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Rad project earlier this year, all shot on 16mm 🙏

Director: @vuhlandes
DP: @midwestcowboy_
Color: @cameronmarygold
Edit: @vuhlandes
SD / Mix: @modularfor.ms

Multimatic - The GT

Director: @kurtandrewschneider
DP: @shanebagwelldp
Edit: @cavanjfaucett @beebtown
Score: @modularfor.ms
Mix: @mikeregannoise
Color: @brianchrls
VFX: @prepost3d @estebanmelean

Loud, distorted, wild altered source recordings of various clarinets mixed with eurorack oscillators and moog performances. Wow that was a fun one 🥵

Carhartt X 47 | MLB

Director: @tab_tabitha_
DP: @drakeharthun
Producer: @troyjrjr
Editor: @beebtown
Color: @mikeypackage
Mix, SD, Music: @modularfor.ms

Loved creating all of the crowd ambiences and foley for this fun spot with the @workingclassfilm team! Did you catch the “hear we go tigers” song in the background?

@audioease speakerphone always coming in clutch for making everything sound like it’s coming out of a radio 📻

I had the absolute pleasure of writing the music for the new Kawasaki H2. An insane supercharged UTV powered by their Ninja H2 engine. Much love to the @roosbrothers for bringing me on and giving full creative control to make some over the top and blown out distorted tones 🎛️

1. Full drum loop. Crazy how much heavy lifting the Izotope Trash 2 is doing on this loop. I side chained everything (including reverbs) to the kick and found this sweet spot in the threshold of the distortion to only trigger right at the top to really give it some extra energy. Are you really distorting if you aren’t clipping by 20+ db 💀

2. Isolated synth. The base of this sound is coming from the Piston Honda, gates with random ratcheting coming from the Eloquencer then into maths for some envelope movement.

3. Intro atmosphere. Lots of layers from @slateandash Spectres fed into the cxm1978. Messing with the pre delay on the lofi mode gets you these really insane pitch reverb throws that are wildly captivating.

4. Full video!!! Growing up watching the Pennzoil viper and Demon spots, it’s always been a dream of mine to work with @csabawagner and the team at @sweetjusticesound. They are the absolute best at what they do, super inspiring getting to work together.

I had the absolute pleasure of writing the music for the new Kawasaki H2. An insane supercharged UTV powered by their Ninja H2 engine. Much love to the @roosbrothers for bringing me on and giving full creative control to make some over the top and blown out distorted tones 🎛️

1. Full drum loop. Crazy how much heavy lifting the Izotope Trash 2 is doing on this loop. I side chained everything (including reverbs) to the kick and found this sweet spot in the threshold of the distortion to only trigger right at the top to really give it some extra energy. Are you really distorting if you aren’t clipping by 20+ db 💀

2. Isolated synth. The base of this sound is coming from the Piston Honda, gates with random ratcheting coming from the Eloquencer then into maths for some envelope movement.

3. Intro atmosphere. Lots of layers from @slateandash Spectres fed into the cxm1978. Messing with the pre delay on the lofi mode gets you these really insane pitch reverb throws that are wildly captivating.

4. Full video!!! Growing up watching the Pennzoil viper and Demon spots, it’s always been a dream of mine to work with @csabawagner and the team at @sweetjusticesound. They are the absolute best at what they do, super inspiring getting to work together.

I had the absolute pleasure of writing the music for the new Kawasaki H2. An insane supercharged UTV powered by their Ninja H2 engine. Much love to the @roosbrothers for bringing me on and giving full creative control to make some over the top and blown out distorted tones 🎛️

1. Full drum loop. Crazy how much heavy lifting the Izotope Trash 2 is doing on this loop. I side chained everything (including reverbs) to the kick and found this sweet spot in the threshold of the distortion to only trigger right at the top to really give it some extra energy. Are you really distorting if you aren’t clipping by 20+ db 💀

2. Isolated synth. The base of this sound is coming from the Piston Honda, gates with random ratcheting coming from the Eloquencer then into maths for some envelope movement.

3. Intro atmosphere. Lots of layers from @slateandash Spectres fed into the cxm1978. Messing with the pre delay on the lofi mode gets you these really insane pitch reverb throws that are wildly captivating.

4. Full video!!! Growing up watching the Pennzoil viper and Demon spots, it’s always been a dream of mine to work with @csabawagner and the team at @sweetjusticesound. They are the absolute best at what they do, super inspiring getting to work together.

I had the absolute pleasure of writing the music for the new Kawasaki H2. An insane supercharged UTV powered by their Ninja H2 engine. Much love to the @roosbrothers for bringing me on and giving full creative control to make some over the top and blown out distorted tones 🎛️

1. Full drum loop. Crazy how much heavy lifting the Izotope Trash 2 is doing on this loop. I side chained everything (including reverbs) to the kick and found this sweet spot in the threshold of the distortion to only trigger right at the top to really give it some extra energy. Are you really distorting if you aren’t clipping by 20+ db 💀

2. Isolated synth. The base of this sound is coming from the Piston Honda, gates with random ratcheting coming from the Eloquencer then into maths for some envelope movement.

3. Intro atmosphere. Lots of layers from @slateandash Spectres fed into the cxm1978. Messing with the pre delay on the lofi mode gets you these really insane pitch reverb throws that are wildly captivating.

4. Full video!!! Growing up watching the Pennzoil viper and Demon spots, it’s always been a dream of mine to work with @csabawagner and the team at @sweetjusticesound. They are the absolute best at what they do, super inspiring getting to work together.

Red Velvet | Short Film

Director: @kstaake
Staring: @nikolainikolaeff and Aidan Bristow
Editor: @zstonez
Colorist: @davidtorcivia
Mix, Sound Design: @modularfor.ms

Such an incredible short film I had the pleasure of mixing earlier this year. Congrats to the whole team on winning best comedy at the @santamonicafilmfestival !!

Mercedes-Benz - VanSolution

Mix + SD

Director: @kurtandrewschneider
DP: @gaulporat
Edit: @beebtown
Grade: @carlosfloresfilms of @forager.tv

Ford - “To the Limit with Team Rubicon”

Sound design + music excerpt.

Director: @nicoooooooooooo_o
Production: @pulsefilms
Agency: @wiedenkennedy
DP: @paultheodoroff
Producer: @troyjrjr
Edit + Finish @hiatus.post
Editor: @shanepford
GFX: @semiformal.studio
SD + Music: @modularfor.ms

Chevrolet - “Blazer EV”

Isolated sound design layers.

Director: @nsherfield
Production: @wtp.pictures
DP: @ian_rigby
Edit: @robfrenetteedits
SD, Mix: @modularfor.ms

Tyrrell Winston - “Ball”

Director: @caleb_joye
DP: @noahelliottmorrison
Artist: @tyrrellwinston
Color: @ceen.mkv
Shot on: @kodak_shootfilm
Mix, SD: @modularfor.ms

GMC - “Yukon AT4”

Snippet of SD + Mix

Director: @nsherfield
Prod: @wtp.pictures
DP: @danstewartdop
Arm Car: @filmotechnicusa
Color: @patrick_sxtn
Mix + SD: @modularfor.ms

Vogue X EBay - “Eternal Eras”

Post: @forager.tv
Post Producer: @_denissthemenace_
Editors: Noah Kendal, @caitlincarr_, @aribrebre
Color: @lindseyamazur
Mix: @baritobobb
Music: @modularfor.ms

Ford - “Pursuit of Better”

Director: @nicoooooooooooo_o
DP: @paultheodoroff @nykallen
Post: @cartel.tv
Edit: @thedeadringer
Color: @kathraisch
Music, Mix, SD: @modularfor.ms