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obscure__objects
obscure objects
handcrafted objects and furniture pieces
Berlin, Germany
TRILIGHT, 2024
solid aluminium, brushed
smart, dimmable led bulb
available in 3 heights - 70/ 100 / 130 cm
currently on display at Milan design week 2025 @comune.obj @superspatial
photographed by @konstantinwalther
#collectibledesign #collectible #metalfurniture #lightdesign #salonedelmobile2025
TRILIGHT, 2024
solid aluminium, brushed
smart, dimmable led bulb
available in 3 heights - 70/ 100 / 130 cm
currently on display at Milan design week 2025 @comune.obj @superspatial
photographed by @konstantinwalther
#collectibledesign #collectible #metalfurniture #lightdesign #salonedelmobile2025
TRILIGHT, 2024
solid aluminium, brushed
smart, dimmable led bulb
available in 3 heights - 70/ 100 / 130 cm
currently on display at Milan design week 2025 @comune.obj @superspatial
photographed by @konstantinwalther
#collectibledesign #collectible #metalfurniture #lightdesign #salonedelmobile2025
chunk stool, 2024
brushed stainless steel
ø 42cm, 42cm height
price on request
shot by @konstantinwalther
#collectible #collectibledesign #metalfurniture #stainlesssteel #stainlesssteelfurniture #metaldesign #productdesign #furnituredesign #interiordesign #setdesign #chrome #chromedesign #chromefurniture #stainlesssteelfurniture
Burning wing, 2024
folded aluminium, brushed and waxed
photographed @volker_conradus
From Thisispaper+ The New Chair
From Berlin, Obscure Objects and Studio Maximilian Beck produce Rest Chair, a seat of large-scale cast glass resting on a minimal stainless steel frame through weight alone.
The piece begins with an unusual premise: two Berlin practices, each working in a different material register, agreeing to build something neither could make alone. Obscure Objects, the collaborative design practice founded by Luisa Pöpsel and Moritz Pitrowski in 2023, works in metal fabrication and has long been drawn to the unexpected in everyday form. Studio Maximilian Beck has developed a specialisation in experimental large-scale glass casting, a process that resists precision and demands a tolerance for the unpredictable. Their exchange produced Rest Chair, and the T-Table that accompanies it.
@obscure__objects @studiomaximilianbeck
Photography: @konstantinwalther
Read more at thisispaper.com
From Thisispaper+ The New Chair
From Berlin, Obscure Objects and Studio Maximilian Beck produce Rest Chair, a seat of large-scale cast glass resting on a minimal stainless steel frame through weight alone.
The piece begins with an unusual premise: two Berlin practices, each working in a different material register, agreeing to build something neither could make alone. Obscure Objects, the collaborative design practice founded by Luisa Pöpsel and Moritz Pitrowski in 2023, works in metal fabrication and has long been drawn to the unexpected in everyday form. Studio Maximilian Beck has developed a specialisation in experimental large-scale glass casting, a process that resists precision and demands a tolerance for the unpredictable. Their exchange produced Rest Chair, and the T-Table that accompanies it.
@obscure__objects @studiomaximilianbeck
Photography: @konstantinwalther
Read more at thisispaper.com
From Thisispaper+ The New Chair
From Berlin, Obscure Objects and Studio Maximilian Beck produce Rest Chair, a seat of large-scale cast glass resting on a minimal stainless steel frame through weight alone.
The piece begins with an unusual premise: two Berlin practices, each working in a different material register, agreeing to build something neither could make alone. Obscure Objects, the collaborative design practice founded by Luisa Pöpsel and Moritz Pitrowski in 2023, works in metal fabrication and has long been drawn to the unexpected in everyday form. Studio Maximilian Beck has developed a specialisation in experimental large-scale glass casting, a process that resists precision and demands a tolerance for the unpredictable. Their exchange produced Rest Chair, and the T-Table that accompanies it.
@obscure__objects @studiomaximilianbeck
Photography: @konstantinwalther
Read more at thisispaper.com
From Thisispaper+ The New Chair
From Berlin, Obscure Objects and Studio Maximilian Beck produce Rest Chair, a seat of large-scale cast glass resting on a minimal stainless steel frame through weight alone.
The piece begins with an unusual premise: two Berlin practices, each working in a different material register, agreeing to build something neither could make alone. Obscure Objects, the collaborative design practice founded by Luisa Pöpsel and Moritz Pitrowski in 2023, works in metal fabrication and has long been drawn to the unexpected in everyday form. Studio Maximilian Beck has developed a specialisation in experimental large-scale glass casting, a process that resists precision and demands a tolerance for the unpredictable. Their exchange produced Rest Chair, and the T-Table that accompanies it.
@obscure__objects @studiomaximilianbeck
Photography: @konstantinwalther
Read more at thisispaper.com
From Thisispaper+ The New Chair
From Berlin, Obscure Objects and Studio Maximilian Beck produce Rest Chair, a seat of large-scale cast glass resting on a minimal stainless steel frame through weight alone.
The piece begins with an unusual premise: two Berlin practices, each working in a different material register, agreeing to build something neither could make alone. Obscure Objects, the collaborative design practice founded by Luisa Pöpsel and Moritz Pitrowski in 2023, works in metal fabrication and has long been drawn to the unexpected in everyday form. Studio Maximilian Beck has developed a specialisation in experimental large-scale glass casting, a process that resists precision and demands a tolerance for the unpredictable. Their exchange produced Rest Chair, and the T-Table that accompanies it.
@obscure__objects @studiomaximilianbeck
Photography: @konstantinwalther
Read more at thisispaper.com
From Thisispaper+ The New Chair
From Berlin, Obscure Objects and Studio Maximilian Beck produce Rest Chair, a seat of large-scale cast glass resting on a minimal stainless steel frame through weight alone.
The piece begins with an unusual premise: two Berlin practices, each working in a different material register, agreeing to build something neither could make alone. Obscure Objects, the collaborative design practice founded by Luisa Pöpsel and Moritz Pitrowski in 2023, works in metal fabrication and has long been drawn to the unexpected in everyday form. Studio Maximilian Beck has developed a specialisation in experimental large-scale glass casting, a process that resists precision and demands a tolerance for the unpredictable. Their exchange produced Rest Chair, and the T-Table that accompanies it.
@obscure__objects @studiomaximilianbeck
Photography: @konstantinwalther
Read more at thisispaper.com
From Thisispaper+ The New Chair
From Berlin, Obscure Objects and Studio Maximilian Beck produce Rest Chair, a seat of large-scale cast glass resting on a minimal stainless steel frame through weight alone.
The piece begins with an unusual premise: two Berlin practices, each working in a different material register, agreeing to build something neither could make alone. Obscure Objects, the collaborative design practice founded by Luisa Pöpsel and Moritz Pitrowski in 2023, works in metal fabrication and has long been drawn to the unexpected in everyday form. Studio Maximilian Beck has developed a specialisation in experimental large-scale glass casting, a process that resists precision and demands a tolerance for the unpredictable. Their exchange produced Rest Chair, and the T-Table that accompanies it.
@obscure__objects @studiomaximilianbeck
Photography: @konstantinwalther
Read more at thisispaper.com
From Thisispaper+ The New Chair
From Berlin, Obscure Objects and Studio Maximilian Beck produce Rest Chair, a seat of large-scale cast glass resting on a minimal stainless steel frame through weight alone.
The piece begins with an unusual premise: two Berlin practices, each working in a different material register, agreeing to build something neither could make alone. Obscure Objects, the collaborative design practice founded by Luisa Pöpsel and Moritz Pitrowski in 2023, works in metal fabrication and has long been drawn to the unexpected in everyday form. Studio Maximilian Beck has developed a specialisation in experimental large-scale glass casting, a process that resists precision and demands a tolerance for the unpredictable. Their exchange produced Rest Chair, and the T-Table that accompanies it.
@obscure__objects @studiomaximilianbeck
Photography: @konstantinwalther
Read more at thisispaper.com
another highlight from Milan Design Week — a moment of absence curated by @________a2k @alimawassermann @koljakirsch @maaatzee @oleemueller
April 21 — 23, 2026
Via Filippino Lippi 10, Milan
Design exhibitions today often unfold within spaces of total control. Objects are isolated, compositions perfected, and every surface appears resolved before a visitor even enters the
room. In a time shaped by artificial image production, hyperreal renderings, and endlessly polished interiors, design is increasingly experienced as something constructed for the image rather than for life.
A Moment of Absence introduces a deliberate shift.
Instead of a controlled display, the exhibition reveals a space that suggests a small one room apartment. The room feels recently inhabited. Chairs remain slightly displaced, objects rest where they were last used, and traces of a shared moment linger in the air. Glasses left behind, surfaces marked by use, fragments of presence still visible. The space was not prepared to be seen.
Visitors enter a moment that was never meant for them.
works by
@yardshedoffice
@alimawassermann
@________a2k
@tercet.xyz
@_piascheiber
@felix____klein
@julius.esser
@obscure__objects
@objectwithlove
@maaatzee
@maresamayr
@yellownosestudio
@annazimmermann.eu
@sucheundfinnde
@thv4gsb
@klemens_schillinger
@tinabobbe
@joonas_lutz
@benjamin_motoc
@objectsareby
@laura_sattin
@davidbuehler
@heikokalauer
@florian.post
@studio_wak
@gregorjahner
@lukashenneberger
@studio__oe
@gabriel_schrr
@l.herzner
@clara.cebrian
@dahledohr
@field_journal_
and more
generously supported by @monogermany @mayr.metallkonstruktionen @awb.werbung
photographed @oleemueller
another highlight from Milan Design Week — a moment of absence curated by @________a2k @alimawassermann @koljakirsch @maaatzee @oleemueller
April 21 — 23, 2026
Via Filippino Lippi 10, Milan
Design exhibitions today often unfold within spaces of total control. Objects are isolated, compositions perfected, and every surface appears resolved before a visitor even enters the
room. In a time shaped by artificial image production, hyperreal renderings, and endlessly polished interiors, design is increasingly experienced as something constructed for the image rather than for life.
A Moment of Absence introduces a deliberate shift.
Instead of a controlled display, the exhibition reveals a space that suggests a small one room apartment. The room feels recently inhabited. Chairs remain slightly displaced, objects rest where they were last used, and traces of a shared moment linger in the air. Glasses left behind, surfaces marked by use, fragments of presence still visible. The space was not prepared to be seen.
Visitors enter a moment that was never meant for them.
works by
@yardshedoffice
@alimawassermann
@________a2k
@tercet.xyz
@_piascheiber
@felix____klein
@julius.esser
@obscure__objects
@objectwithlove
@maaatzee
@maresamayr
@yellownosestudio
@annazimmermann.eu
@sucheundfinnde
@thv4gsb
@klemens_schillinger
@tinabobbe
@joonas_lutz
@benjamin_motoc
@objectsareby
@laura_sattin
@davidbuehler
@heikokalauer
@florian.post
@studio_wak
@gregorjahner
@lukashenneberger
@studio__oe
@gabriel_schrr
@l.herzner
@clara.cebrian
@dahledohr
@field_journal_
and more
generously supported by @monogermany @mayr.metallkonstruktionen @awb.werbung
photographed @oleemueller
another highlight from Milan Design Week — a moment of absence curated by @________a2k @alimawassermann @koljakirsch @maaatzee @oleemueller
April 21 — 23, 2026
Via Filippino Lippi 10, Milan
Design exhibitions today often unfold within spaces of total control. Objects are isolated, compositions perfected, and every surface appears resolved before a visitor even enters the
room. In a time shaped by artificial image production, hyperreal renderings, and endlessly polished interiors, design is increasingly experienced as something constructed for the image rather than for life.
A Moment of Absence introduces a deliberate shift.
Instead of a controlled display, the exhibition reveals a space that suggests a small one room apartment. The room feels recently inhabited. Chairs remain slightly displaced, objects rest where they were last used, and traces of a shared moment linger in the air. Glasses left behind, surfaces marked by use, fragments of presence still visible. The space was not prepared to be seen.
Visitors enter a moment that was never meant for them.
works by
@yardshedoffice
@alimawassermann
@________a2k
@tercet.xyz
@_piascheiber
@felix____klein
@julius.esser
@obscure__objects
@objectwithlove
@maaatzee
@maresamayr
@yellownosestudio
@annazimmermann.eu
@sucheundfinnde
@thv4gsb
@klemens_schillinger
@tinabobbe
@joonas_lutz
@benjamin_motoc
@objectsareby
@laura_sattin
@davidbuehler
@heikokalauer
@florian.post
@studio_wak
@gregorjahner
@lukashenneberger
@studio__oe
@gabriel_schrr
@l.herzner
@clara.cebrian
@dahledohr
@field_journal_
and more
generously supported by @monogermany @mayr.metallkonstruktionen @awb.werbung
photographed @oleemueller
another highlight from Milan Design Week — a moment of absence curated by @________a2k @alimawassermann @koljakirsch @maaatzee @oleemueller
April 21 — 23, 2026
Via Filippino Lippi 10, Milan
Design exhibitions today often unfold within spaces of total control. Objects are isolated, compositions perfected, and every surface appears resolved before a visitor even enters the
room. In a time shaped by artificial image production, hyperreal renderings, and endlessly polished interiors, design is increasingly experienced as something constructed for the image rather than for life.
A Moment of Absence introduces a deliberate shift.
Instead of a controlled display, the exhibition reveals a space that suggests a small one room apartment. The room feels recently inhabited. Chairs remain slightly displaced, objects rest where they were last used, and traces of a shared moment linger in the air. Glasses left behind, surfaces marked by use, fragments of presence still visible. The space was not prepared to be seen.
Visitors enter a moment that was never meant for them.
works by
@yardshedoffice
@alimawassermann
@________a2k
@tercet.xyz
@_piascheiber
@felix____klein
@julius.esser
@obscure__objects
@objectwithlove
@maaatzee
@maresamayr
@yellownosestudio
@annazimmermann.eu
@sucheundfinnde
@thv4gsb
@klemens_schillinger
@tinabobbe
@joonas_lutz
@benjamin_motoc
@objectsareby
@laura_sattin
@davidbuehler
@heikokalauer
@florian.post
@studio_wak
@gregorjahner
@lukashenneberger
@studio__oe
@gabriel_schrr
@l.herzner
@clara.cebrian
@dahledohr
@field_journal_
and more
generously supported by @monogermany @mayr.metallkonstruktionen @awb.werbung
photographed @oleemueller
another highlight from Milan Design Week — a moment of absence curated by @________a2k @alimawassermann @koljakirsch @maaatzee @oleemueller
April 21 — 23, 2026
Via Filippino Lippi 10, Milan
Design exhibitions today often unfold within spaces of total control. Objects are isolated, compositions perfected, and every surface appears resolved before a visitor even enters the
room. In a time shaped by artificial image production, hyperreal renderings, and endlessly polished interiors, design is increasingly experienced as something constructed for the image rather than for life.
A Moment of Absence introduces a deliberate shift.
Instead of a controlled display, the exhibition reveals a space that suggests a small one room apartment. The room feels recently inhabited. Chairs remain slightly displaced, objects rest where they were last used, and traces of a shared moment linger in the air. Glasses left behind, surfaces marked by use, fragments of presence still visible. The space was not prepared to be seen.
Visitors enter a moment that was never meant for them.
works by
@yardshedoffice
@alimawassermann
@________a2k
@tercet.xyz
@_piascheiber
@felix____klein
@julius.esser
@obscure__objects
@objectwithlove
@maaatzee
@maresamayr
@yellownosestudio
@annazimmermann.eu
@sucheundfinnde
@thv4gsb
@klemens_schillinger
@tinabobbe
@joonas_lutz
@benjamin_motoc
@objectsareby
@laura_sattin
@davidbuehler
@heikokalauer
@florian.post
@studio_wak
@gregorjahner
@lukashenneberger
@studio__oe
@gabriel_schrr
@l.herzner
@clara.cebrian
@dahledohr
@field_journal_
and more
generously supported by @monogermany @mayr.metallkonstruktionen @awb.werbung
photographed @oleemueller
another highlight from Milan Design Week — a moment of absence curated by @________a2k @alimawassermann @koljakirsch @maaatzee @oleemueller
April 21 — 23, 2026
Via Filippino Lippi 10, Milan
Design exhibitions today often unfold within spaces of total control. Objects are isolated, compositions perfected, and every surface appears resolved before a visitor even enters the
room. In a time shaped by artificial image production, hyperreal renderings, and endlessly polished interiors, design is increasingly experienced as something constructed for the image rather than for life.
A Moment of Absence introduces a deliberate shift.
Instead of a controlled display, the exhibition reveals a space that suggests a small one room apartment. The room feels recently inhabited. Chairs remain slightly displaced, objects rest where they were last used, and traces of a shared moment linger in the air. Glasses left behind, surfaces marked by use, fragments of presence still visible. The space was not prepared to be seen.
Visitors enter a moment that was never meant for them.
works by
@yardshedoffice
@alimawassermann
@________a2k
@tercet.xyz
@_piascheiber
@felix____klein
@julius.esser
@obscure__objects
@objectwithlove
@maaatzee
@maresamayr
@yellownosestudio
@annazimmermann.eu
@sucheundfinnde
@thv4gsb
@klemens_schillinger
@tinabobbe
@joonas_lutz
@benjamin_motoc
@objectsareby
@laura_sattin
@davidbuehler
@heikokalauer
@florian.post
@studio_wak
@gregorjahner
@lukashenneberger
@studio__oe
@gabriel_schrr
@l.herzner
@clara.cebrian
@dahledohr
@field_journal_
and more
generously supported by @monogermany @mayr.metallkonstruktionen @awb.werbung
photographed @oleemueller
another highlight from Milan Design Week — a moment of absence curated by @________a2k @alimawassermann @koljakirsch @maaatzee @oleemueller
April 21 — 23, 2026
Via Filippino Lippi 10, Milan
Design exhibitions today often unfold within spaces of total control. Objects are isolated, compositions perfected, and every surface appears resolved before a visitor even enters the
room. In a time shaped by artificial image production, hyperreal renderings, and endlessly polished interiors, design is increasingly experienced as something constructed for the image rather than for life.
A Moment of Absence introduces a deliberate shift.
Instead of a controlled display, the exhibition reveals a space that suggests a small one room apartment. The room feels recently inhabited. Chairs remain slightly displaced, objects rest where they were last used, and traces of a shared moment linger in the air. Glasses left behind, surfaces marked by use, fragments of presence still visible. The space was not prepared to be seen.
Visitors enter a moment that was never meant for them.
works by
@yardshedoffice
@alimawassermann
@________a2k
@tercet.xyz
@_piascheiber
@felix____klein
@julius.esser
@obscure__objects
@objectwithlove
@maaatzee
@maresamayr
@yellownosestudio
@annazimmermann.eu
@sucheundfinnde
@thv4gsb
@klemens_schillinger
@tinabobbe
@joonas_lutz
@benjamin_motoc
@objectsareby
@laura_sattin
@davidbuehler
@heikokalauer
@florian.post
@studio_wak
@gregorjahner
@lukashenneberger
@studio__oe
@gabriel_schrr
@l.herzner
@clara.cebrian
@dahledohr
@field_journal_
and more
generously supported by @monogermany @mayr.metallkonstruktionen @awb.werbung
photographed @oleemueller
another highlight from Milan Design Week — a moment of absence curated by @________a2k @alimawassermann @koljakirsch @maaatzee @oleemueller
April 21 — 23, 2026
Via Filippino Lippi 10, Milan
Design exhibitions today often unfold within spaces of total control. Objects are isolated, compositions perfected, and every surface appears resolved before a visitor even enters the
room. In a time shaped by artificial image production, hyperreal renderings, and endlessly polished interiors, design is increasingly experienced as something constructed for the image rather than for life.
A Moment of Absence introduces a deliberate shift.
Instead of a controlled display, the exhibition reveals a space that suggests a small one room apartment. The room feels recently inhabited. Chairs remain slightly displaced, objects rest where they were last used, and traces of a shared moment linger in the air. Glasses left behind, surfaces marked by use, fragments of presence still visible. The space was not prepared to be seen.
Visitors enter a moment that was never meant for them.
works by
@yardshedoffice
@alimawassermann
@________a2k
@tercet.xyz
@_piascheiber
@felix____klein
@julius.esser
@obscure__objects
@objectwithlove
@maaatzee
@maresamayr
@yellownosestudio
@annazimmermann.eu
@sucheundfinnde
@thv4gsb
@klemens_schillinger
@tinabobbe
@joonas_lutz
@benjamin_motoc
@objectsareby
@laura_sattin
@davidbuehler
@heikokalauer
@florian.post
@studio_wak
@gregorjahner
@lukashenneberger
@studio__oe
@gabriel_schrr
@l.herzner
@clara.cebrian
@dahledohr
@field_journal_
and more
generously supported by @monogermany @mayr.metallkonstruktionen @awb.werbung
photographed @oleemueller
another highlight from Milan Design Week — a moment of absence curated by @________a2k @alimawassermann @koljakirsch @maaatzee @oleemueller
April 21 — 23, 2026
Via Filippino Lippi 10, Milan
Design exhibitions today often unfold within spaces of total control. Objects are isolated, compositions perfected, and every surface appears resolved before a visitor even enters the
room. In a time shaped by artificial image production, hyperreal renderings, and endlessly polished interiors, design is increasingly experienced as something constructed for the image rather than for life.
A Moment of Absence introduces a deliberate shift.
Instead of a controlled display, the exhibition reveals a space that suggests a small one room apartment. The room feels recently inhabited. Chairs remain slightly displaced, objects rest where they were last used, and traces of a shared moment linger in the air. Glasses left behind, surfaces marked by use, fragments of presence still visible. The space was not prepared to be seen.
Visitors enter a moment that was never meant for them.
works by
@yardshedoffice
@alimawassermann
@________a2k
@tercet.xyz
@_piascheiber
@felix____klein
@julius.esser
@obscure__objects
@objectwithlove
@maaatzee
@maresamayr
@yellownosestudio
@annazimmermann.eu
@sucheundfinnde
@thv4gsb
@klemens_schillinger
@tinabobbe
@joonas_lutz
@benjamin_motoc
@objectsareby
@laura_sattin
@davidbuehler
@heikokalauer
@florian.post
@studio_wak
@gregorjahner
@lukashenneberger
@studio__oe
@gabriel_schrr
@l.herzner
@clara.cebrian
@dahledohr
@field_journal_
and more
generously supported by @monogermany @mayr.metallkonstruktionen @awb.werbung
photographed @oleemueller
another highlight from Milan Design Week — a moment of absence curated by @________a2k @alimawassermann @koljakirsch @maaatzee @oleemueller
April 21 — 23, 2026
Via Filippino Lippi 10, Milan
Design exhibitions today often unfold within spaces of total control. Objects are isolated, compositions perfected, and every surface appears resolved before a visitor even enters the
room. In a time shaped by artificial image production, hyperreal renderings, and endlessly polished interiors, design is increasingly experienced as something constructed for the image rather than for life.
A Moment of Absence introduces a deliberate shift.
Instead of a controlled display, the exhibition reveals a space that suggests a small one room apartment. The room feels recently inhabited. Chairs remain slightly displaced, objects rest where they were last used, and traces of a shared moment linger in the air. Glasses left behind, surfaces marked by use, fragments of presence still visible. The space was not prepared to be seen.
Visitors enter a moment that was never meant for them.
works by
@yardshedoffice
@alimawassermann
@________a2k
@tercet.xyz
@_piascheiber
@felix____klein
@julius.esser
@obscure__objects
@objectwithlove
@maaatzee
@maresamayr
@yellownosestudio
@annazimmermann.eu
@sucheundfinnde
@thv4gsb
@klemens_schillinger
@tinabobbe
@joonas_lutz
@benjamin_motoc
@objectsareby
@laura_sattin
@davidbuehler
@heikokalauer
@florian.post
@studio_wak
@gregorjahner
@lukashenneberger
@studio__oe
@gabriel_schrr
@l.herzner
@clara.cebrian
@dahledohr
@field_journal_
and more
generously supported by @monogermany @mayr.metallkonstruktionen @awb.werbung
photographed @oleemueller
another highlight from Milan Design Week — a moment of absence curated by @________a2k @alimawassermann @koljakirsch @maaatzee @oleemueller
April 21 — 23, 2026
Via Filippino Lippi 10, Milan
Design exhibitions today often unfold within spaces of total control. Objects are isolated, compositions perfected, and every surface appears resolved before a visitor even enters the
room. In a time shaped by artificial image production, hyperreal renderings, and endlessly polished interiors, design is increasingly experienced as something constructed for the image rather than for life.
A Moment of Absence introduces a deliberate shift.
Instead of a controlled display, the exhibition reveals a space that suggests a small one room apartment. The room feels recently inhabited. Chairs remain slightly displaced, objects rest where they were last used, and traces of a shared moment linger in the air. Glasses left behind, surfaces marked by use, fragments of presence still visible. The space was not prepared to be seen.
Visitors enter a moment that was never meant for them.
works by
@yardshedoffice
@alimawassermann
@________a2k
@tercet.xyz
@_piascheiber
@felix____klein
@julius.esser
@obscure__objects
@objectwithlove
@maaatzee
@maresamayr
@yellownosestudio
@annazimmermann.eu
@sucheundfinnde
@thv4gsb
@klemens_schillinger
@tinabobbe
@joonas_lutz
@benjamin_motoc
@objectsareby
@laura_sattin
@davidbuehler
@heikokalauer
@florian.post
@studio_wak
@gregorjahner
@lukashenneberger
@studio__oe
@gabriel_schrr
@l.herzner
@clara.cebrian
@dahledohr
@field_journal_
and more
generously supported by @monogermany @mayr.metallkonstruktionen @awb.werbung
photographed @oleemueller
another highlight from Milan Design Week — a moment of absence curated by @________a2k @alimawassermann @koljakirsch @maaatzee @oleemueller
April 21 — 23, 2026
Via Filippino Lippi 10, Milan
Design exhibitions today often unfold within spaces of total control. Objects are isolated, compositions perfected, and every surface appears resolved before a visitor even enters the
room. In a time shaped by artificial image production, hyperreal renderings, and endlessly polished interiors, design is increasingly experienced as something constructed for the image rather than for life.
A Moment of Absence introduces a deliberate shift.
Instead of a controlled display, the exhibition reveals a space that suggests a small one room apartment. The room feels recently inhabited. Chairs remain slightly displaced, objects rest where they were last used, and traces of a shared moment linger in the air. Glasses left behind, surfaces marked by use, fragments of presence still visible. The space was not prepared to be seen.
Visitors enter a moment that was never meant for them.
works by
@yardshedoffice
@alimawassermann
@________a2k
@tercet.xyz
@_piascheiber
@felix____klein
@julius.esser
@obscure__objects
@objectwithlove
@maaatzee
@maresamayr
@yellownosestudio
@annazimmermann.eu
@sucheundfinnde
@thv4gsb
@klemens_schillinger
@tinabobbe
@joonas_lutz
@benjamin_motoc
@objectsareby
@laura_sattin
@davidbuehler
@heikokalauer
@florian.post
@studio_wak
@gregorjahner
@lukashenneberger
@studio__oe
@gabriel_schrr
@l.herzner
@clara.cebrian
@dahledohr
@field_journal_
and more
generously supported by @monogermany @mayr.metallkonstruktionen @awb.werbung
photographed @oleemueller
another highlight from Milan Design Week — a moment of absence curated by @________a2k @alimawassermann @koljakirsch @maaatzee @oleemueller
April 21 — 23, 2026
Via Filippino Lippi 10, Milan
Design exhibitions today often unfold within spaces of total control. Objects are isolated, compositions perfected, and every surface appears resolved before a visitor even enters the
room. In a time shaped by artificial image production, hyperreal renderings, and endlessly polished interiors, design is increasingly experienced as something constructed for the image rather than for life.
A Moment of Absence introduces a deliberate shift.
Instead of a controlled display, the exhibition reveals a space that suggests a small one room apartment. The room feels recently inhabited. Chairs remain slightly displaced, objects rest where they were last used, and traces of a shared moment linger in the air. Glasses left behind, surfaces marked by use, fragments of presence still visible. The space was not prepared to be seen.
Visitors enter a moment that was never meant for them.
works by
@yardshedoffice
@alimawassermann
@________a2k
@tercet.xyz
@_piascheiber
@felix____klein
@julius.esser
@obscure__objects
@objectwithlove
@maaatzee
@maresamayr
@yellownosestudio
@annazimmermann.eu
@sucheundfinnde
@thv4gsb
@klemens_schillinger
@tinabobbe
@joonas_lutz
@benjamin_motoc
@objectsareby
@laura_sattin
@davidbuehler
@heikokalauer
@florian.post
@studio_wak
@gregorjahner
@lukashenneberger
@studio__oe
@gabriel_schrr
@l.herzner
@clara.cebrian
@dahledohr
@field_journal_
and more
generously supported by @monogermany @mayr.metallkonstruktionen @awb.werbung
photographed @oleemueller
another highlight from Milan Design Week — a moment of absence curated by @________a2k @alimawassermann @koljakirsch @maaatzee @oleemueller
April 21 — 23, 2026
Via Filippino Lippi 10, Milan
Design exhibitions today often unfold within spaces of total control. Objects are isolated, compositions perfected, and every surface appears resolved before a visitor even enters the
room. In a time shaped by artificial image production, hyperreal renderings, and endlessly polished interiors, design is increasingly experienced as something constructed for the image rather than for life.
A Moment of Absence introduces a deliberate shift.
Instead of a controlled display, the exhibition reveals a space that suggests a small one room apartment. The room feels recently inhabited. Chairs remain slightly displaced, objects rest where they were last used, and traces of a shared moment linger in the air. Glasses left behind, surfaces marked by use, fragments of presence still visible. The space was not prepared to be seen.
Visitors enter a moment that was never meant for them.
works by
@yardshedoffice
@alimawassermann
@________a2k
@tercet.xyz
@_piascheiber
@felix____klein
@julius.esser
@obscure__objects
@objectwithlove
@maaatzee
@maresamayr
@yellownosestudio
@annazimmermann.eu
@sucheundfinnde
@thv4gsb
@klemens_schillinger
@tinabobbe
@joonas_lutz
@benjamin_motoc
@objectsareby
@laura_sattin
@davidbuehler
@heikokalauer
@florian.post
@studio_wak
@gregorjahner
@lukashenneberger
@studio__oe
@gabriel_schrr
@l.herzner
@clara.cebrian
@dahledohr
@field_journal_
and more
generously supported by @monogermany @mayr.metallkonstruktionen @awb.werbung
photographed @oleemueller
another highlight from Milan Design Week — a moment of absence curated by @________a2k @alimawassermann @koljakirsch @maaatzee @oleemueller
April 21 — 23, 2026
Via Filippino Lippi 10, Milan
Design exhibitions today often unfold within spaces of total control. Objects are isolated, compositions perfected, and every surface appears resolved before a visitor even enters the
room. In a time shaped by artificial image production, hyperreal renderings, and endlessly polished interiors, design is increasingly experienced as something constructed for the image rather than for life.
A Moment of Absence introduces a deliberate shift.
Instead of a controlled display, the exhibition reveals a space that suggests a small one room apartment. The room feels recently inhabited. Chairs remain slightly displaced, objects rest where they were last used, and traces of a shared moment linger in the air. Glasses left behind, surfaces marked by use, fragments of presence still visible. The space was not prepared to be seen.
Visitors enter a moment that was never meant for them.
works by
@yardshedoffice
@alimawassermann
@________a2k
@tercet.xyz
@_piascheiber
@felix____klein
@julius.esser
@obscure__objects
@objectwithlove
@maaatzee
@maresamayr
@yellownosestudio
@annazimmermann.eu
@sucheundfinnde
@thv4gsb
@klemens_schillinger
@tinabobbe
@joonas_lutz
@benjamin_motoc
@objectsareby
@laura_sattin
@davidbuehler
@heikokalauer
@florian.post
@studio_wak
@gregorjahner
@lukashenneberger
@studio__oe
@gabriel_schrr
@l.herzner
@clara.cebrian
@dahledohr
@field_journal_
and more
generously supported by @monogermany @mayr.metallkonstruktionen @awb.werbung
photographed @oleemueller
another highlight from Milan Design Week — a moment of absence curated by @________a2k @alimawassermann @koljakirsch @maaatzee @oleemueller
April 21 — 23, 2026
Via Filippino Lippi 10, Milan
Design exhibitions today often unfold within spaces of total control. Objects are isolated, compositions perfected, and every surface appears resolved before a visitor even enters the
room. In a time shaped by artificial image production, hyperreal renderings, and endlessly polished interiors, design is increasingly experienced as something constructed for the image rather than for life.
A Moment of Absence introduces a deliberate shift.
Instead of a controlled display, the exhibition reveals a space that suggests a small one room apartment. The room feels recently inhabited. Chairs remain slightly displaced, objects rest where they were last used, and traces of a shared moment linger in the air. Glasses left behind, surfaces marked by use, fragments of presence still visible. The space was not prepared to be seen.
Visitors enter a moment that was never meant for them.
works by
@yardshedoffice
@alimawassermann
@________a2k
@tercet.xyz
@_piascheiber
@felix____klein
@julius.esser
@obscure__objects
@objectwithlove
@maaatzee
@maresamayr
@yellownosestudio
@annazimmermann.eu
@sucheundfinnde
@thv4gsb
@klemens_schillinger
@tinabobbe
@joonas_lutz
@benjamin_motoc
@objectsareby
@laura_sattin
@davidbuehler
@heikokalauer
@florian.post
@studio_wak
@gregorjahner
@lukashenneberger
@studio__oe
@gabriel_schrr
@l.herzner
@clara.cebrian
@dahledohr
@field_journal_
and more
generously supported by @monogermany @mayr.metallkonstruktionen @awb.werbung
photographed @oleemueller
another highlight from Milan Design Week — a moment of absence curated by @________a2k @alimawassermann @koljakirsch @maaatzee @oleemueller
April 21 — 23, 2026
Via Filippino Lippi 10, Milan
Design exhibitions today often unfold within spaces of total control. Objects are isolated, compositions perfected, and every surface appears resolved before a visitor even enters the
room. In a time shaped by artificial image production, hyperreal renderings, and endlessly polished interiors, design is increasingly experienced as something constructed for the image rather than for life.
A Moment of Absence introduces a deliberate shift.
Instead of a controlled display, the exhibition reveals a space that suggests a small one room apartment. The room feels recently inhabited. Chairs remain slightly displaced, objects rest where they were last used, and traces of a shared moment linger in the air. Glasses left behind, surfaces marked by use, fragments of presence still visible. The space was not prepared to be seen.
Visitors enter a moment that was never meant for them.
works by
@yardshedoffice
@alimawassermann
@________a2k
@tercet.xyz
@_piascheiber
@felix____klein
@julius.esser
@obscure__objects
@objectwithlove
@maaatzee
@maresamayr
@yellownosestudio
@annazimmermann.eu
@sucheundfinnde
@thv4gsb
@klemens_schillinger
@tinabobbe
@joonas_lutz
@benjamin_motoc
@objectsareby
@laura_sattin
@davidbuehler
@heikokalauer
@florian.post
@studio_wak
@gregorjahner
@lukashenneberger
@studio__oe
@gabriel_schrr
@l.herzner
@clara.cebrian
@dahledohr
@field_journal_
and more
generously supported by @monogermany @mayr.metallkonstruktionen @awb.werbung
photographed @oleemueller
another highlight from Milan Design Week — a moment of absence curated by @________a2k @alimawassermann @koljakirsch @maaatzee @oleemueller
April 21 — 23, 2026
Via Filippino Lippi 10, Milan
Design exhibitions today often unfold within spaces of total control. Objects are isolated, compositions perfected, and every surface appears resolved before a visitor even enters the
room. In a time shaped by artificial image production, hyperreal renderings, and endlessly polished interiors, design is increasingly experienced as something constructed for the image rather than for life.
A Moment of Absence introduces a deliberate shift.
Instead of a controlled display, the exhibition reveals a space that suggests a small one room apartment. The room feels recently inhabited. Chairs remain slightly displaced, objects rest where they were last used, and traces of a shared moment linger in the air. Glasses left behind, surfaces marked by use, fragments of presence still visible. The space was not prepared to be seen.
Visitors enter a moment that was never meant for them.
works by
@yardshedoffice
@alimawassermann
@________a2k
@tercet.xyz
@_piascheiber
@felix____klein
@julius.esser
@obscure__objects
@objectwithlove
@maaatzee
@maresamayr
@yellownosestudio
@annazimmermann.eu
@sucheundfinnde
@thv4gsb
@klemens_schillinger
@tinabobbe
@joonas_lutz
@benjamin_motoc
@objectsareby
@laura_sattin
@davidbuehler
@heikokalauer
@florian.post
@studio_wak
@gregorjahner
@lukashenneberger
@studio__oe
@gabriel_schrr
@l.herzner
@clara.cebrian
@dahledohr
@field_journal_
and more
generously supported by @monogermany @mayr.metallkonstruktionen @awb.werbung
photographed @oleemueller
another highlight from Milan Design Week — a moment of absence curated by @________a2k @alimawassermann @koljakirsch @maaatzee @oleemueller
April 21 — 23, 2026
Via Filippino Lippi 10, Milan
Design exhibitions today often unfold within spaces of total control. Objects are isolated, compositions perfected, and every surface appears resolved before a visitor even enters the
room. In a time shaped by artificial image production, hyperreal renderings, and endlessly polished interiors, design is increasingly experienced as something constructed for the image rather than for life.
A Moment of Absence introduces a deliberate shift.
Instead of a controlled display, the exhibition reveals a space that suggests a small one room apartment. The room feels recently inhabited. Chairs remain slightly displaced, objects rest where they were last used, and traces of a shared moment linger in the air. Glasses left behind, surfaces marked by use, fragments of presence still visible. The space was not prepared to be seen.
Visitors enter a moment that was never meant for them.
works by
@yardshedoffice
@alimawassermann
@________a2k
@tercet.xyz
@_piascheiber
@felix____klein
@julius.esser
@obscure__objects
@objectwithlove
@maaatzee
@maresamayr
@yellownosestudio
@annazimmermann.eu
@sucheundfinnde
@thv4gsb
@klemens_schillinger
@tinabobbe
@joonas_lutz
@benjamin_motoc
@objectsareby
@laura_sattin
@davidbuehler
@heikokalauer
@florian.post
@studio_wak
@gregorjahner
@lukashenneberger
@studio__oe
@gabriel_schrr
@l.herzner
@clara.cebrian
@dahledohr
@field_journal_
and more
generously supported by @monogermany @mayr.metallkonstruktionen @awb.werbung
photographed @oleemueller
another highlight from Milan Design Week — a moment of absence curated by @________a2k @alimawassermann @koljakirsch @maaatzee @oleemueller
April 21 — 23, 2026
Via Filippino Lippi 10, Milan
Design exhibitions today often unfold within spaces of total control. Objects are isolated, compositions perfected, and every surface appears resolved before a visitor even enters the
room. In a time shaped by artificial image production, hyperreal renderings, and endlessly polished interiors, design is increasingly experienced as something constructed for the image rather than for life.
A Moment of Absence introduces a deliberate shift.
Instead of a controlled display, the exhibition reveals a space that suggests a small one room apartment. The room feels recently inhabited. Chairs remain slightly displaced, objects rest where they were last used, and traces of a shared moment linger in the air. Glasses left behind, surfaces marked by use, fragments of presence still visible. The space was not prepared to be seen.
Visitors enter a moment that was never meant for them.
works by
@yardshedoffice
@alimawassermann
@________a2k
@tercet.xyz
@_piascheiber
@felix____klein
@julius.esser
@obscure__objects
@objectwithlove
@maaatzee
@maresamayr
@yellownosestudio
@annazimmermann.eu
@sucheundfinnde
@thv4gsb
@klemens_schillinger
@tinabobbe
@joonas_lutz
@benjamin_motoc
@objectsareby
@laura_sattin
@davidbuehler
@heikokalauer
@florian.post
@studio_wak
@gregorjahner
@lukashenneberger
@studio__oe
@gabriel_schrr
@l.herzner
@clara.cebrian
@dahledohr
@field_journal_
and more
generously supported by @monogermany @mayr.metallkonstruktionen @awb.werbung
photographed @oleemueller
Chip mirror — coming in unique shapes and sizes, no piece alike.
available online and on request
photographed @konstantinwalther
REST CHAIR – design by @obscure__objects @studiomaximilianbeck
REST CHAIR explores the tension between heaviness and suspension through the combination of moulded glass and laser cut stainless steel. Developed by Obscure Objects and Studio Maximilian Beck, the piece merges experimental glass casting with precise metal fabrication, positioning itself between collectible design and sculpture.
A thick ice like glass seat rests on a minimal steel structure, held primarily by its own weight. Visible fasteners expose the construction logic rather than concealing it, reinforcing a raw and structural aesthetic. Embracing imperfections, material limitations and self taught experimentation, the chair transforms industrial assembly into a study of balance, transparency and mass.
Photo @konstantinwalther
•
Feel free to share your best project with us via DM or by email at featured@manodsgn.com
REST CHAIR – design by @obscure__objects @studiomaximilianbeck
REST CHAIR explores the tension between heaviness and suspension through the combination of moulded glass and laser cut stainless steel. Developed by Obscure Objects and Studio Maximilian Beck, the piece merges experimental glass casting with precise metal fabrication, positioning itself between collectible design and sculpture.
A thick ice like glass seat rests on a minimal steel structure, held primarily by its own weight. Visible fasteners expose the construction logic rather than concealing it, reinforcing a raw and structural aesthetic. Embracing imperfections, material limitations and self taught experimentation, the chair transforms industrial assembly into a study of balance, transparency and mass.
Photo @konstantinwalther
•
Feel free to share your best project with us via DM or by email at featured@manodsgn.com
REST CHAIR – design by @obscure__objects @studiomaximilianbeck
REST CHAIR explores the tension between heaviness and suspension through the combination of moulded glass and laser cut stainless steel. Developed by Obscure Objects and Studio Maximilian Beck, the piece merges experimental glass casting with precise metal fabrication, positioning itself between collectible design and sculpture.
A thick ice like glass seat rests on a minimal steel structure, held primarily by its own weight. Visible fasteners expose the construction logic rather than concealing it, reinforcing a raw and structural aesthetic. Embracing imperfections, material limitations and self taught experimentation, the chair transforms industrial assembly into a study of balance, transparency and mass.
Photo @konstantinwalther
•
Feel free to share your best project with us via DM or by email at featured@manodsgn.com
REST CHAIR – design by @obscure__objects @studiomaximilianbeck
REST CHAIR explores the tension between heaviness and suspension through the combination of moulded glass and laser cut stainless steel. Developed by Obscure Objects and Studio Maximilian Beck, the piece merges experimental glass casting with precise metal fabrication, positioning itself between collectible design and sculpture.
A thick ice like glass seat rests on a minimal steel structure, held primarily by its own weight. Visible fasteners expose the construction logic rather than concealing it, reinforcing a raw and structural aesthetic. Embracing imperfections, material limitations and self taught experimentation, the chair transforms industrial assembly into a study of balance, transparency and mass.
Photo @konstantinwalther
•
Feel free to share your best project with us via DM or by email at featured@manodsgn.com
REST CHAIR – design by @obscure__objects @studiomaximilianbeck
REST CHAIR explores the tension between heaviness and suspension through the combination of moulded glass and laser cut stainless steel. Developed by Obscure Objects and Studio Maximilian Beck, the piece merges experimental glass casting with precise metal fabrication, positioning itself between collectible design and sculpture.
A thick ice like glass seat rests on a minimal steel structure, held primarily by its own weight. Visible fasteners expose the construction logic rather than concealing it, reinforcing a raw and structural aesthetic. Embracing imperfections, material limitations and self taught experimentation, the chair transforms industrial assembly into a study of balance, transparency and mass.
Photo @konstantinwalther
•
Feel free to share your best project with us via DM or by email at featured@manodsgn.com
REST CHAIR – design by @obscure__objects @studiomaximilianbeck
REST CHAIR explores the tension between heaviness and suspension through the combination of moulded glass and laser cut stainless steel. Developed by Obscure Objects and Studio Maximilian Beck, the piece merges experimental glass casting with precise metal fabrication, positioning itself between collectible design and sculpture.
A thick ice like glass seat rests on a minimal steel structure, held primarily by its own weight. Visible fasteners expose the construction logic rather than concealing it, reinforcing a raw and structural aesthetic. Embracing imperfections, material limitations and self taught experimentation, the chair transforms industrial assembly into a study of balance, transparency and mass.
Photo @konstantinwalther
•
Feel free to share your best project with us via DM or by email at featured@manodsgn.com
REST CHAIR – design by @obscure__objects @studiomaximilianbeck
REST CHAIR explores the tension between heaviness and suspension through the combination of moulded glass and laser cut stainless steel. Developed by Obscure Objects and Studio Maximilian Beck, the piece merges experimental glass casting with precise metal fabrication, positioning itself between collectible design and sculpture.
A thick ice like glass seat rests on a minimal steel structure, held primarily by its own weight. Visible fasteners expose the construction logic rather than concealing it, reinforcing a raw and structural aesthetic. Embracing imperfections, material limitations and self taught experimentation, the chair transforms industrial assembly into a study of balance, transparency and mass.
Photo @konstantinwalther
•
Feel free to share your best project with us via DM or by email at featured@manodsgn.com
THANK YOU MILANO AND THANK YOU @alcova.milano
the last week has been really special and intense, we’re so thankful for each and every person we connected with and for the positive feedback 🤍 thanks for stopping by and your support!
All pieces are available for sale — get in touch if you would like to have our full catalogue.
photographs @louisdebelle
THANK YOU MILANO AND THANK YOU @alcova.milano
the last week has been really special and intense, we’re so thankful for each and every person we connected with and for the positive feedback 🤍 thanks for stopping by and your support!
All pieces are available for sale — get in touch if you would like to have our full catalogue.
photographs @louisdebelle
THANK YOU MILANO AND THANK YOU @alcova.milano
the last week has been really special and intense, we’re so thankful for each and every person we connected with and for the positive feedback 🤍 thanks for stopping by and your support!
All pieces are available for sale — get in touch if you would like to have our full catalogue.
photographs @louisdebelle
THANK YOU MILANO AND THANK YOU @alcova.milano
the last week has been really special and intense, we’re so thankful for each and every person we connected with and for the positive feedback 🤍 thanks for stopping by and your support!
All pieces are available for sale — get in touch if you would like to have our full catalogue.
photographs @louisdebelle
THANK YOU MILANO AND THANK YOU @alcova.milano
the last week has been really special and intense, we’re so thankful for each and every person we connected with and for the positive feedback 🤍 thanks for stopping by and your support!
All pieces are available for sale — get in touch if you would like to have our full catalogue.
photographs @louisdebelle
THANK YOU MILANO AND THANK YOU @alcova.milano
the last week has been really special and intense, we’re so thankful for each and every person we connected with and for the positive feedback 🤍 thanks for stopping by and your support!
All pieces are available for sale — get in touch if you would like to have our full catalogue.
photographs @louisdebelle
THANK YOU MILANO AND THANK YOU @alcova.milano
the last week has been really special and intense, we’re so thankful for each and every person we connected with and for the positive feedback 🤍 thanks for stopping by and your support!
All pieces are available for sale — get in touch if you would like to have our full catalogue.
photographs @louisdebelle
THANK YOU MILANO AND THANK YOU @alcova.milano
the last week has been really special and intense, we’re so thankful for each and every person we connected with and for the positive feedback 🤍 thanks for stopping by and your support!
All pieces are available for sale — get in touch if you would like to have our full catalogue.
photographs @louisdebelle
THANK YOU MILANO AND THANK YOU @alcova.milano
the last week has been really special and intense, we’re so thankful for each and every person we connected with and for the positive feedback 🤍 thanks for stopping by and your support!
All pieces are available for sale — get in touch if you would like to have our full catalogue.
photographs @louisdebelle
THANK YOU MILANO AND THANK YOU @alcova.milano
the last week has been really special and intense, we’re so thankful for each and every person we connected with and for the positive feedback 🤍 thanks for stopping by and your support!
All pieces are available for sale — get in touch if you would like to have our full catalogue.
photographs @louisdebelle
THANK YOU MILANO AND THANK YOU @alcova.milano
the last week has been really special and intense, we’re so thankful for each and every person we connected with and for the positive feedback 🤍 thanks for stopping by and your support!
All pieces are available for sale — get in touch if you would like to have our full catalogue.
photographs @louisdebelle
THANK YOU MILANO AND THANK YOU @alcova.milano
the last week has been really special and intense, we’re so thankful for each and every person we connected with and for the positive feedback 🤍 thanks for stopping by and your support!
All pieces are available for sale — get in touch if you would like to have our full catalogue.
photographs @louisdebelle
THANK YOU MILANO AND THANK YOU @alcova.milano
the last week has been really special and intense, we’re so thankful for each and every person we connected with and for the positive feedback 🤍 thanks for stopping by and your support!
All pieces are available for sale — get in touch if you would like to have our full catalogue.
photographs @louisdebelle
THANK YOU MILANO AND THANK YOU @alcova.milano
the last week has been really special and intense, we’re so thankful for each and every person we connected with and for the positive feedback 🤍 thanks for stopping by and your support!
All pieces are available for sale — get in touch if you would like to have our full catalogue.
photographs @louisdebelle
THANK YOU MILANO AND THANK YOU @alcova.milano
the last week has been really special and intense, we’re so thankful for each and every person we connected with and for the positive feedback 🤍 thanks for stopping by and your support!
All pieces are available for sale — get in touch if you would like to have our full catalogue.
photographs @louisdebelle
THANK YOU MILANO AND THANK YOU @alcova.milano
the last week has been really special and intense, we’re so thankful for each and every person we connected with and for the positive feedback 🤍 thanks for stopping by and your support!
All pieces are available for sale — get in touch if you would like to have our full catalogue.
photographs @louisdebelle
Chip Mirror (limited edition)
polished aluminium
21 x 11 x 1 and coming in different sizes
available on request
It symbolizes the fragment of a whole while still functioning as a mirror itself. Manifesting the accidental act of a crashing mirror into a solid piece of aluminium, considering that not a single fragment is alike. So is each piece unique in shape and size. Its is individually cut and polished by hand in Germany, limited to a number of 100 pieces.
photographed by @konstantinwalther
Chip Mirror (limited edition)
polished aluminium
21 x 11 x 1 and coming in different sizes
available on request
It symbolizes the fragment of a whole while still functioning as a mirror itself. Manifesting the accidental act of a crashing mirror into a solid piece of aluminium, considering that not a single fragment is alike. So is each piece unique in shape and size. Its is individually cut and polished by hand in Germany, limited to a number of 100 pieces.
photographed by @konstantinwalther
Chip Mirror (limited edition)
polished aluminium
21 x 11 x 1 and coming in different sizes
available on request
It symbolizes the fragment of a whole while still functioning as a mirror itself. Manifesting the accidental act of a crashing mirror into a solid piece of aluminium, considering that not a single fragment is alike. So is each piece unique in shape and size. Its is individually cut and polished by hand in Germany, limited to a number of 100 pieces.
photographed by @konstantinwalther
T-Table
brushed aluminium
110 x 65 x 75 cm
The base of the table is constructed by two, 12 mm thick folded aluminium sheets, joined by visible screws. The top plate is mounted to the frame by a special joint system from underneath - leaving the plate’s surface untouched without any trace.
All edges and corners are carefully chamfered by hand. Each table is handcrafted and made to order in Germany.
photographed by @konstantinwalther
T-Table
brushed aluminium
110 x 65 x 75 cm
The base of the table is constructed by two, 12 mm thick folded aluminium sheets, joined by visible screws. The top plate is mounted to the frame by a special joint system from underneath - leaving the plate’s surface untouched without any trace.
All edges and corners are carefully chamfered by hand. Each table is handcrafted and made to order in Germany.
photographed by @konstantinwalther
Visit us and our installation Permanent Vacation @alcova.milano Baggio Military Hospital from April 20 — 26
𝘗𝘦𝘳𝘮𝘢𝘯𝘦𝘯𝘵 𝘝𝘢𝘤𝘢𝘵𝘪𝘰𝘯 presents fragments of an abandoned office setting, blurring the line between domestic and work spaces. The site-specific installation responds to the empty Baggio Military Hospital that now serves as an exhibition venue. The unusual environment leaves visitors uncertain about it’s former occupants; only subtle traces remain, hinting at their personalities and life situations. Where do we draw the line between work and private life? And how do we understand the idea of vacation in contemporary society?
photographs by @louisdebelle
ALCOVA MILANO
Baggio Military Hospital
Stecca building, room S22
Via Giovanni Labus 10
Visit us and our installation Permanent Vacation @alcova.milano Baggio Military Hospital from April 20 — 26
𝘗𝘦𝘳𝘮𝘢𝘯𝘦𝘯𝘵 𝘝𝘢𝘤𝘢𝘵𝘪𝘰𝘯 presents fragments of an abandoned office setting, blurring the line between domestic and work spaces. The site-specific installation responds to the empty Baggio Military Hospital that now serves as an exhibition venue. The unusual environment leaves visitors uncertain about it’s former occupants; only subtle traces remain, hinting at their personalities and life situations. Where do we draw the line between work and private life? And how do we understand the idea of vacation in contemporary society?
photographs by @louisdebelle
ALCOVA MILANO
Baggio Military Hospital
Stecca building, room S22
Via Giovanni Labus 10
Rest Chair, in collaboration with @studiomaximilianbeck
brushed stainless steel and casted glass
35 x 29 x 58 cm, 50 kg
Find us and the Rest Chair @alcova.milano during Milan Design Week from April 20 — 26 at the Baggio Military Hospital, room S22 of the Stecca building
photographed @konstantinwalther
#collectibledesign
#sculpturalfurniture
#furnituredesign
#functionalart
#contemporarydesign
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