🥃

A quietly epic celebration of ’Trains, Planes and Automobiles.’ Cheers to Maker’s Mark for this adventure.🥃

SERV017. The Tough Alliance - Holiday Ep
Is Holiday one of the best love songs ever recorded? A melody so convincing it doesn't bother about a chorus.
Pole Position - the statement that became Service's vignett.
Plus a version of twee Primal Scream, in fine contrast to the cover choice on the previous Ep.
This was only TTA:s second single, yet our confidence was such that we picked Sweden's most distinguished venue, Café Opera, for the release party show. Where you there?
The horse on Dan's artwork returns in the video by Marcus Söderlund and, we were delighted to realise, on the ecstasy pills circulating at the time.
#SERV017 #thetoughalliance #toughalliance

SERV017. The Tough Alliance - Holiday Ep
Is Holiday one of the best love songs ever recorded? A melody so convincing it doesn't bother about a chorus.
Pole Position - the statement that became Service's vignett.
Plus a version of twee Primal Scream, in fine contrast to the cover choice on the previous Ep.
This was only TTA:s second single, yet our confidence was such that we picked Sweden's most distinguished venue, Café Opera, for the release party show. Where you there?
The horse on Dan's artwork returns in the video by Marcus Söderlund and, we were delighted to realise, on the ecstasy pills circulating at the time.
#SERV017 #thetoughalliance #toughalliance

SERV017. The Tough Alliance - Holiday Ep
Is Holiday one of the best love songs ever recorded? A melody so convincing it doesn't bother about a chorus.
Pole Position - the statement that became Service's vignett.
Plus a version of twee Primal Scream, in fine contrast to the cover choice on the previous Ep.
This was only TTA:s second single, yet our confidence was such that we picked Sweden's most distinguished venue, Café Opera, for the release party show. Where you there?
The horse on Dan's artwork returns in the video by Marcus Söderlund and, we were delighted to realise, on the ecstasy pills circulating at the time.
#SERV017 #thetoughalliance #toughalliance

SERV017. The Tough Alliance - Holiday Ep
Is Holiday one of the best love songs ever recorded? A melody so convincing it doesn't bother about a chorus.
Pole Position - the statement that became Service's vignett.
Plus a version of twee Primal Scream, in fine contrast to the cover choice on the previous Ep.
This was only TTA:s second single, yet our confidence was such that we picked Sweden's most distinguished venue, Café Opera, for the release party show. Where you there?
The horse on Dan's artwork returns in the video by Marcus Söderlund and, we were delighted to realise, on the ecstasy pills circulating at the time.
#SERV017 #thetoughalliance #toughalliance

Late summer giving way to early autumn. Thanks Montréal, what a beautiful city and an even lovelier crew, client and agency. Avec amour.

Late summer giving way to early autumn. Thanks Montréal, what a beautiful city and an even lovelier crew, client and agency. Avec amour.

Late summer giving way to early autumn. Thanks Montréal, what a beautiful city and an even lovelier crew, client and agency. Avec amour.

Late summer giving way to early autumn. Thanks Montréal, what a beautiful city and an even lovelier crew, client and agency. Avec amour.

Late summer giving way to early autumn. Thanks Montréal, what a beautiful city and an even lovelier crew, client and agency. Avec amour.

Late summer giving way to early autumn. Thanks Montréal, what a beautiful city and an even lovelier crew, client and agency. Avec amour.

Late summer giving way to early autumn. Thanks Montréal, what a beautiful city and an even lovelier crew, client and agency. Avec amour.

Late summer giving way to early autumn. Thanks Montréal, what a beautiful city and an even lovelier crew, client and agency. Avec amour.

Late summer giving way to early autumn. Thanks Montréal, what a beautiful city and an even lovelier crew, client and agency. Avec amour.

Dream project with an amazing team and agency, big ♥️
Dive – Women’s Rugby World Cup 2025
for O2 @o2uk
Shot in London, England,
England, meet England. 🌹🪂
Production @academyfilms
Producer Dulcie Kellett
EP Darapen Vongsa-Nga @darapen
PM Sam Linzell
PA Joss George-Gilbert @somejuice
Agency VCCP @vccp__
Producer Ed Thorn
Creative Director Nikki Lindman @nikklined
Creative Jake Wiseman @jakewiseman_
Creative James Ginn @jamesginn
DOP Barry Ackroyd @backroyd_bsc
1st AD James Sharpe @therealjamessharpe
Production Design Ben Ansell @thisisbenansell
Costume Design Gleb Ignatov
Edit @trimediting
Editor Thomas Grove Carter @thomasgcarter
Sound @750mph
Sound Design Sam Ashwell @samashwell
Post @rascalstudio_
Shoot Supervisor Kalle Lundberg @flamekalle
VFX Supervisor Paul Wilmot @pixelpot
Colourist James Bamford @jamesbamford_color

Dream project with an amazing team and agency, big ♥️
Dive – Women’s Rugby World Cup 2025
for O2 @o2uk
Shot in London, England,
England, meet England. 🌹🪂
Production @academyfilms
Producer Dulcie Kellett
EP Darapen Vongsa-Nga @darapen
PM Sam Linzell
PA Joss George-Gilbert @somejuice
Agency VCCP @vccp__
Producer Ed Thorn
Creative Director Nikki Lindman @nikklined
Creative Jake Wiseman @jakewiseman_
Creative James Ginn @jamesginn
DOP Barry Ackroyd @backroyd_bsc
1st AD James Sharpe @therealjamessharpe
Production Design Ben Ansell @thisisbenansell
Costume Design Gleb Ignatov
Edit @trimediting
Editor Thomas Grove Carter @thomasgcarter
Sound @750mph
Sound Design Sam Ashwell @samashwell
Post @rascalstudio_
Shoot Supervisor Kalle Lundberg @flamekalle
VFX Supervisor Paul Wilmot @pixelpot
Colourist James Bamford @jamesbamford_color

Dream project with an amazing team and agency, big ♥️
Dive – Women’s Rugby World Cup 2025
for O2 @o2uk
Shot in London, England,
England, meet England. 🌹🪂
Production @academyfilms
Producer Dulcie Kellett
EP Darapen Vongsa-Nga @darapen
PM Sam Linzell
PA Joss George-Gilbert @somejuice
Agency VCCP @vccp__
Producer Ed Thorn
Creative Director Nikki Lindman @nikklined
Creative Jake Wiseman @jakewiseman_
Creative James Ginn @jamesginn
DOP Barry Ackroyd @backroyd_bsc
1st AD James Sharpe @therealjamessharpe
Production Design Ben Ansell @thisisbenansell
Costume Design Gleb Ignatov
Edit @trimediting
Editor Thomas Grove Carter @thomasgcarter
Sound @750mph
Sound Design Sam Ashwell @samashwell
Post @rascalstudio_
Shoot Supervisor Kalle Lundberg @flamekalle
VFX Supervisor Paul Wilmot @pixelpot
Colourist James Bamford @jamesbamford_color
Dream project with an amazing team and agency, big ♥️
Dive – Women’s Rugby World Cup 2025
for O2 @o2uk
Shot in London, England,
England, meet England. 🌹🪂
Production @academyfilms
Producer Dulcie Kellett
EP Darapen Vongsa-Nga @darapen
PM Sam Linzell
PA Joss George-Gilbert @somejuice
Agency VCCP @vccp__
Producer Ed Thorn
Creative Director Nikki Lindman @nikklined
Creative Jake Wiseman @jakewiseman_
Creative James Ginn @jamesginn
DOP Barry Ackroyd @backroyd_bsc
1st AD James Sharpe @therealjamessharpe
Production Design Ben Ansell @thisisbenansell
Costume Design Gleb Ignatov
Edit @trimediting
Editor Thomas Grove Carter @thomasgcarter
Sound @750mph
Sound Design Sam Ashwell @samashwell
Post @rascalstudio_
Shoot Supervisor Kalle Lundberg @flamekalle
VFX Supervisor Paul Wilmot @pixelpot
Colourist James Bamford @jamesbamford_color
Perfectly Unreasonable new work from Marcus Söderlund 🥃🧊
Director: Marcus Söderlund @marcussoderlund
DOP: Jakob Ihre @jakobihredop
Prod Co: RESET @resetcontent
Client: Maker’s Mark @makersmark Coco McGowan @comcgowan
Agency: Carmichael Lynch @carmichael_lynch

Thank you, Canmore, Alberta—what a ride. Huge thanks to the amazing crew, lovely client & agency and @mjchurch for making this one so special. Big ♥️

Thank you, Canmore, Alberta—what a ride. Huge thanks to the amazing crew, lovely client & agency and @mjchurch for making this one so special. Big ♥️

Thank you, Canmore, Alberta—what a ride. Huge thanks to the amazing crew, lovely client & agency and @mjchurch for making this one so special. Big ♥️

Thank you, Canmore, Alberta—what a ride. Huge thanks to the amazing crew, lovely client & agency and @mjchurch for making this one so special. Big ♥️

Thank you, Canmore, Alberta—what a ride. Huge thanks to the amazing crew, lovely client & agency and @mjchurch for making this one so special. Big ♥️

Thank you, Canmore, Alberta—what a ride. Huge thanks to the amazing crew, lovely client & agency and @mjchurch for making this one so special. Big ♥️

Thank you, Canmore, Alberta—what a ride. Huge thanks to the amazing crew, lovely client & agency and @mjchurch for making this one so special. Big ♥️

“Vajrarna däruppe är som havet. De tar aldrig slut. Det är en gigantisk väv som binder ihop allting. Ingenting kommer undan. Allting är inlemmat i samma organiserade helhet, samma planerade systematik. Det finns ingenting utanför kraftledningsnätets hägn. Att vara emot elektricitet är lika vrickat som att inte dricka vatten.”
– Axel Lindén, Hästen
A massive thank you Sarah @sarahklang and Fredrika @fredrika.eriksson for the trust.
To Lia for being brilliant. @lia3000 ♥️
To chess ♟️ master Joel!!! @joelighe
To Daniel @danieltakacs for always being by my side. To Angelica @saucegirl1986 for your special eye and David @dejvan for being such a champ. To Magnus amazing lights. And to everyone else. Big ♥️
Thanks Nina @ninaboriri Focus Film andKajsa @kajsakiuttu at Tint ♥️
Director: Marcus Söderlund
DOP: Daniel Takács
Producer: Lia Eliasson
Creative Director: Fredrika Eriksson
Scenographer: Angelica Nyman
Scenographer’s Assistant: Alina Truc
Choreographer: Bettina Jurák
Production Assistants: Amelia Sunna & Mimmi Askild
First Assistant Camera: David Gylle
Gaffer: Magnus Karlsson
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