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New on Motionographer: Digital Design Days just premiered the opening titles for their 10th anniversary edition - and they are something else.

The Chase, by London-based Fluent Studio, asks the question our whole industry is sitting with right now: in the age of AI, are you the predator or the prey?

A full behind-the-scenes breakdown is coming soon. For now, watch.

Full video on Motionographer.

#MotionDesign #DDD26 #DigitalDesignDays #FluentStudio #OpeningTitles #MilanoDesign

“The world needs peaceful places to meet and be generous.” @pepsalazar at @motionographerpro

Big thanks to @motionographerpro for this in-depth conversation with Pep Salazar, reflecting on why OFFF Barcelona continues to bring creatives together year after year.

A powerful reminder of the role these spaces play today. Read the full article on their website.

📍 April 16-18 at @dissenyhub
🎟️ Last chance to get your tickets!

“The world needs peaceful places to meet and be generous.” @pepsalazar at @motionographerpro

Big thanks to @motionographerpro for this in-depth conversation with Pep Salazar, reflecting on why OFFF Barcelona continues to bring creatives together year after year.

A powerful reminder of the role these spaces play today. Read the full article on their website.

📍 April 16-18 at @dissenyhub
🎟️ Last chance to get your tickets!

“The world needs peaceful places to meet and be generous.” @pepsalazar at @motionographerpro

Big thanks to @motionographerpro for this in-depth conversation with Pep Salazar, reflecting on why OFFF Barcelona continues to bring creatives together year after year.

A powerful reminder of the role these spaces play today. Read the full article on their website.

📍 April 16-18 at @dissenyhub
🎟️ Last chance to get your tickets!

“The world needs peaceful places to meet and be generous.” @pepsalazar at @motionographerpro

Big thanks to @motionographerpro for this in-depth conversation with Pep Salazar, reflecting on why OFFF Barcelona continues to bring creatives together year after year.

A powerful reminder of the role these spaces play today. Read the full article on their website.

📍 April 16-18 at @dissenyhub
🎟️ Last chance to get your tickets!

“The world needs peaceful places to meet and be generous.” @pepsalazar at @motionographerpro

Big thanks to @motionographerpro for this in-depth conversation with Pep Salazar, reflecting on why OFFF Barcelona continues to bring creatives together year after year.

A powerful reminder of the role these spaces play today. Read the full article on their website.

📍 April 16-18 at @dissenyhub
🎟️ Last chance to get your tickets!

“The world needs peaceful places to meet and be generous.” @pepsalazar at @motionographerpro

Big thanks to @motionographerpro for this in-depth conversation with Pep Salazar, reflecting on why OFFF Barcelona continues to bring creatives together year after year.

A powerful reminder of the role these spaces play today. Read the full article on their website.

📍 April 16-18 at @dissenyhub
🎟️ Last chance to get your tickets!

“The world needs peaceful places to meet and be generous.” @pepsalazar at @motionographerpro

Big thanks to @motionographerpro for this in-depth conversation with Pep Salazar, reflecting on why OFFF Barcelona continues to bring creatives together year after year.

A powerful reminder of the role these spaces play today. Read the full article on their website.

📍 April 16-18 at @dissenyhub
🎟️ Last chance to get your tickets!

“The world needs peaceful places to meet and be generous.” @pepsalazar at @motionographerpro

Big thanks to @motionographerpro for this in-depth conversation with Pep Salazar, reflecting on why OFFF Barcelona continues to bring creatives together year after year.

A powerful reminder of the role these spaces play today. Read the full article on their website.

📍 April 16-18 at @dissenyhub
🎟️ Last chance to get your tickets!

“The world needs peaceful places to meet and be generous.” @pepsalazar at @motionographerpro

Big thanks to @motionographerpro for this in-depth conversation with Pep Salazar, reflecting on why OFFF Barcelona continues to bring creatives together year after year.

A powerful reminder of the role these spaces play today. Read the full article on their website.

📍 April 16-18 at @dissenyhub
🎟️ Last chance to get your tickets!

“The world needs peaceful places to meet and be generous.” @pepsalazar at @motionographerpro

Big thanks to @motionographerpro for this in-depth conversation with Pep Salazar, reflecting on why OFFF Barcelona continues to bring creatives together year after year.

A powerful reminder of the role these spaces play today. Read the full article on their website.

📍 April 16-18 at @dissenyhub
🎟️ Last chance to get your tickets!

“The world needs peaceful places to meet and be generous.” @pepsalazar at @motionographerpro

Big thanks to @motionographerpro for this in-depth conversation with Pep Salazar, reflecting on why OFFF Barcelona continues to bring creatives together year after year.

A powerful reminder of the role these spaces play today. Read the full article on their website.

📍 April 16-18 at @dissenyhub
🎟️ Last chance to get your tickets!

“The world needs peaceful places to meet and be generous.” @pepsalazar at @motionographerpro

Big thanks to @motionographerpro for this in-depth conversation with Pep Salazar, reflecting on why OFFF Barcelona continues to bring creatives together year after year.

A powerful reminder of the role these spaces play today. Read the full article on their website.

📍 April 16-18 at @dissenyhub
🎟️ Last chance to get your tickets!

“The world needs peaceful places to meet and be generous.” @pepsalazar at @motionographerpro

Big thanks to @motionographerpro for this in-depth conversation with Pep Salazar, reflecting on why OFFF Barcelona continues to bring creatives together year after year.

A powerful reminder of the role these spaces play today. Read the full article on their website.

📍 April 16-18 at @dissenyhub
🎟️ Last chance to get your tickets!

OFFF has never been just a lineup of talks. It's a meeting point, a mindset, a room where the world's creative community reminds itself why it does this.
We sat down with OFFF director Pep Salazar for a conversation that goes behind the festival, into the philosophy, the mistakes, and what he hopes never changes.
"OFFF is not a festival. It is a mindset."
Read it on Motionographer. Link in bio.
#MotionDesign #OFFF #DesignCulture #CreativeCommunity #Inspiration #DigitalArt #Design #mtngrphr #motionographer @uncommon.creative.studio

Tenjutsu | Reveal Trailer delivers chaos with control.

Created by CRCR for Devolver Digital, the reveal film for Tenjutsu leans into raw energy, brawling momentum, and stylized violence. Bold character animation and graphic staging set the tone for a game built around confrontation, movement, and impact.

A punchy promo that gets in, hits hard, and gets out.

🏆 Motion Awards Winner
Gaming » Gaming Promo

Studio: WIZZ | Client: Devolver Digital, Deepnight

Directors: CRCR | Executive Producer: Claire Madigan | Production Coordination: Rebeca Hayem
Storyboard: Martin Robic, Oleg Kositsyn | Character Design: San Moses | Backgrounds: Meryl Franck
Layout and Posing: San Moses, Elodie Xia | Animation: Angele Legras, Antoine Tran, Brian Lim, Louise Baillet
Animation Cleanup: Pud Octopus | 2D FX: Ismail Berrahma | Compositing: Elliot Kajdan

#MotionAwards #Motionographer #GamingPromo #2DAnimation #GameTrailer

Call of Duty: Black Ops 6 opens with controlled chaos.

Created by Territory Studio, the main title sequence abandons slick futurism in favor of a deconstructed visual language rooted in analogue media and hand-crafted texture. Scanned physical elements collide with precise animation, pulling the viewer into the fractured mindset of an operative where intel, memory, and mission blur together.

More than an introduction, the titles function as narrative machinery, setting tone, tension, and context from the very first frame.

🏆 Motion Awards Winner
Gaming » Title Sequence

Studio: Territory Studio

#MotionAwards #Motionographer #TitleSequence #GamingDesign #WorldBuilding #CinematicDesign

Opening Film Short for Half Rez 2025 | OddBeast

OddBeast opens Half Rez 2025 by leaning into a feeling a lot of creatives know too well, discomfort, uncertainty, and the anxiety of building a life in an industry that keeps accelerating.

Led by Kevin Gautraud, the short becomes a meditation on scale and perspective, barren, majestic landscapes that rewind toward Earth’s origins, then snap forward into a final burst of life, our brief moment in the light. It’s awe as a creative tool, making everyday fear feel smaller, strange, and somehow survivable. 

The piece was crafted with QuadSpinner Gaea for terrain building, Houdini for simulation effects, and Cinema 4D with Octane for final assembly and rendering. Sound design by Bent Stamnes brings an ethereal, spacious pulse that completes the spell. 

Full Video at Motionographer

Credits
Motion Design, Production Studio: OddBeast
Executive Producer: Michael Brookbank
Senior 3D Animator: Kevin Gautraud
Animation Support: Alex Weber, Liam Conway
Modeling Support: Khanh Ha
Sound Design: Bent Stamnes
IG: @oddbeast 

#MotionDesign #Animation #3DAnimation #Houdini #Cinema4D #OctaneRender #CGI #TitleSequence #CreativeProcess #mtngrphr #motionographer

Welcome to Wrexham Season 4 | Awesome Inc

FX tapped Awesome Inc to deliver a full Season 4 campaign toolkit, key art, outdoor, and Motion Design, built to match Wrexham’s momentum and put the players front and center.

The visual hook is fire. Frame-by-frame, hand-drawn flames inject raw energy into bold, minimal layouts, designed to hit hard across every format, from trailers to billboards.

Full Video at Motionographer

#MotionDesign #Animation #EntertainmentMarketing #KeyArt #BrandCampaign #HandDrawnAnimation #FrameByFrame #mtngrphr #motionographer

The Motion Awards X Are Here, Entering a Bold New Era

Ten years in, not as a victory lap, as a recommitment.

The Motion Awards X marks a new chapter for Motion Design recognition, with a new website built to match the scale of the craft, and two powerful new distinctions that expand how excellence is honored. 

New this year: The Pulse, an audience vote for the work that truly resonates, and the Grand Jury Award, chosen by the judges as the best of the best. 

And for the first time, the community can nominate jurors, opening the circle wider while raising the standard higher. 

Explore the new platform, submit your work, and help shape the future at motionawards.com. 

#MotionDesign #TheMotionAwards #Awards #CreativeCommunity #mtngrphr #motionographer

Greg Browning Expression Session transforms memory into motion.

Built from 2.5 minutes of Greg Browning’s classic surf footage, more than 3,000 printed frames were opened to friends, family, and the local art community to draw, paint, and leave their mark. Each frame was then scanned back and reassembled into a collective animation, premiering as an installation at the close of the show inside the Vault.

A deeply personal project shaped by many hands, honoring creativity, community, and a life that continues to move through shared memory.

🏆 Motion Awards Winner
Interactive / Experiential » Installation / Experiential

Studio: Dincaboutit

Director: John DeTemple | Curator: Delia Cabral | Gallery: VEFA Gallery
Featuring: Greg Browning | Logan DeTemple

#MotionAwards #Motionographer #ExperientialDesign #InstallationArt #CollectiveAnimation

Labor of Love : How Breanna Lynn Turned Community, Trust, and Radical Belief into Drive It Like You Stole It

Creative industries are built on rules. Budgets, gatekeepers, and long paths to trust. Automotive advertising is one of the most expensive verticals in the industry, and the path to directing one is rarely short.

Breanna Lynn decided to challenge the math itself.

At 26, the New York and Los Angeles based director set out to make an automotive commercial with no client, no agency, no brief, and no budget. What began as a bold idea turned into a year long production that brought together more than eighty people who believed in the project.

The film, Drive It Like You Stole It, eventually shut down a small airport runway in New Jersey overnight, secured a Russian arm camera car that normally costs a small fortune, and recruited a stunt driver from the Fast and Furious franchise. The result looks and moves like the real thing because it is the real thing, minus the check.

For Breanna, the project became proof of something she believes deeply. When you commit fully to an idea, people feel it. Her philosophy is what she calls radical freedom. The belief that no one can tell you what you can or cannot do, and that meaningful work rarely arrives with perfect timing or perfect resources.

As she says, no idea is too big or too impractical. You do not need permission to pursue something meaningful. You just need the courage to start.

Drive It Like You Stole It was directed and produced by Breanna Lynn, written by Breanna Lynn and Aathil Chaturvedi, with cinematography by Myles Caba, editing by Logan Triplett, sound design by Theo Rogers, color by Nick Daukas, and stunt coordination by Joey Bearse and Casey Rutherford.

Full Article on Motionographer.

@breannalynn.gif

#Filmmaking #FilmDirector #Cinematography #Filmmakers #IndieFilm #SpecCommercial #CreativeCommunity #WomenInFilm #Storytelling #BehindTheScenes #FilmProduction #DriveItLikeYouStoleIt #BreannaLynn #Motionographer #MotionographerPro

Perch Light invites interaction through calm and restraint.

Created as a student commercial, the film introduces a paper bird lamp resting on a brass perch, emitting a soft, indirect glow that responds to touch. Subtle motion and measured rhythm emphasize tranquility, transforming light into an experience rather than an object.

A quiet study in interaction, warmth, and everyday design.

🏆 Motion Awards Winner
Student » Commercial

Studio: Seungpyo Han

Concept and Visual Production: Seungpyo Han | Sound: KLOAQ

#MotionAwards #Motionographer #StudentWork #ProductFilm #InteractionDesign

MOUVO 2026: Exploring Space in Motion Design
By Carlos El Asmar

MOUVO returns for its 11th edition with a theme that feels cosmic and deeply human, Space.

Not just outer space, although the opening night makes that metaphor irresistible, but space as perception, as possibility, as the physical and digital environments we design, inhabit, and constantly reshape.

For the first time, the festival expands across two venues in Prague.
March 26, the newly upgraded Prague Planetarium, featuring Julius Horsthuis, Kurzgesagt, and Lucas Gutierrez.
March 27, CAMP, Center for Architecture and Metropolitan Planning, with a full-day program exploring how Motion Design is evolving across culture, tech, design systems, and storytelling.

MOUVO has never been about chasing trends. It’s about curation, intimacy, and a community where the world’s leading creators share their process, their doubts, and then often share a beer with you afterwards.

Read on Motionographer

Dates: March 26–27, 2026
Location: Prague
Tickets and lineup:mouvo.cz

#MotionDesign #MOUVO #Prague #DesignConference #Animation #KineticTypography #VisualStorytelling #CreativeCommunity #DigitalArt #mtngrphr #motionographer