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pastinside
Past Inside the Present
PITP is the home of a passionate, collaborative artistic community in pursuit of the world’s most inventive & engaging quiet music.
P I T P 7 7
City of Dawn ‘Silent Portrait’
Limited CD Digipak + digital
Purchase CD:
🇺🇸 pitp.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇺🇸 PITP.US
For more than a decade, City of Dawn @cityofdawnband (aka Damien Duque) has graced us with a prolific run of experimental ambient that combines guitar with a broad range of other instruments and textures to craft consistently stunning sonic worlds. His work is guided by the enigmas of existence found not only in nature, but in the workings of the brain and body; many pieces are intended to heal through repetition with subtle variation, while others are driven by improvisation, biofeedback, and happenstance.
Written, recorded, and produced by City of Dawn. Bass and additional sound textures on ‘Muted Colors Collide with Silent Screams’ by Marisa Grijalva. Mastered at Ambient Mountain House (@ambientmountainhouse) by James Bernard (@jamesbernard). Cover design by Damien Duque. Layout and design by zakè (@zake_drone). ©℗ 2026 Past Inside the Present. This is PITP77.
P I T P 7 7
City of Dawn ‘Silent Portrait’
Limited CD Digipak + digital
Purchase CD:
🇺🇸 pitp.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇺🇸 PITP.US
For more than a decade, City of Dawn @cityofdawnband (aka Damien Duque) has graced us with a prolific run of experimental ambient that combines guitar with a broad range of other instruments and textures to craft consistently stunning sonic worlds. His work is guided by the enigmas of existence found not only in nature, but in the workings of the brain and body; many pieces are intended to heal through repetition with subtle variation, while others are driven by improvisation, biofeedback, and happenstance.
Written, recorded, and produced by City of Dawn. Bass and additional sound textures on ‘Muted Colors Collide with Silent Screams’ by Marisa Grijalva. Mastered at Ambient Mountain House (@ambientmountainhouse) by James Bernard (@jamesbernard). Cover design by Damien Duque. Layout and design by zakè (@zake_drone). ©℗ 2026 Past Inside the Present. This is PITP77.
P I T P 7 7
City of Dawn ‘Silent Portrait’
Limited CD Digipak + digital
Purchase CD:
🇺🇸 pitp.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇺🇸 PITP.US
For more than a decade, City of Dawn @cityofdawnband (aka Damien Duque) has graced us with a prolific run of experimental ambient that combines guitar with a broad range of other instruments and textures to craft consistently stunning sonic worlds. His work is guided by the enigmas of existence found not only in nature, but in the workings of the brain and body; many pieces are intended to heal through repetition with subtle variation, while others are driven by improvisation, biofeedback, and happenstance.
Written, recorded, and produced by City of Dawn. Bass and additional sound textures on ‘Muted Colors Collide with Silent Screams’ by Marisa Grijalva. Mastered at Ambient Mountain House (@ambientmountainhouse) by James Bernard (@jamesbernard). Cover design by Damien Duque. Layout and design by zakè (@zake_drone). ©℗ 2026 Past Inside the Present. This is PITP77.
P I T P 7 7
City of Dawn ‘Silent Portrait’
Limited CD Digipak + digital
Purchase CD:
🇺🇸 pitp.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇺🇸 PITP.US
For more than a decade, City of Dawn @cityofdawnband (aka Damien Duque) has graced us with a prolific run of experimental ambient that combines guitar with a broad range of other instruments and textures to craft consistently stunning sonic worlds. His work is guided by the enigmas of existence found not only in nature, but in the workings of the brain and body; many pieces are intended to heal through repetition with subtle variation, while others are driven by improvisation, biofeedback, and happenstance.
Written, recorded, and produced by City of Dawn. Bass and additional sound textures on ‘Muted Colors Collide with Silent Screams’ by Marisa Grijalva. Mastered at Ambient Mountain House (@ambientmountainhouse) by James Bernard (@jamesbernard). Cover design by Damien Duque. Layout and design by zakè (@zake_drone). ©℗ 2026 Past Inside the Present. This is PITP77.
P I T P 7 7
City of Dawn ‘Silent Portrait’
Limited CD Digipak + digital
Purchase CD:
🇺🇸 pitp.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇺🇸 PITP.US
For more than a decade, City of Dawn @cityofdawnband (aka Damien Duque) has graced us with a prolific run of experimental ambient that combines guitar with a broad range of other instruments and textures to craft consistently stunning sonic worlds. His work is guided by the enigmas of existence found not only in nature, but in the workings of the brain and body; many pieces are intended to heal through repetition with subtle variation, while others are driven by improvisation, biofeedback, and happenstance.
Written, recorded, and produced by City of Dawn. Bass and additional sound textures on ‘Muted Colors Collide with Silent Screams’ by Marisa Grijalva. Mastered at Ambient Mountain House (@ambientmountainhouse) by James Bernard (@jamesbernard). Cover design by Damien Duque. Layout and design by zakè (@zake_drone). ©℗ 2026 Past Inside the Present. This is PITP77.
P I T P 7 7
City of Dawn ‘Silent Portrait’
Limited CD Digipak + digital
Purchase CD:
🇺🇸 pitp.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇺🇸 PITP.US
For more than a decade, City of Dawn @cityofdawnband (aka Damien Duque) has graced us with a prolific run of experimental ambient that combines guitar with a broad range of other instruments and textures to craft consistently stunning sonic worlds. His work is guided by the enigmas of existence found not only in nature, but in the workings of the brain and body; many pieces are intended to heal through repetition with subtle variation, while others are driven by improvisation, biofeedback, and happenstance.
Written, recorded, and produced by City of Dawn. Bass and additional sound textures on ‘Muted Colors Collide with Silent Screams’ by Marisa Grijalva. Mastered at Ambient Mountain House (@ambientmountainhouse) by James Bernard (@jamesbernard). Cover design by Damien Duque. Layout and design by zakè (@zake_drone). ©℗ 2026 Past Inside the Present. This is PITP77.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
P I T P 7 7
City of Dawn ‘Silent Portrait’
Limited CD Digipak + digital
Purchase CD:
🇺🇸 pitp.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇺🇸 PITP.US
For more than a decade, City of Dawn @cityofdawnband (aka Damien Duque) has graced us with a prolific run of experimental ambient that combines guitar with a broad range of other instruments and textures to craft consistently stunning sonic worlds. His work is guided by the enigmas of existence found not only in nature, but in the workings of the brain and body; many pieces are intended to heal through repetition with subtle variation, while others are driven by improvisation, biofeedback, and happenstance.
Written, recorded, and produced by City of Dawn. Bass and additional sound textures on ‘Muted Colors Collide with Silent Screams’ by Marisa Grijalva. Mastered at Ambient Mountain House (@ambientmountainhouse) by James Bernard (@jamesbernard). Cover design by Damien Duque. Layout and design by zakè (@zake_drone). ©℗ 2026 Past Inside the Present. This is PITP77.
P I T P 7 7
City of Dawn ‘Silent Portrait’
Limited CD Digipak + digital
Purchase CD:
🇺🇸 pitp.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇺🇸 PITP.US
For more than a decade, City of Dawn @cityofdawnband (aka Damien Duque) has graced us with a prolific run of experimental ambient that combines guitar with a broad range of other instruments and textures to craft consistently stunning sonic worlds. His work is guided by the enigmas of existence found not only in nature, but in the workings of the brain and body; many pieces are intended to heal through repetition with subtle variation, while others are driven by improvisation, biofeedback, and happenstance.
Written, recorded, and produced by City of Dawn. Bass and additional sound textures on ‘Muted Colors Collide with Silent Screams’ by Marisa Grijalva. Mastered at Ambient Mountain House (@ambientmountainhouse) by James Bernard (@jamesbernard). Cover design by Damien Duque. Layout and design by zakè (@zake_drone). ©℗ 2026 Past Inside the Present. This is PITP77.
P I T P 7 7
City of Dawn ‘Silent Portrait’
Limited CD Digipak + digital
Purchase CD:
🇺🇸 pitp.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇺🇸 PITP.US
For more than a decade, City of Dawn @cityofdawnband (aka Damien Duque) has graced us with a prolific run of experimental ambient that combines guitar with a broad range of other instruments and textures to craft consistently stunning sonic worlds. His work is guided by the enigmas of existence found not only in nature, but in the workings of the brain and body; many pieces are intended to heal through repetition with subtle variation, while others are driven by improvisation, biofeedback, and happenstance.
Written, recorded, and produced by City of Dawn. Bass and additional sound textures on ‘Muted Colors Collide with Silent Screams’ by Marisa Grijalva. Mastered at Ambient Mountain House (@ambientmountainhouse) by James Bernard (@jamesbernard). Cover design by Damien Duque. Layout and design by zakè (@zake_drone). ©℗ 2026 Past Inside the Present. This is PITP77.
P I T P 7 7
City of Dawn ‘Silent Portrait’
Limited CD Digipak + digital
Purchase CD:
🇺🇸 pitp.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇺🇸 PITP.US
For more than a decade, City of Dawn @cityofdawnband (aka Damien Duque) has graced us with a prolific run of experimental ambient that combines guitar with a broad range of other instruments and textures to craft consistently stunning sonic worlds. His work is guided by the enigmas of existence found not only in nature, but in the workings of the brain and body; many pieces are intended to heal through repetition with subtle variation, while others are driven by improvisation, biofeedback, and happenstance.
Written, recorded, and produced by City of Dawn. Bass and additional sound textures on ‘Muted Colors Collide with Silent Screams’ by Marisa Grijalva. Mastered at Ambient Mountain House (@ambientmountainhouse) by James Bernard (@jamesbernard). Cover design by Damien Duque. Layout and design by zakè (@zake_drone). ©℗ 2026 Past Inside the Present. This is PITP77.
P I T P 7 7
City of Dawn ‘Silent Portrait’
Limited CD Digipak + digital
Purchase CD:
🇺🇸 pitp.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇺🇸 PITP.US
For more than a decade, City of Dawn @cityofdawnband (aka Damien Duque) has graced us with a prolific run of experimental ambient that combines guitar with a broad range of other instruments and textures to craft consistently stunning sonic worlds. His work is guided by the enigmas of existence found not only in nature, but in the workings of the brain and body; many pieces are intended to heal through repetition with subtle variation, while others are driven by improvisation, biofeedback, and happenstance.
Written, recorded, and produced by City of Dawn. Bass and additional sound textures on ‘Muted Colors Collide with Silent Screams’ by Marisa Grijalva. Mastered at Ambient Mountain House (@ambientmountainhouse) by James Bernard (@jamesbernard). Cover design by Damien Duque. Layout and design by zakè (@zake_drone). ©℗ 2026 Past Inside the Present. This is PITP77.
P I T P 7 7
City of Dawn ‘Silent Portrait’
Limited CD Digipak + digital
Purchase CD:
🇺🇸 pitp.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇺🇸 PITP.US
For more than a decade, City of Dawn @cityofdawnband (aka Damien Duque) has graced us with a prolific run of experimental ambient that combines guitar with a broad range of other instruments and textures to craft consistently stunning sonic worlds. His work is guided by the enigmas of existence found not only in nature, but in the workings of the brain and body; many pieces are intended to heal through repetition with subtle variation, while others are driven by improvisation, biofeedback, and happenstance.
Written, recorded, and produced by City of Dawn. Bass and additional sound textures on ‘Muted Colors Collide with Silent Screams’ by Marisa Grijalva. Mastered at Ambient Mountain House (@ambientmountainhouse) by James Bernard (@jamesbernard). Cover design by Damien Duque. Layout and design by zakè (@zake_drone). ©℗ 2026 Past Inside the Present. This is PITP77.
P I T P 7 7
City of Dawn ‘Silent Portrait’
Limited CD Digipak + digital
Purchase CD:
🇺🇸 pitp.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇺🇸 PITP.US
For more than a decade, City of Dawn @cityofdawnband (aka Damien Duque) has graced us with a prolific run of experimental ambient that combines guitar with a broad range of other instruments and textures to craft consistently stunning sonic worlds. His work is guided by the enigmas of existence found not only in nature, but in the workings of the brain and body; many pieces are intended to heal through repetition with subtle variation, while others are driven by improvisation, biofeedback, and happenstance.
Written, recorded, and produced by City of Dawn. Bass and additional sound textures on ‘Muted Colors Collide with Silent Screams’ by Marisa Grijalva. Mastered at Ambient Mountain House (@ambientmountainhouse) by James Bernard (@jamesbernard). Cover design by Damien Duque. Layout and design by zakè (@zake_drone). ©℗ 2026 Past Inside the Present. This is PITP77.
P I T P 7 6
Almøst Silent ‘Kaizen’
Limited 2xCD Digipak + digital
Purchase 2xCD:
🇺🇸 pitp.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇺🇸 PITP.US
Kaizen is the PITP solo début of French ambient artist and sound sculptor Almøst Silent @almostsilentvisual (aka Guy Teixeira), whose deep drones, towering harmonies, and nuanced structures strike a unique emotional chord on each of the album’s fourteen pieces. Borrowed from Japanese philosophy, Kaizen denotes “change for the better”, reflecting the process of rebuilding health, confidence, and artistic identity through intuitive creation. “It is a record defined by patience and persistence,” Teixeira notes, “proving that growth doesn’t require dramatic reinvention, only the commitment to keep moving forward, one thoughtful step at a time.”
All music written, mixed, arranged, performed, and produced by Almøst Silent (G.Teixeira) at DizzyLabFactory 64. Spoken words on ‘Bright Light’ by Bryan Freymuth. Mastered at Ambient Mountain House (@ambientmountainhouse) by James Bernard (@jamesbernard). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè (@zake_drone). Additional photography by G.Teixeira. ©℗ 2026 Past Inside the Present. This is PITP76.
#pastinsidethepresent #ambient
P I T P 7 6
Almøst Silent ‘Kaizen’
Limited 2xCD Digipak + digital
Purchase 2xCD:
🇺🇸 pitp.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇺🇸 PITP.US
Kaizen is the PITP solo début of French ambient artist and sound sculptor Almøst Silent @almostsilentvisual (aka Guy Teixeira), whose deep drones, towering harmonies, and nuanced structures strike a unique emotional chord on each of the album’s fourteen pieces. Borrowed from Japanese philosophy, Kaizen denotes “change for the better”, reflecting the process of rebuilding health, confidence, and artistic identity through intuitive creation. “It is a record defined by patience and persistence,” Teixeira notes, “proving that growth doesn’t require dramatic reinvention, only the commitment to keep moving forward, one thoughtful step at a time.”
All music written, mixed, arranged, performed, and produced by Almøst Silent (G.Teixeira) at DizzyLabFactory 64. Spoken words on ‘Bright Light’ by Bryan Freymuth. Mastered at Ambient Mountain House (@ambientmountainhouse) by James Bernard (@jamesbernard). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè (@zake_drone). Additional photography by G.Teixeira. ©℗ 2026 Past Inside the Present. This is PITP76.
#pastinsidethepresent #ambient
P I T P 7 6
Almøst Silent ‘Kaizen’
Limited 2xCD Digipak + digital
Purchase 2xCD:
🇺🇸 pitp.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇺🇸 PITP.US
Kaizen is the PITP solo début of French ambient artist and sound sculptor Almøst Silent @almostsilentvisual (aka Guy Teixeira), whose deep drones, towering harmonies, and nuanced structures strike a unique emotional chord on each of the album’s fourteen pieces. Borrowed from Japanese philosophy, Kaizen denotes “change for the better”, reflecting the process of rebuilding health, confidence, and artistic identity through intuitive creation. “It is a record defined by patience and persistence,” Teixeira notes, “proving that growth doesn’t require dramatic reinvention, only the commitment to keep moving forward, one thoughtful step at a time.”
All music written, mixed, arranged, performed, and produced by Almøst Silent (G.Teixeira) at DizzyLabFactory 64. Spoken words on ‘Bright Light’ by Bryan Freymuth. Mastered at Ambient Mountain House (@ambientmountainhouse) by James Bernard (@jamesbernard). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè (@zake_drone). Additional photography by G.Teixeira. ©℗ 2026 Past Inside the Present. This is PITP76.
#pastinsidethepresent #ambient
P I T P 7 6
Almøst Silent ‘Kaizen’
Limited 2xCD Digipak + digital
Purchase 2xCD:
🇺🇸 pitp.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇺🇸 PITP.US
Kaizen is the PITP solo début of French ambient artist and sound sculptor Almøst Silent @almostsilentvisual (aka Guy Teixeira), whose deep drones, towering harmonies, and nuanced structures strike a unique emotional chord on each of the album’s fourteen pieces. Borrowed from Japanese philosophy, Kaizen denotes “change for the better”, reflecting the process of rebuilding health, confidence, and artistic identity through intuitive creation. “It is a record defined by patience and persistence,” Teixeira notes, “proving that growth doesn’t require dramatic reinvention, only the commitment to keep moving forward, one thoughtful step at a time.”
All music written, mixed, arranged, performed, and produced by Almøst Silent (G.Teixeira) at DizzyLabFactory 64. Spoken words on ‘Bright Light’ by Bryan Freymuth. Mastered at Ambient Mountain House (@ambientmountainhouse) by James Bernard (@jamesbernard). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè (@zake_drone). Additional photography by G.Teixeira. ©℗ 2026 Past Inside the Present. This is PITP76.
#pastinsidethepresent #ambient
P I T P 7 6
Almøst Silent ‘Kaizen’
Limited 2xCD Digipak + digital
Purchase 2xCD:
🇺🇸 pitp.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇺🇸 PITP.US
Kaizen is the PITP solo début of French ambient artist and sound sculptor Almøst Silent @almostsilentvisual (aka Guy Teixeira), whose deep drones, towering harmonies, and nuanced structures strike a unique emotional chord on each of the album’s fourteen pieces. Borrowed from Japanese philosophy, Kaizen denotes “change for the better”, reflecting the process of rebuilding health, confidence, and artistic identity through intuitive creation. “It is a record defined by patience and persistence,” Teixeira notes, “proving that growth doesn’t require dramatic reinvention, only the commitment to keep moving forward, one thoughtful step at a time.”
All music written, mixed, arranged, performed, and produced by Almøst Silent (G.Teixeira) at DizzyLabFactory 64. Spoken words on ‘Bright Light’ by Bryan Freymuth. Mastered at Ambient Mountain House (@ambientmountainhouse) by James Bernard (@jamesbernard). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè (@zake_drone). Additional photography by G.Teixeira. ©℗ 2026 Past Inside the Present. This is PITP76.
#pastinsidethepresent #ambient
P I T P 7 6
Almøst Silent ‘Kaizen’
Limited 2xCD Digipak + digital
Purchase 2xCD:
🇺🇸 pitp.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇺🇸 PITP.US
Kaizen is the PITP solo début of French ambient artist and sound sculptor Almøst Silent @almostsilentvisual (aka Guy Teixeira), whose deep drones, towering harmonies, and nuanced structures strike a unique emotional chord on each of the album’s fourteen pieces. Borrowed from Japanese philosophy, Kaizen denotes “change for the better”, reflecting the process of rebuilding health, confidence, and artistic identity through intuitive creation. “It is a record defined by patience and persistence,” Teixeira notes, “proving that growth doesn’t require dramatic reinvention, only the commitment to keep moving forward, one thoughtful step at a time.”
All music written, mixed, arranged, performed, and produced by Almøst Silent (G.Teixeira) at DizzyLabFactory 64. Spoken words on ‘Bright Light’ by Bryan Freymuth. Mastered at Ambient Mountain House (@ambientmountainhouse) by James Bernard (@jamesbernard). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè (@zake_drone). Additional photography by G.Teixeira. ©℗ 2026 Past Inside the Present. This is PITP76.
#pastinsidethepresent #ambient
P I T P 7 6
Almøst Silent ‘Kaizen’
Limited 2xCD Digipak + digital
Purchase 2xCD:
🇺🇸 pitp.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇺🇸 PITP.US
Kaizen is the PITP solo début of French ambient artist and sound sculptor Almøst Silent @almostsilentvisual (aka Guy Teixeira), whose deep drones, towering harmonies, and nuanced structures strike a unique emotional chord on each of the album’s fourteen pieces. Borrowed from Japanese philosophy, Kaizen denotes “change for the better”, reflecting the process of rebuilding health, confidence, and artistic identity through intuitive creation. “It is a record defined by patience and persistence,” Teixeira notes, “proving that growth doesn’t require dramatic reinvention, only the commitment to keep moving forward, one thoughtful step at a time.”
All music written, mixed, arranged, performed, and produced by Almøst Silent (G.Teixeira) at DizzyLabFactory 64. Spoken words on ‘Bright Light’ by Bryan Freymuth. Mastered at Ambient Mountain House (@ambientmountainhouse) by James Bernard (@jamesbernard). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè (@zake_drone). Additional photography by G.Teixeira. ©℗ 2026 Past Inside the Present. This is PITP76.
#pastinsidethepresent #ambient
P I T P 7 6
Almøst Silent ‘Kaizen’
Limited 2xCD Digipak + digital
Purchase 2xCD:
🇺🇸 pitp.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇺🇸 PITP.US
Kaizen is the PITP solo début of French ambient artist and sound sculptor Almøst Silent @almostsilentvisual (aka Guy Teixeira), whose deep drones, towering harmonies, and nuanced structures strike a unique emotional chord on each of the album’s fourteen pieces. Borrowed from Japanese philosophy, Kaizen denotes “change for the better”, reflecting the process of rebuilding health, confidence, and artistic identity through intuitive creation. “It is a record defined by patience and persistence,” Teixeira notes, “proving that growth doesn’t require dramatic reinvention, only the commitment to keep moving forward, one thoughtful step at a time.”
All music written, mixed, arranged, performed, and produced by Almøst Silent (G.Teixeira) at DizzyLabFactory 64. Spoken words on ‘Bright Light’ by Bryan Freymuth. Mastered at Ambient Mountain House (@ambientmountainhouse) by James Bernard (@jamesbernard). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè (@zake_drone). Additional photography by G.Teixeira. ©℗ 2026 Past Inside the Present. This is PITP76.
#pastinsidethepresent #ambient
P I T P 7 6
Almøst Silent ‘Kaizen’
Limited 2xCD Digipak + digital
Purchase 2xCD:
🇺🇸 pitp.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇺🇸 PITP.US
Kaizen is the PITP solo début of French ambient artist and sound sculptor Almøst Silent @almostsilentvisual (aka Guy Teixeira), whose deep drones, towering harmonies, and nuanced structures strike a unique emotional chord on each of the album’s fourteen pieces. Borrowed from Japanese philosophy, Kaizen denotes “change for the better”, reflecting the process of rebuilding health, confidence, and artistic identity through intuitive creation. “It is a record defined by patience and persistence,” Teixeira notes, “proving that growth doesn’t require dramatic reinvention, only the commitment to keep moving forward, one thoughtful step at a time.”
All music written, mixed, arranged, performed, and produced by Almøst Silent (G.Teixeira) at DizzyLabFactory 64. Spoken words on ‘Bright Light’ by Bryan Freymuth. Mastered at Ambient Mountain House (@ambientmountainhouse) by James Bernard (@jamesbernard). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè (@zake_drone). Additional photography by G.Teixeira. ©℗ 2026 Past Inside the Present. This is PITP76.
#pastinsidethepresent #ambient
P I T P 7 6
Almøst Silent ‘Kaizen’
Limited 2xCD Digipak + digital
Purchase 2xCD:
🇺🇸 pitp.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇺🇸 PITP.US
Kaizen is the PITP solo début of French ambient artist and sound sculptor Almøst Silent @almostsilentvisual (aka Guy Teixeira), whose deep drones, towering harmonies, and nuanced structures strike a unique emotional chord on each of the album’s fourteen pieces. Borrowed from Japanese philosophy, Kaizen denotes “change for the better”, reflecting the process of rebuilding health, confidence, and artistic identity through intuitive creation. “It is a record defined by patience and persistence,” Teixeira notes, “proving that growth doesn’t require dramatic reinvention, only the commitment to keep moving forward, one thoughtful step at a time.”
All music written, mixed, arranged, performed, and produced by Almøst Silent (G.Teixeira) at DizzyLabFactory 64. Spoken words on ‘Bright Light’ by Bryan Freymuth. Mastered at Ambient Mountain House (@ambientmountainhouse) by James Bernard (@jamesbernard). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè (@zake_drone). Additional photography by G.Teixeira. ©℗ 2026 Past Inside the Present. This is PITP76.
#pastinsidethepresent #ambient
P I T P 7 6
Almøst Silent ‘Kaizen’
Limited 2xCD Digipak + digital
Purchase 2xCD:
🇺🇸 pitp.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇺🇸 PITP.US
Kaizen is the PITP solo début of French ambient artist and sound sculptor Almøst Silent @almostsilentvisual (aka Guy Teixeira), whose deep drones, towering harmonies, and nuanced structures strike a unique emotional chord on each of the album’s fourteen pieces. Borrowed from Japanese philosophy, Kaizen denotes “change for the better”, reflecting the process of rebuilding health, confidence, and artistic identity through intuitive creation. “It is a record defined by patience and persistence,” Teixeira notes, “proving that growth doesn’t require dramatic reinvention, only the commitment to keep moving forward, one thoughtful step at a time.”
All music written, mixed, arranged, performed, and produced by Almøst Silent (G.Teixeira) at DizzyLabFactory 64. Spoken words on ‘Bright Light’ by Bryan Freymuth. Mastered at Ambient Mountain House (@ambientmountainhouse) by James Bernard (@jamesbernard). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè (@zake_drone). Additional photography by G.Teixeira. ©℗ 2026 Past Inside the Present. This is PITP76.
#pastinsidethepresent #ambient
P I T P 7 5
anthéne ‘perennials’
limited digipak cd + digital
perennials is the latest full-length from Toronto-based anthéne (aka Brad Deschamps), who builds transportive, beautifully detailed sonic worlds using only a guitar, sampler, and modest cache of pedals. Here, his refined treatments, manipulations, and experimentations blend seamlessly with an innate sense of harmonic layering to create an impression of seasonal cycles and their relationship to the human experience at scale.
In addition to being the founder and curator of Polar Seas Recordings (@polarseasrecordings) and Floralia Editions, Deschamps has released extensively with luminary labels including Home Normal, Quiet Details, and Constellation Tatsu, earning a reputation as one of the most accomplished and consistent producers of compelling ambient music working today. perennials builds on the ideas and environments of previous solo works like frailty (2025) while summoning its own unique universe of meditative, organic grace.
All music written, arranged, performed, and produced by Brad Deschamps. Track 8 reworked from an original piece by Benoît Pioulard. Engineered and mastered at Ambient Mountain House (@ambientmountainhouse) by James Bernard (@jamesbernard). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè (@zake_drone). ©℗ 2026 Past Inside the Present. This is PITP75.
#pastinsidethepresent #ambient
P I T P 7 5
anthéne ‘perennials’
limited digipak cd + digital
perennials is the latest full-length from Toronto-based anthéne (aka Brad Deschamps), who builds transportive, beautifully detailed sonic worlds using only a guitar, sampler, and modest cache of pedals. Here, his refined treatments, manipulations, and experimentations blend seamlessly with an innate sense of harmonic layering to create an impression of seasonal cycles and their relationship to the human experience at scale.
In addition to being the founder and curator of Polar Seas Recordings (@polarseasrecordings) and Floralia Editions, Deschamps has released extensively with luminary labels including Home Normal, Quiet Details, and Constellation Tatsu, earning a reputation as one of the most accomplished and consistent producers of compelling ambient music working today. perennials builds on the ideas and environments of previous solo works like frailty (2025) while summoning its own unique universe of meditative, organic grace.
All music written, arranged, performed, and produced by Brad Deschamps. Track 8 reworked from an original piece by Benoît Pioulard. Engineered and mastered at Ambient Mountain House (@ambientmountainhouse) by James Bernard (@jamesbernard). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè (@zake_drone). ©℗ 2026 Past Inside the Present. This is PITP75.
#pastinsidethepresent #ambient
P I T P 7 5
anthéne ‘perennials’
limited digipak cd + digital
perennials is the latest full-length from Toronto-based anthéne (aka Brad Deschamps), who builds transportive, beautifully detailed sonic worlds using only a guitar, sampler, and modest cache of pedals. Here, his refined treatments, manipulations, and experimentations blend seamlessly with an innate sense of harmonic layering to create an impression of seasonal cycles and their relationship to the human experience at scale.
In addition to being the founder and curator of Polar Seas Recordings (@polarseasrecordings) and Floralia Editions, Deschamps has released extensively with luminary labels including Home Normal, Quiet Details, and Constellation Tatsu, earning a reputation as one of the most accomplished and consistent producers of compelling ambient music working today. perennials builds on the ideas and environments of previous solo works like frailty (2025) while summoning its own unique universe of meditative, organic grace.
All music written, arranged, performed, and produced by Brad Deschamps. Track 8 reworked from an original piece by Benoît Pioulard. Engineered and mastered at Ambient Mountain House (@ambientmountainhouse) by James Bernard (@jamesbernard). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè (@zake_drone). ©℗ 2026 Past Inside the Present. This is PITP75.
#pastinsidethepresent #ambient
P I T P 7 5
anthéne ‘perennials’
limited digipak cd + digital
perennials is the latest full-length from Toronto-based anthéne (aka Brad Deschamps), who builds transportive, beautifully detailed sonic worlds using only a guitar, sampler, and modest cache of pedals. Here, his refined treatments, manipulations, and experimentations blend seamlessly with an innate sense of harmonic layering to create an impression of seasonal cycles and their relationship to the human experience at scale.
In addition to being the founder and curator of Polar Seas Recordings (@polarseasrecordings) and Floralia Editions, Deschamps has released extensively with luminary labels including Home Normal, Quiet Details, and Constellation Tatsu, earning a reputation as one of the most accomplished and consistent producers of compelling ambient music working today. perennials builds on the ideas and environments of previous solo works like frailty (2025) while summoning its own unique universe of meditative, organic grace.
All music written, arranged, performed, and produced by Brad Deschamps. Track 8 reworked from an original piece by Benoît Pioulard. Engineered and mastered at Ambient Mountain House (@ambientmountainhouse) by James Bernard (@jamesbernard). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè (@zake_drone). ©℗ 2026 Past Inside the Present. This is PITP75.
#pastinsidethepresent #ambient
P I T P 7 5
anthéne ‘perennials’
limited digipak cd + digital
perennials is the latest full-length from Toronto-based anthéne (aka Brad Deschamps), who builds transportive, beautifully detailed sonic worlds using only a guitar, sampler, and modest cache of pedals. Here, his refined treatments, manipulations, and experimentations blend seamlessly with an innate sense of harmonic layering to create an impression of seasonal cycles and their relationship to the human experience at scale.
In addition to being the founder and curator of Polar Seas Recordings (@polarseasrecordings) and Floralia Editions, Deschamps has released extensively with luminary labels including Home Normal, Quiet Details, and Constellation Tatsu, earning a reputation as one of the most accomplished and consistent producers of compelling ambient music working today. perennials builds on the ideas and environments of previous solo works like frailty (2025) while summoning its own unique universe of meditative, organic grace.
All music written, arranged, performed, and produced by Brad Deschamps. Track 8 reworked from an original piece by Benoît Pioulard. Engineered and mastered at Ambient Mountain House (@ambientmountainhouse) by James Bernard (@jamesbernard). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè (@zake_drone). ©℗ 2026 Past Inside the Present. This is PITP75.
#pastinsidethepresent #ambient
P I T P 7 5
anthéne ‘perennials’
limited digipak cd + digital
perennials is the latest full-length from Toronto-based anthéne (aka Brad Deschamps), who builds transportive, beautifully detailed sonic worlds using only a guitar, sampler, and modest cache of pedals. Here, his refined treatments, manipulations, and experimentations blend seamlessly with an innate sense of harmonic layering to create an impression of seasonal cycles and their relationship to the human experience at scale.
In addition to being the founder and curator of Polar Seas Recordings (@polarseasrecordings) and Floralia Editions, Deschamps has released extensively with luminary labels including Home Normal, Quiet Details, and Constellation Tatsu, earning a reputation as one of the most accomplished and consistent producers of compelling ambient music working today. perennials builds on the ideas and environments of previous solo works like frailty (2025) while summoning its own unique universe of meditative, organic grace.
All music written, arranged, performed, and produced by Brad Deschamps. Track 8 reworked from an original piece by Benoît Pioulard. Engineered and mastered at Ambient Mountain House (@ambientmountainhouse) by James Bernard (@jamesbernard). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè (@zake_drone). ©℗ 2026 Past Inside the Present. This is PITP75.
#pastinsidethepresent #ambient
zakè • Selahs (pętla)
digital single / free download
Selahs (pętla) serves as an abbreviated preview of the more expansive composition Selahs, to be featured on the third installment of the Orchestral Tape Studies series. This excerpt offers an initial introduction to the larger work. Although Orchestral Tape Studies III has been completed, its formal release is scheduled for late 2026 or 2027.
Selahs (pętla) is now available on all major digital streaming platforms. For those who prefer not to use streaming services, please contact me directly to receive a complimentary download code.
__
#ambient #ambientmusic #dronemusic #zakedrone #pastinsidethepresent
zakè • Selahs (pętla)
digital single / free download
Selahs (pętla) serves as an abbreviated preview of the more expansive composition Selahs, to be featured on the third installment of the Orchestral Tape Studies series. This excerpt offers an initial introduction to the larger work. Although Orchestral Tape Studies III has been completed, its formal release is scheduled for late 2026 or 2027.
Selahs (pętla) is now available on all major digital streaming platforms. For those who prefer not to use streaming services, please contact me directly to receive a complimentary download code.
__
#ambient #ambientmusic #dronemusic #zakedrone #pastinsidethepresent
zakè • Selahs (pętla)
digital single / free download
Selahs (pętla) serves as an abbreviated preview of the more expansive composition Selahs, to be featured on the third installment of the Orchestral Tape Studies series. This excerpt offers an initial introduction to the larger work. Although Orchestral Tape Studies III has been completed, its formal release is scheduled for late 2026 or 2027.
Selahs (pętla) is now available on all major digital streaming platforms. For those who prefer not to use streaming services, please contact me directly to receive a complimentary download code.
__
#ambient #ambientmusic #dronemusic #zakedrone #pastinsidethepresent
zakè • Selahs (pętla)
digital single / free download
Selahs (pętla) serves as an abbreviated preview of the more expansive composition Selahs, to be featured on the third installment of the Orchestral Tape Studies series. This excerpt offers an initial introduction to the larger work. Although Orchestral Tape Studies III has been completed, its formal release is scheduled for late 2026 or 2027.
Selahs (pętla) is now available on all major digital streaming platforms. For those who prefer not to use streaming services, please contact me directly to receive a complimentary download code.
__
#ambient #ambientmusic #dronemusic #zakedrone #pastinsidethepresent
zakè • Selahs (pętla)
digital single / free download
Selahs (pętla) serves as an abbreviated preview of the more expansive composition Selahs, to be featured on the third installment of the Orchestral Tape Studies series. This excerpt offers an initial introduction to the larger work. Although Orchestral Tape Studies III has been completed, its formal release is scheduled for late 2026 or 2027.
Selahs (pętla) is now available on all major digital streaming platforms. For those who prefer not to use streaming services, please contact me directly to receive a complimentary download code.
__
#ambient #ambientmusic #dronemusic #zakedrone #pastinsidethepresent
P I T P 7 5
anthéne ‘perennials’
limited digipak cd + digital
perennials is the latest full-length from Toronto-based anthéne (aka Brad Deschamps), who builds transportive, beautifully detailed sonic worlds using only a guitar, sampler, and modest cache of pedals. Here, his refined treatments, manipulations, and experimentations blend seamlessly with an innate sense of harmonic layering to create an impression of seasonal cycles and their relationship to the human experience at scale.
In addition to being the founder and curator of Polar Seas Recordings (@polarseasrecordings) and Floralia Editions, Deschamps has released extensively with luminary labels including Home Normal, Quiet Details, and Constellation Tatsu, earning a reputation as one of the most accomplished and consistent producers of compelling ambient music working today. perennials builds on the ideas and environments of previous solo works like frailty (2025) while summoning its own unique universe of meditative, organic grace.
All music written, arranged, performed, and produced by Brad Deschamps. Track 8 reworked from an original piece by Benoît Pioulard. Engineered and mastered at Ambient Mountain House (@ambientmountainhouse) by James Bernard (@jamesbernard). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè (@zake_drone). ©℗ 2026 Past Inside the Present. This is PITP75.
#pastinsidethepresent #ambient
🌌🌌🌌
The Dream Season
by Slow Dancing Society & City of Dawn
The Dream Season by Slow Dancing Society (Drew Sullivan) and City of Dawn (Damien Duque) is the debut collaboration between the two longtime PITP artists. Set firmly in the stillness of nighttime, the album captures quiet city alleys, empty sidewalks, and dim streetlights glowing in the distance. The duo move freely through minimal electronica and ambient textures, creating a cohesive and stark portrait of the city after dark.
There is something transformative about stepping out when a city sleeps, when the shapes and silhouettes of its daily rush soften and shift beneath the covering of night. The Dream Season serves as a soundtrack for those who remain awake in the dark, finding beauty in the calm that follows the noise.
#pastinsidethepresent #ambient
🌌🌌🌌
The Dream Season
by Slow Dancing Society & City of Dawn
The Dream Season by Slow Dancing Society (Drew Sullivan) and City of Dawn (Damien Duque) is the debut collaboration between the two longtime PITP artists. Set firmly in the stillness of nighttime, the album captures quiet city alleys, empty sidewalks, and dim streetlights glowing in the distance. The duo move freely through minimal electronica and ambient textures, creating a cohesive and stark portrait of the city after dark.
There is something transformative about stepping out when a city sleeps, when the shapes and silhouettes of its daily rush soften and shift beneath the covering of night. The Dream Season serves as a soundtrack for those who remain awake in the dark, finding beauty in the calm that follows the noise.
#pastinsidethepresent #ambient
🌌🌌🌌
The Dream Season
by Slow Dancing Society & City of Dawn
The Dream Season by Slow Dancing Society (Drew Sullivan) and City of Dawn (Damien Duque) is the debut collaboration between the two longtime PITP artists. Set firmly in the stillness of nighttime, the album captures quiet city alleys, empty sidewalks, and dim streetlights glowing in the distance. The duo move freely through minimal electronica and ambient textures, creating a cohesive and stark portrait of the city after dark.
There is something transformative about stepping out when a city sleeps, when the shapes and silhouettes of its daily rush soften and shift beneath the covering of night. The Dream Season serves as a soundtrack for those who remain awake in the dark, finding beauty in the calm that follows the noise.
#pastinsidethepresent #ambient
🌌🌌🌌
The Dream Season
by Slow Dancing Society & City of Dawn
The Dream Season by Slow Dancing Society (Drew Sullivan) and City of Dawn (Damien Duque) is the debut collaboration between the two longtime PITP artists. Set firmly in the stillness of nighttime, the album captures quiet city alleys, empty sidewalks, and dim streetlights glowing in the distance. The duo move freely through minimal electronica and ambient textures, creating a cohesive and stark portrait of the city after dark.
There is something transformative about stepping out when a city sleeps, when the shapes and silhouettes of its daily rush soften and shift beneath the covering of night. The Dream Season serves as a soundtrack for those who remain awake in the dark, finding beauty in the calm that follows the noise.
#pastinsidethepresent #ambient
🌌🌌🌌
The Dream Season
by Slow Dancing Society & City of Dawn
The Dream Season by Slow Dancing Society (Drew Sullivan) and City of Dawn (Damien Duque) is the debut collaboration between the two longtime PITP artists. Set firmly in the stillness of nighttime, the album captures quiet city alleys, empty sidewalks, and dim streetlights glowing in the distance. The duo move freely through minimal electronica and ambient textures, creating a cohesive and stark portrait of the city after dark.
There is something transformative about stepping out when a city sleeps, when the shapes and silhouettes of its daily rush soften and shift beneath the covering of night. The Dream Season serves as a soundtrack for those who remain awake in the dark, finding beauty in the calm that follows the noise.
#pastinsidethepresent #ambient
🌌🌌🌌
The Dream Season
by Slow Dancing Society & City of Dawn
The Dream Season by Slow Dancing Society (Drew Sullivan) and City of Dawn (Damien Duque) is the debut collaboration between the two longtime PITP artists. Set firmly in the stillness of nighttime, the album captures quiet city alleys, empty sidewalks, and dim streetlights glowing in the distance. The duo move freely through minimal electronica and ambient textures, creating a cohesive and stark portrait of the city after dark.
There is something transformative about stepping out when a city sleeps, when the shapes and silhouettes of its daily rush soften and shift beneath the covering of night. The Dream Season serves as a soundtrack for those who remain awake in the dark, finding beauty in the calm that follows the noise.
#pastinsidethepresent #ambient
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.