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polymath__production
POLYMATH
making shit happen
full service creative : production : curation
film, music video, dance & live arts
brooklyn based, global capacity
FUTURE FORMS V2 • JUNE 11th • @refuge.nyc
TICKETS NOW ON SALE ON EVENTBRITE
The next chapter is ready… and it’s not one to miss!
OUTPUT - DJ SETS: @fysicaltherapy @x3butterfly
BASE - PERFORMANCES: @erezmusic , @tang_uay @bo.martin.matthews @grahamfeeny @taylorannmassa @zanderander @nelsonnmejiaa
Produced by: EREZ, Tanguay, @cam_bond_sczempka, @kenny.jane @polymath__production , ALEF
Lighting @faro__________
Spatial Design @sadra__t
Styling @of.sentience
Sound @sagar_joshi_
Music Program Manager @erez.jpg
Flyer @studiograndhotel
FUTURE FORMS V2 • JUNE 11th • @refuge.nyc
TICKETS NOW ON SALE ON EVENTBRITE
The next chapter is ready… and it’s not one to miss!
OUTPUT - DJ SETS: @fysicaltherapy @x3butterfly
BASE - PERFORMANCES: @erezmusic , @tang_uay @bo.martin.matthews @grahamfeeny @taylorannmassa @zanderander @nelsonnmejiaa
Produced by: EREZ, Tanguay, @cam_bond_sczempka, @kenny.jane @polymath__production , ALEF
Lighting @faro__________
Spatial Design @sadra__t
Styling @of.sentience
Sound @sagar_joshi_
Music Program Manager @erez.jpg
Flyer @studiograndhotel
BTS from our promo shoot for Cats The Jellicle Ball which opens tomorrow on Broadway! Get your tickets!
Promo Directed, and Produced by: Cameron Sczempka @cam_bond_sczempka
Director of Photography: Maddy Talias @maddytalias
Show Directors: Zhailon Levingston, Bill Rauch
Choreography by: Omari Wiles, Arturo Lyons
Production Company: Polymath Production @polymath__production
Music by Andrew Lloyd Webber
Featured in Video:
Dudney Joseph Jr.
Sydney Harcourt
Baby Bryne
Dava Huesca
Silk Mason
André De Shields
Primo
Jonathan Burke
Chasity Moore
Creative Director, Brand: Eleven O’Clock Studio, Jacob Cooper
Marketing: The Season
General Management: Baseline Theatrical
Producers: Lloyd Webber Harrison Musicals and Mike Bosner Productions
Production Supervisor: Nancy Kovacs
Production Coordinator: Mary Page Nance
1AD: Eva Minemar
1AD Photo: Caroline Bates
2AD: Katie Song
1AC: Ariel Pomerantz
1AC: Lilly Nordheimer
2AD: Nick Iovino
Bolt Op: Riley Morgan
Bolt Assist: Simon Manne
Steadi Op: Calvin Falk
DIT: Philipp Kurepin
Gaffer: Adam Reichardt
Key Grip: Vinny DaVino
BBE: Jonathan Tang
Electrics: Tyler Mielke, Nica Fazio, David Persaud
Grips: Yoel Collado, Carter Hoffman, Victoria Todorova
Sound: Ernesto Patin
Photographer: Kanya Iwana
Photo Lighting Designer: Peter Doung
Photo Assist: Ben Wentzel
Photo Assist: Alex Kalb
Photo Digitech: Jeanine Robinson
BTS Photo: Marc Giuffre
Production Designer: Joonie Jang
Set Designer: Zacharie Adams
Art/Props: Oscar Romero, Harry Liddle
Wardrobe/Costume Designer: Queen Jean
Hair Stylist: Nikiya Mathis
Make Up Stylist: Rania Zohny
Wardrobe Assist: Emily White, Kat Ibasco, Xava Moore
Hair Assist: Janera Rose, Allie Jackson, Eli Newsome, Nikiiyah McKay
MU Assist: Desiree Easton, Karol Rodriguez, Brette Spiekerman
Photo Management: Dela Revolucion
Photo Producer: Tiffany Bloomfield
PAs: Ainsley Samuda, Owen Palmer, Eric Dawson, Joseph Ermey
Crafty: Benn Goldschein
Studio and Gear: Be Electric
Camera: Cinemavision
POST
Edit: Trim Edit
Editor: Joey Henshaw
Edit Producer: Noreen Khan
Color: Rare Medium
Colorist: Ayumi Ashley
Head of Production: Evan Bauer
Sound Design & Mix: Meg Ochs
BTS PHOTOS BY ERIC DAWSON
BTS from our promo shoot for Cats The Jellicle Ball which opens tomorrow on Broadway! Get your tickets!
Promo Directed, and Produced by: Cameron Sczempka @cam_bond_sczempka
Director of Photography: Maddy Talias @maddytalias
Show Directors: Zhailon Levingston, Bill Rauch
Choreography by: Omari Wiles, Arturo Lyons
Production Company: Polymath Production @polymath__production
Music by Andrew Lloyd Webber
Featured in Video:
Dudney Joseph Jr.
Sydney Harcourt
Baby Bryne
Dava Huesca
Silk Mason
André De Shields
Primo
Jonathan Burke
Chasity Moore
Creative Director, Brand: Eleven O’Clock Studio, Jacob Cooper
Marketing: The Season
General Management: Baseline Theatrical
Producers: Lloyd Webber Harrison Musicals and Mike Bosner Productions
Production Supervisor: Nancy Kovacs
Production Coordinator: Mary Page Nance
1AD: Eva Minemar
1AD Photo: Caroline Bates
2AD: Katie Song
1AC: Ariel Pomerantz
1AC: Lilly Nordheimer
2AD: Nick Iovino
Bolt Op: Riley Morgan
Bolt Assist: Simon Manne
Steadi Op: Calvin Falk
DIT: Philipp Kurepin
Gaffer: Adam Reichardt
Key Grip: Vinny DaVino
BBE: Jonathan Tang
Electrics: Tyler Mielke, Nica Fazio, David Persaud
Grips: Yoel Collado, Carter Hoffman, Victoria Todorova
Sound: Ernesto Patin
Photographer: Kanya Iwana
Photo Lighting Designer: Peter Doung
Photo Assist: Ben Wentzel
Photo Assist: Alex Kalb
Photo Digitech: Jeanine Robinson
BTS Photo: Marc Giuffre
Production Designer: Joonie Jang
Set Designer: Zacharie Adams
Art/Props: Oscar Romero, Harry Liddle
Wardrobe/Costume Designer: Queen Jean
Hair Stylist: Nikiya Mathis
Make Up Stylist: Rania Zohny
Wardrobe Assist: Emily White, Kat Ibasco, Xava Moore
Hair Assist: Janera Rose, Allie Jackson, Eli Newsome, Nikiiyah McKay
MU Assist: Desiree Easton, Karol Rodriguez, Brette Spiekerman
Photo Management: Dela Revolucion
Photo Producer: Tiffany Bloomfield
PAs: Ainsley Samuda, Owen Palmer, Eric Dawson, Joseph Ermey
Crafty: Benn Goldschein
Studio and Gear: Be Electric
Camera: Cinemavision
POST
Edit: Trim Edit
Editor: Joey Henshaw
Edit Producer: Noreen Khan
Color: Rare Medium
Colorist: Ayumi Ashley
Head of Production: Evan Bauer
Sound Design & Mix: Meg Ochs
BTS PHOTOS BY ERIC DAWSON
BTS from our promo shoot for Cats The Jellicle Ball which opens tomorrow on Broadway! Get your tickets!
Promo Directed, and Produced by: Cameron Sczempka @cam_bond_sczempka
Director of Photography: Maddy Talias @maddytalias
Show Directors: Zhailon Levingston, Bill Rauch
Choreography by: Omari Wiles, Arturo Lyons
Production Company: Polymath Production @polymath__production
Music by Andrew Lloyd Webber
Featured in Video:
Dudney Joseph Jr.
Sydney Harcourt
Baby Bryne
Dava Huesca
Silk Mason
André De Shields
Primo
Jonathan Burke
Chasity Moore
Creative Director, Brand: Eleven O’Clock Studio, Jacob Cooper
Marketing: The Season
General Management: Baseline Theatrical
Producers: Lloyd Webber Harrison Musicals and Mike Bosner Productions
Production Supervisor: Nancy Kovacs
Production Coordinator: Mary Page Nance
1AD: Eva Minemar
1AD Photo: Caroline Bates
2AD: Katie Song
1AC: Ariel Pomerantz
1AC: Lilly Nordheimer
2AD: Nick Iovino
Bolt Op: Riley Morgan
Bolt Assist: Simon Manne
Steadi Op: Calvin Falk
DIT: Philipp Kurepin
Gaffer: Adam Reichardt
Key Grip: Vinny DaVino
BBE: Jonathan Tang
Electrics: Tyler Mielke, Nica Fazio, David Persaud
Grips: Yoel Collado, Carter Hoffman, Victoria Todorova
Sound: Ernesto Patin
Photographer: Kanya Iwana
Photo Lighting Designer: Peter Doung
Photo Assist: Ben Wentzel
Photo Assist: Alex Kalb
Photo Digitech: Jeanine Robinson
BTS Photo: Marc Giuffre
Production Designer: Joonie Jang
Set Designer: Zacharie Adams
Art/Props: Oscar Romero, Harry Liddle
Wardrobe/Costume Designer: Queen Jean
Hair Stylist: Nikiya Mathis
Make Up Stylist: Rania Zohny
Wardrobe Assist: Emily White, Kat Ibasco, Xava Moore
Hair Assist: Janera Rose, Allie Jackson, Eli Newsome, Nikiiyah McKay
MU Assist: Desiree Easton, Karol Rodriguez, Brette Spiekerman
Photo Management: Dela Revolucion
Photo Producer: Tiffany Bloomfield
PAs: Ainsley Samuda, Owen Palmer, Eric Dawson, Joseph Ermey
Crafty: Benn Goldschein
Studio and Gear: Be Electric
Camera: Cinemavision
POST
Edit: Trim Edit
Editor: Joey Henshaw
Edit Producer: Noreen Khan
Color: Rare Medium
Colorist: Ayumi Ashley
Head of Production: Evan Bauer
Sound Design & Mix: Meg Ochs
BTS PHOTOS BY ERIC DAWSON
BTS from our promo shoot for Cats The Jellicle Ball which opens tomorrow on Broadway! Get your tickets!
Promo Directed, and Produced by: Cameron Sczempka @cam_bond_sczempka
Director of Photography: Maddy Talias @maddytalias
Show Directors: Zhailon Levingston, Bill Rauch
Choreography by: Omari Wiles, Arturo Lyons
Production Company: Polymath Production @polymath__production
Music by Andrew Lloyd Webber
Featured in Video:
Dudney Joseph Jr.
Sydney Harcourt
Baby Bryne
Dava Huesca
Silk Mason
André De Shields
Primo
Jonathan Burke
Chasity Moore
Creative Director, Brand: Eleven O’Clock Studio, Jacob Cooper
Marketing: The Season
General Management: Baseline Theatrical
Producers: Lloyd Webber Harrison Musicals and Mike Bosner Productions
Production Supervisor: Nancy Kovacs
Production Coordinator: Mary Page Nance
1AD: Eva Minemar
1AD Photo: Caroline Bates
2AD: Katie Song
1AC: Ariel Pomerantz
1AC: Lilly Nordheimer
2AD: Nick Iovino
Bolt Op: Riley Morgan
Bolt Assist: Simon Manne
Steadi Op: Calvin Falk
DIT: Philipp Kurepin
Gaffer: Adam Reichardt
Key Grip: Vinny DaVino
BBE: Jonathan Tang
Electrics: Tyler Mielke, Nica Fazio, David Persaud
Grips: Yoel Collado, Carter Hoffman, Victoria Todorova
Sound: Ernesto Patin
Photographer: Kanya Iwana
Photo Lighting Designer: Peter Doung
Photo Assist: Ben Wentzel
Photo Assist: Alex Kalb
Photo Digitech: Jeanine Robinson
BTS Photo: Marc Giuffre
Production Designer: Joonie Jang
Set Designer: Zacharie Adams
Art/Props: Oscar Romero, Harry Liddle
Wardrobe/Costume Designer: Queen Jean
Hair Stylist: Nikiya Mathis
Make Up Stylist: Rania Zohny
Wardrobe Assist: Emily White, Kat Ibasco, Xava Moore
Hair Assist: Janera Rose, Allie Jackson, Eli Newsome, Nikiiyah McKay
MU Assist: Desiree Easton, Karol Rodriguez, Brette Spiekerman
Photo Management: Dela Revolucion
Photo Producer: Tiffany Bloomfield
PAs: Ainsley Samuda, Owen Palmer, Eric Dawson, Joseph Ermey
Crafty: Benn Goldschein
Studio and Gear: Be Electric
Camera: Cinemavision
POST
Edit: Trim Edit
Editor: Joey Henshaw
Edit Producer: Noreen Khan
Color: Rare Medium
Colorist: Ayumi Ashley
Head of Production: Evan Bauer
Sound Design & Mix: Meg Ochs
BTS PHOTOS BY ERIC DAWSON
BTS from our promo shoot for Cats The Jellicle Ball which opens tomorrow on Broadway! Get your tickets!
Promo Directed, and Produced by: Cameron Sczempka @cam_bond_sczempka
Director of Photography: Maddy Talias @maddytalias
Show Directors: Zhailon Levingston, Bill Rauch
Choreography by: Omari Wiles, Arturo Lyons
Production Company: Polymath Production @polymath__production
Music by Andrew Lloyd Webber
Featured in Video:
Dudney Joseph Jr.
Sydney Harcourt
Baby Bryne
Dava Huesca
Silk Mason
André De Shields
Primo
Jonathan Burke
Chasity Moore
Creative Director, Brand: Eleven O’Clock Studio, Jacob Cooper
Marketing: The Season
General Management: Baseline Theatrical
Producers: Lloyd Webber Harrison Musicals and Mike Bosner Productions
Production Supervisor: Nancy Kovacs
Production Coordinator: Mary Page Nance
1AD: Eva Minemar
1AD Photo: Caroline Bates
2AD: Katie Song
1AC: Ariel Pomerantz
1AC: Lilly Nordheimer
2AD: Nick Iovino
Bolt Op: Riley Morgan
Bolt Assist: Simon Manne
Steadi Op: Calvin Falk
DIT: Philipp Kurepin
Gaffer: Adam Reichardt
Key Grip: Vinny DaVino
BBE: Jonathan Tang
Electrics: Tyler Mielke, Nica Fazio, David Persaud
Grips: Yoel Collado, Carter Hoffman, Victoria Todorova
Sound: Ernesto Patin
Photographer: Kanya Iwana
Photo Lighting Designer: Peter Doung
Photo Assist: Ben Wentzel
Photo Assist: Alex Kalb
Photo Digitech: Jeanine Robinson
BTS Photo: Marc Giuffre
Production Designer: Joonie Jang
Set Designer: Zacharie Adams
Art/Props: Oscar Romero, Harry Liddle
Wardrobe/Costume Designer: Queen Jean
Hair Stylist: Nikiya Mathis
Make Up Stylist: Rania Zohny
Wardrobe Assist: Emily White, Kat Ibasco, Xava Moore
Hair Assist: Janera Rose, Allie Jackson, Eli Newsome, Nikiiyah McKay
MU Assist: Desiree Easton, Karol Rodriguez, Brette Spiekerman
Photo Management: Dela Revolucion
Photo Producer: Tiffany Bloomfield
PAs: Ainsley Samuda, Owen Palmer, Eric Dawson, Joseph Ermey
Crafty: Benn Goldschein
Studio and Gear: Be Electric
Camera: Cinemavision
POST
Edit: Trim Edit
Editor: Joey Henshaw
Edit Producer: Noreen Khan
Color: Rare Medium
Colorist: Ayumi Ashley
Head of Production: Evan Bauer
Sound Design & Mix: Meg Ochs
BTS PHOTOS BY ERIC DAWSON
BTS from our promo shoot for Cats The Jellicle Ball which opens tomorrow on Broadway! Get your tickets!
Promo Directed, and Produced by: Cameron Sczempka @cam_bond_sczempka
Director of Photography: Maddy Talias @maddytalias
Show Directors: Zhailon Levingston, Bill Rauch
Choreography by: Omari Wiles, Arturo Lyons
Production Company: Polymath Production @polymath__production
Music by Andrew Lloyd Webber
Featured in Video:
Dudney Joseph Jr.
Sydney Harcourt
Baby Bryne
Dava Huesca
Silk Mason
André De Shields
Primo
Jonathan Burke
Chasity Moore
Creative Director, Brand: Eleven O’Clock Studio, Jacob Cooper
Marketing: The Season
General Management: Baseline Theatrical
Producers: Lloyd Webber Harrison Musicals and Mike Bosner Productions
Production Supervisor: Nancy Kovacs
Production Coordinator: Mary Page Nance
1AD: Eva Minemar
1AD Photo: Caroline Bates
2AD: Katie Song
1AC: Ariel Pomerantz
1AC: Lilly Nordheimer
2AD: Nick Iovino
Bolt Op: Riley Morgan
Bolt Assist: Simon Manne
Steadi Op: Calvin Falk
DIT: Philipp Kurepin
Gaffer: Adam Reichardt
Key Grip: Vinny DaVino
BBE: Jonathan Tang
Electrics: Tyler Mielke, Nica Fazio, David Persaud
Grips: Yoel Collado, Carter Hoffman, Victoria Todorova
Sound: Ernesto Patin
Photographer: Kanya Iwana
Photo Lighting Designer: Peter Doung
Photo Assist: Ben Wentzel
Photo Assist: Alex Kalb
Photo Digitech: Jeanine Robinson
BTS Photo: Marc Giuffre
Production Designer: Joonie Jang
Set Designer: Zacharie Adams
Art/Props: Oscar Romero, Harry Liddle
Wardrobe/Costume Designer: Queen Jean
Hair Stylist: Nikiya Mathis
Make Up Stylist: Rania Zohny
Wardrobe Assist: Emily White, Kat Ibasco, Xava Moore
Hair Assist: Janera Rose, Allie Jackson, Eli Newsome, Nikiiyah McKay
MU Assist: Desiree Easton, Karol Rodriguez, Brette Spiekerman
Photo Management: Dela Revolucion
Photo Producer: Tiffany Bloomfield
PAs: Ainsley Samuda, Owen Palmer, Eric Dawson, Joseph Ermey
Crafty: Benn Goldschein
Studio and Gear: Be Electric
Camera: Cinemavision
POST
Edit: Trim Edit
Editor: Joey Henshaw
Edit Producer: Noreen Khan
Color: Rare Medium
Colorist: Ayumi Ashley
Head of Production: Evan Bauer
Sound Design & Mix: Meg Ochs
BTS PHOTOS BY ERIC DAWSON
BTS from our promo shoot for Cats The Jellicle Ball which opens tomorrow on Broadway! Get your tickets!
Promo Directed, and Produced by: Cameron Sczempka @cam_bond_sczempka
Director of Photography: Maddy Talias @maddytalias
Show Directors: Zhailon Levingston, Bill Rauch
Choreography by: Omari Wiles, Arturo Lyons
Production Company: Polymath Production @polymath__production
Music by Andrew Lloyd Webber
Featured in Video:
Dudney Joseph Jr.
Sydney Harcourt
Baby Bryne
Dava Huesca
Silk Mason
André De Shields
Primo
Jonathan Burke
Chasity Moore
Creative Director, Brand: Eleven O’Clock Studio, Jacob Cooper
Marketing: The Season
General Management: Baseline Theatrical
Producers: Lloyd Webber Harrison Musicals and Mike Bosner Productions
Production Supervisor: Nancy Kovacs
Production Coordinator: Mary Page Nance
1AD: Eva Minemar
1AD Photo: Caroline Bates
2AD: Katie Song
1AC: Ariel Pomerantz
1AC: Lilly Nordheimer
2AD: Nick Iovino
Bolt Op: Riley Morgan
Bolt Assist: Simon Manne
Steadi Op: Calvin Falk
DIT: Philipp Kurepin
Gaffer: Adam Reichardt
Key Grip: Vinny DaVino
BBE: Jonathan Tang
Electrics: Tyler Mielke, Nica Fazio, David Persaud
Grips: Yoel Collado, Carter Hoffman, Victoria Todorova
Sound: Ernesto Patin
Photographer: Kanya Iwana
Photo Lighting Designer: Peter Doung
Photo Assist: Ben Wentzel
Photo Assist: Alex Kalb
Photo Digitech: Jeanine Robinson
BTS Photo: Marc Giuffre
Production Designer: Joonie Jang
Set Designer: Zacharie Adams
Art/Props: Oscar Romero, Harry Liddle
Wardrobe/Costume Designer: Queen Jean
Hair Stylist: Nikiya Mathis
Make Up Stylist: Rania Zohny
Wardrobe Assist: Emily White, Kat Ibasco, Xava Moore
Hair Assist: Janera Rose, Allie Jackson, Eli Newsome, Nikiiyah McKay
MU Assist: Desiree Easton, Karol Rodriguez, Brette Spiekerman
Photo Management: Dela Revolucion
Photo Producer: Tiffany Bloomfield
PAs: Ainsley Samuda, Owen Palmer, Eric Dawson, Joseph Ermey
Crafty: Benn Goldschein
Studio and Gear: Be Electric
Camera: Cinemavision
POST
Edit: Trim Edit
Editor: Joey Henshaw
Edit Producer: Noreen Khan
Color: Rare Medium
Colorist: Ayumi Ashley
Head of Production: Evan Bauer
Sound Design & Mix: Meg Ochs
BTS PHOTOS BY ERIC DAWSON
BTS from our promo shoot for Cats The Jellicle Ball which opens tomorrow on Broadway! Get your tickets!
Promo Directed, and Produced by: Cameron Sczempka @cam_bond_sczempka
Director of Photography: Maddy Talias @maddytalias
Show Directors: Zhailon Levingston, Bill Rauch
Choreography by: Omari Wiles, Arturo Lyons
Production Company: Polymath Production @polymath__production
Music by Andrew Lloyd Webber
Featured in Video:
Dudney Joseph Jr.
Sydney Harcourt
Baby Bryne
Dava Huesca
Silk Mason
André De Shields
Primo
Jonathan Burke
Chasity Moore
Creative Director, Brand: Eleven O’Clock Studio, Jacob Cooper
Marketing: The Season
General Management: Baseline Theatrical
Producers: Lloyd Webber Harrison Musicals and Mike Bosner Productions
Production Supervisor: Nancy Kovacs
Production Coordinator: Mary Page Nance
1AD: Eva Minemar
1AD Photo: Caroline Bates
2AD: Katie Song
1AC: Ariel Pomerantz
1AC: Lilly Nordheimer
2AD: Nick Iovino
Bolt Op: Riley Morgan
Bolt Assist: Simon Manne
Steadi Op: Calvin Falk
DIT: Philipp Kurepin
Gaffer: Adam Reichardt
Key Grip: Vinny DaVino
BBE: Jonathan Tang
Electrics: Tyler Mielke, Nica Fazio, David Persaud
Grips: Yoel Collado, Carter Hoffman, Victoria Todorova
Sound: Ernesto Patin
Photographer: Kanya Iwana
Photo Lighting Designer: Peter Doung
Photo Assist: Ben Wentzel
Photo Assist: Alex Kalb
Photo Digitech: Jeanine Robinson
BTS Photo: Marc Giuffre
Production Designer: Joonie Jang
Set Designer: Zacharie Adams
Art/Props: Oscar Romero, Harry Liddle
Wardrobe/Costume Designer: Queen Jean
Hair Stylist: Nikiya Mathis
Make Up Stylist: Rania Zohny
Wardrobe Assist: Emily White, Kat Ibasco, Xava Moore
Hair Assist: Janera Rose, Allie Jackson, Eli Newsome, Nikiiyah McKay
MU Assist: Desiree Easton, Karol Rodriguez, Brette Spiekerman
Photo Management: Dela Revolucion
Photo Producer: Tiffany Bloomfield
PAs: Ainsley Samuda, Owen Palmer, Eric Dawson, Joseph Ermey
Crafty: Benn Goldschein
Studio and Gear: Be Electric
Camera: Cinemavision
POST
Edit: Trim Edit
Editor: Joey Henshaw
Edit Producer: Noreen Khan
Color: Rare Medium
Colorist: Ayumi Ashley
Head of Production: Evan Bauer
Sound Design & Mix: Meg Ochs
BTS PHOTOS BY ERIC DAWSON
BTS from our promo shoot for Cats The Jellicle Ball which opens tomorrow on Broadway! Get your tickets!
Promo Directed, and Produced by: Cameron Sczempka @cam_bond_sczempka
Director of Photography: Maddy Talias @maddytalias
Show Directors: Zhailon Levingston, Bill Rauch
Choreography by: Omari Wiles, Arturo Lyons
Production Company: Polymath Production @polymath__production
Music by Andrew Lloyd Webber
Featured in Video:
Dudney Joseph Jr.
Sydney Harcourt
Baby Bryne
Dava Huesca
Silk Mason
André De Shields
Primo
Jonathan Burke
Chasity Moore
Creative Director, Brand: Eleven O’Clock Studio, Jacob Cooper
Marketing: The Season
General Management: Baseline Theatrical
Producers: Lloyd Webber Harrison Musicals and Mike Bosner Productions
Production Supervisor: Nancy Kovacs
Production Coordinator: Mary Page Nance
1AD: Eva Minemar
1AD Photo: Caroline Bates
2AD: Katie Song
1AC: Ariel Pomerantz
1AC: Lilly Nordheimer
2AD: Nick Iovino
Bolt Op: Riley Morgan
Bolt Assist: Simon Manne
Steadi Op: Calvin Falk
DIT: Philipp Kurepin
Gaffer: Adam Reichardt
Key Grip: Vinny DaVino
BBE: Jonathan Tang
Electrics: Tyler Mielke, Nica Fazio, David Persaud
Grips: Yoel Collado, Carter Hoffman, Victoria Todorova
Sound: Ernesto Patin
Photographer: Kanya Iwana
Photo Lighting Designer: Peter Doung
Photo Assist: Ben Wentzel
Photo Assist: Alex Kalb
Photo Digitech: Jeanine Robinson
BTS Photo: Marc Giuffre
Production Designer: Joonie Jang
Set Designer: Zacharie Adams
Art/Props: Oscar Romero, Harry Liddle
Wardrobe/Costume Designer: Queen Jean
Hair Stylist: Nikiya Mathis
Make Up Stylist: Rania Zohny
Wardrobe Assist: Emily White, Kat Ibasco, Xava Moore
Hair Assist: Janera Rose, Allie Jackson, Eli Newsome, Nikiiyah McKay
MU Assist: Desiree Easton, Karol Rodriguez, Brette Spiekerman
Photo Management: Dela Revolucion
Photo Producer: Tiffany Bloomfield
PAs: Ainsley Samuda, Owen Palmer, Eric Dawson, Joseph Ermey
Crafty: Benn Goldschein
Studio and Gear: Be Electric
Camera: Cinemavision
POST
Edit: Trim Edit
Editor: Joey Henshaw
Edit Producer: Noreen Khan
Color: Rare Medium
Colorist: Ayumi Ashley
Head of Production: Evan Bauer
Sound Design & Mix: Meg Ochs
BTS PHOTOS BY ERIC DAWSON
BTS from our promo shoot for Cats The Jellicle Ball which opens tomorrow on Broadway! Get your tickets!
Promo Directed, and Produced by: Cameron Sczempka @cam_bond_sczempka
Director of Photography: Maddy Talias @maddytalias
Show Directors: Zhailon Levingston, Bill Rauch
Choreography by: Omari Wiles, Arturo Lyons
Production Company: Polymath Production @polymath__production
Music by Andrew Lloyd Webber
Featured in Video:
Dudney Joseph Jr.
Sydney Harcourt
Baby Bryne
Dava Huesca
Silk Mason
André De Shields
Primo
Jonathan Burke
Chasity Moore
Creative Director, Brand: Eleven O’Clock Studio, Jacob Cooper
Marketing: The Season
General Management: Baseline Theatrical
Producers: Lloyd Webber Harrison Musicals and Mike Bosner Productions
Production Supervisor: Nancy Kovacs
Production Coordinator: Mary Page Nance
1AD: Eva Minemar
1AD Photo: Caroline Bates
2AD: Katie Song
1AC: Ariel Pomerantz
1AC: Lilly Nordheimer
2AD: Nick Iovino
Bolt Op: Riley Morgan
Bolt Assist: Simon Manne
Steadi Op: Calvin Falk
DIT: Philipp Kurepin
Gaffer: Adam Reichardt
Key Grip: Vinny DaVino
BBE: Jonathan Tang
Electrics: Tyler Mielke, Nica Fazio, David Persaud
Grips: Yoel Collado, Carter Hoffman, Victoria Todorova
Sound: Ernesto Patin
Photographer: Kanya Iwana
Photo Lighting Designer: Peter Doung
Photo Assist: Ben Wentzel
Photo Assist: Alex Kalb
Photo Digitech: Jeanine Robinson
BTS Photo: Marc Giuffre
Production Designer: Joonie Jang
Set Designer: Zacharie Adams
Art/Props: Oscar Romero, Harry Liddle
Wardrobe/Costume Designer: Queen Jean
Hair Stylist: Nikiya Mathis
Make Up Stylist: Rania Zohny
Wardrobe Assist: Emily White, Kat Ibasco, Xava Moore
Hair Assist: Janera Rose, Allie Jackson, Eli Newsome, Nikiiyah McKay
MU Assist: Desiree Easton, Karol Rodriguez, Brette Spiekerman
Photo Management: Dela Revolucion
Photo Producer: Tiffany Bloomfield
PAs: Ainsley Samuda, Owen Palmer, Eric Dawson, Joseph Ermey
Crafty: Benn Goldschein
Studio and Gear: Be Electric
Camera: Cinemavision
POST
Edit: Trim Edit
Editor: Joey Henshaw
Edit Producer: Noreen Khan
Color: Rare Medium
Colorist: Ayumi Ashley
Head of Production: Evan Bauer
Sound Design & Mix: Meg Ochs
BTS PHOTOS BY ERIC DAWSON
BTS from our promo shoot for Cats The Jellicle Ball which opens tomorrow on Broadway! Get your tickets!
Promo Directed, and Produced by: Cameron Sczempka @cam_bond_sczempka
Director of Photography: Maddy Talias @maddytalias
Show Directors: Zhailon Levingston, Bill Rauch
Choreography by: Omari Wiles, Arturo Lyons
Production Company: Polymath Production @polymath__production
Music by Andrew Lloyd Webber
Featured in Video:
Dudney Joseph Jr.
Sydney Harcourt
Baby Bryne
Dava Huesca
Silk Mason
André De Shields
Primo
Jonathan Burke
Chasity Moore
Creative Director, Brand: Eleven O’Clock Studio, Jacob Cooper
Marketing: The Season
General Management: Baseline Theatrical
Producers: Lloyd Webber Harrison Musicals and Mike Bosner Productions
Production Supervisor: Nancy Kovacs
Production Coordinator: Mary Page Nance
1AD: Eva Minemar
1AD Photo: Caroline Bates
2AD: Katie Song
1AC: Ariel Pomerantz
1AC: Lilly Nordheimer
2AD: Nick Iovino
Bolt Op: Riley Morgan
Bolt Assist: Simon Manne
Steadi Op: Calvin Falk
DIT: Philipp Kurepin
Gaffer: Adam Reichardt
Key Grip: Vinny DaVino
BBE: Jonathan Tang
Electrics: Tyler Mielke, Nica Fazio, David Persaud
Grips: Yoel Collado, Carter Hoffman, Victoria Todorova
Sound: Ernesto Patin
Photographer: Kanya Iwana
Photo Lighting Designer: Peter Doung
Photo Assist: Ben Wentzel
Photo Assist: Alex Kalb
Photo Digitech: Jeanine Robinson
BTS Photo: Marc Giuffre
Production Designer: Joonie Jang
Set Designer: Zacharie Adams
Art/Props: Oscar Romero, Harry Liddle
Wardrobe/Costume Designer: Queen Jean
Hair Stylist: Nikiya Mathis
Make Up Stylist: Rania Zohny
Wardrobe Assist: Emily White, Kat Ibasco, Xava Moore
Hair Assist: Janera Rose, Allie Jackson, Eli Newsome, Nikiiyah McKay
MU Assist: Desiree Easton, Karol Rodriguez, Brette Spiekerman
Photo Management: Dela Revolucion
Photo Producer: Tiffany Bloomfield
PAs: Ainsley Samuda, Owen Palmer, Eric Dawson, Joseph Ermey
Crafty: Benn Goldschein
Studio and Gear: Be Electric
Camera: Cinemavision
POST
Edit: Trim Edit
Editor: Joey Henshaw
Edit Producer: Noreen Khan
Color: Rare Medium
Colorist: Ayumi Ashley
Head of Production: Evan Bauer
Sound Design & Mix: Meg Ochs
BTS PHOTOS BY ERIC DAWSON
BTS from our promo shoot for Cats The Jellicle Ball which opens tomorrow on Broadway! Get your tickets!
Promo Directed, and Produced by: Cameron Sczempka @cam_bond_sczempka
Director of Photography: Maddy Talias @maddytalias
Show Directors: Zhailon Levingston, Bill Rauch
Choreography by: Omari Wiles, Arturo Lyons
Production Company: Polymath Production @polymath__production
Music by Andrew Lloyd Webber
Featured in Video:
Dudney Joseph Jr.
Sydney Harcourt
Baby Bryne
Dava Huesca
Silk Mason
André De Shields
Primo
Jonathan Burke
Chasity Moore
Creative Director, Brand: Eleven O’Clock Studio, Jacob Cooper
Marketing: The Season
General Management: Baseline Theatrical
Producers: Lloyd Webber Harrison Musicals and Mike Bosner Productions
Production Supervisor: Nancy Kovacs
Production Coordinator: Mary Page Nance
1AD: Eva Minemar
1AD Photo: Caroline Bates
2AD: Katie Song
1AC: Ariel Pomerantz
1AC: Lilly Nordheimer
2AD: Nick Iovino
Bolt Op: Riley Morgan
Bolt Assist: Simon Manne
Steadi Op: Calvin Falk
DIT: Philipp Kurepin
Gaffer: Adam Reichardt
Key Grip: Vinny DaVino
BBE: Jonathan Tang
Electrics: Tyler Mielke, Nica Fazio, David Persaud
Grips: Yoel Collado, Carter Hoffman, Victoria Todorova
Sound: Ernesto Patin
Photographer: Kanya Iwana
Photo Lighting Designer: Peter Doung
Photo Assist: Ben Wentzel
Photo Assist: Alex Kalb
Photo Digitech: Jeanine Robinson
BTS Photo: Marc Giuffre
Production Designer: Joonie Jang
Set Designer: Zacharie Adams
Art/Props: Oscar Romero, Harry Liddle
Wardrobe/Costume Designer: Queen Jean
Hair Stylist: Nikiya Mathis
Make Up Stylist: Rania Zohny
Wardrobe Assist: Emily White, Kat Ibasco, Xava Moore
Hair Assist: Janera Rose, Allie Jackson, Eli Newsome, Nikiiyah McKay
MU Assist: Desiree Easton, Karol Rodriguez, Brette Spiekerman
Photo Management: Dela Revolucion
Photo Producer: Tiffany Bloomfield
PAs: Ainsley Samuda, Owen Palmer, Eric Dawson, Joseph Ermey
Crafty: Benn Goldschein
Studio and Gear: Be Electric
Camera: Cinemavision
POST
Edit: Trim Edit
Editor: Joey Henshaw
Edit Producer: Noreen Khan
Color: Rare Medium
Colorist: Ayumi Ashley
Head of Production: Evan Bauer
Sound Design & Mix: Meg Ochs
BTS PHOTOS BY ERIC DAWSON
BTS from our promo shoot for Cats The Jellicle Ball which opens tomorrow on Broadway! Get your tickets!
Promo Directed, and Produced by: Cameron Sczempka @cam_bond_sczempka
Director of Photography: Maddy Talias @maddytalias
Show Directors: Zhailon Levingston, Bill Rauch
Choreography by: Omari Wiles, Arturo Lyons
Production Company: Polymath Production @polymath__production
Music by Andrew Lloyd Webber
Featured in Video:
Dudney Joseph Jr.
Sydney Harcourt
Baby Bryne
Dava Huesca
Silk Mason
André De Shields
Primo
Jonathan Burke
Chasity Moore
Creative Director, Brand: Eleven O’Clock Studio, Jacob Cooper
Marketing: The Season
General Management: Baseline Theatrical
Producers: Lloyd Webber Harrison Musicals and Mike Bosner Productions
Production Supervisor: Nancy Kovacs
Production Coordinator: Mary Page Nance
1AD: Eva Minemar
1AD Photo: Caroline Bates
2AD: Katie Song
1AC: Ariel Pomerantz
1AC: Lilly Nordheimer
2AD: Nick Iovino
Bolt Op: Riley Morgan
Bolt Assist: Simon Manne
Steadi Op: Calvin Falk
DIT: Philipp Kurepin
Gaffer: Adam Reichardt
Key Grip: Vinny DaVino
BBE: Jonathan Tang
Electrics: Tyler Mielke, Nica Fazio, David Persaud
Grips: Yoel Collado, Carter Hoffman, Victoria Todorova
Sound: Ernesto Patin
Photographer: Kanya Iwana
Photo Lighting Designer: Peter Doung
Photo Assist: Ben Wentzel
Photo Assist: Alex Kalb
Photo Digitech: Jeanine Robinson
BTS Photo: Marc Giuffre
Production Designer: Joonie Jang
Set Designer: Zacharie Adams
Art/Props: Oscar Romero, Harry Liddle
Wardrobe/Costume Designer: Queen Jean
Hair Stylist: Nikiya Mathis
Make Up Stylist: Rania Zohny
Wardrobe Assist: Emily White, Kat Ibasco, Xava Moore
Hair Assist: Janera Rose, Allie Jackson, Eli Newsome, Nikiiyah McKay
MU Assist: Desiree Easton, Karol Rodriguez, Brette Spiekerman
Photo Management: Dela Revolucion
Photo Producer: Tiffany Bloomfield
PAs: Ainsley Samuda, Owen Palmer, Eric Dawson, Joseph Ermey
Crafty: Benn Goldschein
Studio and Gear: Be Electric
Camera: Cinemavision
POST
Edit: Trim Edit
Editor: Joey Henshaw
Edit Producer: Noreen Khan
Color: Rare Medium
Colorist: Ayumi Ashley
Head of Production: Evan Bauer
Sound Design & Mix: Meg Ochs
BTS PHOTOS BY ERIC DAWSON
BTS from our promo shoot for Cats The Jellicle Ball which opens tomorrow on Broadway! Get your tickets!
Promo Directed, and Produced by: Cameron Sczempka @cam_bond_sczempka
Director of Photography: Maddy Talias @maddytalias
Show Directors: Zhailon Levingston, Bill Rauch
Choreography by: Omari Wiles, Arturo Lyons
Production Company: Polymath Production @polymath__production
Music by Andrew Lloyd Webber
Featured in Video:
Dudney Joseph Jr.
Sydney Harcourt
Baby Bryne
Dava Huesca
Silk Mason
André De Shields
Primo
Jonathan Burke
Chasity Moore
Creative Director, Brand: Eleven O’Clock Studio, Jacob Cooper
Marketing: The Season
General Management: Baseline Theatrical
Producers: Lloyd Webber Harrison Musicals and Mike Bosner Productions
Production Supervisor: Nancy Kovacs
Production Coordinator: Mary Page Nance
1AD: Eva Minemar
1AD Photo: Caroline Bates
2AD: Katie Song
1AC: Ariel Pomerantz
1AC: Lilly Nordheimer
2AD: Nick Iovino
Bolt Op: Riley Morgan
Bolt Assist: Simon Manne
Steadi Op: Calvin Falk
DIT: Philipp Kurepin
Gaffer: Adam Reichardt
Key Grip: Vinny DaVino
BBE: Jonathan Tang
Electrics: Tyler Mielke, Nica Fazio, David Persaud
Grips: Yoel Collado, Carter Hoffman, Victoria Todorova
Sound: Ernesto Patin
Photographer: Kanya Iwana
Photo Lighting Designer: Peter Doung
Photo Assist: Ben Wentzel
Photo Assist: Alex Kalb
Photo Digitech: Jeanine Robinson
BTS Photo: Marc Giuffre
Production Designer: Joonie Jang
Set Designer: Zacharie Adams
Art/Props: Oscar Romero, Harry Liddle
Wardrobe/Costume Designer: Queen Jean
Hair Stylist: Nikiya Mathis
Make Up Stylist: Rania Zohny
Wardrobe Assist: Emily White, Kat Ibasco, Xava Moore
Hair Assist: Janera Rose, Allie Jackson, Eli Newsome, Nikiiyah McKay
MU Assist: Desiree Easton, Karol Rodriguez, Brette Spiekerman
Photo Management: Dela Revolucion
Photo Producer: Tiffany Bloomfield
PAs: Ainsley Samuda, Owen Palmer, Eric Dawson, Joseph Ermey
Crafty: Benn Goldschein
Studio and Gear: Be Electric
Camera: Cinemavision
POST
Edit: Trim Edit
Editor: Joey Henshaw
Edit Producer: Noreen Khan
Color: Rare Medium
Colorist: Ayumi Ashley
Head of Production: Evan Bauer
Sound Design & Mix: Meg Ochs
BTS PHOTOS BY ERIC DAWSON
BTS from our promo shoot for Cats The Jellicle Ball which opens tomorrow on Broadway! Get your tickets!
Promo Directed, and Produced by: Cameron Sczempka @cam_bond_sczempka
Director of Photography: Maddy Talias @maddytalias
Show Directors: Zhailon Levingston, Bill Rauch
Choreography by: Omari Wiles, Arturo Lyons
Production Company: Polymath Production @polymath__production
Music by Andrew Lloyd Webber
Featured in Video:
Dudney Joseph Jr.
Sydney Harcourt
Baby Bryne
Dava Huesca
Silk Mason
André De Shields
Primo
Jonathan Burke
Chasity Moore
Creative Director, Brand: Eleven O’Clock Studio, Jacob Cooper
Marketing: The Season
General Management: Baseline Theatrical
Producers: Lloyd Webber Harrison Musicals and Mike Bosner Productions
Production Supervisor: Nancy Kovacs
Production Coordinator: Mary Page Nance
1AD: Eva Minemar
1AD Photo: Caroline Bates
2AD: Katie Song
1AC: Ariel Pomerantz
1AC: Lilly Nordheimer
2AD: Nick Iovino
Bolt Op: Riley Morgan
Bolt Assist: Simon Manne
Steadi Op: Calvin Falk
DIT: Philipp Kurepin
Gaffer: Adam Reichardt
Key Grip: Vinny DaVino
BBE: Jonathan Tang
Electrics: Tyler Mielke, Nica Fazio, David Persaud
Grips: Yoel Collado, Carter Hoffman, Victoria Todorova
Sound: Ernesto Patin
Photographer: Kanya Iwana
Photo Lighting Designer: Peter Doung
Photo Assist: Ben Wentzel
Photo Assist: Alex Kalb
Photo Digitech: Jeanine Robinson
BTS Photo: Marc Giuffre
Production Designer: Joonie Jang
Set Designer: Zacharie Adams
Art/Props: Oscar Romero, Harry Liddle
Wardrobe/Costume Designer: Queen Jean
Hair Stylist: Nikiya Mathis
Make Up Stylist: Rania Zohny
Wardrobe Assist: Emily White, Kat Ibasco, Xava Moore
Hair Assist: Janera Rose, Allie Jackson, Eli Newsome, Nikiiyah McKay
MU Assist: Desiree Easton, Karol Rodriguez, Brette Spiekerman
Photo Management: Dela Revolucion
Photo Producer: Tiffany Bloomfield
PAs: Ainsley Samuda, Owen Palmer, Eric Dawson, Joseph Ermey
Crafty: Benn Goldschein
Studio and Gear: Be Electric
Camera: Cinemavision
POST
Edit: Trim Edit
Editor: Joey Henshaw
Edit Producer: Noreen Khan
Color: Rare Medium
Colorist: Ayumi Ashley
Head of Production: Evan Bauer
Sound Design & Mix: Meg Ochs
BTS PHOTOS BY ERIC DAWSON
BTS from our promo shoot for Cats The Jellicle Ball which opens tomorrow on Broadway! Get your tickets!
Promo Directed, and Produced by: Cameron Sczempka @cam_bond_sczempka
Director of Photography: Maddy Talias @maddytalias
Show Directors: Zhailon Levingston, Bill Rauch
Choreography by: Omari Wiles, Arturo Lyons
Production Company: Polymath Production @polymath__production
Music by Andrew Lloyd Webber
Featured in Video:
Dudney Joseph Jr.
Sydney Harcourt
Baby Bryne
Dava Huesca
Silk Mason
André De Shields
Primo
Jonathan Burke
Chasity Moore
Creative Director, Brand: Eleven O’Clock Studio, Jacob Cooper
Marketing: The Season
General Management: Baseline Theatrical
Producers: Lloyd Webber Harrison Musicals and Mike Bosner Productions
Production Supervisor: Nancy Kovacs
Production Coordinator: Mary Page Nance
1AD: Eva Minemar
1AD Photo: Caroline Bates
2AD: Katie Song
1AC: Ariel Pomerantz
1AC: Lilly Nordheimer
2AD: Nick Iovino
Bolt Op: Riley Morgan
Bolt Assist: Simon Manne
Steadi Op: Calvin Falk
DIT: Philipp Kurepin
Gaffer: Adam Reichardt
Key Grip: Vinny DaVino
BBE: Jonathan Tang
Electrics: Tyler Mielke, Nica Fazio, David Persaud
Grips: Yoel Collado, Carter Hoffman, Victoria Todorova
Sound: Ernesto Patin
Photographer: Kanya Iwana
Photo Lighting Designer: Peter Doung
Photo Assist: Ben Wentzel
Photo Assist: Alex Kalb
Photo Digitech: Jeanine Robinson
BTS Photo: Marc Giuffre
Production Designer: Joonie Jang
Set Designer: Zacharie Adams
Art/Props: Oscar Romero, Harry Liddle
Wardrobe/Costume Designer: Queen Jean
Hair Stylist: Nikiya Mathis
Make Up Stylist: Rania Zohny
Wardrobe Assist: Emily White, Kat Ibasco, Xava Moore
Hair Assist: Janera Rose, Allie Jackson, Eli Newsome, Nikiiyah McKay
MU Assist: Desiree Easton, Karol Rodriguez, Brette Spiekerman
Photo Management: Dela Revolucion
Photo Producer: Tiffany Bloomfield
PAs: Ainsley Samuda, Owen Palmer, Eric Dawson, Joseph Ermey
Crafty: Benn Goldschein
Studio and Gear: Be Electric
Camera: Cinemavision
POST
Edit: Trim Edit
Editor: Joey Henshaw
Edit Producer: Noreen Khan
Color: Rare Medium
Colorist: Ayumi Ashley
Head of Production: Evan Bauer
Sound Design & Mix: Meg Ochs
BTS PHOTOS BY ERIC DAWSON
BTS from our promo shoot for Cats The Jellicle Ball which opens tomorrow on Broadway! Get your tickets!
Promo Directed, and Produced by: Cameron Sczempka @cam_bond_sczempka
Director of Photography: Maddy Talias @maddytalias
Show Directors: Zhailon Levingston, Bill Rauch
Choreography by: Omari Wiles, Arturo Lyons
Production Company: Polymath Production @polymath__production
Music by Andrew Lloyd Webber
Featured in Video:
Dudney Joseph Jr.
Sydney Harcourt
Baby Bryne
Dava Huesca
Silk Mason
André De Shields
Primo
Jonathan Burke
Chasity Moore
Creative Director, Brand: Eleven O’Clock Studio, Jacob Cooper
Marketing: The Season
General Management: Baseline Theatrical
Producers: Lloyd Webber Harrison Musicals and Mike Bosner Productions
Production Supervisor: Nancy Kovacs
Production Coordinator: Mary Page Nance
1AD: Eva Minemar
1AD Photo: Caroline Bates
2AD: Katie Song
1AC: Ariel Pomerantz
1AC: Lilly Nordheimer
2AD: Nick Iovino
Bolt Op: Riley Morgan
Bolt Assist: Simon Manne
Steadi Op: Calvin Falk
DIT: Philipp Kurepin
Gaffer: Adam Reichardt
Key Grip: Vinny DaVino
BBE: Jonathan Tang
Electrics: Tyler Mielke, Nica Fazio, David Persaud
Grips: Yoel Collado, Carter Hoffman, Victoria Todorova
Sound: Ernesto Patin
Photographer: Kanya Iwana
Photo Lighting Designer: Peter Doung
Photo Assist: Ben Wentzel
Photo Assist: Alex Kalb
Photo Digitech: Jeanine Robinson
BTS Photo: Marc Giuffre
Production Designer: Joonie Jang
Set Designer: Zacharie Adams
Art/Props: Oscar Romero, Harry Liddle
Wardrobe/Costume Designer: Queen Jean
Hair Stylist: Nikiya Mathis
Make Up Stylist: Rania Zohny
Wardrobe Assist: Emily White, Kat Ibasco, Xava Moore
Hair Assist: Janera Rose, Allie Jackson, Eli Newsome, Nikiiyah McKay
MU Assist: Desiree Easton, Karol Rodriguez, Brette Spiekerman
Photo Management: Dela Revolucion
Photo Producer: Tiffany Bloomfield
PAs: Ainsley Samuda, Owen Palmer, Eric Dawson, Joseph Ermey
Crafty: Benn Goldschein
Studio and Gear: Be Electric
Camera: Cinemavision
POST
Edit: Trim Edit
Editor: Joey Henshaw
Edit Producer: Noreen Khan
Color: Rare Medium
Colorist: Ayumi Ashley
Head of Production: Evan Bauer
Sound Design & Mix: Meg Ochs
BTS PHOTOS BY ERIC DAWSON
BTS from our promo shoot for Cats The Jellicle Ball which opens tomorrow on Broadway! Get your tickets!
Promo Directed, and Produced by: Cameron Sczempka @cam_bond_sczempka
Director of Photography: Maddy Talias @maddytalias
Show Directors: Zhailon Levingston, Bill Rauch
Choreography by: Omari Wiles, Arturo Lyons
Production Company: Polymath Production @polymath__production
Music by Andrew Lloyd Webber
Featured in Video:
Dudney Joseph Jr.
Sydney Harcourt
Baby Bryne
Dava Huesca
Silk Mason
André De Shields
Primo
Jonathan Burke
Chasity Moore
Creative Director, Brand: Eleven O’Clock Studio, Jacob Cooper
Marketing: The Season
General Management: Baseline Theatrical
Producers: Lloyd Webber Harrison Musicals and Mike Bosner Productions
Production Supervisor: Nancy Kovacs
Production Coordinator: Mary Page Nance
1AD: Eva Minemar
1AD Photo: Caroline Bates
2AD: Katie Song
1AC: Ariel Pomerantz
1AC: Lilly Nordheimer
2AD: Nick Iovino
Bolt Op: Riley Morgan
Bolt Assist: Simon Manne
Steadi Op: Calvin Falk
DIT: Philipp Kurepin
Gaffer: Adam Reichardt
Key Grip: Vinny DaVino
BBE: Jonathan Tang
Electrics: Tyler Mielke, Nica Fazio, David Persaud
Grips: Yoel Collado, Carter Hoffman, Victoria Todorova
Sound: Ernesto Patin
Photographer: Kanya Iwana
Photo Lighting Designer: Peter Doung
Photo Assist: Ben Wentzel
Photo Assist: Alex Kalb
Photo Digitech: Jeanine Robinson
BTS Photo: Marc Giuffre
Production Designer: Joonie Jang
Set Designer: Zacharie Adams
Art/Props: Oscar Romero, Harry Liddle
Wardrobe/Costume Designer: Queen Jean
Hair Stylist: Nikiya Mathis
Make Up Stylist: Rania Zohny
Wardrobe Assist: Emily White, Kat Ibasco, Xava Moore
Hair Assist: Janera Rose, Allie Jackson, Eli Newsome, Nikiiyah McKay
MU Assist: Desiree Easton, Karol Rodriguez, Brette Spiekerman
Photo Management: Dela Revolucion
Photo Producer: Tiffany Bloomfield
PAs: Ainsley Samuda, Owen Palmer, Eric Dawson, Joseph Ermey
Crafty: Benn Goldschein
Studio and Gear: Be Electric
Camera: Cinemavision
POST
Edit: Trim Edit
Editor: Joey Henshaw
Edit Producer: Noreen Khan
Color: Rare Medium
Colorist: Ayumi Ashley
Head of Production: Evan Bauer
Sound Design & Mix: Meg Ochs
BTS PHOTOS BY ERIC DAWSON
PELOTON x FUTURE DELUXE x POLYMATH x SOPHIE JONES PHOTOGRAPHY x KINTZING
Some of my favorite stills from the incredible photoshoot with @sophographylondon for Peloton
Brand: Peloton
VP Creative: Melissa Parker Hughes
Creative Director: Erin McCarthy, Erick Rodriguez
Sr Art Director: Ariel Simeoli
Producer: Katie Schad
Post Producer: Flora Guillon
Sr Global Product Mktg: Samantha Yeh
FutureDeluxe
Live Action Director and Executive Creative Director: Raj Davsi
Executive Producer: Maria Hanafy
Senior Producer: Georgie Patching, Tiffany Brathwaite, Doireann de Buitléar
Live Action Service Production Company: Polymath Production @polymath__production
Photographer: Sophie Jones
Line Producer: Cameron Sczempka
Photo Set Producer: Kaela Francesca @kaelafrancesca
Production Supervisor: Sam Xenos
Production Coordinator: Julie Guez
1AD Photo: Caroline Bates @sea_baits
2AD: Katie Song @katieella
Photo Lighting Designer: Greg Haerling @dr_rock
Photo Assist: Nigel Ho Sang @antioch_studio
Photo Assist: Sam Dong @samskied
Photo Digitech: Nick Rapaz
Production Designer: Jon Valde @schweppes_baguette
Prop Master: Kelvin De La Cruz
Props: Mike Cummings, Josh Caras
Wardrobe Stylist: Zoey Radford Scott @zoeyradfordscott
Hair Stylist: Edward Lampley @edwardlampley
Make Up Stylist: Allie Smith @alliesmithmakeup
Hair Assist: Ashley Malcolm
MU Assist: Marc Witmer
Stylist Assist: Alexia Baritt
Stylist PA: Nicholas Trotta
Movement Director: Chelsea Aguiar @chelsea.aguiar
Movement Director: Jaws Nelson @jawsnelson
Photo Management: Kintzing
Photo Producer: Amy Simmons
Photo EP: Leon Wong @w.o.n.g.y
PAs: Ainsley Samuda, Alicia Ghalem, Kavel Lewis, Paris Raymond, Joseph Ermey, Quentin Viel, Jared Tidwell, Selin Delioglu
Studio and Gear: Vivid Kid @vividkidnyc
Camera: Cinemavision @cinemavision.nyc
Casting: Paladino Casting
Stills Retouching:
Print: Post-Production INK
Online: Post-Production @inkretouch
PELOTON x FUTURE DELUXE x POLYMATH x SOPHIE JONES PHOTOGRAPHY x KINTZING
Some of my favorite stills from the incredible photoshoot with @sophographylondon for Peloton
Brand: Peloton
VP Creative: Melissa Parker Hughes
Creative Director: Erin McCarthy, Erick Rodriguez
Sr Art Director: Ariel Simeoli
Producer: Katie Schad
Post Producer: Flora Guillon
Sr Global Product Mktg: Samantha Yeh
FutureDeluxe
Live Action Director and Executive Creative Director: Raj Davsi
Executive Producer: Maria Hanafy
Senior Producer: Georgie Patching, Tiffany Brathwaite, Doireann de Buitléar
Live Action Service Production Company: Polymath Production @polymath__production
Photographer: Sophie Jones
Line Producer: Cameron Sczempka
Photo Set Producer: Kaela Francesca @kaelafrancesca
Production Supervisor: Sam Xenos
Production Coordinator: Julie Guez
1AD Photo: Caroline Bates @sea_baits
2AD: Katie Song @katieella
Photo Lighting Designer: Greg Haerling @dr_rock
Photo Assist: Nigel Ho Sang @antioch_studio
Photo Assist: Sam Dong @samskied
Photo Digitech: Nick Rapaz
Production Designer: Jon Valde @schweppes_baguette
Prop Master: Kelvin De La Cruz
Props: Mike Cummings, Josh Caras
Wardrobe Stylist: Zoey Radford Scott @zoeyradfordscott
Hair Stylist: Edward Lampley @edwardlampley
Make Up Stylist: Allie Smith @alliesmithmakeup
Hair Assist: Ashley Malcolm
MU Assist: Marc Witmer
Stylist Assist: Alexia Baritt
Stylist PA: Nicholas Trotta
Movement Director: Chelsea Aguiar @chelsea.aguiar
Movement Director: Jaws Nelson @jawsnelson
Photo Management: Kintzing
Photo Producer: Amy Simmons
Photo EP: Leon Wong @w.o.n.g.y
PAs: Ainsley Samuda, Alicia Ghalem, Kavel Lewis, Paris Raymond, Joseph Ermey, Quentin Viel, Jared Tidwell, Selin Delioglu
Studio and Gear: Vivid Kid @vividkidnyc
Camera: Cinemavision @cinemavision.nyc
Casting: Paladino Casting
Stills Retouching:
Print: Post-Production INK
Online: Post-Production @inkretouch
PELOTON x FUTURE DELUXE x POLYMATH x SOPHIE JONES PHOTOGRAPHY x KINTZING
Some of my favorite stills from the incredible photoshoot with @sophographylondon for Peloton
Brand: Peloton
VP Creative: Melissa Parker Hughes
Creative Director: Erin McCarthy, Erick Rodriguez
Sr Art Director: Ariel Simeoli
Producer: Katie Schad
Post Producer: Flora Guillon
Sr Global Product Mktg: Samantha Yeh
FutureDeluxe
Live Action Director and Executive Creative Director: Raj Davsi
Executive Producer: Maria Hanafy
Senior Producer: Georgie Patching, Tiffany Brathwaite, Doireann de Buitléar
Live Action Service Production Company: Polymath Production @polymath__production
Photographer: Sophie Jones
Line Producer: Cameron Sczempka
Photo Set Producer: Kaela Francesca @kaelafrancesca
Production Supervisor: Sam Xenos
Production Coordinator: Julie Guez
1AD Photo: Caroline Bates @sea_baits
2AD: Katie Song @katieella
Photo Lighting Designer: Greg Haerling @dr_rock
Photo Assist: Nigel Ho Sang @antioch_studio
Photo Assist: Sam Dong @samskied
Photo Digitech: Nick Rapaz
Production Designer: Jon Valde @schweppes_baguette
Prop Master: Kelvin De La Cruz
Props: Mike Cummings, Josh Caras
Wardrobe Stylist: Zoey Radford Scott @zoeyradfordscott
Hair Stylist: Edward Lampley @edwardlampley
Make Up Stylist: Allie Smith @alliesmithmakeup
Hair Assist: Ashley Malcolm
MU Assist: Marc Witmer
Stylist Assist: Alexia Baritt
Stylist PA: Nicholas Trotta
Movement Director: Chelsea Aguiar @chelsea.aguiar
Movement Director: Jaws Nelson @jawsnelson
Photo Management: Kintzing
Photo Producer: Amy Simmons
Photo EP: Leon Wong @w.o.n.g.y
PAs: Ainsley Samuda, Alicia Ghalem, Kavel Lewis, Paris Raymond, Joseph Ermey, Quentin Viel, Jared Tidwell, Selin Delioglu
Studio and Gear: Vivid Kid @vividkidnyc
Camera: Cinemavision @cinemavision.nyc
Casting: Paladino Casting
Stills Retouching:
Print: Post-Production INK
Online: Post-Production @inkretouch
PELOTON x FUTURE DELUXE x POLYMATH x SOPHIE JONES PHOTOGRAPHY x KINTZING
Some of my favorite stills from the incredible photoshoot with @sophographylondon for Peloton
Brand: Peloton
VP Creative: Melissa Parker Hughes
Creative Director: Erin McCarthy, Erick Rodriguez
Sr Art Director: Ariel Simeoli
Producer: Katie Schad
Post Producer: Flora Guillon
Sr Global Product Mktg: Samantha Yeh
FutureDeluxe
Live Action Director and Executive Creative Director: Raj Davsi
Executive Producer: Maria Hanafy
Senior Producer: Georgie Patching, Tiffany Brathwaite, Doireann de Buitléar
Live Action Service Production Company: Polymath Production @polymath__production
Photographer: Sophie Jones
Line Producer: Cameron Sczempka
Photo Set Producer: Kaela Francesca @kaelafrancesca
Production Supervisor: Sam Xenos
Production Coordinator: Julie Guez
1AD Photo: Caroline Bates @sea_baits
2AD: Katie Song @katieella
Photo Lighting Designer: Greg Haerling @dr_rock
Photo Assist: Nigel Ho Sang @antioch_studio
Photo Assist: Sam Dong @samskied
Photo Digitech: Nick Rapaz
Production Designer: Jon Valde @schweppes_baguette
Prop Master: Kelvin De La Cruz
Props: Mike Cummings, Josh Caras
Wardrobe Stylist: Zoey Radford Scott @zoeyradfordscott
Hair Stylist: Edward Lampley @edwardlampley
Make Up Stylist: Allie Smith @alliesmithmakeup
Hair Assist: Ashley Malcolm
MU Assist: Marc Witmer
Stylist Assist: Alexia Baritt
Stylist PA: Nicholas Trotta
Movement Director: Chelsea Aguiar @chelsea.aguiar
Movement Director: Jaws Nelson @jawsnelson
Photo Management: Kintzing
Photo Producer: Amy Simmons
Photo EP: Leon Wong @w.o.n.g.y
PAs: Ainsley Samuda, Alicia Ghalem, Kavel Lewis, Paris Raymond, Joseph Ermey, Quentin Viel, Jared Tidwell, Selin Delioglu
Studio and Gear: Vivid Kid @vividkidnyc
Camera: Cinemavision @cinemavision.nyc
Casting: Paladino Casting
Stills Retouching:
Print: Post-Production INK
Online: Post-Production @inkretouch
PELOTON x FUTURE DELUXE x POLYMATH x SOPHIE JONES PHOTOGRAPHY x KINTZING
Some of my favorite stills from the incredible photoshoot with @sophographylondon for Peloton
Brand: Peloton
VP Creative: Melissa Parker Hughes
Creative Director: Erin McCarthy, Erick Rodriguez
Sr Art Director: Ariel Simeoli
Producer: Katie Schad
Post Producer: Flora Guillon
Sr Global Product Mktg: Samantha Yeh
FutureDeluxe
Live Action Director and Executive Creative Director: Raj Davsi
Executive Producer: Maria Hanafy
Senior Producer: Georgie Patching, Tiffany Brathwaite, Doireann de Buitléar
Live Action Service Production Company: Polymath Production @polymath__production
Photographer: Sophie Jones
Line Producer: Cameron Sczempka
Photo Set Producer: Kaela Francesca @kaelafrancesca
Production Supervisor: Sam Xenos
Production Coordinator: Julie Guez
1AD Photo: Caroline Bates @sea_baits
2AD: Katie Song @katieella
Photo Lighting Designer: Greg Haerling @dr_rock
Photo Assist: Nigel Ho Sang @antioch_studio
Photo Assist: Sam Dong @samskied
Photo Digitech: Nick Rapaz
Production Designer: Jon Valde @schweppes_baguette
Prop Master: Kelvin De La Cruz
Props: Mike Cummings, Josh Caras
Wardrobe Stylist: Zoey Radford Scott @zoeyradfordscott
Hair Stylist: Edward Lampley @edwardlampley
Make Up Stylist: Allie Smith @alliesmithmakeup
Hair Assist: Ashley Malcolm
MU Assist: Marc Witmer
Stylist Assist: Alexia Baritt
Stylist PA: Nicholas Trotta
Movement Director: Chelsea Aguiar @chelsea.aguiar
Movement Director: Jaws Nelson @jawsnelson
Photo Management: Kintzing
Photo Producer: Amy Simmons
Photo EP: Leon Wong @w.o.n.g.y
PAs: Ainsley Samuda, Alicia Ghalem, Kavel Lewis, Paris Raymond, Joseph Ermey, Quentin Viel, Jared Tidwell, Selin Delioglu
Studio and Gear: Vivid Kid @vividkidnyc
Camera: Cinemavision @cinemavision.nyc
Casting: Paladino Casting
Stills Retouching:
Print: Post-Production INK
Online: Post-Production @inkretouch
PELOTON x FUTURE DELUXE x POLYMATH x SOPHIE JONES PHOTOGRAPHY x KINTZING
Some of my favorite stills from the incredible photoshoot with @sophographylondon for Peloton
Brand: Peloton
VP Creative: Melissa Parker Hughes
Creative Director: Erin McCarthy, Erick Rodriguez
Sr Art Director: Ariel Simeoli
Producer: Katie Schad
Post Producer: Flora Guillon
Sr Global Product Mktg: Samantha Yeh
FutureDeluxe
Live Action Director and Executive Creative Director: Raj Davsi
Executive Producer: Maria Hanafy
Senior Producer: Georgie Patching, Tiffany Brathwaite, Doireann de Buitléar
Live Action Service Production Company: Polymath Production @polymath__production
Photographer: Sophie Jones
Line Producer: Cameron Sczempka
Photo Set Producer: Kaela Francesca @kaelafrancesca
Production Supervisor: Sam Xenos
Production Coordinator: Julie Guez
1AD Photo: Caroline Bates @sea_baits
2AD: Katie Song @katieella
Photo Lighting Designer: Greg Haerling @dr_rock
Photo Assist: Nigel Ho Sang @antioch_studio
Photo Assist: Sam Dong @samskied
Photo Digitech: Nick Rapaz
Production Designer: Jon Valde @schweppes_baguette
Prop Master: Kelvin De La Cruz
Props: Mike Cummings, Josh Caras
Wardrobe Stylist: Zoey Radford Scott @zoeyradfordscott
Hair Stylist: Edward Lampley @edwardlampley
Make Up Stylist: Allie Smith @alliesmithmakeup
Hair Assist: Ashley Malcolm
MU Assist: Marc Witmer
Stylist Assist: Alexia Baritt
Stylist PA: Nicholas Trotta
Movement Director: Chelsea Aguiar @chelsea.aguiar
Movement Director: Jaws Nelson @jawsnelson
Photo Management: Kintzing
Photo Producer: Amy Simmons
Photo EP: Leon Wong @w.o.n.g.y
PAs: Ainsley Samuda, Alicia Ghalem, Kavel Lewis, Paris Raymond, Joseph Ermey, Quentin Viel, Jared Tidwell, Selin Delioglu
Studio and Gear: Vivid Kid @vividkidnyc
Camera: Cinemavision @cinemavision.nyc
Casting: Paladino Casting
Stills Retouching:
Print: Post-Production INK
Online: Post-Production @inkretouch
PELOTON x FUTURE DELUXE x POLYMATH x SOPHIE JONES PHOTOGRAPHY x KINTZING
Some of my favorite stills from the incredible photoshoot with @sophographylondon for Peloton
Brand: Peloton
VP Creative: Melissa Parker Hughes
Creative Director: Erin McCarthy, Erick Rodriguez
Sr Art Director: Ariel Simeoli
Producer: Katie Schad
Post Producer: Flora Guillon
Sr Global Product Mktg: Samantha Yeh
FutureDeluxe
Live Action Director and Executive Creative Director: Raj Davsi
Executive Producer: Maria Hanafy
Senior Producer: Georgie Patching, Tiffany Brathwaite, Doireann de Buitléar
Live Action Service Production Company: Polymath Production @polymath__production
Photographer: Sophie Jones
Line Producer: Cameron Sczempka
Photo Set Producer: Kaela Francesca @kaelafrancesca
Production Supervisor: Sam Xenos
Production Coordinator: Julie Guez
1AD Photo: Caroline Bates @sea_baits
2AD: Katie Song @katieella
Photo Lighting Designer: Greg Haerling @dr_rock
Photo Assist: Nigel Ho Sang @antioch_studio
Photo Assist: Sam Dong @samskied
Photo Digitech: Nick Rapaz
Production Designer: Jon Valde @schweppes_baguette
Prop Master: Kelvin De La Cruz
Props: Mike Cummings, Josh Caras
Wardrobe Stylist: Zoey Radford Scott @zoeyradfordscott
Hair Stylist: Edward Lampley @edwardlampley
Make Up Stylist: Allie Smith @alliesmithmakeup
Hair Assist: Ashley Malcolm
MU Assist: Marc Witmer
Stylist Assist: Alexia Baritt
Stylist PA: Nicholas Trotta
Movement Director: Chelsea Aguiar @chelsea.aguiar
Movement Director: Jaws Nelson @jawsnelson
Photo Management: Kintzing
Photo Producer: Amy Simmons
Photo EP: Leon Wong @w.o.n.g.y
PAs: Ainsley Samuda, Alicia Ghalem, Kavel Lewis, Paris Raymond, Joseph Ermey, Quentin Viel, Jared Tidwell, Selin Delioglu
Studio and Gear: Vivid Kid @vividkidnyc
Camera: Cinemavision @cinemavision.nyc
Casting: Paladino Casting
Stills Retouching:
Print: Post-Production INK
Online: Post-Production @inkretouch
PELOTON x FUTURE DELUXE x POLYMATH x SOPHIE JONES PHOTOGRAPHY x KINTZING
Some of my favorite stills from the incredible photoshoot with @sophographylondon for Peloton
Brand: Peloton
VP Creative: Melissa Parker Hughes
Creative Director: Erin McCarthy, Erick Rodriguez
Sr Art Director: Ariel Simeoli
Producer: Katie Schad
Post Producer: Flora Guillon
Sr Global Product Mktg: Samantha Yeh
FutureDeluxe
Live Action Director and Executive Creative Director: Raj Davsi
Executive Producer: Maria Hanafy
Senior Producer: Georgie Patching, Tiffany Brathwaite, Doireann de Buitléar
Live Action Service Production Company: Polymath Production @polymath__production
Photographer: Sophie Jones
Line Producer: Cameron Sczempka
Photo Set Producer: Kaela Francesca @kaelafrancesca
Production Supervisor: Sam Xenos
Production Coordinator: Julie Guez
1AD Photo: Caroline Bates @sea_baits
2AD: Katie Song @katieella
Photo Lighting Designer: Greg Haerling @dr_rock
Photo Assist: Nigel Ho Sang @antioch_studio
Photo Assist: Sam Dong @samskied
Photo Digitech: Nick Rapaz
Production Designer: Jon Valde @schweppes_baguette
Prop Master: Kelvin De La Cruz
Props: Mike Cummings, Josh Caras
Wardrobe Stylist: Zoey Radford Scott @zoeyradfordscott
Hair Stylist: Edward Lampley @edwardlampley
Make Up Stylist: Allie Smith @alliesmithmakeup
Hair Assist: Ashley Malcolm
MU Assist: Marc Witmer
Stylist Assist: Alexia Baritt
Stylist PA: Nicholas Trotta
Movement Director: Chelsea Aguiar @chelsea.aguiar
Movement Director: Jaws Nelson @jawsnelson
Photo Management: Kintzing
Photo Producer: Amy Simmons
Photo EP: Leon Wong @w.o.n.g.y
PAs: Ainsley Samuda, Alicia Ghalem, Kavel Lewis, Paris Raymond, Joseph Ermey, Quentin Viel, Jared Tidwell, Selin Delioglu
Studio and Gear: Vivid Kid @vividkidnyc
Camera: Cinemavision @cinemavision.nyc
Casting: Paladino Casting
Stills Retouching:
Print: Post-Production INK
Online: Post-Production @inkretouch
PELOTON x FUTURE DELUXE x POLYMATH x SOPHIE JONES PHOTOGRAPHY x KINTZING
Some of my favorite stills from the incredible photoshoot with @sophographylondon for Peloton
Brand: Peloton
VP Creative: Melissa Parker Hughes
Creative Director: Erin McCarthy, Erick Rodriguez
Sr Art Director: Ariel Simeoli
Producer: Katie Schad
Post Producer: Flora Guillon
Sr Global Product Mktg: Samantha Yeh
FutureDeluxe
Live Action Director and Executive Creative Director: Raj Davsi
Executive Producer: Maria Hanafy
Senior Producer: Georgie Patching, Tiffany Brathwaite, Doireann de Buitléar
Live Action Service Production Company: Polymath Production @polymath__production
Photographer: Sophie Jones
Line Producer: Cameron Sczempka
Photo Set Producer: Kaela Francesca @kaelafrancesca
Production Supervisor: Sam Xenos
Production Coordinator: Julie Guez
1AD Photo: Caroline Bates @sea_baits
2AD: Katie Song @katieella
Photo Lighting Designer: Greg Haerling @dr_rock
Photo Assist: Nigel Ho Sang @antioch_studio
Photo Assist: Sam Dong @samskied
Photo Digitech: Nick Rapaz
Production Designer: Jon Valde @schweppes_baguette
Prop Master: Kelvin De La Cruz
Props: Mike Cummings, Josh Caras
Wardrobe Stylist: Zoey Radford Scott @zoeyradfordscott
Hair Stylist: Edward Lampley @edwardlampley
Make Up Stylist: Allie Smith @alliesmithmakeup
Hair Assist: Ashley Malcolm
MU Assist: Marc Witmer
Stylist Assist: Alexia Baritt
Stylist PA: Nicholas Trotta
Movement Director: Chelsea Aguiar @chelsea.aguiar
Movement Director: Jaws Nelson @jawsnelson
Photo Management: Kintzing
Photo Producer: Amy Simmons
Photo EP: Leon Wong @w.o.n.g.y
PAs: Ainsley Samuda, Alicia Ghalem, Kavel Lewis, Paris Raymond, Joseph Ermey, Quentin Viel, Jared Tidwell, Selin Delioglu
Studio and Gear: Vivid Kid @vividkidnyc
Camera: Cinemavision @cinemavision.nyc
Casting: Paladino Casting
Stills Retouching:
Print: Post-Production INK
Online: Post-Production @inkretouch
PELOTON x FUTURE DELUXE x POLYMATH x SOPHIE JONES PHOTOGRAPHY x KINTZING
Some of my favorite stills from the incredible photoshoot with @sophographylondon for Peloton
Brand: Peloton
VP Creative: Melissa Parker Hughes
Creative Director: Erin McCarthy, Erick Rodriguez
Sr Art Director: Ariel Simeoli
Producer: Katie Schad
Post Producer: Flora Guillon
Sr Global Product Mktg: Samantha Yeh
FutureDeluxe
Live Action Director and Executive Creative Director: Raj Davsi
Executive Producer: Maria Hanafy
Senior Producer: Georgie Patching, Tiffany Brathwaite, Doireann de Buitléar
Live Action Service Production Company: Polymath Production @polymath__production
Photographer: Sophie Jones
Line Producer: Cameron Sczempka
Photo Set Producer: Kaela Francesca @kaelafrancesca
Production Supervisor: Sam Xenos
Production Coordinator: Julie Guez
1AD Photo: Caroline Bates @sea_baits
2AD: Katie Song @katieella
Photo Lighting Designer: Greg Haerling @dr_rock
Photo Assist: Nigel Ho Sang @antioch_studio
Photo Assist: Sam Dong @samskied
Photo Digitech: Nick Rapaz
Production Designer: Jon Valde @schweppes_baguette
Prop Master: Kelvin De La Cruz
Props: Mike Cummings, Josh Caras
Wardrobe Stylist: Zoey Radford Scott @zoeyradfordscott
Hair Stylist: Edward Lampley @edwardlampley
Make Up Stylist: Allie Smith @alliesmithmakeup
Hair Assist: Ashley Malcolm
MU Assist: Marc Witmer
Stylist Assist: Alexia Baritt
Stylist PA: Nicholas Trotta
Movement Director: Chelsea Aguiar @chelsea.aguiar
Movement Director: Jaws Nelson @jawsnelson
Photo Management: Kintzing
Photo Producer: Amy Simmons
Photo EP: Leon Wong @w.o.n.g.y
PAs: Ainsley Samuda, Alicia Ghalem, Kavel Lewis, Paris Raymond, Joseph Ermey, Quentin Viel, Jared Tidwell, Selin Delioglu
Studio and Gear: Vivid Kid @vividkidnyc
Camera: Cinemavision @cinemavision.nyc
Casting: Paladino Casting
Stills Retouching:
Print: Post-Production INK
Online: Post-Production @inkretouch
PELOTON x FUTURE DELUXE x POLYMATH x SOPHIE JONES PHOTOGRAPHY x KINTZING
Some of my favorite stills from the incredible photoshoot with @sophographylondon for Peloton
Brand: Peloton
VP Creative: Melissa Parker Hughes
Creative Director: Erin McCarthy, Erick Rodriguez
Sr Art Director: Ariel Simeoli
Producer: Katie Schad
Post Producer: Flora Guillon
Sr Global Product Mktg: Samantha Yeh
FutureDeluxe
Live Action Director and Executive Creative Director: Raj Davsi
Executive Producer: Maria Hanafy
Senior Producer: Georgie Patching, Tiffany Brathwaite, Doireann de Buitléar
Live Action Service Production Company: Polymath Production @polymath__production
Photographer: Sophie Jones
Line Producer: Cameron Sczempka
Photo Set Producer: Kaela Francesca @kaelafrancesca
Production Supervisor: Sam Xenos
Production Coordinator: Julie Guez
1AD Photo: Caroline Bates @sea_baits
2AD: Katie Song @katieella
Photo Lighting Designer: Greg Haerling @dr_rock
Photo Assist: Nigel Ho Sang @antioch_studio
Photo Assist: Sam Dong @samskied
Photo Digitech: Nick Rapaz
Production Designer: Jon Valde @schweppes_baguette
Prop Master: Kelvin De La Cruz
Props: Mike Cummings, Josh Caras
Wardrobe Stylist: Zoey Radford Scott @zoeyradfordscott
Hair Stylist: Edward Lampley @edwardlampley
Make Up Stylist: Allie Smith @alliesmithmakeup
Hair Assist: Ashley Malcolm
MU Assist: Marc Witmer
Stylist Assist: Alexia Baritt
Stylist PA: Nicholas Trotta
Movement Director: Chelsea Aguiar @chelsea.aguiar
Movement Director: Jaws Nelson @jawsnelson
Photo Management: Kintzing
Photo Producer: Amy Simmons
Photo EP: Leon Wong @w.o.n.g.y
PAs: Ainsley Samuda, Alicia Ghalem, Kavel Lewis, Paris Raymond, Joseph Ermey, Quentin Viel, Jared Tidwell, Selin Delioglu
Studio and Gear: Vivid Kid @vividkidnyc
Camera: Cinemavision @cinemavision.nyc
Casting: Paladino Casting
Stills Retouching:
Print: Post-Production INK
Online: Post-Production @inkretouch
PELOTON x FUTURE DELUXE x POLYMATH x SOPHIE JONES PHOTOGRAPHY x KINTZING
Some of my favorite stills from the incredible photoshoot with @sophographylondon for Peloton
Brand: Peloton
VP Creative: Melissa Parker Hughes
Creative Director: Erin McCarthy, Erick Rodriguez
Sr Art Director: Ariel Simeoli
Producer: Katie Schad
Post Producer: Flora Guillon
Sr Global Product Mktg: Samantha Yeh
FutureDeluxe
Live Action Director and Executive Creative Director: Raj Davsi
Executive Producer: Maria Hanafy
Senior Producer: Georgie Patching, Tiffany Brathwaite, Doireann de Buitléar
Live Action Service Production Company: Polymath Production @polymath__production
Photographer: Sophie Jones
Line Producer: Cameron Sczempka
Photo Set Producer: Kaela Francesca @kaelafrancesca
Production Supervisor: Sam Xenos
Production Coordinator: Julie Guez
1AD Photo: Caroline Bates @sea_baits
2AD: Katie Song @katieella
Photo Lighting Designer: Greg Haerling @dr_rock
Photo Assist: Nigel Ho Sang @antioch_studio
Photo Assist: Sam Dong @samskied
Photo Digitech: Nick Rapaz
Production Designer: Jon Valde @schweppes_baguette
Prop Master: Kelvin De La Cruz
Props: Mike Cummings, Josh Caras
Wardrobe Stylist: Zoey Radford Scott @zoeyradfordscott
Hair Stylist: Edward Lampley @edwardlampley
Make Up Stylist: Allie Smith @alliesmithmakeup
Hair Assist: Ashley Malcolm
MU Assist: Marc Witmer
Stylist Assist: Alexia Baritt
Stylist PA: Nicholas Trotta
Movement Director: Chelsea Aguiar @chelsea.aguiar
Movement Director: Jaws Nelson @jawsnelson
Photo Management: Kintzing
Photo Producer: Amy Simmons
Photo EP: Leon Wong @w.o.n.g.y
PAs: Ainsley Samuda, Alicia Ghalem, Kavel Lewis, Paris Raymond, Joseph Ermey, Quentin Viel, Jared Tidwell, Selin Delioglu
Studio and Gear: Vivid Kid @vividkidnyc
Camera: Cinemavision @cinemavision.nyc
Casting: Paladino Casting
Stills Retouching:
Print: Post-Production INK
Online: Post-Production @inkretouch
PELOTON x FUTURE DELUXE x POLYMATH x SOPHIE JONES PHOTOGRAPHY x KINTZING
Some of my favorite stills from the incredible photoshoot with @sophographylondon for Peloton
Brand: Peloton
VP Creative: Melissa Parker Hughes
Creative Director: Erin McCarthy, Erick Rodriguez
Sr Art Director: Ariel Simeoli
Producer: Katie Schad
Post Producer: Flora Guillon
Sr Global Product Mktg: Samantha Yeh
FutureDeluxe
Live Action Director and Executive Creative Director: Raj Davsi
Executive Producer: Maria Hanafy
Senior Producer: Georgie Patching, Tiffany Brathwaite, Doireann de Buitléar
Live Action Service Production Company: Polymath Production @polymath__production
Photographer: Sophie Jones
Line Producer: Cameron Sczempka
Photo Set Producer: Kaela Francesca @kaelafrancesca
Production Supervisor: Sam Xenos
Production Coordinator: Julie Guez
1AD Photo: Caroline Bates @sea_baits
2AD: Katie Song @katieella
Photo Lighting Designer: Greg Haerling @dr_rock
Photo Assist: Nigel Ho Sang @antioch_studio
Photo Assist: Sam Dong @samskied
Photo Digitech: Nick Rapaz
Production Designer: Jon Valde @schweppes_baguette
Prop Master: Kelvin De La Cruz
Props: Mike Cummings, Josh Caras
Wardrobe Stylist: Zoey Radford Scott @zoeyradfordscott
Hair Stylist: Edward Lampley @edwardlampley
Make Up Stylist: Allie Smith @alliesmithmakeup
Hair Assist: Ashley Malcolm
MU Assist: Marc Witmer
Stylist Assist: Alexia Baritt
Stylist PA: Nicholas Trotta
Movement Director: Chelsea Aguiar @chelsea.aguiar
Movement Director: Jaws Nelson @jawsnelson
Photo Management: Kintzing
Photo Producer: Amy Simmons
Photo EP: Leon Wong @w.o.n.g.y
PAs: Ainsley Samuda, Alicia Ghalem, Kavel Lewis, Paris Raymond, Joseph Ermey, Quentin Viel, Jared Tidwell, Selin Delioglu
Studio and Gear: Vivid Kid @vividkidnyc
Camera: Cinemavision @cinemavision.nyc
Casting: Paladino Casting
Stills Retouching:
Print: Post-Production INK
Online: Post-Production @inkretouch
PELOTON x FUTURE DELUXE x POLYMATH x SOPHIE JONES PHOTOGRAPHY x KINTZING
Some of my favorite stills from the incredible photoshoot with @sophographylondon for Peloton
Brand: Peloton
VP Creative: Melissa Parker Hughes
Creative Director: Erin McCarthy, Erick Rodriguez
Sr Art Director: Ariel Simeoli
Producer: Katie Schad
Post Producer: Flora Guillon
Sr Global Product Mktg: Samantha Yeh
FutureDeluxe
Live Action Director and Executive Creative Director: Raj Davsi
Executive Producer: Maria Hanafy
Senior Producer: Georgie Patching, Tiffany Brathwaite, Doireann de Buitléar
Live Action Service Production Company: Polymath Production @polymath__production
Photographer: Sophie Jones
Line Producer: Cameron Sczempka
Photo Set Producer: Kaela Francesca @kaelafrancesca
Production Supervisor: Sam Xenos
Production Coordinator: Julie Guez
1AD Photo: Caroline Bates @sea_baits
2AD: Katie Song @katieella
Photo Lighting Designer: Greg Haerling @dr_rock
Photo Assist: Nigel Ho Sang @antioch_studio
Photo Assist: Sam Dong @samskied
Photo Digitech: Nick Rapaz
Production Designer: Jon Valde @schweppes_baguette
Prop Master: Kelvin De La Cruz
Props: Mike Cummings, Josh Caras
Wardrobe Stylist: Zoey Radford Scott @zoeyradfordscott
Hair Stylist: Edward Lampley @edwardlampley
Make Up Stylist: Allie Smith @alliesmithmakeup
Hair Assist: Ashley Malcolm
MU Assist: Marc Witmer
Stylist Assist: Alexia Baritt
Stylist PA: Nicholas Trotta
Movement Director: Chelsea Aguiar @chelsea.aguiar
Movement Director: Jaws Nelson @jawsnelson
Photo Management: Kintzing
Photo Producer: Amy Simmons
Photo EP: Leon Wong @w.o.n.g.y
PAs: Ainsley Samuda, Alicia Ghalem, Kavel Lewis, Paris Raymond, Joseph Ermey, Quentin Viel, Jared Tidwell, Selin Delioglu
Studio and Gear: Vivid Kid @vividkidnyc
Camera: Cinemavision @cinemavision.nyc
Casting: Paladino Casting
Stills Retouching:
Print: Post-Production INK
Online: Post-Production @inkretouch
PELOTON x FUTURE DELUXE x POLYMATH x SOPHIE JONES PHOTOGRAPHY x KINTZING
Some of my favorite stills from the incredible photoshoot with @sophographylondon for Peloton
Brand: Peloton
VP Creative: Melissa Parker Hughes
Creative Director: Erin McCarthy, Erick Rodriguez
Sr Art Director: Ariel Simeoli
Producer: Katie Schad
Post Producer: Flora Guillon
Sr Global Product Mktg: Samantha Yeh
FutureDeluxe
Live Action Director and Executive Creative Director: Raj Davsi
Executive Producer: Maria Hanafy
Senior Producer: Georgie Patching, Tiffany Brathwaite, Doireann de Buitléar
Live Action Service Production Company: Polymath Production @polymath__production
Photographer: Sophie Jones
Line Producer: Cameron Sczempka
Photo Set Producer: Kaela Francesca @kaelafrancesca
Production Supervisor: Sam Xenos
Production Coordinator: Julie Guez
1AD Photo: Caroline Bates @sea_baits
2AD: Katie Song @katieella
Photo Lighting Designer: Greg Haerling @dr_rock
Photo Assist: Nigel Ho Sang @antioch_studio
Photo Assist: Sam Dong @samskied
Photo Digitech: Nick Rapaz
Production Designer: Jon Valde @schweppes_baguette
Prop Master: Kelvin De La Cruz
Props: Mike Cummings, Josh Caras
Wardrobe Stylist: Zoey Radford Scott @zoeyradfordscott
Hair Stylist: Edward Lampley @edwardlampley
Make Up Stylist: Allie Smith @alliesmithmakeup
Hair Assist: Ashley Malcolm
MU Assist: Marc Witmer
Stylist Assist: Alexia Baritt
Stylist PA: Nicholas Trotta
Movement Director: Chelsea Aguiar @chelsea.aguiar
Movement Director: Jaws Nelson @jawsnelson
Photo Management: Kintzing
Photo Producer: Amy Simmons
Photo EP: Leon Wong @w.o.n.g.y
PAs: Ainsley Samuda, Alicia Ghalem, Kavel Lewis, Paris Raymond, Joseph Ermey, Quentin Viel, Jared Tidwell, Selin Delioglu
Studio and Gear: Vivid Kid @vividkidnyc
Camera: Cinemavision @cinemavision.nyc
Casting: Paladino Casting
Stills Retouching:
Print: Post-Production INK
Online: Post-Production @inkretouch
PELOTON x FUTURE DELUXE x POLYMATH x SOPHIE JONES PHOTOGRAPHY x KINTZING
Some of my favorite stills from the incredible photoshoot with @sophographylondon for Peloton
Brand: Peloton
VP Creative: Melissa Parker Hughes
Creative Director: Erin McCarthy, Erick Rodriguez
Sr Art Director: Ariel Simeoli
Producer: Katie Schad
Post Producer: Flora Guillon
Sr Global Product Mktg: Samantha Yeh
FutureDeluxe
Live Action Director and Executive Creative Director: Raj Davsi
Executive Producer: Maria Hanafy
Senior Producer: Georgie Patching, Tiffany Brathwaite, Doireann de Buitléar
Live Action Service Production Company: Polymath Production @polymath__production
Photographer: Sophie Jones
Line Producer: Cameron Sczempka
Photo Set Producer: Kaela Francesca @kaelafrancesca
Production Supervisor: Sam Xenos
Production Coordinator: Julie Guez
1AD Photo: Caroline Bates @sea_baits
2AD: Katie Song @katieella
Photo Lighting Designer: Greg Haerling @dr_rock
Photo Assist: Nigel Ho Sang @antioch_studio
Photo Assist: Sam Dong @samskied
Photo Digitech: Nick Rapaz
Production Designer: Jon Valde @schweppes_baguette
Prop Master: Kelvin De La Cruz
Props: Mike Cummings, Josh Caras
Wardrobe Stylist: Zoey Radford Scott @zoeyradfordscott
Hair Stylist: Edward Lampley @edwardlampley
Make Up Stylist: Allie Smith @alliesmithmakeup
Hair Assist: Ashley Malcolm
MU Assist: Marc Witmer
Stylist Assist: Alexia Baritt
Stylist PA: Nicholas Trotta
Movement Director: Chelsea Aguiar @chelsea.aguiar
Movement Director: Jaws Nelson @jawsnelson
Photo Management: Kintzing
Photo Producer: Amy Simmons
Photo EP: Leon Wong @w.o.n.g.y
PAs: Ainsley Samuda, Alicia Ghalem, Kavel Lewis, Paris Raymond, Joseph Ermey, Quentin Viel, Jared Tidwell, Selin Delioglu
Studio and Gear: Vivid Kid @vividkidnyc
Camera: Cinemavision @cinemavision.nyc
Casting: Paladino Casting
Stills Retouching:
Print: Post-Production INK
Online: Post-Production @inkretouch
PELOTON x FUTURE DELUXE x POLYMATH x SOPHIE JONES PHOTOGRAPHY x KINTZING
Some of my favorite stills from the incredible photoshoot with @sophographylondon for Peloton
Brand: Peloton
VP Creative: Melissa Parker Hughes
Creative Director: Erin McCarthy, Erick Rodriguez
Sr Art Director: Ariel Simeoli
Producer: Katie Schad
Post Producer: Flora Guillon
Sr Global Product Mktg: Samantha Yeh
FutureDeluxe
Live Action Director and Executive Creative Director: Raj Davsi
Executive Producer: Maria Hanafy
Senior Producer: Georgie Patching, Tiffany Brathwaite, Doireann de Buitléar
Live Action Service Production Company: Polymath Production @polymath__production
Photographer: Sophie Jones
Line Producer: Cameron Sczempka
Photo Set Producer: Kaela Francesca @kaelafrancesca
Production Supervisor: Sam Xenos
Production Coordinator: Julie Guez
1AD Photo: Caroline Bates @sea_baits
2AD: Katie Song @katieella
Photo Lighting Designer: Greg Haerling @dr_rock
Photo Assist: Nigel Ho Sang @antioch_studio
Photo Assist: Sam Dong @samskied
Photo Digitech: Nick Rapaz
Production Designer: Jon Valde @schweppes_baguette
Prop Master: Kelvin De La Cruz
Props: Mike Cummings, Josh Caras
Wardrobe Stylist: Zoey Radford Scott @zoeyradfordscott
Hair Stylist: Edward Lampley @edwardlampley
Make Up Stylist: Allie Smith @alliesmithmakeup
Hair Assist: Ashley Malcolm
MU Assist: Marc Witmer
Stylist Assist: Alexia Baritt
Stylist PA: Nicholas Trotta
Movement Director: Chelsea Aguiar @chelsea.aguiar
Movement Director: Jaws Nelson @jawsnelson
Photo Management: Kintzing
Photo Producer: Amy Simmons
Photo EP: Leon Wong @w.o.n.g.y
PAs: Ainsley Samuda, Alicia Ghalem, Kavel Lewis, Paris Raymond, Joseph Ermey, Quentin Viel, Jared Tidwell, Selin Delioglu
Studio and Gear: Vivid Kid @vividkidnyc
Camera: Cinemavision @cinemavision.nyc
Casting: Paladino Casting
Stills Retouching:
Print: Post-Production INK
Online: Post-Production @inkretouch
PELOTON x FUTURE DELUXE x POLYMATH x SOPHIE JONES PHOTOGRAPHY x KINTZING
Some of my favorite stills from the incredible photoshoot with @sophographylondon for Peloton
Brand: Peloton
VP Creative: Melissa Parker Hughes
Creative Director: Erin McCarthy, Erick Rodriguez
Sr Art Director: Ariel Simeoli
Producer: Katie Schad
Post Producer: Flora Guillon
Sr Global Product Mktg: Samantha Yeh
FutureDeluxe
Live Action Director and Executive Creative Director: Raj Davsi
Executive Producer: Maria Hanafy
Senior Producer: Georgie Patching, Tiffany Brathwaite, Doireann de Buitléar
Live Action Service Production Company: Polymath Production @polymath__production
Photographer: Sophie Jones
Line Producer: Cameron Sczempka
Photo Set Producer: Kaela Francesca @kaelafrancesca
Production Supervisor: Sam Xenos
Production Coordinator: Julie Guez
1AD Photo: Caroline Bates @sea_baits
2AD: Katie Song @katieella
Photo Lighting Designer: Greg Haerling @dr_rock
Photo Assist: Nigel Ho Sang @antioch_studio
Photo Assist: Sam Dong @samskied
Photo Digitech: Nick Rapaz
Production Designer: Jon Valde @schweppes_baguette
Prop Master: Kelvin De La Cruz
Props: Mike Cummings, Josh Caras
Wardrobe Stylist: Zoey Radford Scott @zoeyradfordscott
Hair Stylist: Edward Lampley @edwardlampley
Make Up Stylist: Allie Smith @alliesmithmakeup
Hair Assist: Ashley Malcolm
MU Assist: Marc Witmer
Stylist Assist: Alexia Baritt
Stylist PA: Nicholas Trotta
Movement Director: Chelsea Aguiar @chelsea.aguiar
Movement Director: Jaws Nelson @jawsnelson
Photo Management: Kintzing
Photo Producer: Amy Simmons
Photo EP: Leon Wong @w.o.n.g.y
PAs: Ainsley Samuda, Alicia Ghalem, Kavel Lewis, Paris Raymond, Joseph Ermey, Quentin Viel, Jared Tidwell, Selin Delioglu
Studio and Gear: Vivid Kid @vividkidnyc
Camera: Cinemavision @cinemavision.nyc
Casting: Paladino Casting
Stills Retouching:
Print: Post-Production INK
Online: Post-Production @inkretouch
PELOTON x FUTURE DELUXE x POLYMATH
full circle getting to produce the live action for Peloton’s 2025 Next Gen Product launch having been staff there in 2018. Future Deluxe creatively led by @rajdavsi and team are the real deal. @sophographylondon co director and photographer extraordinaire (photoshoot post to come) and of course, DP baddie @viobensmith 🫠 Very honored my service production company Polymath was tapped to make this with everyone.
Big shout to my friend @gpatch.mov for spearing the day to day with me, @mhanafy25 for leading the way, and @katieschad for being the client producer of anyone’s dreams. This collaboration was a big one to nail and we got to enjoy the hard work, every single day.
Massive effort by many. Check full credits pinned in comments cuz they won’t fit in here.
PELOTON x FUTURE DELUXE x POLYMATH
full circle getting to produce the live action for Peloton’s 2025 Next Gen Product launch having been staff there in 2018. Future Deluxe creatively led by @rajdavsi and team are the real deal. @sophographylondon co director and photographer extraordinaire (photoshoot post to come) and of course, DP baddie @viobensmith 🫠 Very honored my service production company Polymath was tapped to make this with everyone.
Big shout to my friend @gpatch.mov for spearing the day to day with me, @mhanafy25 for leading the way, and @katieschad for being the client producer of anyone’s dreams. This collaboration was a big one to nail and we got to enjoy the hard work, every single day.
Massive effort by many. Check full credits pinned in comments cuz they won’t fit in here.
PELOTON x FUTURE DELUXE x POLYMATH
full circle getting to produce the live action for Peloton’s 2025 Next Gen Product launch having been staff there in 2018. Future Deluxe creatively led by @rajdavsi and team are the real deal. @sophographylondon co director and photographer extraordinaire (photoshoot post to come) and of course, DP baddie @viobensmith 🫠 Very honored my service production company Polymath was tapped to make this with everyone.
Big shout to my friend @gpatch.mov for spearing the day to day with me, @mhanafy25 for leading the way, and @katieschad for being the client producer of anyone’s dreams. This collaboration was a big one to nail and we got to enjoy the hard work, every single day.
Massive effort by many. Check full credits pinned in comments cuz they won’t fit in here.
PELOTON x FUTURE DELUXE x POLYMATH
full circle getting to produce the live action for Peloton’s 2025 Next Gen Product launch having been staff there in 2018. Future Deluxe creatively led by @rajdavsi and team are the real deal. @sophographylondon co director and photographer extraordinaire (photoshoot post to come) and of course, DP baddie @viobensmith 🫠 Very honored my service production company Polymath was tapped to make this with everyone.
Big shout to my friend @gpatch.mov for spearing the day to day with me, @mhanafy25 for leading the way, and @katieschad for being the client producer of anyone’s dreams. This collaboration was a big one to nail and we got to enjoy the hard work, every single day.
Massive effort by many. Check full credits pinned in comments cuz they won’t fit in here.
PELOTON x FUTURE DELUXE x POLYMATH
full circle getting to produce the live action for Peloton’s 2025 Next Gen Product launch having been staff there in 2018. Future Deluxe creatively led by @rajdavsi and team are the real deal. @sophographylondon co director and photographer extraordinaire (photoshoot post to come) and of course, DP baddie @viobensmith 🫠 Very honored my service production company Polymath was tapped to make this with everyone.
Big shout to my friend @gpatch.mov for spearing the day to day with me, @mhanafy25 for leading the way, and @katieschad for being the client producer of anyone’s dreams. This collaboration was a big one to nail and we got to enjoy the hard work, every single day.
Massive effort by many. Check full credits pinned in comments cuz they won’t fit in here.
PELOTON x FUTURE DELUXE x POLYMATH
full circle getting to produce the live action for Peloton’s 2025 Next Gen Product launch having been staff there in 2018. Future Deluxe creatively led by @rajdavsi and team are the real deal. @sophographylondon co director and photographer extraordinaire (photoshoot post to come) and of course, DP baddie @viobensmith 🫠 Very honored my service production company Polymath was tapped to make this with everyone.
Big shout to my friend @gpatch.mov for spearing the day to day with me, @mhanafy25 for leading the way, and @katieschad for being the client producer of anyone’s dreams. This collaboration was a big one to nail and we got to enjoy the hard work, every single day.
Massive effort by many. Check full credits pinned in comments cuz they won’t fit in here.
PELOTON x FUTURE DELUXE x POLYMATH
full circle getting to produce the live action for Peloton’s 2025 Next Gen Product launch having been staff there in 2018. Future Deluxe creatively led by @rajdavsi and team are the real deal. @sophographylondon co director and photographer extraordinaire (photoshoot post to come) and of course, DP baddie @viobensmith 🫠 Very honored my service production company Polymath was tapped to make this with everyone.
Big shout to my friend @gpatch.mov for spearing the day to day with me, @mhanafy25 for leading the way, and @katieschad for being the client producer of anyone’s dreams. This collaboration was a big one to nail and we got to enjoy the hard work, every single day.
Massive effort by many. Check full credits pinned in comments cuz they won’t fit in here.
PELOTON x FUTURE DELUXE x POLYMATH
full circle getting to produce the live action for Peloton’s 2025 Next Gen Product launch having been staff there in 2018. Future Deluxe creatively led by @rajdavsi and team are the real deal. @sophographylondon co director and photographer extraordinaire (photoshoot post to come) and of course, DP baddie @viobensmith 🫠 Very honored my service production company Polymath was tapped to make this with everyone.
Big shout to my friend @gpatch.mov for spearing the day to day with me, @mhanafy25 for leading the way, and @katieschad for being the client producer of anyone’s dreams. This collaboration was a big one to nail and we got to enjoy the hard work, every single day.
Massive effort by many. Check full credits pinned in comments cuz they won’t fit in here.
PELOTON x FUTURE DELUXE x POLYMATH
full circle getting to produce the live action for Peloton’s 2025 Next Gen Product launch having been staff there in 2018. Future Deluxe creatively led by @rajdavsi and team are the real deal. @sophographylondon co director and photographer extraordinaire (photoshoot post to come) and of course, DP baddie @viobensmith 🫠 Very honored my service production company Polymath was tapped to make this with everyone.
Big shout to my friend @gpatch.mov for spearing the day to day with me, @mhanafy25 for leading the way, and @katieschad for being the client producer of anyone’s dreams. This collaboration was a big one to nail and we got to enjoy the hard work, every single day.
Massive effort by many. Check full credits pinned in comments cuz they won’t fit in here.
PELOTON x FUTURE DELUXE x POLYMATH
full circle getting to produce the live action for Peloton’s 2025 Next Gen Product launch having been staff there in 2018. Future Deluxe creatively led by @rajdavsi and team are the real deal. @sophographylondon co director and photographer extraordinaire (photoshoot post to come) and of course, DP baddie @viobensmith 🫠 Very honored my service production company Polymath was tapped to make this with everyone.
Big shout to my friend @gpatch.mov for spearing the day to day with me, @mhanafy25 for leading the way, and @katieschad for being the client producer of anyone’s dreams. This collaboration was a big one to nail and we got to enjoy the hard work, every single day.
Massive effort by many. Check full credits pinned in comments cuz they won’t fit in here.
PELOTON x FUTURE DELUXE x POLYMATH
full circle getting to produce the live action for Peloton’s 2025 Next Gen Product launch having been staff there in 2018. Future Deluxe creatively led by @rajdavsi and team are the real deal. @sophographylondon co director and photographer extraordinaire (photoshoot post to come) and of course, DP baddie @viobensmith 🫠 Very honored my service production company Polymath was tapped to make this with everyone.
Big shout to my friend @gpatch.mov for spearing the day to day with me, @mhanafy25 for leading the way, and @katieschad for being the client producer of anyone’s dreams. This collaboration was a big one to nail and we got to enjoy the hard work, every single day.
Massive effort by many. Check full credits pinned in comments cuz they won’t fit in here.
PELOTON x FUTURE DELUXE x POLYMATH
full circle getting to produce the live action for Peloton’s 2025 Next Gen Product launch having been staff there in 2018. Future Deluxe creatively led by @rajdavsi and team are the real deal. @sophographylondon co director and photographer extraordinaire (photoshoot post to come) and of course, DP baddie @viobensmith 🫠 Very honored my service production company Polymath was tapped to make this with everyone.
Big shout to my friend @gpatch.mov for spearing the day to day with me, @mhanafy25 for leading the way, and @katieschad for being the client producer of anyone’s dreams. This collaboration was a big one to nail and we got to enjoy the hard work, every single day.
Massive effort by many. Check full credits pinned in comments cuz they won’t fit in here.
PELOTON x FUTURE DELUXE x POLYMATH
full circle getting to produce the live action for Peloton’s 2025 Next Gen Product launch having been staff there in 2018. Future Deluxe creatively led by @rajdavsi and team are the real deal. @sophographylondon co director and photographer extraordinaire (photoshoot post to come) and of course, DP baddie @viobensmith 🫠 Very honored my service production company Polymath was tapped to make this with everyone.
Big shout to my friend @gpatch.mov for spearing the day to day with me, @mhanafy25 for leading the way, and @katieschad for being the client producer of anyone’s dreams. This collaboration was a big one to nail and we got to enjoy the hard work, every single day.
Massive effort by many. Check full credits pinned in comments cuz they won’t fit in here.
PELOTON x FUTURE DELUXE x POLYMATH
full circle getting to produce the live action for Peloton’s 2025 Next Gen Product launch having been staff there in 2018. Future Deluxe creatively led by @rajdavsi and team are the real deal. @sophographylondon co director and photographer extraordinaire (photoshoot post to come) and of course, DP baddie @viobensmith 🫠 Very honored my service production company Polymath was tapped to make this with everyone.
Big shout to my friend @gpatch.mov for spearing the day to day with me, @mhanafy25 for leading the way, and @katieschad for being the client producer of anyone’s dreams. This collaboration was a big one to nail and we got to enjoy the hard work, every single day.
Massive effort by many. Check full credits pinned in comments cuz they won’t fit in here.
PELOTON x FUTURE DELUXE x POLYMATH
full circle getting to produce the live action for Peloton’s 2025 Next Gen Product launch having been staff there in 2018. Future Deluxe creatively led by @rajdavsi and team are the real deal. @sophographylondon co director and photographer extraordinaire (photoshoot post to come) and of course, DP baddie @viobensmith 🫠 Very honored my service production company Polymath was tapped to make this with everyone.
Big shout to my friend @gpatch.mov for spearing the day to day with me, @mhanafy25 for leading the way, and @katieschad for being the client producer of anyone’s dreams. This collaboration was a big one to nail and we got to enjoy the hard work, every single day.
Massive effort by many. Check full credits pinned in comments cuz they won’t fit in here.
PELOTON x FUTURE DELUXE x POLYMATH
full circle getting to produce the live action for Peloton’s 2025 Next Gen Product launch having been staff there in 2018. Future Deluxe creatively led by @rajdavsi and team are the real deal. @sophographylondon co director and photographer extraordinaire (photoshoot post to come) and of course, DP baddie @viobensmith 🫠 Very honored my service production company Polymath was tapped to make this with everyone.
Big shout to my friend @gpatch.mov for spearing the day to day with me, @mhanafy25 for leading the way, and @katieschad for being the client producer of anyone’s dreams. This collaboration was a big one to nail and we got to enjoy the hard work, every single day.
Massive effort by many. Check full credits pinned in comments cuz they won’t fit in here.
PELOTON x FUTURE DELUXE x POLYMATH
full circle getting to produce the live action for Peloton’s 2025 Next Gen Product launch having been staff there in 2018. Future Deluxe creatively led by @rajdavsi and team are the real deal. @sophographylondon co director and photographer extraordinaire (photoshoot post to come) and of course, DP baddie @viobensmith 🫠 Very honored my service production company Polymath was tapped to make this with everyone.
Big shout to my friend @gpatch.mov for spearing the day to day with me, @mhanafy25 for leading the way, and @katieschad for being the client producer of anyone’s dreams. This collaboration was a big one to nail and we got to enjoy the hard work, every single day.
Massive effort by many. Check full credits pinned in comments cuz they won’t fit in here.
Cats: The Jellicle Ball
Broadway Creative Campaign
I’m a theater kid for life. Combining my worlds of film with theater is something I never knew I would get to enjoy so much. I love the unique challenge of capturing the essence and tone of a live experience but for a different medium. Rather than Broll of the show itself, how do we create an extension of the real thing that fares with the calibur and expectations of content on the medium we are assessing it from. This is what I was fortunate to get to dream up and what so many people came together to make, shape and elevate.
I am so thankful for the trust and collaboration from the shows creative team - @zhailon @bill.rauch.pac @omari_wiles @arturo_thaengineer whose vision and creation of this show is truly extraordinary and is the perfect example of what a revival is meant to do. Im forever honored I got to join their train and collaborate on how to best represent their morphing piece of art.
I also want to applaud the producing team of this show, @tartick @mkarns_presents and the boss man @mikebosner for being willing to take the damn swing and change the way Broadway shows are promoted forever. True leaders.
My first call was @maddytalias who elevated this every step of the way. 👏🏼 DPs. Are. The Real. Heroes. 👏🏼 The dutch angle, the whip pull back, the match cut runway, slo mo ember - all Maddy. Nom Nom ATE.
Speaking of eating. This mother fucking cast. Truly you must see them live to believe. They did take after take. Full. Out. The talent is truly top tier. They did the heavy lifting here.
Check these credits because everyone here worked for passion rates and showed up and gave their all and it shows. Beyond thankful to the friends and new friends who joined this and helped the live arts out.
Special thanks to @josephhenshaw , my fellow theater kid and editor extraordinaire for finding the fun in this one with me.
Credits pinned in the comments.
LIVE ARTS ARE THE MOST IMPORTANT GATHERING FOR COMMUNITY, ENTERTAINMENT, AND CHANGE AND WE MUST PROTECT, MAKE AND GROW
Cats: The Jellicle Ball
Broadway Creative Campaign
I’m a theater kid for life. Combining my worlds of film with theater is something I never knew I would get to enjoy so much. I love the unique challenge of capturing the essence and tone of a live experience but for a different medium. Rather than Broll of the show itself, how do we create an extension of the real thing that fares with the calibur and expectations of content on the medium we are assessing it from. This is what I was fortunate to get to dream up and what so many people came together to make, shape and elevate.
I am so thankful for the trust and collaboration from the shows creative team - @zhailon @bill.rauch.pac @omari_wiles @arturo_thaengineer whose vision and creation of this show is truly extraordinary and is the perfect example of what a revival is meant to do. Im forever honored I got to join their train and collaborate on how to best represent their morphing piece of art.
I also want to applaud the producing team of this show, @tartick @mkarns_presents and the boss man @mikebosner for being willing to take the damn swing and change the way Broadway shows are promoted forever. True leaders.
My first call was @maddytalias who elevated this every step of the way. 👏🏼 DPs. Are. The Real. Heroes. 👏🏼 The dutch angle, the whip pull back, the match cut runway, slo mo ember - all Maddy. Nom Nom ATE.
Speaking of eating. This mother fucking cast. Truly you must see them live to believe. They did take after take. Full. Out. The talent is truly top tier. They did the heavy lifting here.
Check these credits because everyone here worked for passion rates and showed up and gave their all and it shows. Beyond thankful to the friends and new friends who joined this and helped the live arts out.
Special thanks to @josephhenshaw , my fellow theater kid and editor extraordinaire for finding the fun in this one with me.
Credits pinned in the comments.
LIVE ARTS ARE THE MOST IMPORTANT GATHERING FOR COMMUNITY, ENTERTAINMENT, AND CHANGE AND WE MUST PROTECT, MAKE AND GROW
Cats: The Jellicle Ball
Broadway Creative Campaign
I’m a theater kid for life. Combining my worlds of film with theater is something I never knew I would get to enjoy so much. I love the unique challenge of capturing the essence and tone of a live experience but for a different medium. Rather than Broll of the show itself, how do we create an extension of the real thing that fares with the calibur and expectations of content on the medium we are assessing it from. This is what I was fortunate to get to dream up and what so many people came together to make, shape and elevate.
I am so thankful for the trust and collaboration from the shows creative team - @zhailon @bill.rauch.pac @omari_wiles @arturo_thaengineer whose vision and creation of this show is truly extraordinary and is the perfect example of what a revival is meant to do. Im forever honored I got to join their train and collaborate on how to best represent their morphing piece of art.
I also want to applaud the producing team of this show, @tartick @mkarns_presents and the boss man @mikebosner for being willing to take the damn swing and change the way Broadway shows are promoted forever. True leaders.
My first call was @maddytalias who elevated this every step of the way. 👏🏼 DPs. Are. The Real. Heroes. 👏🏼 The dutch angle, the whip pull back, the match cut runway, slo mo ember - all Maddy. Nom Nom ATE.
Speaking of eating. This mother fucking cast. Truly you must see them live to believe. They did take after take. Full. Out. The talent is truly top tier. They did the heavy lifting here.
Check these credits because everyone here worked for passion rates and showed up and gave their all and it shows. Beyond thankful to the friends and new friends who joined this and helped the live arts out.
Special thanks to @josephhenshaw , my fellow theater kid and editor extraordinaire for finding the fun in this one with me.
Credits pinned in the comments.
LIVE ARTS ARE THE MOST IMPORTANT GATHERING FOR COMMUNITY, ENTERTAINMENT, AND CHANGE AND WE MUST PROTECT, MAKE AND GROW
Cats: The Jellicle Ball
Broadway Creative Campaign
I’m a theater kid for life. Combining my worlds of film with theater is something I never knew I would get to enjoy so much. I love the unique challenge of capturing the essence and tone of a live experience but for a different medium. Rather than Broll of the show itself, how do we create an extension of the real thing that fares with the calibur and expectations of content on the medium we are assessing it from. This is what I was fortunate to get to dream up and what so many people came together to make, shape and elevate.
I am so thankful for the trust and collaboration from the shows creative team - @zhailon @bill.rauch.pac @omari_wiles @arturo_thaengineer whose vision and creation of this show is truly extraordinary and is the perfect example of what a revival is meant to do. Im forever honored I got to join their train and collaborate on how to best represent their morphing piece of art.
I also want to applaud the producing team of this show, @tartick @mkarns_presents and the boss man @mikebosner for being willing to take the damn swing and change the way Broadway shows are promoted forever. True leaders.
My first call was @maddytalias who elevated this every step of the way. 👏🏼 DPs. Are. The Real. Heroes. 👏🏼 The dutch angle, the whip pull back, the match cut runway, slo mo ember - all Maddy. Nom Nom ATE.
Speaking of eating. This mother fucking cast. Truly you must see them live to believe. They did take after take. Full. Out. The talent is truly top tier. They did the heavy lifting here.
Check these credits because everyone here worked for passion rates and showed up and gave their all and it shows. Beyond thankful to the friends and new friends who joined this and helped the live arts out.
Special thanks to @josephhenshaw , my fellow theater kid and editor extraordinaire for finding the fun in this one with me.
Credits pinned in the comments.
LIVE ARTS ARE THE MOST IMPORTANT GATHERING FOR COMMUNITY, ENTERTAINMENT, AND CHANGE AND WE MUST PROTECT, MAKE AND GROW
Cats: The Jellicle Ball
Broadway Creative Campaign
I’m a theater kid for life. Combining my worlds of film with theater is something I never knew I would get to enjoy so much. I love the unique challenge of capturing the essence and tone of a live experience but for a different medium. Rather than Broll of the show itself, how do we create an extension of the real thing that fares with the calibur and expectations of content on the medium we are assessing it from. This is what I was fortunate to get to dream up and what so many people came together to make, shape and elevate.
I am so thankful for the trust and collaboration from the shows creative team - @zhailon @bill.rauch.pac @omari_wiles @arturo_thaengineer whose vision and creation of this show is truly extraordinary and is the perfect example of what a revival is meant to do. Im forever honored I got to join their train and collaborate on how to best represent their morphing piece of art.
I also want to applaud the producing team of this show, @tartick @mkarns_presents and the boss man @mikebosner for being willing to take the damn swing and change the way Broadway shows are promoted forever. True leaders.
My first call was @maddytalias who elevated this every step of the way. 👏🏼 DPs. Are. The Real. Heroes. 👏🏼 The dutch angle, the whip pull back, the match cut runway, slo mo ember - all Maddy. Nom Nom ATE.
Speaking of eating. This mother fucking cast. Truly you must see them live to believe. They did take after take. Full. Out. The talent is truly top tier. They did the heavy lifting here.
Check these credits because everyone here worked for passion rates and showed up and gave their all and it shows. Beyond thankful to the friends and new friends who joined this and helped the live arts out.
Special thanks to @josephhenshaw , my fellow theater kid and editor extraordinaire for finding the fun in this one with me.
Credits pinned in the comments.
LIVE ARTS ARE THE MOST IMPORTANT GATHERING FOR COMMUNITY, ENTERTAINMENT, AND CHANGE AND WE MUST PROTECT, MAKE AND GROW
Cats: The Jellicle Ball
Broadway Creative Campaign
I’m a theater kid for life. Combining my worlds of film with theater is something I never knew I would get to enjoy so much. I love the unique challenge of capturing the essence and tone of a live experience but for a different medium. Rather than Broll of the show itself, how do we create an extension of the real thing that fares with the calibur and expectations of content on the medium we are assessing it from. This is what I was fortunate to get to dream up and what so many people came together to make, shape and elevate.
I am so thankful for the trust and collaboration from the shows creative team - @zhailon @bill.rauch.pac @omari_wiles @arturo_thaengineer whose vision and creation of this show is truly extraordinary and is the perfect example of what a revival is meant to do. Im forever honored I got to join their train and collaborate on how to best represent their morphing piece of art.
I also want to applaud the producing team of this show, @tartick @mkarns_presents and the boss man @mikebosner for being willing to take the damn swing and change the way Broadway shows are promoted forever. True leaders.
My first call was @maddytalias who elevated this every step of the way. 👏🏼 DPs. Are. The Real. Heroes. 👏🏼 The dutch angle, the whip pull back, the match cut runway, slo mo ember - all Maddy. Nom Nom ATE.
Speaking of eating. This mother fucking cast. Truly you must see them live to believe. They did take after take. Full. Out. The talent is truly top tier. They did the heavy lifting here.
Check these credits because everyone here worked for passion rates and showed up and gave their all and it shows. Beyond thankful to the friends and new friends who joined this and helped the live arts out.
Special thanks to @josephhenshaw , my fellow theater kid and editor extraordinaire for finding the fun in this one with me.
Credits pinned in the comments.
LIVE ARTS ARE THE MOST IMPORTANT GATHERING FOR COMMUNITY, ENTERTAINMENT, AND CHANGE AND WE MUST PROTECT, MAKE AND GROW
Cats: The Jellicle Ball
Broadway Creative Campaign
I’m a theater kid for life. Combining my worlds of film with theater is something I never knew I would get to enjoy so much. I love the unique challenge of capturing the essence and tone of a live experience but for a different medium. Rather than Broll of the show itself, how do we create an extension of the real thing that fares with the calibur and expectations of content on the medium we are assessing it from. This is what I was fortunate to get to dream up and what so many people came together to make, shape and elevate.
I am so thankful for the trust and collaboration from the shows creative team - @zhailon @bill.rauch.pac @omari_wiles @arturo_thaengineer whose vision and creation of this show is truly extraordinary and is the perfect example of what a revival is meant to do. Im forever honored I got to join their train and collaborate on how to best represent their morphing piece of art.
I also want to applaud the producing team of this show, @tartick @mkarns_presents and the boss man @mikebosner for being willing to take the damn swing and change the way Broadway shows are promoted forever. True leaders.
My first call was @maddytalias who elevated this every step of the way. 👏🏼 DPs. Are. The Real. Heroes. 👏🏼 The dutch angle, the whip pull back, the match cut runway, slo mo ember - all Maddy. Nom Nom ATE.
Speaking of eating. This mother fucking cast. Truly you must see them live to believe. They did take after take. Full. Out. The talent is truly top tier. They did the heavy lifting here.
Check these credits because everyone here worked for passion rates and showed up and gave their all and it shows. Beyond thankful to the friends and new friends who joined this and helped the live arts out.
Special thanks to @josephhenshaw , my fellow theater kid and editor extraordinaire for finding the fun in this one with me.
Credits pinned in the comments.
LIVE ARTS ARE THE MOST IMPORTANT GATHERING FOR COMMUNITY, ENTERTAINMENT, AND CHANGE AND WE MUST PROTECT, MAKE AND GROW
Cats: The Jellicle Ball
Broadway Creative Campaign
I’m a theater kid for life. Combining my worlds of film with theater is something I never knew I would get to enjoy so much. I love the unique challenge of capturing the essence and tone of a live experience but for a different medium. Rather than Broll of the show itself, how do we create an extension of the real thing that fares with the calibur and expectations of content on the medium we are assessing it from. This is what I was fortunate to get to dream up and what so many people came together to make, shape and elevate.
I am so thankful for the trust and collaboration from the shows creative team - @zhailon @bill.rauch.pac @omari_wiles @arturo_thaengineer whose vision and creation of this show is truly extraordinary and is the perfect example of what a revival is meant to do. Im forever honored I got to join their train and collaborate on how to best represent their morphing piece of art.
I also want to applaud the producing team of this show, @tartick @mkarns_presents and the boss man @mikebosner for being willing to take the damn swing and change the way Broadway shows are promoted forever. True leaders.
My first call was @maddytalias who elevated this every step of the way. 👏🏼 DPs. Are. The Real. Heroes. 👏🏼 The dutch angle, the whip pull back, the match cut runway, slo mo ember - all Maddy. Nom Nom ATE.
Speaking of eating. This mother fucking cast. Truly you must see them live to believe. They did take after take. Full. Out. The talent is truly top tier. They did the heavy lifting here.
Check these credits because everyone here worked for passion rates and showed up and gave their all and it shows. Beyond thankful to the friends and new friends who joined this and helped the live arts out.
Special thanks to @josephhenshaw , my fellow theater kid and editor extraordinaire for finding the fun in this one with me.
Credits pinned in the comments.
LIVE ARTS ARE THE MOST IMPORTANT GATHERING FOR COMMUNITY, ENTERTAINMENT, AND CHANGE AND WE MUST PROTECT, MAKE AND GROW
Cats: The Jellicle Ball
Broadway Creative Campaign
I’m a theater kid for life. Combining my worlds of film with theater is something I never knew I would get to enjoy so much. I love the unique challenge of capturing the essence and tone of a live experience but for a different medium. Rather than Broll of the show itself, how do we create an extension of the real thing that fares with the calibur and expectations of content on the medium we are assessing it from. This is what I was fortunate to get to dream up and what so many people came together to make, shape and elevate.
I am so thankful for the trust and collaboration from the shows creative team - @zhailon @bill.rauch.pac @omari_wiles @arturo_thaengineer whose vision and creation of this show is truly extraordinary and is the perfect example of what a revival is meant to do. Im forever honored I got to join their train and collaborate on how to best represent their morphing piece of art.
I also want to applaud the producing team of this show, @tartick @mkarns_presents and the boss man @mikebosner for being willing to take the damn swing and change the way Broadway shows are promoted forever. True leaders.
My first call was @maddytalias who elevated this every step of the way. 👏🏼 DPs. Are. The Real. Heroes. 👏🏼 The dutch angle, the whip pull back, the match cut runway, slo mo ember - all Maddy. Nom Nom ATE.
Speaking of eating. This mother fucking cast. Truly you must see them live to believe. They did take after take. Full. Out. The talent is truly top tier. They did the heavy lifting here.
Check these credits because everyone here worked for passion rates and showed up and gave their all and it shows. Beyond thankful to the friends and new friends who joined this and helped the live arts out.
Special thanks to @josephhenshaw , my fellow theater kid and editor extraordinaire for finding the fun in this one with me.
Credits pinned in the comments.
LIVE ARTS ARE THE MOST IMPORTANT GATHERING FOR COMMUNITY, ENTERTAINMENT, AND CHANGE AND WE MUST PROTECT, MAKE AND GROW
Cats: The Jellicle Ball
Broadway Creative Campaign
I’m a theater kid for life. Combining my worlds of film with theater is something I never knew I would get to enjoy so much. I love the unique challenge of capturing the essence and tone of a live experience but for a different medium. Rather than Broll of the show itself, how do we create an extension of the real thing that fares with the calibur and expectations of content on the medium we are assessing it from. This is what I was fortunate to get to dream up and what so many people came together to make, shape and elevate.
I am so thankful for the trust and collaboration from the shows creative team - @zhailon @bill.rauch.pac @omari_wiles @arturo_thaengineer whose vision and creation of this show is truly extraordinary and is the perfect example of what a revival is meant to do. Im forever honored I got to join their train and collaborate on how to best represent their morphing piece of art.
I also want to applaud the producing team of this show, @tartick @mkarns_presents and the boss man @mikebosner for being willing to take the damn swing and change the way Broadway shows are promoted forever. True leaders.
My first call was @maddytalias who elevated this every step of the way. 👏🏼 DPs. Are. The Real. Heroes. 👏🏼 The dutch angle, the whip pull back, the match cut runway, slo mo ember - all Maddy. Nom Nom ATE.
Speaking of eating. This mother fucking cast. Truly you must see them live to believe. They did take after take. Full. Out. The talent is truly top tier. They did the heavy lifting here.
Check these credits because everyone here worked for passion rates and showed up and gave their all and it shows. Beyond thankful to the friends and new friends who joined this and helped the live arts out.
Special thanks to @josephhenshaw , my fellow theater kid and editor extraordinaire for finding the fun in this one with me.
Credits pinned in the comments.
LIVE ARTS ARE THE MOST IMPORTANT GATHERING FOR COMMUNITY, ENTERTAINMENT, AND CHANGE AND WE MUST PROTECT, MAKE AND GROW
Cats: The Jellicle Ball
Broadway Creative Campaign
I’m a theater kid for life. Combining my worlds of film with theater is something I never knew I would get to enjoy so much. I love the unique challenge of capturing the essence and tone of a live experience but for a different medium. Rather than Broll of the show itself, how do we create an extension of the real thing that fares with the calibur and expectations of content on the medium we are assessing it from. This is what I was fortunate to get to dream up and what so many people came together to make, shape and elevate.
I am so thankful for the trust and collaboration from the shows creative team - @zhailon @bill.rauch.pac @omari_wiles @arturo_thaengineer whose vision and creation of this show is truly extraordinary and is the perfect example of what a revival is meant to do. Im forever honored I got to join their train and collaborate on how to best represent their morphing piece of art.
I also want to applaud the producing team of this show, @tartick @mkarns_presents and the boss man @mikebosner for being willing to take the damn swing and change the way Broadway shows are promoted forever. True leaders.
My first call was @maddytalias who elevated this every step of the way. 👏🏼 DPs. Are. The Real. Heroes. 👏🏼 The dutch angle, the whip pull back, the match cut runway, slo mo ember - all Maddy. Nom Nom ATE.
Speaking of eating. This mother fucking cast. Truly you must see them live to believe. They did take after take. Full. Out. The talent is truly top tier. They did the heavy lifting here.
Check these credits because everyone here worked for passion rates and showed up and gave their all and it shows. Beyond thankful to the friends and new friends who joined this and helped the live arts out.
Special thanks to @josephhenshaw , my fellow theater kid and editor extraordinaire for finding the fun in this one with me.
Credits pinned in the comments.
LIVE ARTS ARE THE MOST IMPORTANT GATHERING FOR COMMUNITY, ENTERTAINMENT, AND CHANGE AND WE MUST PROTECT, MAKE AND GROW
Cats: The Jellicle Ball
Broadway Creative Campaign
I’m a theater kid for life. Combining my worlds of film with theater is something I never knew I would get to enjoy so much. I love the unique challenge of capturing the essence and tone of a live experience but for a different medium. Rather than Broll of the show itself, how do we create an extension of the real thing that fares with the calibur and expectations of content on the medium we are assessing it from. This is what I was fortunate to get to dream up and what so many people came together to make, shape and elevate.
I am so thankful for the trust and collaboration from the shows creative team - @zhailon @bill.rauch.pac @omari_wiles @arturo_thaengineer whose vision and creation of this show is truly extraordinary and is the perfect example of what a revival is meant to do. Im forever honored I got to join their train and collaborate on how to best represent their morphing piece of art.
I also want to applaud the producing team of this show, @tartick @mkarns_presents and the boss man @mikebosner for being willing to take the damn swing and change the way Broadway shows are promoted forever. True leaders.
My first call was @maddytalias who elevated this every step of the way. 👏🏼 DPs. Are. The Real. Heroes. 👏🏼 The dutch angle, the whip pull back, the match cut runway, slo mo ember - all Maddy. Nom Nom ATE.
Speaking of eating. This mother fucking cast. Truly you must see them live to believe. They did take after take. Full. Out. The talent is truly top tier. They did the heavy lifting here.
Check these credits because everyone here worked for passion rates and showed up and gave their all and it shows. Beyond thankful to the friends and new friends who joined this and helped the live arts out.
Special thanks to @josephhenshaw , my fellow theater kid and editor extraordinaire for finding the fun in this one with me.
Credits pinned in the comments.
LIVE ARTS ARE THE MOST IMPORTANT GATHERING FOR COMMUNITY, ENTERTAINMENT, AND CHANGE AND WE MUST PROTECT, MAKE AND GROW
Cats: The Jellicle Ball
Broadway Creative Campaign
I’m a theater kid for life. Combining my worlds of film with theater is something I never knew I would get to enjoy so much. I love the unique challenge of capturing the essence and tone of a live experience but for a different medium. Rather than Broll of the show itself, how do we create an extension of the real thing that fares with the calibur and expectations of content on the medium we are assessing it from. This is what I was fortunate to get to dream up and what so many people came together to make, shape and elevate.
I am so thankful for the trust and collaboration from the shows creative team - @zhailon @bill.rauch.pac @omari_wiles @arturo_thaengineer whose vision and creation of this show is truly extraordinary and is the perfect example of what a revival is meant to do. Im forever honored I got to join their train and collaborate on how to best represent their morphing piece of art.
I also want to applaud the producing team of this show, @tartick @mkarns_presents and the boss man @mikebosner for being willing to take the damn swing and change the way Broadway shows are promoted forever. True leaders.
My first call was @maddytalias who elevated this every step of the way. 👏🏼 DPs. Are. The Real. Heroes. 👏🏼 The dutch angle, the whip pull back, the match cut runway, slo mo ember - all Maddy. Nom Nom ATE.
Speaking of eating. This mother fucking cast. Truly you must see them live to believe. They did take after take. Full. Out. The talent is truly top tier. They did the heavy lifting here.
Check these credits because everyone here worked for passion rates and showed up and gave their all and it shows. Beyond thankful to the friends and new friends who joined this and helped the live arts out.
Special thanks to @josephhenshaw , my fellow theater kid and editor extraordinaire for finding the fun in this one with me.
Credits pinned in the comments.
LIVE ARTS ARE THE MOST IMPORTANT GATHERING FOR COMMUNITY, ENTERTAINMENT, AND CHANGE AND WE MUST PROTECT, MAKE AND GROW
Cats: The Jellicle Ball
Broadway Creative Campaign
I’m a theater kid for life. Combining my worlds of film with theater is something I never knew I would get to enjoy so much. I love the unique challenge of capturing the essence and tone of a live experience but for a different medium. Rather than Broll of the show itself, how do we create an extension of the real thing that fares with the calibur and expectations of content on the medium we are assessing it from. This is what I was fortunate to get to dream up and what so many people came together to make, shape and elevate.
I am so thankful for the trust and collaboration from the shows creative team - @zhailon @bill.rauch.pac @omari_wiles @arturo_thaengineer whose vision and creation of this show is truly extraordinary and is the perfect example of what a revival is meant to do. Im forever honored I got to join their train and collaborate on how to best represent their morphing piece of art.
I also want to applaud the producing team of this show, @tartick @mkarns_presents and the boss man @mikebosner for being willing to take the damn swing and change the way Broadway shows are promoted forever. True leaders.
My first call was @maddytalias who elevated this every step of the way. 👏🏼 DPs. Are. The Real. Heroes. 👏🏼 The dutch angle, the whip pull back, the match cut runway, slo mo ember - all Maddy. Nom Nom ATE.
Speaking of eating. This mother fucking cast. Truly you must see them live to believe. They did take after take. Full. Out. The talent is truly top tier. They did the heavy lifting here.
Check these credits because everyone here worked for passion rates and showed up and gave their all and it shows. Beyond thankful to the friends and new friends who joined this and helped the live arts out.
Special thanks to @josephhenshaw , my fellow theater kid and editor extraordinaire for finding the fun in this one with me.
Credits pinned in the comments.
LIVE ARTS ARE THE MOST IMPORTANT GATHERING FOR COMMUNITY, ENTERTAINMENT, AND CHANGE AND WE MUST PROTECT, MAKE AND GROW
Cats: The Jellicle Ball
Broadway Creative Campaign
I’m a theater kid for life. Combining my worlds of film with theater is something I never knew I would get to enjoy so much. I love the unique challenge of capturing the essence and tone of a live experience but for a different medium. Rather than Broll of the show itself, how do we create an extension of the real thing that fares with the calibur and expectations of content on the medium we are assessing it from. This is what I was fortunate to get to dream up and what so many people came together to make, shape and elevate.
I am so thankful for the trust and collaboration from the shows creative team - @zhailon @bill.rauch.pac @omari_wiles @arturo_thaengineer whose vision and creation of this show is truly extraordinary and is the perfect example of what a revival is meant to do. Im forever honored I got to join their train and collaborate on how to best represent their morphing piece of art.
I also want to applaud the producing team of this show, @tartick @mkarns_presents and the boss man @mikebosner for being willing to take the damn swing and change the way Broadway shows are promoted forever. True leaders.
My first call was @maddytalias who elevated this every step of the way. 👏🏼 DPs. Are. The Real. Heroes. 👏🏼 The dutch angle, the whip pull back, the match cut runway, slo mo ember - all Maddy. Nom Nom ATE.
Speaking of eating. This mother fucking cast. Truly you must see them live to believe. They did take after take. Full. Out. The talent is truly top tier. They did the heavy lifting here.
Check these credits because everyone here worked for passion rates and showed up and gave their all and it shows. Beyond thankful to the friends and new friends who joined this and helped the live arts out.
Special thanks to @josephhenshaw , my fellow theater kid and editor extraordinaire for finding the fun in this one with me.
Credits pinned in the comments.
LIVE ARTS ARE THE MOST IMPORTANT GATHERING FOR COMMUNITY, ENTERTAINMENT, AND CHANGE AND WE MUST PROTECT, MAKE AND GROW
Cats: The Jellicle Ball
Broadway Creative Campaign
I’m a theater kid for life. Combining my worlds of film with theater is something I never knew I would get to enjoy so much. I love the unique challenge of capturing the essence and tone of a live experience but for a different medium. Rather than Broll of the show itself, how do we create an extension of the real thing that fares with the calibur and expectations of content on the medium we are assessing it from. This is what I was fortunate to get to dream up and what so many people came together to make, shape and elevate.
I am so thankful for the trust and collaboration from the shows creative team - @zhailon @bill.rauch.pac @omari_wiles @arturo_thaengineer whose vision and creation of this show is truly extraordinary and is the perfect example of what a revival is meant to do. Im forever honored I got to join their train and collaborate on how to best represent their morphing piece of art.
I also want to applaud the producing team of this show, @tartick @mkarns_presents and the boss man @mikebosner for being willing to take the damn swing and change the way Broadway shows are promoted forever. True leaders.
My first call was @maddytalias who elevated this every step of the way. 👏🏼 DPs. Are. The Real. Heroes. 👏🏼 The dutch angle, the whip pull back, the match cut runway, slo mo ember - all Maddy. Nom Nom ATE.
Speaking of eating. This mother fucking cast. Truly you must see them live to believe. They did take after take. Full. Out. The talent is truly top tier. They did the heavy lifting here.
Check these credits because everyone here worked for passion rates and showed up and gave their all and it shows. Beyond thankful to the friends and new friends who joined this and helped the live arts out.
Special thanks to @josephhenshaw , my fellow theater kid and editor extraordinaire for finding the fun in this one with me.
Credits pinned in the comments.
LIVE ARTS ARE THE MOST IMPORTANT GATHERING FOR COMMUNITY, ENTERTAINMENT, AND CHANGE AND WE MUST PROTECT, MAKE AND GROW
Cats: The Jellicle Ball
Broadway Creative Campaign
I’m a theater kid for life. Combining my worlds of film with theater is something I never knew I would get to enjoy so much. I love the unique challenge of capturing the essence and tone of a live experience but for a different medium. Rather than Broll of the show itself, how do we create an extension of the real thing that fares with the calibur and expectations of content on the medium we are assessing it from. This is what I was fortunate to get to dream up and what so many people came together to make, shape and elevate.
I am so thankful for the trust and collaboration from the shows creative team - @zhailon @bill.rauch.pac @omari_wiles @arturo_thaengineer whose vision and creation of this show is truly extraordinary and is the perfect example of what a revival is meant to do. Im forever honored I got to join their train and collaborate on how to best represent their morphing piece of art.
I also want to applaud the producing team of this show, @tartick @mkarns_presents and the boss man @mikebosner for being willing to take the damn swing and change the way Broadway shows are promoted forever. True leaders.
My first call was @maddytalias who elevated this every step of the way. 👏🏼 DPs. Are. The Real. Heroes. 👏🏼 The dutch angle, the whip pull back, the match cut runway, slo mo ember - all Maddy. Nom Nom ATE.
Speaking of eating. This mother fucking cast. Truly you must see them live to believe. They did take after take. Full. Out. The talent is truly top tier. They did the heavy lifting here.
Check these credits because everyone here worked for passion rates and showed up and gave their all and it shows. Beyond thankful to the friends and new friends who joined this and helped the live arts out.
Special thanks to @josephhenshaw , my fellow theater kid and editor extraordinaire for finding the fun in this one with me.
Credits pinned in the comments.
LIVE ARTS ARE THE MOST IMPORTANT GATHERING FOR COMMUNITY, ENTERTAINMENT, AND CHANGE AND WE MUST PROTECT, MAKE AND GROW
Cats: The Jellicle Ball
Broadway Creative Campaign
I’m a theater kid for life. Combining my worlds of film with theater is something I never knew I would get to enjoy so much. I love the unique challenge of capturing the essence and tone of a live experience but for a different medium. Rather than Broll of the show itself, how do we create an extension of the real thing that fares with the calibur and expectations of content on the medium we are assessing it from. This is what I was fortunate to get to dream up and what so many people came together to make, shape and elevate.
I am so thankful for the trust and collaboration from the shows creative team - @zhailon @bill.rauch.pac @omari_wiles @arturo_thaengineer whose vision and creation of this show is truly extraordinary and is the perfect example of what a revival is meant to do. Im forever honored I got to join their train and collaborate on how to best represent their morphing piece of art.
I also want to applaud the producing team of this show, @tartick @mkarns_presents and the boss man @mikebosner for being willing to take the damn swing and change the way Broadway shows are promoted forever. True leaders.
My first call was @maddytalias who elevated this every step of the way. 👏🏼 DPs. Are. The Real. Heroes. 👏🏼 The dutch angle, the whip pull back, the match cut runway, slo mo ember - all Maddy. Nom Nom ATE.
Speaking of eating. This mother fucking cast. Truly you must see them live to believe. They did take after take. Full. Out. The talent is truly top tier. They did the heavy lifting here.
Check these credits because everyone here worked for passion rates and showed up and gave their all and it shows. Beyond thankful to the friends and new friends who joined this and helped the live arts out.
Special thanks to @josephhenshaw , my fellow theater kid and editor extraordinaire for finding the fun in this one with me.
Credits pinned in the comments.
LIVE ARTS ARE THE MOST IMPORTANT GATHERING FOR COMMUNITY, ENTERTAINMENT, AND CHANGE AND WE MUST PROTECT, MAKE AND GROW
Cats: The Jellicle Ball
Broadway Creative Campaign
I’m a theater kid for life. Combining my worlds of film with theater is something I never knew I would get to enjoy so much. I love the unique challenge of capturing the essence and tone of a live experience but for a different medium. Rather than Broll of the show itself, how do we create an extension of the real thing that fares with the calibur and expectations of content on the medium we are assessing it from. This is what I was fortunate to get to dream up and what so many people came together to make, shape and elevate.
I am so thankful for the trust and collaboration from the shows creative team - @zhailon @bill.rauch.pac @omari_wiles @arturo_thaengineer whose vision and creation of this show is truly extraordinary and is the perfect example of what a revival is meant to do. Im forever honored I got to join their train and collaborate on how to best represent their morphing piece of art.
I also want to applaud the producing team of this show, @tartick @mkarns_presents and the boss man @mikebosner for being willing to take the damn swing and change the way Broadway shows are promoted forever. True leaders.
My first call was @maddytalias who elevated this every step of the way. 👏🏼 DPs. Are. The Real. Heroes. 👏🏼 The dutch angle, the whip pull back, the match cut runway, slo mo ember - all Maddy. Nom Nom ATE.
Speaking of eating. This mother fucking cast. Truly you must see them live to believe. They did take after take. Full. Out. The talent is truly top tier. They did the heavy lifting here.
Check these credits because everyone here worked for passion rates and showed up and gave their all and it shows. Beyond thankful to the friends and new friends who joined this and helped the live arts out.
Special thanks to @josephhenshaw , my fellow theater kid and editor extraordinaire for finding the fun in this one with me.
Credits pinned in the comments.
LIVE ARTS ARE THE MOST IMPORTANT GATHERING FOR COMMUNITY, ENTERTAINMENT, AND CHANGE AND WE MUST PROTECT, MAKE AND GROW
Cats: The Jellicle Ball
Broadway Creative Campaign
I’m a theater kid for life. Combining my worlds of film with theater is something I never knew I would get to enjoy so much. I love the unique challenge of capturing the essence and tone of a live experience but for a different medium. Rather than Broll of the show itself, how do we create an extension of the real thing that fares with the calibur and expectations of content on the medium we are assessing it from. This is what I was fortunate to get to dream up and what so many people came together to make, shape and elevate.
I am so thankful for the trust and collaboration from the shows creative team - @zhailon @bill.rauch.pac @omari_wiles @arturo_thaengineer whose vision and creation of this show is truly extraordinary and is the perfect example of what a revival is meant to do. Im forever honored I got to join their train and collaborate on how to best represent their morphing piece of art.
I also want to applaud the producing team of this show, @tartick @mkarns_presents and the boss man @mikebosner for being willing to take the damn swing and change the way Broadway shows are promoted forever. True leaders.
My first call was @maddytalias who elevated this every step of the way. 👏🏼 DPs. Are. The Real. Heroes. 👏🏼 The dutch angle, the whip pull back, the match cut runway, slo mo ember - all Maddy. Nom Nom ATE.
Speaking of eating. This mother fucking cast. Truly you must see them live to believe. They did take after take. Full. Out. The talent is truly top tier. They did the heavy lifting here.
Check these credits because everyone here worked for passion rates and showed up and gave their all and it shows. Beyond thankful to the friends and new friends who joined this and helped the live arts out.
Special thanks to @josephhenshaw , my fellow theater kid and editor extraordinaire for finding the fun in this one with me.
Credits pinned in the comments.
LIVE ARTS ARE THE MOST IMPORTANT GATHERING FOR COMMUNITY, ENTERTAINMENT, AND CHANGE AND WE MUST PROTECT, MAKE AND GROW
Hamlet Hail To The Thief Opening Night at Factory International in Manchester England. Proud to be a co-producer of this morphing piece of art that is exploring and blending new forms of live performance art. Not to mention getting to be surrounded by artists, creators, and producers I very much admire and am learning from. Keep an eye out for this one. Up next is Royal Shakespeare Company, and then… 👀
@hamlethailtothethief @factory_international @thersc
Hamlet Hail To The Thief Opening Night at Factory International in Manchester England. Proud to be a co-producer of this morphing piece of art that is exploring and blending new forms of live performance art. Not to mention getting to be surrounded by artists, creators, and producers I very much admire and am learning from. Keep an eye out for this one. Up next is Royal Shakespeare Company, and then… 👀
@hamlethailtothethief @factory_international @thersc
Hamlet Hail To The Thief Opening Night at Factory International in Manchester England. Proud to be a co-producer of this morphing piece of art that is exploring and blending new forms of live performance art. Not to mention getting to be surrounded by artists, creators, and producers I very much admire and am learning from. Keep an eye out for this one. Up next is Royal Shakespeare Company, and then… 👀
@hamlethailtothethief @factory_international @thersc
Hamlet Hail To The Thief Opening Night at Factory International in Manchester England. Proud to be a co-producer of this morphing piece of art that is exploring and blending new forms of live performance art. Not to mention getting to be surrounded by artists, creators, and producers I very much admire and am learning from. Keep an eye out for this one. Up next is Royal Shakespeare Company, and then… 👀
@hamlethailtothethief @factory_international @thersc
Hamlet Hail To The Thief Opening Night at Factory International in Manchester England. Proud to be a co-producer of this morphing piece of art that is exploring and blending new forms of live performance art. Not to mention getting to be surrounded by artists, creators, and producers I very much admire and am learning from. Keep an eye out for this one. Up next is Royal Shakespeare Company, and then… 👀
@hamlethailtothethief @factory_international @thersc
Hamlet Hail To The Thief Opening Night at Factory International in Manchester England. Proud to be a co-producer of this morphing piece of art that is exploring and blending new forms of live performance art. Not to mention getting to be surrounded by artists, creators, and producers I very much admire and am learning from. Keep an eye out for this one. Up next is Royal Shakespeare Company, and then… 👀
@hamlethailtothethief @factory_international @thersc
Hamlet Hail To The Thief Opening Night at Factory International in Manchester England. Proud to be a co-producer of this morphing piece of art that is exploring and blending new forms of live performance art. Not to mention getting to be surrounded by artists, creators, and producers I very much admire and am learning from. Keep an eye out for this one. Up next is Royal Shakespeare Company, and then… 👀
@hamlethailtothethief @factory_international @thersc
Hamlet Hail To The Thief Opening Night at Factory International in Manchester England. Proud to be a co-producer of this morphing piece of art that is exploring and blending new forms of live performance art. Not to mention getting to be surrounded by artists, creators, and producers I very much admire and am learning from. Keep an eye out for this one. Up next is Royal Shakespeare Company, and then… 👀
@hamlethailtothethief @factory_international @thersc
KINLAW x “SPIT” Music Video @kinlawww
Director: 91 Rules @91.rules
Creative Director: Kathleen Dycaico @kdycaico
Director Of Photography: Maddy Talias @maddytalias
Production Company: Statement Of @statementof_
Production Company: Polymath Production @polymath__production
Lead Producer, EP: Hannah Kinlaw @hannahkinlaw
Lead Producer, EP: Cameron Sczempka @cam_bond_sczempka
Producer, EP: Chelsea Moynehan @chelsea_moynehan
Executive Support:
Elizabeth Echo Cho, Joanie Martinez, Hanna Propst, Sean Bailey, Amanda Sussman
Choreographer: Marla Phelan @marlaphelan
Movement/Choreo Stand In: Madison Wada @____homesick____4
Wardrobe Stylist: Max Weinstein @max.weinstein_
Wardrobe Asst: Caden Swift
Hair Stylist: Taichi Saito @taichisaitohair
Makeup Artist: Tayler Treadwell @taylertreadwell
1st AD: Eva Minemar
2nd AD: Caroline Bates @sea_baits
1st AC: Beth Fletcher @ebmfletch
2nd AC: Kendall Edwards @kenjed.photo
3rd AC: Paul Tucker @paulctucker
MOCO OP: Riley Morgan @rileyrigs
MOCO Assistant: Simon Manne @guccimanne18
MOCO ROBOT: Rambow Studios @rambow.studio
Gaffer: Adam Reichardt @adamjreichardt
BB Electric: Lucas James
Electric: Lester Beck @lesterblueberry
Electric: Ethen Lombardino
Key Grip: Vinny DaVino
BB Grip: Eddy Sarkisov
Swing: Adam Cohen
Grip: Jonathon DaVino, Rose Knopper, Carter Hoffman
Photographer: Jeremy Gould @jeremypgould
Photo Assist: Fabio Utrilla @fabioutrilla
PA Truck: Ainsley Samuda
PA Office/Set: Joseph Ermey @josephemey
PA Set: Magpie Webber
Camera: Panavision @panavisionofficial
Grip & Lighting: VSNY Films
Location: SAA @saabrooklyn
Edit House: Modern Post @modern.post
Editor: Trevor Clifford @trevor.clifford
Post Producer: Morgan Escobar @morganesc0bar
Color Services: Company 3 @company_3
Colorist: Joseph Bicknell @josephbicknell
Color Producer: Casey Koster @casekostx0
Graphic Design: Blossom Liu @bllossom
VFX Sup & Lead Compositor: Jeeeun Lee @jeejeeself
VFX Sup & Lead Compositor: Taylor Feld @chromakon
VFX Producer: Sophie Mitchell @soph_the_cloud
Sound Design: Moritz Staub @moritz.staub
Studio Manager: Sean Chamberlain
Special thanks: Jon Valde, Derrick Zimmermann, Alan Lewis, Cinemavision, Jeff Robbins, Josh Treadaway, The Mill
KINLAW x “SPIT” Music Video @kinlawww
Director: 91 Rules @91.rules
Creative Director: Kathleen Dycaico @kdycaico
Director Of Photography: Maddy Talias @maddytalias
Production Company: Statement Of @statementof_
Production Company: Polymath Production @polymath__production
Lead Producer, EP: Hannah Kinlaw @hannahkinlaw
Lead Producer, EP: Cameron Sczempka @cam_bond_sczempka
Producer, EP: Chelsea Moynehan @chelsea_moynehan
Executive Support:
Elizabeth Echo Cho, Joanie Martinez, Hanna Propst, Sean Bailey, Amanda Sussman
Choreographer: Marla Phelan @marlaphelan
Movement/Choreo Stand In: Madison Wada @____homesick____4
Wardrobe Stylist: Max Weinstein @max.weinstein_
Wardrobe Asst: Caden Swift
Hair Stylist: Taichi Saito @taichisaitohair
Makeup Artist: Tayler Treadwell @taylertreadwell
1st AD: Eva Minemar
2nd AD: Caroline Bates @sea_baits
1st AC: Beth Fletcher @ebmfletch
2nd AC: Kendall Edwards @kenjed.photo
3rd AC: Paul Tucker @paulctucker
MOCO OP: Riley Morgan @rileyrigs
MOCO Assistant: Simon Manne @guccimanne18
MOCO ROBOT: Rambow Studios @rambow.studio
Gaffer: Adam Reichardt @adamjreichardt
BB Electric: Lucas James
Electric: Lester Beck @lesterblueberry
Electric: Ethen Lombardino
Key Grip: Vinny DaVino
BB Grip: Eddy Sarkisov
Swing: Adam Cohen
Grip: Jonathon DaVino, Rose Knopper, Carter Hoffman
Photographer: Jeremy Gould @jeremypgould
Photo Assist: Fabio Utrilla @fabioutrilla
PA Truck: Ainsley Samuda
PA Office/Set: Joseph Ermey @josephemey
PA Set: Magpie Webber
Camera: Panavision @panavisionofficial
Grip & Lighting: VSNY Films
Location: SAA @saabrooklyn
Edit House: Modern Post @modern.post
Editor: Trevor Clifford @trevor.clifford
Post Producer: Morgan Escobar @morganesc0bar
Color Services: Company 3 @company_3
Colorist: Joseph Bicknell @josephbicknell
Color Producer: Casey Koster @casekostx0
Graphic Design: Blossom Liu @bllossom
VFX Sup & Lead Compositor: Jeeeun Lee @jeejeeself
VFX Sup & Lead Compositor: Taylor Feld @chromakon
VFX Producer: Sophie Mitchell @soph_the_cloud
Sound Design: Moritz Staub @moritz.staub
Studio Manager: Sean Chamberlain
Special thanks: Jon Valde, Derrick Zimmermann, Alan Lewis, Cinemavision, Jeff Robbins, Josh Treadaway, The Mill
KINLAW x “SPIT” Music Video @kinlawww
Director: 91 Rules @91.rules
Creative Director: Kathleen Dycaico @kdycaico
Director Of Photography: Maddy Talias @maddytalias
Production Company: Statement Of @statementof_
Production Company: Polymath Production @polymath__production
Lead Producer, EP: Hannah Kinlaw @hannahkinlaw
Lead Producer, EP: Cameron Sczempka @cam_bond_sczempka
Producer, EP: Chelsea Moynehan @chelsea_moynehan
Executive Support:
Elizabeth Echo Cho, Joanie Martinez, Hanna Propst, Sean Bailey, Amanda Sussman
Choreographer: Marla Phelan @marlaphelan
Movement/Choreo Stand In: Madison Wada @____homesick____4
Wardrobe Stylist: Max Weinstein @max.weinstein_
Wardrobe Asst: Caden Swift
Hair Stylist: Taichi Saito @taichisaitohair
Makeup Artist: Tayler Treadwell @taylertreadwell
1st AD: Eva Minemar
2nd AD: Caroline Bates @sea_baits
1st AC: Beth Fletcher @ebmfletch
2nd AC: Kendall Edwards @kenjed.photo
3rd AC: Paul Tucker @paulctucker
MOCO OP: Riley Morgan @rileyrigs
MOCO Assistant: Simon Manne @guccimanne18
MOCO ROBOT: Rambow Studios @rambow.studio
Gaffer: Adam Reichardt @adamjreichardt
BB Electric: Lucas James
Electric: Lester Beck @lesterblueberry
Electric: Ethen Lombardino
Key Grip: Vinny DaVino
BB Grip: Eddy Sarkisov
Swing: Adam Cohen
Grip: Jonathon DaVino, Rose Knopper, Carter Hoffman
Photographer: Jeremy Gould @jeremypgould
Photo Assist: Fabio Utrilla @fabioutrilla
PA Truck: Ainsley Samuda
PA Office/Set: Joseph Ermey @josephemey
PA Set: Magpie Webber
Camera: Panavision @panavisionofficial
Grip & Lighting: VSNY Films
Location: SAA @saabrooklyn
Edit House: Modern Post @modern.post
Editor: Trevor Clifford @trevor.clifford
Post Producer: Morgan Escobar @morganesc0bar
Color Services: Company 3 @company_3
Colorist: Joseph Bicknell @josephbicknell
Color Producer: Casey Koster @casekostx0
Graphic Design: Blossom Liu @bllossom
VFX Sup & Lead Compositor: Jeeeun Lee @jeejeeself
VFX Sup & Lead Compositor: Taylor Feld @chromakon
VFX Producer: Sophie Mitchell @soph_the_cloud
Sound Design: Moritz Staub @moritz.staub
Studio Manager: Sean Chamberlain
Special thanks: Jon Valde, Derrick Zimmermann, Alan Lewis, Cinemavision, Jeff Robbins, Josh Treadaway, The Mill
KINLAW x “SPIT” Music Video @kinlawww
Director: 91 Rules @91.rules
Creative Director: Kathleen Dycaico @kdycaico
Director Of Photography: Maddy Talias @maddytalias
Production Company: Statement Of @statementof_
Production Company: Polymath Production @polymath__production
Lead Producer, EP: Hannah Kinlaw @hannahkinlaw
Lead Producer, EP: Cameron Sczempka @cam_bond_sczempka
Producer, EP: Chelsea Moynehan @chelsea_moynehan
Executive Support:
Elizabeth Echo Cho, Joanie Martinez, Hanna Propst, Sean Bailey, Amanda Sussman
Choreographer: Marla Phelan @marlaphelan
Movement/Choreo Stand In: Madison Wada @____homesick____4
Wardrobe Stylist: Max Weinstein @max.weinstein_
Wardrobe Asst: Caden Swift
Hair Stylist: Taichi Saito @taichisaitohair
Makeup Artist: Tayler Treadwell @taylertreadwell
1st AD: Eva Minemar
2nd AD: Caroline Bates @sea_baits
1st AC: Beth Fletcher @ebmfletch
2nd AC: Kendall Edwards @kenjed.photo
3rd AC: Paul Tucker @paulctucker
MOCO OP: Riley Morgan @rileyrigs
MOCO Assistant: Simon Manne @guccimanne18
MOCO ROBOT: Rambow Studios @rambow.studio
Gaffer: Adam Reichardt @adamjreichardt
BB Electric: Lucas James
Electric: Lester Beck @lesterblueberry
Electric: Ethen Lombardino
Key Grip: Vinny DaVino
BB Grip: Eddy Sarkisov
Swing: Adam Cohen
Grip: Jonathon DaVino, Rose Knopper, Carter Hoffman
Photographer: Jeremy Gould @jeremypgould
Photo Assist: Fabio Utrilla @fabioutrilla
PA Truck: Ainsley Samuda
PA Office/Set: Joseph Ermey @josephemey
PA Set: Magpie Webber
Camera: Panavision @panavisionofficial
Grip & Lighting: VSNY Films
Location: SAA @saabrooklyn
Edit House: Modern Post @modern.post
Editor: Trevor Clifford @trevor.clifford
Post Producer: Morgan Escobar @morganesc0bar
Color Services: Company 3 @company_3
Colorist: Joseph Bicknell @josephbicknell
Color Producer: Casey Koster @casekostx0
Graphic Design: Blossom Liu @bllossom
VFX Sup & Lead Compositor: Jeeeun Lee @jeejeeself
VFX Sup & Lead Compositor: Taylor Feld @chromakon
VFX Producer: Sophie Mitchell @soph_the_cloud
Sound Design: Moritz Staub @moritz.staub
Studio Manager: Sean Chamberlain
Special thanks: Jon Valde, Derrick Zimmermann, Alan Lewis, Cinemavision, Jeff Robbins, Josh Treadaway, The Mill
KINLAW x “SPIT” Music Video @kinlawww
Director: 91 Rules @91.rules
Creative Director: Kathleen Dycaico @kdycaico
Director Of Photography: Maddy Talias @maddytalias
Production Company: Statement Of @statementof_
Production Company: Polymath Production @polymath__production
Lead Producer, EP: Hannah Kinlaw @hannahkinlaw
Lead Producer, EP: Cameron Sczempka @cam_bond_sczempka
Producer, EP: Chelsea Moynehan @chelsea_moynehan
Executive Support:
Elizabeth Echo Cho, Joanie Martinez, Hanna Propst, Sean Bailey, Amanda Sussman
Choreographer: Marla Phelan @marlaphelan
Movement/Choreo Stand In: Madison Wada @____homesick____4
Wardrobe Stylist: Max Weinstein @max.weinstein_
Wardrobe Asst: Caden Swift
Hair Stylist: Taichi Saito @taichisaitohair
Makeup Artist: Tayler Treadwell @taylertreadwell
1st AD: Eva Minemar
2nd AD: Caroline Bates @sea_baits
1st AC: Beth Fletcher @ebmfletch
2nd AC: Kendall Edwards @kenjed.photo
3rd AC: Paul Tucker @paulctucker
MOCO OP: Riley Morgan @rileyrigs
MOCO Assistant: Simon Manne @guccimanne18
MOCO ROBOT: Rambow Studios @rambow.studio
Gaffer: Adam Reichardt @adamjreichardt
BB Electric: Lucas James
Electric: Lester Beck @lesterblueberry
Electric: Ethen Lombardino
Key Grip: Vinny DaVino
BB Grip: Eddy Sarkisov
Swing: Adam Cohen
Grip: Jonathon DaVino, Rose Knopper, Carter Hoffman
Photographer: Jeremy Gould @jeremypgould
Photo Assist: Fabio Utrilla @fabioutrilla
PA Truck: Ainsley Samuda
PA Office/Set: Joseph Ermey @josephemey
PA Set: Magpie Webber
Camera: Panavision @panavisionofficial
Grip & Lighting: VSNY Films
Location: SAA @saabrooklyn
Edit House: Modern Post @modern.post
Editor: Trevor Clifford @trevor.clifford
Post Producer: Morgan Escobar @morganesc0bar
Color Services: Company 3 @company_3
Colorist: Joseph Bicknell @josephbicknell
Color Producer: Casey Koster @casekostx0
Graphic Design: Blossom Liu @bllossom
VFX Sup & Lead Compositor: Jeeeun Lee @jeejeeself
VFX Sup & Lead Compositor: Taylor Feld @chromakon
VFX Producer: Sophie Mitchell @soph_the_cloud
Sound Design: Moritz Staub @moritz.staub
Studio Manager: Sean Chamberlain
Special thanks: Jon Valde, Derrick Zimmermann, Alan Lewis, Cinemavision, Jeff Robbins, Josh Treadaway, The Mill
KINLAW x “SPIT” Music Video @kinlawww
Director: 91 Rules @91.rules
Creative Director: Kathleen Dycaico @kdycaico
Director Of Photography: Maddy Talias @maddytalias
Production Company: Statement Of @statementof_
Production Company: Polymath Production @polymath__production
Lead Producer, EP: Hannah Kinlaw @hannahkinlaw
Lead Producer, EP: Cameron Sczempka @cam_bond_sczempka
Producer, EP: Chelsea Moynehan @chelsea_moynehan
Executive Support:
Elizabeth Echo Cho, Joanie Martinez, Hanna Propst, Sean Bailey, Amanda Sussman
Choreographer: Marla Phelan @marlaphelan
Movement/Choreo Stand In: Madison Wada @____homesick____4
Wardrobe Stylist: Max Weinstein @max.weinstein_
Wardrobe Asst: Caden Swift
Hair Stylist: Taichi Saito @taichisaitohair
Makeup Artist: Tayler Treadwell @taylertreadwell
1st AD: Eva Minemar
2nd AD: Caroline Bates @sea_baits
1st AC: Beth Fletcher @ebmfletch
2nd AC: Kendall Edwards @kenjed.photo
3rd AC: Paul Tucker @paulctucker
MOCO OP: Riley Morgan @rileyrigs
MOCO Assistant: Simon Manne @guccimanne18
MOCO ROBOT: Rambow Studios @rambow.studio
Gaffer: Adam Reichardt @adamjreichardt
BB Electric: Lucas James
Electric: Lester Beck @lesterblueberry
Electric: Ethen Lombardino
Key Grip: Vinny DaVino
BB Grip: Eddy Sarkisov
Swing: Adam Cohen
Grip: Jonathon DaVino, Rose Knopper, Carter Hoffman
Photographer: Jeremy Gould @jeremypgould
Photo Assist: Fabio Utrilla @fabioutrilla
PA Truck: Ainsley Samuda
PA Office/Set: Joseph Ermey @josephemey
PA Set: Magpie Webber
Camera: Panavision @panavisionofficial
Grip & Lighting: VSNY Films
Location: SAA @saabrooklyn
Edit House: Modern Post @modern.post
Editor: Trevor Clifford @trevor.clifford
Post Producer: Morgan Escobar @morganesc0bar
Color Services: Company 3 @company_3
Colorist: Joseph Bicknell @josephbicknell
Color Producer: Casey Koster @casekostx0
Graphic Design: Blossom Liu @bllossom
VFX Sup & Lead Compositor: Jeeeun Lee @jeejeeself
VFX Sup & Lead Compositor: Taylor Feld @chromakon
VFX Producer: Sophie Mitchell @soph_the_cloud
Sound Design: Moritz Staub @moritz.staub
Studio Manager: Sean Chamberlain
Special thanks: Jon Valde, Derrick Zimmermann, Alan Lewis, Cinemavision, Jeff Robbins, Josh Treadaway, The Mill
KINLAW x “SPIT” Music Video @kinlawww
Director: 91 Rules @91.rules
Creative Director: Kathleen Dycaico @kdycaico
Director Of Photography: Maddy Talias @maddytalias
Production Company: Statement Of @statementof_
Production Company: Polymath Production @polymath__production
Lead Producer, EP: Hannah Kinlaw @hannahkinlaw
Lead Producer, EP: Cameron Sczempka @cam_bond_sczempka
Producer, EP: Chelsea Moynehan @chelsea_moynehan
Executive Support:
Elizabeth Echo Cho, Joanie Martinez, Hanna Propst, Sean Bailey, Amanda Sussman
Choreographer: Marla Phelan @marlaphelan
Movement/Choreo Stand In: Madison Wada @____homesick____4
Wardrobe Stylist: Max Weinstein @max.weinstein_
Wardrobe Asst: Caden Swift
Hair Stylist: Taichi Saito @taichisaitohair
Makeup Artist: Tayler Treadwell @taylertreadwell
1st AD: Eva Minemar
2nd AD: Caroline Bates @sea_baits
1st AC: Beth Fletcher @ebmfletch
2nd AC: Kendall Edwards @kenjed.photo
3rd AC: Paul Tucker @paulctucker
MOCO OP: Riley Morgan @rileyrigs
MOCO Assistant: Simon Manne @guccimanne18
MOCO ROBOT: Rambow Studios @rambow.studio
Gaffer: Adam Reichardt @adamjreichardt
BB Electric: Lucas James
Electric: Lester Beck @lesterblueberry
Electric: Ethen Lombardino
Key Grip: Vinny DaVino
BB Grip: Eddy Sarkisov
Swing: Adam Cohen
Grip: Jonathon DaVino, Rose Knopper, Carter Hoffman
Photographer: Jeremy Gould @jeremypgould
Photo Assist: Fabio Utrilla @fabioutrilla
PA Truck: Ainsley Samuda
PA Office/Set: Joseph Ermey @josephemey
PA Set: Magpie Webber
Camera: Panavision @panavisionofficial
Grip & Lighting: VSNY Films
Location: SAA @saabrooklyn
Edit House: Modern Post @modern.post
Editor: Trevor Clifford @trevor.clifford
Post Producer: Morgan Escobar @morganesc0bar
Color Services: Company 3 @company_3
Colorist: Joseph Bicknell @josephbicknell
Color Producer: Casey Koster @casekostx0
Graphic Design: Blossom Liu @bllossom
VFX Sup & Lead Compositor: Jeeeun Lee @jeejeeself
VFX Sup & Lead Compositor: Taylor Feld @chromakon
VFX Producer: Sophie Mitchell @soph_the_cloud
Sound Design: Moritz Staub @moritz.staub
Studio Manager: Sean Chamberlain
Special thanks: Jon Valde, Derrick Zimmermann, Alan Lewis, Cinemavision, Jeff Robbins, Josh Treadaway, The Mill
KINLAW. SPIT. TRAILER.
Director: 91 Rules @91.rules
Creative Director: Kathleen Dycaico @kdycaico
Director Of Photography: Maddy Talias @maddytalias
Production Company: Statement Of @statementof_
Production Company: Polymath Production @polymath__production
Lead Producer, EP: Hannah Kinlaw @hannahkinlaw
Lead Producer, EP: Cameron Sczempka @cam_bond_sczempka
Producer, EP: Chelsea Moynehan @chelsea_moynehan
Choreographer: Marla Phelan @marlaphelan
Movement/Choreo Stand In: Madison Wada @____homesick____4
Wardrobe Stylist: Max Weinstein @max.Weinstein__
Wardrobe Asst: Caden Swift @cadenswift
Hair Stylist: Taichi Saito @taichisaitohair
Makeup Artist: Tayler Treadwell @taylertreadwell
1st AD: Eva Minemar
2nd AD: Caroline Bates @sea_baits
1st AC: Beth Fletcher @ebmfletch
2nd AC: Kendall Edwards @kenjed.photo
3rd AC: Paul Tucker @paulctucker
MOCO OP: Riley Morgan @rileyrigs
MOCO Assistant: Simon Manne @guccimanne18
MOCO ROBOT: Rambow Studios @rambow.studio
Edit House: Modern Post @modern.post
Editor: Trevor Clifford @trevor.clifford
Post Producer: Morgan Escobar @morganesc0bar
Color Services: Company 3 @company_3
Colorist: Joseph Bicknell @josephbicknell
Color Producer: Casey Koster @casekostx0
Graphic Design: Blossom Liu @bllossom
VFX Sup & Lead Compositor: Jeeeun Lee @jeejeeself
VFX Sup & Lead Compositor: Taylor Feld @chromakon
VFX Producer: Sophie Mitchell @soph_the_cloud
Sound Design: Moritz Staub @moritz.staub
Studio Manager: Sean Chamberlain @seanchamberlain
Special Thanks: Jon Valde, Derrick Zimmermann, Alan Lewis, Cinemavision, Jeff Robbins, Josh Treadaway, The Mill
STEREOPHONIC - Behind The Scenes (BTS)
Take a look back on set with us creating the promo for this incredible show. We filmed the day before their first rehearsal for Broadway and the energy was optimistic, playful, and hopeful for how their next chapter of the show would continue to unfold. Now it’s the most Tony nominated play ahead of the award show tomorrow, and I am so happy for all of these artists receiving their well deserved admiration.
I will forever feel fortunate to have led the creative execution for their main video/image campaign and am appreciative to their visionary Producers/GM/PR teams who saw the potential in this creative approach and let me push what “theater” content can be for the screen.
😎🤘🏻go get em.
*This BTS video was edited with additional bts footage provided by my friend @siggy.mov
The cast of @stereophonicplay captured on “big shot” Polaroids.
Finding a photographer to authentically capture this time period on film was a hunt and I’m so happy I found her. @kristingallegos is exceptional and nailed all of our photo coverage on set for this campaign. Many more photos to come, but for now enjoy these sick ass Polas
The cast of @stereophonicplay captured on “big shot” Polaroids.
Finding a photographer to authentically capture this time period on film was a hunt and I’m so happy I found her. @kristingallegos is exceptional and nailed all of our photo coverage on set for this campaign. Many more photos to come, but for now enjoy these sick ass Polas
The cast of @stereophonicplay captured on “big shot” Polaroids.
Finding a photographer to authentically capture this time period on film was a hunt and I’m so happy I found her. @kristingallegos is exceptional and nailed all of our photo coverage on set for this campaign. Many more photos to come, but for now enjoy these sick ass Polas
The cast of @stereophonicplay captured on “big shot” Polaroids.
Finding a photographer to authentically capture this time period on film was a hunt and I’m so happy I found her. @kristingallegos is exceptional and nailed all of our photo coverage on set for this campaign. Many more photos to come, but for now enjoy these sick ass Polas
The cast of @stereophonicplay captured on “big shot” Polaroids.
Finding a photographer to authentically capture this time period on film was a hunt and I’m so happy I found her. @kristingallegos is exceptional and nailed all of our photo coverage on set for this campaign. Many more photos to come, but for now enjoy these sick ass Polas
The cast of @stereophonicplay captured on “big shot” Polaroids.
Finding a photographer to authentically capture this time period on film was a hunt and I’m so happy I found her. @kristingallegos is exceptional and nailed all of our photo coverage on set for this campaign. Many more photos to come, but for now enjoy these sick ass Polas
The cast of @stereophonicplay captured on “big shot” Polaroids.
Finding a photographer to authentically capture this time period on film was a hunt and I’m so happy I found her. @kristingallegos is exceptional and nailed all of our photo coverage on set for this campaign. Many more photos to come, but for now enjoy these sick ass Polas
The cast of @stereophonicplay captured on “big shot” Polaroids.
Finding a photographer to authentically capture this time period on film was a hunt and I’m so happy I found her. @kristingallegos is exceptional and nailed all of our photo coverage on set for this campaign. Many more photos to come, but for now enjoy these sick ass Polas
The cast of @stereophonicplay captured on “big shot” Polaroids.
Finding a photographer to authentically capture this time period on film was a hunt and I’m so happy I found her. @kristingallegos is exceptional and nailed all of our photo coverage on set for this campaign. Many more photos to come, but for now enjoy these sick ass Polas
The cast of @stereophonicplay captured on “big shot” Polaroids.
Finding a photographer to authentically capture this time period on film was a hunt and I’m so happy I found her. @kristingallegos is exceptional and nailed all of our photo coverage on set for this campaign. Many more photos to come, but for now enjoy these sick ass Polas
Embark on a sonic adventure like never before. Rachel Simmer edits the magnetic promo for @stereophonicplay, now on broadway! 🎶
“Stereophonic” mines the agony and the ecstasy of creation as it zooms in on a music studio in 1976. Here, an up-and-coming rock band recording a new album finds itself suddenly on the cusp of superstardom. The ensuing pressures could spark their breakup — or their breakthrough. Written by David Adjmi, directed by Daniel Aukin, and featuring original music by Arcade Fire’s Will Butler.
Starring: Sarah Pidgeon, Juliana Canfield, Will Brill, Tom Pecinka, Chris Stack, Eli Belb, Andrew R Butler @sarah__pidgeon @julianakdc @willbrill @tom.pecinka @eligelb4now @andrewrbutler
Editor: Rachel Simmer @raysimmz
Asst Edit: Oli Chen @chen_8_88
EP: Casey Cayko
Finishing: Tim Farrell
Color: Blacksmith VFX @blacksmithvfx
Color by: Mikey Pehanich @mikeypackage
Color Producer: Adam Vevang v_v_c_b
Sound Mix: Stuart St Vincent Welch @dscostu_sounds
Production Company: Polymath Production @polymath__production
Creative Directed and Produced by: Cameron Sczempka @cam_bond_sczempka
Director of Photography: Hil Steadman @hil.steadman
Show Written By: David Adjmi @davidadjmi
Original Music by: Will Butler @butlerwills
Show Directed By: Daniel Aukin
-
#lostplanet #lostplaneteditorial #postproduction #rachelsimmer #editor #stereophonic #broadway
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
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