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Pillion had him hooked IMMEDIATELY!🤯

I had such a brilliant time chatting to Oliver Coates as part of @ldnsoundtrack and it was brilliant hearing about the recent phenomenon known as ‘Pillion!’

Podcast episode out now, head to YouTube or your audio streaming service of choice.🎶

#olivercoates #pillion #londonsoundtrackfestival#edithbowman #podcast @ollycoates @ldnsoundtrack @pillionmovie @bbcfilmofficial @britishfilminstitute

Exit Vendor @joannemaryrobertson

“I love things that don’t make logical sense, but they just totally work.”

In the latest edition of @samiamrosenberg’s CineMusic column, British cellist and composer Oliver Coates talks about his austere, ambient score for Harry Lighton’s romantic BDSM dramedy, Pillion. Link in bio to read the conversation.

#OliverCoates #Pillion #CineMusic

I’ve been deeply fascinated by @ollycoates work ever since we crossed paths many moons ago in London. So I’m beyond delighted to share this gorgeous rework he’s done of my song ‘Other Tongues’.

Out today in all the usual places - link in bio.

👨🏻‍🎨+🎥 @erictimothycarlson @aaron_anderson
📸 The Vernon Spring @saoirsejuno

I’ve been deeply fascinated by @ollycoates work ever since we crossed paths many moons ago in London. So I’m beyond delighted to share this gorgeous rework he’s done of my song ‘Other Tongues’.

Out today in all the usual places - link in bio.

👨🏻‍🎨+🎥 @erictimothycarlson @aaron_anderson
📸 The Vernon Spring @saoirsejuno

I’ve been deeply fascinated by @ollycoates work ever since we crossed paths many moons ago in London. So I’m beyond delighted to share this gorgeous rework he’s done of my song ‘Other Tongues’.

Out today in all the usual places - link in bio.

👨🏻‍🎨+🎥 @erictimothycarlson @aaron_anderson
📸 The Vernon Spring @saoirsejuno

I’ve been deeply fascinated by @ollycoates work ever since we crossed paths many moons ago in London. So I’m beyond delighted to share this gorgeous rework he’s done of my song ‘Other Tongues’.

Out today in all the usual places - link in bio.

👨🏻‍🎨+🎥 @erictimothycarlson @aaron_anderson
📸 The Vernon Spring @saoirsejuno

with my friends Christina Vantzou and John Also Bennett a single comes out today -
“Death, Reverb and Decay” - a trio recording.

A phosphorous drone is wreathed in dark flute tones, rising incrementally from its lowest possible ebb. At the height of the winds’ ascent, the cello enters into a lamenting call and response texture. The vivid contrast between the yearning plea of the strings against the burnished breath of the flute carries the piece forward, over its meditative and solemn ground, like an ancient voyage across mournful waters.

@christinavantzou @johnalsobennett

with my friends Christina Vantzou and John Also Bennett a single comes out today -
“Death, Reverb and Decay” - a trio recording.

A phosphorous drone is wreathed in dark flute tones, rising incrementally from its lowest possible ebb. At the height of the winds’ ascent, the cello enters into a lamenting call and response texture. The vivid contrast between the yearning plea of the strings against the burnished breath of the flute carries the piece forward, over its meditative and solemn ground, like an ancient voyage across mournful waters.

@christinavantzou @johnalsobennett

with my friends Christina Vantzou and John Also Bennett a single comes out today -
“Death, Reverb and Decay” - a trio recording.

A phosphorous drone is wreathed in dark flute tones, rising incrementally from its lowest possible ebb. At the height of the winds’ ascent, the cello enters into a lamenting call and response texture. The vivid contrast between the yearning plea of the strings against the burnished breath of the flute carries the piece forward, over its meditative and solemn ground, like an ancient voyage across mournful waters.

@christinavantzou @johnalsobennett

with my friends Christina Vantzou and John Also Bennett a single comes out today -
“Death, Reverb and Decay” - a trio recording.

A phosphorous drone is wreathed in dark flute tones, rising incrementally from its lowest possible ebb. At the height of the winds’ ascent, the cello enters into a lamenting call and response texture. The vivid contrast between the yearning plea of the strings against the burnished breath of the flute carries the piece forward, over its meditative and solemn ground, like an ancient voyage across mournful waters.

@christinavantzou @johnalsobennett

with my friends Christina Vantzou and John Also Bennett a single comes out today -
“Death, Reverb and Decay” - a trio recording.

A phosphorous drone is wreathed in dark flute tones, rising incrementally from its lowest possible ebb. At the height of the winds’ ascent, the cello enters into a lamenting call and response texture. The vivid contrast between the yearning plea of the strings against the burnished breath of the flute carries the piece forward, over its meditative and solemn ground, like an ancient voyage across mournful waters.

@christinavantzou @johnalsobennett

Pillion OST album out on Friday

Featuring musical contributions from
@lena.d.douglas pianos
@mlbuch_ vocals
Chrysanthemum bear vocals
@nick_rick_stick vocals and assistant composer
@tomlessels4 bass clarinet
@kathrynwilliamsflutes piccolo
@chriselmsmusic mixing

Directed by Harry Lighton
@a24 @element_pictures @a24music

Let’s ride. The Pillion Original Soundtrack by Oliver Coates will be yours on December 12. Pre-save now.

Rome!

Rome!

Rome!

Rome!

LFF

LFF

I’ve scoredtwo films which are about to premiere @festivaldecannes .

The history of sound directed by Oliver Hermanus
&
Pillion directed by Harry Lighton

Shoutout to@nick_rick_stick & @chriselmsmusic

I’ve scoredtwo films which are about to premiere @festivaldecannes .

The history of sound directed by Oliver Hermanus
&
Pillion directed by Harry Lighton

Shoutout to@nick_rick_stick & @chriselmsmusic

I’ve scoredtwo films which are about to premiere @festivaldecannes .

The history of sound directed by Oliver Hermanus
&
Pillion directed by Harry Lighton

Shoutout to@nick_rick_stick & @chriselmsmusic

Oliver Coates (@ollycoates) ha colaborado asiduamente con Mica Levi, Arca y Malibu, y ha compuesto bandas sonoras para películas de Steve McQueen –el documental “Occupied City” (2023)– o Charlotte Wells –“Aftersun” (2023)–. En “Throb, Shiver, Arrow Of Time” (@rvngintl), uno de los álbumes más fascinantes de 2024, profundiza en la materialidad de la música revistiendo y disolviendo la sonoridad del chelo digitalmente para explorar la naturaleza fragmentada y engañosa de los recuerdos. ⁠
⁠
El versátil músico británico comparte las claves de su peculiar proceso creativo en conversación con Juan Monge. Lee la entrevista en nuestro link en bio.⁠
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📸 Tsaot⁠
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#OliverCoates #ThrobShiverArrowOfTime #Aftersun #MúsicaElectroacústica