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Fragments from The Shadow Of Us, a short from a couple of winters ago.

Would say it was highly unusual, deliberately experimental shoot blending practical effects, in-camera techniques, and VFX into a single visual language. Made even better by building it alongside a talented, sharp, and generous crew who made the long days far more enjoyable.

Starring Jacob Klick, Karina Correa, Adam Lemieux and Amelia Carvalho

Written and Directed by @by_adambel
Produced by @lostpicture_prod and @petemac911
1st Assistant Director: @mario_aguileraa
DoP: 🙋‍♂️
Assistant Camera / DIT / Color / Edit @kiranyashwanth
Gaffer: @aidanmatney
G&E swings: @evanleonard905 @dvrkcr @karnlitah

Production Sound Mixers: @sound.speeding.mixers @dubyachong

Production Design by @nicklaws7
Art Director @paige_tanya_lynn_
Set Dresser @amilliahh
HMUA Bela Avelar
Production Assistant @musa_fawa
BTS by @carmenchenfilm
Dog Wrangling by DAWG

Edited by Kiran Yashwanth
Music by Alexander Arntzen
Sound Design by Fernando Henna
Sound FX editor Joao Victor Coura
Dialogue Editor | Lazaro Uilgner
Assistant Sound Editor | Guto Escobar
Sound Project Manager | Marilia Mencucini
Visual FX by @miguelfernandes.vfx

Special thanks to Vital Productions, LairdFX, Evelyn Sifton, Ziggie Margies, Diego Dias, Ève Desrosier-Gravel, Serge Desrosiers, Antoine Doan, Giovanni Germani, Aluna Theater

Fragments from The Shadow Of Us, a short from a couple of winters ago.

Would say it was highly unusual, deliberately experimental shoot blending practical effects, in-camera techniques, and VFX into a single visual language. Made even better by building it alongside a talented, sharp, and generous crew who made the long days far more enjoyable.

Starring Jacob Klick, Karina Correa, Adam Lemieux and Amelia Carvalho

Written and Directed by @by_adambel
Produced by @lostpicture_prod and @petemac911
1st Assistant Director: @mario_aguileraa
DoP: 🙋‍♂️
Assistant Camera / DIT / Color / Edit @kiranyashwanth
Gaffer: @aidanmatney
G&E swings: @evanleonard905 @dvrkcr @karnlitah

Production Sound Mixers: @sound.speeding.mixers @dubyachong

Production Design by @nicklaws7
Art Director @paige_tanya_lynn_
Set Dresser @amilliahh
HMUA Bela Avelar
Production Assistant @musa_fawa
BTS by @carmenchenfilm
Dog Wrangling by DAWG

Edited by Kiran Yashwanth
Music by Alexander Arntzen
Sound Design by Fernando Henna
Sound FX editor Joao Victor Coura
Dialogue Editor | Lazaro Uilgner
Assistant Sound Editor | Guto Escobar
Sound Project Manager | Marilia Mencucini
Visual FX by @miguelfernandes.vfx

Special thanks to Vital Productions, LairdFX, Evelyn Sifton, Ziggie Margies, Diego Dias, Ève Desrosier-Gravel, Serge Desrosiers, Antoine Doan, Giovanni Germani, Aluna Theater

Fragments from The Shadow Of Us, a short from a couple of winters ago.

Would say it was highly unusual, deliberately experimental shoot blending practical effects, in-camera techniques, and VFX into a single visual language. Made even better by building it alongside a talented, sharp, and generous crew who made the long days far more enjoyable.

Starring Jacob Klick, Karina Correa, Adam Lemieux and Amelia Carvalho

Written and Directed by @by_adambel
Produced by @lostpicture_prod and @petemac911
1st Assistant Director: @mario_aguileraa
DoP: 🙋‍♂️
Assistant Camera / DIT / Color / Edit @kiranyashwanth
Gaffer: @aidanmatney
G&E swings: @evanleonard905 @dvrkcr @karnlitah

Production Sound Mixers: @sound.speeding.mixers @dubyachong

Production Design by @nicklaws7
Art Director @paige_tanya_lynn_
Set Dresser @amilliahh
HMUA Bela Avelar
Production Assistant @musa_fawa
BTS by @carmenchenfilm
Dog Wrangling by DAWG

Edited by Kiran Yashwanth
Music by Alexander Arntzen
Sound Design by Fernando Henna
Sound FX editor Joao Victor Coura
Dialogue Editor | Lazaro Uilgner
Assistant Sound Editor | Guto Escobar
Sound Project Manager | Marilia Mencucini
Visual FX by @miguelfernandes.vfx

Special thanks to Vital Productions, LairdFX, Evelyn Sifton, Ziggie Margies, Diego Dias, Ève Desrosier-Gravel, Serge Desrosiers, Antoine Doan, Giovanni Germani, Aluna Theater

Fragments from The Shadow Of Us, a short from a couple of winters ago.

Would say it was highly unusual, deliberately experimental shoot blending practical effects, in-camera techniques, and VFX into a single visual language. Made even better by building it alongside a talented, sharp, and generous crew who made the long days far more enjoyable.

Starring Jacob Klick, Karina Correa, Adam Lemieux and Amelia Carvalho

Written and Directed by @by_adambel
Produced by @lostpicture_prod and @petemac911
1st Assistant Director: @mario_aguileraa
DoP: 🙋‍♂️
Assistant Camera / DIT / Color / Edit @kiranyashwanth
Gaffer: @aidanmatney
G&E swings: @evanleonard905 @dvrkcr @karnlitah

Production Sound Mixers: @sound.speeding.mixers @dubyachong

Production Design by @nicklaws7
Art Director @paige_tanya_lynn_
Set Dresser @amilliahh
HMUA Bela Avelar
Production Assistant @musa_fawa
BTS by @carmenchenfilm
Dog Wrangling by DAWG

Edited by Kiran Yashwanth
Music by Alexander Arntzen
Sound Design by Fernando Henna
Sound FX editor Joao Victor Coura
Dialogue Editor | Lazaro Uilgner
Assistant Sound Editor | Guto Escobar
Sound Project Manager | Marilia Mencucini
Visual FX by @miguelfernandes.vfx

Special thanks to Vital Productions, LairdFX, Evelyn Sifton, Ziggie Margies, Diego Dias, Ève Desrosier-Gravel, Serge Desrosiers, Antoine Doan, Giovanni Germani, Aluna Theater

Fragments from The Shadow Of Us, a short from a couple of winters ago.

Would say it was highly unusual, deliberately experimental shoot blending practical effects, in-camera techniques, and VFX into a single visual language. Made even better by building it alongside a talented, sharp, and generous crew who made the long days far more enjoyable.

Starring Jacob Klick, Karina Correa, Adam Lemieux and Amelia Carvalho

Written and Directed by @by_adambel
Produced by @lostpicture_prod and @petemac911
1st Assistant Director: @mario_aguileraa
DoP: 🙋‍♂️
Assistant Camera / DIT / Color / Edit @kiranyashwanth
Gaffer: @aidanmatney
G&E swings: @evanleonard905 @dvrkcr @karnlitah

Production Sound Mixers: @sound.speeding.mixers @dubyachong

Production Design by @nicklaws7
Art Director @paige_tanya_lynn_
Set Dresser @amilliahh
HMUA Bela Avelar
Production Assistant @musa_fawa
BTS by @carmenchenfilm
Dog Wrangling by DAWG

Edited by Kiran Yashwanth
Music by Alexander Arntzen
Sound Design by Fernando Henna
Sound FX editor Joao Victor Coura
Dialogue Editor | Lazaro Uilgner
Assistant Sound Editor | Guto Escobar
Sound Project Manager | Marilia Mencucini
Visual FX by @miguelfernandes.vfx

Special thanks to Vital Productions, LairdFX, Evelyn Sifton, Ziggie Margies, Diego Dias, Ève Desrosier-Gravel, Serge Desrosiers, Antoine Doan, Giovanni Germani, Aluna Theater

Fragments from The Shadow Of Us, a short from a couple of winters ago.

Would say it was highly unusual, deliberately experimental shoot blending practical effects, in-camera techniques, and VFX into a single visual language. Made even better by building it alongside a talented, sharp, and generous crew who made the long days far more enjoyable.

Starring Jacob Klick, Karina Correa, Adam Lemieux and Amelia Carvalho

Written and Directed by @by_adambel
Produced by @lostpicture_prod and @petemac911
1st Assistant Director: @mario_aguileraa
DoP: 🙋‍♂️
Assistant Camera / DIT / Color / Edit @kiranyashwanth
Gaffer: @aidanmatney
G&E swings: @evanleonard905 @dvrkcr @karnlitah

Production Sound Mixers: @sound.speeding.mixers @dubyachong

Production Design by @nicklaws7
Art Director @paige_tanya_lynn_
Set Dresser @amilliahh
HMUA Bela Avelar
Production Assistant @musa_fawa
BTS by @carmenchenfilm
Dog Wrangling by DAWG

Edited by Kiran Yashwanth
Music by Alexander Arntzen
Sound Design by Fernando Henna
Sound FX editor Joao Victor Coura
Dialogue Editor | Lazaro Uilgner
Assistant Sound Editor | Guto Escobar
Sound Project Manager | Marilia Mencucini
Visual FX by @miguelfernandes.vfx

Special thanks to Vital Productions, LairdFX, Evelyn Sifton, Ziggie Margies, Diego Dias, Ève Desrosier-Gravel, Serge Desrosiers, Antoine Doan, Giovanni Germani, Aluna Theater

Fragments from The Shadow Of Us, a short from a couple of winters ago.

Would say it was highly unusual, deliberately experimental shoot blending practical effects, in-camera techniques, and VFX into a single visual language. Made even better by building it alongside a talented, sharp, and generous crew who made the long days far more enjoyable.

Starring Jacob Klick, Karina Correa, Adam Lemieux and Amelia Carvalho

Written and Directed by @by_adambel
Produced by @lostpicture_prod and @petemac911
1st Assistant Director: @mario_aguileraa
DoP: 🙋‍♂️
Assistant Camera / DIT / Color / Edit @kiranyashwanth
Gaffer: @aidanmatney
G&E swings: @evanleonard905 @dvrkcr @karnlitah

Production Sound Mixers: @sound.speeding.mixers @dubyachong

Production Design by @nicklaws7
Art Director @paige_tanya_lynn_
Set Dresser @amilliahh
HMUA Bela Avelar
Production Assistant @musa_fawa
BTS by @carmenchenfilm
Dog Wrangling by DAWG

Edited by Kiran Yashwanth
Music by Alexander Arntzen
Sound Design by Fernando Henna
Sound FX editor Joao Victor Coura
Dialogue Editor | Lazaro Uilgner
Assistant Sound Editor | Guto Escobar
Sound Project Manager | Marilia Mencucini
Visual FX by @miguelfernandes.vfx

Special thanks to Vital Productions, LairdFX, Evelyn Sifton, Ziggie Margies, Diego Dias, Ève Desrosier-Gravel, Serge Desrosiers, Antoine Doan, Giovanni Germani, Aluna Theater

A fun, little post-apocalyptic themed spec commercial for 5Gum we shot a few months ago. Quite happy with how this turned out experimenting with anamorphic front elements with various taking lenses and learning new workflows for vfx.

Huge thanks to @evilempirestudios for the space!

dir/PD/wardrobe/producer- @adambel_dp
DoP- 🤡
Camera Queen- @paige_tanya_lynn_
First ad- @mario_aguileraa

Swiss Army knife man thing- @nicklaws7
Key grip- @evanleonard905
Gaffer- @evelynsifton
Drone - @cloudymedia613

Editor- @kiranyashwanth
Color- @kiranyashwanth
Vfx- @miguelfernandes.vfx
Bts- @julienmamazza

A fun, little post-apocalyptic themed spec commercial for 5Gum we shot a few months ago. Quite happy with how this turned out experimenting with anamorphic front elements with various taking lenses and learning new workflows for vfx.

Huge thanks to @evilempirestudios for the space!

dir/PD/wardrobe/producer- @adambel_dp
DoP- 🤡
Camera Queen- @paige_tanya_lynn_
First ad- @mario_aguileraa

Swiss Army knife man thing- @nicklaws7
Key grip- @evanleonard905
Gaffer- @evelynsifton
Drone - @cloudymedia613

Editor- @kiranyashwanth
Color- @kiranyashwanth
Vfx- @miguelfernandes.vfx
Bts- @julienmamazza

A fun, little post-apocalyptic themed spec commercial for 5Gum we shot a few months ago. Quite happy with how this turned out experimenting with anamorphic front elements with various taking lenses and learning new workflows for vfx.

Huge thanks to @evilempirestudios for the space!

dir/PD/wardrobe/producer- @adambel_dp
DoP- 🤡
Camera Queen- @paige_tanya_lynn_
First ad- @mario_aguileraa

Swiss Army knife man thing- @nicklaws7
Key grip- @evanleonard905
Gaffer- @evelynsifton
Drone - @cloudymedia613

Editor- @kiranyashwanth
Color- @kiranyashwanth
Vfx- @miguelfernandes.vfx
Bts- @julienmamazza

A fun, little post-apocalyptic themed spec commercial for 5Gum we shot a few months ago. Quite happy with how this turned out experimenting with anamorphic front elements with various taking lenses and learning new workflows for vfx.

Huge thanks to @evilempirestudios for the space!

dir/PD/wardrobe/producer- @adambel_dp
DoP- 🤡
Camera Queen- @paige_tanya_lynn_
First ad- @mario_aguileraa

Swiss Army knife man thing- @nicklaws7
Key grip- @evanleonard905
Gaffer- @evelynsifton
Drone - @cloudymedia613

Editor- @kiranyashwanth
Color- @kiranyashwanth
Vfx- @miguelfernandes.vfx
Bts- @julienmamazza

A fun, little post-apocalyptic themed spec commercial for 5Gum we shot a few months ago. Quite happy with how this turned out experimenting with anamorphic front elements with various taking lenses and learning new workflows for vfx.

Huge thanks to @evilempirestudios for the space!

dir/PD/wardrobe/producer- @adambel_dp
DoP- 🤡
Camera Queen- @paige_tanya_lynn_
First ad- @mario_aguileraa

Swiss Army knife man thing- @nicklaws7
Key grip- @evanleonard905
Gaffer- @evelynsifton
Drone - @cloudymedia613

Editor- @kiranyashwanth
Color- @kiranyashwanth
Vfx- @miguelfernandes.vfx
Bts- @julienmamazza

A fun, little post-apocalyptic themed spec commercial for 5Gum we shot a few months ago. Quite happy with how this turned out experimenting with anamorphic front elements with various taking lenses and learning new workflows for vfx.

Huge thanks to @evilempirestudios for the space!

dir/PD/wardrobe/producer- @adambel_dp
DoP- 🤡
Camera Queen- @paige_tanya_lynn_
First ad- @mario_aguileraa

Swiss Army knife man thing- @nicklaws7
Key grip- @evanleonard905
Gaffer- @evelynsifton
Drone - @cloudymedia613

Editor- @kiranyashwanth
Color- @kiranyashwanth
Vfx- @miguelfernandes.vfx
Bts- @julienmamazza

“It Matters Until It Doesn’t” — A fun, little passion project we shot for @rurubot a couple of months ago premiered today.

Director: @ralphgpineda
Producer: @tof.ade
1st AD: @setarak_sj
Prod. Designer: @natalitriv

1st AC: @davidbay125
2nd AC: @elenapupupu
Gaffer: @kuipun @kenno.the.kid
Key Grip: @the_navivirdi @perchmanov
Swing: @_giolucero
Wardrobe: @alejandra_s.o
MUA: Danna Quimbo
Art Assistants: @thepizzapixie & @kariannetaklo
Production Assistants: @heyjamesyt
Nicholas Parise

Editor: @ralphgpineda
VFX: Dan Valdez
Colorist: @ralphgpineda
GFX: @rurubot @jaxguillen

“It Matters Until It Doesn’t” — A fun, little passion project we shot for @rurubot a couple of months ago premiered today.

Director: @ralphgpineda
Producer: @tof.ade
1st AD: @setarak_sj
Prod. Designer: @natalitriv

1st AC: @davidbay125
2nd AC: @elenapupupu
Gaffer: @kuipun @kenno.the.kid
Key Grip: @the_navivirdi @perchmanov
Swing: @_giolucero
Wardrobe: @alejandra_s.o
MUA: Danna Quimbo
Art Assistants: @thepizzapixie & @kariannetaklo
Production Assistants: @heyjamesyt
Nicholas Parise

Editor: @ralphgpineda
VFX: Dan Valdez
Colorist: @ralphgpineda
GFX: @rurubot @jaxguillen

“It Matters Until It Doesn’t” — A fun, little passion project we shot for @rurubot a couple of months ago premiered today.

Director: @ralphgpineda
Producer: @tof.ade
1st AD: @setarak_sj
Prod. Designer: @natalitriv

1st AC: @davidbay125
2nd AC: @elenapupupu
Gaffer: @kuipun @kenno.the.kid
Key Grip: @the_navivirdi @perchmanov
Swing: @_giolucero
Wardrobe: @alejandra_s.o
MUA: Danna Quimbo
Art Assistants: @thepizzapixie & @kariannetaklo
Production Assistants: @heyjamesyt
Nicholas Parise

Editor: @ralphgpineda
VFX: Dan Valdez
Colorist: @ralphgpineda
GFX: @rurubot @jaxguillen

“It Matters Until It Doesn’t” — A fun, little passion project we shot for @rurubot a couple of months ago premiered today.

Director: @ralphgpineda
Producer: @tof.ade
1st AD: @setarak_sj
Prod. Designer: @natalitriv

1st AC: @davidbay125
2nd AC: @elenapupupu
Gaffer: @kuipun @kenno.the.kid
Key Grip: @the_navivirdi @perchmanov
Swing: @_giolucero
Wardrobe: @alejandra_s.o
MUA: Danna Quimbo
Art Assistants: @thepizzapixie & @kariannetaklo
Production Assistants: @heyjamesyt
Nicholas Parise

Editor: @ralphgpineda
VFX: Dan Valdez
Colorist: @ralphgpineda
GFX: @rurubot @jaxguillen

“It Matters Until It Doesn’t” — A fun, little passion project we shot for @rurubot a couple of months ago premiered today.

Director: @ralphgpineda
Producer: @tof.ade
1st AD: @setarak_sj
Prod. Designer: @natalitriv

1st AC: @davidbay125
2nd AC: @elenapupupu
Gaffer: @kuipun @kenno.the.kid
Key Grip: @the_navivirdi @perchmanov
Swing: @_giolucero
Wardrobe: @alejandra_s.o
MUA: Danna Quimbo
Art Assistants: @thepizzapixie & @kariannetaklo
Production Assistants: @heyjamesyt
Nicholas Parise

Editor: @ralphgpineda
VFX: Dan Valdez
Colorist: @ralphgpineda
GFX: @rurubot @jaxguillen

“It Matters Until It Doesn’t” — A fun, little passion project we shot for @rurubot a couple of months ago premiered today.

Director: @ralphgpineda
Producer: @tof.ade
1st AD: @setarak_sj
Prod. Designer: @natalitriv

1st AC: @davidbay125
2nd AC: @elenapupupu
Gaffer: @kuipun @kenno.the.kid
Key Grip: @the_navivirdi @perchmanov
Swing: @_giolucero
Wardrobe: @alejandra_s.o
MUA: Danna Quimbo
Art Assistants: @thepizzapixie & @kariannetaklo
Production Assistants: @heyjamesyt
Nicholas Parise

Editor: @ralphgpineda
VFX: Dan Valdez
Colorist: @ralphgpineda
GFX: @rurubot @jaxguillen

“It Matters Until It Doesn’t” — A fun, little passion project we shot for @rurubot a couple of months ago premiered today.

Director: @ralphgpineda
Producer: @tof.ade
1st AD: @setarak_sj
Prod. Designer: @natalitriv

1st AC: @davidbay125
2nd AC: @elenapupupu
Gaffer: @kuipun @kenno.the.kid
Key Grip: @the_navivirdi @perchmanov
Swing: @_giolucero
Wardrobe: @alejandra_s.o
MUA: Danna Quimbo
Art Assistants: @thepizzapixie & @kariannetaklo
Production Assistants: @heyjamesyt
Nicholas Parise

Editor: @ralphgpineda
VFX: Dan Valdez
Colorist: @ralphgpineda
GFX: @rurubot @jaxguillen

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“For Dawn” will be screening at the Scotiabank Theater on March 26th, as part of the 2026 Homegrown Shorts program of @canfilmfest

Writer and director: @setareh.films
Producers: @sarazvision &@tof.ade
AP: @naktapm
DP: @mattylabs
PD: @niloufar.zi
Editor: @bad3bi
Music Composer: aliazizian.79, @hashtmedia.la
Costume Designer: @mona_az22
HMU: @t.chauma
Cast: @kimiakalantari@_._.maryam._
@vionamoarefi @naktapm
@morvaridalinejad_@blueozar, @lilly_portraits,
@alirezatheactor, @amirali_
mokhtarian,
@rosedehgn,@sarah.iranca, @lifebyshal,
Mareim Khalil, sepdiba, Tina Valiz
PM: Kimberly Miller-Pryce
1st AD: @lenaaah00
2nd AD: @mridul_ahluwalia
Scripty: @time_mehr
1st AC: @prasann
2nd AC/ DIT: @officialbynic
Camera Trainee: @mafe.rolon
Gaffer: @terror.vsn @perchmanov, Chris Perkins
Key Grip: @thebeastmilk
Grips: @a.rstmian , @kuikurt @__mxchkxn
Swings: @joseph_brock_ , @perchmanov

Setdressers: @saharnaazziaee
@behrouz.seyfii84
Art assts: Ivanna Kashirskaya, Rinette Gayoma
SFX: Samantha Ryan Sound: Jesse Whitty
PAs: @__mxchkxn @mafe.rolon
@filmbymikhaela, Caleb Phillips
BTS: @erfan.tohidinia @paige_tanya_lynn_, Long Nguyên Lê, @karnlitah
Post production:
Sound & color: @redlabto @bmt.wav @abewynen
VFX: @gregvisualfx
Design: @underlinestudioinc yasamanfakhr
Location and special thanks to: @parya_trillium @knollstudiosoakville @revoltcamera @Charles
Street Video @pictureperfectpackage

“For Dawn” will be screening at the Scotiabank Theater on March 26th, as part of the 2026 Homegrown Shorts program of @canfilmfest

Writer and director: @setareh.films
Producers: @sarazvision &@tof.ade
AP: @naktapm
DP: @mattylabs
PD: @niloufar.zi
Editor: @bad3bi
Music Composer: aliazizian.79, @hashtmedia.la
Costume Designer: @mona_az22
HMU: @t.chauma
Cast: @kimiakalantari@_._.maryam._
@vionamoarefi @naktapm
@morvaridalinejad_@blueozar, @lilly_portraits,
@alirezatheactor, @amirali_
mokhtarian,
@rosedehgn,@sarah.iranca, @lifebyshal,
Mareim Khalil, sepdiba, Tina Valiz
PM: Kimberly Miller-Pryce
1st AD: @lenaaah00
2nd AD: @mridul_ahluwalia
Scripty: @time_mehr
1st AC: @prasann
2nd AC/ DIT: @officialbynic
Camera Trainee: @mafe.rolon
Gaffer: @terror.vsn @perchmanov, Chris Perkins
Key Grip: @thebeastmilk
Grips: @a.rstmian , @kuikurt @__mxchkxn
Swings: @joseph_brock_ , @perchmanov

Setdressers: @saharnaazziaee
@behrouz.seyfii84
Art assts: Ivanna Kashirskaya, Rinette Gayoma
SFX: Samantha Ryan Sound: Jesse Whitty
PAs: @__mxchkxn @mafe.rolon
@filmbymikhaela, Caleb Phillips
BTS: @erfan.tohidinia @paige_tanya_lynn_, Long Nguyên Lê, @karnlitah
Post production:
Sound & color: @redlabto @bmt.wav @abewynen
VFX: @gregvisualfx
Design: @underlinestudioinc yasamanfakhr
Location and special thanks to: @parya_trillium @knollstudiosoakville @revoltcamera @Charles
Street Video @pictureperfectpackage

“For Dawn” will be screening at the Scotiabank Theater on March 26th, as part of the 2026 Homegrown Shorts program of @canfilmfest

Writer and director: @setareh.films
Producers: @sarazvision &@tof.ade
AP: @naktapm
DP: @mattylabs
PD: @niloufar.zi
Editor: @bad3bi
Music Composer: aliazizian.79, @hashtmedia.la
Costume Designer: @mona_az22
HMU: @t.chauma
Cast: @kimiakalantari@_._.maryam._
@vionamoarefi @naktapm
@morvaridalinejad_@blueozar, @lilly_portraits,
@alirezatheactor, @amirali_
mokhtarian,
@rosedehgn,@sarah.iranca, @lifebyshal,
Mareim Khalil, sepdiba, Tina Valiz
PM: Kimberly Miller-Pryce
1st AD: @lenaaah00
2nd AD: @mridul_ahluwalia
Scripty: @time_mehr
1st AC: @prasann
2nd AC/ DIT: @officialbynic
Camera Trainee: @mafe.rolon
Gaffer: @terror.vsn @perchmanov, Chris Perkins
Key Grip: @thebeastmilk
Grips: @a.rstmian , @kuikurt @__mxchkxn
Swings: @joseph_brock_ , @perchmanov

Setdressers: @saharnaazziaee
@behrouz.seyfii84
Art assts: Ivanna Kashirskaya, Rinette Gayoma
SFX: Samantha Ryan Sound: Jesse Whitty
PAs: @__mxchkxn @mafe.rolon
@filmbymikhaela, Caleb Phillips
BTS: @erfan.tohidinia @paige_tanya_lynn_, Long Nguyên Lê, @karnlitah
Post production:
Sound & color: @redlabto @bmt.wav @abewynen
VFX: @gregvisualfx
Design: @underlinestudioinc yasamanfakhr
Location and special thanks to: @parya_trillium @knollstudiosoakville @revoltcamera @Charles
Street Video @pictureperfectpackage

“For Dawn” will be screening at the Scotiabank Theater on March 26th, as part of the 2026 Homegrown Shorts program of @canfilmfest

Writer and director: @setareh.films
Producers: @sarazvision &@tof.ade
AP: @naktapm
DP: @mattylabs
PD: @niloufar.zi
Editor: @bad3bi
Music Composer: aliazizian.79, @hashtmedia.la
Costume Designer: @mona_az22
HMU: @t.chauma
Cast: @kimiakalantari@_._.maryam._
@vionamoarefi @naktapm
@morvaridalinejad_@blueozar, @lilly_portraits,
@alirezatheactor, @amirali_
mokhtarian,
@rosedehgn,@sarah.iranca, @lifebyshal,
Mareim Khalil, sepdiba, Tina Valiz
PM: Kimberly Miller-Pryce
1st AD: @lenaaah00
2nd AD: @mridul_ahluwalia
Scripty: @time_mehr
1st AC: @prasann
2nd AC/ DIT: @officialbynic
Camera Trainee: @mafe.rolon
Gaffer: @terror.vsn @perchmanov, Chris Perkins
Key Grip: @thebeastmilk
Grips: @a.rstmian , @kuikurt @__mxchkxn
Swings: @joseph_brock_ , @perchmanov

Setdressers: @saharnaazziaee
@behrouz.seyfii84
Art assts: Ivanna Kashirskaya, Rinette Gayoma
SFX: Samantha Ryan Sound: Jesse Whitty
PAs: @__mxchkxn @mafe.rolon
@filmbymikhaela, Caleb Phillips
BTS: @erfan.tohidinia @paige_tanya_lynn_, Long Nguyên Lê, @karnlitah
Post production:
Sound & color: @redlabto @bmt.wav @abewynen
VFX: @gregvisualfx
Design: @underlinestudioinc yasamanfakhr
Location and special thanks to: @parya_trillium @knollstudiosoakville @revoltcamera @Charles
Street Video @pictureperfectpackage

“For Dawn” will be screening at the Scotiabank Theater on March 26th, as part of the 2026 Homegrown Shorts program of @canfilmfest

Writer and director: @setareh.films
Producers: @sarazvision &@tof.ade
AP: @naktapm
DP: @mattylabs
PD: @niloufar.zi
Editor: @bad3bi
Music Composer: aliazizian.79, @hashtmedia.la
Costume Designer: @mona_az22
HMU: @t.chauma
Cast: @kimiakalantari@_._.maryam._
@vionamoarefi @naktapm
@morvaridalinejad_@blueozar, @lilly_portraits,
@alirezatheactor, @amirali_
mokhtarian,
@rosedehgn,@sarah.iranca, @lifebyshal,
Mareim Khalil, sepdiba, Tina Valiz
PM: Kimberly Miller-Pryce
1st AD: @lenaaah00
2nd AD: @mridul_ahluwalia
Scripty: @time_mehr
1st AC: @prasann
2nd AC/ DIT: @officialbynic
Camera Trainee: @mafe.rolon
Gaffer: @terror.vsn @perchmanov, Chris Perkins
Key Grip: @thebeastmilk
Grips: @a.rstmian , @kuikurt @__mxchkxn
Swings: @joseph_brock_ , @perchmanov

Setdressers: @saharnaazziaee
@behrouz.seyfii84
Art assts: Ivanna Kashirskaya, Rinette Gayoma
SFX: Samantha Ryan Sound: Jesse Whitty
PAs: @__mxchkxn @mafe.rolon
@filmbymikhaela, Caleb Phillips
BTS: @erfan.tohidinia @paige_tanya_lynn_, Long Nguyên Lê, @karnlitah
Post production:
Sound & color: @redlabto @bmt.wav @abewynen
VFX: @gregvisualfx
Design: @underlinestudioinc yasamanfakhr
Location and special thanks to: @parya_trillium @knollstudiosoakville @revoltcamera @Charles
Street Video @pictureperfectpackage

“For Dawn” will be screening at the Scotiabank Theater on March 26th, as part of the 2026 Homegrown Shorts program of @canfilmfest

Writer and director: @setareh.films
Producers: @sarazvision &@tof.ade
AP: @naktapm
DP: @mattylabs
PD: @niloufar.zi
Editor: @bad3bi
Music Composer: aliazizian.79, @hashtmedia.la
Costume Designer: @mona_az22
HMU: @t.chauma
Cast: @kimiakalantari@_._.maryam._
@vionamoarefi @naktapm
@morvaridalinejad_@blueozar, @lilly_portraits,
@alirezatheactor, @amirali_
mokhtarian,
@rosedehgn,@sarah.iranca, @lifebyshal,
Mareim Khalil, sepdiba, Tina Valiz
PM: Kimberly Miller-Pryce
1st AD: @lenaaah00
2nd AD: @mridul_ahluwalia
Scripty: @time_mehr
1st AC: @prasann
2nd AC/ DIT: @officialbynic
Camera Trainee: @mafe.rolon
Gaffer: @terror.vsn @perchmanov, Chris Perkins
Key Grip: @thebeastmilk
Grips: @a.rstmian , @kuikurt @__mxchkxn
Swings: @joseph_brock_ , @perchmanov

Setdressers: @saharnaazziaee
@behrouz.seyfii84
Art assts: Ivanna Kashirskaya, Rinette Gayoma
SFX: Samantha Ryan Sound: Jesse Whitty
PAs: @__mxchkxn @mafe.rolon
@filmbymikhaela, Caleb Phillips
BTS: @erfan.tohidinia @paige_tanya_lynn_, Long Nguyên Lê, @karnlitah
Post production:
Sound & color: @redlabto @bmt.wav @abewynen
VFX: @gregvisualfx
Design: @underlinestudioinc yasamanfakhr
Location and special thanks to: @parya_trillium @knollstudiosoakville @revoltcamera @Charles
Street Video @pictureperfectpackage

A bit of yapping, but bear with me for a sec: I’ve been moving a little slower lately, spending more time with tactile work while keeping some distance from the constant stream and the pressure to maintain a version of ourselves online. This winter has been, without question, the most difficult for me mentally, and the small hiatus helped bring things back into focus, especially realizing how many of my recent endeavours had quietly become passive and how absent I’d felt from my own attention for a while. And now that the thaw is upon us, I’m returning to things with a steadier sense of intention and a little bit of hope and excitement for what’s to come. These are just some highlights from that time.

A bit of yapping, but bear with me for a sec: I’ve been moving a little slower lately, spending more time with tactile work while keeping some distance from the constant stream and the pressure to maintain a version of ourselves online. This winter has been, without question, the most difficult for me mentally, and the small hiatus helped bring things back into focus, especially realizing how many of my recent endeavours had quietly become passive and how absent I’d felt from my own attention for a while. And now that the thaw is upon us, I’m returning to things with a steadier sense of intention and a little bit of hope and excitement for what’s to come. These are just some highlights from that time.

A bit of yapping, but bear with me for a sec: I’ve been moving a little slower lately, spending more time with tactile work while keeping some distance from the constant stream and the pressure to maintain a version of ourselves online. This winter has been, without question, the most difficult for me mentally, and the small hiatus helped bring things back into focus, especially realizing how many of my recent endeavours had quietly become passive and how absent I’d felt from my own attention for a while. And now that the thaw is upon us, I’m returning to things with a steadier sense of intention and a little bit of hope and excitement for what’s to come. These are just some highlights from that time.

A bit of yapping, but bear with me for a sec: I’ve been moving a little slower lately, spending more time with tactile work while keeping some distance from the constant stream and the pressure to maintain a version of ourselves online. This winter has been, without question, the most difficult for me mentally, and the small hiatus helped bring things back into focus, especially realizing how many of my recent endeavours had quietly become passive and how absent I’d felt from my own attention for a while. And now that the thaw is upon us, I’m returning to things with a steadier sense of intention and a little bit of hope and excitement for what’s to come. These are just some highlights from that time.

A bit of yapping, but bear with me for a sec: I’ve been moving a little slower lately, spending more time with tactile work while keeping some distance from the constant stream and the pressure to maintain a version of ourselves online. This winter has been, without question, the most difficult for me mentally, and the small hiatus helped bring things back into focus, especially realizing how many of my recent endeavours had quietly become passive and how absent I’d felt from my own attention for a while. And now that the thaw is upon us, I’m returning to things with a steadier sense of intention and a little bit of hope and excitement for what’s to come. These are just some highlights from that time.

A bit of yapping, but bear with me for a sec: I’ve been moving a little slower lately, spending more time with tactile work while keeping some distance from the constant stream and the pressure to maintain a version of ourselves online. This winter has been, without question, the most difficult for me mentally, and the small hiatus helped bring things back into focus, especially realizing how many of my recent endeavours had quietly become passive and how absent I’d felt from my own attention for a while. And now that the thaw is upon us, I’m returning to things with a steadier sense of intention and a little bit of hope and excitement for what’s to come. These are just some highlights from that time.

A bit of yapping, but bear with me for a sec: I’ve been moving a little slower lately, spending more time with tactile work while keeping some distance from the constant stream and the pressure to maintain a version of ourselves online. This winter has been, without question, the most difficult for me mentally, and the small hiatus helped bring things back into focus, especially realizing how many of my recent endeavours had quietly become passive and how absent I’d felt from my own attention for a while. And now that the thaw is upon us, I’m returning to things with a steadier sense of intention and a little bit of hope and excitement for what’s to come. These are just some highlights from that time.

A bit of yapping, but bear with me for a sec: I’ve been moving a little slower lately, spending more time with tactile work while keeping some distance from the constant stream and the pressure to maintain a version of ourselves online. This winter has been, without question, the most difficult for me mentally, and the small hiatus helped bring things back into focus, especially realizing how many of my recent endeavours had quietly become passive and how absent I’d felt from my own attention for a while. And now that the thaw is upon us, I’m returning to things with a steadier sense of intention and a little bit of hope and excitement for what’s to come. These are just some highlights from that time.

A bit of yapping, but bear with me for a sec: I’ve been moving a little slower lately, spending more time with tactile work while keeping some distance from the constant stream and the pressure to maintain a version of ourselves online. This winter has been, without question, the most difficult for me mentally, and the small hiatus helped bring things back into focus, especially realizing how many of my recent endeavours had quietly become passive and how absent I’d felt from my own attention for a while. And now that the thaw is upon us, I’m returning to things with a steadier sense of intention and a little bit of hope and excitement for what’s to come. These are just some highlights from that time.

A bit of yapping, but bear with me for a sec: I’ve been moving a little slower lately, spending more time with tactile work while keeping some distance from the constant stream and the pressure to maintain a version of ourselves online. This winter has been, without question, the most difficult for me mentally, and the small hiatus helped bring things back into focus, especially realizing how many of my recent endeavours had quietly become passive and how absent I’d felt from my own attention for a while. And now that the thaw is upon us, I’m returning to things with a steadier sense of intention and a little bit of hope and excitement for what’s to come. These are just some highlights from that time.

A bit of yapping, but bear with me for a sec: I’ve been moving a little slower lately, spending more time with tactile work while keeping some distance from the constant stream and the pressure to maintain a version of ourselves online. This winter has been, without question, the most difficult for me mentally, and the small hiatus helped bring things back into focus, especially realizing how many of my recent endeavours had quietly become passive and how absent I’d felt from my own attention for a while. And now that the thaw is upon us, I’m returning to things with a steadier sense of intention and a little bit of hope and excitement for what’s to come. These are just some highlights from that time.

A bit of yapping, but bear with me for a sec: I’ve been moving a little slower lately, spending more time with tactile work while keeping some distance from the constant stream and the pressure to maintain a version of ourselves online. This winter has been, without question, the most difficult for me mentally, and the small hiatus helped bring things back into focus, especially realizing how many of my recent endeavours had quietly become passive and how absent I’d felt from my own attention for a while. And now that the thaw is upon us, I’m returning to things with a steadier sense of intention and a little bit of hope and excitement for what’s to come. These are just some highlights from that time.

A bit of yapping, but bear with me for a sec: I’ve been moving a little slower lately, spending more time with tactile work while keeping some distance from the constant stream and the pressure to maintain a version of ourselves online. This winter has been, without question, the most difficult for me mentally, and the small hiatus helped bring things back into focus, especially realizing how many of my recent endeavours had quietly become passive and how absent I’d felt from my own attention for a while. And now that the thaw is upon us, I’m returning to things with a steadier sense of intention and a little bit of hope and excitement for what’s to come. These are just some highlights from that time.

A bit of yapping, but bear with me for a sec: I’ve been moving a little slower lately, spending more time with tactile work while keeping some distance from the constant stream and the pressure to maintain a version of ourselves online. This winter has been, without question, the most difficult for me mentally, and the small hiatus helped bring things back into focus, especially realizing how many of my recent endeavours had quietly become passive and how absent I’d felt from my own attention for a while. And now that the thaw is upon us, I’m returning to things with a steadier sense of intention and a little bit of hope and excitement for what’s to come. These are just some highlights from that time.

A bit of yapping, but bear with me for a sec: I’ve been moving a little slower lately, spending more time with tactile work while keeping some distance from the constant stream and the pressure to maintain a version of ourselves online. This winter has been, without question, the most difficult for me mentally, and the small hiatus helped bring things back into focus, especially realizing how many of my recent endeavours had quietly become passive and how absent I’d felt from my own attention for a while. And now that the thaw is upon us, I’m returning to things with a steadier sense of intention and a little bit of hope and excitement for what’s to come. These are just some highlights from that time.

A bit of yapping, but bear with me for a sec: I’ve been moving a little slower lately, spending more time with tactile work while keeping some distance from the constant stream and the pressure to maintain a version of ourselves online. This winter has been, without question, the most difficult for me mentally, and the small hiatus helped bring things back into focus, especially realizing how many of my recent endeavours had quietly become passive and how absent I’d felt from my own attention for a while. And now that the thaw is upon us, I’m returning to things with a steadier sense of intention and a little bit of hope and excitement for what’s to come. These are just some highlights from that time.

A bit of yapping, but bear with me for a sec: I’ve been moving a little slower lately, spending more time with tactile work while keeping some distance from the constant stream and the pressure to maintain a version of ourselves online. This winter has been, without question, the most difficult for me mentally, and the small hiatus helped bring things back into focus, especially realizing how many of my recent endeavours had quietly become passive and how absent I’d felt from my own attention for a while. And now that the thaw is upon us, I’m returning to things with a steadier sense of intention and a little bit of hope and excitement for what’s to come. These are just some highlights from that time.

A bit of yapping, but bear with me for a sec: I’ve been moving a little slower lately, spending more time with tactile work while keeping some distance from the constant stream and the pressure to maintain a version of ourselves online. This winter has been, without question, the most difficult for me mentally, and the small hiatus helped bring things back into focus, especially realizing how many of my recent endeavours had quietly become passive and how absent I’d felt from my own attention for a while. And now that the thaw is upon us, I’m returning to things with a steadier sense of intention and a little bit of hope and excitement for what’s to come. These are just some highlights from that time.

A bit of yapping, but bear with me for a sec: I’ve been moving a little slower lately, spending more time with tactile work while keeping some distance from the constant stream and the pressure to maintain a version of ourselves online. This winter has been, without question, the most difficult for me mentally, and the small hiatus helped bring things back into focus, especially realizing how many of my recent endeavours had quietly become passive and how absent I’d felt from my own attention for a while. And now that the thaw is upon us, I’m returning to things with a steadier sense of intention and a little bit of hope and excitement for what’s to come. These are just some highlights from that time.

A failed shutter curtain. A half-remembered city. A grace note that strangely feels intentional.
#tmax400

A very whimsical Matty Suepime Hong Kong-Manila Tour. 🫨

A very whimsical Matty Suepime Hong Kong-Manila Tour. 🫨

A very whimsical Matty Suepime Hong Kong-Manila Tour. 🫨

A very whimsical Matty Suepime Hong Kong-Manila Tour. 🫨

A very whimsical Matty Suepime Hong Kong-Manila Tour. 🫨

A very whimsical Matty Suepime Hong Kong-Manila Tour. 🫨

A very whimsical Matty Suepime Hong Kong-Manila Tour. 🫨

A very whimsical Matty Suepime Hong Kong-Manila Tour. 🫨

A very whimsical Matty Suepime Hong Kong-Manila Tour. 🫨

A very whimsical Matty Suepime Hong Kong-Manila Tour. 🫨

A very whimsical Matty Suepime Hong Kong-Manila Tour. 🫨

A very whimsical Matty Suepime Hong Kong-Manila Tour. 🫨

A very whimsical Matty Suepime Hong Kong-Manila Tour. 🫨

A very whimsical Matty Suepime Hong Kong-Manila Tour. 🫨

A very whimsical Matty Suepime Hong Kong-Manila Tour. 🫨

A very whimsical Matty Suepime Hong Kong-Manila Tour. 🫨

A very whimsical Matty Suepime Hong Kong-Manila Tour. 🫨

A very whimsical Matty Suepime Hong Kong-Manila Tour. 🫨

A very whimsical Matty Suepime Hong Kong-Manila Tour. 🫨

A very whimsical Matty Suepime Hong Kong-Manila Tour. 🫨

The blur is the point, and it fills the gaps.

The blur is the point, and it fills the gaps.

The blur is the point, and it fills the gaps.

The blur is the point, and it fills the gaps.

The blur is the point, and it fills the gaps.

The blur is the point, and it fills the gaps.

The blur is the point, and it fills the gaps.

The blur is the point, and it fills the gaps.

The blur is the point, and it fills the gaps.

The blur is the point, and it fills the gaps.

A couple of moments from Lost Memories shot in September 2024. Available to stream on Vidiverse on January 15!

Director: @mikejeffwong
Producer: @mikejeffwong @nader.nassereddine @fanomontjoy and Felipe Narcizo
Assoc. Producer: Musa Attique
1st AD: @_ninabruschi

Cam Op: @aidanmatney
1st AC: @elena_pupupu
Gaffer: @dvrkcr
Key Grip: @macfiumana
Grips: @kaustubh_grover @macfiumana @kuikurt
Sound: @jeff.joaquim_
Boom Op: Steven Ossa
Production Designer: Radiyah Chapti
Script Sup: Rawan Nasser
PA: Dialla Naddeh and @gabrielleranachang

Huge thanks to @csvtoronto for providing the camera package and support!

A couple of moments from Lost Memories shot in September 2024. Available to stream on Vidiverse on January 15!

Director: @mikejeffwong
Producer: @mikejeffwong @nader.nassereddine @fanomontjoy and Felipe Narcizo
Assoc. Producer: Musa Attique
1st AD: @_ninabruschi

Cam Op: @aidanmatney
1st AC: @elena_pupupu
Gaffer: @dvrkcr
Key Grip: @macfiumana
Grips: @kaustubh_grover @macfiumana @kuikurt
Sound: @jeff.joaquim_
Boom Op: Steven Ossa
Production Designer: Radiyah Chapti
Script Sup: Rawan Nasser
PA: Dialla Naddeh and @gabrielleranachang

Huge thanks to @csvtoronto for providing the camera package and support!

A couple of moments from Lost Memories shot in September 2024. Available to stream on Vidiverse on January 15!

Director: @mikejeffwong
Producer: @mikejeffwong @nader.nassereddine @fanomontjoy and Felipe Narcizo
Assoc. Producer: Musa Attique
1st AD: @_ninabruschi

Cam Op: @aidanmatney
1st AC: @elena_pupupu
Gaffer: @dvrkcr
Key Grip: @macfiumana
Grips: @kaustubh_grover @macfiumana @kuikurt
Sound: @jeff.joaquim_
Boom Op: Steven Ossa
Production Designer: Radiyah Chapti
Script Sup: Rawan Nasser
PA: Dialla Naddeh and @gabrielleranachang

Huge thanks to @csvtoronto for providing the camera package and support!

A couple of moments from Lost Memories shot in September 2024. Available to stream on Vidiverse on January 15!

Director: @mikejeffwong
Producer: @mikejeffwong @nader.nassereddine @fanomontjoy and Felipe Narcizo
Assoc. Producer: Musa Attique
1st AD: @_ninabruschi

Cam Op: @aidanmatney
1st AC: @elena_pupupu
Gaffer: @dvrkcr
Key Grip: @macfiumana
Grips: @kaustubh_grover @macfiumana @kuikurt
Sound: @jeff.joaquim_
Boom Op: Steven Ossa
Production Designer: Radiyah Chapti
Script Sup: Rawan Nasser
PA: Dialla Naddeh and @gabrielleranachang

Huge thanks to @csvtoronto for providing the camera package and support!

all play; no work.

all play; no work.

all play; no work.

all play; no work.

all play; no work.

all play; no work.

all play; no work.

all play; no work.

all play; no work.

all play; no work.

all play; no work.

all play; no work.

all play; no work.

all play; no work.

all play; no work.

all play; no work.

all play; no work.

all play; no work.

all play; no work.

all play; no work.

An old camera bag, a quiet find: an old exposed roll of discontinued Fuji Eterna 160T from two Septembers ago.

Took liberties, as one should, as it’s likely the last time I’ll ever see it or shoot with it.

Dev and scanned: @graination_official

#35mm #fujieterna160t

An old camera bag, a quiet find: an old exposed roll of discontinued Fuji Eterna 160T from two Septembers ago.

Took liberties, as one should, as it’s likely the last time I’ll ever see it or shoot with it.

Dev and scanned: @graination_official

#35mm #fujieterna160t

An old camera bag, a quiet find: an old exposed roll of discontinued Fuji Eterna 160T from two Septembers ago.

Took liberties, as one should, as it’s likely the last time I’ll ever see it or shoot with it.

Dev and scanned: @graination_official

#35mm #fujieterna160t

An old camera bag, a quiet find: an old exposed roll of discontinued Fuji Eterna 160T from two Septembers ago.

Took liberties, as one should, as it’s likely the last time I’ll ever see it or shoot with it.

Dev and scanned: @graination_official

#35mm #fujieterna160t

An old camera bag, a quiet find: an old exposed roll of discontinued Fuji Eterna 160T from two Septembers ago.

Took liberties, as one should, as it’s likely the last time I’ll ever see it or shoot with it.

Dev and scanned: @graination_official

#35mm #fujieterna160t

An old camera bag, a quiet find: an old exposed roll of discontinued Fuji Eterna 160T from two Septembers ago.

Took liberties, as one should, as it’s likely the last time I’ll ever see it or shoot with it.

Dev and scanned: @graination_official

#35mm #fujieterna160t