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maxbecq
Max Becq
Composer for movie, theater / electronic performer / Love Trains, machines and code / Member of @rico.collectif / half of @technoconsulting_expertise
Prochain concert jeudi prochain 7 novembre prochain au Sample de Bagnolet, dans le cadre de la soirée de @rico.collectif. Hâte de vous faire entendre mes pièces à base de synthé modulaire, de scripts fabriqués maison et de claviers. @sheglitchr.vj m’accompagnera sur scène aux visuels avec ses modules vidéos, caméras et autres écrans CRT... Et il y aura une chouette programmation : @thisiskevinpaulcahay , @brise_lame, @anee.molly , @canblaster , @neurotypique , @retro.chimie.
#ambientmodular #ambientmusic #eurorack #synth #modularsynth #live #performance #monome #norns
Prochain concert jeudi prochain 7 novembre prochain au Sample de Bagnolet, dans le cadre de la soirée de @rico.collectif. Hâte de vous faire entendre mes pièces à base de synthé modulaire, de scripts fabriqués maison et de claviers. @sheglitchr.vj m’accompagnera sur scène aux visuels avec ses modules vidéos, caméras et autres écrans CRT... Et il y aura une chouette programmation : @thisiskevinpaulcahay , @brise_lame, @anee.molly , @canblaster , @neurotypique , @retro.chimie.
#ambientmodular #ambientmusic #eurorack #synth #modularsynth #live #performance #monome #norns
Prochain concert jeudi prochain 7 novembre prochain au Sample de Bagnolet, dans le cadre de la soirée de @rico.collectif. Hâte de vous faire entendre mes pièces à base de synthé modulaire, de scripts fabriqués maison et de claviers. @sheglitchr.vj m’accompagnera sur scène aux visuels avec ses modules vidéos, caméras et autres écrans CRT... Et il y aura une chouette programmation : @thisiskevinpaulcahay , @brise_lame, @anee.molly , @canblaster , @neurotypique , @retro.chimie.
#ambientmodular #ambientmusic #eurorack #synth #modularsynth #live #performance #monome #norns
Prochain concert jeudi prochain 7 novembre prochain au Sample de Bagnolet, dans le cadre de la soirée de @rico.collectif. Hâte de vous faire entendre mes pièces à base de synthé modulaire, de scripts fabriqués maison et de claviers. @sheglitchr.vj m’accompagnera sur scène aux visuels avec ses modules vidéos, caméras et autres écrans CRT... Et il y aura une chouette programmation : @thisiskevinpaulcahay , @brise_lame, @anee.molly , @canblaster , @neurotypique , @retro.chimie.
#ambientmodular #ambientmusic #eurorack #synth #modularsynth #live #performance #monome #norns
It was a great pleasure to be back on stage to present a first version of my live A/V "Trains" at the @chateau_fmr last Friday.
This comes at the end of two intense weeks of residency, full of compositions, experimentations, tests, solved bugs, and new things to be heard soon. Thanks @romainvirtuel for the pics
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#electronica #liveav #new_media_art #audiovisual #avperformance
It was a great pleasure to be back on stage to present a first version of my live A/V "Trains" at the @chateau_fmr last Friday.
This comes at the end of two intense weeks of residency, full of compositions, experimentations, tests, solved bugs, and new things to be heard soon. Thanks @romainvirtuel for the pics
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#electronica #liveav #new_media_art #audiovisual #avperformance
It was a great pleasure to be back on stage to present a first version of my live A/V "Trains" at the @chateau_fmr last Friday.
This comes at the end of two intense weeks of residency, full of compositions, experimentations, tests, solved bugs, and new things to be heard soon. Thanks @romainvirtuel for the pics
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#electronica #liveav #new_media_art #audiovisual #avperformance
It was a great pleasure to be back on stage to present a first version of my live A/V "Trains" at the @chateau_fmr last Friday.
This comes at the end of two intense weeks of residency, full of compositions, experimentations, tests, solved bugs, and new things to be heard soon. Thanks @romainvirtuel for the pics
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#electronica #liveav #new_media_art #audiovisual #avperformance
It was a great pleasure to be back on stage to present a first version of my live A/V "Trains" at the @chateau_fmr last Friday.
This comes at the end of two intense weeks of residency, full of compositions, experimentations, tests, solved bugs, and new things to be heard soon. Thanks @romainvirtuel for the pics
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#electronica #liveav #new_media_art #audiovisual #avperformance
#8 Retour en images sur la soirée de FUSION POÉSIE & MUSIQUE du 10 décembre à la Maison de la Poésie ✨
Pour clôturer la première partie de la soirée dédiée au studio transdisciplinaire Zoom Poésie/Musique, découvrez le mélange explosif de « L’Échappée », une production originale de la poète @suzannefowke et de l’auteur-compositeur @maxbecq
Rendez-vous chaque jour sur les réseaux sociaux du Printemps des Poètes pour découvrir une nouvelle mise en lumière de cette soirée exceptionnelle !
Une soirée organisée par la @maisondelapoesie, la @sacem et le @printempsdespoetes.
#printempsdespoetes #maisondelapoesie #sacem #studiozoom
Focus sur le duo @technoconsulting_expertise qui nous jouera leur live le 10/01 au @dockbpantin !
Prenez vos préventes ! Link un bio ;)
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Technoconsulting est un duo de
techno fabriquée à la main en live, à
l’aide de drum machines électriques, de
synthé modulaire, et de divers accessoires
bricolés. Satiriques et taquins, les deux
consultants de la société
Technoconsulting proposent une revue
d’objectif festive afin d’explorer votre
« why » sur une durée comprise entre 45
minutes et une heure, grâce à la méthode
TECHNO©.
@schematicwizard
@thisiskevinpaulcahay
@peine.rose
@alexandra_r____
@dylan__cote
@brise_lame
@same____o
@cyberlife.music
@technoconsulting_expertise
@celineb._technorama
@four_knobs
@lucieternisien
@welissa.wav
@stvpid.harry
@lucieternisien
@stvpid.harry
@snstrnstn
@rico.collectif
@oye_label
@syrinx_music
@dockbpantin
Tous les mercredis, Petit Bain vous donne RDV pour ses APEROBARGE, les apéro carte blanche avec des concerts gratuits dès 18h sur le rooftop ! Le 30 juillet, on donne les clefs du bateau à RiCO pour une carte blanche!
Venez faire le plein de synthés au @petitbain avec des ateliers à partir de 18h et les lives de @aurel.val @brise_lame @maxbecq et @neurotypique .
#modularsynth #music #ambient #live #eurorack #electronic #rico #idm
La semaine dernière, au théâtre de la Jonquière, « Amal ou le sentier du rêve », écrit et mis en scène par @marianneayama , a pris son envol! J’ai eu la chance de l’accompagner à la musique, au son et à la régie, et de vivre cette aventure en collectif avec une chouette équipe: @celine.lecoustumer @anne_laure_naar @alice.benoist.d.etiveaud @federicapinisandrelli @mariejobuffon @camilledugas_sceno 📸 par @ericdelagephoto. Le chemin d’Amal se poursuit bientôt en résidence 😊
La semaine dernière, au théâtre de la Jonquière, « Amal ou le sentier du rêve », écrit et mis en scène par @marianneayama , a pris son envol! J’ai eu la chance de l’accompagner à la musique, au son et à la régie, et de vivre cette aventure en collectif avec une chouette équipe: @celine.lecoustumer @anne_laure_naar @alice.benoist.d.etiveaud @federicapinisandrelli @mariejobuffon @camilledugas_sceno 📸 par @ericdelagephoto. Le chemin d’Amal se poursuit bientôt en résidence 😊
La semaine dernière, au théâtre de la Jonquière, « Amal ou le sentier du rêve », écrit et mis en scène par @marianneayama , a pris son envol! J’ai eu la chance de l’accompagner à la musique, au son et à la régie, et de vivre cette aventure en collectif avec une chouette équipe: @celine.lecoustumer @anne_laure_naar @alice.benoist.d.etiveaud @federicapinisandrelli @mariejobuffon @camilledugas_sceno 📸 par @ericdelagephoto. Le chemin d’Amal se poursuit bientôt en résidence 😊
La semaine dernière, au théâtre de la Jonquière, « Amal ou le sentier du rêve », écrit et mis en scène par @marianneayama , a pris son envol! J’ai eu la chance de l’accompagner à la musique, au son et à la régie, et de vivre cette aventure en collectif avec une chouette équipe: @celine.lecoustumer @anne_laure_naar @alice.benoist.d.etiveaud @federicapinisandrelli @mariejobuffon @camilledugas_sceno 📸 par @ericdelagephoto. Le chemin d’Amal se poursuit bientôt en résidence 😊
La semaine dernière, au théâtre de la Jonquière, « Amal ou le sentier du rêve », écrit et mis en scène par @marianneayama , a pris son envol! J’ai eu la chance de l’accompagner à la musique, au son et à la régie, et de vivre cette aventure en collectif avec une chouette équipe: @celine.lecoustumer @anne_laure_naar @alice.benoist.d.etiveaud @federicapinisandrelli @mariejobuffon @camilledugas_sceno 📸 par @ericdelagephoto. Le chemin d’Amal se poursuit bientôt en résidence 😊
My challenge this year: how can I make my electronic performances more alive, more inhabited? How can I recreate the intimate, intense bond that binds the audience to the performer in concerts with acoustic instruments? I tried to move away from sequencers and generators. I started developing my own tools that recreate the link between gesture and interpretation. I presented a first stage of my work at @le_sample_bagnolet for the @rico.collectif event last November 7, accompanied by @sheglitchr.vj on visuals. It was a particularly moving moment for me.
These thoughts also strongly inspired my side-project @technoconsulting_expertise , a live techno duo with minimal use of sequencers.
After a well-deserved break, 2025 will probably include more recordings and projects for theater and film.
Photos credits : to be completed... I don't remember everyone, please tell me!
My challenge this year: how can I make my electronic performances more alive, more inhabited? How can I recreate the intimate, intense bond that binds the audience to the performer in concerts with acoustic instruments? I tried to move away from sequencers and generators. I started developing my own tools that recreate the link between gesture and interpretation. I presented a first stage of my work at @le_sample_bagnolet for the @rico.collectif event last November 7, accompanied by @sheglitchr.vj on visuals. It was a particularly moving moment for me.
These thoughts also strongly inspired my side-project @technoconsulting_expertise , a live techno duo with minimal use of sequencers.
After a well-deserved break, 2025 will probably include more recordings and projects for theater and film.
Photos credits : to be completed... I don't remember everyone, please tell me!
My challenge this year: how can I make my electronic performances more alive, more inhabited? How can I recreate the intimate, intense bond that binds the audience to the performer in concerts with acoustic instruments? I tried to move away from sequencers and generators. I started developing my own tools that recreate the link between gesture and interpretation. I presented a first stage of my work at @le_sample_bagnolet for the @rico.collectif event last November 7, accompanied by @sheglitchr.vj on visuals. It was a particularly moving moment for me.
These thoughts also strongly inspired my side-project @technoconsulting_expertise , a live techno duo with minimal use of sequencers.
After a well-deserved break, 2025 will probably include more recordings and projects for theater and film.
Photos credits : to be completed... I don't remember everyone, please tell me!
My challenge this year: how can I make my electronic performances more alive, more inhabited? How can I recreate the intimate, intense bond that binds the audience to the performer in concerts with acoustic instruments? I tried to move away from sequencers and generators. I started developing my own tools that recreate the link between gesture and interpretation. I presented a first stage of my work at @le_sample_bagnolet for the @rico.collectif event last November 7, accompanied by @sheglitchr.vj on visuals. It was a particularly moving moment for me.
These thoughts also strongly inspired my side-project @technoconsulting_expertise , a live techno duo with minimal use of sequencers.
After a well-deserved break, 2025 will probably include more recordings and projects for theater and film.
Photos credits : to be completed... I don't remember everyone, please tell me!
My challenge this year: how can I make my electronic performances more alive, more inhabited? How can I recreate the intimate, intense bond that binds the audience to the performer in concerts with acoustic instruments? I tried to move away from sequencers and generators. I started developing my own tools that recreate the link between gesture and interpretation. I presented a first stage of my work at @le_sample_bagnolet for the @rico.collectif event last November 7, accompanied by @sheglitchr.vj on visuals. It was a particularly moving moment for me.
These thoughts also strongly inspired my side-project @technoconsulting_expertise , a live techno duo with minimal use of sequencers.
After a well-deserved break, 2025 will probably include more recordings and projects for theater and film.
Photos credits : to be completed... I don't remember everyone, please tell me!
My challenge this year: how can I make my electronic performances more alive, more inhabited? How can I recreate the intimate, intense bond that binds the audience to the performer in concerts with acoustic instruments? I tried to move away from sequencers and generators. I started developing my own tools that recreate the link between gesture and interpretation. I presented a first stage of my work at @le_sample_bagnolet for the @rico.collectif event last November 7, accompanied by @sheglitchr.vj on visuals. It was a particularly moving moment for me.
These thoughts also strongly inspired my side-project @technoconsulting_expertise , a live techno duo with minimal use of sequencers.
After a well-deserved break, 2025 will probably include more recordings and projects for theater and film.
Photos credits : to be completed... I don't remember everyone, please tell me!
My challenge this year: how can I make my electronic performances more alive, more inhabited? How can I recreate the intimate, intense bond that binds the audience to the performer in concerts with acoustic instruments? I tried to move away from sequencers and generators. I started developing my own tools that recreate the link between gesture and interpretation. I presented a first stage of my work at @le_sample_bagnolet for the @rico.collectif event last November 7, accompanied by @sheglitchr.vj on visuals. It was a particularly moving moment for me.
These thoughts also strongly inspired my side-project @technoconsulting_expertise , a live techno duo with minimal use of sequencers.
After a well-deserved break, 2025 will probably include more recordings and projects for theater and film.
Photos credits : to be completed... I don't remember everyone, please tell me!
My challenge this year: how can I make my electronic performances more alive, more inhabited? How can I recreate the intimate, intense bond that binds the audience to the performer in concerts with acoustic instruments? I tried to move away from sequencers and generators. I started developing my own tools that recreate the link between gesture and interpretation. I presented a first stage of my work at @le_sample_bagnolet for the @rico.collectif event last November 7, accompanied by @sheglitchr.vj on visuals. It was a particularly moving moment for me.
These thoughts also strongly inspired my side-project @technoconsulting_expertise , a live techno duo with minimal use of sequencers.
After a well-deserved break, 2025 will probably include more recordings and projects for theater and film.
Photos credits : to be completed... I don't remember everyone, please tell me!
My challenge this year: how can I make my electronic performances more alive, more inhabited? How can I recreate the intimate, intense bond that binds the audience to the performer in concerts with acoustic instruments? I tried to move away from sequencers and generators. I started developing my own tools that recreate the link between gesture and interpretation. I presented a first stage of my work at @le_sample_bagnolet for the @rico.collectif event last November 7, accompanied by @sheglitchr.vj on visuals. It was a particularly moving moment for me.
These thoughts also strongly inspired my side-project @technoconsulting_expertise , a live techno duo with minimal use of sequencers.
After a well-deserved break, 2025 will probably include more recordings and projects for theater and film.
Photos credits : to be completed... I don't remember everyone, please tell me!
Playing with @audiothing Hainbach noise in the train under the rain #train #noises and #clouds
(FR) @maxbecq (Maximilien Becq-Giraudon) est producteur électronique, compositeur de musique de film et codeur sonore.De sa fascination d’enfance pour Wagner et Debussy, il tire son penchant pour les chatoiements et irisations sonores qui nous placent dans des parenthèses de temps suspendus. Sa musique mêle références classiques au synthétiseur modulaire et à des programmes informatiques qu’il écrit lui-même pour ses performances live. Le voyage en train est l’une des principales sources d’inspiration de ses récents travaux.
(ENG) Max Becq (Maximilien Becq-Giraudon) is an electronic producer, film composer, and sound coder. His childhood fascination with Wagner and Debussy has shaped his penchant for shimmering and iridescent sounds that create moments of suspended time. His music blends classical references with modular synthesizers and custom software programs that he writes himself for his live performances. Train journeys are one of the main sources of inspiration for his recent works.
@maxbecq
Samedi 7.09.2024
@pointephemere
16H
(FR) @maxbecq (Maximilien Becq-Giraudon) est producteur électronique, compositeur de musique de film et codeur sonore.De sa fascination d’enfance pour Wagner et Debussy, il tire son penchant pour les chatoiements et irisations sonores qui nous placent dans des parenthèses de temps suspendus. Sa musique mêle références classiques au synthétiseur modulaire et à des programmes informatiques qu’il écrit lui-même pour ses performances live. Le voyage en train est l’une des principales sources d’inspiration de ses récents travaux.
(ENG) Max Becq (Maximilien Becq-Giraudon) is an electronic producer, film composer, and sound coder. His childhood fascination with Wagner and Debussy has shaped his penchant for shimmering and iridescent sounds that create moments of suspended time. His music blends classical references with modular synthesizers and custom software programs that he writes himself for his live performances. Train journeys are one of the main sources of inspiration for his recent works.
@maxbecq
Samedi 7.09.2024
@pointephemere
16H
Evening glow through my sunglasses. Playing with @pladaskelektrisk #ddrad feedback for unpredictable spectral sounds.
Working on live version of « Albu » near Albu 🌊#eurorackmodular #morphagene #hologrammicrocosm #pladaskelektrisk #dradd
Like the feeling of being suddenly lighter
#trainsofinstagram #voiturecorail #ableton #maxforlive #railways_of_europe
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