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CCTV inspired Portfolio for Director & Choreographer Jordan Robson. Randomized feed in a rigid grid, no hierarchy, no safe composition: control vs disruption.

Development by @philipppolder 🤝🏼❤️
Design by @thomasherve_studio

jordanrobson.com

📷 2-5-7 @philipppolder

CCTV inspired Portfolio for Director & Choreographer Jordan Robson. Randomized feed in a rigid grid, no hierarchy, no safe composition: control vs disruption.

Development by @philipppolder 🤝🏼❤️
Design by @thomasherve_studio

jordanrobson.com

📷 2-5-7 @philipppolder

CCTV inspired Portfolio for Director & Choreographer Jordan Robson. Randomized feed in a rigid grid, no hierarchy, no safe composition: control vs disruption.

Development by @philipppolder 🤝🏼❤️
Design by @thomasherve_studio

jordanrobson.com

📷 2-5-7 @philipppolder

CCTV inspired Portfolio for Director & Choreographer Jordan Robson. Randomized feed in a rigid grid, no hierarchy, no safe composition: control vs disruption.

Development by @philipppolder 🤝🏼❤️
Design by @thomasherve_studio

jordanrobson.com

📷 2-5-7 @philipppolder

CCTV inspired Portfolio for Director & Choreographer Jordan Robson. Randomized feed in a rigid grid, no hierarchy, no safe composition: control vs disruption.

Development by @philipppolder 🤝🏼❤️
Design by @thomasherve_studio

jordanrobson.com

📷 2-5-7 @philipppolder

CCTV inspired Portfolio for Director & Choreographer Jordan Robson. Randomized feed in a rigid grid, no hierarchy, no safe composition: control vs disruption.

Development by @philipppolder 🤝🏼❤️
Design by @thomasherve_studio

jordanrobson.com

📷 2-5-7 @philipppolder

CCTV inspired Portfolio for Director & Choreographer Jordan Robson. Randomized feed in a rigid grid, no hierarchy, no safe composition: control vs disruption.

Development by @philipppolder 🤝🏼❤️
Design by @thomasherve_studio

jordanrobson.com

📷 2-5-7 @philipppolder

Squishy scroll effect for contemporary Chamber Music series @feetbecomeears

Feet become Ears
2022/25
Design: @maximilianschachtner @colindoerffler

Squishy scroll effect for contemporary Chamber Music series @feetbecomeears

Feet become Ears
2022/25
Design: @maximilianschachtner @colindoerffler

Squishy scroll effect for contemporary Chamber Music series @feetbecomeears

Feet become Ears
2022/25
Design: @maximilianschachtner @colindoerffler

Squishy scroll effect for contemporary Chamber Music series @feetbecomeears

Feet become Ears
2022/25
Design: @maximilianschachtner @colindoerffler

Squishy scroll effect for contemporary Chamber Music series @feetbecomeears

Feet become Ears
2022/25
Design: @maximilianschachtner @colindoerffler

Stepped scroll animation while browsing through the featured projects on the homepage of @backofthehouse

Back of the House
Paris, 2024–25
Design: @thomasherve_studio

Stepped scroll animation while browsing through the featured projects on the homepage of @backofthehouse

Back of the House
Paris, 2024–25
Design: @thomasherve_studio

Stepped scroll animation while browsing through the featured projects on the homepage of @backofthehouse

Back of the House
Paris, 2024–25
Design: @thomasherve_studio

Two layers moving horizontally and vertically in sync on scroll

Simon Popp
Munich, 2023
Design: @dailydialogue.cc

Two layers moving horizontally and vertically in sync on scroll

Simon Popp
Munich, 2023
Design: @dailydialogue.cc

Radiant, tinted glass effect for Back of the House

Back of the House
Paris, 2024–25
Design: @thomasherve_studio

Radiant, tinted glass effect for Back of the House

Back of the House
Paris, 2024–25
Design: @thomasherve_studio

Radiant, tinted glass effect for Back of the House

Back of the House
Paris, 2024–25
Design: @thomasherve_studio

Radiant, tinted glass effect for Back of the House

Back of the House
Paris, 2024–25
Design: @thomasherve_studio

Radiant, tinted glass effect for Back of the House

Back of the House
Paris, 2024–25
Design: @thomasherve_studio

Radiant, tinted glass effect for Back of the House

Back of the House
Paris, 2024–25
Design: @thomasherve_studio

Radiant, tinted glass effect for Back of the House

Back of the House
Paris, 2024–25
Design: @thomasherve_studio

Radiant, tinted glass effect for Back of the House

Back of the House
Paris, 2024–25
Design: @thomasherve_studio

Development for Back of the House, a Paris based production agency for fashion shows and luxury events

Design: Thomas Hervé

@thomasherve_studio @backofthehouse

#webdevelopment #ui #ux #uiux #fashion

Some Bonus Material including all sorts of things that manifest themselves during the process. I‘m fascinated by Behind-the-Scenes content and sometimes find most interesting, what‘s been left on the „Cutting Room Floor“. So this time around, I wanted to have a little space on the site to show exactly that:
The weird angle, rough drafts in garish colors, the naked baseline grids and other treasures from the Screenshots folder

Some Bonus Material including all sorts of things that manifest themselves during the process. I‘m fascinated by Behind-the-Scenes content and sometimes find most interesting, what‘s been left on the „Cutting Room Floor“. So this time around, I wanted to have a little space on the site to show exactly that:
The weird angle, rough drafts in garish colors, the naked baseline grids and other treasures from the Screenshots folder

Some Bonus Material including all sorts of things that manifest themselves during the process. I‘m fascinated by Behind-the-Scenes content and sometimes find most interesting, what‘s been left on the „Cutting Room Floor“. So this time around, I wanted to have a little space on the site to show exactly that:
The weird angle, rough drafts in garish colors, the naked baseline grids and other treasures from the Screenshots folder

Some Bonus Material including all sorts of things that manifest themselves during the process. I‘m fascinated by Behind-the-Scenes content and sometimes find most interesting, what‘s been left on the „Cutting Room Floor“. So this time around, I wanted to have a little space on the site to show exactly that:
The weird angle, rough drafts in garish colors, the naked baseline grids and other treasures from the Screenshots folder

Some Bonus Material including all sorts of things that manifest themselves during the process. I‘m fascinated by Behind-the-Scenes content and sometimes find most interesting, what‘s been left on the „Cutting Room Floor“. So this time around, I wanted to have a little space on the site to show exactly that:
The weird angle, rough drafts in garish colors, the naked baseline grids and other treasures from the Screenshots folder

Some Bonus Material including all sorts of things that manifest themselves during the process. I‘m fascinated by Behind-the-Scenes content and sometimes find most interesting, what‘s been left on the „Cutting Room Floor“. So this time around, I wanted to have a little space on the site to show exactly that:
The weird angle, rough drafts in garish colors, the naked baseline grids and other treasures from the Screenshots folder

Some Bonus Material including all sorts of things that manifest themselves during the process. I‘m fascinated by Behind-the-Scenes content and sometimes find most interesting, what‘s been left on the „Cutting Room Floor“. So this time around, I wanted to have a little space on the site to show exactly that:
The weird angle, rough drafts in garish colors, the naked baseline grids and other treasures from the Screenshots folder

Some Bonus Material including all sorts of things that manifest themselves during the process. I‘m fascinated by Behind-the-Scenes content and sometimes find most interesting, what‘s been left on the „Cutting Room Floor“. So this time around, I wanted to have a little space on the site to show exactly that:
The weird angle, rough drafts in garish colors, the naked baseline grids and other treasures from the Screenshots folder

Some Bonus Material including all sorts of things that manifest themselves during the process. I‘m fascinated by Behind-the-Scenes content and sometimes find most interesting, what‘s been left on the „Cutting Room Floor“. So this time around, I wanted to have a little space on the site to show exactly that:
The weird angle, rough drafts in garish colors, the naked baseline grids and other treasures from the Screenshots folder

This iteration of the portfolio features a great number of gradients throughout. They‘re used as overlays, borders and masks to blur the lines between foreground and background and allow everything to partially blend together. This creates interplay between different content with spectacular colors.

This iteration of the portfolio features a great number of gradients throughout. They‘re used as overlays, borders and masks to blur the lines between foreground and background and allow everything to partially blend together. This creates interplay between different content with spectacular colors.

This iteration of the portfolio features a great number of gradients throughout. They‘re used as overlays, borders and masks to blur the lines between foreground and background and allow everything to partially blend together. This creates interplay between different content with spectacular colors.

This iteration of the portfolio features a great number of gradients throughout. They‘re used as overlays, borders and masks to blur the lines between foreground and background and allow everything to partially blend together. This creates interplay between different content with spectacular colors.

This iteration of the portfolio features a great number of gradients throughout. They‘re used as overlays, borders and masks to blur the lines between foreground and background and allow everything to partially blend together. This creates interplay between different content with spectacular colors.

This iteration of the portfolio features a great number of gradients throughout. They‘re used as overlays, borders and masks to blur the lines between foreground and background and allow everything to partially blend together. This creates interplay between different content with spectacular colors.

This iteration of the portfolio features a great number of gradients throughout. They‘re used as overlays, borders and masks to blur the lines between foreground and background and allow everything to partially blend together. This creates interplay between different content with spectacular colors.

This iteration of the portfolio features a great number of gradients throughout. They‘re used as overlays, borders and masks to blur the lines between foreground and background and allow everything to partially blend together. This creates interplay between different content with spectacular colors.

Finally, an update.
⠀
The new portfolio features collaborations with @thomasherve_studio @dailydialogue.cc @colindoerffler @wiegandvonhartmann @strobo_bm and more.
⠀
This is only the first release, with more recent work following in the weeks to come.
⠀
Massive thank you to the wonderful people above for working with me, but also to @michael_clasen for his typographic support, @thomasherve_studio for feedback and @maximilianschachtner for support throughout the years.
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#webdesign #webdevelopment #ui #ux #uiux