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my first vfx experiment ever allowed me to render this 3d sculpted glow-worm into forest of Devinská Kobyla 🧌
creation process and stills are from short 3d animated film titled “Branching Light and the Flickers of a Dawn” that is a part of @oskarcepan award exhibition, on view till 28.2 in Bratislava
🔋project credits🔋
soundscape: @andrejzabkay
video edit: @vladimiravrbinakova
voice: @gluhwee
technical support and consultations: @andrascsefalvay @zuz_husarova
my first vfx experiment ever allowed me to render this 3d sculpted glow-worm into forest of Devinská Kobyla 🧌
creation process and stills are from short 3d animated film titled “Branching Light and the Flickers of a Dawn” that is a part of @oskarcepan award exhibition, on view till 28.2 in Bratislava
🔋project credits🔋
soundscape: @andrejzabkay
video edit: @vladimiravrbinakova
voice: @gluhwee
technical support and consultations: @andrascsefalvay @zuz_husarova
my first vfx experiment ever allowed me to render this 3d sculpted glow-worm into forest of Devinská Kobyla 🧌
creation process and stills are from short 3d animated film titled “Branching Light and the Flickers of a Dawn” that is a part of @oskarcepan award exhibition, on view till 28.2 in Bratislava
🔋project credits🔋
soundscape: @andrejzabkay
video edit: @vladimiravrbinakova
voice: @gluhwee
technical support and consultations: @andrascsefalvay @zuz_husarova
my first vfx experiment ever allowed me to render this 3d sculpted glow-worm into forest of Devinská Kobyla 🧌
creation process and stills are from short 3d animated film titled “Branching Light and the Flickers of a Dawn” that is a part of @oskarcepan award exhibition, on view till 28.2 in Bratislava
🔋project credits🔋
soundscape: @andrejzabkay
video edit: @vladimiravrbinakova
voice: @gluhwee
technical support and consultations: @andrascsefalvay @zuz_husarova
my first vfx experiment ever allowed me to render this 3d sculpted glow-worm into forest of Devinská Kobyla 🧌
creation process and stills are from short 3d animated film titled “Branching Light and the Flickers of a Dawn” that is a part of @oskarcepan award exhibition, on view till 28.2 in Bratislava
🔋project credits🔋
soundscape: @andrejzabkay
video edit: @vladimiravrbinakova
voice: @gluhwee
technical support and consultations: @andrascsefalvay @zuz_husarova
my first vfx experiment ever allowed me to render this 3d sculpted glow-worm into forest of Devinská Kobyla 🧌
creation process and stills are from short 3d animated film titled “Branching Light and the Flickers of a Dawn” that is a part of @oskarcepan award exhibition, on view till 28.2 in Bratislava
🔋project credits🔋
soundscape: @andrejzabkay
video edit: @vladimiravrbinakova
voice: @gluhwee
technical support and consultations: @andrascsefalvay @zuz_husarova
my first vfx experiment ever allowed me to render this 3d sculpted glow-worm into forest of Devinská Kobyla 🧌
creation process and stills are from short 3d animated film titled “Branching Light and the Flickers of a Dawn” that is a part of @oskarcepan award exhibition, on view till 28.2 in Bratislava
🔋project credits🔋
soundscape: @andrejzabkay
video edit: @vladimiravrbinakova
voice: @gluhwee
technical support and consultations: @andrascsefalvay @zuz_husarova
💧
The Ballad Of The Waves That Rotated The Earth
10 min of fictional memory re-construction
soundscape by @andrejzabkay
video edit by @vladimiravrbinakova
on view till 30.4 in a @sopa_gallery
show curated by @erik_vilim
you can find more about the project on my website
link in bio
💧
💧
The Ballad Of The Waves That Rotated The Earth
10 min of fictional memory re-construction
soundscape by @andrejzabkay
video edit by @vladimiravrbinakova
on view till 30.4 in a @sopa_gallery
show curated by @erik_vilim
you can find more about the project on my website
link in bio
💧
💧
The Ballad Of The Waves That Rotated The Earth
10 min of fictional memory re-construction
soundscape by @andrejzabkay
video edit by @vladimiravrbinakova
on view till 30.4 in a @sopa_gallery
show curated by @erik_vilim
you can find more about the project on my website
link in bio
💧
💧
The Ballad Of The Waves That Rotated The Earth
10 min of fictional memory re-construction
soundscape by @andrejzabkay
video edit by @vladimiravrbinakova
on view till 30.4 in a @sopa_gallery
show curated by @erik_vilim
you can find more about the project on my website
link in bio
💧
@ema.cabova spracovala prierez mojou doterajšou tvorbou 🕹️“Za ruku s citlivosťou, von z katastrof” nájdeš v novom letnom čísle @flashart.czech.slovak 🌞 ďakujem!
@ema.cabova spracovala prierez mojou doterajšou tvorbou 🕹️“Za ruku s citlivosťou, von z katastrof” nájdeš v novom letnom čísle @flashart.czech.slovak 🌞 ďakujem!
@ema.cabova spracovala prierez mojou doterajšou tvorbou 🕹️“Za ruku s citlivosťou, von z katastrof” nájdeš v novom letnom čísle @flashart.czech.slovak 🌞 ďakujem!
just a sketch of me and my time echo, sitting in a motion capture suit in front of my computer
just a sketch of me and my time echo, sitting in a motion capture suit in front of my computer
just a sketch of me and my time echo, sitting in a motion capture suit in front of my computer
just a sketch of me and my time echo, sitting in a motion capture suit in front of my computer
just a sketch of me and my time echo, sitting in a motion capture suit in front of my computer
Delighted to take part in this years Festival LUFT group show titled Unconscious Paradises
15. 4. 2026 – 15. 5. 2026
@gafu_ou GAFU, Ostrava
Curators: Jakub Černý, Dominika Goralska, Barbora Mikudová
Artists: Jiří Baštýř, Botond Keresztesi, Sabina Knetlová, Paula Malinowska, Limi.noko, Stach Szumski, Kateřina Šantrochová
Festival LUFT @luft_festival
Gallery GAFU
Fotodocumentation: Dominika Goralska @v.einard
Delighted to take part in this years Festival LUFT group show titled Unconscious Paradises
15. 4. 2026 – 15. 5. 2026
@gafu_ou GAFU, Ostrava
Curators: Jakub Černý, Dominika Goralska, Barbora Mikudová
Artists: Jiří Baštýř, Botond Keresztesi, Sabina Knetlová, Paula Malinowska, Limi.noko, Stach Szumski, Kateřina Šantrochová
Festival LUFT @luft_festival
Gallery GAFU
Fotodocumentation: Dominika Goralska @v.einard
Meet Paula Malinowska @pm.raspberry — a photographer and 3D artist based in Bratislava, whose practice connects photography, photogrammetry, ecology, mythology, and digital technologies.
Her work transforms plant ecosystems into 3D spaces, exploring how technology can reveal new forms of sensitivity toward the planet. Through generative processes, chance, and digital errors, Malinowska creates visual worlds where the human and non-human merge.
Drawing from biology, climatology, posthumanist theory, and ancient myths, she reimagines stories of transformation through today’s urgent contexts: climate catastrophe, gender violence, rape culture, and bodily autonomy.
Her practice asks how art can make the invisible visible — and how new mythologies might help us rethink our relationship with the planet, non-human beings, and ourselves.
Read Paula Malinowska’s full statement on secondaryarchive.org in the Artists section.
Meet Paula Malinowska @pm.raspberry — a photographer and 3D artist based in Bratislava, whose practice connects photography, photogrammetry, ecology, mythology, and digital technologies.
Her work transforms plant ecosystems into 3D spaces, exploring how technology can reveal new forms of sensitivity toward the planet. Through generative processes, chance, and digital errors, Malinowska creates visual worlds where the human and non-human merge.
Drawing from biology, climatology, posthumanist theory, and ancient myths, she reimagines stories of transformation through today’s urgent contexts: climate catastrophe, gender violence, rape culture, and bodily autonomy.
Her practice asks how art can make the invisible visible — and how new mythologies might help us rethink our relationship with the planet, non-human beings, and ourselves.
Read Paula Malinowska’s full statement on secondaryarchive.org in the Artists section.
Meet Paula Malinowska @pm.raspberry — a photographer and 3D artist based in Bratislava, whose practice connects photography, photogrammetry, ecology, mythology, and digital technologies.
Her work transforms plant ecosystems into 3D spaces, exploring how technology can reveal new forms of sensitivity toward the planet. Through generative processes, chance, and digital errors, Malinowska creates visual worlds where the human and non-human merge.
Drawing from biology, climatology, posthumanist theory, and ancient myths, she reimagines stories of transformation through today’s urgent contexts: climate catastrophe, gender violence, rape culture, and bodily autonomy.
Her practice asks how art can make the invisible visible — and how new mythologies might help us rethink our relationship with the planet, non-human beings, and ourselves.
Read Paula Malinowska’s full statement on secondaryarchive.org in the Artists section.
Meet Paula Malinowska @pm.raspberry — a photographer and 3D artist based in Bratislava, whose practice connects photography, photogrammetry, ecology, mythology, and digital technologies.
Her work transforms plant ecosystems into 3D spaces, exploring how technology can reveal new forms of sensitivity toward the planet. Through generative processes, chance, and digital errors, Malinowska creates visual worlds where the human and non-human merge.
Drawing from biology, climatology, posthumanist theory, and ancient myths, she reimagines stories of transformation through today’s urgent contexts: climate catastrophe, gender violence, rape culture, and bodily autonomy.
Her practice asks how art can make the invisible visible — and how new mythologies might help us rethink our relationship with the planet, non-human beings, and ourselves.
Read Paula Malinowska’s full statement on secondaryarchive.org in the Artists section.
🪼 Paula Malinowska: Ballad of the Waves That Rotated the Earth
The cellular memory hypothesis states that memories are stored not only in the brain, but in every single cell of the body. Could memories be stored outside of the boundary of the body? What does the body of a jellyfish, whose cells have the ability to reverse its life cycle, remember? Malinowska’s animated film is a virtual re-construction of a memory from a dead jellyfish. Inspired by the ability of cellular transdifferentiation of a jellyfish (Turritopsis dohrnii), the film addresses the notions of (im)mortality and speculatively explores the existence of planetary memory. The ability of bodies to morph into each other, the extensive interconnectedness of tissues and cells and the concept of cellular memory challenge those linear and limited approaches concerned with different geographical times, memory and other ways in which information is preserved over time from a human perspective.
🪼 Paula Malinowska: Ballad of the Waves That Rotated the Earth
The cellular memory hypothesis states that memories are stored not only in the brain, but in every single cell of the body. Could memories be stored outside of the boundary of the body? What does the body of a jellyfish, whose cells have the ability to reverse its life cycle, remember? Malinowska’s animated film is a virtual re-construction of a memory from a dead jellyfish. Inspired by the ability of cellular transdifferentiation of a jellyfish (Turritopsis dohrnii), the film addresses the notions of (im)mortality and speculatively explores the existence of planetary memory. The ability of bodies to morph into each other, the extensive interconnectedness of tissues and cells and the concept of cellular memory challenge those linear and limited approaches concerned with different geographical times, memory and other ways in which information is preserved over time from a human perspective.
🪼 Paula Malinowska: Ballad of the Waves That Rotated the Earth
The cellular memory hypothesis states that memories are stored not only in the brain, but in every single cell of the body. Could memories be stored outside of the boundary of the body? What does the body of a jellyfish, whose cells have the ability to reverse its life cycle, remember? Malinowska’s animated film is a virtual re-construction of a memory from a dead jellyfish. Inspired by the ability of cellular transdifferentiation of a jellyfish (Turritopsis dohrnii), the film addresses the notions of (im)mortality and speculatively explores the existence of planetary memory. The ability of bodies to morph into each other, the extensive interconnectedness of tissues and cells and the concept of cellular memory challenge those linear and limited approaches concerned with different geographical times, memory and other ways in which information is preserved over time from a human perspective.
🫧Paula Malinowska
Výstava, 15. 4., GAFU (City Campus OU)
Fotografka a 3D umělkyně žijící a působící v Bratislavě. Pracuje především s médiem fotografie, přičemž vytváří 3D fotometrické skeny, které později oživuje do podoby krátkých filmů. Je absolventkou bakalářského studia na Katedře fotografie a magisterského studia na Katedře intermedií na Vysoké škole výtvarných umění v Bratislavě, kde v současnosti pokračuje jako doktorandka na Katedře digitálních umění. Její krátké filmy často poeticky rozebírají klimatologický a biologický rámec, mnohdy z vědeckého hlediska, doplněné jemnou estetikou detailu či poetickým textem, který díla doprovází. V roce 2024 se stala laureátkou ceny Oskara Čepana.
Paula is a photographer and 3D artist living and working in Bratislava. She works primarily with the medium of photography, creating 3D photometric scans that she later brings to life in the form of short films. She holds a bachelor’s degree from the Department of Photography and a master’s degree from the Department of Intermedia at the Academy of Fine Arts and Design in Bratislava, where she is currently pursuing a Ph.D. at the Department of Digital Arts. Her short films often poetically explore climatological and biological frameworks, frequently from a scientific perspective, complemented by a delicate aesthetic of details and poetic text that accompanies the works. In 2024, she was awarded the Oskar Čepan Award.
foto: Leontína Berková
#festivalLUFT #luft #ostrava #provozureky #galerieprovoz
Too Close To Remember curated by @viki_pardovic is on view till 21.3.2026 in @galerieamu ☁️
Installation shots by Eliška Klimešová @eliska_klimesova
The artwork Branching Light and Flickers of a Dawn was created for Oskar Čepan Award 2024 @oskarcepan
with soundscape from @andrejzabkay , video edit by @vladimiravrbinakova and voice- over by Ema Klubisová
Too Close To Remember curated by @viki_pardovic is on view till 21.3.2026 in @galerieamu ☁️
Installation shots by Eliška Klimešová @eliska_klimesova
The artwork Branching Light and Flickers of a Dawn was created for Oskar Čepan Award 2024 @oskarcepan
with soundscape from @andrejzabkay , video edit by @vladimiravrbinakova and voice- over by Ema Klubisová
Too Close To Remember curated by @viki_pardovic is on view till 21.3.2026 in @galerieamu ☁️
Installation shots by Eliška Klimešová @eliska_klimesova
The artwork Branching Light and Flickers of a Dawn was created for Oskar Čepan Award 2024 @oskarcepan
with soundscape from @andrejzabkay , video edit by @vladimiravrbinakova and voice- over by Ema Klubisová
Too Close To Remember curated by @viki_pardovic is on view till 21.3.2026 in @galerieamu ☁️
Installation shots by Eliška Klimešová @eliska_klimesova
The artwork Branching Light and Flickers of a Dawn was created for Oskar Čepan Award 2024 @oskarcepan
with soundscape from @andrejzabkay , video edit by @vladimiravrbinakova and voice- over by Ema Klubisová
Too Close To Remember curated by @viki_pardovic is on view till 21.3.2026 in @galerieamu ☁️
Installation shots by Eliška Klimešová @eliska_klimesova
The artwork Branching Light and Flickers of a Dawn was created for Oskar Čepan Award 2024 @oskarcepan
with soundscape from @andrejzabkay , video edit by @vladimiravrbinakova and voice- over by Ema Klubisová
〰️
Too close to remember
Patrícia Chamrazová, Paula Malinowska, Zlata Ziborova
Kurátorka: Viktória Pardovičová
〰️ Komentovaná prohlídka a dernisáž: 20. 3. 2026, 17:00
〰️ Výstava: 25. 2. – 21. 3. 2026 ST - SO 13 - 19 h
Tři instalace se stávají možná až příliš blízkou zkušeností – předobrazem mezidruhové koexistence a vnímavosti, jež otevírá diskuzi o možnostech překonání hierarchicky formovaného systému současných, člověkem řízených mocenských struktur i sebedestruktivních způsobů prožívání.
📷 Eliška Klimešová
〰️
Celoroční výstavní program GAMU je realizován za finanční podpory Ministerstva kultury ČR a Magistrátu Hlavního městy Prahy. Mediálními partnery jsou Artalk, Artmap a jlbjlt.
〰️
Too close to remember
Patrícia Chamrazová, Paula Malinowska, Zlata Ziborova
Kurátorka: Viktória Pardovičová
〰️ Komentovaná prohlídka a dernisáž: 20. 3. 2026, 17:00
〰️ Výstava: 25. 2. – 21. 3. 2026 ST - SO 13 - 19 h
Tři instalace se stávají možná až příliš blízkou zkušeností – předobrazem mezidruhové koexistence a vnímavosti, jež otevírá diskuzi o možnostech překonání hierarchicky formovaného systému současných, člověkem řízených mocenských struktur i sebedestruktivních způsobů prožívání.
📷 Eliška Klimešová
〰️
Celoroční výstavní program GAMU je realizován za finanční podpory Ministerstva kultury ČR a Magistrátu Hlavního městy Prahy. Mediálními partnery jsou Artalk, Artmap a jlbjlt.
〰️
Too close to remember
Patrícia Chamrazová, Paula Malinowska, Zlata Ziborova
Kurátorka: Viktória Pardovičová
〰️ Komentovaná prohlídka a dernisáž: 20. 3. 2026, 17:00
〰️ Výstava: 25. 2. – 21. 3. 2026 ST - SO 13 - 19 h
Tři instalace se stávají možná až příliš blízkou zkušeností – předobrazem mezidruhové koexistence a vnímavosti, jež otevírá diskuzi o možnostech překonání hierarchicky formovaného systému současných, člověkem řízených mocenských struktur i sebedestruktivních způsobů prožívání.
📷 Eliška Klimešová
〰️
Celoroční výstavní program GAMU je realizován za finanční podpory Ministerstva kultury ČR a Magistrátu Hlavního městy Prahy. Mediálními partnery jsou Artalk, Artmap a jlbjlt.
〰️
Too close to remember
Patrícia Chamrazová, Paula Malinowska, Zlata Ziborova
Kurátorka: Viktória Pardovičová
〰️ Komentovaná prohlídka a dernisáž: 20. 3. 2026, 17:00
〰️ Výstava: 25. 2. – 21. 3. 2026 ST - SO 13 - 19 h
Tři instalace se stávají možná až příliš blízkou zkušeností – předobrazem mezidruhové koexistence a vnímavosti, jež otevírá diskuzi o možnostech překonání hierarchicky formovaného systému současných, člověkem řízených mocenských struktur i sebedestruktivních způsobů prožívání.
📷 Eliška Klimešová
〰️
Celoroční výstavní program GAMU je realizován za finanční podpory Ministerstva kultury ČR a Magistrátu Hlavního městy Prahy. Mediálními partnery jsou Artalk, Artmap a jlbjlt.
〰️
Too close to remember
Patrícia Chamrazová, Paula Malinowska, Zlata Ziborova
Kurátorka: Viktória Pardovičová
〰️ Komentovaná prohlídka a dernisáž: 20. 3. 2026, 17:00
〰️ Výstava: 25. 2. – 21. 3. 2026 ST - SO 13 - 19 h
Tři instalace se stávají možná až příliš blízkou zkušeností – předobrazem mezidruhové koexistence a vnímavosti, jež otevírá diskuzi o možnostech překonání hierarchicky formovaného systému současných, člověkem řízených mocenských struktur i sebedestruktivních způsobů prožívání.
📷 Eliška Klimešová
〰️
Celoroční výstavní program GAMU je realizován za finanční podpory Ministerstva kultury ČR a Magistrátu Hlavního městy Prahy. Mediálními partnery jsou Artalk, Artmap a jlbjlt.
〰️
Too close to remember
Patrícia Chamrazová, Paula Malinowska, Zlata Ziborova
Kurátorka: Viktória Pardovičová
〰️ Komentovaná prohlídka a dernisáž: 20. 3. 2026, 17:00
〰️ Výstava: 25. 2. – 21. 3. 2026 ST - SO 13 - 19 h
Tři instalace se stávají možná až příliš blízkou zkušeností – předobrazem mezidruhové koexistence a vnímavosti, jež otevírá diskuzi o možnostech překonání hierarchicky formovaného systému současných, člověkem řízených mocenských struktur i sebedestruktivních způsobů prožívání.
📷 Eliška Klimešová
〰️
Celoroční výstavní program GAMU je realizován za finanční podpory Ministerstva kultury ČR a Magistrátu Hlavního městy Prahy. Mediálními partnery jsou Artalk, Artmap a jlbjlt.
〰️
Too close to remember
Patrícia Chamrazová, Paula Malinowska, Zlata Ziborova
Kurátorka: Viktória Pardovičová
〰️ Komentovaná prohlídka a dernisáž: 20. 3. 2026, 17:00
〰️ Výstava: 25. 2. – 21. 3. 2026 ST - SO 13 - 19 h
Tři instalace se stávají možná až příliš blízkou zkušeností – předobrazem mezidruhové koexistence a vnímavosti, jež otevírá diskuzi o možnostech překonání hierarchicky formovaného systému současných, člověkem řízených mocenských struktur i sebedestruktivních způsobů prožívání.
📷 Eliška Klimešová
〰️
Celoroční výstavní program GAMU je realizován za finanční podpory Ministerstva kultury ČR a Magistrátu Hlavního městy Prahy. Mediálními partnery jsou Artalk, Artmap a jlbjlt.
〰️
Too close to remember
Patrícia Chamrazová, Paula Malinowska, Zlata Ziborova
Kurátorka: Viktória Pardovičová
〰️ Komentovaná prohlídka a dernisáž: 20. 3. 2026, 17:00
〰️ Výstava: 25. 2. – 21. 3. 2026 ST - SO 13 - 19 h
Tři instalace se stávají možná až příliš blízkou zkušeností – předobrazem mezidruhové koexistence a vnímavosti, jež otevírá diskuzi o možnostech překonání hierarchicky formovaného systému současných, člověkem řízených mocenských struktur i sebedestruktivních způsobů prožívání.
📷 Eliška Klimešová
〰️
Celoroční výstavní program GAMU je realizován za finanční podpory Ministerstva kultury ČR a Magistrátu Hlavního městy Prahy. Mediálními partnery jsou Artalk, Artmap a jlbjlt.
〰️
Too close to remember
Patrícia Chamrazová, Paula Malinowska, Zlata Ziborova
Kurátorka: Viktória Pardovičová
〰️ Komentovaná prohlídka a dernisáž: 20. 3. 2026, 17:00
〰️ Výstava: 25. 2. – 21. 3. 2026 ST - SO 13 - 19 h
Tři instalace se stávají možná až příliš blízkou zkušeností – předobrazem mezidruhové koexistence a vnímavosti, jež otevírá diskuzi o možnostech překonání hierarchicky formovaného systému současných, člověkem řízených mocenských struktur i sebedestruktivních způsobů prožívání.
📷 Eliška Klimešová
〰️
Celoroční výstavní program GAMU je realizován za finanční podpory Ministerstva kultury ČR a Magistrátu Hlavního městy Prahy. Mediálními partnery jsou Artalk, Artmap a jlbjlt.
〰️
Too close to remember
Patrícia Chamrazová, Paula Malinowska, Zlata Ziborova
Kurátorka: Viktória Pardovičová
〰️ Komentovaná prohlídka a dernisáž: 20. 3. 2026, 17:00
〰️ Výstava: 25. 2. – 21. 3. 2026 ST - SO 13 - 19 h
Tři instalace se stávají možná až příliš blízkou zkušeností – předobrazem mezidruhové koexistence a vnímavosti, jež otevírá diskuzi o možnostech překonání hierarchicky formovaného systému současných, člověkem řízených mocenských struktur i sebedestruktivních způsobů prožívání.
📷 Eliška Klimešová
〰️
Celoroční výstavní program GAMU je realizován za finanční podpory Ministerstva kultury ČR a Magistrátu Hlavního městy Prahy. Mediálními partnery jsou Artalk, Artmap a jlbjlt.
〰️
Too close to remember
Patrícia Chamrazová, Paula Malinowska, Zlata Ziborova
Kurátorka: Viktória Pardovičová
〰️ Komentovaná prohlídka a dernisáž: 20. 3. 2026, 17:00
〰️ Výstava: 25. 2. – 21. 3. 2026 ST - SO 13 - 19 h
Tři instalace se stávají možná až příliš blízkou zkušeností – předobrazem mezidruhové koexistence a vnímavosti, jež otevírá diskuzi o možnostech překonání hierarchicky formovaného systému současných, člověkem řízených mocenských struktur i sebedestruktivních způsobů prožívání.
📷 Eliška Klimešová
〰️
Celoroční výstavní program GAMU je realizován za finanční podpory Ministerstva kultury ČR a Magistrátu Hlavního městy Prahy. Mediálními partnery jsou Artalk, Artmap a jlbjlt.
〰️
Too close to remember
Patrícia Chamrazová, Paula Malinowska, Zlata Ziborova
Kurátorka: Viktória Pardovičová
〰️ Komentovaná prohlídka a dernisáž: 20. 3. 2026, 17:00
〰️ Výstava: 25. 2. – 21. 3. 2026 ST - SO 13 - 19 h
Tři instalace se stávají možná až příliš blízkou zkušeností – předobrazem mezidruhové koexistence a vnímavosti, jež otevírá diskuzi o možnostech překonání hierarchicky formovaného systému současných, člověkem řízených mocenských struktur i sebedestruktivních způsobů prožívání.
📷 Eliška Klimešová
〰️
Celoroční výstavní program GAMU je realizován za finanční podpory Ministerstva kultury ČR a Magistrátu Hlavního městy Prahy. Mediálními partnery jsou Artalk, Artmap a jlbjlt.
FAMU Guest Talks:
Paula Malinowska
Wednesday, March 11
5:00 PM
Room U1, Smetanovo nábř. 2, Praha 1
Paula Malinowska is a digital media artist and photographer. She graduated from the Department of Intermedia at the Academy of Fine Arts in Bratislava where she is currently a doctoral student at the Department of Digital Arts. Her artistic practice includes CGI audiovisual works, 3D printing techniques and photography that she further develops into multimedia installations. Her research is based on studies in the fields of biology, climatology and the development of digital technologies, which she connects with elements of speculative fiction and fantasy. She often focuses on the life cycles of beings (organisms) that provide inspiration for the creation of stories transcending the hierarchies established by human society and offering alternative perspectives on the possibilities of empathetic relationships and communication. Her work has been presented at many exhibitions, including More Than Human (Light Art Museum, Budapest, HU, 2025), Sentience (Voloshyn Gallery, Miami, Florida, US, 2024), Whoever settles in a perfect home will have to move (GLASSBOX, Paris, FR, 2023), and others. She has completed residencies at MuseumsQuartier in Vienna (2023), Residency Unlimited in New York (2024), and Plato Gallery in Ostrava (2025).
3D Scanning Workshop with Paula Malinowska
March 12, 2026
10:00 a.m. - 1:00 p.m.
FAMU, Location TBA
Reservations: nikola.brabcova@famu.cz
The workshop is an introduction to 3D scanning using photogrammetry and explores the transformation of a physical object into a digital model. Participants will photograph a selected object and use the software Metashape to generate its 3D digital representation from the images. We will then explore possibilities for further work with the scan in the 3D program Blender and discuss its potential use in artistic practice. Please bring your own laptop, and if possible, a camera.
FAMU Guest Talks:
Paula Malinowska
Wednesday, March 11
5:00 PM
Room U1, Smetanovo nábř. 2, Praha 1
Paula Malinowska is a digital media artist and photographer. She graduated from the Department of Intermedia at the Academy of Fine Arts in Bratislava where she is currently a doctoral student at the Department of Digital Arts. Her artistic practice includes CGI audiovisual works, 3D printing techniques and photography that she further develops into multimedia installations. Her research is based on studies in the fields of biology, climatology and the development of digital technologies, which she connects with elements of speculative fiction and fantasy. She often focuses on the life cycles of beings (organisms) that provide inspiration for the creation of stories transcending the hierarchies established by human society and offering alternative perspectives on the possibilities of empathetic relationships and communication. Her work has been presented at many exhibitions, including More Than Human (Light Art Museum, Budapest, HU, 2025), Sentience (Voloshyn Gallery, Miami, Florida, US, 2024), Whoever settles in a perfect home will have to move (GLASSBOX, Paris, FR, 2023), and others. She has completed residencies at MuseumsQuartier in Vienna (2023), Residency Unlimited in New York (2024), and Plato Gallery in Ostrava (2025).
3D Scanning Workshop with Paula Malinowska
March 12, 2026
10:00 a.m. - 1:00 p.m.
FAMU, Location TBA
Reservations: nikola.brabcova@famu.cz
The workshop is an introduction to 3D scanning using photogrammetry and explores the transformation of a physical object into a digital model. Participants will photograph a selected object and use the software Metashape to generate its 3D digital representation from the images. We will then explore possibilities for further work with the scan in the 3D program Blender and discuss its potential use in artistic practice. Please bring your own laptop, and if possible, a camera.
FAMU Guest Talks:
Paula Malinowska
Wednesday, March 11
5:00 PM
Room U1, Smetanovo nábř. 2, Praha 1
Paula Malinowska is a digital media artist and photographer. She graduated from the Department of Intermedia at the Academy of Fine Arts in Bratislava where she is currently a doctoral student at the Department of Digital Arts. Her artistic practice includes CGI audiovisual works, 3D printing techniques and photography that she further develops into multimedia installations. Her research is based on studies in the fields of biology, climatology and the development of digital technologies, which she connects with elements of speculative fiction and fantasy. She often focuses on the life cycles of beings (organisms) that provide inspiration for the creation of stories transcending the hierarchies established by human society and offering alternative perspectives on the possibilities of empathetic relationships and communication. Her work has been presented at many exhibitions, including More Than Human (Light Art Museum, Budapest, HU, 2025), Sentience (Voloshyn Gallery, Miami, Florida, US, 2024), Whoever settles in a perfect home will have to move (GLASSBOX, Paris, FR, 2023), and others. She has completed residencies at MuseumsQuartier in Vienna (2023), Residency Unlimited in New York (2024), and Plato Gallery in Ostrava (2025).
3D Scanning Workshop with Paula Malinowska
March 12, 2026
10:00 a.m. - 1:00 p.m.
FAMU, Location TBA
Reservations: nikola.brabcova@famu.cz
The workshop is an introduction to 3D scanning using photogrammetry and explores the transformation of a physical object into a digital model. Participants will photograph a selected object and use the software Metashape to generate its 3D digital representation from the images. We will then explore possibilities for further work with the scan in the 3D program Blender and discuss its potential use in artistic practice. Please bring your own laptop, and if possible, a camera.
FAMU Guest Talks:
Paula Malinowska
Wednesday, March 11
5:00 PM
Room U1, Smetanovo nábř. 2, Praha 1
Paula Malinowska is a digital media artist and photographer. She graduated from the Department of Intermedia at the Academy of Fine Arts in Bratislava where she is currently a doctoral student at the Department of Digital Arts. Her artistic practice includes CGI audiovisual works, 3D printing techniques and photography that she further develops into multimedia installations. Her research is based on studies in the fields of biology, climatology and the development of digital technologies, which she connects with elements of speculative fiction and fantasy. She often focuses on the life cycles of beings (organisms) that provide inspiration for the creation of stories transcending the hierarchies established by human society and offering alternative perspectives on the possibilities of empathetic relationships and communication. Her work has been presented at many exhibitions, including More Than Human (Light Art Museum, Budapest, HU, 2025), Sentience (Voloshyn Gallery, Miami, Florida, US, 2024), Whoever settles in a perfect home will have to move (GLASSBOX, Paris, FR, 2023), and others. She has completed residencies at MuseumsQuartier in Vienna (2023), Residency Unlimited in New York (2024), and Plato Gallery in Ostrava (2025).
3D Scanning Workshop with Paula Malinowska
March 12, 2026
10:00 a.m. - 1:00 p.m.
FAMU, Location TBA
Reservations: nikola.brabcova@famu.cz
The workshop is an introduction to 3D scanning using photogrammetry and explores the transformation of a physical object into a digital model. Participants will photograph a selected object and use the software Metashape to generate its 3D digital representation from the images. We will then explore possibilities for further work with the scan in the 3D program Blender and discuss its potential use in artistic practice. Please bring your own laptop, and if possible, a camera.
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
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Explore IG Stories Privately
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Private Instagram Viewer
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Frequently asked questions
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Anonstories lets users view Instagram stories without alerting the creator.
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Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
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Content from private accounts can only be accessed by followers.
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