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The Game Master’s Drama
It’s my last game at CSM!!! We’re waiting for you guys down at the beach!!
Check my story for PLAYTIMES!
Come downand meet the artists and projects graduating from MA Fine Art 2025
The Game Master’s Drama is and interactive performance that uses a social deduction game as a vehicle to show us how dysfunctional and destructive relationships can operate during conflict.
Fi Sonolaviews her practice as an interdisciplinary machine, with its primary purpose being this internal rebuilding of identity post trauma, while also understanding how society shapes this identity and, in turn, how that identity goes on to affect society.This autoethnographic approach utilises painting, photography, performance, metalworking, walking practices, installation and theory to achieve this goal. With world-building and theory, Sonola can reflect over and address themes of domestic abuse in mother-daughter relationships, the rebuilding of the post-trauma identity, as well as how we encode in communication.
I want to thank my amazing cast @lovethevenusian & @prayerknightleys you’ve been amazing so far!!! As well as my anonymous donor for believing in me & my art by contributing to funding 🩷🩷. My heart is full 😩
@csm_news
@fine_art_csm
@mafineartcsm
CSM Shows: Postgraduate Art. Interval. MA Fine Art Grad Show 2025
⭐️ Opening Preview: 1 July, 6–9pm (Invite only)
🗓️ Public Dates: 2–6 July
🕑 Opening Hours: Wed–Fri 12–8pm, Sat–Sun 12–6pm
📎 Admission: Free, booking not required
📍 Location: Central Saint Martins, 1 Granary Square, London N1C 4AA
#CSM25 #Interval #mafineartcsm #art
Images by Belinda Lawley ©
The Game Master’s Drama
It’s my last game at CSM!!! We’re waiting for you guys down at the beach!!
Check my story for PLAYTIMES!
Come downand meet the artists and projects graduating from MA Fine Art 2025
The Game Master’s Drama is and interactive performance that uses a social deduction game as a vehicle to show us how dysfunctional and destructive relationships can operate during conflict.
Fi Sonolaviews her practice as an interdisciplinary machine, with its primary purpose being this internal rebuilding of identity post trauma, while also understanding how society shapes this identity and, in turn, how that identity goes on to affect society.This autoethnographic approach utilises painting, photography, performance, metalworking, walking practices, installation and theory to achieve this goal. With world-building and theory, Sonola can reflect over and address themes of domestic abuse in mother-daughter relationships, the rebuilding of the post-trauma identity, as well as how we encode in communication.
I want to thank my amazing cast @lovethevenusian & @prayerknightleys you’ve been amazing so far!!! As well as my anonymous donor for believing in me & my art by contributing to funding 🩷🩷. My heart is full 😩
@csm_news
@fine_art_csm
@mafineartcsm
CSM Shows: Postgraduate Art. Interval. MA Fine Art Grad Show 2025
⭐️ Opening Preview: 1 July, 6–9pm (Invite only)
🗓️ Public Dates: 2–6 July
🕑 Opening Hours: Wed–Fri 12–8pm, Sat–Sun 12–6pm
📎 Admission: Free, booking not required
📍 Location: Central Saint Martins, 1 Granary Square, London N1C 4AA
#CSM25 #Interval #mafineartcsm #art
Images by Belinda Lawley ©
The Game Master’s Drama
It’s my last game at CSM!!! We’re waiting for you guys down at the beach!!
Check my story for PLAYTIMES!
Come downand meet the artists and projects graduating from MA Fine Art 2025
The Game Master’s Drama is and interactive performance that uses a social deduction game as a vehicle to show us how dysfunctional and destructive relationships can operate during conflict.
Fi Sonolaviews her practice as an interdisciplinary machine, with its primary purpose being this internal rebuilding of identity post trauma, while also understanding how society shapes this identity and, in turn, how that identity goes on to affect society.This autoethnographic approach utilises painting, photography, performance, metalworking, walking practices, installation and theory to achieve this goal. With world-building and theory, Sonola can reflect over and address themes of domestic abuse in mother-daughter relationships, the rebuilding of the post-trauma identity, as well as how we encode in communication.
I want to thank my amazing cast @lovethevenusian & @prayerknightleys you’ve been amazing so far!!! As well as my anonymous donor for believing in me & my art by contributing to funding 🩷🩷. My heart is full 😩
@csm_news
@fine_art_csm
@mafineartcsm
CSM Shows: Postgraduate Art. Interval. MA Fine Art Grad Show 2025
⭐️ Opening Preview: 1 July, 6–9pm (Invite only)
🗓️ Public Dates: 2–6 July
🕑 Opening Hours: Wed–Fri 12–8pm, Sat–Sun 12–6pm
📎 Admission: Free, booking not required
📍 Location: Central Saint Martins, 1 Granary Square, London N1C 4AA
#CSM25 #Interval #mafineartcsm #art
Images by Belinda Lawley ©
The Game Master’s Drama
It’s my last game at CSM!!! We’re waiting for you guys down at the beach!!
Check my story for PLAYTIMES!
Come downand meet the artists and projects graduating from MA Fine Art 2025
The Game Master’s Drama is and interactive performance that uses a social deduction game as a vehicle to show us how dysfunctional and destructive relationships can operate during conflict.
Fi Sonolaviews her practice as an interdisciplinary machine, with its primary purpose being this internal rebuilding of identity post trauma, while also understanding how society shapes this identity and, in turn, how that identity goes on to affect society.This autoethnographic approach utilises painting, photography, performance, metalworking, walking practices, installation and theory to achieve this goal. With world-building and theory, Sonola can reflect over and address themes of domestic abuse in mother-daughter relationships, the rebuilding of the post-trauma identity, as well as how we encode in communication.
I want to thank my amazing cast @lovethevenusian & @prayerknightleys you’ve been amazing so far!!! As well as my anonymous donor for believing in me & my art by contributing to funding 🩷🩷. My heart is full 😩
@csm_news
@fine_art_csm
@mafineartcsm
CSM Shows: Postgraduate Art. Interval. MA Fine Art Grad Show 2025
⭐️ Opening Preview: 1 July, 6–9pm (Invite only)
🗓️ Public Dates: 2–6 July
🕑 Opening Hours: Wed–Fri 12–8pm, Sat–Sun 12–6pm
📎 Admission: Free, booking not required
📍 Location: Central Saint Martins, 1 Granary Square, London N1C 4AA
#CSM25 #Interval #mafineartcsm #art
Images by Belinda Lawley ©
The Game Master’s Drama
It’s my last game at CSM!!! We’re waiting for you guys down at the beach!!
Check my story for PLAYTIMES!
Come downand meet the artists and projects graduating from MA Fine Art 2025
The Game Master’s Drama is and interactive performance that uses a social deduction game as a vehicle to show us how dysfunctional and destructive relationships can operate during conflict.
Fi Sonolaviews her practice as an interdisciplinary machine, with its primary purpose being this internal rebuilding of identity post trauma, while also understanding how society shapes this identity and, in turn, how that identity goes on to affect society.This autoethnographic approach utilises painting, photography, performance, metalworking, walking practices, installation and theory to achieve this goal. With world-building and theory, Sonola can reflect over and address themes of domestic abuse in mother-daughter relationships, the rebuilding of the post-trauma identity, as well as how we encode in communication.
I want to thank my amazing cast @lovethevenusian & @prayerknightleys you’ve been amazing so far!!! As well as my anonymous donor for believing in me & my art by contributing to funding 🩷🩷. My heart is full 😩
@csm_news
@fine_art_csm
@mafineartcsm
CSM Shows: Postgraduate Art. Interval. MA Fine Art Grad Show 2025
⭐️ Opening Preview: 1 July, 6–9pm (Invite only)
🗓️ Public Dates: 2–6 July
🕑 Opening Hours: Wed–Fri 12–8pm, Sat–Sun 12–6pm
📎 Admission: Free, booking not required
📍 Location: Central Saint Martins, 1 Granary Square, London N1C 4AA
#CSM25 #Interval #mafineartcsm #art
Images by Belinda Lawley ©
The Game Master’s Drama
It’s my last game at CSM!!! We’re waiting for you guys down at the beach!!
Check my story for PLAYTIMES!
Come downand meet the artists and projects graduating from MA Fine Art 2025
The Game Master’s Drama is and interactive performance that uses a social deduction game as a vehicle to show us how dysfunctional and destructive relationships can operate during conflict.
Fi Sonolaviews her practice as an interdisciplinary machine, with its primary purpose being this internal rebuilding of identity post trauma, while also understanding how society shapes this identity and, in turn, how that identity goes on to affect society.This autoethnographic approach utilises painting, photography, performance, metalworking, walking practices, installation and theory to achieve this goal. With world-building and theory, Sonola can reflect over and address themes of domestic abuse in mother-daughter relationships, the rebuilding of the post-trauma identity, as well as how we encode in communication.
I want to thank my amazing cast @lovethevenusian & @prayerknightleys you’ve been amazing so far!!! As well as my anonymous donor for believing in me & my art by contributing to funding 🩷🩷. My heart is full 😩
@csm_news
@fine_art_csm
@mafineartcsm
CSM Shows: Postgraduate Art. Interval. MA Fine Art Grad Show 2025
⭐️ Opening Preview: 1 July, 6–9pm (Invite only)
🗓️ Public Dates: 2–6 July
🕑 Opening Hours: Wed–Fri 12–8pm, Sat–Sun 12–6pm
📎 Admission: Free, booking not required
📍 Location: Central Saint Martins, 1 Granary Square, London N1C 4AA
#CSM25 #Interval #mafineartcsm #art
Images by Belinda Lawley ©
Charmed
Steel, aluminium, acrylic and top coat
78cm x 38cm
Many thoughts and ideas have bloomed while making this baby. It makes my heart warm🛠️
My life sort of mirrors a dark fantasy anime, so I had to make my protagonist the most fittingspecial grade cursed tool (iykyk!). Special grade to fight a special grade curse but I’ll leave all of that for another time
Rivet. The babe I share a body with. The alter ego 🔧 Some of you met her last month during the Chapter 2 performances and some of you even met her in her beta phase 🥲🫶🏾 She’ll be sticking around, so don’t worry about not meeting her just yet.
I do think it’s best to let her be the narrator of her own story. She has her own way of going about things, so I’ll let her handle that.
Chapter 2 demo otw 🖤
Charmed
Steel, aluminium, acrylic and top coat
78cm x 38cm
Many thoughts and ideas have bloomed while making this baby. It makes my heart warm🛠️
My life sort of mirrors a dark fantasy anime, so I had to make my protagonist the most fittingspecial grade cursed tool (iykyk!). Special grade to fight a special grade curse but I’ll leave all of that for another time
Rivet. The babe I share a body with. The alter ego 🔧 Some of you met her last month during the Chapter 2 performances and some of you even met her in her beta phase 🥲🫶🏾 She’ll be sticking around, so don’t worry about not meeting her just yet.
I do think it’s best to let her be the narrator of her own story. She has her own way of going about things, so I’ll let her handle that.
Chapter 2 demo otw 🖤
Charmed
Steel, aluminium, acrylic and top coat
78cm x 38cm
Many thoughts and ideas have bloomed while making this baby. It makes my heart warm🛠️
My life sort of mirrors a dark fantasy anime, so I had to make my protagonist the most fittingspecial grade cursed tool (iykyk!). Special grade to fight a special grade curse but I’ll leave all of that for another time
Rivet. The babe I share a body with. The alter ego 🔧 Some of you met her last month during the Chapter 2 performances and some of you even met her in her beta phase 🥲🫶🏾 She’ll be sticking around, so don’t worry about not meeting her just yet.
I do think it’s best to let her be the narrator of her own story. She has her own way of going about things, so I’ll let her handle that.
Chapter 2 demo otw 🖤
Charmed
Steel, aluminium, acrylic and top coat
78cm x 38cm
Many thoughts and ideas have bloomed while making this baby. It makes my heart warm🛠️
My life sort of mirrors a dark fantasy anime, so I had to make my protagonist the most fittingspecial grade cursed tool (iykyk!). Special grade to fight a special grade curse but I’ll leave all of that for another time
Rivet. The babe I share a body with. The alter ego 🔧 Some of you met her last month during the Chapter 2 performances and some of you even met her in her beta phase 🥲🫶🏾 She’ll be sticking around, so don’t worry about not meeting her just yet.
I do think it’s best to let her be the narrator of her own story. She has her own way of going about things, so I’ll let her handle that.
Chapter 2 demo otw 🖤
Charmed
Steel, aluminium, acrylic and top coat
78cm x 38cm
Many thoughts and ideas have bloomed while making this baby. It makes my heart warm🛠️
My life sort of mirrors a dark fantasy anime, so I had to make my protagonist the most fittingspecial grade cursed tool (iykyk!). Special grade to fight a special grade curse but I’ll leave all of that for another time
Rivet. The babe I share a body with. The alter ego 🔧 Some of you met her last month during the Chapter 2 performances and some of you even met her in her beta phase 🥲🫶🏾 She’ll be sticking around, so don’t worry about not meeting her just yet.
I do think it’s best to let her be the narrator of her own story. She has her own way of going about things, so I’ll let her handle that.
Chapter 2 demo otw 🖤
Charmed
Steel, aluminium, acrylic and top coat
78cm x 38cm
Many thoughts and ideas have bloomed while making this baby. It makes my heart warm🛠️
My life sort of mirrors a dark fantasy anime, so I had to make my protagonist the most fittingspecial grade cursed tool (iykyk!). Special grade to fight a special grade curse but I’ll leave all of that for another time
Rivet. The babe I share a body with. The alter ego 🔧 Some of you met her last month during the Chapter 2 performances and some of you even met her in her beta phase 🥲🫶🏾 She’ll be sticking around, so don’t worry about not meeting her just yet.
I do think it’s best to let her be the narrator of her own story. She has her own way of going about things, so I’ll let her handle that.
Chapter 2 demo otw 🖤
Charmed
Steel, aluminium, acrylic and top coat
78cm x 38cm
Many thoughts and ideas have bloomed while making this baby. It makes my heart warm🛠️
My life sort of mirrors a dark fantasy anime, so I had to make my protagonist the most fittingspecial grade cursed tool (iykyk!). Special grade to fight a special grade curse but I’ll leave all of that for another time
Rivet. The babe I share a body with. The alter ego 🔧 Some of you met her last month during the Chapter 2 performances and some of you even met her in her beta phase 🥲🫶🏾 She’ll be sticking around, so don’t worry about not meeting her just yet.
I do think it’s best to let her be the narrator of her own story. She has her own way of going about things, so I’ll let her handle that.
Chapter 2 demo otw 🖤
A closer look at Fi Sonola.
Fi Sonola built an alternate universe to process this one. Working across painting, sculpture, performance, and photography, Fi’s practice encodes experience, literally. Words, symbols, colour, and typeface become a communication system, a layer of protection around content too vulnerable to expose directly. Her reference points are precise: Stuart Hall, structuralism, manga, the social landscape of Black women in London. And then there’s Rivet, the alter ego who inhabits the constructed world, turning ritual and trauma into something closer to play. The work doesn’t ask you to decode it. But the more you look, the more it gives.
🔗 Explore Fi’s profile via the link in bio.
#ContemporaryPainting #ArtDiscovery #ContemporaryArt #ArtistToWatch #EmergingArtist
A closer look at Fi Sonola.
Fi Sonola built an alternate universe to process this one. Working across painting, sculpture, performance, and photography, Fi’s practice encodes experience, literally. Words, symbols, colour, and typeface become a communication system, a layer of protection around content too vulnerable to expose directly. Her reference points are precise: Stuart Hall, structuralism, manga, the social landscape of Black women in London. And then there’s Rivet, the alter ego who inhabits the constructed world, turning ritual and trauma into something closer to play. The work doesn’t ask you to decode it. But the more you look, the more it gives.
🔗 Explore Fi’s profile via the link in bio.
#ContemporaryPainting #ArtDiscovery #ContemporaryArt #ArtistToWatch #EmergingArtist
A closer look at Fi Sonola.
Fi Sonola built an alternate universe to process this one. Working across painting, sculpture, performance, and photography, Fi’s practice encodes experience, literally. Words, symbols, colour, and typeface become a communication system, a layer of protection around content too vulnerable to expose directly. Her reference points are precise: Stuart Hall, structuralism, manga, the social landscape of Black women in London. And then there’s Rivet, the alter ego who inhabits the constructed world, turning ritual and trauma into something closer to play. The work doesn’t ask you to decode it. But the more you look, the more it gives.
🔗 Explore Fi’s profile via the link in bio.
#ContemporaryPainting #ArtDiscovery #ContemporaryArt #ArtistToWatch #EmergingArtist
A closer look at Fi Sonola.
Fi Sonola built an alternate universe to process this one. Working across painting, sculpture, performance, and photography, Fi’s practice encodes experience, literally. Words, symbols, colour, and typeface become a communication system, a layer of protection around content too vulnerable to expose directly. Her reference points are precise: Stuart Hall, structuralism, manga, the social landscape of Black women in London. And then there’s Rivet, the alter ego who inhabits the constructed world, turning ritual and trauma into something closer to play. The work doesn’t ask you to decode it. But the more you look, the more it gives.
🔗 Explore Fi’s profile via the link in bio.
#ContemporaryPainting #ArtDiscovery #ContemporaryArt #ArtistToWatch #EmergingArtist
A closer look at Fi Sonola.
Fi Sonola built an alternate universe to process this one. Working across painting, sculpture, performance, and photography, Fi’s practice encodes experience, literally. Words, symbols, colour, and typeface become a communication system, a layer of protection around content too vulnerable to expose directly. Her reference points are precise: Stuart Hall, structuralism, manga, the social landscape of Black women in London. And then there’s Rivet, the alter ego who inhabits the constructed world, turning ritual and trauma into something closer to play. The work doesn’t ask you to decode it. But the more you look, the more it gives.
🔗 Explore Fi’s profile via the link in bio.
#ContemporaryPainting #ArtDiscovery #ContemporaryArt #ArtistToWatch #EmergingArtist
A closer look at Fi Sonola.
Fi Sonola built an alternate universe to process this one. Working across painting, sculpture, performance, and photography, Fi’s practice encodes experience, literally. Words, symbols, colour, and typeface become a communication system, a layer of protection around content too vulnerable to expose directly. Her reference points are precise: Stuart Hall, structuralism, manga, the social landscape of Black women in London. And then there’s Rivet, the alter ego who inhabits the constructed world, turning ritual and trauma into something closer to play. The work doesn’t ask you to decode it. But the more you look, the more it gives.
🔗 Explore Fi’s profile via the link in bio.
#ContemporaryPainting #ArtDiscovery #ContemporaryArt #ArtistToWatch #EmergingArtist
A closer look at Fi Sonola.
Fi Sonola built an alternate universe to process this one. Working across painting, sculpture, performance, and photography, Fi’s practice encodes experience, literally. Words, symbols, colour, and typeface become a communication system, a layer of protection around content too vulnerable to expose directly. Her reference points are precise: Stuart Hall, structuralism, manga, the social landscape of Black women in London. And then there’s Rivet, the alter ego who inhabits the constructed world, turning ritual and trauma into something closer to play. The work doesn’t ask you to decode it. But the more you look, the more it gives.
🔗 Explore Fi’s profile via the link in bio.
#ContemporaryPainting #ArtDiscovery #ContemporaryArt #ArtistToWatch #EmergingArtist
A closer look at Fi Sonola.
Fi Sonola built an alternate universe to process this one. Working across painting, sculpture, performance, and photography, Fi’s practice encodes experience, literally. Words, symbols, colour, and typeface become a communication system, a layer of protection around content too vulnerable to expose directly. Her reference points are precise: Stuart Hall, structuralism, manga, the social landscape of Black women in London. And then there’s Rivet, the alter ego who inhabits the constructed world, turning ritual and trauma into something closer to play. The work doesn’t ask you to decode it. But the more you look, the more it gives.
🔗 Explore Fi’s profile via the link in bio.
#ContemporaryPainting #ArtDiscovery #ContemporaryArt #ArtistToWatch #EmergingArtist
Material Explorations — Medium as Tool
Artist Workshop at 198 Contemporary Arts & Learning
Join us for an informal talk and workshop with Fi Sonola as part of the public programme for TOOLs, a multidisciplinary group exhibition featuring Ella Wanendeya, Fi Sonola, and Kialy Tihngang, curated by Shane Sutherland.
Sonola’s practice functions as an interdisciplinary system for rebuilding identity post-trauma, working across painting, sculpture and performance. Through encoded language, symbolism and material experimentation, her work navigates memory, protection and communication.
This session will explore material as a tool — considering how process, texture and form can be used to hold and translate complex experiences. Moving between discussion and tactile engagement, the workshop invites participants to think through material as both method and meaning.
Workshop Details:
11th April
1:00 PM
Attendance is free with limited capacity via link in bio.
Part of the public programme for TOOLS
Exhibition continues until 12 April 2026
Clear Bind
54cm x 53cm x 5.8cm
Cast Acrylic
The keystone for Marooning Precedes Mutiny : Part B
Clear Bind
54cm x 53cm x 5.8cm
Cast Acrylic
The keystone for Marooning Precedes Mutiny : Part B
Clear Bind
54cm x 53cm x 5.8cm
Cast Acrylic
The keystone for Marooning Precedes Mutiny : Part B
Clear Bind
54cm x 53cm x 5.8cm
Cast Acrylic
The keystone for Marooning Precedes Mutiny : Part B
Clear Bind
54cm x 53cm x 5.8cm
Cast Acrylic
The keystone for Marooning Precedes Mutiny : Part B
Frosty Woods
54cm x 54cm x 5.2cm
Cast acrylic
The keystone for Marooning Precedes Mutiny Part A :
Justice is a fuzzy thing, I didn’t find it particularly freeing. It was an expansion pack promising me more pain and humiliation. Before my journey into the woods, I was just finishing up my 3 year stage production as the school whore or ‘sket’ if we’re being colloquial.
The first sexual violation of many in this period got me casted in the role on the same day…That was the start of my own hypervisible invisibility. I was familiar with sexual violence but this arena was different…
I’ll leave the rest for later
Frosty Woods
54cm x 54cm x 5.2cm
Cast acrylic
The keystone for Marooning Precedes Mutiny Part A :
Justice is a fuzzy thing, I didn’t find it particularly freeing. It was an expansion pack promising me more pain and humiliation. Before my journey into the woods, I was just finishing up my 3 year stage production as the school whore or ‘sket’ if we’re being colloquial.
The first sexual violation of many in this period got me casted in the role on the same day…That was the start of my own hypervisible invisibility. I was familiar with sexual violence but this arena was different…
I’ll leave the rest for later
Frosty Woods
54cm x 54cm x 5.2cm
Cast acrylic
The keystone for Marooning Precedes Mutiny Part A :
Justice is a fuzzy thing, I didn’t find it particularly freeing. It was an expansion pack promising me more pain and humiliation. Before my journey into the woods, I was just finishing up my 3 year stage production as the school whore or ‘sket’ if we’re being colloquial.
The first sexual violation of many in this period got me casted in the role on the same day…That was the start of my own hypervisible invisibility. I was familiar with sexual violence but this arena was different…
I’ll leave the rest for later
Frosty Woods
54cm x 54cm x 5.2cm
Cast acrylic
The keystone for Marooning Precedes Mutiny Part A :
Justice is a fuzzy thing, I didn’t find it particularly freeing. It was an expansion pack promising me more pain and humiliation. Before my journey into the woods, I was just finishing up my 3 year stage production as the school whore or ‘sket’ if we’re being colloquial.
The first sexual violation of many in this period got me casted in the role on the same day…That was the start of my own hypervisible invisibility. I was familiar with sexual violence but this arena was different…
I’ll leave the rest for later
Join us for the opening of TOOLs, a multidisciplinary group exhibition featuring
Ella Wanendeya, Fi Sonola, and Kialy Tihngang, curated by Shane Sutherland.
TOOLs explores objects beyond utility — reimagined as extensions of the body, carriers of memory, and sites of resistance. Across sound, performance, sculpture, moving image, and installation, the exhibition considers how tools can disrupt imposed narratives and imagine alternate temporalities.
Private View: Thursday 19 February, 6–9pm (Free and open to all)
Exhibition Dates: 20 February – 12 April 2026
198 Contemporary Arts & Learning
Railton Road, SE24 0JT
Artistic Programme supported by Arts Council England
Join us for the opening of TOOLs, a multidisciplinary group exhibition featuring
Ella Wanendeya, Fi Sonola, and Kialy Tihngang, curated by Shane Sutherland.
TOOLs explores objects beyond utility — reimagined as extensions of the body, carriers of memory, and sites of resistance. Across sound, performance, sculpture, moving image, and installation, the exhibition considers how tools can disrupt imposed narratives and imagine alternate temporalities.
Private View: Thursday 19 February, 6–9pm (Free and open to all)
Exhibition Dates: 20 February – 12 April 2026
198 Contemporary Arts & Learning
Railton Road, SE24 0JT
Artistic Programme supported by Arts Council England
Join us for the opening of TOOLs, a multidisciplinary group exhibition featuring
Ella Wanendeya, Fi Sonola, and Kialy Tihngang, curated by Shane Sutherland.
TOOLs explores objects beyond utility — reimagined as extensions of the body, carriers of memory, and sites of resistance. Across sound, performance, sculpture, moving image, and installation, the exhibition considers how tools can disrupt imposed narratives and imagine alternate temporalities.
Private View: Thursday 19 February, 6–9pm (Free and open to all)
Exhibition Dates: 20 February – 12 April 2026
198 Contemporary Arts & Learning
Railton Road, SE24 0JT
Artistic Programme supported by Arts Council England
Join us for the opening of TOOLs, a multidisciplinary group exhibition featuring
Ella Wanendeya, Fi Sonola, and Kialy Tihngang, curated by Shane Sutherland.
TOOLs explores objects beyond utility — reimagined as extensions of the body, carriers of memory, and sites of resistance. Across sound, performance, sculpture, moving image, and installation, the exhibition considers how tools can disrupt imposed narratives and imagine alternate temporalities.
Private View: Thursday 19 February, 6–9pm (Free and open to all)
Exhibition Dates: 20 February – 12 April 2026
198 Contemporary Arts & Learning
Railton Road, SE24 0JT
Artistic Programme supported by Arts Council England
Profection year 7 has been interesting already…well I’m strapped in and ready to go
Profection year 7 has been interesting already…well I’m strapped in and ready to go
Profection year 7 has been interesting already…well I’m strapped in and ready to go
Profection year 7 has been interesting already…well I’m strapped in and ready to go
Profection year 7 has been interesting already…well I’m strapped in and ready to go
Profection year 7 has been interesting already…well I’m strapped in and ready to go
Profection year 7 has been interesting already…well I’m strapped in and ready to go
Profection year 7 has been interesting already…well I’m strapped in and ready to go
Profection year 7 has been interesting already…well I’m strapped in and ready to go
Feral Horses: The Saga
4 poems that encapsulate the saga so far. I loved being able to share them last night with @silenciosolutions @basta.magazine
Prologue, 2025
Vol 1 : A Pyrrhic Victory, 2023
Vol 2: Marooning Precedes Mutiny Part A, 2025
Vol 2: Marooning Precedes Mutiny Part B, 2025
4 stainless steel cards
9.5 cm x 15.5cm
340g each
Set 1.3kg
This isn’t a paid partnership lol. Just can’t remove music 🤷🏾♀️
Feral Horses: The Saga
4 poems that encapsulate the saga so far. I loved being able to share them last night with @silenciosolutions @basta.magazine
Prologue, 2025
Vol 1 : A Pyrrhic Victory, 2023
Vol 2: Marooning Precedes Mutiny Part A, 2025
Vol 2: Marooning Precedes Mutiny Part B, 2025
4 stainless steel cards
9.5 cm x 15.5cm
340g each
Set 1.3kg
This isn’t a paid partnership lol. Just can’t remove music 🤷🏾♀️
Feral Horses: The Saga
4 poems that encapsulate the saga so far. I loved being able to share them last night with @silenciosolutions @basta.magazine
Prologue, 2025
Vol 1 : A Pyrrhic Victory, 2023
Vol 2: Marooning Precedes Mutiny Part A, 2025
Vol 2: Marooning Precedes Mutiny Part B, 2025
4 stainless steel cards
9.5 cm x 15.5cm
340g each
Set 1.3kg
This isn’t a paid partnership lol. Just can’t remove music 🤷🏾♀️
Feral Horses: The Saga
4 poems that encapsulate the saga so far. I loved being able to share them last night with @silenciosolutions @basta.magazine
Prologue, 2025
Vol 1 : A Pyrrhic Victory, 2023
Vol 2: Marooning Precedes Mutiny Part A, 2025
Vol 2: Marooning Precedes Mutiny Part B, 2025
4 stainless steel cards
9.5 cm x 15.5cm
340g each
Set 1.3kg
This isn’t a paid partnership lol. Just can’t remove music 🤷🏾♀️
Feral Horses: The Saga
4 poems that encapsulate the saga so far. I loved being able to share them last night with @silenciosolutions @basta.magazine
Prologue, 2025
Vol 1 : A Pyrrhic Victory, 2023
Vol 2: Marooning Precedes Mutiny Part A, 2025
Vol 2: Marooning Precedes Mutiny Part B, 2025
4 stainless steel cards
9.5 cm x 15.5cm
340g each
Set 1.3kg
This isn’t a paid partnership lol. Just can’t remove music 🤷🏾♀️
Feral Horses: The Saga
4 poems that encapsulate the saga so far. I loved being able to share them last night with @silenciosolutions @basta.magazine
Prologue, 2025
Vol 1 : A Pyrrhic Victory, 2023
Vol 2: Marooning Precedes Mutiny Part A, 2025
Vol 2: Marooning Precedes Mutiny Part B, 2025
4 stainless steel cards
9.5 cm x 15.5cm
340g each
Set 1.3kg
This isn’t a paid partnership lol. Just can’t remove music 🤷🏾♀️
Feral Horses: The Saga
4 poems that encapsulate the saga so far. I loved being able to share them last night with @silenciosolutions @basta.magazine
Prologue, 2025
Vol 1 : A Pyrrhic Victory, 2023
Vol 2: Marooning Precedes Mutiny Part A, 2025
Vol 2: Marooning Precedes Mutiny Part B, 2025
4 stainless steel cards
9.5 cm x 15.5cm
340g each
Set 1.3kg
This isn’t a paid partnership lol. Just can’t remove music 🤷🏾♀️
I’ll be reading some work at the end of the month 💗
Silencio Solutions London
Curated by @maisonmartinmayorga in collaboration with @basta.magazine
Readings by Anna de Waal, Arcadia Molinas Argimon, Fi Sonola, Lydia McKimm, Lu Rose Cunningham, Maria Kirsch, Ozziline Mercedes, Mónica Armario, and Sophie Ruigrok
@des.bains, 20 Great Portland Street, W1W 8QR
Saturday 29th November
18:00 -21:00
I’ll be reading some work at the end of the month 💗
Silencio Solutions London
Curated by @maisonmartinmayorga in collaboration with @basta.magazine
Readings by Anna de Waal, Arcadia Molinas Argimon, Fi Sonola, Lydia McKimm, Lu Rose Cunningham, Maria Kirsch, Ozziline Mercedes, Mónica Armario, and Sophie Ruigrok
@des.bains, 20 Great Portland Street, W1W 8QR
Saturday 29th November
18:00 -21:00
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.