Instagram Story Viewer

Presenting: Sculptures for the Danube Delta.
Warble Buoys.

Annex Part of Danubian Filaments @startseu @arselectronica @qolony.eu

Galvanic drifting instruments turn water electric potentials into oscillations. Camouflaging into the Savy’s Wabler calls, 0,6V-1Volts produced by freshwater fluctuations charge magnetic fields in rhythmic a discharge.
Activated at Sf. Gheorghe in 3 performances.

Mounting assistance & Boat logistics: Razvan Crimschi
Borosilicate Production: @adrian.sistem.glassware
Project coordination: @obsolete.studio @qolony.eu
Special Thanks & Research Advice: @katarlez

Camera: @andreea.udreaa @unda_film

Disclaimer: STARTSAQUAMOTION is co-funded by the European Union under the STARTS – Science, Technology
and Arts initiative of DG CNECT (GA no. LC-03568055). Views and opinions expressed are those of the
author(s) only and do not necessarily reflect those of the European Union or DG CNECT. Neither the
European Union nor the granting authority can be held responsible for them.

▪️𝐂𝐎𝐃𝐈𝐍𝐆 𝐃𝐑𝐎𝐏𝐒 opens August 26th, 19:00 — see you at @sacbucharest
From foghorn signals to light triggered by breath, and from polluted waters to microscopic projections — CODING DROPS invites you to experience the world through drifting, leaky, responsive systems.

▪️𝗙𝗶𝗻𝗮𝗻𝗰𝗲𝗱 𝗯𝘆:
Cultural project co-funded by The Administration of the National Cultural Fund (AFCN). The project does not necessarily represent the position of The Administration of the National Cultural Fund. AFCN is not responsible for the content of the project or the manner in which the results of the project may be used. These are entirely the responsibility of the funding recipient.

▪️𝗦𝘂𝗽𝗽𝗼𝗿𝘁𝗲𝗱 𝗯𝘆 Embassy of the Kingdom of the Netherlands in Romania, Goethe-Institut Bucharest.

▪️𝗣𝗮𝗿𝘁𝗻𝗲𝗿𝘀: @sacbucharest @servus_at - Kunst & Kultur im Netz, @simultan_org , Institutul Național pentru Fizica Laserilor, Plasmei si Radiatiei (INFLPR), Institutul Național de Cercetare Dezvoltare Deltei Dunarii (DDNI), Asociatia Ivan Patzaichin - Mila 23, Asociatia @climato.sfera Sfera

▪️𝗠𝗲𝗱𝗶𝗮 𝗣𝗮𝗿𝘁𝗻𝗲𝗿𝘀: Iscoada, Modernism, Revista Golan, Curatorial, Mindcraft Stories, Propagarta, Happ.ro, Empower Artists, Revista Arta, Radio România Cultural, Radio România Internațional, The Institute.

▪️𝐂𝐎𝐃𝐈𝐍𝐆 𝐃𝐑𝐎𝐏𝐒 opens August 26th, 19:00 — see you at @sacbucharest
From foghorn signals to light triggered by breath, and from polluted waters to microscopic projections — CODING DROPS invites you to experience the world through drifting, leaky, responsive systems.

▪️𝗙𝗶𝗻𝗮𝗻𝗰𝗲𝗱 𝗯𝘆:
Cultural project co-funded by The Administration of the National Cultural Fund (AFCN). The project does not necessarily represent the position of The Administration of the National Cultural Fund. AFCN is not responsible for the content of the project or the manner in which the results of the project may be used. These are entirely the responsibility of the funding recipient.

▪️𝗦𝘂𝗽𝗽𝗼𝗿𝘁𝗲𝗱 𝗯𝘆 Embassy of the Kingdom of the Netherlands in Romania, Goethe-Institut Bucharest.

▪️𝗣𝗮𝗿𝘁𝗻𝗲𝗿𝘀: @sacbucharest @servus_at - Kunst & Kultur im Netz, @simultan_org , Institutul Național pentru Fizica Laserilor, Plasmei si Radiatiei (INFLPR), Institutul Național de Cercetare Dezvoltare Deltei Dunarii (DDNI), Asociatia Ivan Patzaichin - Mila 23, Asociatia @climato.sfera Sfera

▪️𝗠𝗲𝗱𝗶𝗮 𝗣𝗮𝗿𝘁𝗻𝗲𝗿𝘀: Iscoada, Modernism, Revista Golan, Curatorial, Mindcraft Stories, Propagarta, Happ.ro, Empower Artists, Revista Arta, Radio România Cultural, Radio România Internațional, The Institute.

▪️𝐂𝐎𝐃𝐈𝐍𝐆 𝐃𝐑𝐎𝐏𝐒 opens August 26th, 19:00 — see you at @sacbucharest
From foghorn signals to light triggered by breath, and from polluted waters to microscopic projections — CODING DROPS invites you to experience the world through drifting, leaky, responsive systems.

▪️𝗙𝗶𝗻𝗮𝗻𝗰𝗲𝗱 𝗯𝘆:
Cultural project co-funded by The Administration of the National Cultural Fund (AFCN). The project does not necessarily represent the position of The Administration of the National Cultural Fund. AFCN is not responsible for the content of the project or the manner in which the results of the project may be used. These are entirely the responsibility of the funding recipient.

▪️𝗦𝘂𝗽𝗽𝗼𝗿𝘁𝗲𝗱 𝗯𝘆 Embassy of the Kingdom of the Netherlands in Romania, Goethe-Institut Bucharest.

▪️𝗣𝗮𝗿𝘁𝗻𝗲𝗿𝘀: @sacbucharest @servus_at - Kunst & Kultur im Netz, @simultan_org , Institutul Național pentru Fizica Laserilor, Plasmei si Radiatiei (INFLPR), Institutul Național de Cercetare Dezvoltare Deltei Dunarii (DDNI), Asociatia Ivan Patzaichin - Mila 23, Asociatia @climato.sfera Sfera

▪️𝗠𝗲𝗱𝗶𝗮 𝗣𝗮𝗿𝘁𝗻𝗲𝗿𝘀: Iscoada, Modernism, Revista Golan, Curatorial, Mindcraft Stories, Propagarta, Happ.ro, Empower Artists, Revista Arta, Radio România Cultural, Radio România Internațional, The Institute.

This summer we went back to the Danube delta for a site-specific residency as part of Coding Drops, a new project that follows last year’s footsteps of the pilot project named AfterLand. This time, the challenge was to tailor the activities according to the artist’s respective ongoing research.

@floriama_candea investigates the entangled dynamic of the “invasive” living organisms in the environment, some of which produce photosynthesis and/or are critical for the wetland’s health 🪷

@markijzerman unveils the fragile balance of the delta’s ecosystems by highlighting the relation between chemical and noise pollution, and the wetland’s natural purification processes 💧

@ioana.vreme.moser explores morphological shifts of the land and water through the history of an obsolete navigation system 🌬️

Each theme will translate in the narrative frame of an installation that reflects on different aspects of fluid systems as forms of expression : one that values inter-species relation, one that resists control,and one that embraces uncertainty. 

The results will be presented in a series of exhibitions and events, accessible in the following dates and places :
- 26 August - 18 September : exhibition at /SAC gallery in Bucharest
- 02 October - 12 October : exhibition at Simultan Festival in Timisoara
- 04 September : recorded interview at servus.at in Linz

A special thank you to @teodorfrolu who kindly hosted us at the Ivan Patzaichin museum in Mila 23, Răzvan Crimschi who guided us through the streets and canals of Sfantu Gheorghe, Stefan Constantinescu who enlightened our perception of the delta through his maps, and Alexandru Dorosencu for the hints and stories to explore.

More info about the residency in our latest article (or in bio 👆) : https://obsolete.studio/en/blog/danube-delta-2

Video credits : Diane Pricop, Mark IJzerman, Floriama Candea

Partners : Danube Delta National Institute - INFLPR - @muzeulivanpatzaichin, @sacbucharest, @simultan_org, @servus_at, @climato.sfera

The project is organised by @qolony.eu, and supported by the @fondul_cultural_national and the Embassy of the Kingdom of theNetherlands.

Retour sur Espaces Latents 💻

Deux semaines après la fin du forum dédié aux émergences artistiques en Intelligence Artificielle, Léa, Aude et Aurélien nous racontent leur expérience, entre workshops, conférences, échanges, concerts live et battle de prompts.

Quatre jours riches riches et intenses avec @aurelienkrieger, @obsolete.studio, @mariemolins, @tissotsylvie, @u2p050, @discal.studio, @delaurentis.music, Studio Carlos, Ninon Devis, Adrien Cornelissen.

Un rendez-vous proposé par @_trempo , @obsolete.studio & Stereolux

Vidéo : @sarahbellange

Merci à toutes et tous d’être venu·es pendant ces 4 jours dédiés à la création et à l’expérimentation avec les outils d’IA ! 🧠

Artistes, designers, musicien·nes, technicien·nes du spectacle, étudiant·es et professionnel·les de tous horizons : vos échanges, vos questions, vos idées et votre énergie ont fait de ce temps fort un moment riche et joyeusement stimulant 💥

Merci aussi aux intervenant·es (@aurelienkrieger, @obsolete.studio, @mariemolins, @tissotsylvie, @u2p050, @discal.studio, @delaurentis.music) ainsi que @_trempo et @obsolete.studio, qui ont contribué à faire vivre ce temps à travers ateliers, démos, discussions et performances.

Merci à toutes et tous d’être venu·es pendant ces 4 jours dédiés à la création et à l’expérimentation avec les outils d’IA ! 🧠

Artistes, designers, musicien·nes, technicien·nes du spectacle, étudiant·es et professionnel·les de tous horizons : vos échanges, vos questions, vos idées et votre énergie ont fait de ce temps fort un moment riche et joyeusement stimulant 💥

Merci aussi aux intervenant·es (@aurelienkrieger, @obsolete.studio, @mariemolins, @tissotsylvie, @u2p050, @discal.studio, @delaurentis.music) ainsi que @_trempo et @obsolete.studio, qui ont contribué à faire vivre ce temps à travers ateliers, démos, discussions et performances.

Merci à toutes et tous d’être venu·es pendant ces 4 jours dédiés à la création et à l’expérimentation avec les outils d’IA ! 🧠

Artistes, designers, musicien·nes, technicien·nes du spectacle, étudiant·es et professionnel·les de tous horizons : vos échanges, vos questions, vos idées et votre énergie ont fait de ce temps fort un moment riche et joyeusement stimulant 💥

Merci aussi aux intervenant·es (@aurelienkrieger, @obsolete.studio, @mariemolins, @tissotsylvie, @u2p050, @discal.studio, @delaurentis.music) ainsi que @_trempo et @obsolete.studio, qui ont contribué à faire vivre ce temps à travers ateliers, démos, discussions et performances.

Merci à toutes et tous d’être venu·es pendant ces 4 jours dédiés à la création et à l’expérimentation avec les outils d’IA ! 🧠

Artistes, designers, musicien·nes, technicien·nes du spectacle, étudiant·es et professionnel·les de tous horizons : vos échanges, vos questions, vos idées et votre énergie ont fait de ce temps fort un moment riche et joyeusement stimulant 💥

Merci aussi aux intervenant·es (@aurelienkrieger, @obsolete.studio, @mariemolins, @tissotsylvie, @u2p050, @discal.studio, @delaurentis.music) ainsi que @_trempo et @obsolete.studio, qui ont contribué à faire vivre ce temps à travers ateliers, démos, discussions et performances.

Merci à toutes et tous d’être venu·es pendant ces 4 jours dédiés à la création et à l’expérimentation avec les outils d’IA ! 🧠

Artistes, designers, musicien·nes, technicien·nes du spectacle, étudiant·es et professionnel·les de tous horizons : vos échanges, vos questions, vos idées et votre énergie ont fait de ce temps fort un moment riche et joyeusement stimulant 💥

Merci aussi aux intervenant·es (@aurelienkrieger, @obsolete.studio, @mariemolins, @tissotsylvie, @u2p050, @discal.studio, @delaurentis.music) ainsi que @_trempo et @obsolete.studio, qui ont contribué à faire vivre ce temps à travers ateliers, démos, discussions et performances.

After movie of the public showcase by Guy Fleisher, as part of Ecologias da Água art residency programme in Leiria, Central Portugal. During the 10-days residency, Guy recorded the natural soundscape of the Lis river to create electroacoustic compositions inspired by nature. More infos on the project page (link in bio)

Credits
Sound artist - Guy Fleisher
Filmmaker - Pedro Lavrador
Production - Aurélien Krieger / obsolete.studio

Last month we ran the pilot for a new art residency programme in Central Portugal - Ecologias da Água - dedicated to a sensitive relationship with the living world, and specifically with water and wetland ecosystems. Participating artists are invited to discover these ecosystems through walking tours and discussions with guides, scientists and local residents, in order to develop their work in interaction with these ecosystems.

For the first edition, we have invited Guy Fleisher, a multidisciplinary sound artist based in Porto, to further develop his work Everyday Sounds. Currently pursuing a PhD in Science and Technology of the Arts at the Center for Research in Science and Technology (CITAR), Guy Fleisher’s research centers on electroacoustic environmental composition and draw inspiration from various acoustic ecology concepts.

The residency concluded with participatory activities for the local community, in the form of a creative workshop and a sound performance presenting the results of the workshop and the artist’s fieldwork. 🔎🌿

We invite you to discover two new articles on our website dedicated to this project, highlighting the artistic process and telling the story of the Lis river, the central character of our research, which rises from underground. Links in bio. ⛰️

We would like to take this opportunity to thank again everyone involved in making this project a unique creative and human adventure!

Artist @guyfleisher
Guides Danilo Guimarães @grutasdamoeda, Micael Silva @dobosqueprojeto
Laboratory technician @andre.doctours from Leiria Polytechnic @politecnico_de_leiria
Photographers @crisveit @odete.adro.frazao
Journalist @claudiovillaringarcia for Jornal de Leiria @jornaleiria
Welcome and logistical support Miguel @serra_espacocultural Vasco @omnichord.pt
Last by not least @laetitia.palazy ♥️
@aurelienkrieger

Last month we ran the pilot for a new art residency programme in Central Portugal - Ecologias da Água - dedicated to a sensitive relationship with the living world, and specifically with water and wetland ecosystems. Participating artists are invited to discover these ecosystems through walking tours and discussions with guides, scientists and local residents, in order to develop their work in interaction with these ecosystems.

For the first edition, we have invited Guy Fleisher, a multidisciplinary sound artist based in Porto, to further develop his work Everyday Sounds. Currently pursuing a PhD in Science and Technology of the Arts at the Center for Research in Science and Technology (CITAR), Guy Fleisher’s research centers on electroacoustic environmental composition and draw inspiration from various acoustic ecology concepts.

The residency concluded with participatory activities for the local community, in the form of a creative workshop and a sound performance presenting the results of the workshop and the artist’s fieldwork. 🔎🌿

We invite you to discover two new articles on our website dedicated to this project, highlighting the artistic process and telling the story of the Lis river, the central character of our research, which rises from underground. Links in bio. ⛰️

We would like to take this opportunity to thank again everyone involved in making this project a unique creative and human adventure!

Artist @guyfleisher
Guides Danilo Guimarães @grutasdamoeda, Micael Silva @dobosqueprojeto
Laboratory technician @andre.doctours from Leiria Polytechnic @politecnico_de_leiria
Photographers @crisveit @odete.adro.frazao
Journalist @claudiovillaringarcia for Jornal de Leiria @jornaleiria
Welcome and logistical support Miguel @serra_espacocultural Vasco @omnichord.pt
Last by not least @laetitia.palazy ♥️
@aurelienkrieger

Last month we ran the pilot for a new art residency programme in Central Portugal - Ecologias da Água - dedicated to a sensitive relationship with the living world, and specifically with water and wetland ecosystems. Participating artists are invited to discover these ecosystems through walking tours and discussions with guides, scientists and local residents, in order to develop their work in interaction with these ecosystems.

For the first edition, we have invited Guy Fleisher, a multidisciplinary sound artist based in Porto, to further develop his work Everyday Sounds. Currently pursuing a PhD in Science and Technology of the Arts at the Center for Research in Science and Technology (CITAR), Guy Fleisher’s research centers on electroacoustic environmental composition and draw inspiration from various acoustic ecology concepts.

The residency concluded with participatory activities for the local community, in the form of a creative workshop and a sound performance presenting the results of the workshop and the artist’s fieldwork. 🔎🌿

We invite you to discover two new articles on our website dedicated to this project, highlighting the artistic process and telling the story of the Lis river, the central character of our research, which rises from underground. Links in bio. ⛰️

We would like to take this opportunity to thank again everyone involved in making this project a unique creative and human adventure!

Artist @guyfleisher
Guides Danilo Guimarães @grutasdamoeda, Micael Silva @dobosqueprojeto
Laboratory technician @andre.doctours from Leiria Polytechnic @politecnico_de_leiria
Photographers @crisveit @odete.adro.frazao
Journalist @claudiovillaringarcia for Jornal de Leiria @jornaleiria
Welcome and logistical support Miguel @serra_espacocultural Vasco @omnichord.pt
Last by not least @laetitia.palazy ♥️
@aurelienkrieger

Last month we ran the pilot for a new art residency programme in Central Portugal - Ecologias da Água - dedicated to a sensitive relationship with the living world, and specifically with water and wetland ecosystems. Participating artists are invited to discover these ecosystems through walking tours and discussions with guides, scientists and local residents, in order to develop their work in interaction with these ecosystems.

For the first edition, we have invited Guy Fleisher, a multidisciplinary sound artist based in Porto, to further develop his work Everyday Sounds. Currently pursuing a PhD in Science and Technology of the Arts at the Center for Research in Science and Technology (CITAR), Guy Fleisher’s research centers on electroacoustic environmental composition and draw inspiration from various acoustic ecology concepts.

The residency concluded with participatory activities for the local community, in the form of a creative workshop and a sound performance presenting the results of the workshop and the artist’s fieldwork. 🔎🌿

We invite you to discover two new articles on our website dedicated to this project, highlighting the artistic process and telling the story of the Lis river, the central character of our research, which rises from underground. Links in bio. ⛰️

We would like to take this opportunity to thank again everyone involved in making this project a unique creative and human adventure!

Artist @guyfleisher
Guides Danilo Guimarães @grutasdamoeda, Micael Silva @dobosqueprojeto
Laboratory technician @andre.doctours from Leiria Polytechnic @politecnico_de_leiria
Photographers @crisveit @odete.adro.frazao
Journalist @claudiovillaringarcia for Jornal de Leiria @jornaleiria
Welcome and logistical support Miguel @serra_espacocultural Vasco @omnichord.pt
Last by not least @laetitia.palazy ♥️
@aurelienkrieger

Last month we ran the pilot for a new art residency programme in Central Portugal - Ecologias da Água - dedicated to a sensitive relationship with the living world, and specifically with water and wetland ecosystems. Participating artists are invited to discover these ecosystems through walking tours and discussions with guides, scientists and local residents, in order to develop their work in interaction with these ecosystems.

For the first edition, we have invited Guy Fleisher, a multidisciplinary sound artist based in Porto, to further develop his work Everyday Sounds. Currently pursuing a PhD in Science and Technology of the Arts at the Center for Research in Science and Technology (CITAR), Guy Fleisher’s research centers on electroacoustic environmental composition and draw inspiration from various acoustic ecology concepts.

The residency concluded with participatory activities for the local community, in the form of a creative workshop and a sound performance presenting the results of the workshop and the artist’s fieldwork. 🔎🌿

We invite you to discover two new articles on our website dedicated to this project, highlighting the artistic process and telling the story of the Lis river, the central character of our research, which rises from underground. Links in bio. ⛰️

We would like to take this opportunity to thank again everyone involved in making this project a unique creative and human adventure!

Artist @guyfleisher
Guides Danilo Guimarães @grutasdamoeda, Micael Silva @dobosqueprojeto
Laboratory technician @andre.doctours from Leiria Polytechnic @politecnico_de_leiria
Photographers @crisveit @odete.adro.frazao
Journalist @claudiovillaringarcia for Jornal de Leiria @jornaleiria
Welcome and logistical support Miguel @serra_espacocultural Vasco @omnichord.pt
Last by not least @laetitia.palazy ♥️
@aurelienkrieger

Last month we ran the pilot for a new art residency programme in Central Portugal - Ecologias da Água - dedicated to a sensitive relationship with the living world, and specifically with water and wetland ecosystems. Participating artists are invited to discover these ecosystems through walking tours and discussions with guides, scientists and local residents, in order to develop their work in interaction with these ecosystems.

For the first edition, we have invited Guy Fleisher, a multidisciplinary sound artist based in Porto, to further develop his work Everyday Sounds. Currently pursuing a PhD in Science and Technology of the Arts at the Center for Research in Science and Technology (CITAR), Guy Fleisher’s research centers on electroacoustic environmental composition and draw inspiration from various acoustic ecology concepts.

The residency concluded with participatory activities for the local community, in the form of a creative workshop and a sound performance presenting the results of the workshop and the artist’s fieldwork. 🔎🌿

We invite you to discover two new articles on our website dedicated to this project, highlighting the artistic process and telling the story of the Lis river, the central character of our research, which rises from underground. Links in bio. ⛰️

We would like to take this opportunity to thank again everyone involved in making this project a unique creative and human adventure!

Artist @guyfleisher
Guides Danilo Guimarães @grutasdamoeda, Micael Silva @dobosqueprojeto
Laboratory technician @andre.doctours from Leiria Polytechnic @politecnico_de_leiria
Photographers @crisveit @odete.adro.frazao
Journalist @claudiovillaringarcia for Jornal de Leiria @jornaleiria
Welcome and logistical support Miguel @serra_espacocultural Vasco @omnichord.pt
Last by not least @laetitia.palazy ♥️
@aurelienkrieger

Last month we ran the pilot for a new art residency programme in Central Portugal - Ecologias da Água - dedicated to a sensitive relationship with the living world, and specifically with water and wetland ecosystems. Participating artists are invited to discover these ecosystems through walking tours and discussions with guides, scientists and local residents, in order to develop their work in interaction with these ecosystems.

For the first edition, we have invited Guy Fleisher, a multidisciplinary sound artist based in Porto, to further develop his work Everyday Sounds. Currently pursuing a PhD in Science and Technology of the Arts at the Center for Research in Science and Technology (CITAR), Guy Fleisher’s research centers on electroacoustic environmental composition and draw inspiration from various acoustic ecology concepts.

The residency concluded with participatory activities for the local community, in the form of a creative workshop and a sound performance presenting the results of the workshop and the artist’s fieldwork. 🔎🌿

We invite you to discover two new articles on our website dedicated to this project, highlighting the artistic process and telling the story of the Lis river, the central character of our research, which rises from underground. Links in bio. ⛰️

We would like to take this opportunity to thank again everyone involved in making this project a unique creative and human adventure!

Artist @guyfleisher
Guides Danilo Guimarães @grutasdamoeda, Micael Silva @dobosqueprojeto
Laboratory technician @andre.doctours from Leiria Polytechnic @politecnico_de_leiria
Photographers @crisveit @odete.adro.frazao
Journalist @claudiovillaringarcia for Jornal de Leiria @jornaleiria
Welcome and logistical support Miguel @serra_espacocultural Vasco @omnichord.pt
Last by not least @laetitia.palazy ♥️
@aurelienkrieger

Last month we ran the pilot for a new art residency programme in Central Portugal - Ecologias da Água - dedicated to a sensitive relationship with the living world, and specifically with water and wetland ecosystems. Participating artists are invited to discover these ecosystems through walking tours and discussions with guides, scientists and local residents, in order to develop their work in interaction with these ecosystems.

For the first edition, we have invited Guy Fleisher, a multidisciplinary sound artist based in Porto, to further develop his work Everyday Sounds. Currently pursuing a PhD in Science and Technology of the Arts at the Center for Research in Science and Technology (CITAR), Guy Fleisher’s research centers on electroacoustic environmental composition and draw inspiration from various acoustic ecology concepts.

The residency concluded with participatory activities for the local community, in the form of a creative workshop and a sound performance presenting the results of the workshop and the artist’s fieldwork. 🔎🌿

We invite you to discover two new articles on our website dedicated to this project, highlighting the artistic process and telling the story of the Lis river, the central character of our research, which rises from underground. Links in bio. ⛰️

We would like to take this opportunity to thank again everyone involved in making this project a unique creative and human adventure!

Artist @guyfleisher
Guides Danilo Guimarães @grutasdamoeda, Micael Silva @dobosqueprojeto
Laboratory technician @andre.doctours from Leiria Polytechnic @politecnico_de_leiria
Photographers @crisveit @odete.adro.frazao
Journalist @claudiovillaringarcia for Jornal de Leiria @jornaleiria
Welcome and logistical support Miguel @serra_espacocultural Vasco @omnichord.pt
Last by not least @laetitia.palazy ♥️
@aurelienkrieger

For the past couple of weeks at @servus_at Research Lab, we have been working with @ioana.vreme.moser on a « fluidic cookbook ». She came across fluidics in 2019 while looking for alternatives to electronics, and started to research and work with them ever since, leading to some complex artistic productions.

Having gathered all sorts of documentation, the idea of making a publication on her project came up. Since 2023, we have been talking about making this happening, but only recently got invited by Davide Bevilacqua at servus.at to use their Research Lab as a dedicated platform to deepen this research together, define a narrative structure, and explore ways of teaching fluidic processes to a wider public.

This residency allowed us to raise and address some challenging questions, present the project to the @servus_at and @stwst_linz community through an artist talk and a podcast, and look closer at the fluidic processes through the analogy with electronics during two open labs.

More info soon on the Research Labs dedicated webpage, and on Obsolete portfolio.
In the meantime, you can read the updated version of article from the Versorgerin from March 2025 : https://versorgerin.stwst.at/artikel/03-2025/fluidic-systems

Thank you @servus_at team for offering your support, & the @stwst_linz and @radiofro for sharing your spaces with us !
This residency was also possible thanks to the @culturemoveseurope mobility grant.

Credits : @ioana.vreme.moser & Diane Pricop

Looking forward to working on the next steps !!

For the past couple of weeks at @servus_at Research Lab, we have been working with @ioana.vreme.moser on a « fluidic cookbook ». She came across fluidics in 2019 while looking for alternatives to electronics, and started to research and work with them ever since, leading to some complex artistic productions.

Having gathered all sorts of documentation, the idea of making a publication on her project came up. Since 2023, we have been talking about making this happening, but only recently got invited by Davide Bevilacqua at servus.at to use their Research Lab as a dedicated platform to deepen this research together, define a narrative structure, and explore ways of teaching fluidic processes to a wider public.

This residency allowed us to raise and address some challenging questions, present the project to the @servus_at and @stwst_linz community through an artist talk and a podcast, and look closer at the fluidic processes through the analogy with electronics during two open labs.

More info soon on the Research Labs dedicated webpage, and on Obsolete portfolio.
In the meantime, you can read the updated version of article from the Versorgerin from March 2025 : https://versorgerin.stwst.at/artikel/03-2025/fluidic-systems

Thank you @servus_at team for offering your support, & the @stwst_linz and @radiofro for sharing your spaces with us !
This residency was also possible thanks to the @culturemoveseurope mobility grant.

Credits : @ioana.vreme.moser & Diane Pricop

Looking forward to working on the next steps !!

For the past couple of weeks at @servus_at Research Lab, we have been working with @ioana.vreme.moser on a « fluidic cookbook ». She came across fluidics in 2019 while looking for alternatives to electronics, and started to research and work with them ever since, leading to some complex artistic productions.

Having gathered all sorts of documentation, the idea of making a publication on her project came up. Since 2023, we have been talking about making this happening, but only recently got invited by Davide Bevilacqua at servus.at to use their Research Lab as a dedicated platform to deepen this research together, define a narrative structure, and explore ways of teaching fluidic processes to a wider public.

This residency allowed us to raise and address some challenging questions, present the project to the @servus_at and @stwst_linz community through an artist talk and a podcast, and look closer at the fluidic processes through the analogy with electronics during two open labs.

More info soon on the Research Labs dedicated webpage, and on Obsolete portfolio.
In the meantime, you can read the updated version of article from the Versorgerin from March 2025 : https://versorgerin.stwst.at/artikel/03-2025/fluidic-systems

Thank you @servus_at team for offering your support, & the @stwst_linz and @radiofro for sharing your spaces with us !
This residency was also possible thanks to the @culturemoveseurope mobility grant.

Credits : @ioana.vreme.moser & Diane Pricop

Looking forward to working on the next steps !!

For the past couple of weeks at @servus_at Research Lab, we have been working with @ioana.vreme.moser on a « fluidic cookbook ». She came across fluidics in 2019 while looking for alternatives to electronics, and started to research and work with them ever since, leading to some complex artistic productions.

Having gathered all sorts of documentation, the idea of making a publication on her project came up. Since 2023, we have been talking about making this happening, but only recently got invited by Davide Bevilacqua at servus.at to use their Research Lab as a dedicated platform to deepen this research together, define a narrative structure, and explore ways of teaching fluidic processes to a wider public.

This residency allowed us to raise and address some challenging questions, present the project to the @servus_at and @stwst_linz community through an artist talk and a podcast, and look closer at the fluidic processes through the analogy with electronics during two open labs.

More info soon on the Research Labs dedicated webpage, and on Obsolete portfolio.
In the meantime, you can read the updated version of article from the Versorgerin from March 2025 : https://versorgerin.stwst.at/artikel/03-2025/fluidic-systems

Thank you @servus_at team for offering your support, & the @stwst_linz and @radiofro for sharing your spaces with us !
This residency was also possible thanks to the @culturemoveseurope mobility grant.

Credits : @ioana.vreme.moser & Diane Pricop

Looking forward to working on the next steps !!

For the past couple of weeks at @servus_at Research Lab, we have been working with @ioana.vreme.moser on a « fluidic cookbook ». She came across fluidics in 2019 while looking for alternatives to electronics, and started to research and work with them ever since, leading to some complex artistic productions.

Having gathered all sorts of documentation, the idea of making a publication on her project came up. Since 2023, we have been talking about making this happening, but only recently got invited by Davide Bevilacqua at servus.at to use their Research Lab as a dedicated platform to deepen this research together, define a narrative structure, and explore ways of teaching fluidic processes to a wider public.

This residency allowed us to raise and address some challenging questions, present the project to the @servus_at and @stwst_linz community through an artist talk and a podcast, and look closer at the fluidic processes through the analogy with electronics during two open labs.

More info soon on the Research Labs dedicated webpage, and on Obsolete portfolio.
In the meantime, you can read the updated version of article from the Versorgerin from March 2025 : https://versorgerin.stwst.at/artikel/03-2025/fluidic-systems

Thank you @servus_at team for offering your support, & the @stwst_linz and @radiofro for sharing your spaces with us !
This residency was also possible thanks to the @culturemoveseurope mobility grant.

Credits : @ioana.vreme.moser & Diane Pricop

Looking forward to working on the next steps !!

For the past couple of weeks at @servus_at Research Lab, we have been working with @ioana.vreme.moser on a « fluidic cookbook ». She came across fluidics in 2019 while looking for alternatives to electronics, and started to research and work with them ever since, leading to some complex artistic productions.

Having gathered all sorts of documentation, the idea of making a publication on her project came up. Since 2023, we have been talking about making this happening, but only recently got invited by Davide Bevilacqua at servus.at to use their Research Lab as a dedicated platform to deepen this research together, define a narrative structure, and explore ways of teaching fluidic processes to a wider public.

This residency allowed us to raise and address some challenging questions, present the project to the @servus_at and @stwst_linz community through an artist talk and a podcast, and look closer at the fluidic processes through the analogy with electronics during two open labs.

More info soon on the Research Labs dedicated webpage, and on Obsolete portfolio.
In the meantime, you can read the updated version of article from the Versorgerin from March 2025 : https://versorgerin.stwst.at/artikel/03-2025/fluidic-systems

Thank you @servus_at team for offering your support, & the @stwst_linz and @radiofro for sharing your spaces with us !
This residency was also possible thanks to the @culturemoveseurope mobility grant.

Credits : @ioana.vreme.moser & Diane Pricop

Looking forward to working on the next steps !!

For the past couple of weeks at @servus_at Research Lab, we have been working with @ioana.vreme.moser on a « fluidic cookbook ». She came across fluidics in 2019 while looking for alternatives to electronics, and started to research and work with them ever since, leading to some complex artistic productions.

Having gathered all sorts of documentation, the idea of making a publication on her project came up. Since 2023, we have been talking about making this happening, but only recently got invited by Davide Bevilacqua at servus.at to use their Research Lab as a dedicated platform to deepen this research together, define a narrative structure, and explore ways of teaching fluidic processes to a wider public.

This residency allowed us to raise and address some challenging questions, present the project to the @servus_at and @stwst_linz community through an artist talk and a podcast, and look closer at the fluidic processes through the analogy with electronics during two open labs.

More info soon on the Research Labs dedicated webpage, and on Obsolete portfolio.
In the meantime, you can read the updated version of article from the Versorgerin from March 2025 : https://versorgerin.stwst.at/artikel/03-2025/fluidic-systems

Thank you @servus_at team for offering your support, & the @stwst_linz and @radiofro for sharing your spaces with us !
This residency was also possible thanks to the @culturemoveseurope mobility grant.

Credits : @ioana.vreme.moser & Diane Pricop

Looking forward to working on the next steps !!

Fluidic Shapes and symbols in residency @servus_at @stwst_linz

Last weeks together with @obsolete.studio we started working on a fluidic cookbook.

Something I’ve been dreaming about since a long time.
Thanks to @servus_at and all of you that came by we sat down and sketched it up.
News to come soon.

Les réservations pour le temps fort Espaces Latents sont ouvertes ! 🚨
Découvrez les artistes et intervenant·es qui rythmeront ces quatre jours de réflexions et d’expérimentations.

📍 Du 19 au 22 mai — à Stereolux & @_trempo
➡️ Informations et réservations sur stereolux.org
🤝 En collaboration avec @_trempo et @obsolete.studio

Les réservations pour le temps fort Espaces Latents sont ouvertes ! 🚨
Découvrez les artistes et intervenant·es qui rythmeront ces quatre jours de réflexions et d’expérimentations.

📍 Du 19 au 22 mai — à Stereolux & @_trempo
➡️ Informations et réservations sur stereolux.org
🤝 En collaboration avec @_trempo et @obsolete.studio

Les réservations pour le temps fort Espaces Latents sont ouvertes ! 🚨
Découvrez les artistes et intervenant·es qui rythmeront ces quatre jours de réflexions et d’expérimentations.

📍 Du 19 au 22 mai — à Stereolux & @_trempo
➡️ Informations et réservations sur stereolux.org
🤝 En collaboration avec @_trempo et @obsolete.studio

Les réservations pour le temps fort Espaces Latents sont ouvertes ! 🚨
Découvrez les artistes et intervenant·es qui rythmeront ces quatre jours de réflexions et d’expérimentations.

📍 Du 19 au 22 mai — à Stereolux & @_trempo
➡️ Informations et réservations sur stereolux.org
🤝 En collaboration avec @_trempo et @obsolete.studio

Les réservations pour le temps fort Espaces Latents sont ouvertes ! 🚨
Découvrez les artistes et intervenant·es qui rythmeront ces quatre jours de réflexions et d’expérimentations.

📍 Du 19 au 22 mai — à Stereolux & @_trempo
➡️ Informations et réservations sur stereolux.org
🤝 En collaboration avec @_trempo et @obsolete.studio

Les réservations pour le temps fort Espaces Latents sont ouvertes ! 🚨
Découvrez les artistes et intervenant·es qui rythmeront ces quatre jours de réflexions et d’expérimentations.

📍 Du 19 au 22 mai — à Stereolux & @_trempo
➡️ Informations et réservations sur stereolux.org
🤝 En collaboration avec @_trempo et @obsolete.studio

Les réservations pour le temps fort Espaces Latents sont ouvertes ! 🚨
Découvrez les artistes et intervenant·es qui rythmeront ces quatre jours de réflexions et d’expérimentations.

📍 Du 19 au 22 mai — à Stereolux & @_trempo
➡️ Informations et réservations sur stereolux.org
🤝 En collaboration avec @_trempo et @obsolete.studio

Les réservations pour le temps fort Espaces Latents sont ouvertes ! 🚨
Découvrez les artistes et intervenant·es qui rythmeront ces quatre jours de réflexions et d’expérimentations.

📍 Du 19 au 22 mai — à Stereolux & @_trempo
➡️ Informations et réservations sur stereolux.org
🤝 En collaboration avec @_trempo et @obsolete.studio

Les réservations pour le temps fort Espaces Latents sont ouvertes ! 🚨
Découvrez les artistes et intervenant·es qui rythmeront ces quatre jours de réflexions et d’expérimentations.

📍 Du 19 au 22 mai — à Stereolux & @_trempo
➡️ Informations et réservations sur stereolux.org
🤝 En collaboration avec @_trempo et @obsolete.studio

@_trempo, @obsolete.studio et Stereolux s'associent pour vous proposer le temps fort Espace Latents.
Pendant 4 jours, artistes, designers, musicien·nes, technicien·nes du spectacle, étudiant·es ou autre professionnel·les sont invité·es à venir échanger autour des outils d'IA, de leur processus de création et de production.

À travers des ateliers pratiques, temps d’échanges et de mentoring, démos et performances, le Forum abordera divers champs d’applications créatifs — création visuelle, code génératif, écriture spéculative, création et arrangement musical.

Plus d'infos à venir très bientôt ! ⚡️

Visuel @mariemolins

@_trempo, @obsolete.studio et Stereolux s'associent pour vous proposer le temps fort Espace Latents.
Pendant 4 jours, artistes, designers, musicien·nes, technicien·nes du spectacle, étudiant·es ou autre professionnel·les sont invité·es à venir échanger autour des outils d'IA, de leur processus de création et de production.

À travers des ateliers pratiques, temps d’échanges et de mentoring, démos et performances, le Forum abordera divers champs d’applications créatifs — création visuelle, code génératif, écriture spéculative, création et arrangement musical.

Plus d'infos à venir très bientôt ! ⚡️

Visuel @mariemolins

This article follows Robertina Sebjanic’s artistic journey ; from an early fascination of the sea to building her artistic identity around water ecosystems, she has always placed the human / more-than-human relation at the core of her engagement, highlighting its complexity and our responsibility in keeping a healthy balance.

Her practice relies on empathetic strategies, collaborative methods and storytelling. She strives to give a voice to all the protagonists involved through the use of sound, visuals, and even sometimes smell, in order to appeal to our senses and connect in depth to our own humanity.

Her latest project “Echoes of the Abyss” addresses the impact of decaying munition on marine ecosystems ; a new variation, “Adriatic I: Echoes of the Abyss”, which focuses on the Adriatic Sea, will be presented at the Filodrammatica Gallery in Rijeka from 6th of March 2025, as part of the collective exhibition “(Un)Tamed Sea”, an initiative organised and supported by @oaza_kolektiv and @drugomore , within the framework of @madeinplatform

Article link in bio and here : https://obsolete.studio/en/blog/robertina-sebjanic

Photo credits : @godec.art, Alexis Gilli, Amin Akhtar

This article follows Robertina Sebjanic’s artistic journey ; from an early fascination of the sea to building her artistic identity around water ecosystems, she has always placed the human / more-than-human relation at the core of her engagement, highlighting its complexity and our responsibility in keeping a healthy balance.

Her practice relies on empathetic strategies, collaborative methods and storytelling. She strives to give a voice to all the protagonists involved through the use of sound, visuals, and even sometimes smell, in order to appeal to our senses and connect in depth to our own humanity.

Her latest project “Echoes of the Abyss” addresses the impact of decaying munition on marine ecosystems ; a new variation, “Adriatic I: Echoes of the Abyss”, which focuses on the Adriatic Sea, will be presented at the Filodrammatica Gallery in Rijeka from 6th of March 2025, as part of the collective exhibition “(Un)Tamed Sea”, an initiative organised and supported by @oaza_kolektiv and @drugomore , within the framework of @madeinplatform

Article link in bio and here : https://obsolete.studio/en/blog/robertina-sebjanic

Photo credits : @godec.art, Alexis Gilli, Amin Akhtar

This article follows Robertina Sebjanic’s artistic journey ; from an early fascination of the sea to building her artistic identity around water ecosystems, she has always placed the human / more-than-human relation at the core of her engagement, highlighting its complexity and our responsibility in keeping a healthy balance.

Her practice relies on empathetic strategies, collaborative methods and storytelling. She strives to give a voice to all the protagonists involved through the use of sound, visuals, and even sometimes smell, in order to appeal to our senses and connect in depth to our own humanity.

Her latest project “Echoes of the Abyss” addresses the impact of decaying munition on marine ecosystems ; a new variation, “Adriatic I: Echoes of the Abyss”, which focuses on the Adriatic Sea, will be presented at the Filodrammatica Gallery in Rijeka from 6th of March 2025, as part of the collective exhibition “(Un)Tamed Sea”, an initiative organised and supported by @oaza_kolektiv and @drugomore , within the framework of @madeinplatform

Article link in bio and here : https://obsolete.studio/en/blog/robertina-sebjanic

Photo credits : @godec.art, Alexis Gilli, Amin Akhtar

This article follows Robertina Sebjanic’s artistic journey ; from an early fascination of the sea to building her artistic identity around water ecosystems, she has always placed the human / more-than-human relation at the core of her engagement, highlighting its complexity and our responsibility in keeping a healthy balance.

Her practice relies on empathetic strategies, collaborative methods and storytelling. She strives to give a voice to all the protagonists involved through the use of sound, visuals, and even sometimes smell, in order to appeal to our senses and connect in depth to our own humanity.

Her latest project “Echoes of the Abyss” addresses the impact of decaying munition on marine ecosystems ; a new variation, “Adriatic I: Echoes of the Abyss”, which focuses on the Adriatic Sea, will be presented at the Filodrammatica Gallery in Rijeka from 6th of March 2025, as part of the collective exhibition “(Un)Tamed Sea”, an initiative organised and supported by @oaza_kolektiv and @drugomore , within the framework of @madeinplatform

Article link in bio and here : https://obsolete.studio/en/blog/robertina-sebjanic

Photo credits : @godec.art, Alexis Gilli, Amin Akhtar

This article follows Robertina Sebjanic’s artistic journey ; from an early fascination of the sea to building her artistic identity around water ecosystems, she has always placed the human / more-than-human relation at the core of her engagement, highlighting its complexity and our responsibility in keeping a healthy balance.

Her practice relies on empathetic strategies, collaborative methods and storytelling. She strives to give a voice to all the protagonists involved through the use of sound, visuals, and even sometimes smell, in order to appeal to our senses and connect in depth to our own humanity.

Her latest project “Echoes of the Abyss” addresses the impact of decaying munition on marine ecosystems ; a new variation, “Adriatic I: Echoes of the Abyss”, which focuses on the Adriatic Sea, will be presented at the Filodrammatica Gallery in Rijeka from 6th of March 2025, as part of the collective exhibition “(Un)Tamed Sea”, an initiative organised and supported by @oaza_kolektiv and @drugomore , within the framework of @madeinplatform

Article link in bio and here : https://obsolete.studio/en/blog/robertina-sebjanic

Photo credits : @godec.art, Alexis Gilli, Amin Akhtar

This article follows Robertina Sebjanic’s artistic journey ; from an early fascination of the sea to building her artistic identity around water ecosystems, she has always placed the human / more-than-human relation at the core of her engagement, highlighting its complexity and our responsibility in keeping a healthy balance.

Her practice relies on empathetic strategies, collaborative methods and storytelling. She strives to give a voice to all the protagonists involved through the use of sound, visuals, and even sometimes smell, in order to appeal to our senses and connect in depth to our own humanity.

Her latest project “Echoes of the Abyss” addresses the impact of decaying munition on marine ecosystems ; a new variation, “Adriatic I: Echoes of the Abyss”, which focuses on the Adriatic Sea, will be presented at the Filodrammatica Gallery in Rijeka from 6th of March 2025, as part of the collective exhibition “(Un)Tamed Sea”, an initiative organised and supported by @oaza_kolektiv and @drugomore , within the framework of @madeinplatform

Article link in bio and here : https://obsolete.studio/en/blog/robertina-sebjanic

Photo credits : @godec.art, Alexis Gilli, Amin Akhtar