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There is a generative tension between preservation and destruction. With poetry as an interlocutor, LOTUS L. KANG has found a new way of working through it. Read PHILLIP PYLE on the artist’s new survey at 52 Walker in link in bio.
www.family.style
Lotus L. Kang, “Molt (Toronto-Chicago-Woodridge-New York-),” 2022-2025. Image courtesy of the artist and 52 Walker, New York.
#FamilyStyle
#LotusLKang
Bernadette Corporation in conversation with Phillip Pyle in Issue 14.
Find the full interview as well as other conversations, reviews and exhibition highlights in our newest issue. Check our list of stockists on our website or order your copy online!
"Our origins aren't in fashion or nightlife per se, but in why we chose fashion or nightlife.
We chose fashion because it was looked down on in art. There's a frisson of using something considered dumbass for conceptual means. It's not the medium or the products that characterize our work, but the tendency to be foreign, to not be at home, to be an imposter."
Since 1994, the group of artists known as Bernadette Corporation has explored strategies of cultural resistance and détournement, appropriating contemporary entertainment modes for their own experimental purposes.
From the New York-based BC fashion label, which garnered a cult following in the 1990s, and the magazine Made In USA, launched in 1999, to vide collectively-authored novel Reena Spaulings (Semiotexte, 2005) and videos Starring the likes of Sylvère Lotringer and Chloë Sevigny, Bernadette Corporation's interventionist projects amount to a precisely-calibrated critique of a global culture that constructs identity through consumption and branding.
#bernadettecorporation
Bernadette Corporation in conversation with Phillip Pyle in Issue 14.
Find the full interview as well as other conversations, reviews and exhibition highlights in our newest issue. Check our list of stockists on our website or order your copy online!
"Our origins aren't in fashion or nightlife per se, but in why we chose fashion or nightlife.
We chose fashion because it was looked down on in art. There's a frisson of using something considered dumbass for conceptual means. It's not the medium or the products that characterize our work, but the tendency to be foreign, to not be at home, to be an imposter."
Since 1994, the group of artists known as Bernadette Corporation has explored strategies of cultural resistance and détournement, appropriating contemporary entertainment modes for their own experimental purposes.
From the New York-based BC fashion label, which garnered a cult following in the 1990s, and the magazine Made In USA, launched in 1999, to vide collectively-authored novel Reena Spaulings (Semiotexte, 2005) and videos Starring the likes of Sylvère Lotringer and Chloë Sevigny, Bernadette Corporation's interventionist projects amount to a precisely-calibrated critique of a global culture that constructs identity through consumption and branding.
#bernadettecorporation
Bernadette Corporation in conversation with Phillip Pyle in Issue 14.
Find the full interview as well as other conversations, reviews and exhibition highlights in our newest issue. Check our list of stockists on our website or order your copy online!
"Our origins aren't in fashion or nightlife per se, but in why we chose fashion or nightlife.
We chose fashion because it was looked down on in art. There's a frisson of using something considered dumbass for conceptual means. It's not the medium or the products that characterize our work, but the tendency to be foreign, to not be at home, to be an imposter."
Since 1994, the group of artists known as Bernadette Corporation has explored strategies of cultural resistance and détournement, appropriating contemporary entertainment modes for their own experimental purposes.
From the New York-based BC fashion label, which garnered a cult following in the 1990s, and the magazine Made In USA, launched in 1999, to vide collectively-authored novel Reena Spaulings (Semiotexte, 2005) and videos Starring the likes of Sylvère Lotringer and Chloë Sevigny, Bernadette Corporation's interventionist projects amount to a precisely-calibrated critique of a global culture that constructs identity through consumption and branding.
#bernadettecorporation
Bernadette Corporation in conversation with Phillip Pyle in Issue 14.
Find the full interview as well as other conversations, reviews and exhibition highlights in our newest issue. Check our list of stockists on our website or order your copy online!
"Our origins aren't in fashion or nightlife per se, but in why we chose fashion or nightlife.
We chose fashion because it was looked down on in art. There's a frisson of using something considered dumbass for conceptual means. It's not the medium or the products that characterize our work, but the tendency to be foreign, to not be at home, to be an imposter."
Since 1994, the group of artists known as Bernadette Corporation has explored strategies of cultural resistance and détournement, appropriating contemporary entertainment modes for their own experimental purposes.
From the New York-based BC fashion label, which garnered a cult following in the 1990s, and the magazine Made In USA, launched in 1999, to vide collectively-authored novel Reena Spaulings (Semiotexte, 2005) and videos Starring the likes of Sylvère Lotringer and Chloë Sevigny, Bernadette Corporation's interventionist projects amount to a precisely-calibrated critique of a global culture that constructs identity through consumption and branding.
#bernadettecorporation
Bernadette Corporation in conversation with Phillip Pyle in Issue 14.
Find the full interview as well as other conversations, reviews and exhibition highlights in our newest issue. Check our list of stockists on our website or order your copy online!
"Our origins aren't in fashion or nightlife per se, but in why we chose fashion or nightlife.
We chose fashion because it was looked down on in art. There's a frisson of using something considered dumbass for conceptual means. It's not the medium or the products that characterize our work, but the tendency to be foreign, to not be at home, to be an imposter."
Since 1994, the group of artists known as Bernadette Corporation has explored strategies of cultural resistance and détournement, appropriating contemporary entertainment modes for their own experimental purposes.
From the New York-based BC fashion label, which garnered a cult following in the 1990s, and the magazine Made In USA, launched in 1999, to vide collectively-authored novel Reena Spaulings (Semiotexte, 2005) and videos Starring the likes of Sylvère Lotringer and Chloë Sevigny, Bernadette Corporation's interventionist projects amount to a precisely-calibrated critique of a global culture that constructs identity through consumption and branding.
#bernadettecorporation
Coco Fusco’s first retrospective in the US casts the artist’s explorations of identity and the othering of marginalized cultures into new light, writes Phillip Pyle.
Read at the link in bio.
#phillippyle #cocofusco #elmuseodelbarrio
@phillippyle @elmuseo
Images: [1] Coco Fusco, La noche eterna [The Eternal Night], 2023.[2] View of Coco Fusco’s “Tomorrow, I Will Become an Island” at El Museo del Barrio, New York, 2025. Images courtesy of El Museo del Barrio. Photos by Matthew Sherman.
Coco Fusco’s first retrospective in the US casts the artist’s explorations of identity and the othering of marginalized cultures into new light, writes Phillip Pyle.
Read at the link in bio.
#phillippyle #cocofusco #elmuseodelbarrio
@phillippyle @elmuseo
Images: [1] Coco Fusco, La noche eterna [The Eternal Night], 2023.[2] View of Coco Fusco’s “Tomorrow, I Will Become an Island” at El Museo del Barrio, New York, 2025. Images courtesy of El Museo del Barrio. Photos by Matthew Sherman.
Coco Fusco’s first retrospective in the US casts the artist’s explorations of identity and the othering of marginalized cultures into new light, writes Phillip Pyle.
Read at the link in bio.
#phillippyle #cocofusco #elmuseodelbarrio
@phillippyle @elmuseo
Images: [1] Coco Fusco, La noche eterna [The Eternal Night], 2023.[2] View of Coco Fusco’s “Tomorrow, I Will Become an Island” at El Museo del Barrio, New York, 2025. Images courtesy of El Museo del Barrio. Photos by Matthew Sherman.
Excited to be back in Helsinki next week for @helsinkimusicweek, where I curated this year’s Talks program “Interstitial Sound” and will introduce and moderate seven conversations, lectures, panels, and workshops, which are free and open to the public, on Thursday and Friday. More info below xx
______________________
Thursday 14.05 - HMW TALKS 2026: INTERSTITIAL SOUND
HMW Talks is Helsinki Music Week’s platform for conversations, lectures, and panels on the role of sound in contemporary culture, organized as a joint project between Helsinki Music Week and @helsinki.
Curated by writer and researcher Phillip Pyle, this second edition centers on the theme of “interstitial sound.” Built on the belief that music as both a medium and a culture industry is inherently contingent and in constant flux, the program looks to those working at the gaps and openings of culture today. It brings together artists navigating the visual and sonic, researchers writing from the iconoclastic edge of emerging digital cultures, and technologists building in the space between DAWs (digital audio workstations) and DSPs (digital streaming platforms). HMW Talks will take place at the historic Finnkino Maxim on Thursday, May 14. Everyone is welcome to join. Entry is free.
Image-Sound-Text: Conversation between @__.ewa.__ and @phillippyle, Thursday 14.05, 14.00
@untitledinbrackets : Between Creation and Circulation Panel discussion with Dan Lilithenthal and José Chayet, moderated by @phillippyle, Thursday 14.05, 14.45
HP #1 at SUNNYSIDE: The Geography of Decay Panel discussion with @varg2tm and @sunnyside.site, moderated by @phillippyle, Thursday 14.05, 15.30
@kieranpressreynolds : Embracing Rabbit Holes and Our Shitpostmodernist Future, Thursday 14.05, 16.15
Friday 15.05 - HMW TALKS 2026: WORKSHOPS
If Thursday at Finnkino Maxim was about the big ideas, Friday at Tiivistämö is about making them happen. We’re moving from theory to practice with a day of functional workshops designed for anyone looking to actually build something in the music industry, from first-timers to established pros.
Location: Tiivistämö, Suvilahti Entry: Free (Open to all)
Excited to be back in Helsinki next week for @helsinkimusicweek, where I curated this year’s Talks program “Interstitial Sound” and will introduce and moderate seven conversations, lectures, panels, and workshops, which are free and open to the public, on Thursday and Friday. More info below xx
______________________
Thursday 14.05 - HMW TALKS 2026: INTERSTITIAL SOUND
HMW Talks is Helsinki Music Week’s platform for conversations, lectures, and panels on the role of sound in contemporary culture, organized as a joint project between Helsinki Music Week and @helsinki.
Curated by writer and researcher Phillip Pyle, this second edition centers on the theme of “interstitial sound.” Built on the belief that music as both a medium and a culture industry is inherently contingent and in constant flux, the program looks to those working at the gaps and openings of culture today. It brings together artists navigating the visual and sonic, researchers writing from the iconoclastic edge of emerging digital cultures, and technologists building in the space between DAWs (digital audio workstations) and DSPs (digital streaming platforms). HMW Talks will take place at the historic Finnkino Maxim on Thursday, May 14. Everyone is welcome to join. Entry is free.
Image-Sound-Text: Conversation between @__.ewa.__ and @phillippyle, Thursday 14.05, 14.00
@untitledinbrackets : Between Creation and Circulation Panel discussion with Dan Lilithenthal and José Chayet, moderated by @phillippyle, Thursday 14.05, 14.45
HP #1 at SUNNYSIDE: The Geography of Decay Panel discussion with @varg2tm and @sunnyside.site, moderated by @phillippyle, Thursday 14.05, 15.30
@kieranpressreynolds : Embracing Rabbit Holes and Our Shitpostmodernist Future, Thursday 14.05, 16.15
Friday 15.05 - HMW TALKS 2026: WORKSHOPS
If Thursday at Finnkino Maxim was about the big ideas, Friday at Tiivistämö is about making them happen. We’re moving from theory to practice with a day of functional workshops designed for anyone looking to actually build something in the music industry, from first-timers to established pros.
Location: Tiivistämö, Suvilahti Entry: Free (Open to all)
Excited to be back in Helsinki next week for @helsinkimusicweek, where I curated this year’s Talks program “Interstitial Sound” and will introduce and moderate seven conversations, lectures, panels, and workshops, which are free and open to the public, on Thursday and Friday. More info below xx
______________________
Thursday 14.05 - HMW TALKS 2026: INTERSTITIAL SOUND
HMW Talks is Helsinki Music Week’s platform for conversations, lectures, and panels on the role of sound in contemporary culture, organized as a joint project between Helsinki Music Week and @helsinki.
Curated by writer and researcher Phillip Pyle, this second edition centers on the theme of “interstitial sound.” Built on the belief that music as both a medium and a culture industry is inherently contingent and in constant flux, the program looks to those working at the gaps and openings of culture today. It brings together artists navigating the visual and sonic, researchers writing from the iconoclastic edge of emerging digital cultures, and technologists building in the space between DAWs (digital audio workstations) and DSPs (digital streaming platforms). HMW Talks will take place at the historic Finnkino Maxim on Thursday, May 14. Everyone is welcome to join. Entry is free.
Image-Sound-Text: Conversation between @__.ewa.__ and @phillippyle, Thursday 14.05, 14.00
@untitledinbrackets : Between Creation and Circulation Panel discussion with Dan Lilithenthal and José Chayet, moderated by @phillippyle, Thursday 14.05, 14.45
HP #1 at SUNNYSIDE: The Geography of Decay Panel discussion with @varg2tm and @sunnyside.site, moderated by @phillippyle, Thursday 14.05, 15.30
@kieranpressreynolds : Embracing Rabbit Holes and Our Shitpostmodernist Future, Thursday 14.05, 16.15
Friday 15.05 - HMW TALKS 2026: WORKSHOPS
If Thursday at Finnkino Maxim was about the big ideas, Friday at Tiivistämö is about making them happen. We’re moving from theory to practice with a day of functional workshops designed for anyone looking to actually build something in the music industry, from first-timers to established pros.
Location: Tiivistämö, Suvilahti Entry: Free (Open to all)
Excited to be back in Helsinki next week for @helsinkimusicweek, where I curated this year’s Talks program “Interstitial Sound” and will introduce and moderate seven conversations, lectures, panels, and workshops, which are free and open to the public, on Thursday and Friday. More info below xx
______________________
Thursday 14.05 - HMW TALKS 2026: INTERSTITIAL SOUND
HMW Talks is Helsinki Music Week’s platform for conversations, lectures, and panels on the role of sound in contemporary culture, organized as a joint project between Helsinki Music Week and @helsinki.
Curated by writer and researcher Phillip Pyle, this second edition centers on the theme of “interstitial sound.” Built on the belief that music as both a medium and a culture industry is inherently contingent and in constant flux, the program looks to those working at the gaps and openings of culture today. It brings together artists navigating the visual and sonic, researchers writing from the iconoclastic edge of emerging digital cultures, and technologists building in the space between DAWs (digital audio workstations) and DSPs (digital streaming platforms). HMW Talks will take place at the historic Finnkino Maxim on Thursday, May 14. Everyone is welcome to join. Entry is free.
Image-Sound-Text: Conversation between @__.ewa.__ and @phillippyle, Thursday 14.05, 14.00
@untitledinbrackets : Between Creation and Circulation Panel discussion with Dan Lilithenthal and José Chayet, moderated by @phillippyle, Thursday 14.05, 14.45
HP #1 at SUNNYSIDE: The Geography of Decay Panel discussion with @varg2tm and @sunnyside.site, moderated by @phillippyle, Thursday 14.05, 15.30
@kieranpressreynolds : Embracing Rabbit Holes and Our Shitpostmodernist Future, Thursday 14.05, 16.15
Friday 15.05 - HMW TALKS 2026: WORKSHOPS
If Thursday at Finnkino Maxim was about the big ideas, Friday at Tiivistämö is about making them happen. We’re moving from theory to practice with a day of functional workshops designed for anyone looking to actually build something in the music industry, from first-timers to established pros.
Location: Tiivistämö, Suvilahti Entry: Free (Open to all)
Excited to be back in Helsinki next week for @helsinkimusicweek, where I curated this year’s Talks program “Interstitial Sound” and will introduce and moderate seven conversations, lectures, panels, and workshops, which are free and open to the public, on Thursday and Friday. More info below xx
______________________
Thursday 14.05 - HMW TALKS 2026: INTERSTITIAL SOUND
HMW Talks is Helsinki Music Week’s platform for conversations, lectures, and panels on the role of sound in contemporary culture, organized as a joint project between Helsinki Music Week and @helsinki.
Curated by writer and researcher Phillip Pyle, this second edition centers on the theme of “interstitial sound.” Built on the belief that music as both a medium and a culture industry is inherently contingent and in constant flux, the program looks to those working at the gaps and openings of culture today. It brings together artists navigating the visual and sonic, researchers writing from the iconoclastic edge of emerging digital cultures, and technologists building in the space between DAWs (digital audio workstations) and DSPs (digital streaming platforms). HMW Talks will take place at the historic Finnkino Maxim on Thursday, May 14. Everyone is welcome to join. Entry is free.
Image-Sound-Text: Conversation between @__.ewa.__ and @phillippyle, Thursday 14.05, 14.00
@untitledinbrackets : Between Creation and Circulation Panel discussion with Dan Lilithenthal and José Chayet, moderated by @phillippyle, Thursday 14.05, 14.45
HP #1 at SUNNYSIDE: The Geography of Decay Panel discussion with @varg2tm and @sunnyside.site, moderated by @phillippyle, Thursday 14.05, 15.30
@kieranpressreynolds : Embracing Rabbit Holes and Our Shitpostmodernist Future, Thursday 14.05, 16.15
Friday 15.05 - HMW TALKS 2026: WORKSHOPS
If Thursday at Finnkino Maxim was about the big ideas, Friday at Tiivistämö is about making them happen. We’re moving from theory to practice with a day of functional workshops designed for anyone looking to actually build something in the music industry, from first-timers to established pros.
Location: Tiivistämö, Suvilahti Entry: Free (Open to all)
At this year’s Berlinale, I talked with Isabelle Huppert and Ulrike Ottinger, two artists whose work I’ve long admired and whose practices I never imagined crossing over (but am so grateful they did!), about Ottinger’s new film The Blood Countess, where Huppert plays the modern-day vampiric version of the historical figure of Erzsébet Báthory, a 16th-century Hungarian noblewoman-turned-serial killer who allegedly “bathed in the blood of 650 young women to keep herself young.”
Read my full interview with Huppert and Ottinger on 032c.com
At this year’s Berlinale, I talked with Isabelle Huppert and Ulrike Ottinger, two artists whose work I’ve long admired and whose practices I never imagined crossing over (but am so grateful they did!), about Ottinger’s new film The Blood Countess, where Huppert plays the modern-day vampiric version of the historical figure of Erzsébet Báthory, a 16th-century Hungarian noblewoman-turned-serial killer who allegedly “bathed in the blood of 650 young women to keep herself young.”
Read my full interview with Huppert and Ottinger on 032c.com
At this year’s Berlinale, I talked with Isabelle Huppert and Ulrike Ottinger, two artists whose work I’ve long admired and whose practices I never imagined crossing over (but am so grateful they did!), about Ottinger’s new film The Blood Countess, where Huppert plays the modern-day vampiric version of the historical figure of Erzsébet Báthory, a 16th-century Hungarian noblewoman-turned-serial killer who allegedly “bathed in the blood of 650 young women to keep herself young.”
Read my full interview with Huppert and Ottinger on 032c.com
At this year’s Berlinale, I talked with Isabelle Huppert and Ulrike Ottinger, two artists whose work I’ve long admired and whose practices I never imagined crossing over (but am so grateful they did!), about Ottinger’s new film The Blood Countess, where Huppert plays the modern-day vampiric version of the historical figure of Erzsébet Báthory, a 16th-century Hungarian noblewoman-turned-serial killer who allegedly “bathed in the blood of 650 young women to keep herself young.”
Read my full interview with Huppert and Ottinger on 032c.com
At this year’s Berlinale, I talked with Isabelle Huppert and Ulrike Ottinger, two artists whose work I’ve long admired and whose practices I never imagined crossing over (but am so grateful they did!), about Ottinger’s new film The Blood Countess, where Huppert plays the modern-day vampiric version of the historical figure of Erzsébet Báthory, a 16th-century Hungarian noblewoman-turned-serial killer who allegedly “bathed in the blood of 650 young women to keep herself young.”
Read my full interview with Huppert and Ottinger on 032c.com
At this year’s Berlinale, I talked with Isabelle Huppert and Ulrike Ottinger, two artists whose work I’ve long admired and whose practices I never imagined crossing over (but am so grateful they did!), about Ottinger’s new film The Blood Countess, where Huppert plays the modern-day vampiric version of the historical figure of Erzsébet Báthory, a 16th-century Hungarian noblewoman-turned-serial killer who allegedly “bathed in the blood of 650 young women to keep herself young.”
Read my full interview with Huppert and Ottinger on 032c.com
At this year’s Berlinale, I talked with Isabelle Huppert and Ulrike Ottinger, two artists whose work I’ve long admired and whose practices I never imagined crossing over (but am so grateful they did!), about Ottinger’s new film The Blood Countess, where Huppert plays the modern-day vampiric version of the historical figure of Erzsébet Báthory, a 16th-century Hungarian noblewoman-turned-serial killer who allegedly “bathed in the blood of 650 young women to keep herself young.”
Read my full interview with Huppert and Ottinger on 032c.com
At this year’s Berlinale, I talked with Isabelle Huppert and Ulrike Ottinger, two artists whose work I’ve long admired and whose practices I never imagined crossing over (but am so grateful they did!), about Ottinger’s new film The Blood Countess, where Huppert plays the modern-day vampiric version of the historical figure of Erzsébet Báthory, a 16th-century Hungarian noblewoman-turned-serial killer who allegedly “bathed in the blood of 650 young women to keep herself young.”
Read my full interview with Huppert and Ottinger on 032c.com
At this year’s Berlinale, I talked with Isabelle Huppert and Ulrike Ottinger, two artists whose work I’ve long admired and whose practices I never imagined crossing over (but am so grateful they did!), about Ottinger’s new film The Blood Countess, where Huppert plays the modern-day vampiric version of the historical figure of Erzsébet Báthory, a 16th-century Hungarian noblewoman-turned-serial killer who allegedly “bathed in the blood of 650 young women to keep herself young.”
Read my full interview with Huppert and Ottinger on 032c.com
At this year’s Berlinale, I talked with Isabelle Huppert and Ulrike Ottinger, two artists whose work I’ve long admired and whose practices I never imagined crossing over (but am so grateful they did!), about Ottinger’s new film The Blood Countess, where Huppert plays the modern-day vampiric version of the historical figure of Erzsébet Báthory, a 16th-century Hungarian noblewoman-turned-serial killer who allegedly “bathed in the blood of 650 young women to keep herself young.”
Read my full interview with Huppert and Ottinger on 032c.com
At this year’s Berlinale, I talked with Isabelle Huppert and Ulrike Ottinger, two artists whose work I’ve long admired and whose practices I never imagined crossing over (but am so grateful they did!), about Ottinger’s new film The Blood Countess, where Huppert plays the modern-day vampiric version of the historical figure of Erzsébet Báthory, a 16th-century Hungarian noblewoman-turned-serial killer who allegedly “bathed in the blood of 650 young women to keep herself young.”
Read my full interview with Huppert and Ottinger on 032c.com
Interview with @crystallmess around her new exhibition “Belief May Vary” at @amant.arts is now up on 032c.com
We talked about everything from the conspiratorial nature of Memphis rap and France as the ideological substrate of neo-fascism, to the ideas behind ‘Hauntology of an OG’ (2025), her brilliant video made in collaboration with @_____neva
Interview with @crystallmess around her new exhibition “Belief May Vary” at @amant.arts is now up on 032c.com
We talked about everything from the conspiratorial nature of Memphis rap and France as the ideological substrate of neo-fascism, to the ideas behind ‘Hauntology of an OG’ (2025), her brilliant video made in collaboration with @_____neva
Interview with @crystallmess around her new exhibition “Belief May Vary” at @amant.arts is now up on 032c.com
We talked about everything from the conspiratorial nature of Memphis rap and France as the ideological substrate of neo-fascism, to the ideas behind ‘Hauntology of an OG’ (2025), her brilliant video made in collaboration with @_____neva
Interview with @crystallmess around her new exhibition “Belief May Vary” at @amant.arts is now up on 032c.com
We talked about everything from the conspiratorial nature of Memphis rap and France as the ideological substrate of neo-fascism, to the ideas behind ‘Hauntology of an OG’ (2025), her brilliant video made in collaboration with @_____neva
Interview with @crystallmess around her new exhibition “Belief May Vary” at @amant.arts is now up on 032c.com
We talked about everything from the conspiratorial nature of Memphis rap and France as the ideological substrate of neo-fascism, to the ideas behind ‘Hauntology of an OG’ (2025), her brilliant video made in collaboration with @_____neva
Interview with @crystallmess around her new exhibition “Belief May Vary” at @amant.arts is now up on 032c.com
We talked about everything from the conspiratorial nature of Memphis rap and France as the ideological substrate of neo-fascism, to the ideas behind ‘Hauntology of an OG’ (2025), her brilliant video made in collaboration with @_____neva
Interview with @crystallmess around her new exhibition “Belief May Vary” at @amant.arts is now up on 032c.com
We talked about everything from the conspiratorial nature of Memphis rap and France as the ideological substrate of neo-fascism, to the ideas behind ‘Hauntology of an OG’ (2025), her brilliant video made in collaboration with @_____neva
Interview with @crystallmess around her new exhibition “Belief May Vary” at @amant.arts is now up on 032c.com
We talked about everything from the conspiratorial nature of Memphis rap and France as the ideological substrate of neo-fascism, to the ideas behind ‘Hauntology of an OG’ (2025), her brilliant video made in collaboration with @_____neva
Interview with @crystallmess around her new exhibition “Belief May Vary” at @amant.arts is now up on 032c.com
We talked about everything from the conspiratorial nature of Memphis rap and France as the ideological substrate of neo-fascism, to the ideas behind ‘Hauntology of an OG’ (2025), her brilliant video made in collaboration with @_____neva
@kimpetras for @032c 💋Creative direction and interview by moi xx
Story now up on 032c.com
Text @phillippyle
Photography @janphilipzen
Fashion @frankarosa_
Creative Direction @phillippyle
Wigs and Hair @adiamhabtezion
Makeup @sohphea
Videography and BTS Photography @juliasgun
Creative and Production Assistant @emchmiel
Photography Assistant @noahheupel
Fashion Assistants @runnningthroughthe6 @tarekshaterr
Wigs and Hair Assistant @jonesfromvenus
@kimpetras for @032c 💋Creative direction and interview by moi xx
Story now up on 032c.com
Text @phillippyle
Photography @janphilipzen
Fashion @frankarosa_
Creative Direction @phillippyle
Wigs and Hair @adiamhabtezion
Makeup @sohphea
Videography and BTS Photography @juliasgun
Creative and Production Assistant @emchmiel
Photography Assistant @noahheupel
Fashion Assistants @runnningthroughthe6 @tarekshaterr
Wigs and Hair Assistant @jonesfromvenus
@kimpetras for @032c 💋Creative direction and interview by moi xx
Story now up on 032c.com
Text @phillippyle
Photography @janphilipzen
Fashion @frankarosa_
Creative Direction @phillippyle
Wigs and Hair @adiamhabtezion
Makeup @sohphea
Videography and BTS Photography @juliasgun
Creative and Production Assistant @emchmiel
Photography Assistant @noahheupel
Fashion Assistants @runnningthroughthe6 @tarekshaterr
Wigs and Hair Assistant @jonesfromvenus
@kimpetras for @032c 💋Creative direction and interview by moi xx
Story now up on 032c.com
Text @phillippyle
Photography @janphilipzen
Fashion @frankarosa_
Creative Direction @phillippyle
Wigs and Hair @adiamhabtezion
Makeup @sohphea
Videography and BTS Photography @juliasgun
Creative and Production Assistant @emchmiel
Photography Assistant @noahheupel
Fashion Assistants @runnningthroughthe6 @tarekshaterr
Wigs and Hair Assistant @jonesfromvenus
In conversation with @vaginaldavis_official for @thenovembermag around the opening of “Magnificent Product,” which closes in early March at MoMA PS1
Read all 5,000 words from our conversation last fall at novembermag.com
💓
In conversation with @vaginaldavis_official for @thenovembermag around the opening of “Magnificent Product,” which closes in early March at MoMA PS1
Read all 5,000 words from our conversation last fall at novembermag.com
💓
In conversation with @vaginaldavis_official for @thenovembermag around the opening of “Magnificent Product,” which closes in early March at MoMA PS1
Read all 5,000 words from our conversation last fall at novembermag.com
💓
In conversation with @vaginaldavis_official for @thenovembermag around the opening of “Magnificent Product,” which closes in early March at MoMA PS1
Read all 5,000 words from our conversation last fall at novembermag.com
💓
In conversation with @vaginaldavis_official for @thenovembermag around the opening of “Magnificent Product,” which closes in early March at MoMA PS1
Read all 5,000 words from our conversation last fall at novembermag.com
💓
New passport photo from Eliz Digital to announce that, after a brief spell away, I’m returning to @032c as Digital Editor.
Excited to move back to Berlin and to pick things back up with my brilliant colleagues xx
Ciao for now, New York, I love you 💋
📕 👁️ 👂 ✍️
I took inspiration from @adina______images and made a list of everything I wrote this year and lists of the books, shows, performances, and music that I liked this year 😃
📕 👁️ 👂 ✍️
I took inspiration from @adina______images and made a list of everything I wrote this year and lists of the books, shows, performances, and music that I liked this year 😃
📕 👁️ 👂 ✍️
I took inspiration from @adina______images and made a list of everything I wrote this year and lists of the books, shows, performances, and music that I liked this year 😃
📕 👁️ 👂 ✍️
I took inspiration from @adina______images and made a list of everything I wrote this year and lists of the books, shows, performances, and music that I liked this year 😃
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.