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nickmuzzillo
Life is Roblox
RCAD 25 🎬
Film Major and Photo Minor
No more death. Even if it comes at a price. No more death.
The One in Red
Filmed on Atlas Orion Anamorphic Series
Directed by @nickmuzzillo
Cinematography by @kyleehelenn
“Since The One in Red’s conception, almost a year before production, I knew that I wanted to use anamorphic lenses for the production to pay tribute to legendary filmmakers such as Masakai Kobayashi and Akira Kurosawa. I wanted to capture that 2:39.1 magic just like they did. The Orion Series had the ultimate look, which distorted these majestic characters against the beautiful landscapes of the vast nature that I hoped to capture, especially in a wide-screen format.
At Ringling, Anamorphics were never part of their kits, but I felt it was essential to this production to capture that pure classic Jidaigeki aesthetic. So, I had to get it done myself, renting a kit, making this not only Ringling’s first Samurai movie but also the first Thesis film shot on Anamorphics. And the Atlas Orion Lenses showed the true beauty of Anamorphic lenses and why widescreen cinema is something we can never leave behind.
These lenses captured this story much more beautifully than I could’ve ever hoped for. This is a stunning kit that I will always keep in mind for future productions.” - @nickmuzzillo
Starring
Masa Kanome as THE RED RONIN @masathelivingsamurai
Miyuki Funato as THE CLOAKED FIGURE/AKA @funamiyu03
John Patrick Barry as THE GRAY RONIN @actorjohnpatrickbarry
Brian Takahashi as THE GRAY RONIN (voice) @the_brian_takahashi_
Produced by @hayleykirkk & @ren.mmdc
Editor @nickmuzzillo
Colorist @officialredboi
Production Designer @everyones_juan_and_only
Technical Advisor @jerrychambless2
Musical Composer @alvise.carraro.wav
VFX @cpt_myles_scott
1st AD @officialredboi
1st AC @rod.filmz
2nd AC @brandonboatsGaffer @clairersimmons
Best Electric @alex._.alf
Key Grip @tan_kitapli
Grips @nicci__rose & @blairr_eric
Grip Truck @shakaka3
Digital Imaging Technician @mason.aaselund
Sound Mixer @joeyplatenik
Special Thanks
Mom
@valeriehouston
@hannahleigh_photography
@nick.whittle1
@felixeyal
@cecilia4photography
@gabeweldon_
@luigi_fornale
@katiemgibbs_
@noellemccleaf
@gruni27
@fotosdefranco
The One in Red
Filmed on Atlas Orion Anamorphic Series
Directed by @nickmuzzillo
Cinematography by @kyleehelenn
“Since The One in Red’s conception, almost a year before production, I knew that I wanted to use anamorphic lenses for the production to pay tribute to legendary filmmakers such as Masakai Kobayashi and Akira Kurosawa. I wanted to capture that 2:39.1 magic just like they did. The Orion Series had the ultimate look, which distorted these majestic characters against the beautiful landscapes of the vast nature that I hoped to capture, especially in a wide-screen format.
At Ringling, Anamorphics were never part of their kits, but I felt it was essential to this production to capture that pure classic Jidaigeki aesthetic. So, I had to get it done myself, renting a kit, making this not only Ringling’s first Samurai movie but also the first Thesis film shot on Anamorphics. And the Atlas Orion Lenses showed the true beauty of Anamorphic lenses and why widescreen cinema is something we can never leave behind.
These lenses captured this story much more beautifully than I could’ve ever hoped for. This is a stunning kit that I will always keep in mind for future productions.” - @nickmuzzillo
Starring
Masa Kanome as THE RED RONIN @masathelivingsamurai
Miyuki Funato as THE CLOAKED FIGURE/AKA @funamiyu03
John Patrick Barry as THE GRAY RONIN @actorjohnpatrickbarry
Brian Takahashi as THE GRAY RONIN (voice) @the_brian_takahashi_
Produced by @hayleykirkk & @ren.mmdc
Editor @nickmuzzillo
Colorist @officialredboi
Production Designer @everyones_juan_and_only
Technical Advisor @jerrychambless2
Musical Composer @alvise.carraro.wav
VFX @cpt_myles_scott
1st AD @officialredboi
1st AC @rod.filmz
2nd AC @brandonboatsGaffer @clairersimmons
Best Electric @alex._.alf
Key Grip @tan_kitapli
Grips @nicci__rose & @blairr_eric
Grip Truck @shakaka3
Digital Imaging Technician @mason.aaselund
Sound Mixer @joeyplatenik
Special Thanks
Mom
@valeriehouston
@hannahleigh_photography
@nick.whittle1
@felixeyal
@cecilia4photography
@gabeweldon_
@luigi_fornale
@katiemgibbs_
@noellemccleaf
@gruni27
@fotosdefranco
The One in Red
Filmed on Atlas Orion Anamorphic Series
Directed by @nickmuzzillo
Cinematography by @kyleehelenn
“Since The One in Red’s conception, almost a year before production, I knew that I wanted to use anamorphic lenses for the production to pay tribute to legendary filmmakers such as Masakai Kobayashi and Akira Kurosawa. I wanted to capture that 2:39.1 magic just like they did. The Orion Series had the ultimate look, which distorted these majestic characters against the beautiful landscapes of the vast nature that I hoped to capture, especially in a wide-screen format.
At Ringling, Anamorphics were never part of their kits, but I felt it was essential to this production to capture that pure classic Jidaigeki aesthetic. So, I had to get it done myself, renting a kit, making this not only Ringling’s first Samurai movie but also the first Thesis film shot on Anamorphics. And the Atlas Orion Lenses showed the true beauty of Anamorphic lenses and why widescreen cinema is something we can never leave behind.
These lenses captured this story much more beautifully than I could’ve ever hoped for. This is a stunning kit that I will always keep in mind for future productions.” - @nickmuzzillo
Starring
Masa Kanome as THE RED RONIN @masathelivingsamurai
Miyuki Funato as THE CLOAKED FIGURE/AKA @funamiyu03
John Patrick Barry as THE GRAY RONIN @actorjohnpatrickbarry
Brian Takahashi as THE GRAY RONIN (voice) @the_brian_takahashi_
Produced by @hayleykirkk & @ren.mmdc
Editor @nickmuzzillo
Colorist @officialredboi
Production Designer @everyones_juan_and_only
Technical Advisor @jerrychambless2
Musical Composer @alvise.carraro.wav
VFX @cpt_myles_scott
1st AD @officialredboi
1st AC @rod.filmz
2nd AC @brandonboatsGaffer @clairersimmons
Best Electric @alex._.alf
Key Grip @tan_kitapli
Grips @nicci__rose & @blairr_eric
Grip Truck @shakaka3
Digital Imaging Technician @mason.aaselund
Sound Mixer @joeyplatenik
Special Thanks
Mom
@valeriehouston
@hannahleigh_photography
@nick.whittle1
@felixeyal
@cecilia4photography
@gabeweldon_
@luigi_fornale
@katiemgibbs_
@noellemccleaf
@gruni27
@fotosdefranco
The One in Red
Filmed on Atlas Orion Anamorphic Series
Directed by @nickmuzzillo
Cinematography by @kyleehelenn
“Since The One in Red’s conception, almost a year before production, I knew that I wanted to use anamorphic lenses for the production to pay tribute to legendary filmmakers such as Masakai Kobayashi and Akira Kurosawa. I wanted to capture that 2:39.1 magic just like they did. The Orion Series had the ultimate look, which distorted these majestic characters against the beautiful landscapes of the vast nature that I hoped to capture, especially in a wide-screen format.
At Ringling, Anamorphics were never part of their kits, but I felt it was essential to this production to capture that pure classic Jidaigeki aesthetic. So, I had to get it done myself, renting a kit, making this not only Ringling’s first Samurai movie but also the first Thesis film shot on Anamorphics. And the Atlas Orion Lenses showed the true beauty of Anamorphic lenses and why widescreen cinema is something we can never leave behind.
These lenses captured this story much more beautifully than I could’ve ever hoped for. This is a stunning kit that I will always keep in mind for future productions.” - @nickmuzzillo
Starring
Masa Kanome as THE RED RONIN @masathelivingsamurai
Miyuki Funato as THE CLOAKED FIGURE/AKA @funamiyu03
John Patrick Barry as THE GRAY RONIN @actorjohnpatrickbarry
Brian Takahashi as THE GRAY RONIN (voice) @the_brian_takahashi_
Produced by @hayleykirkk & @ren.mmdc
Editor @nickmuzzillo
Colorist @officialredboi
Production Designer @everyones_juan_and_only
Technical Advisor @jerrychambless2
Musical Composer @alvise.carraro.wav
VFX @cpt_myles_scott
1st AD @officialredboi
1st AC @rod.filmz
2nd AC @brandonboatsGaffer @clairersimmons
Best Electric @alex._.alf
Key Grip @tan_kitapli
Grips @nicci__rose & @blairr_eric
Grip Truck @shakaka3
Digital Imaging Technician @mason.aaselund
Sound Mixer @joeyplatenik
Special Thanks
Mom
@valeriehouston
@hannahleigh_photography
@nick.whittle1
@felixeyal
@cecilia4photography
@gabeweldon_
@luigi_fornale
@katiemgibbs_
@noellemccleaf
@gruni27
@fotosdefranco
The One in Red
Filmed on Atlas Orion Anamorphic Series
Directed by @nickmuzzillo
Cinematography by @kyleehelenn
“Since The One in Red’s conception, almost a year before production, I knew that I wanted to use anamorphic lenses for the production to pay tribute to legendary filmmakers such as Masakai Kobayashi and Akira Kurosawa. I wanted to capture that 2:39.1 magic just like they did. The Orion Series had the ultimate look, which distorted these majestic characters against the beautiful landscapes of the vast nature that I hoped to capture, especially in a wide-screen format.
At Ringling, Anamorphics were never part of their kits, but I felt it was essential to this production to capture that pure classic Jidaigeki aesthetic. So, I had to get it done myself, renting a kit, making this not only Ringling’s first Samurai movie but also the first Thesis film shot on Anamorphics. And the Atlas Orion Lenses showed the true beauty of Anamorphic lenses and why widescreen cinema is something we can never leave behind.
These lenses captured this story much more beautifully than I could’ve ever hoped for. This is a stunning kit that I will always keep in mind for future productions.” - @nickmuzzillo
Starring
Masa Kanome as THE RED RONIN @masathelivingsamurai
Miyuki Funato as THE CLOAKED FIGURE/AKA @funamiyu03
John Patrick Barry as THE GRAY RONIN @actorjohnpatrickbarry
Brian Takahashi as THE GRAY RONIN (voice) @the_brian_takahashi_
Produced by @hayleykirkk & @ren.mmdc
Editor @nickmuzzillo
Colorist @officialredboi
Production Designer @everyones_juan_and_only
Technical Advisor @jerrychambless2
Musical Composer @alvise.carraro.wav
VFX @cpt_myles_scott
1st AD @officialredboi
1st AC @rod.filmz
2nd AC @brandonboatsGaffer @clairersimmons
Best Electric @alex._.alf
Key Grip @tan_kitapli
Grips @nicci__rose & @blairr_eric
Grip Truck @shakaka3
Digital Imaging Technician @mason.aaselund
Sound Mixer @joeyplatenik
Special Thanks
Mom
@valeriehouston
@hannahleigh_photography
@nick.whittle1
@felixeyal
@cecilia4photography
@gabeweldon_
@luigi_fornale
@katiemgibbs_
@noellemccleaf
@gruni27
@fotosdefranco
The One in Red
Filmed on Atlas Orion Anamorphic Series
Directed by @nickmuzzillo
Cinematography by @kyleehelenn
“Since The One in Red’s conception, almost a year before production, I knew that I wanted to use anamorphic lenses for the production to pay tribute to legendary filmmakers such as Masakai Kobayashi and Akira Kurosawa. I wanted to capture that 2:39.1 magic just like they did. The Orion Series had the ultimate look, which distorted these majestic characters against the beautiful landscapes of the vast nature that I hoped to capture, especially in a wide-screen format.
At Ringling, Anamorphics were never part of their kits, but I felt it was essential to this production to capture that pure classic Jidaigeki aesthetic. So, I had to get it done myself, renting a kit, making this not only Ringling’s first Samurai movie but also the first Thesis film shot on Anamorphics. And the Atlas Orion Lenses showed the true beauty of Anamorphic lenses and why widescreen cinema is something we can never leave behind.
These lenses captured this story much more beautifully than I could’ve ever hoped for. This is a stunning kit that I will always keep in mind for future productions.” - @nickmuzzillo
Starring
Masa Kanome as THE RED RONIN @masathelivingsamurai
Miyuki Funato as THE CLOAKED FIGURE/AKA @funamiyu03
John Patrick Barry as THE GRAY RONIN @actorjohnpatrickbarry
Brian Takahashi as THE GRAY RONIN (voice) @the_brian_takahashi_
Produced by @hayleykirkk & @ren.mmdc
Editor @nickmuzzillo
Colorist @officialredboi
Production Designer @everyones_juan_and_only
Technical Advisor @jerrychambless2
Musical Composer @alvise.carraro.wav
VFX @cpt_myles_scott
1st AD @officialredboi
1st AC @rod.filmz
2nd AC @brandonboatsGaffer @clairersimmons
Best Electric @alex._.alf
Key Grip @tan_kitapli
Grips @nicci__rose & @blairr_eric
Grip Truck @shakaka3
Digital Imaging Technician @mason.aaselund
Sound Mixer @joeyplatenik
Special Thanks
Mom
@valeriehouston
@hannahleigh_photography
@nick.whittle1
@felixeyal
@cecilia4photography
@gabeweldon_
@luigi_fornale
@katiemgibbs_
@noellemccleaf
@gruni27
@fotosdefranco
The One in Red
Filmed on Atlas Orion Anamorphic Series
Directed by @nickmuzzillo
Cinematography by @kyleehelenn
“Since The One in Red’s conception, almost a year before production, I knew that I wanted to use anamorphic lenses for the production to pay tribute to legendary filmmakers such as Masakai Kobayashi and Akira Kurosawa. I wanted to capture that 2:39.1 magic just like they did. The Orion Series had the ultimate look, which distorted these majestic characters against the beautiful landscapes of the vast nature that I hoped to capture, especially in a wide-screen format.
At Ringling, Anamorphics were never part of their kits, but I felt it was essential to this production to capture that pure classic Jidaigeki aesthetic. So, I had to get it done myself, renting a kit, making this not only Ringling’s first Samurai movie but also the first Thesis film shot on Anamorphics. And the Atlas Orion Lenses showed the true beauty of Anamorphic lenses and why widescreen cinema is something we can never leave behind.
These lenses captured this story much more beautifully than I could’ve ever hoped for. This is a stunning kit that I will always keep in mind for future productions.” - @nickmuzzillo
Starring
Masa Kanome as THE RED RONIN @masathelivingsamurai
Miyuki Funato as THE CLOAKED FIGURE/AKA @funamiyu03
John Patrick Barry as THE GRAY RONIN @actorjohnpatrickbarry
Brian Takahashi as THE GRAY RONIN (voice) @the_brian_takahashi_
Produced by @hayleykirkk & @ren.mmdc
Editor @nickmuzzillo
Colorist @officialredboi
Production Designer @everyones_juan_and_only
Technical Advisor @jerrychambless2
Musical Composer @alvise.carraro.wav
VFX @cpt_myles_scott
1st AD @officialredboi
1st AC @rod.filmz
2nd AC @brandonboatsGaffer @clairersimmons
Best Electric @alex._.alf
Key Grip @tan_kitapli
Grips @nicci__rose & @blairr_eric
Grip Truck @shakaka3
Digital Imaging Technician @mason.aaselund
Sound Mixer @joeyplatenik
Special Thanks
Mom
@valeriehouston
@hannahleigh_photography
@nick.whittle1
@felixeyal
@cecilia4photography
@gabeweldon_
@luigi_fornale
@katiemgibbs_
@noellemccleaf
@gruni27
@fotosdefranco
The One in Red
Filmed on Atlas Orion Anamorphic Series
Directed by @nickmuzzillo
Cinematography by @kyleehelenn
“Since The One in Red’s conception, almost a year before production, I knew that I wanted to use anamorphic lenses for the production to pay tribute to legendary filmmakers such as Masakai Kobayashi and Akira Kurosawa. I wanted to capture that 2:39.1 magic just like they did. The Orion Series had the ultimate look, which distorted these majestic characters against the beautiful landscapes of the vast nature that I hoped to capture, especially in a wide-screen format.
At Ringling, Anamorphics were never part of their kits, but I felt it was essential to this production to capture that pure classic Jidaigeki aesthetic. So, I had to get it done myself, renting a kit, making this not only Ringling’s first Samurai movie but also the first Thesis film shot on Anamorphics. And the Atlas Orion Lenses showed the true beauty of Anamorphic lenses and why widescreen cinema is something we can never leave behind.
These lenses captured this story much more beautifully than I could’ve ever hoped for. This is a stunning kit that I will always keep in mind for future productions.” - @nickmuzzillo
Starring
Masa Kanome as THE RED RONIN @masathelivingsamurai
Miyuki Funato as THE CLOAKED FIGURE/AKA @funamiyu03
John Patrick Barry as THE GRAY RONIN @actorjohnpatrickbarry
Brian Takahashi as THE GRAY RONIN (voice) @the_brian_takahashi_
Produced by @hayleykirkk & @ren.mmdc
Editor @nickmuzzillo
Colorist @officialredboi
Production Designer @everyones_juan_and_only
Technical Advisor @jerrychambless2
Musical Composer @alvise.carraro.wav
VFX @cpt_myles_scott
1st AD @officialredboi
1st AC @rod.filmz
2nd AC @brandonboatsGaffer @clairersimmons
Best Electric @alex._.alf
Key Grip @tan_kitapli
Grips @nicci__rose & @blairr_eric
Grip Truck @shakaka3
Digital Imaging Technician @mason.aaselund
Sound Mixer @joeyplatenik
Special Thanks
Mom
@valeriehouston
@hannahleigh_photography
@nick.whittle1
@felixeyal
@cecilia4photography
@gabeweldon_
@luigi_fornale
@katiemgibbs_
@noellemccleaf
@gruni27
@fotosdefranco
The One in Red
Filmed on Atlas Orion Anamorphic Series
Directed by @nickmuzzillo
Cinematography by @kyleehelenn
“Since The One in Red’s conception, almost a year before production, I knew that I wanted to use anamorphic lenses for the production to pay tribute to legendary filmmakers such as Masakai Kobayashi and Akira Kurosawa. I wanted to capture that 2:39.1 magic just like they did. The Orion Series had the ultimate look, which distorted these majestic characters against the beautiful landscapes of the vast nature that I hoped to capture, especially in a wide-screen format.
At Ringling, Anamorphics were never part of their kits, but I felt it was essential to this production to capture that pure classic Jidaigeki aesthetic. So, I had to get it done myself, renting a kit, making this not only Ringling’s first Samurai movie but also the first Thesis film shot on Anamorphics. And the Atlas Orion Lenses showed the true beauty of Anamorphic lenses and why widescreen cinema is something we can never leave behind.
These lenses captured this story much more beautifully than I could’ve ever hoped for. This is a stunning kit that I will always keep in mind for future productions.” - @nickmuzzillo
Starring
Masa Kanome as THE RED RONIN @masathelivingsamurai
Miyuki Funato as THE CLOAKED FIGURE/AKA @funamiyu03
John Patrick Barry as THE GRAY RONIN @actorjohnpatrickbarry
Brian Takahashi as THE GRAY RONIN (voice) @the_brian_takahashi_
Produced by @hayleykirkk & @ren.mmdc
Editor @nickmuzzillo
Colorist @officialredboi
Production Designer @everyones_juan_and_only
Technical Advisor @jerrychambless2
Musical Composer @alvise.carraro.wav
VFX @cpt_myles_scott
1st AD @officialredboi
1st AC @rod.filmz
2nd AC @brandonboatsGaffer @clairersimmons
Best Electric @alex._.alf
Key Grip @tan_kitapli
Grips @nicci__rose & @blairr_eric
Grip Truck @shakaka3
Digital Imaging Technician @mason.aaselund
Sound Mixer @joeyplatenik
Special Thanks
Mom
@valeriehouston
@hannahleigh_photography
@nick.whittle1
@felixeyal
@cecilia4photography
@gabeweldon_
@luigi_fornale
@katiemgibbs_
@noellemccleaf
@gruni27
@fotosdefranco
The One in Red
Filmed on Atlas Orion Anamorphic Series
Directed by @nickmuzzillo
Cinematography by @kyleehelenn
“Since The One in Red’s conception, almost a year before production, I knew that I wanted to use anamorphic lenses for the production to pay tribute to legendary filmmakers such as Masakai Kobayashi and Akira Kurosawa. I wanted to capture that 2:39.1 magic just like they did. The Orion Series had the ultimate look, which distorted these majestic characters against the beautiful landscapes of the vast nature that I hoped to capture, especially in a wide-screen format.
At Ringling, Anamorphics were never part of their kits, but I felt it was essential to this production to capture that pure classic Jidaigeki aesthetic. So, I had to get it done myself, renting a kit, making this not only Ringling’s first Samurai movie but also the first Thesis film shot on Anamorphics. And the Atlas Orion Lenses showed the true beauty of Anamorphic lenses and why widescreen cinema is something we can never leave behind.
These lenses captured this story much more beautifully than I could’ve ever hoped for. This is a stunning kit that I will always keep in mind for future productions.” - @nickmuzzillo
Starring
Masa Kanome as THE RED RONIN @masathelivingsamurai
Miyuki Funato as THE CLOAKED FIGURE/AKA @funamiyu03
John Patrick Barry as THE GRAY RONIN @actorjohnpatrickbarry
Brian Takahashi as THE GRAY RONIN (voice) @the_brian_takahashi_
Produced by @hayleykirkk & @ren.mmdc
Editor @nickmuzzillo
Colorist @officialredboi
Production Designer @everyones_juan_and_only
Technical Advisor @jerrychambless2
Musical Composer @alvise.carraro.wav
VFX @cpt_myles_scott
1st AD @officialredboi
1st AC @rod.filmz
2nd AC @brandonboatsGaffer @clairersimmons
Best Electric @alex._.alf
Key Grip @tan_kitapli
Grips @nicci__rose & @blairr_eric
Grip Truck @shakaka3
Digital Imaging Technician @mason.aaselund
Sound Mixer @joeyplatenik
Special Thanks
Mom
@valeriehouston
@hannahleigh_photography
@nick.whittle1
@felixeyal
@cecilia4photography
@gabeweldon_
@luigi_fornale
@katiemgibbs_
@noellemccleaf
@gruni27
@fotosdefranco
The One in Red Trailer
Music done by my great friend @alvise.carraro.wav
Out of every project I've done so far in or outside of Ringling, this was by far the most personal and well-realized project I have done. The countless hours I spent on or thinking up the script, shots, aesthetic, dialogue, characters, and the story, while ensuring it was of high quality and meaningful to me, were definitely the most I've ever invested in anything. Never have I been more proud of something I have done, and I'm eager for the world to see it.
Thank you to everyone who contributed to this project, which was not only a big part of my life but a representation of myself. It means the world to me.
Now to the future stories I plan to tell.
The One in Red OST is out now 🎬🎶🎻
Being part of this project and contributing to the film’s musical identity has meant more to me than I can put into words.
I’m incredibly honored to have received an award for Best Original Score at the Los Angeles Short Film Festival.
This recognition is not mine alone—I truly owe it to the people whose support, trust, and talent made it possible.
I share this award with:
@nickmuzzillo – Film Director 📽️
@dddofficial__ – Cello 🎻
@ciabotrecordings – Mastering Engineer 🎛️
2025 (The One In red) @nickmuzzillo
Virtual production background
I was asked to recreate PD @everyones_juan_and_only into a collaborative virtual production set created in unreal engine. The materials used custom hand made textures and cube map in photoshop using the “Nvidia texture tool exporter” highly recommend checking out the plugin!
Thanks for the opportunity final product was unreal
#3D #virtual #film
2025 (The One In red) @nickmuzzillo
Virtual production background
I was asked to recreate PD @everyones_juan_and_only into a collaborative virtual production set created in unreal engine. The materials used custom hand made textures and cube map in photoshop using the “Nvidia texture tool exporter” highly recommend checking out the plugin!
Thanks for the opportunity final product was unreal
#3D #virtual #film
2025 (The One In red) @nickmuzzillo
Virtual production background
I was asked to recreate PD @everyones_juan_and_only into a collaborative virtual production set created in unreal engine. The materials used custom hand made textures and cube map in photoshop using the “Nvidia texture tool exporter” highly recommend checking out the plugin!
Thanks for the opportunity final product was unreal
#3D #virtual #film
2025 (The One In red) @nickmuzzillo
Virtual production background
I was asked to recreate PD @everyones_juan_and_only into a collaborative virtual production set created in unreal engine. The materials used custom hand made textures and cube map in photoshop using the “Nvidia texture tool exporter” highly recommend checking out the plugin!
Thanks for the opportunity final product was unreal
#3D #virtual #film
2025 (The One In red) @nickmuzzillo
Virtual production background
I was asked to recreate PD @everyones_juan_and_only into a collaborative virtual production set created in unreal engine. The materials used custom hand made textures and cube map in photoshop using the “Nvidia texture tool exporter” highly recommend checking out the plugin!
Thanks for the opportunity final product was unreal
#3D #virtual #film
2025 (The One In red) @nickmuzzillo
Virtual production background
I was asked to recreate PD @everyones_juan_and_only into a collaborative virtual production set created in unreal engine. The materials used custom hand made textures and cube map in photoshop using the “Nvidia texture tool exporter” highly recommend checking out the plugin!
Thanks for the opportunity final product was unreal
#3D #virtual #film
2025 (The One In red) @nickmuzzillo
Virtual production background
I was asked to recreate PD @everyones_juan_and_only into a collaborative virtual production set created in unreal engine. The materials used custom hand made textures and cube map in photoshop using the “Nvidia texture tool exporter” highly recommend checking out the plugin!
Thanks for the opportunity final product was unreal
#3D #virtual #film
2025 (The One In red) @nickmuzzillo
Virtual production background
I was asked to recreate PD @everyones_juan_and_only into a collaborative virtual production set created in unreal engine. The materials used custom hand made textures and cube map in photoshop using the “Nvidia texture tool exporter” highly recommend checking out the plugin!
Thanks for the opportunity final product was unreal
#3D #virtual #film
2025 (The One In red) @nickmuzzillo
Virtual production background
I was asked to recreate PD @everyones_juan_and_only into a collaborative virtual production set created in unreal engine. The materials used custom hand made textures and cube map in photoshop using the “Nvidia texture tool exporter” highly recommend checking out the plugin!
Thanks for the opportunity final product was unreal
#3D #virtual #film
2025 (The One In red) @nickmuzzillo
Virtual production background
I was asked to recreate PD @everyones_juan_and_only into a collaborative virtual production set created in unreal engine. The materials used custom hand made textures and cube map in photoshop using the “Nvidia texture tool exporter” highly recommend checking out the plugin!
Thanks for the opportunity final product was unreal
#3D #virtual #film
2025 (The One In red) @nickmuzzillo
Virtual production background
I was asked to recreate PD @everyones_juan_and_only into a collaborative virtual production set created in unreal engine. The materials used custom hand made textures and cube map in photoshop using the “Nvidia texture tool exporter” highly recommend checking out the plugin!
Thanks for the opportunity final product was unreal
#3D #virtual #film
2025 (The One In red) @nickmuzzillo
Virtual production background
I was asked to recreate PD @everyones_juan_and_only into a collaborative virtual production set created in unreal engine. The materials used custom hand made textures and cube map in photoshop using the “Nvidia texture tool exporter” highly recommend checking out the plugin!
Thanks for the opportunity final product was unreal
#3D #virtual #film
2025 (The One In red) @nickmuzzillo
Virtual production background
I was asked to recreate PD @everyones_juan_and_only into a collaborative virtual production set created in unreal engine. The materials used custom hand made textures and cube map in photoshop using the “Nvidia texture tool exporter” highly recommend checking out the plugin!
Thanks for the opportunity final product was unreal
#3D #virtual #film
2025 (The One In red) @nickmuzzillo
Virtual production background
I was asked to recreate PD @everyones_juan_and_only into a collaborative virtual production set created in unreal engine. The materials used custom hand made textures and cube map in photoshop using the “Nvidia texture tool exporter” highly recommend checking out the plugin!
Thanks for the opportunity final product was unreal
#3D #virtual #film
2025 (The One In red) @nickmuzzillo
Virtual production background
I was asked to recreate PD @everyones_juan_and_only into a collaborative virtual production set created in unreal engine. The materials used custom hand made textures and cube map in photoshop using the “Nvidia texture tool exporter” highly recommend checking out the plugin!
Thanks for the opportunity final product was unreal
#3D #virtual #film
2025 (The One In red) @nickmuzzillo
Virtual production background
I was asked to recreate PD @everyones_juan_and_only into a collaborative virtual production set created in unreal engine. The materials used custom hand made textures and cube map in photoshop using the “Nvidia texture tool exporter” highly recommend checking out the plugin!
Thanks for the opportunity final product was unreal
#3D #virtual #film
2025 (The One In red) @nickmuzzillo
Virtual production background
I was asked to recreate PD @everyones_juan_and_only into a collaborative virtual production set created in unreal engine. The materials used custom hand made textures and cube map in photoshop using the “Nvidia texture tool exporter” highly recommend checking out the plugin!
Thanks for the opportunity final product was unreal
#3D #virtual #film
2025 (The One In red) @nickmuzzillo
Virtual production background
I was asked to recreate PD @everyones_juan_and_only into a collaborative virtual production set created in unreal engine. The materials used custom hand made textures and cube map in photoshop using the “Nvidia texture tool exporter” highly recommend checking out the plugin!
Thanks for the opportunity final product was unreal
#3D #virtual #film
“Yo, how this picture look?” - Gabe every 2 milliseconds
(feat. Gabe’s Camera Part 2)
“Yo, how this picture look?” - Gabe every 2 milliseconds
(feat. Gabe’s Camera Part 2)
“Yo, how this picture look?” - Gabe every 2 milliseconds
(feat. Gabe’s Camera Part 2)
“Yo, how this picture look?” - Gabe every 2 milliseconds
(feat. Gabe’s Camera Part 2)
“Yo, how this picture look?” - Gabe every 2 milliseconds
(feat. Gabe’s Camera Part 2)
“Yo, how this picture look?” - Gabe every 2 milliseconds
(feat. Gabe’s Camera Part 2)
“Yo, how this picture look?” - Gabe every 2 milliseconds
(feat. Gabe’s Camera Part 2)
“Yo, how this picture look?” - Gabe every 2 milliseconds
(feat. Gabe’s Camera Part 2)
🤜YOU GOT THIS🤛
Nuke class project for Adidas ad
Model: @nickmuzzillo
Professor: @renderiffic
Music: Robin Thicke - Blurred Lines
Beauty never dies, it just gets deadlier 💀🌺
Happy Día de los Muertos from The Extra One 💕
Photography by @nickmuzzillo
Art Direction and Makeup by @everyones_juan_and_only
Model @fer.li.5 🌷
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#diadelosmuertos #dayofthedead #halloween #mexico #diademuertos #sugarskull #art #catrina #calavera #skull #calaveras #skulls #sugarskulls #catrinas #photography #makeup #ofrenda #love #handmade #skullart #cdmx #arte #d #tradicionesmexicanas #skeleton #coco #flowers #cempasuchil #diadelosmuertosmakeup #cultura
Beauty never dies, it just gets deadlier 💀🌺
Happy Día de los Muertos from The Extra One 💕
Photography by @nickmuzzillo
Art Direction and Makeup by @everyones_juan_and_only
Model @fer.li.5 🌷
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#diadelosmuertos #dayofthedead #halloween #mexico #diademuertos #sugarskull #art #catrina #calavera #skull #calaveras #skulls #sugarskulls #catrinas #photography #makeup #ofrenda #love #handmade #skullart #cdmx #arte #d #tradicionesmexicanas #skeleton #coco #flowers #cempasuchil #diadelosmuertosmakeup #cultura
Beauty never dies, it just gets deadlier 💀🌺
Happy Día de los Muertos from The Extra One 💕
Photography by @nickmuzzillo
Art Direction and Makeup by @everyones_juan_and_only
Model @fer.li.5 🌷
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#diadelosmuertos #dayofthedead #halloween #mexico #diademuertos #sugarskull #art #catrina #calavera #skull #calaveras #skulls #sugarskulls #catrinas #photography #makeup #ofrenda #love #handmade #skullart #cdmx #arte #d #tradicionesmexicanas #skeleton #coco #flowers #cempasuchil #diadelosmuertosmakeup #cultura
Beauty never dies, it just gets deadlier 💀🌺
Happy Día de los Muertos from The Extra One 💕
Photography by @nickmuzzillo
Art Direction and Makeup by @everyones_juan_and_only
Model @fer.li.5 🌷
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#diadelosmuertos #dayofthedead #halloween #mexico #diademuertos #sugarskull #art #catrina #calavera #skull #calaveras #skulls #sugarskulls #catrinas #photography #makeup #ofrenda #love #handmade #skullart #cdmx #arte #d #tradicionesmexicanas #skeleton #coco #flowers #cempasuchil #diadelosmuertosmakeup #cultura
Beauty never dies, it just gets deadlier 💀🌺
Happy Día de los Muertos from The Extra One 💕
Photography by @nickmuzzillo
Art Direction and Makeup by @everyones_juan_and_only
Model @fer.li.5 🌷
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#diadelosmuertos #dayofthedead #halloween #mexico #diademuertos #sugarskull #art #catrina #calavera #skull #calaveras #skulls #sugarskulls #catrinas #photography #makeup #ofrenda #love #handmade #skullart #cdmx #arte #d #tradicionesmexicanas #skeleton #coco #flowers #cempasuchil #diadelosmuertosmakeup #cultura
Drop Dead Gorgeous
This Día de los Muertos, we take a stroll back in time, when lashes were sewn, smoked, and soot-covered in the name of allure. Then, with a flash of color, we’re transported to a reality where artistry and vision prosper.
With a sugar skull twist, Eye Candy Lashes proves that beauty this bold can make you drop dead gorgeous.
Because at The Extra One, we go the extra mile to give businesses a voice that doesn’t shout “corporate.” Instead, it seduces. It surprises. It stays with you.
Directed by: @everyones_juan_and_only
Director of Photography: @nickmuzzillo
“Black & White” Shot By: Juan Alvarez-Fernandez
“In Color” Shot By: Nicholas Muzzillo
Still Photographer: Nicholas Muzzillo
Editor & Colorist: Juan Alvarez-Fernandez
Starring: Liceth Fernandez
Brand Work For: @eye_candy_lash_srq
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.