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Launching our new title this year, te magazine N°4 𝚂𝚙𝚒𝚗𝚊𝚕 𝙼𝚎𝚖𝚘𝚛𝚢 《脊柱记忆》. Orders now available on our website, link in bio!
🦒🦆🐎🐄🐻🦌🐦‍⬛🦜🐅🐈
从支撑生命的脊柱出发，第四期聚焦于对于非人类动物的身体利用与操控，感知与共情。本期的大多数创作者都有着与动物长期相处或持续调研的经验，他们通过观察、教育、绘画、写作与图像等创作方式，去解构既有的“伦理关系”与“秩序”。我们是否可能构建一个相对平等的多物种世界？又是否能够以更为谦卑、内省的方式，重新学习如何与他者共处？第四期并不预设答案，而是邀请读者代入他者的身体，在缓慢的交换中重新打开想象，任由一种尚未被命名的关系在此间生成。

Starting from the spine, the very pillar of life, issue 4 of te magazine focuses on nonhuman animals to explore the manipulation of their bodies alongside themes of perception and empathy. This fourth issue does not offer answers; instead, it comprises reflections and imaginations, as most contributors have long-standing experiences with or ongoing research on animals. Through observation, education, painting, writing, and image-making, they seek to loosen the existing “ethical relationships” and “orderly rules.” Is it possible to envision a relatively equal multispecies world? Can we relearn how to coexist with “the other” through a more humble and introspective lens? Issue 4 offers no definitive answers; instead, it invites readers to inhabit the bodies of others, to feel and acknowledge them. A slow exchange occurs that reopens our imagination and generates a relationship that has yet to be named.

𓇻 Featuring 10 contributions across disciplines.
𓇻 Editorial team @michaelguooo @kechuncc @nod_yek
𓇻 Graphic design, as always by @solxus

You will encounter the book at the following book fairs and in bookstores!

Launching our new title this year, te magazine N°4 𝚂𝚙𝚒𝚗𝚊𝚕 𝙼𝚎𝚖𝚘𝚛𝚢 《脊柱记忆》. Orders now available on our website, link in bio!
🦒🦆🐎🐄🐻🦌🐦‍⬛🦜🐅🐈
从支撑生命的脊柱出发，第四期聚焦于对于非人类动物的身体利用与操控，感知与共情。本期的大多数创作者都有着与动物长期相处或持续调研的经验，他们通过观察、教育、绘画、写作与图像等创作方式，去解构既有的“伦理关系”与“秩序”。我们是否可能构建一个相对平等的多物种世界？又是否能够以更为谦卑、内省的方式，重新学习如何与他者共处？第四期并不预设答案，而是邀请读者代入他者的身体，在缓慢的交换中重新打开想象，任由一种尚未被命名的关系在此间生成。

Starting from the spine, the very pillar of life, issue 4 of te magazine focuses on nonhuman animals to explore the manipulation of their bodies alongside themes of perception and empathy. This fourth issue does not offer answers; instead, it comprises reflections and imaginations, as most contributors have long-standing experiences with or ongoing research on animals. Through observation, education, painting, writing, and image-making, they seek to loosen the existing “ethical relationships” and “orderly rules.” Is it possible to envision a relatively equal multispecies world? Can we relearn how to coexist with “the other” through a more humble and introspective lens? Issue 4 offers no definitive answers; instead, it invites readers to inhabit the bodies of others, to feel and acknowledge them. A slow exchange occurs that reopens our imagination and generates a relationship that has yet to be named.

𓇻 Featuring 10 contributions across disciplines.
𓇻 Editorial team @michaelguooo @kechuncc @nod_yek
𓇻 Graphic design, as always by @solxus

You will encounter the book at the following book fairs and in bookstores!

Launching our new title this year, te magazine N°4 𝚂𝚙𝚒𝚗𝚊𝚕 𝙼𝚎𝚖𝚘𝚛𝚢 《脊柱记忆》. Orders now available on our website, link in bio!
🦒🦆🐎🐄🐻🦌🐦‍⬛🦜🐅🐈
从支撑生命的脊柱出发，第四期聚焦于对于非人类动物的身体利用与操控，感知与共情。本期的大多数创作者都有着与动物长期相处或持续调研的经验，他们通过观察、教育、绘画、写作与图像等创作方式，去解构既有的“伦理关系”与“秩序”。我们是否可能构建一个相对平等的多物种世界？又是否能够以更为谦卑、内省的方式，重新学习如何与他者共处？第四期并不预设答案，而是邀请读者代入他者的身体，在缓慢的交换中重新打开想象，任由一种尚未被命名的关系在此间生成。

Starting from the spine, the very pillar of life, issue 4 of te magazine focuses on nonhuman animals to explore the manipulation of their bodies alongside themes of perception and empathy. This fourth issue does not offer answers; instead, it comprises reflections and imaginations, as most contributors have long-standing experiences with or ongoing research on animals. Through observation, education, painting, writing, and image-making, they seek to loosen the existing “ethical relationships” and “orderly rules.” Is it possible to envision a relatively equal multispecies world? Can we relearn how to coexist with “the other” through a more humble and introspective lens? Issue 4 offers no definitive answers; instead, it invites readers to inhabit the bodies of others, to feel and acknowledge them. A slow exchange occurs that reopens our imagination and generates a relationship that has yet to be named.

𓇻 Featuring 10 contributions across disciplines.
𓇻 Editorial team @michaelguooo @kechuncc @nod_yek
𓇻 Graphic design, as always by @solxus

You will encounter the book at the following book fairs and in bookstores!

Launching our new title this year, te magazine N°4 𝚂𝚙𝚒𝚗𝚊𝚕 𝙼𝚎𝚖𝚘𝚛𝚢 《脊柱记忆》. Orders now available on our website, link in bio!
🦒🦆🐎🐄🐻🦌🐦‍⬛🦜🐅🐈
从支撑生命的脊柱出发，第四期聚焦于对于非人类动物的身体利用与操控，感知与共情。本期的大多数创作者都有着与动物长期相处或持续调研的经验，他们通过观察、教育、绘画、写作与图像等创作方式，去解构既有的“伦理关系”与“秩序”。我们是否可能构建一个相对平等的多物种世界？又是否能够以更为谦卑、内省的方式，重新学习如何与他者共处？第四期并不预设答案，而是邀请读者代入他者的身体，在缓慢的交换中重新打开想象，任由一种尚未被命名的关系在此间生成。

Starting from the spine, the very pillar of life, issue 4 of te magazine focuses on nonhuman animals to explore the manipulation of their bodies alongside themes of perception and empathy. This fourth issue does not offer answers; instead, it comprises reflections and imaginations, as most contributors have long-standing experiences with or ongoing research on animals. Through observation, education, painting, writing, and image-making, they seek to loosen the existing “ethical relationships” and “orderly rules.” Is it possible to envision a relatively equal multispecies world? Can we relearn how to coexist with “the other” through a more humble and introspective lens? Issue 4 offers no definitive answers; instead, it invites readers to inhabit the bodies of others, to feel and acknowledge them. A slow exchange occurs that reopens our imagination and generates a relationship that has yet to be named.

𓇻 Featuring 10 contributions across disciplines.
𓇻 Editorial team @michaelguooo @kechuncc @nod_yek
𓇻 Graphic design, as always by @solxus

You will encounter the book at the following book fairs and in bookstores!

Launching our new title this year, te magazine N°4 𝚂𝚙𝚒𝚗𝚊𝚕 𝙼𝚎𝚖𝚘𝚛𝚢 《脊柱记忆》. Orders now available on our website, link in bio!
🦒🦆🐎🐄🐻🦌🐦‍⬛🦜🐅🐈
从支撑生命的脊柱出发，第四期聚焦于对于非人类动物的身体利用与操控，感知与共情。本期的大多数创作者都有着与动物长期相处或持续调研的经验，他们通过观察、教育、绘画、写作与图像等创作方式，去解构既有的“伦理关系”与“秩序”。我们是否可能构建一个相对平等的多物种世界？又是否能够以更为谦卑、内省的方式，重新学习如何与他者共处？第四期并不预设答案，而是邀请读者代入他者的身体，在缓慢的交换中重新打开想象，任由一种尚未被命名的关系在此间生成。

Starting from the spine, the very pillar of life, issue 4 of te magazine focuses on nonhuman animals to explore the manipulation of their bodies alongside themes of perception and empathy. This fourth issue does not offer answers; instead, it comprises reflections and imaginations, as most contributors have long-standing experiences with or ongoing research on animals. Through observation, education, painting, writing, and image-making, they seek to loosen the existing “ethical relationships” and “orderly rules.” Is it possible to envision a relatively equal multispecies world? Can we relearn how to coexist with “the other” through a more humble and introspective lens? Issue 4 offers no definitive answers; instead, it invites readers to inhabit the bodies of others, to feel and acknowledge them. A slow exchange occurs that reopens our imagination and generates a relationship that has yet to be named.

𓇻 Featuring 10 contributions across disciplines.
𓇻 Editorial team @michaelguooo @kechuncc @nod_yek
𓇻 Graphic design, as always by @solxus

You will encounter the book at the following book fairs and in bookstores!

Launching our new title this year, te magazine N°4 𝚂𝚙𝚒𝚗𝚊𝚕 𝙼𝚎𝚖𝚘𝚛𝚢 《脊柱记忆》. Orders now available on our website, link in bio!
🦒🦆🐎🐄🐻🦌🐦‍⬛🦜🐅🐈
从支撑生命的脊柱出发，第四期聚焦于对于非人类动物的身体利用与操控，感知与共情。本期的大多数创作者都有着与动物长期相处或持续调研的经验，他们通过观察、教育、绘画、写作与图像等创作方式，去解构既有的“伦理关系”与“秩序”。我们是否可能构建一个相对平等的多物种世界？又是否能够以更为谦卑、内省的方式，重新学习如何与他者共处？第四期并不预设答案，而是邀请读者代入他者的身体，在缓慢的交换中重新打开想象，任由一种尚未被命名的关系在此间生成。

Starting from the spine, the very pillar of life, issue 4 of te magazine focuses on nonhuman animals to explore the manipulation of their bodies alongside themes of perception and empathy. This fourth issue does not offer answers; instead, it comprises reflections and imaginations, as most contributors have long-standing experiences with or ongoing research on animals. Through observation, education, painting, writing, and image-making, they seek to loosen the existing “ethical relationships” and “orderly rules.” Is it possible to envision a relatively equal multispecies world? Can we relearn how to coexist with “the other” through a more humble and introspective lens? Issue 4 offers no definitive answers; instead, it invites readers to inhabit the bodies of others, to feel and acknowledge them. A slow exchange occurs that reopens our imagination and generates a relationship that has yet to be named.

𓇻 Featuring 10 contributions across disciplines.
𓇻 Editorial team @michaelguooo @kechuncc @nod_yek
𓇻 Graphic design, as always by @solxus

You will encounter the book at the following book fairs and in bookstores!

Launching our new title this year, te magazine N°4 𝚂𝚙𝚒𝚗𝚊𝚕 𝙼𝚎𝚖𝚘𝚛𝚢 《脊柱记忆》. Orders now available on our website, link in bio!
🦒🦆🐎🐄🐻🦌🐦‍⬛🦜🐅🐈
从支撑生命的脊柱出发，第四期聚焦于对于非人类动物的身体利用与操控，感知与共情。本期的大多数创作者都有着与动物长期相处或持续调研的经验，他们通过观察、教育、绘画、写作与图像等创作方式，去解构既有的“伦理关系”与“秩序”。我们是否可能构建一个相对平等的多物种世界？又是否能够以更为谦卑、内省的方式，重新学习如何与他者共处？第四期并不预设答案，而是邀请读者代入他者的身体，在缓慢的交换中重新打开想象，任由一种尚未被命名的关系在此间生成。

Starting from the spine, the very pillar of life, issue 4 of te magazine focuses on nonhuman animals to explore the manipulation of their bodies alongside themes of perception and empathy. This fourth issue does not offer answers; instead, it comprises reflections and imaginations, as most contributors have long-standing experiences with or ongoing research on animals. Through observation, education, painting, writing, and image-making, they seek to loosen the existing “ethical relationships” and “orderly rules.” Is it possible to envision a relatively equal multispecies world? Can we relearn how to coexist with “the other” through a more humble and introspective lens? Issue 4 offers no definitive answers; instead, it invites readers to inhabit the bodies of others, to feel and acknowledge them. A slow exchange occurs that reopens our imagination and generates a relationship that has yet to be named.

𓇻 Featuring 10 contributions across disciplines.
𓇻 Editorial team @michaelguooo @kechuncc @nod_yek
𓇻 Graphic design, as always by @solxus

You will encounter the book at the following book fairs and in bookstores!

Launching our new title this year, te magazine N°4 𝚂𝚙𝚒𝚗𝚊𝚕 𝙼𝚎𝚖𝚘𝚛𝚢 《脊柱记忆》. Orders now available on our website, link in bio!
🦒🦆🐎🐄🐻🦌🐦‍⬛🦜🐅🐈
从支撑生命的脊柱出发，第四期聚焦于对于非人类动物的身体利用与操控，感知与共情。本期的大多数创作者都有着与动物长期相处或持续调研的经验，他们通过观察、教育、绘画、写作与图像等创作方式，去解构既有的“伦理关系”与“秩序”。我们是否可能构建一个相对平等的多物种世界？又是否能够以更为谦卑、内省的方式，重新学习如何与他者共处？第四期并不预设答案，而是邀请读者代入他者的身体，在缓慢的交换中重新打开想象，任由一种尚未被命名的关系在此间生成。

Starting from the spine, the very pillar of life, issue 4 of te magazine focuses on nonhuman animals to explore the manipulation of their bodies alongside themes of perception and empathy. This fourth issue does not offer answers; instead, it comprises reflections and imaginations, as most contributors have long-standing experiences with or ongoing research on animals. Through observation, education, painting, writing, and image-making, they seek to loosen the existing “ethical relationships” and “orderly rules.” Is it possible to envision a relatively equal multispecies world? Can we relearn how to coexist with “the other” through a more humble and introspective lens? Issue 4 offers no definitive answers; instead, it invites readers to inhabit the bodies of others, to feel and acknowledge them. A slow exchange occurs that reopens our imagination and generates a relationship that has yet to be named.

𓇻 Featuring 10 contributions across disciplines.
𓇻 Editorial team @michaelguooo @kechuncc @nod_yek
𓇻 Graphic design, as always by @solxus

You will encounter the book at the following book fairs and in bookstores!

墨城后能量全满

墨城后能量全满

墨城后能量全满

墨城后能量全满

墨城后能量全满

墨城后能量全满

墨城后能量全满

墨城后能量全满

墨城后能量全满

墨城后能量全满

墨城后能量全满

The two solo exhibitions I curated for the discovery award 2024, presented by @jimei_arles photo festival

Angelus Novus revisits @kanthypeng ‘s own experience of being immobilized by depression through a series of photographs. She likens her depressed body to a device receiving signals from the future. These eerily calm images often suggest impending upheaval and destruction. Through these deeply personal works, Kanthy connects individual experiences with a broader societal context, creating a new language that is both tender and intimate yet sharply poignant.

How to (Un)name a Tree originates from @andongzheng ‘s research into a historical naming dispute concerning three closely related species in botanical taxonomy. The works in the exhibition all came from his multiple field research trips, including his video footages and reference materials. The artist created a series of sensory-oriented works through collages of his large-format photography, salt printing process with seawater, and 16mm film. The geographical backgrounds of the pine trees in the photographs are intentionally blurred, making it difficult for viewers to pinpoint their exact locations. The artist attempts to construct a reflexive multiplicity of visions in the exhibition, which is also an attempt at re-contextualizing the Linnaean classification.

Thanks for these two talented artists and the amazing staff from @threeshadows_official

Exhibition will continue until the 12th of January,come to Xiamen, experience it with the ocean wind.

The two solo exhibitions I curated for the discovery award 2024, presented by @jimei_arles photo festival

Angelus Novus revisits @kanthypeng ‘s own experience of being immobilized by depression through a series of photographs. She likens her depressed body to a device receiving signals from the future. These eerily calm images often suggest impending upheaval and destruction. Through these deeply personal works, Kanthy connects individual experiences with a broader societal context, creating a new language that is both tender and intimate yet sharply poignant.

How to (Un)name a Tree originates from @andongzheng ‘s research into a historical naming dispute concerning three closely related species in botanical taxonomy. The works in the exhibition all came from his multiple field research trips, including his video footages and reference materials. The artist created a series of sensory-oriented works through collages of his large-format photography, salt printing process with seawater, and 16mm film. The geographical backgrounds of the pine trees in the photographs are intentionally blurred, making it difficult for viewers to pinpoint their exact locations. The artist attempts to construct a reflexive multiplicity of visions in the exhibition, which is also an attempt at re-contextualizing the Linnaean classification.

Thanks for these two talented artists and the amazing staff from @threeshadows_official

Exhibition will continue until the 12th of January,come to Xiamen, experience it with the ocean wind.

开春

🎃

连续两天去球馆, like there is no tomorrow

te magazine is going to be launched this month! te magazine is an annual bilingual publication focuses on Anthropology, Contemporary Art, Mobility and Migration across the world. By @cocoqinnn and I please follow us @te.editions

We are grateful to our contributors, who worked with us till the end. Issue 1 features 10 groups / individual artists' writings and artworks, generating discussions of food, locality and memories. 13 writers include @alvinluong @cookingsections @elianurvista @felixhychan @maryjeanchan @_tang_han @wolfgang_tillmans @yiavang70 @ziya_ye @z_x_p_ , Cao Yu and Gu Tao. Thank you all for making the issue 1 happen.

Another big thanks for our amazing art direction & designer Can Yang @solxus , who made all articles more beautiful and stunning.

“Dream (Is) land!” will open on Thursday, May 13 at @mineproject.hk

This exhibition features 4 HK-based female artists Tap Chan, Liu Yin, Amy Tong and Wu Jiaru, which brings together their artistic ideas and practices to explore the ambiguous relationship between dreams, reality and the present ☁️🏝

Dream (Is) land!
Exhibited artists: Tap Chan @tappchann
Liu Yin @liu_yinyinyin
Amy Tong @amymariat
Wu Jiaru @wwwjjjrrr111
Date: 5.13 - 6.26.2021
Opening: 6 - 8pm, 5.13.2021

再访渔村，按摩师傅搬走了

再访渔村，按摩师傅搬走了