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New poster for the film ‘Mo num en ts’ by Thai artist Som Supaparinya @somsupaparinya at Museion @museion_bz 👀👀👀

The film explores the Cold War infrastructure like dams, roads and power networks that emerged as “enduring” monuments in the Mekong region shaping its landscape.

Curated by Susanna Piccoli and director Bart van der Heide, produced by and in collaboration with @hannefkensfoundation

New poster for the film ‘Mo num en ts’ by Thai artist Som Supaparinya @somsupaparinya at Museion @museion_bz 👀👀👀

The film explores the Cold War infrastructure like dams, roads and power networks that emerged as “enduring” monuments in the Mekong region shaping its landscape.

Curated by Susanna Piccoli and director Bart van der Heide, produced by and in collaboration with @hannefkensfoundation

New poster for the film ‘Mo num en ts’ by Thai artist Som Supaparinya @somsupaparinya at Museion @museion_bz 👀👀👀

The film explores the Cold War infrastructure like dams, roads and power networks that emerged as “enduring” monuments in the Mekong region shaping its landscape.

Curated by Susanna Piccoli and director Bart van der Heide, produced by and in collaboration with @hannefkensfoundation

Frrrrriends of @cavalry.app and @canva , the ‘Metaball’ plugin by @shodty is just toooo good to be true 🟢🔵🟡🔴

Of course I had to try it with letters, but you get the idea 💡 Just throw in some Submesh, Oscillator, Noise and Color Arrays…I have the feeling this one hits really hard!! 👊

You can download it from @scenery__io_ among others that I will try in the next rainy days ☔️

These are just some random tests, but if you’re a design academic feel free to call’em “experimental kinetic research of chromatic lexicon: an atlas of color”. I will stick to their names: drafts

Frrrrriends of @cavalry.app and @canva , the ‘Metaball’ plugin by @shodty is just toooo good to be true 🟢🔵🟡🔴

Of course I had to try it with letters, but you get the idea 💡 Just throw in some Submesh, Oscillator, Noise and Color Arrays…I have the feeling this one hits really hard!! 👊

You can download it from @scenery__io_ among others that I will try in the next rainy days ☔️

These are just some random tests, but if you’re a design academic feel free to call’em “experimental kinetic research of chromatic lexicon: an atlas of color”. I will stick to their names: drafts

Frrrrriends of @cavalry.app and @canva , the ‘Metaball’ plugin by @shodty is just toooo good to be true 🟢🔵🟡🔴

Of course I had to try it with letters, but you get the idea 💡 Just throw in some Submesh, Oscillator, Noise and Color Arrays…I have the feeling this one hits really hard!! 👊

You can download it from @scenery__io_ among others that I will try in the next rainy days ☔️

These are just some random tests, but if you’re a design academic feel free to call’em “experimental kinetic research of chromatic lexicon: an atlas of color”. I will stick to their names: drafts

Frrrrriends of @cavalry.app and @canva , the ‘Metaball’ plugin by @shodty is just toooo good to be true 🟢🔵🟡🔴

Of course I had to try it with letters, but you get the idea 💡 Just throw in some Submesh, Oscillator, Noise and Color Arrays…I have the feeling this one hits really hard!! 👊

You can download it from @scenery__io_ among others that I will try in the next rainy days ☔️

These are just some random tests, but if you’re a design academic feel free to call’em “experimental kinetic research of chromatic lexicon: an atlas of color”. I will stick to their names: drafts

Frrrrriends of @cavalry.app and @canva , the ‘Metaball’ plugin by @shodty is just toooo good to be true 🟢🔵🟡🔴

Of course I had to try it with letters, but you get the idea 💡 Just throw in some Submesh, Oscillator, Noise and Color Arrays…I have the feeling this one hits really hard!! 👊

You can download it from @scenery__io_ among others that I will try in the next rainy days ☔️

These are just some random tests, but if you’re a design academic feel free to call’em “experimental kinetic research of chromatic lexicon: an atlas of color”. I will stick to their names: drafts

Frrrrriends of @cavalry.app and @canva , the ‘Metaball’ plugin by @shodty is just toooo good to be true 🟢🔵🟡🔴

Of course I had to try it with letters, but you get the idea 💡 Just throw in some Submesh, Oscillator, Noise and Color Arrays…I have the feeling this one hits really hard!! 👊

You can download it from @scenery__io_ among others that I will try in the next rainy days ☔️

These are just some random tests, but if you’re a design academic feel free to call’em “experimental kinetic research of chromatic lexicon: an atlas of color”. I will stick to their names: drafts

Frrrrriends of @cavalry.app and @canva , the ‘Metaball’ plugin by @shodty is just toooo good to be true 🟢🔵🟡🔴

Of course I had to try it with letters, but you get the idea 💡 Just throw in some Submesh, Oscillator, Noise and Color Arrays…I have the feeling this one hits really hard!! 👊

You can download it from @scenery__io_ among others that I will try in the next rainy days ☔️

These are just some random tests, but if you’re a design academic feel free to call’em “experimental kinetic research of chromatic lexicon: an atlas of color”. I will stick to their names: drafts

Here are some animations made with Forge Dynamics in @cavalry.app out of a legal process I was involved at the Faculty of Design and Art Bolzano (that I can’t tag anymore)

It was a long and tedious process, enacted by the candidate who was ranked second in the public call I had won.

The recurrent, represented by two layers, appealed to his higher academic titles – despite no teaching experience – and requested a refund of around 28.000€ (over a salary of around 8.000€) for the damage of not having been hired.

The underlying implication of the long letters of the lawyers is that, of course, I had been non-transparently hired.

These animations are made out of that extremely formal, bureaucratic yet aggressive language that made me lose my job.

We had to repeat the oral exam three days before the start of the semester in front of a different commission that, guess what, ranked me now second.

I am not disappointed if someone unknown attacks me the lawyers-way. I am hugely disappointed not having been defended by the Faculty where it mattered the most: not in front of lawyers, but in front of the ethic of work.

What is unconceivable to me, regardless of public duties or academic titles, is hiring someone who denounces you, over someone who worked for you.

Regarding my financial damage:
in 2024 I was hired for a one-year project assistance. That’s one year loan. A few weeks before the start, I was informed a PhD candidate was hired and automatically acquired my position – despite abandoning it soon.

For that occasion, I booked a room in Bolzano paying a 3-months deposit that I lost, bought a useless annual train-pass, and refused a teaching offer in other Faculty.

Imagine my financial damage. The cost of 3.000€ of this process, at least, is up to the Faculty.

I informed the uni legal representative and dean I was going to publicly speak about this disappointing experience. On the phone, without calling lawyers.

Here are some animations made with Forge Dynamics in @cavalry.app out of a legal process I was involved at the Faculty of Design and Art Bolzano (that I can’t tag anymore)

It was a long and tedious process, enacted by the candidate who was ranked second in the public call I had won.

The recurrent, represented by two layers, appealed to his higher academic titles – despite no teaching experience – and requested a refund of around 28.000€ (over a salary of around 8.000€) for the damage of not having been hired.

The underlying implication of the long letters of the lawyers is that, of course, I had been non-transparently hired.

These animations are made out of that extremely formal, bureaucratic yet aggressive language that made me lose my job.

We had to repeat the oral exam three days before the start of the semester in front of a different commission that, guess what, ranked me now second.

I am not disappointed if someone unknown attacks me the lawyers-way. I am hugely disappointed not having been defended by the Faculty where it mattered the most: not in front of lawyers, but in front of the ethic of work.

What is unconceivable to me, regardless of public duties or academic titles, is hiring someone who denounces you, over someone who worked for you.

Regarding my financial damage:
in 2024 I was hired for a one-year project assistance. That’s one year loan. A few weeks before the start, I was informed a PhD candidate was hired and automatically acquired my position – despite abandoning it soon.

For that occasion, I booked a room in Bolzano paying a 3-months deposit that I lost, bought a useless annual train-pass, and refused a teaching offer in other Faculty.

Imagine my financial damage. The cost of 3.000€ of this process, at least, is up to the Faculty.

I informed the uni legal representative and dean I was going to publicly speak about this disappointing experience. On the phone, without calling lawyers.

Here are some animations made with Forge Dynamics in @cavalry.app out of a legal process I was involved at the Faculty of Design and Art Bolzano (that I can’t tag anymore)

It was a long and tedious process, enacted by the candidate who was ranked second in the public call I had won.

The recurrent, represented by two layers, appealed to his higher academic titles – despite no teaching experience – and requested a refund of around 28.000€ (over a salary of around 8.000€) for the damage of not having been hired.

The underlying implication of the long letters of the lawyers is that, of course, I had been non-transparently hired.

These animations are made out of that extremely formal, bureaucratic yet aggressive language that made me lose my job.

We had to repeat the oral exam three days before the start of the semester in front of a different commission that, guess what, ranked me now second.

I am not disappointed if someone unknown attacks me the lawyers-way. I am hugely disappointed not having been defended by the Faculty where it mattered the most: not in front of lawyers, but in front of the ethic of work.

What is unconceivable to me, regardless of public duties or academic titles, is hiring someone who denounces you, over someone who worked for you.

Regarding my financial damage:
in 2024 I was hired for a one-year project assistance. That’s one year loan. A few weeks before the start, I was informed a PhD candidate was hired and automatically acquired my position – despite abandoning it soon.

For that occasion, I booked a room in Bolzano paying a 3-months deposit that I lost, bought a useless annual train-pass, and refused a teaching offer in other Faculty.

Imagine my financial damage. The cost of 3.000€ of this process, at least, is up to the Faculty.

I informed the uni legal representative and dean I was going to publicly speak about this disappointing experience. On the phone, without calling lawyers.

Here are some animations made with Forge Dynamics in @cavalry.app out of a legal process I was involved at the Faculty of Design and Art Bolzano (that I can’t tag anymore)

It was a long and tedious process, enacted by the candidate who was ranked second in the public call I had won.

The recurrent, represented by two layers, appealed to his higher academic titles – despite no teaching experience – and requested a refund of around 28.000€ (over a salary of around 8.000€) for the damage of not having been hired.

The underlying implication of the long letters of the lawyers is that, of course, I had been non-transparently hired.

These animations are made out of that extremely formal, bureaucratic yet aggressive language that made me lose my job.

We had to repeat the oral exam three days before the start of the semester in front of a different commission that, guess what, ranked me now second.

I am not disappointed if someone unknown attacks me the lawyers-way. I am hugely disappointed not having been defended by the Faculty where it mattered the most: not in front of lawyers, but in front of the ethic of work.

What is unconceivable to me, regardless of public duties or academic titles, is hiring someone who denounces you, over someone who worked for you.

Regarding my financial damage:
in 2024 I was hired for a one-year project assistance. That’s one year loan. A few weeks before the start, I was informed a PhD candidate was hired and automatically acquired my position – despite abandoning it soon.

For that occasion, I booked a room in Bolzano paying a 3-months deposit that I lost, bought a useless annual train-pass, and refused a teaching offer in other Faculty.

Imagine my financial damage. The cost of 3.000€ of this process, at least, is up to the Faculty.

I informed the uni legal representative and dean I was going to publicly speak about this disappointing experience. On the phone, without calling lawyers.

Here are some animations made with Forge Dynamics in @cavalry.app out of a legal process I was involved at the Faculty of Design and Art Bolzano (that I can’t tag anymore)

It was a long and tedious process, enacted by the candidate who was ranked second in the public call I had won.

The recurrent, represented by two layers, appealed to his higher academic titles – despite no teaching experience – and requested a refund of around 28.000€ (over a salary of around 8.000€) for the damage of not having been hired.

The underlying implication of the long letters of the lawyers is that, of course, I had been non-transparently hired.

These animations are made out of that extremely formal, bureaucratic yet aggressive language that made me lose my job.

We had to repeat the oral exam three days before the start of the semester in front of a different commission that, guess what, ranked me now second.

I am not disappointed if someone unknown attacks me the lawyers-way. I am hugely disappointed not having been defended by the Faculty where it mattered the most: not in front of lawyers, but in front of the ethic of work.

What is unconceivable to me, regardless of public duties or academic titles, is hiring someone who denounces you, over someone who worked for you.

Regarding my financial damage:
in 2024 I was hired for a one-year project assistance. That’s one year loan. A few weeks before the start, I was informed a PhD candidate was hired and automatically acquired my position – despite abandoning it soon.

For that occasion, I booked a room in Bolzano paying a 3-months deposit that I lost, bought a useless annual train-pass, and refused a teaching offer in other Faculty.

Imagine my financial damage. The cost of 3.000€ of this process, at least, is up to the Faculty.

I informed the uni legal representative and dean I was going to publicly speak about this disappointing experience. On the phone, without calling lawyers.

Here are some animations made with Forge Dynamics in @cavalry.app out of a legal process I was involved at the Faculty of Design and Art Bolzano (that I can’t tag anymore)

It was a long and tedious process, enacted by the candidate who was ranked second in the public call I had won.

The recurrent, represented by two layers, appealed to his higher academic titles – despite no teaching experience – and requested a refund of around 28.000€ (over a salary of around 8.000€) for the damage of not having been hired.

The underlying implication of the long letters of the lawyers is that, of course, I had been non-transparently hired.

These animations are made out of that extremely formal, bureaucratic yet aggressive language that made me lose my job.

We had to repeat the oral exam three days before the start of the semester in front of a different commission that, guess what, ranked me now second.

I am not disappointed if someone unknown attacks me the lawyers-way. I am hugely disappointed not having been defended by the Faculty where it mattered the most: not in front of lawyers, but in front of the ethic of work.

What is unconceivable to me, regardless of public duties or academic titles, is hiring someone who denounces you, over someone who worked for you.

Regarding my financial damage:
in 2024 I was hired for a one-year project assistance. That’s one year loan. A few weeks before the start, I was informed a PhD candidate was hired and automatically acquired my position – despite abandoning it soon.

For that occasion, I booked a room in Bolzano paying a 3-months deposit that I lost, bought a useless annual train-pass, and refused a teaching offer in other Faculty.

Imagine my financial damage. The cost of 3.000€ of this process, at least, is up to the Faculty.

I informed the uni legal representative and dean I was going to publicly speak about this disappointing experience. On the phone, without calling lawyers.

Here are some animations made with Forge Dynamics in @cavalry.app out of a legal process I was involved at the Faculty of Design and Art Bolzano (that I can’t tag anymore)

It was a long and tedious process, enacted by the candidate who was ranked second in the public call I had won.

The recurrent, represented by two layers, appealed to his higher academic titles – despite no teaching experience – and requested a refund of around 28.000€ (over a salary of around 8.000€) for the damage of not having been hired.

The underlying implication of the long letters of the lawyers is that, of course, I had been non-transparently hired.

These animations are made out of that extremely formal, bureaucratic yet aggressive language that made me lose my job.

We had to repeat the oral exam three days before the start of the semester in front of a different commission that, guess what, ranked me now second.

I am not disappointed if someone unknown attacks me the lawyers-way. I am hugely disappointed not having been defended by the Faculty where it mattered the most: not in front of lawyers, but in front of the ethic of work.

What is unconceivable to me, regardless of public duties or academic titles, is hiring someone who denounces you, over someone who worked for you.

Regarding my financial damage:
in 2024 I was hired for a one-year project assistance. That’s one year loan. A few weeks before the start, I was informed a PhD candidate was hired and automatically acquired my position – despite abandoning it soon.

For that occasion, I booked a room in Bolzano paying a 3-months deposit that I lost, bought a useless annual train-pass, and refused a teaching offer in other Faculty.

Imagine my financial damage. The cost of 3.000€ of this process, at least, is up to the Faculty.

I informed the uni legal representative and dean I was going to publicly speak about this disappointing experience. On the phone, without calling lawyers.

Here are some animations made with Forge Dynamics in @cavalry.app out of a legal process I was involved at the Faculty of Design and Art Bolzano (that I can’t tag anymore)

It was a long and tedious process, enacted by the candidate who was ranked second in the public call I had won.

The recurrent, represented by two layers, appealed to his higher academic titles – despite no teaching experience – and requested a refund of around 28.000€ (over a salary of around 8.000€) for the damage of not having been hired.

The underlying implication of the long letters of the lawyers is that, of course, I had been non-transparently hired.

These animations are made out of that extremely formal, bureaucratic yet aggressive language that made me lose my job.

We had to repeat the oral exam three days before the start of the semester in front of a different commission that, guess what, ranked me now second.

I am not disappointed if someone unknown attacks me the lawyers-way. I am hugely disappointed not having been defended by the Faculty where it mattered the most: not in front of lawyers, but in front of the ethic of work.

What is unconceivable to me, regardless of public duties or academic titles, is hiring someone who denounces you, over someone who worked for you.

Regarding my financial damage:
in 2024 I was hired for a one-year project assistance. That’s one year loan. A few weeks before the start, I was informed a PhD candidate was hired and automatically acquired my position – despite abandoning it soon.

For that occasion, I booked a room in Bolzano paying a 3-months deposit that I lost, bought a useless annual train-pass, and refused a teaching offer in other Faculty.

Imagine my financial damage. The cost of 3.000€ of this process, at least, is up to the Faculty.

I informed the uni legal representative and dean I was going to publicly speak about this disappointing experience. On the phone, without calling lawyers.

Here are some animations made with Forge Dynamics in @cavalry.app out of a legal process I was involved at the Faculty of Design and Art Bolzano (that I can’t tag anymore)

It was a long and tedious process, enacted by the candidate who was ranked second in the public call I had won.

The recurrent, represented by two layers, appealed to his higher academic titles – despite no teaching experience – and requested a refund of around 28.000€ (over a salary of around 8.000€) for the damage of not having been hired.

The underlying implication of the long letters of the lawyers is that, of course, I had been non-transparently hired.

These animations are made out of that extremely formal, bureaucratic yet aggressive language that made me lose my job.

We had to repeat the oral exam three days before the start of the semester in front of a different commission that, guess what, ranked me now second.

I am not disappointed if someone unknown attacks me the lawyers-way. I am hugely disappointed not having been defended by the Faculty where it mattered the most: not in front of lawyers, but in front of the ethic of work.

What is unconceivable to me, regardless of public duties or academic titles, is hiring someone who denounces you, over someone who worked for you.

Regarding my financial damage:
in 2024 I was hired for a one-year project assistance. That’s one year loan. A few weeks before the start, I was informed a PhD candidate was hired and automatically acquired my position – despite abandoning it soon.

For that occasion, I booked a room in Bolzano paying a 3-months deposit that I lost, bought a useless annual train-pass, and refused a teaching offer in other Faculty.

Imagine my financial damage. The cost of 3.000€ of this process, at least, is up to the Faculty.

I informed the uni legal representative and dean I was going to publicly speak about this disappointing experience. On the phone, without calling lawyers.

Here are some animations made with Forge Dynamics in @cavalry.app out of a legal process I was involved at the Faculty of Design and Art Bolzano (that I can’t tag anymore)

It was a long and tedious process, enacted by the candidate who was ranked second in the public call I had won.

The recurrent, represented by two layers, appealed to his higher academic titles – despite no teaching experience – and requested a refund of around 28.000€ (over a salary of around 8.000€) for the damage of not having been hired.

The underlying implication of the long letters of the lawyers is that, of course, I had been non-transparently hired.

These animations are made out of that extremely formal, bureaucratic yet aggressive language that made me lose my job.

We had to repeat the oral exam three days before the start of the semester in front of a different commission that, guess what, ranked me now second.

I am not disappointed if someone unknown attacks me the lawyers-way. I am hugely disappointed not having been defended by the Faculty where it mattered the most: not in front of lawyers, but in front of the ethic of work.

What is unconceivable to me, regardless of public duties or academic titles, is hiring someone who denounces you, over someone who worked for you.

Regarding my financial damage:
in 2024 I was hired for a one-year project assistance. That’s one year loan. A few weeks before the start, I was informed a PhD candidate was hired and automatically acquired my position – despite abandoning it soon.

For that occasion, I booked a room in Bolzano paying a 3-months deposit that I lost, bought a useless annual train-pass, and refused a teaching offer in other Faculty.

Imagine my financial damage. The cost of 3.000€ of this process, at least, is up to the Faculty.

I informed the uni legal representative and dean I was going to publicly speak about this disappointing experience. On the phone, without calling lawyers.

Here are some animations made with Forge Dynamics in @cavalry.app out of a legal process I was involved at the Faculty of Design and Art Bolzano (that I can’t tag anymore)

It was a long and tedious process, enacted by the candidate who was ranked second in the public call I had won.

The recurrent, represented by two layers, appealed to his higher academic titles – despite no teaching experience – and requested a refund of around 28.000€ (over a salary of around 8.000€) for the damage of not having been hired.

The underlying implication of the long letters of the lawyers is that, of course, I had been non-transparently hired.

These animations are made out of that extremely formal, bureaucratic yet aggressive language that made me lose my job.

We had to repeat the oral exam three days before the start of the semester in front of a different commission that, guess what, ranked me now second.

I am not disappointed if someone unknown attacks me the lawyers-way. I am hugely disappointed not having been defended by the Faculty where it mattered the most: not in front of lawyers, but in front of the ethic of work.

What is unconceivable to me, regardless of public duties or academic titles, is hiring someone who denounces you, over someone who worked for you.

Regarding my financial damage:
in 2024 I was hired for a one-year project assistance. That’s one year loan. A few weeks before the start, I was informed a PhD candidate was hired and automatically acquired my position – despite abandoning it soon.

For that occasion, I booked a room in Bolzano paying a 3-months deposit that I lost, bought a useless annual train-pass, and refused a teaching offer in other Faculty.

Imagine my financial damage. The cost of 3.000€ of this process, at least, is up to the Faculty.

I informed the uni legal representative and dean I was going to publicly speak about this disappointing experience. On the phone, without calling lawyers.

Here are some animations made with Forge Dynamics in @cavalry.app out of a legal process I was involved at the Faculty of Design and Art Bolzano (that I can’t tag anymore)

It was a long and tedious process, enacted by the candidate who was ranked second in the public call I had won.

The recurrent, represented by two layers, appealed to his higher academic titles – despite no teaching experience – and requested a refund of around 28.000€ (over a salary of around 8.000€) for the damage of not having been hired.

The underlying implication of the long letters of the lawyers is that, of course, I had been non-transparently hired.

These animations are made out of that extremely formal, bureaucratic yet aggressive language that made me lose my job.

We had to repeat the oral exam three days before the start of the semester in front of a different commission that, guess what, ranked me now second.

I am not disappointed if someone unknown attacks me the lawyers-way. I am hugely disappointed not having been defended by the Faculty where it mattered the most: not in front of lawyers, but in front of the ethic of work.

What is unconceivable to me, regardless of public duties or academic titles, is hiring someone who denounces you, over someone who worked for you.

Regarding my financial damage:
in 2024 I was hired for a one-year project assistance. That’s one year loan. A few weeks before the start, I was informed a PhD candidate was hired and automatically acquired my position – despite abandoning it soon.

For that occasion, I booked a room in Bolzano paying a 3-months deposit that I lost, bought a useless annual train-pass, and refused a teaching offer in other Faculty.

Imagine my financial damage. The cost of 3.000€ of this process, at least, is up to the Faculty.

I informed the uni legal representative and dean I was going to publicly speak about this disappointing experience. On the phone, without calling lawyers.

Here are some animations made with Forge Dynamics in @cavalry.app out of a legal process I was involved at the Faculty of Design and Art Bolzano (that I can’t tag anymore)

It was a long and tedious process, enacted by the candidate who was ranked second in the public call I had won.

The recurrent, represented by two layers, appealed to his higher academic titles – despite no teaching experience – and requested a refund of around 28.000€ (over a salary of around 8.000€) for the damage of not having been hired.

The underlying implication of the long letters of the lawyers is that, of course, I had been non-transparently hired.

These animations are made out of that extremely formal, bureaucratic yet aggressive language that made me lose my job.

We had to repeat the oral exam three days before the start of the semester in front of a different commission that, guess what, ranked me now second.

I am not disappointed if someone unknown attacks me the lawyers-way. I am hugely disappointed not having been defended by the Faculty where it mattered the most: not in front of lawyers, but in front of the ethic of work.

What is unconceivable to me, regardless of public duties or academic titles, is hiring someone who denounces you, over someone who worked for you.

Regarding my financial damage:
in 2024 I was hired for a one-year project assistance. That’s one year loan. A few weeks before the start, I was informed a PhD candidate was hired and automatically acquired my position – despite abandoning it soon.

For that occasion, I booked a room in Bolzano paying a 3-months deposit that I lost, bought a useless annual train-pass, and refused a teaching offer in other Faculty.

Imagine my financial damage. The cost of 3.000€ of this process, at least, is up to the Faculty.

I informed the uni legal representative and dean I was going to publicly speak about this disappointing experience. On the phone, without calling lawyers.

Here are some animations made with Forge Dynamics in @cavalry.app out of a legal process I was involved at the Faculty of Design and Art Bolzano (that I can’t tag anymore)

It was a long and tedious process, enacted by the candidate who was ranked second in the public call I had won.

The recurrent, represented by two layers, appealed to his higher academic titles – despite no teaching experience – and requested a refund of around 28.000€ (over a salary of around 8.000€) for the damage of not having been hired.

The underlying implication of the long letters of the lawyers is that, of course, I had been non-transparently hired.

These animations are made out of that extremely formal, bureaucratic yet aggressive language that made me lose my job.

We had to repeat the oral exam three days before the start of the semester in front of a different commission that, guess what, ranked me now second.

I am not disappointed if someone unknown attacks me the lawyers-way. I am hugely disappointed not having been defended by the Faculty where it mattered the most: not in front of lawyers, but in front of the ethic of work.

What is unconceivable to me, regardless of public duties or academic titles, is hiring someone who denounces you, over someone who worked for you.

Regarding my financial damage:
in 2024 I was hired for a one-year project assistance. That’s one year loan. A few weeks before the start, I was informed a PhD candidate was hired and automatically acquired my position – despite abandoning it soon.

For that occasion, I booked a room in Bolzano paying a 3-months deposit that I lost, bought a useless annual train-pass, and refused a teaching offer in other Faculty.

Imagine my financial damage. The cost of 3.000€ of this process, at least, is up to the Faculty.

I informed the uni legal representative and dean I was going to publicly speak about this disappointing experience. On the phone, without calling lawyers.

Animated posters are cool… but what about animated lessons? 👀👀👀

Here is a quick overview of the Typography & Graphic Design course realised for @unibz_designxart that unfortunately will not take place.

It is a technical yet cultural course prepared from June 2025, consisting of 12 appointments of 5hrs each, 16 PDF presentations, many practical exercises and about 30hrs of static/motion software tutorials.

As requested from the Faculty, it considers Graphic Design students as much as Product Design and Art students - whose competences are naturally different - paying a little more attention to non-German speakers (whole course in German language).

It collects stuff I wished to be taught as a student, but that I have rather learnt working in the industry (or by myself, like motion). In the end, this course unfortunately represents the only unpaid project of my career.

Animation: @cavalry.app

Animated posters are cool… but what about animated lessons? 👀👀👀

Here is a quick overview of the Typography & Graphic Design course realised for @unibz_designxart that unfortunately will not take place.

It is a technical yet cultural course prepared from June 2025, consisting of 12 appointments of 5hrs each, 16 PDF presentations, many practical exercises and about 30hrs of static/motion software tutorials.

As requested from the Faculty, it considers Graphic Design students as much as Product Design and Art students - whose competences are naturally different - paying a little more attention to non-German speakers (whole course in German language).

It collects stuff I wished to be taught as a student, but that I have rather learnt working in the industry (or by myself, like motion). In the end, this course unfortunately represents the only unpaid project of my career.

Animation: @cavalry.app

Animated posters are cool… but what about animated lessons? 👀👀👀

Here is a quick overview of the Typography & Graphic Design course realised for @unibz_designxart that unfortunately will not take place.

It is a technical yet cultural course prepared from June 2025, consisting of 12 appointments of 5hrs each, 16 PDF presentations, many practical exercises and about 30hrs of static/motion software tutorials.

As requested from the Faculty, it considers Graphic Design students as much as Product Design and Art students - whose competences are naturally different - paying a little more attention to non-German speakers (whole course in German language).

It collects stuff I wished to be taught as a student, but that I have rather learnt working in the industry (or by myself, like motion). In the end, this course unfortunately represents the only unpaid project of my career.

Animation: @cavalry.app

Animated posters are cool… but what about animated lessons? 👀👀👀

Here is a quick overview of the Typography & Graphic Design course realised for @unibz_designxart that unfortunately will not take place.

It is a technical yet cultural course prepared from June 2025, consisting of 12 appointments of 5hrs each, 16 PDF presentations, many practical exercises and about 30hrs of static/motion software tutorials.

As requested from the Faculty, it considers Graphic Design students as much as Product Design and Art students - whose competences are naturally different - paying a little more attention to non-German speakers (whole course in German language).

It collects stuff I wished to be taught as a student, but that I have rather learnt working in the industry (or by myself, like motion). In the end, this course unfortunately represents the only unpaid project of my career.

Animation: @cavalry.app

Animated posters are cool… but what about animated lessons? 👀👀👀

Here is a quick overview of the Typography & Graphic Design course realised for @unibz_designxart that unfortunately will not take place.

It is a technical yet cultural course prepared from June 2025, consisting of 12 appointments of 5hrs each, 16 PDF presentations, many practical exercises and about 30hrs of static/motion software tutorials.

As requested from the Faculty, it considers Graphic Design students as much as Product Design and Art students - whose competences are naturally different - paying a little more attention to non-German speakers (whole course in German language).

It collects stuff I wished to be taught as a student, but that I have rather learnt working in the industry (or by myself, like motion). In the end, this course unfortunately represents the only unpaid project of my career.

Animation: @cavalry.app

Animated posters are cool… but what about animated lessons? 👀👀👀

Here is a quick overview of the Typography & Graphic Design course realised for @unibz_designxart that unfortunately will not take place.

It is a technical yet cultural course prepared from June 2025, consisting of 12 appointments of 5hrs each, 16 PDF presentations, many practical exercises and about 30hrs of static/motion software tutorials.

As requested from the Faculty, it considers Graphic Design students as much as Product Design and Art students - whose competences are naturally different - paying a little more attention to non-German speakers (whole course in German language).

It collects stuff I wished to be taught as a student, but that I have rather learnt working in the industry (or by myself, like motion). In the end, this course unfortunately represents the only unpaid project of my career.

Animation: @cavalry.app

Animated posters are cool… but what about animated lessons? 👀👀👀

Here is a quick overview of the Typography & Graphic Design course realised for @unibz_designxart that unfortunately will not take place.

It is a technical yet cultural course prepared from June 2025, consisting of 12 appointments of 5hrs each, 16 PDF presentations, many practical exercises and about 30hrs of static/motion software tutorials.

As requested from the Faculty, it considers Graphic Design students as much as Product Design and Art students - whose competences are naturally different - paying a little more attention to non-German speakers (whole course in German language).

It collects stuff I wished to be taught as a student, but that I have rather learnt working in the industry (or by myself, like motion). In the end, this course unfortunately represents the only unpaid project of my career.

Animation: @cavalry.app

Animated posters are cool… but what about animated lessons? 👀👀👀

Here is a quick overview of the Typography & Graphic Design course realised for @unibz_designxart that unfortunately will not take place.

It is a technical yet cultural course prepared from June 2025, consisting of 12 appointments of 5hrs each, 16 PDF presentations, many practical exercises and about 30hrs of static/motion software tutorials.

As requested from the Faculty, it considers Graphic Design students as much as Product Design and Art students - whose competences are naturally different - paying a little more attention to non-German speakers (whole course in German language).

It collects stuff I wished to be taught as a student, but that I have rather learnt working in the industry (or by myself, like motion). In the end, this course unfortunately represents the only unpaid project of my career.

Animation: @cavalry.app

Animated posters are cool… but what about animated lessons? 👀👀👀

Here is a quick overview of the Typography & Graphic Design course realised for @unibz_designxart that unfortunately will not take place.

It is a technical yet cultural course prepared from June 2025, consisting of 12 appointments of 5hrs each, 16 PDF presentations, many practical exercises and about 30hrs of static/motion software tutorials.

As requested from the Faculty, it considers Graphic Design students as much as Product Design and Art students - whose competences are naturally different - paying a little more attention to non-German speakers (whole course in German language).

It collects stuff I wished to be taught as a student, but that I have rather learnt working in the industry (or by myself, like motion). In the end, this course unfortunately represents the only unpaid project of my career.

Animation: @cavalry.app

Animated posters are cool… but what about animated lessons? 👀👀👀

Here is a quick overview of the Typography & Graphic Design course realised for @unibz_designxart that unfortunately will not take place.

It is a technical yet cultural course prepared from June 2025, consisting of 12 appointments of 5hrs each, 16 PDF presentations, many practical exercises and about 30hrs of static/motion software tutorials.

As requested from the Faculty, it considers Graphic Design students as much as Product Design and Art students - whose competences are naturally different - paying a little more attention to non-German speakers (whole course in German language).

It collects stuff I wished to be taught as a student, but that I have rather learnt working in the industry (or by myself, like motion). In the end, this course unfortunately represents the only unpaid project of my career.

Animation: @cavalry.app

Animated posters are cool… but what about animated lessons? 👀👀👀

Here is a quick overview of the Typography & Graphic Design course realised for @unibz_designxart that unfortunately will not take place.

It is a technical yet cultural course prepared from June 2025, consisting of 12 appointments of 5hrs each, 16 PDF presentations, many practical exercises and about 30hrs of static/motion software tutorials.

As requested from the Faculty, it considers Graphic Design students as much as Product Design and Art students - whose competences are naturally different - paying a little more attention to non-German speakers (whole course in German language).

It collects stuff I wished to be taught as a student, but that I have rather learnt working in the industry (or by myself, like motion). In the end, this course unfortunately represents the only unpaid project of my career.

Animation: @cavalry.app

Animated posters are cool… but what about animated lessons? 👀👀👀

Here is a quick overview of the Typography & Graphic Design course realised for @unibz_designxart that unfortunately will not take place.

It is a technical yet cultural course prepared from June 2025, consisting of 12 appointments of 5hrs each, 16 PDF presentations, many practical exercises and about 30hrs of static/motion software tutorials.

As requested from the Faculty, it considers Graphic Design students as much as Product Design and Art students - whose competences are naturally different - paying a little more attention to non-German speakers (whole course in German language).

It collects stuff I wished to be taught as a student, but that I have rather learnt working in the industry (or by myself, like motion). In the end, this course unfortunately represents the only unpaid project of my career.

Animation: @cavalry.app

Animated posters are cool… but what about animated lessons? 👀👀👀

Here is a quick overview of the Typography & Graphic Design course realised for @unibz_designxart that unfortunately will not take place.

It is a technical yet cultural course prepared from June 2025, consisting of 12 appointments of 5hrs each, 16 PDF presentations, many practical exercises and about 30hrs of static/motion software tutorials.

As requested from the Faculty, it considers Graphic Design students as much as Product Design and Art students - whose competences are naturally different - paying a little more attention to non-German speakers (whole course in German language).

It collects stuff I wished to be taught as a student, but that I have rather learnt working in the industry (or by myself, like motion). In the end, this course unfortunately represents the only unpaid project of my career.

Animation: @cavalry.app

Animated posters are cool… but what about animated lessons? 👀👀👀

Here is a quick overview of the Typography & Graphic Design course realised for @unibz_designxart that unfortunately will not take place.

It is a technical yet cultural course prepared from June 2025, consisting of 12 appointments of 5hrs each, 16 PDF presentations, many practical exercises and about 30hrs of static/motion software tutorials.

As requested from the Faculty, it considers Graphic Design students as much as Product Design and Art students - whose competences are naturally different - paying a little more attention to non-German speakers (whole course in German language).

It collects stuff I wished to be taught as a student, but that I have rather learnt working in the industry (or by myself, like motion). In the end, this course unfortunately represents the only unpaid project of my career.

Animation: @cavalry.app

Animated posters are cool… but what about animated lessons? 👀👀👀

Here is a quick overview of the Typography & Graphic Design course realised for @unibz_designxart that unfortunately will not take place.

It is a technical yet cultural course prepared from June 2025, consisting of 12 appointments of 5hrs each, 16 PDF presentations, many practical exercises and about 30hrs of static/motion software tutorials.

As requested from the Faculty, it considers Graphic Design students as much as Product Design and Art students - whose competences are naturally different - paying a little more attention to non-German speakers (whole course in German language).

It collects stuff I wished to be taught as a student, but that I have rather learnt working in the industry (or by myself, like motion). In the end, this course unfortunately represents the only unpaid project of my career.

Animation: @cavalry.app

I lost again my teaching position at @unibz_designxart . This time 4 days before the start of semester ☹️

To farewell everybody I realised this ‘Abschiedskarte/Goodbye-postcard’. It’s digitally drawn in @cavalry.app , and analog printed in Riso at @la.foresta.rovereto ⏮️⏮️⏮️ The kind of reverse-engineered process (OMG digital first, analog second) that drives professors crazy 🤯

My parents - both lifelong professors - always joked: “Those who can, do; those who can’t, teach” 👨‍🎓🧑‍🎓🧑‍🎓 Nonetheless I’m glad to be part of that category, I guess it simply has to happen somewhere else 💖

Shipped to ex-colleagues today from Ala to Bozen 💌

I lost again my teaching position at @unibz_designxart . This time 4 days before the start of semester ☹️

To farewell everybody I realised this ‘Abschiedskarte/Goodbye-postcard’. It’s digitally drawn in @cavalry.app , and analog printed in Riso at @la.foresta.rovereto ⏮️⏮️⏮️ The kind of reverse-engineered process (OMG digital first, analog second) that drives professors crazy 🤯

My parents - both lifelong professors - always joked: “Those who can, do; those who can’t, teach” 👨‍🎓🧑‍🎓🧑‍🎓 Nonetheless I’m glad to be part of that category, I guess it simply has to happen somewhere else 💖

Shipped to ex-colleagues today from Ala to Bozen 💌

I lost again my teaching position at @unibz_designxart . This time 4 days before the start of semester ☹️

To farewell everybody I realised this ‘Abschiedskarte/Goodbye-postcard’. It’s digitally drawn in @cavalry.app , and analog printed in Riso at @la.foresta.rovereto ⏮️⏮️⏮️ The kind of reverse-engineered process (OMG digital first, analog second) that drives professors crazy 🤯

My parents - both lifelong professors - always joked: “Those who can, do; those who can’t, teach” 👨‍🎓🧑‍🎓🧑‍🎓 Nonetheless I’m glad to be part of that category, I guess it simply has to happen somewhere else 💖

Shipped to ex-colleagues today from Ala to Bozen 💌

I lost again my teaching position at @unibz_designxart . This time 4 days before the start of semester ☹️

To farewell everybody I realised this ‘Abschiedskarte/Goodbye-postcard’. It’s digitally drawn in @cavalry.app , and analog printed in Riso at @la.foresta.rovereto ⏮️⏮️⏮️ The kind of reverse-engineered process (OMG digital first, analog second) that drives professors crazy 🤯

My parents - both lifelong professors - always joked: “Those who can, do; those who can’t, teach” 👨‍🎓🧑‍🎓🧑‍🎓 Nonetheless I’m glad to be part of that category, I guess it simply has to happen somewhere else 💖

Shipped to ex-colleagues today from Ala to Bozen 💌

I lost again my teaching position at @unibz_designxart . This time 4 days before the start of semester ☹️

To farewell everybody I realised this ‘Abschiedskarte/Goodbye-postcard’. It’s digitally drawn in @cavalry.app , and analog printed in Riso at @la.foresta.rovereto ⏮️⏮️⏮️ The kind of reverse-engineered process (OMG digital first, analog second) that drives professors crazy 🤯

My parents - both lifelong professors - always joked: “Those who can, do; those who can’t, teach” 👨‍🎓🧑‍🎓🧑‍🎓 Nonetheless I’m glad to be part of that category, I guess it simply has to happen somewhere else 💖

Shipped to ex-colleagues today from Ala to Bozen 💌

I lost again my teaching position at @unibz_designxart . This time 4 days before the start of semester ☹️

To farewell everybody I realised this ‘Abschiedskarte/Goodbye-postcard’. It’s digitally drawn in @cavalry.app , and analog printed in Riso at @la.foresta.rovereto ⏮️⏮️⏮️ The kind of reverse-engineered process (OMG digital first, analog second) that drives professors crazy 🤯

My parents - both lifelong professors - always joked: “Those who can, do; those who can’t, teach” 👨‍🎓🧑‍🎓🧑‍🎓 Nonetheless I’m glad to be part of that category, I guess it simply has to happen somewhere else 💖

Shipped to ex-colleagues today from Ala to Bozen 💌

I lost again my teaching position at @unibz_designxart . This time 4 days before the start of semester ☹️

To farewell everybody I realised this ‘Abschiedskarte/Goodbye-postcard’. It’s digitally drawn in @cavalry.app , and analog printed in Riso at @la.foresta.rovereto ⏮️⏮️⏮️ The kind of reverse-engineered process (OMG digital first, analog second) that drives professors crazy 🤯

My parents - both lifelong professors - always joked: “Those who can, do; those who can’t, teach” 👨‍🎓🧑‍🎓🧑‍🎓 Nonetheless I’m glad to be part of that category, I guess it simply has to happen somewhere else 💖

Shipped to ex-colleagues today from Ala to Bozen 💌

I lost again my teaching position at @unibz_designxart . This time 4 days before the start of semester ☹️

To farewell everybody I realised this ‘Abschiedskarte/Goodbye-postcard’. It’s digitally drawn in @cavalry.app , and analog printed in Riso at @la.foresta.rovereto ⏮️⏮️⏮️ The kind of reverse-engineered process (OMG digital first, analog second) that drives professors crazy 🤯

My parents - both lifelong professors - always joked: “Those who can, do; those who can’t, teach” 👨‍🎓🧑‍🎓🧑‍🎓 Nonetheless I’m glad to be part of that category, I guess it simply has to happen somewhere else 💖

Shipped to ex-colleagues today from Ala to Bozen 💌

I lost again my teaching position at @unibz_designxart . This time 4 days before the start of semester ☹️

To farewell everybody I realised this ‘Abschiedskarte/Goodbye-postcard’. It’s digitally drawn in @cavalry.app , and analog printed in Riso at @la.foresta.rovereto ⏮️⏮️⏮️ The kind of reverse-engineered process (OMG digital first, analog second) that drives professors crazy 🤯

My parents - both lifelong professors - always joked: “Those who can, do; those who can’t, teach” 👨‍🎓🧑‍🎓🧑‍🎓 Nonetheless I’m glad to be part of that category, I guess it simply has to happen somewhere else 💖

Shipped to ex-colleagues today from Ala to Bozen 💌

I lost again my teaching position at @unibz_designxart . This time 4 days before the start of semester ☹️

To farewell everybody I realised this ‘Abschiedskarte/Goodbye-postcard’. It’s digitally drawn in @cavalry.app , and analog printed in Riso at @la.foresta.rovereto ⏮️⏮️⏮️ The kind of reverse-engineered process (OMG digital first, analog second) that drives professors crazy 🤯

My parents - both lifelong professors - always joked: “Those who can, do; those who can’t, teach” 👨‍🎓🧑‍🎓🧑‍🎓 Nonetheless I’m glad to be part of that category, I guess it simply has to happen somewhere else 💖

Shipped to ex-colleagues today from Ala to Bozen 💌

I lost again my teaching position at @unibz_designxart . This time 4 days before the start of semester ☹️

To farewell everybody I realised this ‘Abschiedskarte/Goodbye-postcard’. It’s digitally drawn in @cavalry.app , and analog printed in Riso at @la.foresta.rovereto ⏮️⏮️⏮️ The kind of reverse-engineered process (OMG digital first, analog second) that drives professors crazy 🤯

My parents - both lifelong professors - always joked: “Those who can, do; those who can’t, teach” 👨‍🎓🧑‍🎓🧑‍🎓 Nonetheless I’m glad to be part of that category, I guess it simply has to happen somewhere else 💖

Shipped to ex-colleagues today from Ala to Bozen 💌

I lost again my teaching position at @unibz_designxart . This time 4 days before the start of semester ☹️

To farewell everybody I realised this ‘Abschiedskarte/Goodbye-postcard’. It’s digitally drawn in @cavalry.app , and analog printed in Riso at @la.foresta.rovereto ⏮️⏮️⏮️ The kind of reverse-engineered process (OMG digital first, analog second) that drives professors crazy 🤯

My parents - both lifelong professors - always joked: “Those who can, do; those who can’t, teach” 👨‍🎓🧑‍🎓🧑‍🎓 Nonetheless I’m glad to be part of that category, I guess it simply has to happen somewhere else 💖

Shipped to ex-colleagues today from Ala to Bozen 💌

I lost again my teaching position at @unibz_designxart . This time 4 days before the start of semester ☹️

To farewell everybody I realised this ‘Abschiedskarte/Goodbye-postcard’. It’s digitally drawn in @cavalry.app , and analog printed in Riso at @la.foresta.rovereto ⏮️⏮️⏮️ The kind of reverse-engineered process (OMG digital first, analog second) that drives professors crazy 🤯

My parents - both lifelong professors - always joked: “Those who can, do; those who can’t, teach” 👨‍🎓🧑‍🎓🧑‍🎓 Nonetheless I’m glad to be part of that category, I guess it simply has to happen somewhere else 💖

Shipped to ex-colleagues today from Ala to Bozen 💌

I lost again my teaching position at @unibz_designxart . This time 4 days before the start of semester ☹️

To farewell everybody I realised this ‘Abschiedskarte/Goodbye-postcard’. It’s digitally drawn in @cavalry.app , and analog printed in Riso at @la.foresta.rovereto ⏮️⏮️⏮️ The kind of reverse-engineered process (OMG digital first, analog second) that drives professors crazy 🤯

My parents - both lifelong professors - always joked: “Those who can, do; those who can’t, teach” 👨‍🎓🧑‍🎓🧑‍🎓 Nonetheless I’m glad to be part of that category, I guess it simply has to happen somewhere else 💖

Shipped to ex-colleagues today from Ala to Bozen 💌

I lost again my teaching position at @unibz_designxart . This time 4 days before the start of semester ☹️

To farewell everybody I realised this ‘Abschiedskarte/Goodbye-postcard’. It’s digitally drawn in @cavalry.app , and analog printed in Riso at @la.foresta.rovereto ⏮️⏮️⏮️ The kind of reverse-engineered process (OMG digital first, analog second) that drives professors crazy 🤯

My parents - both lifelong professors - always joked: “Those who can, do; those who can’t, teach” 👨‍🎓🧑‍🎓🧑‍🎓 Nonetheless I’m glad to be part of that category, I guess it simply has to happen somewhere else 💖

Shipped to ex-colleagues today from Ala to Bozen 💌

Some typography realised for this fantastic exhibition entitled ‘Memory in Motion’ by South Tyrolean sculptor Eduard Habicher at @museion_bz 🪐🪐🪐

A truly monumental way to celebrate the artist’s 70th birthday, open to everyone at Museion Passage. And again a flawless collaboration with Susanna Piccoli and Elena Bini, I really enjoyed it! 💖

Photos: 1-7 by @tiberio_sorvillo
Typeface: Ortica Linear by @collletttivo

Some typography realised for this fantastic exhibition entitled ‘Memory in Motion’ by South Tyrolean sculptor Eduard Habicher at @museion_bz 🪐🪐🪐

A truly monumental way to celebrate the artist’s 70th birthday, open to everyone at Museion Passage. And again a flawless collaboration with Susanna Piccoli and Elena Bini, I really enjoyed it! 💖

Photos: 1-7 by @tiberio_sorvillo
Typeface: Ortica Linear by @collletttivo

Some typography realised for this fantastic exhibition entitled ‘Memory in Motion’ by South Tyrolean sculptor Eduard Habicher at @museion_bz 🪐🪐🪐

A truly monumental way to celebrate the artist’s 70th birthday, open to everyone at Museion Passage. And again a flawless collaboration with Susanna Piccoli and Elena Bini, I really enjoyed it! 💖

Photos: 1-7 by @tiberio_sorvillo
Typeface: Ortica Linear by @collletttivo

Some typography realised for this fantastic exhibition entitled ‘Memory in Motion’ by South Tyrolean sculptor Eduard Habicher at @museion_bz 🪐🪐🪐

A truly monumental way to celebrate the artist’s 70th birthday, open to everyone at Museion Passage. And again a flawless collaboration with Susanna Piccoli and Elena Bini, I really enjoyed it! 💖

Photos: 1-7 by @tiberio_sorvillo
Typeface: Ortica Linear by @collletttivo

Some typography realised for this fantastic exhibition entitled ‘Memory in Motion’ by South Tyrolean sculptor Eduard Habicher at @museion_bz 🪐🪐🪐

A truly monumental way to celebrate the artist’s 70th birthday, open to everyone at Museion Passage. And again a flawless collaboration with Susanna Piccoli and Elena Bini, I really enjoyed it! 💖

Photos: 1-7 by @tiberio_sorvillo
Typeface: Ortica Linear by @collletttivo

Some typography realised for this fantastic exhibition entitled ‘Memory in Motion’ by South Tyrolean sculptor Eduard Habicher at @museion_bz 🪐🪐🪐

A truly monumental way to celebrate the artist’s 70th birthday, open to everyone at Museion Passage. And again a flawless collaboration with Susanna Piccoli and Elena Bini, I really enjoyed it! 💖

Photos: 1-7 by @tiberio_sorvillo
Typeface: Ortica Linear by @collletttivo

Some typography realised for this fantastic exhibition entitled ‘Memory in Motion’ by South Tyrolean sculptor Eduard Habicher at @museion_bz 🪐🪐🪐

A truly monumental way to celebrate the artist’s 70th birthday, open to everyone at Museion Passage. And again a flawless collaboration with Susanna Piccoli and Elena Bini, I really enjoyed it! 💖

Photos: 1-7 by @tiberio_sorvillo
Typeface: Ortica Linear by @collletttivo

Some typography realised for this fantastic exhibition entitled ‘Memory in Motion’ by South Tyrolean sculptor Eduard Habicher at @museion_bz 🪐🪐🪐

A truly monumental way to celebrate the artist’s 70th birthday, open to everyone at Museion Passage. And again a flawless collaboration with Susanna Piccoli and Elena Bini, I really enjoyed it! 💖

Photos: 1-7 by @tiberio_sorvillo
Typeface: Ortica Linear by @collletttivo

Some typography realised for this fantastic exhibition entitled ‘Memory in Motion’ by South Tyrolean sculptor Eduard Habicher at @museion_bz 🪐🪐🪐

A truly monumental way to celebrate the artist’s 70th birthday, open to everyone at Museion Passage. And again a flawless collaboration with Susanna Piccoli and Elena Bini, I really enjoyed it! 💖

Photos: 1-7 by @tiberio_sorvillo
Typeface: Ortica Linear by @collletttivo

Some typography realised for this fantastic exhibition entitled ‘Memory in Motion’ by South Tyrolean sculptor Eduard Habicher at @museion_bz 🪐🪐🪐

A truly monumental way to celebrate the artist’s 70th birthday, open to everyone at Museion Passage. And again a flawless collaboration with Susanna Piccoli and Elena Bini, I really enjoyed it! 💖

Photos: 1-7 by @tiberio_sorvillo
Typeface: Ortica Linear by @collletttivo

Some typography realised for this fantastic exhibition entitled ‘Memory in Motion’ by South Tyrolean sculptor Eduard Habicher at @museion_bz 🪐🪐🪐

A truly monumental way to celebrate the artist’s 70th birthday, open to everyone at Museion Passage. And again a flawless collaboration with Susanna Piccoli and Elena Bini, I really enjoyed it! 💖

Photos: 1-7 by @tiberio_sorvillo
Typeface: Ortica Linear by @collletttivo

Some typography realised for this fantastic exhibition entitled ‘Memory in Motion’ by South Tyrolean sculptor Eduard Habicher at @museion_bz 🪐🪐🪐

A truly monumental way to celebrate the artist’s 70th birthday, open to everyone at Museion Passage. And again a flawless collaboration with Susanna Piccoli and Elena Bini, I really enjoyed it! 💖

Photos: 1-7 by @tiberio_sorvillo
Typeface: Ortica Linear by @collletttivo

Mini tutorial at the end ➡️➡️➡️ A quirky underestimated feature of @cavalry.app I happened to discover only lately: the String Generator for Values 🍿🍿🍿

The String Generator must be generated from a Text Shape (duh), but its ‘Number’ attribute can be connected to any other numerical attribute (Position, Rotation etc). That numerical value is thus reported in the Text Shape, that you can set in the typeface size/leading/etc you prefer 👯‍♀️

It’s easier done than said, so enjoy the mini tute ciao nerds

Mini tutorial at the end ➡️➡️➡️ A quirky underestimated feature of @cavalry.app I happened to discover only lately: the String Generator for Values 🍿🍿🍿

The String Generator must be generated from a Text Shape (duh), but its ‘Number’ attribute can be connected to any other numerical attribute (Position, Rotation etc). That numerical value is thus reported in the Text Shape, that you can set in the typeface size/leading/etc you prefer 👯‍♀️

It’s easier done than said, so enjoy the mini tute ciao nerds

Mini tutorial at the end ➡️➡️➡️ A quirky underestimated feature of @cavalry.app I happened to discover only lately: the String Generator for Values 🍿🍿🍿

The String Generator must be generated from a Text Shape (duh), but its ‘Number’ attribute can be connected to any other numerical attribute (Position, Rotation etc). That numerical value is thus reported in the Text Shape, that you can set in the typeface size/leading/etc you prefer 👯‍♀️

It’s easier done than said, so enjoy the mini tute ciao nerds

Mini tutorial at the end ➡️➡️➡️ A quirky underestimated feature of @cavalry.app I happened to discover only lately: the String Generator for Values 🍿🍿🍿

The String Generator must be generated from a Text Shape (duh), but its ‘Number’ attribute can be connected to any other numerical attribute (Position, Rotation etc). That numerical value is thus reported in the Text Shape, that you can set in the typeface size/leading/etc you prefer 👯‍♀️

It’s easier done than said, so enjoy the mini tute ciao nerds

Mini tutorial at the end ➡️➡️➡️ A quirky underestimated feature of @cavalry.app I happened to discover only lately: the String Generator for Values 🍿🍿🍿

The String Generator must be generated from a Text Shape (duh), but its ‘Number’ attribute can be connected to any other numerical attribute (Position, Rotation etc). That numerical value is thus reported in the Text Shape, that you can set in the typeface size/leading/etc you prefer 👯‍♀️

It’s easier done than said, so enjoy the mini tute ciao nerds

Mini tutorial at the end ➡️➡️➡️ A quirky underestimated feature of @cavalry.app I happened to discover only lately: the String Generator for Values 🍿🍿🍿

The String Generator must be generated from a Text Shape (duh), but its ‘Number’ attribute can be connected to any other numerical attribute (Position, Rotation etc). That numerical value is thus reported in the Text Shape, that you can set in the typeface size/leading/etc you prefer 👯‍♀️

It’s easier done than said, so enjoy the mini tute ciao nerds

Mini tutorial at the end ➡️➡️➡️ A quirky underestimated feature of @cavalry.app I happened to discover only lately: the String Generator for Values 🍿🍿🍿

The String Generator must be generated from a Text Shape (duh), but its ‘Number’ attribute can be connected to any other numerical attribute (Position, Rotation etc). That numerical value is thus reported in the Text Shape, that you can set in the typeface size/leading/etc you prefer 👯‍♀️

It’s easier done than said, so enjoy the mini tute ciao nerds

Mini tutorial at the end ➡️➡️➡️ A quirky underestimated feature of @cavalry.app I happened to discover only lately: the String Generator for Values 🍿🍿🍿

The String Generator must be generated from a Text Shape (duh), but its ‘Number’ attribute can be connected to any other numerical attribute (Position, Rotation etc). That numerical value is thus reported in the Text Shape, that you can set in the typeface size/leading/etc you prefer 👯‍♀️

It’s easier done than said, so enjoy the mini tute ciao nerds

Mini tutorial at the end ➡️➡️➡️ A quirky underestimated feature of @cavalry.app I happened to discover only lately: the String Generator for Values 🍿🍿🍿

The String Generator must be generated from a Text Shape (duh), but its ‘Number’ attribute can be connected to any other numerical attribute (Position, Rotation etc). That numerical value is thus reported in the Text Shape, that you can set in the typeface size/leading/etc you prefer 👯‍♀️

It’s easier done than said, so enjoy the mini tute ciao nerds

Introducing Typeflow 🟣 typeflow.tools

A new Algo demo, running on Cavalry.

This new free tool (& collaborative project) lets you create artistic typographic animations made in Cavalry, directly in the browser.

Previously, Algo demos always had animation templates made exclusively by our team — but this time we wanted to do something different: collaborating with the Cavalry community. The idea is to have one scene each made by some of our favorite Cavalry artists.

The artists include ShoobAKA, Antonin.work, Matteo Campostrini, Mario De Meyer, plus one scene by our co-founder Luca Gonnelli.

This is possible thanks to the Cavalry Web Player: a new beta feature that plays Cavalry files directly in the browser. This is the first projects in the world going live with it.

Try it out and create as many videos as you like. Cloud rendering costs are on us.

What would you build now that Cavalry files play inside the browser?

Introducing Typeflow 🟣 typeflow.tools

A new Algo demo, running on Cavalry.

This new free tool (& collaborative project) lets you create artistic typographic animations made in Cavalry, directly in the browser.

Previously, Algo demos always had animation templates made exclusively by our team — but this time we wanted to do something different: collaborating with the Cavalry community. The idea is to have one scene each made by some of our favorite Cavalry artists.

The artists include ShoobAKA, Antonin.work, Matteo Campostrini, Mario De Meyer, plus one scene by our co-founder Luca Gonnelli.

This is possible thanks to the Cavalry Web Player: a new beta feature that plays Cavalry files directly in the browser. This is the first projects in the world going live with it.

Try it out and create as many videos as you like. Cloud rendering costs are on us.

What would you build now that Cavalry files play inside the browser?

Introducing Typeflow 🟣 typeflow.tools

A new Algo demo, running on Cavalry.

This new free tool (& collaborative project) lets you create artistic typographic animations made in Cavalry, directly in the browser.

Previously, Algo demos always had animation templates made exclusively by our team — but this time we wanted to do something different: collaborating with the Cavalry community. The idea is to have one scene each made by some of our favorite Cavalry artists.

The artists include ShoobAKA, Antonin.work, Matteo Campostrini, Mario De Meyer, plus one scene by our co-founder Luca Gonnelli.

This is possible thanks to the Cavalry Web Player: a new beta feature that plays Cavalry files directly in the browser. This is the first projects in the world going live with it.

Try it out and create as many videos as you like. Cloud rendering costs are on us.

What would you build now that Cavalry files play inside the browser?

Introducing Typeflow 🟣 typeflow.tools

A new Algo demo, running on Cavalry.

This new free tool (& collaborative project) lets you create artistic typographic animations made in Cavalry, directly in the browser.

Previously, Algo demos always had animation templates made exclusively by our team — but this time we wanted to do something different: collaborating with the Cavalry community. The idea is to have one scene each made by some of our favorite Cavalry artists.

The artists include ShoobAKA, Antonin.work, Matteo Campostrini, Mario De Meyer, plus one scene by our co-founder Luca Gonnelli.

This is possible thanks to the Cavalry Web Player: a new beta feature that plays Cavalry files directly in the browser. This is the first projects in the world going live with it.

Try it out and create as many videos as you like. Cloud rendering costs are on us.

What would you build now that Cavalry files play inside the browser?

Introducing Typeflow 🟣 typeflow.tools

A new Algo demo, running on Cavalry.

This new free tool (& collaborative project) lets you create artistic typographic animations made in Cavalry, directly in the browser.

Previously, Algo demos always had animation templates made exclusively by our team — but this time we wanted to do something different: collaborating with the Cavalry community. The idea is to have one scene each made by some of our favorite Cavalry artists.

The artists include ShoobAKA, Antonin.work, Matteo Campostrini, Mario De Meyer, plus one scene by our co-founder Luca Gonnelli.

This is possible thanks to the Cavalry Web Player: a new beta feature that plays Cavalry files directly in the browser. This is the first projects in the world going live with it.

Try it out and create as many videos as you like. Cloud rendering costs are on us.

What would you build now that Cavalry files play inside the browser?

Introducing Typeflow 🟣 typeflow.tools

A new Algo demo, running on Cavalry.

This new free tool (& collaborative project) lets you create artistic typographic animations made in Cavalry, directly in the browser.

Previously, Algo demos always had animation templates made exclusively by our team — but this time we wanted to do something different: collaborating with the Cavalry community. The idea is to have one scene each made by some of our favorite Cavalry artists.

The artists include ShoobAKA, Antonin.work, Matteo Campostrini, Mario De Meyer, plus one scene by our co-founder Luca Gonnelli.

This is possible thanks to the Cavalry Web Player: a new beta feature that plays Cavalry files directly in the browser. This is the first projects in the world going live with it.

Try it out and create as many videos as you like. Cloud rendering costs are on us.

What would you build now that Cavalry files play inside the browser?

Introducing Typeflow 🟣 typeflow.tools

A new Algo demo, running on Cavalry.

This new free tool (& collaborative project) lets you create artistic typographic animations made in Cavalry, directly in the browser.

Previously, Algo demos always had animation templates made exclusively by our team — but this time we wanted to do something different: collaborating with the Cavalry community. The idea is to have one scene each made by some of our favorite Cavalry artists.

The artists include ShoobAKA, Antonin.work, Matteo Campostrini, Mario De Meyer, plus one scene by our co-founder Luca Gonnelli.

This is possible thanks to the Cavalry Web Player: a new beta feature that plays Cavalry files directly in the browser. This is the first projects in the world going live with it.

Try it out and create as many videos as you like. Cloud rendering costs are on us.

What would you build now that Cavalry files play inside the browser?

A good recap of the visual identity of the exhibition ‘Opere di Ingegno’ curated by Valentina Eccher of @ordineingegneritn and @luca_orlando_bertoldi at @palazzoroccabruna , interlaced with the photographs of @paolo.sandri 🌞

#typography #typographic #brand #branding #art
#exhibit #exhibition #graphic #graphicdesign #visual #visualidentitydesign

A good recap of the visual identity of the exhibition ‘Opere di Ingegno’ curated by Valentina Eccher of @ordineingegneritn and @luca_orlando_bertoldi at @palazzoroccabruna , interlaced with the photographs of @paolo.sandri 🌞

#typography #typographic #brand #branding #art
#exhibit #exhibition #graphic #graphicdesign #visual #visualidentitydesign

A good recap of the visual identity of the exhibition ‘Opere di Ingegno’ curated by Valentina Eccher of @ordineingegneritn and @luca_orlando_bertoldi at @palazzoroccabruna , interlaced with the photographs of @paolo.sandri 🌞

#typography #typographic #brand #branding #art
#exhibit #exhibition #graphic #graphicdesign #visual #visualidentitydesign

A good recap of the visual identity of the exhibition ‘Opere di Ingegno’ curated by Valentina Eccher of @ordineingegneritn and @luca_orlando_bertoldi at @palazzoroccabruna , interlaced with the photographs of @paolo.sandri 🌞

#typography #typographic #brand #branding #art
#exhibit #exhibition #graphic #graphicdesign #visual #visualidentitydesign

A good recap of the visual identity of the exhibition ‘Opere di Ingegno’ curated by Valentina Eccher of @ordineingegneritn and @luca_orlando_bertoldi at @palazzoroccabruna , interlaced with the photographs of @paolo.sandri 🌞

#typography #typographic #brand #branding #art
#exhibit #exhibition #graphic #graphicdesign #visual #visualidentitydesign

A good recap of the visual identity of the exhibition ‘Opere di Ingegno’ curated by Valentina Eccher of @ordineingegneritn and @luca_orlando_bertoldi at @palazzoroccabruna , interlaced with the photographs of @paolo.sandri 🌞

#typography #typographic #brand #branding #art
#exhibit #exhibition #graphic #graphicdesign #visual #visualidentitydesign

A good recap of the visual identity of the exhibition ‘Opere di Ingegno’ curated by Valentina Eccher of @ordineingegneritn and @luca_orlando_bertoldi at @palazzoroccabruna , interlaced with the photographs of @paolo.sandri 🌞

#typography #typographic #brand #branding #art
#exhibit #exhibition #graphic #graphicdesign #visual #visualidentitydesign

A good recap of the visual identity of the exhibition ‘Opere di Ingegno’ curated by Valentina Eccher of @ordineingegneritn and @luca_orlando_bertoldi at @palazzoroccabruna , interlaced with the photographs of @paolo.sandri 🌞

#typography #typographic #brand #branding #art
#exhibit #exhibition #graphic #graphicdesign #visual #visualidentitydesign

A good recap of the visual identity of the exhibition ‘Opere di Ingegno’ curated by Valentina Eccher of @ordineingegneritn and @luca_orlando_bertoldi at @palazzoroccabruna , interlaced with the photographs of @paolo.sandri 🌞

#typography #typographic #brand #branding #art
#exhibit #exhibition #graphic #graphicdesign #visual #visualidentitydesign

A good recap of the visual identity of the exhibition ‘Opere di Ingegno’ curated by Valentina Eccher of @ordineingegneritn and @luca_orlando_bertoldi at @palazzoroccabruna , interlaced with the photographs of @paolo.sandri 🌞

#typography #typographic #brand #branding #art
#exhibit #exhibition #graphic #graphicdesign #visual #visualidentitydesign

A good recap of the visual identity of the exhibition ‘Opere di Ingegno’ curated by Valentina Eccher of @ordineingegneritn and @luca_orlando_bertoldi at @palazzoroccabruna , interlaced with the photographs of @paolo.sandri 🌞

#typography #typographic #brand #branding #art
#exhibit #exhibition #graphic #graphicdesign #visual #visualidentitydesign

A good recap of the visual identity of the exhibition ‘Opere di Ingegno’ curated by Valentina Eccher of @ordineingegneritn and @luca_orlando_bertoldi at @palazzoroccabruna , interlaced with the photographs of @paolo.sandri 🌞

#typography #typographic #brand #branding #art
#exhibit #exhibition #graphic #graphicdesign #visual #visualidentitydesign

A good recap of the visual identity of the exhibition ‘Opere di Ingegno’ curated by Valentina Eccher of @ordineingegneritn and @luca_orlando_bertoldi at @palazzoroccabruna , interlaced with the photographs of @paolo.sandri 🌞

#typography #typographic #brand #branding #art
#exhibit #exhibition #graphic #graphicdesign #visual #visualidentitydesign

A good recap of the visual identity of the exhibition ‘Opere di Ingegno’ curated by Valentina Eccher of @ordineingegneritn and @luca_orlando_bertoldi at @palazzoroccabruna , interlaced with the photographs of @paolo.sandri 🌞

#typography #typographic #brand #branding #art
#exhibit #exhibition #graphic #graphicdesign #visual #visualidentitydesign

A good recap of the visual identity of the exhibition ‘Opere di Ingegno’ curated by Valentina Eccher of @ordineingegneritn and @luca_orlando_bertoldi at @palazzoroccabruna , interlaced with the photographs of @paolo.sandri 🌞

#typography #typographic #brand #branding #art
#exhibit #exhibition #graphic #graphicdesign #visual #visualidentitydesign

A good recap of the visual identity of the exhibition ‘Opere di Ingegno’ curated by Valentina Eccher of @ordineingegneritn and @luca_orlando_bertoldi at @palazzoroccabruna , interlaced with the photographs of @paolo.sandri 🌞

#typography #typographic #brand #branding #art
#exhibit #exhibition #graphic #graphicdesign #visual #visualidentitydesign

A good recap of the visual identity of the exhibition ‘Opere di Ingegno’ curated by Valentina Eccher of @ordineingegneritn and @luca_orlando_bertoldi at @palazzoroccabruna , interlaced with the photographs of @paolo.sandri 🌞

#typography #typographic #brand #branding #art
#exhibit #exhibition #graphic #graphicdesign #visual #visualidentitydesign

A good recap of the visual identity of the exhibition ‘Opere di Ingegno’ curated by Valentina Eccher of @ordineingegneritn and @luca_orlando_bertoldi at @palazzoroccabruna , interlaced with the photographs of @paolo.sandri 🌞

#typography #typographic #brand #branding #art
#exhibit #exhibition #graphic #graphicdesign #visual #visualidentitydesign

I saw @antonin.work latest @cavalry.app Mesh tutorial and had to try it out with my dog 🐶 it made me realize that a beautiful dog remains beautiful also when stretched 💅

I also remind you that these are the very last days you can apply for the @cavalry.app weekend workshop in Brescia at @scuolacomicsbrescia 📌📌📌

You find all the info in my previous posts, but if you swipe through this you find the pictures of Fibi at the grooming salon when she arrived to Trento. This portrait was shot by @amici_spettinati_toelettatura himself!

#cavalry #animation #design #graphic #graphicdesign #brand #typography #typographic

I saw @antonin.work latest @cavalry.app Mesh tutorial and had to try it out with my dog 🐶 it made me realize that a beautiful dog remains beautiful also when stretched 💅

I also remind you that these are the very last days you can apply for the @cavalry.app weekend workshop in Brescia at @scuolacomicsbrescia 📌📌📌

You find all the info in my previous posts, but if you swipe through this you find the pictures of Fibi at the grooming salon when she arrived to Trento. This portrait was shot by @amici_spettinati_toelettatura himself!

#cavalry #animation #design #graphic #graphicdesign #brand #typography #typographic

I saw @antonin.work latest @cavalry.app Mesh tutorial and had to try it out with my dog 🐶 it made me realize that a beautiful dog remains beautiful also when stretched 💅

I also remind you that these are the very last days you can apply for the @cavalry.app weekend workshop in Brescia at @scuolacomicsbrescia 📌📌📌

You find all the info in my previous posts, but if you swipe through this you find the pictures of Fibi at the grooming salon when she arrived to Trento. This portrait was shot by @amici_spettinati_toelettatura himself!

#cavalry #animation #design #graphic #graphicdesign #brand #typography #typographic

I saw @antonin.work latest @cavalry.app Mesh tutorial and had to try it out with my dog 🐶 it made me realize that a beautiful dog remains beautiful also when stretched 💅

I also remind you that these are the very last days you can apply for the @cavalry.app weekend workshop in Brescia at @scuolacomicsbrescia 📌📌📌

You find all the info in my previous posts, but if you swipe through this you find the pictures of Fibi at the grooming salon when she arrived to Trento. This portrait was shot by @amici_spettinati_toelettatura himself!

#cavalry #animation #design #graphic #graphicdesign #brand #typography #typographic

Some animations realised by the students of our @cavalry.app school at @la.foresta.rovereto 🎲🎲🎲

Every animation started by rolling three dices: each score was connected to a specific task to translate visually (see last slides) 👀 , gradually increasing the complexity ⬆️

If you’re willing to take part to a class like this, I will offer an intensive Cavalry workshop in Brescia at @scuolacomicsbrescia in November!

Every info in link in bio and in my previous posts

These animations are designed by:
1-5 Luca Merlini @_luca.merlini_
6 Chiara Chiasera @chiara_chiasera
7 Giulia Giordano @grappaiulia
8-11 Noemi Moscatelli @noemimoscatelli.design

Some animations realised by the students of our @cavalry.app school at @la.foresta.rovereto 🎲🎲🎲

Every animation started by rolling three dices: each score was connected to a specific task to translate visually (see last slides) 👀 , gradually increasing the complexity ⬆️

If you’re willing to take part to a class like this, I will offer an intensive Cavalry workshop in Brescia at @scuolacomicsbrescia in November!

Every info in link in bio and in my previous posts

These animations are designed by:
1-5 Luca Merlini @_luca.merlini_
6 Chiara Chiasera @chiara_chiasera
7 Giulia Giordano @grappaiulia
8-11 Noemi Moscatelli @noemimoscatelli.design

Some animations realised by the students of our @cavalry.app school at @la.foresta.rovereto 🎲🎲🎲

Every animation started by rolling three dices: each score was connected to a specific task to translate visually (see last slides) 👀 , gradually increasing the complexity ⬆️

If you’re willing to take part to a class like this, I will offer an intensive Cavalry workshop in Brescia at @scuolacomicsbrescia in November!

Every info in link in bio and in my previous posts

These animations are designed by:
1-5 Luca Merlini @_luca.merlini_
6 Chiara Chiasera @chiara_chiasera
7 Giulia Giordano @grappaiulia
8-11 Noemi Moscatelli @noemimoscatelli.design

Some animations realised by the students of our @cavalry.app school at @la.foresta.rovereto 🎲🎲🎲

Every animation started by rolling three dices: each score was connected to a specific task to translate visually (see last slides) 👀 , gradually increasing the complexity ⬆️

If you’re willing to take part to a class like this, I will offer an intensive Cavalry workshop in Brescia at @scuolacomicsbrescia in November!

Every info in link in bio and in my previous posts

These animations are designed by:
1-5 Luca Merlini @_luca.merlini_
6 Chiara Chiasera @chiara_chiasera
7 Giulia Giordano @grappaiulia
8-11 Noemi Moscatelli @noemimoscatelli.design

Some animations realised by the students of our @cavalry.app school at @la.foresta.rovereto 🎲🎲🎲

Every animation started by rolling three dices: each score was connected to a specific task to translate visually (see last slides) 👀 , gradually increasing the complexity ⬆️

If you’re willing to take part to a class like this, I will offer an intensive Cavalry workshop in Brescia at @scuolacomicsbrescia in November!

Every info in link in bio and in my previous posts

These animations are designed by:
1-5 Luca Merlini @_luca.merlini_
6 Chiara Chiasera @chiara_chiasera
7 Giulia Giordano @grappaiulia
8-11 Noemi Moscatelli @noemimoscatelli.design

Some animations realised by the students of our @cavalry.app school at @la.foresta.rovereto 🎲🎲🎲

Every animation started by rolling three dices: each score was connected to a specific task to translate visually (see last slides) 👀 , gradually increasing the complexity ⬆️

If you’re willing to take part to a class like this, I will offer an intensive Cavalry workshop in Brescia at @scuolacomicsbrescia in November!

Every info in link in bio and in my previous posts

These animations are designed by:
1-5 Luca Merlini @_luca.merlini_
6 Chiara Chiasera @chiara_chiasera
7 Giulia Giordano @grappaiulia
8-11 Noemi Moscatelli @noemimoscatelli.design

Some animations realised by the students of our @cavalry.app school at @la.foresta.rovereto 🎲🎲🎲

Every animation started by rolling three dices: each score was connected to a specific task to translate visually (see last slides) 👀 , gradually increasing the complexity ⬆️

If you’re willing to take part to a class like this, I will offer an intensive Cavalry workshop in Brescia at @scuolacomicsbrescia in November!

Every info in link in bio and in my previous posts

These animations are designed by:
1-5 Luca Merlini @_luca.merlini_
6 Chiara Chiasera @chiara_chiasera
7 Giulia Giordano @grappaiulia
8-11 Noemi Moscatelli @noemimoscatelli.design

Some animations realised by the students of our @cavalry.app school at @la.foresta.rovereto 🎲🎲🎲

Every animation started by rolling three dices: each score was connected to a specific task to translate visually (see last slides) 👀 , gradually increasing the complexity ⬆️

If you’re willing to take part to a class like this, I will offer an intensive Cavalry workshop in Brescia at @scuolacomicsbrescia in November!

Every info in link in bio and in my previous posts

These animations are designed by:
1-5 Luca Merlini @_luca.merlini_
6 Chiara Chiasera @chiara_chiasera
7 Giulia Giordano @grappaiulia
8-11 Noemi Moscatelli @noemimoscatelli.design

Some animations realised by the students of our @cavalry.app school at @la.foresta.rovereto 🎲🎲🎲

Every animation started by rolling three dices: each score was connected to a specific task to translate visually (see last slides) 👀 , gradually increasing the complexity ⬆️

If you’re willing to take part to a class like this, I will offer an intensive Cavalry workshop in Brescia at @scuolacomicsbrescia in November!

Every info in link in bio and in my previous posts

These animations are designed by:
1-5 Luca Merlini @_luca.merlini_
6 Chiara Chiasera @chiara_chiasera
7 Giulia Giordano @grappaiulia
8-11 Noemi Moscatelli @noemimoscatelli.design

Some animations realised by the students of our @cavalry.app school at @la.foresta.rovereto 🎲🎲🎲

Every animation started by rolling three dices: each score was connected to a specific task to translate visually (see last slides) 👀 , gradually increasing the complexity ⬆️

If you’re willing to take part to a class like this, I will offer an intensive Cavalry workshop in Brescia at @scuolacomicsbrescia in November!

Every info in link in bio and in my previous posts

These animations are designed by:
1-5 Luca Merlini @_luca.merlini_
6 Chiara Chiasera @chiara_chiasera
7 Giulia Giordano @grappaiulia
8-11 Noemi Moscatelli @noemimoscatelli.design

Some animations realised by the students of our @cavalry.app school at @la.foresta.rovereto 🎲🎲🎲

Every animation started by rolling three dices: each score was connected to a specific task to translate visually (see last slides) 👀 , gradually increasing the complexity ⬆️

If you’re willing to take part to a class like this, I will offer an intensive Cavalry workshop in Brescia at @scuolacomicsbrescia in November!

Every info in link in bio and in my previous posts

These animations are designed by:
1-5 Luca Merlini @_luca.merlini_
6 Chiara Chiasera @chiara_chiasera
7 Giulia Giordano @grappaiulia
8-11 Noemi Moscatelli @noemimoscatelli.design

Some animations realised by the students of our @cavalry.app school at @la.foresta.rovereto 🎲🎲🎲

Every animation started by rolling three dices: each score was connected to a specific task to translate visually (see last slides) 👀 , gradually increasing the complexity ⬆️

If you’re willing to take part to a class like this, I will offer an intensive Cavalry workshop in Brescia at @scuolacomicsbrescia in November!

Every info in link in bio and in my previous posts

These animations are designed by:
1-5 Luca Merlini @_luca.merlini_
6 Chiara Chiasera @chiara_chiasera
7 Giulia Giordano @grappaiulia
8-11 Noemi Moscatelli @noemimoscatelli.design

Some animations realised by the students of our @cavalry.app school at @la.foresta.rovereto 🎲🎲🎲

Every animation started by rolling three dices: each score was connected to a specific task to translate visually (see last slides) 👀 , gradually increasing the complexity ⬆️

If you’re willing to take part to a class like this, I will offer an intensive Cavalry workshop in Brescia at @scuolacomicsbrescia in November!

Every info in link in bio and in my previous posts

These animations are designed by:
1-5 Luca Merlini @_luca.merlini_
6 Chiara Chiasera @chiara_chiasera
7 Giulia Giordano @grappaiulia
8-11 Noemi Moscatelli @noemimoscatelli.design

A friendly reminder for everyone interested in the intensive @cavalry.app workshop at @scuolacomicsbrescia in November: there are still a few places available 😎

All infos in my previous posts and registration link in my link in bio 🤖

To the many people asking: 🤔
‘Do you do it online?’
C’mon is too boring
‘Can you do it in Milan?’
It’s already a miracle I leave Trentino

These animations are achieved by applying a bunch of procedural behaviors (Frame, Noise, Oscillators) to the Primitive Shapes of aDuplicator, whose distribution follows the path of given letters.

If you don’t get it come to Brescia and Iearn it!
#yeah #cavalry #motion #animation #design #typography #graphicdesign #art

A friendly reminder for everyone interested in the intensive @cavalry.app workshop at @scuolacomicsbrescia in November: there are still a few places available 😎

All infos in my previous posts and registration link in my link in bio 🤖

To the many people asking: 🤔
‘Do you do it online?’
C’mon is too boring
‘Can you do it in Milan?’
It’s already a miracle I leave Trentino

These animations are achieved by applying a bunch of procedural behaviors (Frame, Noise, Oscillators) to the Primitive Shapes of aDuplicator, whose distribution follows the path of given letters.

If you don’t get it come to Brescia and Iearn it!
#yeah #cavalry #motion #animation #design #typography #graphicdesign #art

A friendly reminder for everyone interested in the intensive @cavalry.app workshop at @scuolacomicsbrescia in November: there are still a few places available 😎

All infos in my previous posts and registration link in my link in bio 🤖

To the many people asking: 🤔
‘Do you do it online?’
C’mon is too boring
‘Can you do it in Milan?’
It’s already a miracle I leave Trentino

These animations are achieved by applying a bunch of procedural behaviors (Frame, Noise, Oscillators) to the Primitive Shapes of aDuplicator, whose distribution follows the path of given letters.

If you don’t get it come to Brescia and Iearn it!
#yeah #cavalry #motion #animation #design #typography #graphicdesign #art

A friendly reminder for everyone interested in the intensive @cavalry.app workshop at @scuolacomicsbrescia in November: there are still a few places available 😎

All infos in my previous posts and registration link in my link in bio 🤖

To the many people asking: 🤔
‘Do you do it online?’
C’mon is too boring
‘Can you do it in Milan?’
It’s already a miracle I leave Trentino

These animations are achieved by applying a bunch of procedural behaviors (Frame, Noise, Oscillators) to the Primitive Shapes of aDuplicator, whose distribution follows the path of given letters.

If you don’t get it come to Brescia and Iearn it!
#yeah #cavalry #motion #animation #design #typography #graphicdesign #art

A friendly reminder for everyone interested in the intensive @cavalry.app workshop at @scuolacomicsbrescia in November: there are still a few places available 😎

All infos in my previous posts and registration link in my link in bio 🤖

To the many people asking: 🤔
‘Do you do it online?’
C’mon is too boring
‘Can you do it in Milan?’
It’s already a miracle I leave Trentino

These animations are achieved by applying a bunch of procedural behaviors (Frame, Noise, Oscillators) to the Primitive Shapes of aDuplicator, whose distribution follows the path of given letters.

If you don’t get it come to Brescia and Iearn it!
#yeah #cavalry #motion #animation #design #typography #graphicdesign #art

A friendly reminder for everyone interested in the intensive @cavalry.app workshop at @scuolacomicsbrescia in November: there are still a few places available 😎

All infos in my previous posts and registration link in my link in bio 🤖

To the many people asking: 🤔
‘Do you do it online?’
C’mon is too boring
‘Can you do it in Milan?’
It’s already a miracle I leave Trentino

These animations are achieved by applying a bunch of procedural behaviors (Frame, Noise, Oscillators) to the Primitive Shapes of aDuplicator, whose distribution follows the path of given letters.

If you don’t get it come to Brescia and Iearn it!
#yeah #cavalry #motion #animation #design #typography #graphicdesign #art

A friendly reminder for everyone interested in the intensive @cavalry.app workshop at @scuolacomicsbrescia in November: there are still a few places available 😎

All infos in my previous posts and registration link in my link in bio 🤖

To the many people asking: 🤔
‘Do you do it online?’
C’mon is too boring
‘Can you do it in Milan?’
It’s already a miracle I leave Trentino

These animations are achieved by applying a bunch of procedural behaviors (Frame, Noise, Oscillators) to the Primitive Shapes of aDuplicator, whose distribution follows the path of given letters.

If you don’t get it come to Brescia and Iearn it!
#yeah #cavalry #motion #animation #design #typography #graphicdesign #art