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OFFSHORE
The collaborative practice of @isabel___seiffert and Christoph Miler. Design educators @vc.zhdk and @hfg_karlsruhe_kd
New publication launching this evening in Venice:
”TURANDOT: To the Daughters of the East“ is a collateral event at the 61st International Art Exhibition of @labiennale with a group exhibition of works by eleven significant female artists from Central Asia and wider regions of the East.
Turandot is one of the most complex and enigmatic figures in world mythology, literature and opera. Her story traverses centuries, languages and artistic forms, all the while reflecting ongoing cross-cultural hybridity and reinterpretation.
Curated by Dr Ziba Ardalan, presented by @parasolunit, installed at @acppalazzofranchetti
New publication launching this evening in Venice:
”TURANDOT: To the Daughters of the East“ is a collateral event at the 61st International Art Exhibition of @labiennale with a group exhibition of works by eleven significant female artists from Central Asia and wider regions of the East.
Turandot is one of the most complex and enigmatic figures in world mythology, literature and opera. Her story traverses centuries, languages and artistic forms, all the while reflecting ongoing cross-cultural hybridity and reinterpretation.
Curated by Dr Ziba Ardalan, presented by @parasolunit, installed at @acppalazzofranchetti
New publication launching this evening in Venice:
”TURANDOT: To the Daughters of the East“ is a collateral event at the 61st International Art Exhibition of @labiennale with a group exhibition of works by eleven significant female artists from Central Asia and wider regions of the East.
Turandot is one of the most complex and enigmatic figures in world mythology, literature and opera. Her story traverses centuries, languages and artistic forms, all the while reflecting ongoing cross-cultural hybridity and reinterpretation.
Curated by Dr Ziba Ardalan, presented by @parasolunit, installed at @acppalazzofranchetti
New publication launching this evening in Venice:
”TURANDOT: To the Daughters of the East“ is a collateral event at the 61st International Art Exhibition of @labiennale with a group exhibition of works by eleven significant female artists from Central Asia and wider regions of the East.
Turandot is one of the most complex and enigmatic figures in world mythology, literature and opera. Her story traverses centuries, languages and artistic forms, all the while reflecting ongoing cross-cultural hybridity and reinterpretation.
Curated by Dr Ziba Ardalan, presented by @parasolunit, installed at @acppalazzofranchetti
New publication launching this evening in Venice:
”TURANDOT: To the Daughters of the East“ is a collateral event at the 61st International Art Exhibition of @labiennale with a group exhibition of works by eleven significant female artists from Central Asia and wider regions of the East.
Turandot is one of the most complex and enigmatic figures in world mythology, literature and opera. Her story traverses centuries, languages and artistic forms, all the while reflecting ongoing cross-cultural hybridity and reinterpretation.
Curated by Dr Ziba Ardalan, presented by @parasolunit, installed at @acppalazzofranchetti
New publication launching this evening in Venice:
”TURANDOT: To the Daughters of the East“ is a collateral event at the 61st International Art Exhibition of @labiennale with a group exhibition of works by eleven significant female artists from Central Asia and wider regions of the East.
Turandot is one of the most complex and enigmatic figures in world mythology, literature and opera. Her story traverses centuries, languages and artistic forms, all the while reflecting ongoing cross-cultural hybridity and reinterpretation.
Curated by Dr Ziba Ardalan, presented by @parasolunit, installed at @acppalazzofranchetti
New publication launching this evening in Venice:
”TURANDOT: To the Daughters of the East“ is a collateral event at the 61st International Art Exhibition of @labiennale with a group exhibition of works by eleven significant female artists from Central Asia and wider regions of the East.
Turandot is one of the most complex and enigmatic figures in world mythology, literature and opera. Her story traverses centuries, languages and artistic forms, all the while reflecting ongoing cross-cultural hybridity and reinterpretation.
Curated by Dr Ziba Ardalan, presented by @parasolunit, installed at @acppalazzofranchetti
New publication launching this evening in Venice:
”TURANDOT: To the Daughters of the East“ is a collateral event at the 61st International Art Exhibition of @labiennale with a group exhibition of works by eleven significant female artists from Central Asia and wider regions of the East.
Turandot is one of the most complex and enigmatic figures in world mythology, literature and opera. Her story traverses centuries, languages and artistic forms, all the while reflecting ongoing cross-cultural hybridity and reinterpretation.
Curated by Dr Ziba Ardalan, presented by @parasolunit, installed at @acppalazzofranchetti
New publication launching this evening in Venice:
”TURANDOT: To the Daughters of the East“ is a collateral event at the 61st International Art Exhibition of @labiennale with a group exhibition of works by eleven significant female artists from Central Asia and wider regions of the East.
Turandot is one of the most complex and enigmatic figures in world mythology, literature and opera. Her story traverses centuries, languages and artistic forms, all the while reflecting ongoing cross-cultural hybridity and reinterpretation.
Curated by Dr Ziba Ardalan, presented by @parasolunit, installed at @acppalazzofranchetti
New publication launching this evening in Venice:
”TURANDOT: To the Daughters of the East“ is a collateral event at the 61st International Art Exhibition of @labiennale with a group exhibition of works by eleven significant female artists from Central Asia and wider regions of the East.
Turandot is one of the most complex and enigmatic figures in world mythology, literature and opera. Her story traverses centuries, languages and artistic forms, all the while reflecting ongoing cross-cultural hybridity and reinterpretation.
Curated by Dr Ziba Ardalan, presented by @parasolunit, installed at @acppalazzofranchetti
New publication launching this evening in Venice:
”TURANDOT: To the Daughters of the East“ is a collateral event at the 61st International Art Exhibition of @labiennale with a group exhibition of works by eleven significant female artists from Central Asia and wider regions of the East.
Turandot is one of the most complex and enigmatic figures in world mythology, literature and opera. Her story traverses centuries, languages and artistic forms, all the while reflecting ongoing cross-cultural hybridity and reinterpretation.
Curated by Dr Ziba Ardalan, presented by @parasolunit, installed at @acppalazzofranchetti
New publication launching this evening in Venice:
”TURANDOT: To the Daughters of the East“ is a collateral event at the 61st International Art Exhibition of @labiennale with a group exhibition of works by eleven significant female artists from Central Asia and wider regions of the East.
Turandot is one of the most complex and enigmatic figures in world mythology, literature and opera. Her story traverses centuries, languages and artistic forms, all the while reflecting ongoing cross-cultural hybridity and reinterpretation.
Curated by Dr Ziba Ardalan, presented by @parasolunit, installed at @acppalazzofranchetti
Uncanny Akin
April 10, 2026
Eastern Switzerland University of Applied Sciences
9:15am – 12pm: Campus St. Gallen
As wolves return to central European landscapes, they revive old fears and instill new hopes, blurring the lines between past myths and present realities. A major part of the current discourse is shaped by regimes of visual representation that narrate, frame and exploit wolves in particular ways.
On April 10, Christoph Miler will talk about Offshore’s long-term project about the return of the predator. It seeks to explore and challenge these depictions, iconographies and technical images of wolves, as well as their inherent power that permeate collective memory and cultural narratives.
The ongoing project is composed of several chapters and combines archival and art historical research, image-making, and writing. Through exhibitions, publications, and performative readings the project investigates how wolfish narratives shape politics, reproduce deep-seated human anxieties, and concretize our dominant relationship with other animals.
Uncanny Akin
April 10, 2026
Eastern Switzerland University of Applied Sciences
9:15am – 12pm: Campus St. Gallen
As wolves return to central European landscapes, they revive old fears and instill new hopes, blurring the lines between past myths and present realities. A major part of the current discourse is shaped by regimes of visual representation that narrate, frame and exploit wolves in particular ways.
On April 10, Christoph Miler will talk about Offshore’s long-term project about the return of the predator. It seeks to explore and challenge these depictions, iconographies and technical images of wolves, as well as their inherent power that permeate collective memory and cultural narratives.
The ongoing project is composed of several chapters and combines archival and art historical research, image-making, and writing. Through exhibitions, publications, and performative readings the project investigates how wolfish narratives shape politics, reproduce deep-seated human anxieties, and concretize our dominant relationship with other animals.
Uncanny Akin
April 10, 2026
Eastern Switzerland University of Applied Sciences
9:15am – 12pm: Campus St. Gallen
As wolves return to central European landscapes, they revive old fears and instill new hopes, blurring the lines between past myths and present realities. A major part of the current discourse is shaped by regimes of visual representation that narrate, frame and exploit wolves in particular ways.
On April 10, Christoph Miler will talk about Offshore’s long-term project about the return of the predator. It seeks to explore and challenge these depictions, iconographies and technical images of wolves, as well as their inherent power that permeate collective memory and cultural narratives.
The ongoing project is composed of several chapters and combines archival and art historical research, image-making, and writing. Through exhibitions, publications, and performative readings the project investigates how wolfish narratives shape politics, reproduce deep-seated human anxieties, and concretize our dominant relationship with other animals.
Uncanny Akin
April 10, 2026
Eastern Switzerland University of Applied Sciences
9:15am – 12pm: Campus St. Gallen
As wolves return to central European landscapes, they revive old fears and instill new hopes, blurring the lines between past myths and present realities. A major part of the current discourse is shaped by regimes of visual representation that narrate, frame and exploit wolves in particular ways.
On April 10, Christoph Miler will talk about Offshore’s long-term project about the return of the predator. It seeks to explore and challenge these depictions, iconographies and technical images of wolves, as well as their inherent power that permeate collective memory and cultural narratives.
The ongoing project is composed of several chapters and combines archival and art historical research, image-making, and writing. Through exhibitions, publications, and performative readings the project investigates how wolfish narratives shape politics, reproduce deep-seated human anxieties, and concretize our dominant relationship with other animals.
Uncanny Akin
April 10, 2026
Eastern Switzerland University of Applied Sciences
9:15am – 12pm: Campus St. Gallen
As wolves return to central European landscapes, they revive old fears and instill new hopes, blurring the lines between past myths and present realities. A major part of the current discourse is shaped by regimes of visual representation that narrate, frame and exploit wolves in particular ways.
On April 10, Christoph Miler will talk about Offshore’s long-term project about the return of the predator. It seeks to explore and challenge these depictions, iconographies and technical images of wolves, as well as their inherent power that permeate collective memory and cultural narratives.
The ongoing project is composed of several chapters and combines archival and art historical research, image-making, and writing. Through exhibitions, publications, and performative readings the project investigates how wolfish narratives shape politics, reproduce deep-seated human anxieties, and concretize our dominant relationship with other animals.
The SCHOOLS OF DEPARTURE pocketbook series by the Bauhaus Foundation is growing.
Out now @spectorbooks
No. 3: Experiment: Learning Communities
No. 4: Pedagogies of Machine Learning
Based on our publication concept and design, Yvonne Tenschert developed and designed the two new issues.
Both issues are also available in the journal section of the Schools of Departure website, which we designed a few years ago (slides 13–18).
https://atlas.bauhaus-dessau.de/en/journal/
Programmed by @leonardo_angelucci
Congratulations to Regina Bittner, Katja Klaus, and Philipp Sack of Stiftung Bauhaus Dessau for their continued commitment to this project. @bauhaus_dessau_foundation
The SCHOOLS OF DEPARTURE pocketbook series by the Bauhaus Foundation is growing.
Out now @spectorbooks
No. 3: Experiment: Learning Communities
No. 4: Pedagogies of Machine Learning
Based on our publication concept and design, Yvonne Tenschert developed and designed the two new issues.
Both issues are also available in the journal section of the Schools of Departure website, which we designed a few years ago (slides 13–18).
https://atlas.bauhaus-dessau.de/en/journal/
Programmed by @leonardo_angelucci
Congratulations to Regina Bittner, Katja Klaus, and Philipp Sack of Stiftung Bauhaus Dessau for their continued commitment to this project. @bauhaus_dessau_foundation
The SCHOOLS OF DEPARTURE pocketbook series by the Bauhaus Foundation is growing.
Out now @spectorbooks
No. 3: Experiment: Learning Communities
No. 4: Pedagogies of Machine Learning
Based on our publication concept and design, Yvonne Tenschert developed and designed the two new issues.
Both issues are also available in the journal section of the Schools of Departure website, which we designed a few years ago (slides 13–18).
https://atlas.bauhaus-dessau.de/en/journal/
Programmed by @leonardo_angelucci
Congratulations to Regina Bittner, Katja Klaus, and Philipp Sack of Stiftung Bauhaus Dessau for their continued commitment to this project. @bauhaus_dessau_foundation
The SCHOOLS OF DEPARTURE pocketbook series by the Bauhaus Foundation is growing.
Out now @spectorbooks
No. 3: Experiment: Learning Communities
No. 4: Pedagogies of Machine Learning
Based on our publication concept and design, Yvonne Tenschert developed and designed the two new issues.
Both issues are also available in the journal section of the Schools of Departure website, which we designed a few years ago (slides 13–18).
https://atlas.bauhaus-dessau.de/en/journal/
Programmed by @leonardo_angelucci
Congratulations to Regina Bittner, Katja Klaus, and Philipp Sack of Stiftung Bauhaus Dessau for their continued commitment to this project. @bauhaus_dessau_foundation
The SCHOOLS OF DEPARTURE pocketbook series by the Bauhaus Foundation is growing.
Out now @spectorbooks
No. 3: Experiment: Learning Communities
No. 4: Pedagogies of Machine Learning
Based on our publication concept and design, Yvonne Tenschert developed and designed the two new issues.
Both issues are also available in the journal section of the Schools of Departure website, which we designed a few years ago (slides 13–18).
https://atlas.bauhaus-dessau.de/en/journal/
Programmed by @leonardo_angelucci
Congratulations to Regina Bittner, Katja Klaus, and Philipp Sack of Stiftung Bauhaus Dessau for their continued commitment to this project. @bauhaus_dessau_foundation
The SCHOOLS OF DEPARTURE pocketbook series by the Bauhaus Foundation is growing.
Out now @spectorbooks
No. 3: Experiment: Learning Communities
No. 4: Pedagogies of Machine Learning
Based on our publication concept and design, Yvonne Tenschert developed and designed the two new issues.
Both issues are also available in the journal section of the Schools of Departure website, which we designed a few years ago (slides 13–18).
https://atlas.bauhaus-dessau.de/en/journal/
Programmed by @leonardo_angelucci
Congratulations to Regina Bittner, Katja Klaus, and Philipp Sack of Stiftung Bauhaus Dessau for their continued commitment to this project. @bauhaus_dessau_foundation
The SCHOOLS OF DEPARTURE pocketbook series by the Bauhaus Foundation is growing.
Out now @spectorbooks
No. 3: Experiment: Learning Communities
No. 4: Pedagogies of Machine Learning
Based on our publication concept and design, Yvonne Tenschert developed and designed the two new issues.
Both issues are also available in the journal section of the Schools of Departure website, which we designed a few years ago (slides 13–18).
https://atlas.bauhaus-dessau.de/en/journal/
Programmed by @leonardo_angelucci
Congratulations to Regina Bittner, Katja Klaus, and Philipp Sack of Stiftung Bauhaus Dessau for their continued commitment to this project. @bauhaus_dessau_foundation
The SCHOOLS OF DEPARTURE pocketbook series by the Bauhaus Foundation is growing.
Out now @spectorbooks
No. 3: Experiment: Learning Communities
No. 4: Pedagogies of Machine Learning
Based on our publication concept and design, Yvonne Tenschert developed and designed the two new issues.
Both issues are also available in the journal section of the Schools of Departure website, which we designed a few years ago (slides 13–18).
https://atlas.bauhaus-dessau.de/en/journal/
Programmed by @leonardo_angelucci
Congratulations to Regina Bittner, Katja Klaus, and Philipp Sack of Stiftung Bauhaus Dessau for their continued commitment to this project. @bauhaus_dessau_foundation
The SCHOOLS OF DEPARTURE pocketbook series by the Bauhaus Foundation is growing.
Out now @spectorbooks
No. 3: Experiment: Learning Communities
No. 4: Pedagogies of Machine Learning
Based on our publication concept and design, Yvonne Tenschert developed and designed the two new issues.
Both issues are also available in the journal section of the Schools of Departure website, which we designed a few years ago (slides 13–18).
https://atlas.bauhaus-dessau.de/en/journal/
Programmed by @leonardo_angelucci
Congratulations to Regina Bittner, Katja Klaus, and Philipp Sack of Stiftung Bauhaus Dessau for their continued commitment to this project. @bauhaus_dessau_foundation
The SCHOOLS OF DEPARTURE pocketbook series by the Bauhaus Foundation is growing.
Out now @spectorbooks
No. 3: Experiment: Learning Communities
No. 4: Pedagogies of Machine Learning
Based on our publication concept and design, Yvonne Tenschert developed and designed the two new issues.
Both issues are also available in the journal section of the Schools of Departure website, which we designed a few years ago (slides 13–18).
https://atlas.bauhaus-dessau.de/en/journal/
Programmed by @leonardo_angelucci
Congratulations to Regina Bittner, Katja Klaus, and Philipp Sack of Stiftung Bauhaus Dessau for their continued commitment to this project. @bauhaus_dessau_foundation
The SCHOOLS OF DEPARTURE pocketbook series by the Bauhaus Foundation is growing.
Out now @spectorbooks
No. 3: Experiment: Learning Communities
No. 4: Pedagogies of Machine Learning
Based on our publication concept and design, Yvonne Tenschert developed and designed the two new issues.
Both issues are also available in the journal section of the Schools of Departure website, which we designed a few years ago (slides 13–18).
https://atlas.bauhaus-dessau.de/en/journal/
Programmed by @leonardo_angelucci
Congratulations to Regina Bittner, Katja Klaus, and Philipp Sack of Stiftung Bauhaus Dessau for their continued commitment to this project. @bauhaus_dessau_foundation
The SCHOOLS OF DEPARTURE pocketbook series by the Bauhaus Foundation is growing.
Out now @spectorbooks
No. 3: Experiment: Learning Communities
No. 4: Pedagogies of Machine Learning
Based on our publication concept and design, Yvonne Tenschert developed and designed the two new issues.
Both issues are also available in the journal section of the Schools of Departure website, which we designed a few years ago (slides 13–18).
https://atlas.bauhaus-dessau.de/en/journal/
Programmed by @leonardo_angelucci
Congratulations to Regina Bittner, Katja Klaus, and Philipp Sack of Stiftung Bauhaus Dessau for their continued commitment to this project. @bauhaus_dessau_foundation
The SCHOOLS OF DEPARTURE pocketbook series by the Bauhaus Foundation is growing.
Out now @spectorbooks
No. 3: Experiment: Learning Communities
No. 4: Pedagogies of Machine Learning
Based on our publication concept and design, Yvonne Tenschert developed and designed the two new issues.
Both issues are also available in the journal section of the Schools of Departure website, which we designed a few years ago (slides 13–18).
https://atlas.bauhaus-dessau.de/en/journal/
Programmed by @leonardo_angelucci
Congratulations to Regina Bittner, Katja Klaus, and Philipp Sack of Stiftung Bauhaus Dessau for their continued commitment to this project. @bauhaus_dessau_foundation
The SCHOOLS OF DEPARTURE pocketbook series by the Bauhaus Foundation is growing.
Out now @spectorbooks
No. 3: Experiment: Learning Communities
No. 4: Pedagogies of Machine Learning
Based on our publication concept and design, Yvonne Tenschert developed and designed the two new issues.
Both issues are also available in the journal section of the Schools of Departure website, which we designed a few years ago (slides 13–18).
https://atlas.bauhaus-dessau.de/en/journal/
Programmed by @leonardo_angelucci
Congratulations to Regina Bittner, Katja Klaus, and Philipp Sack of Stiftung Bauhaus Dessau for their continued commitment to this project. @bauhaus_dessau_foundation
The SCHOOLS OF DEPARTURE pocketbook series by the Bauhaus Foundation is growing.
Out now @spectorbooks
No. 3: Experiment: Learning Communities
No. 4: Pedagogies of Machine Learning
Based on our publication concept and design, Yvonne Tenschert developed and designed the two new issues.
Both issues are also available in the journal section of the Schools of Departure website, which we designed a few years ago (slides 13–18).
https://atlas.bauhaus-dessau.de/en/journal/
Programmed by @leonardo_angelucci
Congratulations to Regina Bittner, Katja Klaus, and Philipp Sack of Stiftung Bauhaus Dessau for their continued commitment to this project. @bauhaus_dessau_foundation
The SCHOOLS OF DEPARTURE pocketbook series by the Bauhaus Foundation is growing.
Out now @spectorbooks
No. 3: Experiment: Learning Communities
No. 4: Pedagogies of Machine Learning
Based on our publication concept and design, Yvonne Tenschert developed and designed the two new issues.
Both issues are also available in the journal section of the Schools of Departure website, which we designed a few years ago (slides 13–18).
https://atlas.bauhaus-dessau.de/en/journal/
Programmed by @leonardo_angelucci
Congratulations to Regina Bittner, Katja Klaus, and Philipp Sack of Stiftung Bauhaus Dessau for their continued commitment to this project. @bauhaus_dessau_foundation
The SCHOOLS OF DEPARTURE pocketbook series by the Bauhaus Foundation is growing.
Out now @spectorbooks
No. 3: Experiment: Learning Communities
No. 4: Pedagogies of Machine Learning
Based on our publication concept and design, Yvonne Tenschert developed and designed the two new issues.
Both issues are also available in the journal section of the Schools of Departure website, which we designed a few years ago (slides 13–18).
https://atlas.bauhaus-dessau.de/en/journal/
Programmed by @leonardo_angelucci
Congratulations to Regina Bittner, Katja Klaus, and Philipp Sack of Stiftung Bauhaus Dessau for their continued commitment to this project. @bauhaus_dessau_foundation
The SCHOOLS OF DEPARTURE pocketbook series by the Bauhaus Foundation is growing.
Out now @spectorbooks
No. 3: Experiment: Learning Communities
No. 4: Pedagogies of Machine Learning
Based on our publication concept and design, Yvonne Tenschert developed and designed the two new issues.
Both issues are also available in the journal section of the Schools of Departure website, which we designed a few years ago (slides 13–18).
https://atlas.bauhaus-dessau.de/en/journal/
Programmed by @leonardo_angelucci
Congratulations to Regina Bittner, Katja Klaus, and Philipp Sack of Stiftung Bauhaus Dessau for their continued commitment to this project. @bauhaus_dessau_foundation
This year marks the 10-year anniversary of Migrant Journal. While the journal is no longer active, we’ll be looking back at each issue over the coming months to revisit its themes and contributions.
Later this year, we’ll launch the long-in-progress online archive.
@migrant_journal
@justi
@mchliaea
@damasorandulfe
@isabel___seiffert
This year marks the 10-year anniversary of Migrant Journal. While the journal is no longer active, we’ll be looking back at each issue over the coming months to revisit its themes and contributions.
Later this year, we’ll launch the long-in-progress online archive.
@migrant_journal
@justi
@mchliaea
@damasorandulfe
@isabel___seiffert
This year marks the 10-year anniversary of Migrant Journal. While the journal is no longer active, we’ll be looking back at each issue over the coming months to revisit its themes and contributions.
Later this year, we’ll launch the long-in-progress online archive.
@migrant_journal
@justi
@mchliaea
@damasorandulfe
@isabel___seiffert
This year marks the 10-year anniversary of Migrant Journal. While the journal is no longer active, we’ll be looking back at each issue over the coming months to revisit its themes and contributions.
Later this year, we’ll launch the long-in-progress online archive.
@migrant_journal
@justi
@mchliaea
@damasorandulfe
@isabel___seiffert
This year marks the 10-year anniversary of Migrant Journal. While the journal is no longer active, we’ll be looking back at each issue over the coming months to revisit its themes and contributions.
Later this year, we’ll launch the long-in-progress online archive.
@migrant_journal
@justi
@mchliaea
@damasorandulfe
@isabel___seiffert
This year marks the 10-year anniversary of Migrant Journal. While the journal is no longer active, we’ll be looking back at each issue over the coming months to revisit its themes and contributions.
Later this year, we’ll launch the long-in-progress online archive.
@migrant_journal
@justi
@mchliaea
@damasorandulfe
@isabel___seiffert
This year marks the 10-year anniversary of Migrant Journal. While the journal is no longer active, we’ll be looking back at each issue over the coming months to revisit its themes and contributions.
Later this year, we’ll launch the long-in-progress online archive.
@migrant_journal
@justi
@mchliaea
@damasorandulfe
@isabel___seiffert
This year marks the 10-year anniversary of Migrant Journal. While the journal is no longer active, we’ll be looking back at each issue over the coming months to revisit its themes and contributions.
Later this year, we’ll launch the long-in-progress online archive.
@migrant_journal
@justi
@mchliaea
@damasorandulfe
@isabel___seiffert
This year marks the 10-year anniversary of Migrant Journal. While the journal is no longer active, we’ll be looking back at each issue over the coming months to revisit its themes and contributions.
Later this year, we’ll launch the long-in-progress online archive.
@migrant_journal
@justi
@mchliaea
@damasorandulfe
@isabel___seiffert
This year marks the 10-year anniversary of Migrant Journal. While the journal is no longer active, we’ll be looking back at each issue over the coming months to revisit its themes and contributions.
Later this year, we’ll launch the long-in-progress online archive.
@migrant_journal
@justi
@mchliaea
@damasorandulfe
@isabel___seiffert
This year marks the 10-year anniversary of Migrant Journal. While the journal is no longer active, we’ll be looking back at each issue over the coming months to revisit its themes and contributions.
Later this year, we’ll launch the long-in-progress online archive.
@migrant_journal
@justi
@mchliaea
@damasorandulfe
@isabel___seiffert
Visual identity, posters and invitation for @headfashiondesign Defilé 2024.
@headgeneve
Art Direction: @offshore________
Photography: @juliaandreone
Type: @offshore________@lineto_com
Visual identity, posters and invitation for @headfashiondesign Defilé 2024.
@headgeneve
Art Direction: @offshore________
Photography: @juliaandreone
Type: @offshore________@lineto_com
Visual identity, posters and invitation for @headfashiondesign Defilé 2024.
@headgeneve
Art Direction: @offshore________
Photography: @juliaandreone
Type: @offshore________@lineto_com
Visual identity, posters and invitation for @headfashiondesign Defilé 2024.
@headgeneve
Art Direction: @offshore________
Photography: @juliaandreone
Type: @offshore________@lineto_com
Visual identity, posters and invitation for @headfashiondesign Defilé 2024.
@headgeneve
Art Direction: @offshore________
Photography: @juliaandreone
Type: @offshore________@lineto_com
Visual identity, posters and invitation for @headfashiondesign Defilé 2024.
@headgeneve
Art Direction: @offshore________
Photography: @juliaandreone
Type: @offshore________@lineto_com
Visual identity, posters and invitation for @headfashiondesign Defilé 2024.
@headgeneve
Art Direction: @offshore________
Photography: @juliaandreone
Type: @offshore________@lineto_com
Visual identity, posters and invitation for @headfashiondesign Defilé 2024.
@headgeneve
Art Direction: @offshore________
Photography: @juliaandreone
Type: @offshore________@lineto_com
Visual identity, posters and invitation for @headfashiondesign Defilé 2024.
@headgeneve
Art Direction: @offshore________
Photography: @juliaandreone
Type: @offshore________@lineto_com
Visual identity, posters and invitation for @headfashiondesign Defilé 2024.
@headgeneve
Art Direction: @offshore________
Photography: @juliaandreone
Type: @offshore________@lineto_com
On the occasion of Bally’s 170th anniversary in 2021, Offshore created the B-monogram, featuring Bally’s signature B-Chain interlocked ad infinitum. The design purposefully resembles shoelaces—a reference to Bally’s founding in 1851 as a shoemaker. @bally
On the occasion of Bally’s 170th anniversary in 2021, Offshore created the B-monogram, featuring Bally’s signature B-Chain interlocked ad infinitum. The design purposefully resembles shoelaces—a reference to Bally’s founding in 1851 as a shoemaker. @bally
On the occasion of Bally’s 170th anniversary in 2021, Offshore created the B-monogram, featuring Bally’s signature B-Chain interlocked ad infinitum. The design purposefully resembles shoelaces—a reference to Bally’s founding in 1851 as a shoemaker. @bally
On the occasion of Bally’s 170th anniversary in 2021, Offshore created the B-monogram, featuring Bally’s signature B-Chain interlocked ad infinitum. The design purposefully resembles shoelaces—a reference to Bally’s founding in 1851 as a shoemaker. @bally
On the occasion of Bally’s 170th anniversary in 2021, Offshore created the B-monogram, featuring Bally’s signature B-Chain interlocked ad infinitum. The design purposefully resembles shoelaces—a reference to Bally’s founding in 1851 as a shoemaker. @bally
On the occasion of Bally’s 170th anniversary in 2021, Offshore created the B-monogram, featuring Bally’s signature B-Chain interlocked ad infinitum. The design purposefully resembles shoelaces—a reference to Bally’s founding in 1851 as a shoemaker. @bally
The New Design Museum
Author: @beabiyue
Design: @offshore________
@isabel___seiffert with @lea.n.michel
Illustration: @martin_groch
Typeface: @205tf @federicoparrabarrios
Published by: @park_books with special thanks to @juliecirelli
The book integrates essays by Beatrice Leanza, 15 interviews with directors and programmers—such as Carson Chan (MoMA, New York), Ikko Yokoyama (M+ Museum, Hong Kong), Aric Chen (Nieuwe Instituut, Rotterdam), Giovanna Borasi (Canadian Centre for Architecture, Montreal), and Lucia Pietroiusti (Serpentine Gallery, London)—and 17 case studies that encompass independent organizations and platforms offering evidence of the changing paradigms of public and professional engagement with the discipline of design. The World Around (Brooklyn, NY), African Futures Institute (Accra, Ghana), Cultures of Assembly (Luxembourg), Loudreaders, Instituto A Gente Transforma (São Paolo, Brazil) and Fundación Organizmo (Colombia), and others explore global design practices invested in decolonizing and queering agency, as well as computational, ecological, and Indigenous knowledge, and present alternative educational and collaborative frameworks of institutional development.
The New Design Museum
Author: @beabiyue
Design: @offshore________
@isabel___seiffert with @lea.n.michel
Illustration: @martin_groch
Typeface: @205tf @federicoparrabarrios
Published by: @park_books with special thanks to @juliecirelli
The book integrates essays by Beatrice Leanza, 15 interviews with directors and programmers—such as Carson Chan (MoMA, New York), Ikko Yokoyama (M+ Museum, Hong Kong), Aric Chen (Nieuwe Instituut, Rotterdam), Giovanna Borasi (Canadian Centre for Architecture, Montreal), and Lucia Pietroiusti (Serpentine Gallery, London)—and 17 case studies that encompass independent organizations and platforms offering evidence of the changing paradigms of public and professional engagement with the discipline of design. The World Around (Brooklyn, NY), African Futures Institute (Accra, Ghana), Cultures of Assembly (Luxembourg), Loudreaders, Instituto A Gente Transforma (São Paolo, Brazil) and Fundación Organizmo (Colombia), and others explore global design practices invested in decolonizing and queering agency, as well as computational, ecological, and Indigenous knowledge, and present alternative educational and collaborative frameworks of institutional development.
The New Design Museum
Author: @beabiyue
Design: @offshore________
@isabel___seiffert with @lea.n.michel
Illustration: @martin_groch
Typeface: @205tf @federicoparrabarrios
Published by: @park_books with special thanks to @juliecirelli
The book integrates essays by Beatrice Leanza, 15 interviews with directors and programmers—such as Carson Chan (MoMA, New York), Ikko Yokoyama (M+ Museum, Hong Kong), Aric Chen (Nieuwe Instituut, Rotterdam), Giovanna Borasi (Canadian Centre for Architecture, Montreal), and Lucia Pietroiusti (Serpentine Gallery, London)—and 17 case studies that encompass independent organizations and platforms offering evidence of the changing paradigms of public and professional engagement with the discipline of design. The World Around (Brooklyn, NY), African Futures Institute (Accra, Ghana), Cultures of Assembly (Luxembourg), Loudreaders, Instituto A Gente Transforma (São Paolo, Brazil) and Fundación Organizmo (Colombia), and others explore global design practices invested in decolonizing and queering agency, as well as computational, ecological, and Indigenous knowledge, and present alternative educational and collaborative frameworks of institutional development.
The New Design Museum
Author: @beabiyue
Design: @offshore________
@isabel___seiffert with @lea.n.michel
Illustration: @martin_groch
Typeface: @205tf @federicoparrabarrios
Published by: @park_books with special thanks to @juliecirelli
The book integrates essays by Beatrice Leanza, 15 interviews with directors and programmers—such as Carson Chan (MoMA, New York), Ikko Yokoyama (M+ Museum, Hong Kong), Aric Chen (Nieuwe Instituut, Rotterdam), Giovanna Borasi (Canadian Centre for Architecture, Montreal), and Lucia Pietroiusti (Serpentine Gallery, London)—and 17 case studies that encompass independent organizations and platforms offering evidence of the changing paradigms of public and professional engagement with the discipline of design. The World Around (Brooklyn, NY), African Futures Institute (Accra, Ghana), Cultures of Assembly (Luxembourg), Loudreaders, Instituto A Gente Transforma (São Paolo, Brazil) and Fundación Organizmo (Colombia), and others explore global design practices invested in decolonizing and queering agency, as well as computational, ecological, and Indigenous knowledge, and present alternative educational and collaborative frameworks of institutional development.
The New Design Museum
Author: @beabiyue
Design: @offshore________
@isabel___seiffert with @lea.n.michel
Illustration: @martin_groch
Typeface: @205tf @federicoparrabarrios
Published by: @park_books with special thanks to @juliecirelli
The book integrates essays by Beatrice Leanza, 15 interviews with directors and programmers—such as Carson Chan (MoMA, New York), Ikko Yokoyama (M+ Museum, Hong Kong), Aric Chen (Nieuwe Instituut, Rotterdam), Giovanna Borasi (Canadian Centre for Architecture, Montreal), and Lucia Pietroiusti (Serpentine Gallery, London)—and 17 case studies that encompass independent organizations and platforms offering evidence of the changing paradigms of public and professional engagement with the discipline of design. The World Around (Brooklyn, NY), African Futures Institute (Accra, Ghana), Cultures of Assembly (Luxembourg), Loudreaders, Instituto A Gente Transforma (São Paolo, Brazil) and Fundación Organizmo (Colombia), and others explore global design practices invested in decolonizing and queering agency, as well as computational, ecological, and Indigenous knowledge, and present alternative educational and collaborative frameworks of institutional development.
The New Design Museum
Author: @beabiyue
Design: @offshore________
@isabel___seiffert with @lea.n.michel
Illustration: @martin_groch
Typeface: @205tf @federicoparrabarrios
Published by: @park_books with special thanks to @juliecirelli
The book integrates essays by Beatrice Leanza, 15 interviews with directors and programmers—such as Carson Chan (MoMA, New York), Ikko Yokoyama (M+ Museum, Hong Kong), Aric Chen (Nieuwe Instituut, Rotterdam), Giovanna Borasi (Canadian Centre for Architecture, Montreal), and Lucia Pietroiusti (Serpentine Gallery, London)—and 17 case studies that encompass independent organizations and platforms offering evidence of the changing paradigms of public and professional engagement with the discipline of design. The World Around (Brooklyn, NY), African Futures Institute (Accra, Ghana), Cultures of Assembly (Luxembourg), Loudreaders, Instituto A Gente Transforma (São Paolo, Brazil) and Fundación Organizmo (Colombia), and others explore global design practices invested in decolonizing and queering agency, as well as computational, ecological, and Indigenous knowledge, and present alternative educational and collaborative frameworks of institutional development.
The New Design Museum
Author: @beabiyue
Design: @offshore________
@isabel___seiffert with @lea.n.michel
Illustration: @martin_groch
Typeface: @205tf @federicoparrabarrios
Published by: @park_books with special thanks to @juliecirelli
The book integrates essays by Beatrice Leanza, 15 interviews with directors and programmers—such as Carson Chan (MoMA, New York), Ikko Yokoyama (M+ Museum, Hong Kong), Aric Chen (Nieuwe Instituut, Rotterdam), Giovanna Borasi (Canadian Centre for Architecture, Montreal), and Lucia Pietroiusti (Serpentine Gallery, London)—and 17 case studies that encompass independent organizations and platforms offering evidence of the changing paradigms of public and professional engagement with the discipline of design. The World Around (Brooklyn, NY), African Futures Institute (Accra, Ghana), Cultures of Assembly (Luxembourg), Loudreaders, Instituto A Gente Transforma (São Paolo, Brazil) and Fundación Organizmo (Colombia), and others explore global design practices invested in decolonizing and queering agency, as well as computational, ecological, and Indigenous knowledge, and present alternative educational and collaborative frameworks of institutional development.
The New Design Museum
Author: @beabiyue
Design: @offshore________
@isabel___seiffert with @lea.n.michel
Illustration: @martin_groch
Typeface: @205tf @federicoparrabarrios
Published by: @park_books with special thanks to @juliecirelli
The book integrates essays by Beatrice Leanza, 15 interviews with directors and programmers—such as Carson Chan (MoMA, New York), Ikko Yokoyama (M+ Museum, Hong Kong), Aric Chen (Nieuwe Instituut, Rotterdam), Giovanna Borasi (Canadian Centre for Architecture, Montreal), and Lucia Pietroiusti (Serpentine Gallery, London)—and 17 case studies that encompass independent organizations and platforms offering evidence of the changing paradigms of public and professional engagement with the discipline of design. The World Around (Brooklyn, NY), African Futures Institute (Accra, Ghana), Cultures of Assembly (Luxembourg), Loudreaders, Instituto A Gente Transforma (São Paolo, Brazil) and Fundación Organizmo (Colombia), and others explore global design practices invested in decolonizing and queering agency, as well as computational, ecological, and Indigenous knowledge, and present alternative educational and collaborative frameworks of institutional development.
The New Design Museum
Author: @beabiyue
Design: @offshore________
@isabel___seiffert with @lea.n.michel
Illustration: @martin_groch
Typeface: @205tf @federicoparrabarrios
Published by: @park_books with special thanks to @juliecirelli
The book integrates essays by Beatrice Leanza, 15 interviews with directors and programmers—such as Carson Chan (MoMA, New York), Ikko Yokoyama (M+ Museum, Hong Kong), Aric Chen (Nieuwe Instituut, Rotterdam), Giovanna Borasi (Canadian Centre for Architecture, Montreal), and Lucia Pietroiusti (Serpentine Gallery, London)—and 17 case studies that encompass independent organizations and platforms offering evidence of the changing paradigms of public and professional engagement with the discipline of design. The World Around (Brooklyn, NY), African Futures Institute (Accra, Ghana), Cultures of Assembly (Luxembourg), Loudreaders, Instituto A Gente Transforma (São Paolo, Brazil) and Fundación Organizmo (Colombia), and others explore global design practices invested in decolonizing and queering agency, as well as computational, ecological, and Indigenous knowledge, and present alternative educational and collaborative frameworks of institutional development.
The New Design Museum
Author: @beabiyue
Design: @offshore________
@isabel___seiffert with @lea.n.michel
Illustration: @martin_groch
Typeface: @205tf @federicoparrabarrios
Published by: @park_books with special thanks to @juliecirelli
The book integrates essays by Beatrice Leanza, 15 interviews with directors and programmers—such as Carson Chan (MoMA, New York), Ikko Yokoyama (M+ Museum, Hong Kong), Aric Chen (Nieuwe Instituut, Rotterdam), Giovanna Borasi (Canadian Centre for Architecture, Montreal), and Lucia Pietroiusti (Serpentine Gallery, London)—and 17 case studies that encompass independent organizations and platforms offering evidence of the changing paradigms of public and professional engagement with the discipline of design. The World Around (Brooklyn, NY), African Futures Institute (Accra, Ghana), Cultures of Assembly (Luxembourg), Loudreaders, Instituto A Gente Transforma (São Paolo, Brazil) and Fundación Organizmo (Colombia), and others explore global design practices invested in decolonizing and queering agency, as well as computational, ecological, and Indigenous knowledge, and present alternative educational and collaborative frameworks of institutional development.
Details from this year’s annual report for the Department of Culture, Canton of Zurich. Our third one.
Concept, layout, illustrations and infographics by @offshore________
Details from this year’s annual report for the Department of Culture, Canton of Zurich. Our third one.
Concept, layout, illustrations and infographics by @offshore________
Details from this year’s annual report for the Department of Culture, Canton of Zurich. Our third one.
Concept, layout, illustrations and infographics by @offshore________
Details from this year’s annual report for the Department of Culture, Canton of Zurich. Our third one.
Concept, layout, illustrations and infographics by @offshore________
Details from this year’s annual report for the Department of Culture, Canton of Zurich. Our third one.
Concept, layout, illustrations and infographics by @offshore________
Details from this year’s annual report for the Department of Culture, Canton of Zurich. Our third one.
Concept, layout, illustrations and infographics by @offshore________
Details from this year’s annual report for the Department of Culture, Canton of Zurich. Our third one.
Concept, layout, illustrations and infographics by @offshore________
Details from this year’s annual report for the Department of Culture, Canton of Zurich. Our third one.
Concept, layout, illustrations and infographics by @offshore________
Visual Identity and Art Direction for @headfashiondesign DÉFILÉ HEAD 2024.
Fashion Show this Friday in Geneva @headgeneve
Photography by the fantastic @juliaandreone
Many thanks for the wonderful collaboration❣️
More soon.
Visual Identity and Art Direction for @headfashiondesign DÉFILÉ HEAD 2024.
Fashion Show this Friday in Geneva @headgeneve
Photography by the fantastic @juliaandreone
Many thanks for the wonderful collaboration❣️
More soon.
Visual Identity and Art Direction for @headfashiondesign DÉFILÉ HEAD 2024.
Fashion Show this Friday in Geneva @headgeneve
Photography by the fantastic @juliaandreone
Many thanks for the wonderful collaboration❣️
More soon.
Visual Identity and Art Direction for @headfashiondesign DÉFILÉ HEAD 2024.
Fashion Show this Friday in Geneva @headgeneve
Photography by the fantastic @juliaandreone
Many thanks for the wonderful collaboration❣️
More soon.
Visual Identity and Art Direction for @headfashiondesign DÉFILÉ HEAD 2024.
Fashion Show this Friday in Geneva @headgeneve
Photography by the fantastic @juliaandreone
Many thanks for the wonderful collaboration❣️
More soon.
Visual Identity and Art Direction for @headfashiondesign DÉFILÉ HEAD 2024.
Fashion Show this Friday in Geneva @headgeneve
Photography by the fantastic @juliaandreone
Many thanks for the wonderful collaboration❣️
More soon.
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.