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Next one / back home >>>
Deardogs LIVES #11 - Friday, June 26th
20:00 - 23:00
@instants_chavires (Montreuil, France)

w/
@polido____ (PT)
@severinblack (UK)
@poppywhispers & @lucile_strike (BE)

12€ early birds / 14€ presales / 16€ OTD (cash only)
Tickets link in bio

Visual by @non.assistance

Last one before summer break 🌊

Next one / back home >>>
Deardogs LIVES #11 - Friday, June 26th
20:00 - 23:00
@instants_chavires (Montreuil, France)

w/
@polido____ (PT)
@severinblack (UK)
@poppywhispers & @lucile_strike (BE)

12€ early birds / 14€ presales / 16€ OTD (cash only)
Tickets link in bio

Visual by @non.assistance

Last one before summer break 🌊

Next one / back home >>>
Deardogs LIVES #11 - Friday, June 26th
20:00 - 23:00
@instants_chavires (Montreuil, France)

w/
@polido____ (PT)
@severinblack (UK)
@poppywhispers & @lucile_strike (BE)

12€ early birds / 14€ presales / 16€ OTD (cash only)
Tickets link in bio

Visual by @non.assistance

Last one before summer break 🌊

Next one / back home >>>
Deardogs LIVES #11 - Friday, June 26th
20:00 - 23:00
@instants_chavires (Montreuil, France)

w/
@polido____ (PT)
@severinblack (UK)
@poppywhispers & @lucile_strike (BE)

12€ early birds / 14€ presales / 16€ OTD (cash only)
Tickets link in bio

Visual by @non.assistance

Last one before summer break 🌊

📋🔊🔦 upcoming set(tings):

26/06 @instants_chavires Paris 🏷️ @__deardogs__
27/06 De Sering, Amsterdam 🏷️ @soworldwide___
4/07 TBA, Düsseldorf

hope to see you there.
thank you to the promoters and venues.

The Barber Shop presents: ‘ACID COMMUNISM, thinking the commons from Mark Fisher’ - March 14th at @macccb.museu (15.30, floor -1 at Avenida211 exhibition)

In this session dedicated to Mark Fisher’s ACID COMMUNISM, the project space The Barber Shop revisits one of the central theorists of its programme through lectures by @sandra_odette_k Kypriotaki and @miguel_etc_cardoso , and a sound performance by @polido____

#MarkFisher (1968–2017) was a British cultural theorist, author, prolific blogger (known as K-Punk), and lecturer in Visual Cultures at Goldsmiths University, London. Also a former member of the Cybernetic Culture Research Unit (CCRU) and the founder of Zero Books, he is known for his influential work on neoliberalism, music, and mental health, most notably in his books Capitalist Realism, Ghosts of My Life, and The Weird and the Eerie.

Mark Fisher’s legacy marked a generation of writers and theorists, and his unfinished book project Acid Communism aims to revive the utopian potential of psychedelic counterculture to imagine a future beyond capitalist realism. It proposes fusing class consciousness with psychedelic consciousness to break with capitalist, neoliberal, and patriarchal regimes, and in doing so it keeps inspiring new horizons for collectivity.

This event is curated by Margarida Mendes, director of The Barber Shop (2009–2016), a project space dedicated to transdisciplinary artistic research originally located in the Avenida 211 building in Lisbon.

For about seven years, The Barber Shop project space hosted artists, philosophers, musicians, and curators to present their investigations in an intimate and exploratory way. It functioned as a small cultural embassy, ​​opening doors to contemporary discourses on art society, and stimulating intersectional dialogue about the conditions of the world.

Event in english - Everyone welcome!

First image from Jacobina, last from @oficinaarara 🍄

The Barber Shop presents: ‘ACID COMMUNISM, thinking the commons from Mark Fisher’ - March 14th at @macccb.museu (15.30, floor -1 at Avenida211 exhibition)

In this session dedicated to Mark Fisher’s ACID COMMUNISM, the project space The Barber Shop revisits one of the central theorists of its programme through lectures by @sandra_odette_k Kypriotaki and @miguel_etc_cardoso , and a sound performance by @polido____

#MarkFisher (1968–2017) was a British cultural theorist, author, prolific blogger (known as K-Punk), and lecturer in Visual Cultures at Goldsmiths University, London. Also a former member of the Cybernetic Culture Research Unit (CCRU) and the founder of Zero Books, he is known for his influential work on neoliberalism, music, and mental health, most notably in his books Capitalist Realism, Ghosts of My Life, and The Weird and the Eerie.

Mark Fisher’s legacy marked a generation of writers and theorists, and his unfinished book project Acid Communism aims to revive the utopian potential of psychedelic counterculture to imagine a future beyond capitalist realism. It proposes fusing class consciousness with psychedelic consciousness to break with capitalist, neoliberal, and patriarchal regimes, and in doing so it keeps inspiring new horizons for collectivity.

This event is curated by Margarida Mendes, director of The Barber Shop (2009–2016), a project space dedicated to transdisciplinary artistic research originally located in the Avenida 211 building in Lisbon.

For about seven years, The Barber Shop project space hosted artists, philosophers, musicians, and curators to present their investigations in an intimate and exploratory way. It functioned as a small cultural embassy, ​​opening doors to contemporary discourses on art society, and stimulating intersectional dialogue about the conditions of the world.

Event in english - Everyone welcome!

First image from Jacobina, last from @oficinaarara 🍄

The Barber Shop presents: ‘ACID COMMUNISM, thinking the commons from Mark Fisher’ - March 14th at @macccb.museu (15.30, floor -1 at Avenida211 exhibition)

In this session dedicated to Mark Fisher’s ACID COMMUNISM, the project space The Barber Shop revisits one of the central theorists of its programme through lectures by @sandra_odette_k Kypriotaki and @miguel_etc_cardoso , and a sound performance by @polido____

#MarkFisher (1968–2017) was a British cultural theorist, author, prolific blogger (known as K-Punk), and lecturer in Visual Cultures at Goldsmiths University, London. Also a former member of the Cybernetic Culture Research Unit (CCRU) and the founder of Zero Books, he is known for his influential work on neoliberalism, music, and mental health, most notably in his books Capitalist Realism, Ghosts of My Life, and The Weird and the Eerie.

Mark Fisher’s legacy marked a generation of writers and theorists, and his unfinished book project Acid Communism aims to revive the utopian potential of psychedelic counterculture to imagine a future beyond capitalist realism. It proposes fusing class consciousness with psychedelic consciousness to break with capitalist, neoliberal, and patriarchal regimes, and in doing so it keeps inspiring new horizons for collectivity.

This event is curated by Margarida Mendes, director of The Barber Shop (2009–2016), a project space dedicated to transdisciplinary artistic research originally located in the Avenida 211 building in Lisbon.

For about seven years, The Barber Shop project space hosted artists, philosophers, musicians, and curators to present their investigations in an intimate and exploratory way. It functioned as a small cultural embassy, ​​opening doors to contemporary discourses on art society, and stimulating intersectional dialogue about the conditions of the world.

Event in english - Everyone welcome!

First image from Jacobina, last from @oficinaarara 🍄

The Barber Shop presents: ‘ACID COMMUNISM, thinking the commons from Mark Fisher’ - March 14th at @macccb.museu (15.30, floor -1 at Avenida211 exhibition)

In this session dedicated to Mark Fisher’s ACID COMMUNISM, the project space The Barber Shop revisits one of the central theorists of its programme through lectures by @sandra_odette_k Kypriotaki and @miguel_etc_cardoso , and a sound performance by @polido____

#MarkFisher (1968–2017) was a British cultural theorist, author, prolific blogger (known as K-Punk), and lecturer in Visual Cultures at Goldsmiths University, London. Also a former member of the Cybernetic Culture Research Unit (CCRU) and the founder of Zero Books, he is known for his influential work on neoliberalism, music, and mental health, most notably in his books Capitalist Realism, Ghosts of My Life, and The Weird and the Eerie.

Mark Fisher’s legacy marked a generation of writers and theorists, and his unfinished book project Acid Communism aims to revive the utopian potential of psychedelic counterculture to imagine a future beyond capitalist realism. It proposes fusing class consciousness with psychedelic consciousness to break with capitalist, neoliberal, and patriarchal regimes, and in doing so it keeps inspiring new horizons for collectivity.

This event is curated by Margarida Mendes, director of The Barber Shop (2009–2016), a project space dedicated to transdisciplinary artistic research originally located in the Avenida 211 building in Lisbon.

For about seven years, The Barber Shop project space hosted artists, philosophers, musicians, and curators to present their investigations in an intimate and exploratory way. It functioned as a small cultural embassy, ​​opening doors to contemporary discourses on art society, and stimulating intersectional dialogue about the conditions of the world.

Event in english - Everyone welcome!

First image from Jacobina, last from @oficinaarara 🍄

The Barber Shop presents: ‘ACID COMMUNISM, thinking the commons from Mark Fisher’ - March 14th at @macccb.museu (15.30, floor -1 at Avenida211 exhibition)

In this session dedicated to Mark Fisher’s ACID COMMUNISM, the project space The Barber Shop revisits one of the central theorists of its programme through lectures by @sandra_odette_k Kypriotaki and @miguel_etc_cardoso , and a sound performance by @polido____

#MarkFisher (1968–2017) was a British cultural theorist, author, prolific blogger (known as K-Punk), and lecturer in Visual Cultures at Goldsmiths University, London. Also a former member of the Cybernetic Culture Research Unit (CCRU) and the founder of Zero Books, he is known for his influential work on neoliberalism, music, and mental health, most notably in his books Capitalist Realism, Ghosts of My Life, and The Weird and the Eerie.

Mark Fisher’s legacy marked a generation of writers and theorists, and his unfinished book project Acid Communism aims to revive the utopian potential of psychedelic counterculture to imagine a future beyond capitalist realism. It proposes fusing class consciousness with psychedelic consciousness to break with capitalist, neoliberal, and patriarchal regimes, and in doing so it keeps inspiring new horizons for collectivity.

This event is curated by Margarida Mendes, director of The Barber Shop (2009–2016), a project space dedicated to transdisciplinary artistic research originally located in the Avenida 211 building in Lisbon.

For about seven years, The Barber Shop project space hosted artists, philosophers, musicians, and curators to present their investigations in an intimate and exploratory way. It functioned as a small cultural embassy, ​​opening doors to contemporary discourses on art society, and stimulating intersectional dialogue about the conditions of the world.

Event in english - Everyone welcome!

First image from Jacobina, last from @oficinaarara 🍄

The Barber Shop presents: ‘ACID COMMUNISM, thinking the commons from Mark Fisher’ - March 14th at @macccb.museu (15.30, floor -1 at Avenida211 exhibition)

In this session dedicated to Mark Fisher’s ACID COMMUNISM, the project space The Barber Shop revisits one of the central theorists of its programme through lectures by @sandra_odette_k Kypriotaki and @miguel_etc_cardoso , and a sound performance by @polido____

#MarkFisher (1968–2017) was a British cultural theorist, author, prolific blogger (known as K-Punk), and lecturer in Visual Cultures at Goldsmiths University, London. Also a former member of the Cybernetic Culture Research Unit (CCRU) and the founder of Zero Books, he is known for his influential work on neoliberalism, music, and mental health, most notably in his books Capitalist Realism, Ghosts of My Life, and The Weird and the Eerie.

Mark Fisher’s legacy marked a generation of writers and theorists, and his unfinished book project Acid Communism aims to revive the utopian potential of psychedelic counterculture to imagine a future beyond capitalist realism. It proposes fusing class consciousness with psychedelic consciousness to break with capitalist, neoliberal, and patriarchal regimes, and in doing so it keeps inspiring new horizons for collectivity.

This event is curated by Margarida Mendes, director of The Barber Shop (2009–2016), a project space dedicated to transdisciplinary artistic research originally located in the Avenida 211 building in Lisbon.

For about seven years, The Barber Shop project space hosted artists, philosophers, musicians, and curators to present their investigations in an intimate and exploratory way. It functioned as a small cultural embassy, ​​opening doors to contemporary discourses on art society, and stimulating intersectional dialogue about the conditions of the world.

Event in english - Everyone welcome!

First image from Jacobina, last from @oficinaarara 🍄

Free Music II
[PDV004]

1. Polido - Live @ ZdB [2025-01-31]
2. Polido & GMCL - “Hearing Smoke” medley @ Galeria Quadrum [2022-07-22]

50min., .AIFF, 48kHz/16-bit.
CD-r in kraft paper cover.

🌅Dragons by Max Shamash.
🖨️Silkscreen @ruina_estudio

Website orders thru 📡 info@projectodevida.org

Free Music II
[PDV004]

1. Polido - Live @ ZdB [2025-01-31]
2. Polido & GMCL - “Hearing Smoke” medley @ Galeria Quadrum [2022-07-22]

50min., .AIFF, 48kHz/16-bit.
CD-r in kraft paper cover.

🌅Dragons by Max Shamash.
🖨️Silkscreen @ruina_estudio

Website orders thru 📡 info@projectodevida.org

MÚSICA LIVRE
black tee’s available 🏴‍☠️

a few already printed / complete batch ready in September

order thru DM or info@projectodevida.org

🖨️ silkscreen @ruina_estudio

Gildan Heavy cotton t-shirts
📦 S, M, L, XL

🫂photographs 2/3/4 @nhnlnnnmnm @encarnacao__

MÚSICA LIVRE
black tee’s available 🏴‍☠️

a few already printed / complete batch ready in September

order thru DM or info@projectodevida.org

🖨️ silkscreen @ruina_estudio

Gildan Heavy cotton t-shirts
📦 S, M, L, XL

🫂photographs 2/3/4 @nhnlnnnmnm @encarnacao__

MÚSICA LIVRE
black tee’s available 🏴‍☠️

a few already printed / complete batch ready in September

order thru DM or info@projectodevida.org

🖨️ silkscreen @ruina_estudio

Gildan Heavy cotton t-shirts
📦 S, M, L, XL

🫂photographs 2/3/4 @nhnlnnnmnm @encarnacao__

MÚSICA LIVRE
black tee’s available 🏴‍☠️

a few already printed / complete batch ready in September

order thru DM or info@projectodevida.org

🖨️ silkscreen @ruina_estudio

Gildan Heavy cotton t-shirts
📦 S, M, L, XL

🫂photographs 2/3/4 @nhnlnnnmnm @encarnacao__

<Lack of Character>
@archaicvaults V/A - Continuing a Worn Out Tradition IV

All digital/physical proceeds go towards Medical Aid For Palestinians and the Lebanese Red Cross.

Mastered by Kinn
Design by @severinblack
—
Been out since February
keeping record of the lineage

<Lack of Character>
@archaicvaults V/A - Continuing a Worn Out Tradition IV

All digital/physical proceeds go towards Medical Aid For Palestinians and the Lebanese Red Cross.

Mastered by Kinn
Design by @severinblack
—
Been out since February
keeping record of the lineage

<Lack of Character>
@archaicvaults V/A - Continuing a Worn Out Tradition IV

All digital/physical proceeds go towards Medical Aid For Palestinians and the Lebanese Red Cross.

Mastered by Kinn
Design by @severinblack
—
Been out since February
keeping record of the lineage

Domingo 15/06 - 18h @areyouwellread
@kaitlyndavies and i will be speaking w/ @lizpelly about her book “Mood Machine”.
Incredibly important book that I wish more people read, as listeners and/or musicians.
As (corporate) poptimism becomes more pervasive, Pelly stresses some longstanding questions on what’s the value of music (how do we think about it), what does “independent” mean, historical music industry business practices and labour rights. And, of course, the “saviour of the music industry”, the Spotify example.

Sábado 20/06 - 21h @smup_parede
primeiro gig na SMUP a convite da @narizentupido
🔊🔊🔊

Domingo 15/06 - 18h @areyouwellread
@kaitlyndavies and i will be speaking w/ @lizpelly about her book “Mood Machine”.
Incredibly important book that I wish more people read, as listeners and/or musicians.
As (corporate) poptimism becomes more pervasive, Pelly stresses some longstanding questions on what’s the value of music (how do we think about it), what does “independent” mean, historical music industry business practices and labour rights. And, of course, the “saviour of the music industry”, the Spotify example.

Sábado 20/06 - 21h @smup_parede
primeiro gig na SMUP a convite da @narizentupido
🔊🔊🔊

Domingo 15/06 - 18h @areyouwellread
@kaitlyndavies and i will be speaking w/ @lizpelly about her book “Mood Machine”.
Incredibly important book that I wish more people read, as listeners and/or musicians.
As (corporate) poptimism becomes more pervasive, Pelly stresses some longstanding questions on what’s the value of music (how do we think about it), what does “independent” mean, historical music industry business practices and labour rights. And, of course, the “saviour of the music industry”, the Spotify example.

Sábado 20/06 - 21h @smup_parede
primeiro gig na SMUP a convite da @narizentupido
🔊🔊🔊

28/05 🔊 Klein “Psalm’s Trust Vol.3”
18/06 🔊 @bergsonist “As If Reality?”

ENG⬇️
New programme for Batalha Centro de Cinema, co-curated with Diana Policarpo. A series of performances happening throughout the year, first two in May/June and continued in September-November.
Departing from sound and into the moving image, we’ve invited national and international artists for both new commissions and presentations of past work.

Opening with a commission for Klein, an additional volume to the sitcom-in-progress of “Psalm’s Trust”. The last volume was shown past November @ new theater hollywood, LA.
The sitcom continues over a vampire detective story, relaying evidence of Vol.2.

In June, Bergsonist presents a work developed during an artistic residency at ISSUE Project Room in 2022. Inspired by David Chalmer’s book “Reality+: Virtual Worlds and the Problems of Philosophy”, the work is informed by a creative approach based on intuition and fragment-based systems towards sonic and visual mediums.

PT⬇️
O @batalhacentrodecinema apresenta um novo programa mensal focado na exploração sonora e na sua relação com o cinema e a imagem em movimento. Com co-curadoria minha e da @diana.policarpo , Câmara Sónica convida artistas nacionais e internacionais a apresentarem criações especificamente comissariadas para o Centro de Cinema — assim como obras já existentes que se destacam no diálogo plástico e sonoro.

28/05 🔊 Klein “Psalm’s Trust Vol.3”
18/06 🔊 @bergsonist “As If Reality?”

ENG⬇️
New programme for Batalha Centro de Cinema, co-curated with Diana Policarpo. A series of performances happening throughout the year, first two in May/June and continued in September-November.
Departing from sound and into the moving image, we’ve invited national and international artists for both new commissions and presentations of past work.

Opening with a commission for Klein, an additional volume to the sitcom-in-progress of “Psalm’s Trust”. The last volume was shown past November @ new theater hollywood, LA.
The sitcom continues over a vampire detective story, relaying evidence of Vol.2.

In June, Bergsonist presents a work developed during an artistic residency at ISSUE Project Room in 2022. Inspired by David Chalmer’s book “Reality+: Virtual Worlds and the Problems of Philosophy”, the work is informed by a creative approach based on intuition and fragment-based systems towards sonic and visual mediums.

PT⬇️
O @batalhacentrodecinema apresenta um novo programa mensal focado na exploração sonora e na sua relação com o cinema e a imagem em movimento. Com co-curadoria minha e da @diana.policarpo , Câmara Sónica convida artistas nacionais e internacionais a apresentarem criações especificamente comissariadas para o Centro de Cinema — assim como obras já existentes que se destacam no diálogo plástico e sonoro.

28/05 🔊 Klein “Psalm’s Trust Vol.3”
18/06 🔊 @bergsonist “As If Reality?”

ENG⬇️
New programme for Batalha Centro de Cinema, co-curated with Diana Policarpo. A series of performances happening throughout the year, first two in May/June and continued in September-November.
Departing from sound and into the moving image, we’ve invited national and international artists for both new commissions and presentations of past work.

Opening with a commission for Klein, an additional volume to the sitcom-in-progress of “Psalm’s Trust”. The last volume was shown past November @ new theater hollywood, LA.
The sitcom continues over a vampire detective story, relaying evidence of Vol.2.

In June, Bergsonist presents a work developed during an artistic residency at ISSUE Project Room in 2022. Inspired by David Chalmer’s book “Reality+: Virtual Worlds and the Problems of Philosophy”, the work is informed by a creative approach based on intuition and fragment-based systems towards sonic and visual mediums.

PT⬇️
O @batalhacentrodecinema apresenta um novo programa mensal focado na exploração sonora e na sua relação com o cinema e a imagem em movimento. Com co-curadoria minha e da @diana.policarpo , Câmara Sónica convida artistas nacionais e internacionais a apresentarem criações especificamente comissariadas para o Centro de Cinema — assim como obras já existentes que se destacam no diálogo plástico e sonoro.

𝘗𝘰𝘳 𝘤𝘰𝘯𝘵𝘢 𝘱𝘳ó𝘱𝘳𝘪𝘢, nova resenha publicada pela Fonoteca Municipal do Porto e da autoria de João Polido, aborda a origem da palavra "cantaril" e a sua ligação com os Cantaril, grupo musical fundado em 1982 que resgatou a música tradicional portuguesa. O seu álbum "Por Conta Própria" foi produzido de forma independente com o objetivo de preservar a cultura da música popular e de ir de encontro às condições económicas do público. Disponível para leitura no site da FMP ou através do link na bio.

#musiclibrary #vinyl #record #fonoteca #porto #archive #vinylcollection #music #article #cantaril

<Modulated Stock>
Folks II @__deardogs__ compilation

Out now on Bandcamp and Nina 💿📁
[digital/CD-r]

Amongst tracks from r333cluse / Oto Ninski / Daisy Ray / p1111111, De Cos / Constanza Castagnet / Polido / NY Graffiti / Severin Black / great area & Lolina
@severinblack @constanzacastagnet @great_area_ @relaxinrecords @peaceanthem

Mastering by Lorenzo Targhetta
Artwork by Manon Michèle

<Modulated Stock>
Folks II @__deardogs__ compilation

Out now on Bandcamp and Nina 💿📁
[digital/CD-r]

Amongst tracks from r333cluse / Oto Ninski / Daisy Ray / p1111111, De Cos / Constanza Castagnet / Polido / NY Graffiti / Severin Black / great area & Lolina
@severinblack @constanzacastagnet @great_area_ @relaxinrecords @peaceanthem

Mastering by Lorenzo Targhetta
Artwork by Manon Michèle

🔊<Espaço Perfilado>

A paisagem já faz pouco sentido e trocam-se os papéis. As gravações de campo tornam-se pseudomorfos de objectos e de sons simples que não se chegam a ouvir (tubo de metal, sino, catraca, clave e assobio). A borda dos espaços é pontuada pelo folhear das páginas e de um vibrafone digital. O timbre e a cadência da voz são peneirados por filtros e análise espectral durante a leitura de textos que se debruçam sobre o processo dinâmico de abstração e reconhecimento, um “dinamismo dialético de negação e apropriação”, e as projeções e orientações de mundos.

Excertos de textos*:
E. M. de Melo e Castro “Poética dos Meios”, Isabelle Stengers “Lá Está de Novo” & “Atenção a Objectos”, Nelson Goodman “Ver além de Ser” & “Mundos em Conflicto”, Bernhard Siegert “Ordem Mundial Simbólica” & “Sair do Projecto.”
*Tradução própria, excepto E. M. de Melo e Castro.

Ferramentas de processamento: Michael Norris Soundmagic Spectral, Dillon Bastan Coalescence, Ewan Bristow SpectraVeil, Zynaptiq Morph, iZotope RX, Waves IR-L Convolution Reverb.
—
Comissão @gnration para a exposição “Ana Vieira: Cadernos de Montagem” >>> escutar no 🔗

obrigado pelo convite a pensar o trabalho da Ana Vieira—os seus ambientes, elementos ,silhuetas, representações [ver “O desenho da menina a fugir do seu suporte” (2014) ou “Ensaio para uma paisagem” (1997)], e codificar leituras de traduções em processo.

🕊️<Birds (Elegy Phase)> now on @ninaprotocol —
Spectral variations on bin shift, pulse rate, phase, # of partials, and gate settings over a loop.

Processing tools developed by Michael Norris.
Artwork painting by Abel Salazar.