Instagram Story Viewer
View Instagram Stories Anonymously
pref_id
Pref
Ongoing visual exploration of language
Where Are We Going With This?
Today is the last day to see this mural on the side of the gallery, together with the show inside.
Come by.
Start Gallery
12 -5pm
2270 Venice Blvd
@startlagallery
@secretwalls.studios
Where Are We Going With This?
Today is the last day to see this mural on the side of the gallery, together with the show inside.
Come by.
Start Gallery
12 -5pm
2270 Venice Blvd
@startlagallery
@secretwalls.studios
Where Are We Going With This?
Today is the last day to see this mural on the side of the gallery, together with the show inside.
Come by.
Start Gallery
12 -5pm
2270 Venice Blvd
@startlagallery
@secretwalls.studios
Life Sentences will be open this weekend:
Saturday 10 to 3pm
Sunday 12 to 5pm
@startlagallery
2270 Venice Blvd., Los Angeles, CA
Come and have a look
@startlagallery
@secretwalls.studios
@secretwalls
Life Sentences will be open this weekend:
Saturday 10 to 3pm
Sunday 12 to 5pm
@startlagallery
2270 Venice Blvd., Los Angeles, CA
Come and have a look
@startlagallery
@secretwalls.studios
@secretwalls
Paintings, ceramics, a mural on the exterior wall of the gallery and more.
Opening tonight 5-9 pm
2270 Venice Blvd., Los Angeles.
See you there
@startlagallery
@secretwalls.studios
Paintings, ceramics, a mural on the exterior wall of the gallery and more.
Opening tonight 5-9 pm
2270 Venice Blvd., Los Angeles.
See you there
@startlagallery
@secretwalls.studios
Paintings, ceramics, a mural on the exterior wall of the gallery and more.
Opening tonight 5-9 pm
2270 Venice Blvd., Los Angeles.
See you there
@startlagallery
@secretwalls.studios
Paintings, ceramics, a mural on the exterior wall of the gallery and more.
Opening tonight 5-9 pm
2270 Venice Blvd., Los Angeles.
See you there
@startlagallery
@secretwalls.studios
Paintings, ceramics, a mural on the exterior wall of the gallery and more.
Opening tonight 5-9 pm
2270 Venice Blvd., Los Angeles.
See you there
@startlagallery
@secretwalls.studios
Paintings, ceramics, a mural on the exterior wall of the gallery and more.
Opening tonight 5-9 pm
2270 Venice Blvd., Los Angeles.
See you there
@startlagallery
@secretwalls.studios
Paintings, ceramics, a mural on the exterior wall of the gallery and more.
Opening tonight 5-9 pm
2270 Venice Blvd., Los Angeles.
See you there
@startlagallery
@secretwalls.studios
Paintings, ceramics, a mural on the exterior wall of the gallery and more.
Opening tonight 5-9 pm
2270 Venice Blvd., Los Angeles.
See you there
@startlagallery
@secretwalls.studios
In my many conversations with @pref_id over the last year, what ultimately we speak about is letters. How to dismantle them, how to enhance them, how to make language and the letter more important, but also, how to evolve them.
In his new show, Life Sentences, opening this Thursday at Start Gallery at @secretwalls.studios in Los Angeles, the artist has developed a series of paintings and ceramic sculptures that bend letter forms to their absolute maximum without them losing a character. He gives words personality. —@epricco
See more and read the full story at The-Unibrow.com. Link in bio.
#pref #theunibrow #graffiti #letterform
@secretwalls
@blacklinesocial
In my many conversations with @pref_id over the last year, what ultimately we speak about is letters. How to dismantle them, how to enhance them, how to make language and the letter more important, but also, how to evolve them.
In his new show, Life Sentences, opening this Thursday at Start Gallery at @secretwalls.studios in Los Angeles, the artist has developed a series of paintings and ceramic sculptures that bend letter forms to their absolute maximum without them losing a character. He gives words personality. —@epricco
See more and read the full story at The-Unibrow.com. Link in bio.
#pref #theunibrow #graffiti #letterform
@secretwalls
@blacklinesocial
In my many conversations with @pref_id over the last year, what ultimately we speak about is letters. How to dismantle them, how to enhance them, how to make language and the letter more important, but also, how to evolve them.
In his new show, Life Sentences, opening this Thursday at Start Gallery at @secretwalls.studios in Los Angeles, the artist has developed a series of paintings and ceramic sculptures that bend letter forms to their absolute maximum without them losing a character. He gives words personality. —@epricco
See more and read the full story at The-Unibrow.com. Link in bio.
#pref #theunibrow #graffiti #letterform
@secretwalls
@blacklinesocial
In my many conversations with @pref_id over the last year, what ultimately we speak about is letters. How to dismantle them, how to enhance them, how to make language and the letter more important, but also, how to evolve them.
In his new show, Life Sentences, opening this Thursday at Start Gallery at @secretwalls.studios in Los Angeles, the artist has developed a series of paintings and ceramic sculptures that bend letter forms to their absolute maximum without them losing a character. He gives words personality. —@epricco
See more and read the full story at The-Unibrow.com. Link in bio.
#pref #theunibrow #graffiti #letterform
@secretwalls
@blacklinesocial
In my many conversations with @pref_id over the last year, what ultimately we speak about is letters. How to dismantle them, how to enhance them, how to make language and the letter more important, but also, how to evolve them.
In his new show, Life Sentences, opening this Thursday at Start Gallery at @secretwalls.studios in Los Angeles, the artist has developed a series of paintings and ceramic sculptures that bend letter forms to their absolute maximum without them losing a character. He gives words personality. —@epricco
See more and read the full story at The-Unibrow.com. Link in bio.
#pref #theunibrow #graffiti #letterform
@secretwalls
@blacklinesocial
In my many conversations with @pref_id over the last year, what ultimately we speak about is letters. How to dismantle them, how to enhance them, how to make language and the letter more important, but also, how to evolve them.
In his new show, Life Sentences, opening this Thursday at Start Gallery at @secretwalls.studios in Los Angeles, the artist has developed a series of paintings and ceramic sculptures that bend letter forms to their absolute maximum without them losing a character. He gives words personality. —@epricco
See more and read the full story at The-Unibrow.com. Link in bio.
#pref #theunibrow #graffiti #letterform
@secretwalls
@blacklinesocial
In my many conversations with @pref_id over the last year, what ultimately we speak about is letters. How to dismantle them, how to enhance them, how to make language and the letter more important, but also, how to evolve them.
In his new show, Life Sentences, opening this Thursday at Start Gallery at @secretwalls.studios in Los Angeles, the artist has developed a series of paintings and ceramic sculptures that bend letter forms to their absolute maximum without them losing a character. He gives words personality. —@epricco
See more and read the full story at The-Unibrow.com. Link in bio.
#pref #theunibrow #graffiti #letterform
@secretwalls
@blacklinesocial
In my many conversations with @pref_id over the last year, what ultimately we speak about is letters. How to dismantle them, how to enhance them, how to make language and the letter more important, but also, how to evolve them.
In his new show, Life Sentences, opening this Thursday at Start Gallery at @secretwalls.studios in Los Angeles, the artist has developed a series of paintings and ceramic sculptures that bend letter forms to their absolute maximum without them losing a character. He gives words personality. —@epricco
See more and read the full story at The-Unibrow.com. Link in bio.
#pref #theunibrow #graffiti #letterform
@secretwalls
@blacklinesocial
In my many conversations with @pref_id over the last year, what ultimately we speak about is letters. How to dismantle them, how to enhance them, how to make language and the letter more important, but also, how to evolve them.
In his new show, Life Sentences, opening this Thursday at Start Gallery at @secretwalls.studios in Los Angeles, the artist has developed a series of paintings and ceramic sculptures that bend letter forms to their absolute maximum without them losing a character. He gives words personality. —@epricco
See more and read the full story at The-Unibrow.com. Link in bio.
#pref #theunibrow #graffiti #letterform
@secretwalls
@blacklinesocial
Opening this Thursday, 5-9pm.
2270 Venice blvd.
@startlagallery
@secretwalls.studios
@lost_letters_26
@secretwalls
Coming this Thursday 5-9pm
See you there
@startlagallery
@secretwalls.studios
@secretwalls
@lost_letters_26
Save the date.
Happy to announce I will be presenting a new selection of paintings, ceramics and merch this month.
Start Gallery
Thursday May 21
5-9pm
2270 Venice Blvd
Los Angeles
More on this soon...
See you there.
@startlagallery
@secretwalls
@lost_letters_26
@ocd.cleaners
Logo and identity for The Unibrow.
A favourite project from the last year.
I spent a large part of my career designing and art directing magazines, so when I spoke with @epricco_ about creating the branding for his new title, The Unibrow, I was happy to return to a medium I’ve always loved.
As a longtime fan of @juxtapozmag —where Evan served as Editor for many years—I was excited by the chance to be a part of something that might one day inspire a new generation in the same way Juxtapoz inspired me.
The brief was to design a logo for a new art-world title that bridges high- and low-brow aesthetics.
The concept: there is no logo, just a black rectangle.
The idea of a magazine having no visible name but instead something far more recognisable and at the same time radical, felt irresistible. It’s literally a simplified unibrow but also a commentary on censorship, punk/diy culture and minimal, austere luxury.
@the__unibrow Issue 1 out now. Issue 2 about to drop.
Thanks @epricco_ , @nisanperera , and @kiminkie for the opportunity, trust and fun journey.
Text page design and layout not by me.
Slide 1 - 3: issue 1 of The Unibrow
Slide 4: subscription cards featuring illustrations from issue 1 by @jean_jullien
Slide 6 - 8: masthead ‘rectangle’ logo, ‘TU’ monogram, and ‘The Unibrow’ logotype by me.
Slide 9 and 10: tote bag colab with Barry McGee and @beams_cultuart for the issue 1 launch at @beams_japan_shibuya
Slide 11 and 12: limited Edition, hand spray painted cover by Barry McGee
Logo and identity for The Unibrow.
A favourite project from the last year.
I spent a large part of my career designing and art directing magazines, so when I spoke with @epricco_ about creating the branding for his new title, The Unibrow, I was happy to return to a medium I’ve always loved.
As a longtime fan of @juxtapozmag —where Evan served as Editor for many years—I was excited by the chance to be a part of something that might one day inspire a new generation in the same way Juxtapoz inspired me.
The brief was to design a logo for a new art-world title that bridges high- and low-brow aesthetics.
The concept: there is no logo, just a black rectangle.
The idea of a magazine having no visible name but instead something far more recognisable and at the same time radical, felt irresistible. It’s literally a simplified unibrow but also a commentary on censorship, punk/diy culture and minimal, austere luxury.
@the__unibrow Issue 1 out now. Issue 2 about to drop.
Thanks @epricco_ , @nisanperera , and @kiminkie for the opportunity, trust and fun journey.
Text page design and layout not by me.
Slide 1 - 3: issue 1 of The Unibrow
Slide 4: subscription cards featuring illustrations from issue 1 by @jean_jullien
Slide 6 - 8: masthead ‘rectangle’ logo, ‘TU’ monogram, and ‘The Unibrow’ logotype by me.
Slide 9 and 10: tote bag colab with Barry McGee and @beams_cultuart for the issue 1 launch at @beams_japan_shibuya
Slide 11 and 12: limited Edition, hand spray painted cover by Barry McGee
Logo and identity for The Unibrow.
A favourite project from the last year.
I spent a large part of my career designing and art directing magazines, so when I spoke with @epricco_ about creating the branding for his new title, The Unibrow, I was happy to return to a medium I’ve always loved.
As a longtime fan of @juxtapozmag —where Evan served as Editor for many years—I was excited by the chance to be a part of something that might one day inspire a new generation in the same way Juxtapoz inspired me.
The brief was to design a logo for a new art-world title that bridges high- and low-brow aesthetics.
The concept: there is no logo, just a black rectangle.
The idea of a magazine having no visible name but instead something far more recognisable and at the same time radical, felt irresistible. It’s literally a simplified unibrow but also a commentary on censorship, punk/diy culture and minimal, austere luxury.
@the__unibrow Issue 1 out now. Issue 2 about to drop.
Thanks @epricco_ , @nisanperera , and @kiminkie for the opportunity, trust and fun journey.
Text page design and layout not by me.
Slide 1 - 3: issue 1 of The Unibrow
Slide 4: subscription cards featuring illustrations from issue 1 by @jean_jullien
Slide 6 - 8: masthead ‘rectangle’ logo, ‘TU’ monogram, and ‘The Unibrow’ logotype by me.
Slide 9 and 10: tote bag colab with Barry McGee and @beams_cultuart for the issue 1 launch at @beams_japan_shibuya
Slide 11 and 12: limited Edition, hand spray painted cover by Barry McGee
Logo and identity for The Unibrow.
A favourite project from the last year.
I spent a large part of my career designing and art directing magazines, so when I spoke with @epricco_ about creating the branding for his new title, The Unibrow, I was happy to return to a medium I’ve always loved.
As a longtime fan of @juxtapozmag —where Evan served as Editor for many years—I was excited by the chance to be a part of something that might one day inspire a new generation in the same way Juxtapoz inspired me.
The brief was to design a logo for a new art-world title that bridges high- and low-brow aesthetics.
The concept: there is no logo, just a black rectangle.
The idea of a magazine having no visible name but instead something far more recognisable and at the same time radical, felt irresistible. It’s literally a simplified unibrow but also a commentary on censorship, punk/diy culture and minimal, austere luxury.
@the__unibrow Issue 1 out now. Issue 2 about to drop.
Thanks @epricco_ , @nisanperera , and @kiminkie for the opportunity, trust and fun journey.
Text page design and layout not by me.
Slide 1 - 3: issue 1 of The Unibrow
Slide 4: subscription cards featuring illustrations from issue 1 by @jean_jullien
Slide 6 - 8: masthead ‘rectangle’ logo, ‘TU’ monogram, and ‘The Unibrow’ logotype by me.
Slide 9 and 10: tote bag colab with Barry McGee and @beams_cultuart for the issue 1 launch at @beams_japan_shibuya
Slide 11 and 12: limited Edition, hand spray painted cover by Barry McGee
Logo and identity for The Unibrow.
A favourite project from the last year.
I spent a large part of my career designing and art directing magazines, so when I spoke with @epricco_ about creating the branding for his new title, The Unibrow, I was happy to return to a medium I’ve always loved.
As a longtime fan of @juxtapozmag —where Evan served as Editor for many years—I was excited by the chance to be a part of something that might one day inspire a new generation in the same way Juxtapoz inspired me.
The brief was to design a logo for a new art-world title that bridges high- and low-brow aesthetics.
The concept: there is no logo, just a black rectangle.
The idea of a magazine having no visible name but instead something far more recognisable and at the same time radical, felt irresistible. It’s literally a simplified unibrow but also a commentary on censorship, punk/diy culture and minimal, austere luxury.
@the__unibrow Issue 1 out now. Issue 2 about to drop.
Thanks @epricco_ , @nisanperera , and @kiminkie for the opportunity, trust and fun journey.
Text page design and layout not by me.
Slide 1 - 3: issue 1 of The Unibrow
Slide 4: subscription cards featuring illustrations from issue 1 by @jean_jullien
Slide 6 - 8: masthead ‘rectangle’ logo, ‘TU’ monogram, and ‘The Unibrow’ logotype by me.
Slide 9 and 10: tote bag colab with Barry McGee and @beams_cultuart for the issue 1 launch at @beams_japan_shibuya
Slide 11 and 12: limited Edition, hand spray painted cover by Barry McGee
Logo and identity for The Unibrow.
A favourite project from the last year.
I spent a large part of my career designing and art directing magazines, so when I spoke with @epricco_ about creating the branding for his new title, The Unibrow, I was happy to return to a medium I’ve always loved.
As a longtime fan of @juxtapozmag —where Evan served as Editor for many years—I was excited by the chance to be a part of something that might one day inspire a new generation in the same way Juxtapoz inspired me.
The brief was to design a logo for a new art-world title that bridges high- and low-brow aesthetics.
The concept: there is no logo, just a black rectangle.
The idea of a magazine having no visible name but instead something far more recognisable and at the same time radical, felt irresistible. It’s literally a simplified unibrow but also a commentary on censorship, punk/diy culture and minimal, austere luxury.
@the__unibrow Issue 1 out now. Issue 2 about to drop.
Thanks @epricco_ , @nisanperera , and @kiminkie for the opportunity, trust and fun journey.
Text page design and layout not by me.
Slide 1 - 3: issue 1 of The Unibrow
Slide 4: subscription cards featuring illustrations from issue 1 by @jean_jullien
Slide 6 - 8: masthead ‘rectangle’ logo, ‘TU’ monogram, and ‘The Unibrow’ logotype by me.
Slide 9 and 10: tote bag colab with Barry McGee and @beams_cultuart for the issue 1 launch at @beams_japan_shibuya
Slide 11 and 12: limited Edition, hand spray painted cover by Barry McGee
Logo and identity for The Unibrow.
A favourite project from the last year.
I spent a large part of my career designing and art directing magazines, so when I spoke with @epricco_ about creating the branding for his new title, The Unibrow, I was happy to return to a medium I’ve always loved.
As a longtime fan of @juxtapozmag —where Evan served as Editor for many years—I was excited by the chance to be a part of something that might one day inspire a new generation in the same way Juxtapoz inspired me.
The brief was to design a logo for a new art-world title that bridges high- and low-brow aesthetics.
The concept: there is no logo, just a black rectangle.
The idea of a magazine having no visible name but instead something far more recognisable and at the same time radical, felt irresistible. It’s literally a simplified unibrow but also a commentary on censorship, punk/diy culture and minimal, austere luxury.
@the__unibrow Issue 1 out now. Issue 2 about to drop.
Thanks @epricco_ , @nisanperera , and @kiminkie for the opportunity, trust and fun journey.
Text page design and layout not by me.
Slide 1 - 3: issue 1 of The Unibrow
Slide 4: subscription cards featuring illustrations from issue 1 by @jean_jullien
Slide 6 - 8: masthead ‘rectangle’ logo, ‘TU’ monogram, and ‘The Unibrow’ logotype by me.
Slide 9 and 10: tote bag colab with Barry McGee and @beams_cultuart for the issue 1 launch at @beams_japan_shibuya
Slide 11 and 12: limited Edition, hand spray painted cover by Barry McGee
Logo and identity for The Unibrow.
A favourite project from the last year.
I spent a large part of my career designing and art directing magazines, so when I spoke with @epricco_ about creating the branding for his new title, The Unibrow, I was happy to return to a medium I’ve always loved.
As a longtime fan of @juxtapozmag —where Evan served as Editor for many years—I was excited by the chance to be a part of something that might one day inspire a new generation in the same way Juxtapoz inspired me.
The brief was to design a logo for a new art-world title that bridges high- and low-brow aesthetics.
The concept: there is no logo, just a black rectangle.
The idea of a magazine having no visible name but instead something far more recognisable and at the same time radical, felt irresistible. It’s literally a simplified unibrow but also a commentary on censorship, punk/diy culture and minimal, austere luxury.
@the__unibrow Issue 1 out now. Issue 2 about to drop.
Thanks @epricco_ , @nisanperera , and @kiminkie for the opportunity, trust and fun journey.
Text page design and layout not by me.
Slide 1 - 3: issue 1 of The Unibrow
Slide 4: subscription cards featuring illustrations from issue 1 by @jean_jullien
Slide 6 - 8: masthead ‘rectangle’ logo, ‘TU’ monogram, and ‘The Unibrow’ logotype by me.
Slide 9 and 10: tote bag colab with Barry McGee and @beams_cultuart for the issue 1 launch at @beams_japan_shibuya
Slide 11 and 12: limited Edition, hand spray painted cover by Barry McGee
Logo and identity for The Unibrow.
A favourite project from the last year.
I spent a large part of my career designing and art directing magazines, so when I spoke with @epricco_ about creating the branding for his new title, The Unibrow, I was happy to return to a medium I’ve always loved.
As a longtime fan of @juxtapozmag —where Evan served as Editor for many years—I was excited by the chance to be a part of something that might one day inspire a new generation in the same way Juxtapoz inspired me.
The brief was to design a logo for a new art-world title that bridges high- and low-brow aesthetics.
The concept: there is no logo, just a black rectangle.
The idea of a magazine having no visible name but instead something far more recognisable and at the same time radical, felt irresistible. It’s literally a simplified unibrow but also a commentary on censorship, punk/diy culture and minimal, austere luxury.
@the__unibrow Issue 1 out now. Issue 2 about to drop.
Thanks @epricco_ , @nisanperera , and @kiminkie for the opportunity, trust and fun journey.
Text page design and layout not by me.
Slide 1 - 3: issue 1 of The Unibrow
Slide 4: subscription cards featuring illustrations from issue 1 by @jean_jullien
Slide 6 - 8: masthead ‘rectangle’ logo, ‘TU’ monogram, and ‘The Unibrow’ logotype by me.
Slide 9 and 10: tote bag colab with Barry McGee and @beams_cultuart for the issue 1 launch at @beams_japan_shibuya
Slide 11 and 12: limited Edition, hand spray painted cover by Barry McGee
Logo and identity for The Unibrow.
A favourite project from the last year.
I spent a large part of my career designing and art directing magazines, so when I spoke with @epricco_ about creating the branding for his new title, The Unibrow, I was happy to return to a medium I’ve always loved.
As a longtime fan of @juxtapozmag —where Evan served as Editor for many years—I was excited by the chance to be a part of something that might one day inspire a new generation in the same way Juxtapoz inspired me.
The brief was to design a logo for a new art-world title that bridges high- and low-brow aesthetics.
The concept: there is no logo, just a black rectangle.
The idea of a magazine having no visible name but instead something far more recognisable and at the same time radical, felt irresistible. It’s literally a simplified unibrow but also a commentary on censorship, punk/diy culture and minimal, austere luxury.
@the__unibrow Issue 1 out now. Issue 2 about to drop.
Thanks @epricco_ , @nisanperera , and @kiminkie for the opportunity, trust and fun journey.
Text page design and layout not by me.
Slide 1 - 3: issue 1 of The Unibrow
Slide 4: subscription cards featuring illustrations from issue 1 by @jean_jullien
Slide 6 - 8: masthead ‘rectangle’ logo, ‘TU’ monogram, and ‘The Unibrow’ logotype by me.
Slide 9 and 10: tote bag colab with Barry McGee and @beams_cultuart for the issue 1 launch at @beams_japan_shibuya
Slide 11 and 12: limited Edition, hand spray painted cover by Barry McGee
Logo and identity for The Unibrow.
A favourite project from the last year.
I spent a large part of my career designing and art directing magazines, so when I spoke with @epricco_ about creating the branding for his new title, The Unibrow, I was happy to return to a medium I’ve always loved.
As a longtime fan of @juxtapozmag —where Evan served as Editor for many years—I was excited by the chance to be a part of something that might one day inspire a new generation in the same way Juxtapoz inspired me.
The brief was to design a logo for a new art-world title that bridges high- and low-brow aesthetics.
The concept: there is no logo, just a black rectangle.
The idea of a magazine having no visible name but instead something far more recognisable and at the same time radical, felt irresistible. It’s literally a simplified unibrow but also a commentary on censorship, punk/diy culture and minimal, austere luxury.
@the__unibrow Issue 1 out now. Issue 2 about to drop.
Thanks @epricco_ , @nisanperera , and @kiminkie for the opportunity, trust and fun journey.
Text page design and layout not by me.
Slide 1 - 3: issue 1 of The Unibrow
Slide 4: subscription cards featuring illustrations from issue 1 by @jean_jullien
Slide 6 - 8: masthead ‘rectangle’ logo, ‘TU’ monogram, and ‘The Unibrow’ logotype by me.
Slide 9 and 10: tote bag colab with Barry McGee and @beams_cultuart for the issue 1 launch at @beams_japan_shibuya
Slide 11 and 12: limited Edition, hand spray painted cover by Barry McGee
Logo and identity for The Unibrow.
A favourite project from the last year.
I spent a large part of my career designing and art directing magazines, so when I spoke with @epricco_ about creating the branding for his new title, The Unibrow, I was happy to return to a medium I’ve always loved.
As a longtime fan of @juxtapozmag —where Evan served as Editor for many years—I was excited by the chance to be a part of something that might one day inspire a new generation in the same way Juxtapoz inspired me.
The brief was to design a logo for a new art-world title that bridges high- and low-brow aesthetics.
The concept: there is no logo, just a black rectangle.
The idea of a magazine having no visible name but instead something far more recognisable and at the same time radical, felt irresistible. It’s literally a simplified unibrow but also a commentary on censorship, punk/diy culture and minimal, austere luxury.
@the__unibrow Issue 1 out now. Issue 2 about to drop.
Thanks @epricco_ , @nisanperera , and @kiminkie for the opportunity, trust and fun journey.
Text page design and layout not by me.
Slide 1 - 3: issue 1 of The Unibrow
Slide 4: subscription cards featuring illustrations from issue 1 by @jean_jullien
Slide 6 - 8: masthead ‘rectangle’ logo, ‘TU’ monogram, and ‘The Unibrow’ logotype by me.
Slide 9 and 10: tote bag colab with Barry McGee and @beams_cultuart for the issue 1 launch at @beams_japan_shibuya
Slide 11 and 12: limited Edition, hand spray painted cover by Barry McGee
View Instagram Stories in Secret
The Instagram Story Viewer is an easy tool that lets you secretly watch and save Instagram stories, videos, photos, or IGTV. With this service, you can download content and enjoy it offline whenever you like. If you find something interesting on Instagram that you’d like to check out later or want to view stories while staying anonymous, our Viewer is perfect for you. Anonstories offers an excellent solution for keeping your identity hidden. Instagram first launched the Stories feature in August 2023, which was quickly adopted by other platforms due to its engaging, time-sensitive format. Stories let users share quick updates, whether photos, videos, or selfies, enhanced with text, emojis, or filters, and are visible for only 24 hours. This limited time frame creates high engagement compared to regular posts. In today’s world, Stories are one of the most popular ways to connect and communicate on social media. However, when you view a Story, the creator can see your name in their viewer list, which may be a privacy concern. What if you wish to browse Stories without being noticed? Here’s where Anonstories becomes useful. It allows you to watch public Instagram content without revealing your identity. Simply enter the username of the profile you’re curious about, and the tool will display their latest Stories. Features of Anonstories Viewer: - Anonymous Browsing: Watch Stories without showing up on the viewer list. - No Account Needed: View public content without signing up for an Instagram account. - Content Download: Save any Stories content directly to your device for offline use. - View Highlights: Access Instagram Highlights, even beyond the 24-hour window. - Repost Monitoring: Track the reposts or engagement levels on Stories for personal profiles. Limitations: - This tool works only with public accounts; private accounts remain inaccessible. Benefits: - Privacy-Friendly: Watch any Instagram content without being noticed. - Simple and Easy: No app installation or registration required. - Exclusive Tools: Download and manage content in ways Instagram doesn’t offer.
Advantages of Anonstories
Explore IG Stories Privately
Keep track of Instagram updates discreetly while protecting your privacy and staying anonymous.
Private Instagram Viewer
View profiles and photos anonymously with ease using the Private Profile Viewer.
Story Viewer for Free
This free tool allows you to view Instagram Stories anonymously, ensuring your activity remains hidden from the story uploader.
Frequently asked questions
Anonymity
Anonstories lets users view Instagram stories without alerting the creator.
Device Compatibility
Works seamlessly on iOS, Android, Windows, macOS, and modern browsers like Chrome and Safari.
Safety and Privacy
Prioritizes secure, anonymous browsing without requiring login credentials.
No Registration
Users can view public stories by simply entering a username—no account needed.
Supported Formats
Downloads photos (JPEG) and videos (MP4) with ease.
Cost
The service is free to use.
Private Accounts
Content from private accounts can only be accessed by followers.
File Usage
Files are for personal or educational use only and must comply with copyright rules.
How It Works
Enter a public username to view or download stories. The service generates direct links for saving content locally.