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The Coa table draws inspiration from the serpentine shape as part of a series of furniture pieces that connect with the essence of the pre-Hispanic past. In its tezontle version, it draws from the heritage of local materials and the craft of stone carving.

COA | Side Table
Tezontle stone
43 x 39 x 55 cm

COA | Coffee Table
Tezontle stone
120 x 65 x 45 cm

Available at @lovehouseny
Fictional space design + images: @talanoaga

BARRO Lamp
Designed by Caterina Moretti (@caterinamg) for Graypants (@graypantsstudio) , Barro explores the intersection of craft and innovation.
Handcrafted in burnished natural and black clay with a blown-glass overlay, the piece was developed in collaboration with Oaxacan artisan Amando Pedro, whose ancestral knowledge and techniques became an essential part of the process.
The result is an unexpected and timeless pendant, bringing together tradition, experimentation, and contemporary design.
.
Oaxacan black and natural clay + blown glass
Photography by @lazarillo.mx

BARRO Lamp
Designed by Caterina Moretti (@caterinamg) for Graypants (@graypantsstudio) , Barro explores the intersection of craft and innovation.
Handcrafted in burnished natural and black clay with a blown-glass overlay, the piece was developed in collaboration with Oaxacan artisan Amando Pedro, whose ancestral knowledge and techniques became an essential part of the process.
The result is an unexpected and timeless pendant, bringing together tradition, experimentation, and contemporary design.
.
Oaxacan black and natural clay + blown glass
Photography by @lazarillo.mx

BARRO Lamp
Designed by Caterina Moretti (@caterinamg) for Graypants (@graypantsstudio) , Barro explores the intersection of craft and innovation.
Handcrafted in burnished natural and black clay with a blown-glass overlay, the piece was developed in collaboration with Oaxacan artisan Amando Pedro, whose ancestral knowledge and techniques became an essential part of the process.
The result is an unexpected and timeless pendant, bringing together tradition, experimentation, and contemporary design.
.
Oaxacan black and natural clay + blown glass
Photography by @lazarillo.mx

BARRO Lamp
Designed by Caterina Moretti (@caterinamg) for Graypants (@graypantsstudio) , Barro explores the intersection of craft and innovation.
Handcrafted in burnished natural and black clay with a blown-glass overlay, the piece was developed in collaboration with Oaxacan artisan Amando Pedro, whose ancestral knowledge and techniques became an essential part of the process.
The result is an unexpected and timeless pendant, bringing together tradition, experimentation, and contemporary design.
.
Oaxacan black and natural clay + blown glass
Photography by @lazarillo.mx

BARRO Lamp
Designed by Caterina Moretti (@caterinamg) for Graypants (@graypantsstudio) , Barro explores the intersection of craft and innovation.
Handcrafted in burnished natural and black clay with a blown-glass overlay, the piece was developed in collaboration with Oaxacan artisan Amando Pedro, whose ancestral knowledge and techniques became an essential part of the process.
The result is an unexpected and timeless pendant, bringing together tradition, experimentation, and contemporary design.
.
Oaxacan black and natural clay + blown glass
Photography by @lazarillo.mx

BARRO Lamp
Designed by Caterina Moretti (@caterinamg) for Graypants (@graypantsstudio) , Barro explores the intersection of craft and innovation.
Handcrafted in burnished natural and black clay with a blown-glass overlay, the piece was developed in collaboration with Oaxacan artisan Amando Pedro, whose ancestral knowledge and techniques became an essential part of the process.
The result is an unexpected and timeless pendant, bringing together tradition, experimentation, and contemporary design.
.
Oaxacan black and natural clay + blown glass
Photography by @lazarillo.mx

BARRO Lamp
Designed by Caterina Moretti (@caterinamg) for Graypants (@graypantsstudio) , Barro explores the intersection of craft and innovation.
Handcrafted in burnished natural and black clay with a blown-glass overlay, the piece was developed in collaboration with Oaxacan artisan Amando Pedro, whose ancestral knowledge and techniques became an essential part of the process.
The result is an unexpected and timeless pendant, bringing together tradition, experimentation, and contemporary design.
.
Oaxacan black and natural clay + blown glass
Photography by @lazarillo.mx

BARRO Lamp
Designed by Caterina Moretti (@caterinamg) for Graypants (@graypantsstudio) , Barro explores the intersection of craft and innovation.
Handcrafted in burnished natural and black clay with a blown-glass overlay, the piece was developed in collaboration with Oaxacan artisan Amando Pedro, whose ancestral knowledge and techniques became an essential part of the process.
The result is an unexpected and timeless pendant, bringing together tradition, experimentation, and contemporary design.
.
Oaxacan black and natural clay + blown glass
Photography by @lazarillo.mx

BARRO Lamp
Designed by Caterina Moretti (@caterinamg) for Graypants (@graypantsstudio) , Barro explores the intersection of craft and innovation.
Handcrafted in burnished natural and black clay with a blown-glass overlay, the piece was developed in collaboration with Oaxacan artisan Amando Pedro, whose ancestral knowledge and techniques became an essential part of the process.
The result is an unexpected and timeless pendant, bringing together tradition, experimentation, and contemporary design.
.
Oaxacan black and natural clay + blown glass
Photography by @lazarillo.mx

BARRO Lamp
Designed by Caterina Moretti (@caterinamg) for Graypants (@graypantsstudio) , Barro explores the intersection of craft and innovation.
Handcrafted in burnished natural and black clay with a blown-glass overlay, the piece was developed in collaboration with Oaxacan artisan Amando Pedro, whose ancestral knowledge and techniques became an essential part of the process.
The result is an unexpected and timeless pendant, bringing together tradition, experimentation, and contemporary design.
.
Oaxacan black and natural clay + blown glass
Photography by @lazarillo.mx

Poufs + Banca | Colección ENSAMBLE
Hemos actualizado la selección textil @elitisfrance
Solicita la nueva edición del catálogo ENSAMBLE
En las fotografías:
1 – 4 – 7 ALMA | Maíz
2 – 8 LAREDO | Ladrillo
3 – 5 LEVANTE | Tierra
6 - 9 ALMA |Tierra
.
DM o Whatsapp 33 1139 8868
La colección ENSAMBLE es una colaboración de @peca_studio con @studio84mx

Poufs + Banca | Colección ENSAMBLE
Hemos actualizado la selección textil @elitisfrance
Solicita la nueva edición del catálogo ENSAMBLE
En las fotografías:
1 – 4 – 7 ALMA | Maíz
2 – 8 LAREDO | Ladrillo
3 – 5 LEVANTE | Tierra
6 - 9 ALMA |Tierra
.
DM o Whatsapp 33 1139 8868
La colección ENSAMBLE es una colaboración de @peca_studio con @studio84mx

Poufs + Banca | Colección ENSAMBLE
Hemos actualizado la selección textil @elitisfrance
Solicita la nueva edición del catálogo ENSAMBLE
En las fotografías:
1 – 4 – 7 ALMA | Maíz
2 – 8 LAREDO | Ladrillo
3 – 5 LEVANTE | Tierra
6 - 9 ALMA |Tierra
.
DM o Whatsapp 33 1139 8868
La colección ENSAMBLE es una colaboración de @peca_studio con @studio84mx

Poufs + Banca | Colección ENSAMBLE
Hemos actualizado la selección textil @elitisfrance
Solicita la nueva edición del catálogo ENSAMBLE
En las fotografías:
1 – 4 – 7 ALMA | Maíz
2 – 8 LAREDO | Ladrillo
3 – 5 LEVANTE | Tierra
6 - 9 ALMA |Tierra
.
DM o Whatsapp 33 1139 8868
La colección ENSAMBLE es una colaboración de @peca_studio con @studio84mx

Poufs + Banca | Colección ENSAMBLE
Hemos actualizado la selección textil @elitisfrance
Solicita la nueva edición del catálogo ENSAMBLE
En las fotografías:
1 – 4 – 7 ALMA | Maíz
2 – 8 LAREDO | Ladrillo
3 – 5 LEVANTE | Tierra
6 - 9 ALMA |Tierra
.
DM o Whatsapp 33 1139 8868
La colección ENSAMBLE es una colaboración de @peca_studio con @studio84mx

Poufs + Banca | Colección ENSAMBLE
Hemos actualizado la selección textil @elitisfrance
Solicita la nueva edición del catálogo ENSAMBLE
En las fotografías:
1 – 4 – 7 ALMA | Maíz
2 – 8 LAREDO | Ladrillo
3 – 5 LEVANTE | Tierra
6 - 9 ALMA |Tierra
.
DM o Whatsapp 33 1139 8868
La colección ENSAMBLE es una colaboración de @peca_studio con @studio84mx

Poufs + Banca | Colección ENSAMBLE
Hemos actualizado la selección textil @elitisfrance
Solicita la nueva edición del catálogo ENSAMBLE
En las fotografías:
1 – 4 – 7 ALMA | Maíz
2 – 8 LAREDO | Ladrillo
3 – 5 LEVANTE | Tierra
6 - 9 ALMA |Tierra
.
DM o Whatsapp 33 1139 8868
La colección ENSAMBLE es una colaboración de @peca_studio con @studio84mx

Poufs + Banca | Colección ENSAMBLE
Hemos actualizado la selección textil @elitisfrance
Solicita la nueva edición del catálogo ENSAMBLE
En las fotografías:
1 – 4 – 7 ALMA | Maíz
2 – 8 LAREDO | Ladrillo
3 – 5 LEVANTE | Tierra
6 - 9 ALMA |Tierra
.
DM o Whatsapp 33 1139 8868
La colección ENSAMBLE es una colaboración de @peca_studio con @studio84mx

Poufs + Banca | Colección ENSAMBLE
Hemos actualizado la selección textil @elitisfrance
Solicita la nueva edición del catálogo ENSAMBLE
En las fotografías:
1 – 4 – 7 ALMA | Maíz
2 – 8 LAREDO | Ladrillo
3 – 5 LEVANTE | Tierra
6 - 9 ALMA |Tierra
.
DM o Whatsapp 33 1139 8868
La colección ENSAMBLE es una colaboración de @peca_studio con @studio84mx

A fictional space designed to host a new lineage of stone furniture pieces from @peca_studio. Balancing vivid tezontle stone colours with earthy, grounding tones, the space allows furniture both to stand out and be felt as an integral part of the place.

The boundary between spatial and furniture design becomes blurred: it’s a tool of synchronization. The furniture is not created solely as sculpture, but it’s also a connector between different uses of space. This fictional environment was built around this dual nature, thoughtfully designed to hold it.

The furniture design, on the other hand, holds reverence towards the sumptuousness of tezontle, Mexico’s volcanic stone. It leads us to honor this noble material with tables/sculptures whose rich, porous tops sit on monoliths born from the whims of Mexico’s terrain.
Carved lines run through the surface, guiding the eye toward polished discs that flow from the monoliths underneath, telling the story of their origin. Petra calls on the mysteries of nature and their sacred play in our day-to-day lives.

Petra Dining and Coffee tables are now available in tezontle.
Dining in a new round version.

Furniture design: Caterina Moretti @caterinamg
Fictional space design + images: @talanoaga

PETRA | Round Dining Table
130 x 130 x 75 cm
160 x 160 x 75 cm
180 x 180 x 75 cm

PETRA | Coffee Table
150 x 80 x 40 cm
182 x 96 x 40 cm
200 x 100 x 36 cm

A fictional space designed to host a new lineage of stone furniture pieces from @peca_studio. Balancing vivid tezontle stone colours with earthy, grounding tones, the space allows furniture both to stand out and be felt as an integral part of the place.

The boundary between spatial and furniture design becomes blurred: it’s a tool of synchronization. The furniture is not created solely as sculpture, but it’s also a connector between different uses of space. This fictional environment was built around this dual nature, thoughtfully designed to hold it.

The furniture design, on the other hand, holds reverence towards the sumptuousness of tezontle, Mexico’s volcanic stone. It leads us to honor this noble material with tables/sculptures whose rich, porous tops sit on monoliths born from the whims of Mexico’s terrain.
Carved lines run through the surface, guiding the eye toward polished discs that flow from the monoliths underneath, telling the story of their origin. Petra calls on the mysteries of nature and their sacred play in our day-to-day lives.

Petra Dining and Coffee tables are now available in tezontle.
Dining in a new round version.

Furniture design: Caterina Moretti @caterinamg
Fictional space design + images: @talanoaga

PETRA | Round Dining Table
130 x 130 x 75 cm
160 x 160 x 75 cm
180 x 180 x 75 cm

PETRA | Coffee Table
150 x 80 x 40 cm
182 x 96 x 40 cm
200 x 100 x 36 cm

A fictional space designed to host a new lineage of stone furniture pieces from @peca_studio. Balancing vivid tezontle stone colours with earthy, grounding tones, the space allows furniture both to stand out and be felt as an integral part of the place.

The boundary between spatial and furniture design becomes blurred: it’s a tool of synchronization. The furniture is not created solely as sculpture, but it’s also a connector between different uses of space. This fictional environment was built around this dual nature, thoughtfully designed to hold it.

The furniture design, on the other hand, holds reverence towards the sumptuousness of tezontle, Mexico’s volcanic stone. It leads us to honor this noble material with tables/sculptures whose rich, porous tops sit on monoliths born from the whims of Mexico’s terrain.
Carved lines run through the surface, guiding the eye toward polished discs that flow from the monoliths underneath, telling the story of their origin. Petra calls on the mysteries of nature and their sacred play in our day-to-day lives.

Petra Dining and Coffee tables are now available in tezontle.
Dining in a new round version.

Furniture design: Caterina Moretti @caterinamg
Fictional space design + images: @talanoaga

PETRA | Round Dining Table
130 x 130 x 75 cm
160 x 160 x 75 cm
180 x 180 x 75 cm

PETRA | Coffee Table
150 x 80 x 40 cm
182 x 96 x 40 cm
200 x 100 x 36 cm

A fictional space designed to host a new lineage of stone furniture pieces from @peca_studio. Balancing vivid tezontle stone colours with earthy, grounding tones, the space allows furniture both to stand out and be felt as an integral part of the place.

The boundary between spatial and furniture design becomes blurred: it’s a tool of synchronization. The furniture is not created solely as sculpture, but it’s also a connector between different uses of space. This fictional environment was built around this dual nature, thoughtfully designed to hold it.

The furniture design, on the other hand, holds reverence towards the sumptuousness of tezontle, Mexico’s volcanic stone. It leads us to honor this noble material with tables/sculptures whose rich, porous tops sit on monoliths born from the whims of Mexico’s terrain.
Carved lines run through the surface, guiding the eye toward polished discs that flow from the monoliths underneath, telling the story of their origin. Petra calls on the mysteries of nature and their sacred play in our day-to-day lives.

Petra Dining and Coffee tables are now available in tezontle.
Dining in a new round version.

Furniture design: Caterina Moretti @caterinamg
Fictional space design + images: @talanoaga

PETRA | Round Dining Table
130 x 130 x 75 cm
160 x 160 x 75 cm
180 x 180 x 75 cm

PETRA | Coffee Table
150 x 80 x 40 cm
182 x 96 x 40 cm
200 x 100 x 36 cm

A fictional space designed to host a new lineage of stone furniture pieces from @peca_studio. Balancing vivid tezontle stone colours with earthy, grounding tones, the space allows furniture both to stand out and be felt as an integral part of the place.

The boundary between spatial and furniture design becomes blurred: it’s a tool of synchronization. The furniture is not created solely as sculpture, but it’s also a connector between different uses of space. This fictional environment was built around this dual nature, thoughtfully designed to hold it.

The furniture design, on the other hand, holds reverence towards the sumptuousness of tezontle, Mexico’s volcanic stone. It leads us to honor this noble material with tables/sculptures whose rich, porous tops sit on monoliths born from the whims of Mexico’s terrain.
Carved lines run through the surface, guiding the eye toward polished discs that flow from the monoliths underneath, telling the story of their origin. Petra calls on the mysteries of nature and their sacred play in our day-to-day lives.

Petra Dining and Coffee tables are now available in tezontle.
Dining in a new round version.

Furniture design: Caterina Moretti @caterinamg
Fictional space design + images: @talanoaga

PETRA | Round Dining Table
130 x 130 x 75 cm
160 x 160 x 75 cm
180 x 180 x 75 cm

PETRA | Coffee Table
150 x 80 x 40 cm
182 x 96 x 40 cm
200 x 100 x 36 cm

A fictional space designed to host a new lineage of stone furniture pieces from @peca_studio. Balancing vivid tezontle stone colours with earthy, grounding tones, the space allows furniture both to stand out and be felt as an integral part of the place.

The boundary between spatial and furniture design becomes blurred: it’s a tool of synchronization. The furniture is not created solely as sculpture, but it’s also a connector between different uses of space. This fictional environment was built around this dual nature, thoughtfully designed to hold it.

The furniture design, on the other hand, holds reverence towards the sumptuousness of tezontle, Mexico’s volcanic stone. It leads us to honor this noble material with tables/sculptures whose rich, porous tops sit on monoliths born from the whims of Mexico’s terrain.
Carved lines run through the surface, guiding the eye toward polished discs that flow from the monoliths underneath, telling the story of their origin. Petra calls on the mysteries of nature and their sacred play in our day-to-day lives.

Petra Dining and Coffee tables are now available in tezontle.
Dining in a new round version.

Furniture design: Caterina Moretti @caterinamg
Fictional space design + images: @talanoaga

PETRA | Round Dining Table
130 x 130 x 75 cm
160 x 160 x 75 cm
180 x 180 x 75 cm

PETRA | Coffee Table
150 x 80 x 40 cm
182 x 96 x 40 cm
200 x 100 x 36 cm

LOTO ROCA | Monolitos de roca volcánica labrada a mano se alzan a diferentes alturas en un sinfín de posibilidades en mesas laterales, bancos y tótems para interior o exterior.
Mesas laterales: 30 x 30 x 45 cm. | 20 x 20 x 55 cm
Tótems: 32 x 32 x 90 cm. | 30 x 30 x 70 cm
Coffee: 60 x 60 x 40 cm
·
Info DM – WA. 33 1139 8868
Diseño: Caterina Moretti

LOTO ROCA | Monolitos de roca volcánica labrada a mano se alzan a diferentes alturas en un sinfín de posibilidades en mesas laterales, bancos y tótems para interior o exterior.
Mesas laterales: 30 x 30 x 45 cm. | 20 x 20 x 55 cm
Tótems: 32 x 32 x 90 cm. | 30 x 30 x 70 cm
Coffee: 60 x 60 x 40 cm
·
Info DM – WA. 33 1139 8868
Diseño: Caterina Moretti

CALMA | Lámpara colgante
Mármol travertino labrado a mano y vidrio soplado libre
24 cm x 24 cm x 22 cm
.
Información: DM - Whatsapp 33 1139 8868
Fotografía: @lazarillo.mx

CALMA | Lámpara colgante
Mármol travertino labrado a mano y vidrio soplado libre
24 cm x 24 cm x 22 cm
.
Información: DM - Whatsapp 33 1139 8868
Fotografía: @lazarillo.mx

CALMA | Lámpara colgante
Mármol travertino labrado a mano y vidrio soplado libre
24 cm x 24 cm x 22 cm
.
Información: DM - Whatsapp 33 1139 8868
Fotografía: @lazarillo.mx

CALMA | Lámpara colgante
Mármol travertino labrado a mano y vidrio soplado libre
24 cm x 24 cm x 22 cm
.
Información: DM - Whatsapp 33 1139 8868
Fotografía: @lazarillo.mx

COA Side Table by Peca Studio @peca_studio

Coa is inspired by the serpentine rhythm, part of a series connecting with the essence of the pre-Hispanic past. Carved in volcanic tezontle, its surfaces interact with light to create shifting highlights and shadows, enhancing depth and movement.

Grounded in the heritage of local materials and the craft of stone carving, Coa bridges tradition and contemporary expression through both material and form.

Available at @basalto.collective
Fictional space design + images: @talanoaga

COA | Side Table
Tezontle stone
43 x 39 x 55 cm

COA Side Table by Peca Studio @peca_studio

Coa is inspired by the serpentine rhythm, part of a series connecting with the essence of the pre-Hispanic past. Carved in volcanic tezontle, its surfaces interact with light to create shifting highlights and shadows, enhancing depth and movement.

Grounded in the heritage of local materials and the craft of stone carving, Coa bridges tradition and contemporary expression through both material and form.

Available at @basalto.collective
Fictional space design + images: @talanoaga

COA | Side Table
Tezontle stone
43 x 39 x 55 cm

The AURUM Credenzas, designed by @caterinamg and @karlaunmillon, were produced as a custom version for the new Cantina Contramar @cantinacontramarlv, within Fontainebleau Las Vegas @fontainebleaulasvegas.

Sandblasted wood: oak in black finish, rosa morada, and ash in natural oil.

The project, by chef Gabriela Cámara, marks Contramar’s first expansion in the United States, bringing its identity into a new context.
Architecture by Frida Escobedo reinterprets the Mexican cantina.

Thank you @gabrielacamara and @fridaescobedo for the invitation!

The AURUM Credenzas, designed by @caterinamg and @karlaunmillon, were produced as a custom version for the new Cantina Contramar @cantinacontramarlv, within Fontainebleau Las Vegas @fontainebleaulasvegas.

Sandblasted wood: oak in black finish, rosa morada, and ash in natural oil.

The project, by chef Gabriela Cámara, marks Contramar’s first expansion in the United States, bringing its identity into a new context.
Architecture by Frida Escobedo reinterprets the Mexican cantina.

Thank you @gabrielacamara and @fridaescobedo for the invitation!

The AURUM Credenzas, designed by @caterinamg and @karlaunmillon, were produced as a custom version for the new Cantina Contramar @cantinacontramarlv, within Fontainebleau Las Vegas @fontainebleaulasvegas.

Sandblasted wood: oak in black finish, rosa morada, and ash in natural oil.

The project, by chef Gabriela Cámara, marks Contramar’s first expansion in the United States, bringing its identity into a new context.
Architecture by Frida Escobedo reinterprets the Mexican cantina.

Thank you @gabrielacamara and @fridaescobedo for the invitation!

The AURUM Credenzas, designed by @caterinamg and @karlaunmillon, were produced as a custom version for the new Cantina Contramar @cantinacontramarlv, within Fontainebleau Las Vegas @fontainebleaulasvegas.

Sandblasted wood: oak in black finish, rosa morada, and ash in natural oil.

The project, by chef Gabriela Cámara, marks Contramar’s first expansion in the United States, bringing its identity into a new context.
Architecture by Frida Escobedo reinterprets the Mexican cantina.

Thank you @gabrielacamara and @fridaescobedo for the invitation!

The AURUM Credenzas, designed by @caterinamg and @karlaunmillon, were produced as a custom version for the new Cantina Contramar @cantinacontramarlv, within Fontainebleau Las Vegas @fontainebleaulasvegas.

Sandblasted wood: oak in black finish, rosa morada, and ash in natural oil.

The project, by chef Gabriela Cámara, marks Contramar’s first expansion in the United States, bringing its identity into a new context.
Architecture by Frida Escobedo reinterprets the Mexican cantina.

Thank you @gabrielacamara and @fridaescobedo for the invitation!

The AURUM Credenzas, designed by @caterinamg and @karlaunmillon, were produced as a custom version for the new Cantina Contramar @cantinacontramarlv, within Fontainebleau Las Vegas @fontainebleaulasvegas.

Sandblasted wood: oak in black finish, rosa morada, and ash in natural oil.

The project, by chef Gabriela Cámara, marks Contramar’s first expansion in the United States, bringing its identity into a new context.
Architecture by Frida Escobedo reinterprets the Mexican cantina.

Thank you @gabrielacamara and @fridaescobedo for the invitation!

The AURUM Credenzas, designed by @caterinamg and @karlaunmillon, were produced as a custom version for the new Cantina Contramar @cantinacontramarlv, within Fontainebleau Las Vegas @fontainebleaulasvegas.

Sandblasted wood: oak in black finish, rosa morada, and ash in natural oil.

The project, by chef Gabriela Cámara, marks Contramar’s first expansion in the United States, bringing its identity into a new context.
Architecture by Frida Escobedo reinterprets the Mexican cantina.

Thank you @gabrielacamara and @fridaescobedo for the invitation!

The AURUM Credenzas, designed by @caterinamg and @karlaunmillon, were produced as a custom version for the new Cantina Contramar @cantinacontramarlv, within Fontainebleau Las Vegas @fontainebleaulasvegas.

Sandblasted wood: oak in black finish, rosa morada, and ash in natural oil.

The project, by chef Gabriela Cámara, marks Contramar’s first expansion in the United States, bringing its identity into a new context.
Architecture by Frida Escobedo reinterprets the Mexican cantina.

Thank you @gabrielacamara and @fridaescobedo for the invitation!

The AURUM Credenzas, designed by @caterinamg and @karlaunmillon, were produced as a custom version for the new Cantina Contramar @cantinacontramarlv, within Fontainebleau Las Vegas @fontainebleaulasvegas.

Sandblasted wood: oak in black finish, rosa morada, and ash in natural oil.

The project, by chef Gabriela Cámara, marks Contramar’s first expansion in the United States, bringing its identity into a new context.
Architecture by Frida Escobedo reinterprets the Mexican cantina.

Thank you @gabrielacamara and @fridaescobedo for the invitation!

The AURUM Credenzas, designed by @caterinamg and @karlaunmillon, were produced as a custom version for the new Cantina Contramar @cantinacontramarlv, within Fontainebleau Las Vegas @fontainebleaulasvegas.

Sandblasted wood: oak in black finish, rosa morada, and ash in natural oil.

The project, by chef Gabriela Cámara, marks Contramar’s first expansion in the United States, bringing its identity into a new context.
Architecture by Frida Escobedo reinterprets the Mexican cantina.

Thank you @gabrielacamara and @fridaescobedo for the invitation!

The AURUM Credenzas, designed by @caterinamg and @karlaunmillon, were produced as a custom version for the new Cantina Contramar @cantinacontramarlv, within Fontainebleau Las Vegas @fontainebleaulasvegas.

Sandblasted wood: oak in black finish, rosa morada, and ash in natural oil.

The project, by chef Gabriela Cámara, marks Contramar’s first expansion in the United States, bringing its identity into a new context.
Architecture by Frida Escobedo reinterprets the Mexican cantina.

Thank you @gabrielacamara and @fridaescobedo for the invitation!

Gratitud por esta gran semana en Oaxaca, guiados por los materiales y la experimentación en los procesos.

Fotografía — Andrés Alejos (@lazarillo.mx)
Video — José Pablo Arellano (@jose_p_arellano)
Soplado de vidrio — Diego Vides (@do_studio_mx)
Asistencia en soplado — Luis Rea (@luisreataller) Escultor
Maestro — Abel Zalazar

Dirección y diseño — Caterina Moretti / Peca

De Tenamaxtlán, Jalisco
a San Agustín Yatareni, Oaxaca.
.
Un gran viaje con :
Abel Zalazar
Foto Andrés Alejos @lazarillo.mx
Video @jose_p_arellano

De Tenamaxtlán, Jalisco
a San Agustín Yatareni, Oaxaca.
.
Un gran viaje con :
Abel Zalazar
Foto Andrés Alejos @lazarillo.mx
Video @jose_p_arellano

De Tenamaxtlán, Jalisco
a San Agustín Yatareni, Oaxaca.
.
Un gran viaje con :
Abel Zalazar
Foto Andrés Alejos @lazarillo.mx
Video @jose_p_arellano

De Tenamaxtlán, Jalisco
a San Agustín Yatareni, Oaxaca.
.
Un gran viaje con :
Abel Zalazar
Foto Andrés Alejos @lazarillo.mx
Video @jose_p_arellano

De Tenamaxtlán, Jalisco
a San Agustín Yatareni, Oaxaca.
.
Un gran viaje con :
Abel Zalazar
Foto Andrés Alejos @lazarillo.mx
Video @jose_p_arellano

AURUM | Contenedores de vidrio soplado
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Diseño @caterinamg @karlaunmillon
Fotos @lazarillo.mx

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Fotos @lazarillo.mx

AURUM | Contenedores de vidrio soplado
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Fotos @lazarillo.mx

AURUM | Contenedores de vidrio soplado
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Diseño @caterinamg @karlaunmillon
Fotos @lazarillo.mx

AURUM | Contenedores de vidrio soplado
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~ Monolito volcánico

PECA (@peca_studio) devela una escultura en piedra que transforma el acto de sentarse en un gesto de poder, pausa y conexión con lo esencial. Hay objetos que se sienten antes de entenderse. TRONO nace de una intuición primaria: trabajar la materia con las manos y permitir que el gesto permanezca. El escultor y diseñador canadiense Jeff Martin (@jeffmartinjoinery) modeló primero en barro crudo, dejando visibles las huellas del proceso —marcas, presiones, ritmos— que luego fueron traducidas al monolito de piedra volcánica mediante labrado manual.

~ Descubre más en MANERA México 09. Disponible en puntos de venta.

Palabras: Sofía Bulnes
Fotos: Samael Covarrubias (@samael.covarrubias)

~ Monolito volcánico

PECA (@peca_studio) devela una escultura en piedra que transforma el acto de sentarse en un gesto de poder, pausa y conexión con lo esencial. Hay objetos que se sienten antes de entenderse. TRONO nace de una intuición primaria: trabajar la materia con las manos y permitir que el gesto permanezca. El escultor y diseñador canadiense Jeff Martin (@jeffmartinjoinery) modeló primero en barro crudo, dejando visibles las huellas del proceso —marcas, presiones, ritmos— que luego fueron traducidas al monolito de piedra volcánica mediante labrado manual.

~ Descubre más en MANERA México 09. Disponible en puntos de venta.

Palabras: Sofía Bulnes
Fotos: Samael Covarrubias (@samael.covarrubias)

~ Monolito volcánico

PECA (@peca_studio) devela una escultura en piedra que transforma el acto de sentarse en un gesto de poder, pausa y conexión con lo esencial. Hay objetos que se sienten antes de entenderse. TRONO nace de una intuición primaria: trabajar la materia con las manos y permitir que el gesto permanezca. El escultor y diseñador canadiense Jeff Martin (@jeffmartinjoinery) modeló primero en barro crudo, dejando visibles las huellas del proceso —marcas, presiones, ritmos— que luego fueron traducidas al monolito de piedra volcánica mediante labrado manual.

~ Descubre más en MANERA México 09. Disponible en puntos de venta.

Palabras: Sofía Bulnes
Fotos: Samael Covarrubias (@samael.covarrubias)

~ Monolito volcánico

PECA (@peca_studio) devela una escultura en piedra que transforma el acto de sentarse en un gesto de poder, pausa y conexión con lo esencial. Hay objetos que se sienten antes de entenderse. TRONO nace de una intuición primaria: trabajar la materia con las manos y permitir que el gesto permanezca. El escultor y diseñador canadiense Jeff Martin (@jeffmartinjoinery) modeló primero en barro crudo, dejando visibles las huellas del proceso —marcas, presiones, ritmos— que luego fueron traducidas al monolito de piedra volcánica mediante labrado manual.

~ Descubre más en MANERA México 09. Disponible en puntos de venta.

Palabras: Sofía Bulnes
Fotos: Samael Covarrubias (@samael.covarrubias)