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Q3
@alyssadavisgallery
Curated by
@problemchild.advisory

Diego Gabaldon, Kyle Gallahger, Nina Hartmann, Leif Jones, Gyae Kim, Danka Latorre, Jack Lawler, Sean David Morgan, In June Park, Cameron Spratley

In economic terms, Q3 typically refers to the third quarter of the fiscal or financial year, spanning July, August, and September. It’s a checkpoint — not quite the end, but a moment to assess, reflect, and prepare for what’s to come. It’s a time for reporting, re-evaluating, and re-strategizing — a pause before the finale.

Q3 evokes bureaucracy, professionalism, and optimization, but in its shadow lies a looming sense of anxiety and unease. The gates are closing. The body is still, but there is still life under the overpass.

Offering a surreal cocktail of brawls, shots, shadows, pixies, pixels, girls, gremlins, yogis, business deals, actors, horses, hooligans and a puppy. Q3 serves up a crude account of the current state of affairs and conjures up a frightening premonition of what could spur if business continues to carry on as usual.

There’s something sinister in the air.
The bass pulses low. The clock ticks.
A dissonant chord is expected to resolve.

Like a beat that’s just too fast in a song that’s just too loud — agitating and disorienting — the visuals worm their way through the psyche. The works reflect our screen-addled, overstimulated moment. Symbols flicker like road signs in a dark tunnel. There’s a forgotten mysticism here — a ritual quality to art that’s resurfacing from the underground.

Alyssa Davis Gallery
171 Henry St
New York, NY 10002

Furniture partner: @sweeterfat

@threatappraisal
@crawling_silhouette
@ninahartmann___
@leiffffffffffffffffffffffff
@chrogyae
@13danka
@jacklawler6
@seandavidmorgan
@injunee
@cmeronsprtley

Q3
@alyssadavisgallery
Curated by
@problemchild.advisory

Diego Gabaldon, Kyle Gallahger, Nina Hartmann, Leif Jones, Gyae Kim, Danka Latorre, Jack Lawler, Sean David Morgan, In June Park, Cameron Spratley

In economic terms, Q3 typically refers to the third quarter of the fiscal or financial year, spanning July, August, and September. It’s a checkpoint — not quite the end, but a moment to assess, reflect, and prepare for what’s to come. It’s a time for reporting, re-evaluating, and re-strategizing — a pause before the finale.

Q3 evokes bureaucracy, professionalism, and optimization, but in its shadow lies a looming sense of anxiety and unease. The gates are closing. The body is still, but there is still life under the overpass.

Offering a surreal cocktail of brawls, shots, shadows, pixies, pixels, girls, gremlins, yogis, business deals, actors, horses, hooligans and a puppy. Q3 serves up a crude account of the current state of affairs and conjures up a frightening premonition of what could spur if business continues to carry on as usual.

There’s something sinister in the air.
The bass pulses low. The clock ticks.
A dissonant chord is expected to resolve.

Like a beat that’s just too fast in a song that’s just too loud — agitating and disorienting — the visuals worm their way through the psyche. The works reflect our screen-addled, overstimulated moment. Symbols flicker like road signs in a dark tunnel. There’s a forgotten mysticism here — a ritual quality to art that’s resurfacing from the underground.

Alyssa Davis Gallery
171 Henry St
New York, NY 10002

Furniture partner: @sweeterfat

@threatappraisal
@crawling_silhouette
@ninahartmann___
@leiffffffffffffffffffffffff
@chrogyae
@13danka
@jacklawler6
@seandavidmorgan
@injunee
@cmeronsprtley

Q3
@alyssadavisgallery
Curated by
@problemchild.advisory

Diego Gabaldon, Kyle Gallahger, Nina Hartmann, Leif Jones, Gyae Kim, Danka Latorre, Jack Lawler, Sean David Morgan, In June Park, Cameron Spratley

In economic terms, Q3 typically refers to the third quarter of the fiscal or financial year, spanning July, August, and September. It’s a checkpoint — not quite the end, but a moment to assess, reflect, and prepare for what’s to come. It’s a time for reporting, re-evaluating, and re-strategizing — a pause before the finale.

Q3 evokes bureaucracy, professionalism, and optimization, but in its shadow lies a looming sense of anxiety and unease. The gates are closing. The body is still, but there is still life under the overpass.

Offering a surreal cocktail of brawls, shots, shadows, pixies, pixels, girls, gremlins, yogis, business deals, actors, horses, hooligans and a puppy. Q3 serves up a crude account of the current state of affairs and conjures up a frightening premonition of what could spur if business continues to carry on as usual.

There’s something sinister in the air.
The bass pulses low. The clock ticks.
A dissonant chord is expected to resolve.

Like a beat that’s just too fast in a song that’s just too loud — agitating and disorienting — the visuals worm their way through the psyche. The works reflect our screen-addled, overstimulated moment. Symbols flicker like road signs in a dark tunnel. There’s a forgotten mysticism here — a ritual quality to art that’s resurfacing from the underground.

Alyssa Davis Gallery
171 Henry St
New York, NY 10002

Furniture partner: @sweeterfat

@threatappraisal
@crawling_silhouette
@ninahartmann___
@leiffffffffffffffffffffffff
@chrogyae
@13danka
@jacklawler6
@seandavidmorgan
@injunee
@cmeronsprtley

Q3
@alyssadavisgallery
Curated by
@problemchild.advisory

Diego Gabaldon, Kyle Gallahger, Nina Hartmann, Leif Jones, Gyae Kim, Danka Latorre, Jack Lawler, Sean David Morgan, In June Park, Cameron Spratley

In economic terms, Q3 typically refers to the third quarter of the fiscal or financial year, spanning July, August, and September. It’s a checkpoint — not quite the end, but a moment to assess, reflect, and prepare for what’s to come. It’s a time for reporting, re-evaluating, and re-strategizing — a pause before the finale.

Q3 evokes bureaucracy, professionalism, and optimization, but in its shadow lies a looming sense of anxiety and unease. The gates are closing. The body is still, but there is still life under the overpass.

Offering a surreal cocktail of brawls, shots, shadows, pixies, pixels, girls, gremlins, yogis, business deals, actors, horses, hooligans and a puppy. Q3 serves up a crude account of the current state of affairs and conjures up a frightening premonition of what could spur if business continues to carry on as usual.

There’s something sinister in the air.
The bass pulses low. The clock ticks.
A dissonant chord is expected to resolve.

Like a beat that’s just too fast in a song that’s just too loud — agitating and disorienting — the visuals worm their way through the psyche. The works reflect our screen-addled, overstimulated moment. Symbols flicker like road signs in a dark tunnel. There’s a forgotten mysticism here — a ritual quality to art that’s resurfacing from the underground.

Alyssa Davis Gallery
171 Henry St
New York, NY 10002

Furniture partner: @sweeterfat

@threatappraisal
@crawling_silhouette
@ninahartmann___
@leiffffffffffffffffffffffff
@chrogyae
@13danka
@jacklawler6
@seandavidmorgan
@injunee
@cmeronsprtley

Q3
@alyssadavisgallery
Curated by
@problemchild.advisory

Diego Gabaldon, Kyle Gallahger, Nina Hartmann, Leif Jones, Gyae Kim, Danka Latorre, Jack Lawler, Sean David Morgan, In June Park, Cameron Spratley

In economic terms, Q3 typically refers to the third quarter of the fiscal or financial year, spanning July, August, and September. It’s a checkpoint — not quite the end, but a moment to assess, reflect, and prepare for what’s to come. It’s a time for reporting, re-evaluating, and re-strategizing — a pause before the finale.

Q3 evokes bureaucracy, professionalism, and optimization, but in its shadow lies a looming sense of anxiety and unease. The gates are closing. The body is still, but there is still life under the overpass.

Offering a surreal cocktail of brawls, shots, shadows, pixies, pixels, girls, gremlins, yogis, business deals, actors, horses, hooligans and a puppy. Q3 serves up a crude account of the current state of affairs and conjures up a frightening premonition of what could spur if business continues to carry on as usual.

There’s something sinister in the air.
The bass pulses low. The clock ticks.
A dissonant chord is expected to resolve.

Like a beat that’s just too fast in a song that’s just too loud — agitating and disorienting — the visuals worm their way through the psyche. The works reflect our screen-addled, overstimulated moment. Symbols flicker like road signs in a dark tunnel. There’s a forgotten mysticism here — a ritual quality to art that’s resurfacing from the underground.

Alyssa Davis Gallery
171 Henry St
New York, NY 10002

Furniture partner: @sweeterfat

@threatappraisal
@crawling_silhouette
@ninahartmann___
@leiffffffffffffffffffffffff
@chrogyae
@13danka
@jacklawler6
@seandavidmorgan
@injunee
@cmeronsprtley

Q3
@alyssadavisgallery
Curated by
@problemchild.advisory

Diego Gabaldon, Kyle Gallahger, Nina Hartmann, Leif Jones, Gyae Kim, Danka Latorre, Jack Lawler, Sean David Morgan, In June Park, Cameron Spratley

In economic terms, Q3 typically refers to the third quarter of the fiscal or financial year, spanning July, August, and September. It’s a checkpoint — not quite the end, but a moment to assess, reflect, and prepare for what’s to come. It’s a time for reporting, re-evaluating, and re-strategizing — a pause before the finale.

Q3 evokes bureaucracy, professionalism, and optimization, but in its shadow lies a looming sense of anxiety and unease. The gates are closing. The body is still, but there is still life under the overpass.

Offering a surreal cocktail of brawls, shots, shadows, pixies, pixels, girls, gremlins, yogis, business deals, actors, horses, hooligans and a puppy. Q3 serves up a crude account of the current state of affairs and conjures up a frightening premonition of what could spur if business continues to carry on as usual.

There’s something sinister in the air.
The bass pulses low. The clock ticks.
A dissonant chord is expected to resolve.

Like a beat that’s just too fast in a song that’s just too loud — agitating and disorienting — the visuals worm their way through the psyche. The works reflect our screen-addled, overstimulated moment. Symbols flicker like road signs in a dark tunnel. There’s a forgotten mysticism here — a ritual quality to art that’s resurfacing from the underground.

Alyssa Davis Gallery
171 Henry St
New York, NY 10002

Furniture partner: @sweeterfat

@threatappraisal
@crawling_silhouette
@ninahartmann___
@leiffffffffffffffffffffffff
@chrogyae
@13danka
@jacklawler6
@seandavidmorgan
@injunee
@cmeronsprtley

Q3
@alyssadavisgallery
Curated by
@problemchild.advisory

Diego Gabaldon, Kyle Gallahger, Nina Hartmann, Leif Jones, Gyae Kim, Danka Latorre, Jack Lawler, Sean David Morgan, In June Park, Cameron Spratley

In economic terms, Q3 typically refers to the third quarter of the fiscal or financial year, spanning July, August, and September. It’s a checkpoint — not quite the end, but a moment to assess, reflect, and prepare for what’s to come. It’s a time for reporting, re-evaluating, and re-strategizing — a pause before the finale.

Q3 evokes bureaucracy, professionalism, and optimization, but in its shadow lies a looming sense of anxiety and unease. The gates are closing. The body is still, but there is still life under the overpass.

Offering a surreal cocktail of brawls, shots, shadows, pixies, pixels, girls, gremlins, yogis, business deals, actors, horses, hooligans and a puppy. Q3 serves up a crude account of the current state of affairs and conjures up a frightening premonition of what could spur if business continues to carry on as usual.

There’s something sinister in the air.
The bass pulses low. The clock ticks.
A dissonant chord is expected to resolve.

Like a beat that’s just too fast in a song that’s just too loud — agitating and disorienting — the visuals worm their way through the psyche. The works reflect our screen-addled, overstimulated moment. Symbols flicker like road signs in a dark tunnel. There’s a forgotten mysticism here — a ritual quality to art that’s resurfacing from the underground.

Alyssa Davis Gallery
171 Henry St
New York, NY 10002

Furniture partner: @sweeterfat

@threatappraisal
@crawling_silhouette
@ninahartmann___
@leiffffffffffffffffffffffff
@chrogyae
@13danka
@jacklawler6
@seandavidmorgan
@injunee
@cmeronsprtley

Q3
@alyssadavisgallery
Curated by
@problemchild.advisory

Diego Gabaldon, Kyle Gallahger, Nina Hartmann, Leif Jones, Gyae Kim, Danka Latorre, Jack Lawler, Sean David Morgan, In June Park, Cameron Spratley

In economic terms, Q3 typically refers to the third quarter of the fiscal or financial year, spanning July, August, and September. It’s a checkpoint — not quite the end, but a moment to assess, reflect, and prepare for what’s to come. It’s a time for reporting, re-evaluating, and re-strategizing — a pause before the finale.

Q3 evokes bureaucracy, professionalism, and optimization, but in its shadow lies a looming sense of anxiety and unease. The gates are closing. The body is still, but there is still life under the overpass.

Offering a surreal cocktail of brawls, shots, shadows, pixies, pixels, girls, gremlins, yogis, business deals, actors, horses, hooligans and a puppy. Q3 serves up a crude account of the current state of affairs and conjures up a frightening premonition of what could spur if business continues to carry on as usual.

There’s something sinister in the air.
The bass pulses low. The clock ticks.
A dissonant chord is expected to resolve.

Like a beat that’s just too fast in a song that’s just too loud — agitating and disorienting — the visuals worm their way through the psyche. The works reflect our screen-addled, overstimulated moment. Symbols flicker like road signs in a dark tunnel. There’s a forgotten mysticism here — a ritual quality to art that’s resurfacing from the underground.

Alyssa Davis Gallery
171 Henry St
New York, NY 10002

Furniture partner: @sweeterfat

@threatappraisal
@crawling_silhouette
@ninahartmann___
@leiffffffffffffffffffffffff
@chrogyae
@13danka
@jacklawler6
@seandavidmorgan
@injunee
@cmeronsprtley

Limousine Service
Curated by Problem Child Advisory
@
@guerrerogallery

Cameron Cameron, Morgan Corbitt, Reniel Del Rosario, Ray DellaMura, William Emmert, Robert Falco, Lucia Farrow, Troy Lamarr Chew II, Lucy Luckovich, Elly Minagawa, Tyler Sharpnack, Milly Skellington and Kalan Strauss

Limousine Service brings to mind the allure of a freshly buffed black stretch Crown Victoria, a gloved driver present yet never viewed, and the opulent expanse of leather seating beckoning you to come in. The limousine as a symbol serves as a distillation of American aspirations and values, of class delineation and naive opulence, tinted voyeurism and luxurious intimacy. The varied works, materials, and approaches to making within Limousine Service echo the complex dynamics of the shows namesake, alluding to notions of power dynamics, desire and sex, as well as class, barricades and boundaries, and the enduring humor and absurdity of contemporary life.

@winter_shorts
@not_morgan_corbitt
@adrenieline
@rays_days_
@williamemmert
@robertfalco
@luciafarrow
@troylamarrchewthesecond
@lucyluckovich
@liychlee
@tylerisnoone
@structural_fantasy
@kalanstrauss
@guerrerogallery

Limousine Service
Curated by Problem Child Advisory
@
@guerrerogallery

Cameron Cameron, Morgan Corbitt, Reniel Del Rosario, Ray DellaMura, William Emmert, Robert Falco, Lucia Farrow, Troy Lamarr Chew II, Lucy Luckovich, Elly Minagawa, Tyler Sharpnack, Milly Skellington and Kalan Strauss

Limousine Service brings to mind the allure of a freshly buffed black stretch Crown Victoria, a gloved driver present yet never viewed, and the opulent expanse of leather seating beckoning you to come in. The limousine as a symbol serves as a distillation of American aspirations and values, of class delineation and naive opulence, tinted voyeurism and luxurious intimacy. The varied works, materials, and approaches to making within Limousine Service echo the complex dynamics of the shows namesake, alluding to notions of power dynamics, desire and sex, as well as class, barricades and boundaries, and the enduring humor and absurdity of contemporary life.

@winter_shorts
@not_morgan_corbitt
@adrenieline
@rays_days_
@williamemmert
@robertfalco
@luciafarrow
@troylamarrchewthesecond
@lucyluckovich
@liychlee
@tylerisnoone
@structural_fantasy
@kalanstrauss
@guerrerogallery

Limousine Service
Curated by Problem Child Advisory
@
@guerrerogallery

Cameron Cameron, Morgan Corbitt, Reniel Del Rosario, Ray DellaMura, William Emmert, Robert Falco, Lucia Farrow, Troy Lamarr Chew II, Lucy Luckovich, Elly Minagawa, Tyler Sharpnack, Milly Skellington and Kalan Strauss

Limousine Service brings to mind the allure of a freshly buffed black stretch Crown Victoria, a gloved driver present yet never viewed, and the opulent expanse of leather seating beckoning you to come in. The limousine as a symbol serves as a distillation of American aspirations and values, of class delineation and naive opulence, tinted voyeurism and luxurious intimacy. The varied works, materials, and approaches to making within Limousine Service echo the complex dynamics of the shows namesake, alluding to notions of power dynamics, desire and sex, as well as class, barricades and boundaries, and the enduring humor and absurdity of contemporary life.

@winter_shorts
@not_morgan_corbitt
@adrenieline
@rays_days_
@williamemmert
@robertfalco
@luciafarrow
@troylamarrchewthesecond
@lucyluckovich
@liychlee
@tylerisnoone
@structural_fantasy
@kalanstrauss
@guerrerogallery

Limousine Service
Curated by Problem Child Advisory
@
@guerrerogallery

Cameron Cameron, Morgan Corbitt, Reniel Del Rosario, Ray DellaMura, William Emmert, Robert Falco, Lucia Farrow, Troy Lamarr Chew II, Lucy Luckovich, Elly Minagawa, Tyler Sharpnack, Milly Skellington and Kalan Strauss

Limousine Service brings to mind the allure of a freshly buffed black stretch Crown Victoria, a gloved driver present yet never viewed, and the opulent expanse of leather seating beckoning you to come in. The limousine as a symbol serves as a distillation of American aspirations and values, of class delineation and naive opulence, tinted voyeurism and luxurious intimacy. The varied works, materials, and approaches to making within Limousine Service echo the complex dynamics of the shows namesake, alluding to notions of power dynamics, desire and sex, as well as class, barricades and boundaries, and the enduring humor and absurdity of contemporary life.

@winter_shorts
@not_morgan_corbitt
@adrenieline
@rays_days_
@williamemmert
@robertfalco
@luciafarrow
@troylamarrchewthesecond
@lucyluckovich
@liychlee
@tylerisnoone
@structural_fantasy
@kalanstrauss
@guerrerogallery

[adult] Contemporary
Curated by Problem Child Advisory
@
@guerrerogallery

Featured Artists: Gabriel Rozzell, Hank Reavis, Raffi and Al’s, Libbi Ponce, Malek Lazri, Kristen Landsman, Kim Kyne Cohen, Aaron Elvis Jupin, Kyle Gallagher, Liza Jo Eilers, Caroline Douville, Wallace Dibble, Anaïs De Los Santos, Lucien Smith, and Zoe Alameda.

In Adult Contemporary, Problem Child Advisory presents an infantry of cyborgs, alchemizing the excess of our hyper-saturated visual culture and dissolving the boundaries between our physical and digital realms to pursue sincere pleasure and connection.

@gabrielrozzell @hankreavis @raffi_and_als @libbi.ponce @mlazri @kristen_land @kimkynecohen @jupescoops @crawling_silhouette @lizabizaeilers @erzu.lie @oat.milk @freakychiica
@Unradmotions @feareatsthesoil

[adult] Contemporary
Curated by Problem Child Advisory
@
@guerrerogallery

Featured Artists: Gabriel Rozzell, Hank Reavis, Raffi and Al’s, Libbi Ponce, Malek Lazri, Kristen Landsman, Kim Kyne Cohen, Aaron Elvis Jupin, Kyle Gallagher, Liza Jo Eilers, Caroline Douville, Wallace Dibble, Anaïs De Los Santos, Lucien Smith, and Zoe Alameda.

In Adult Contemporary, Problem Child Advisory presents an infantry of cyborgs, alchemizing the excess of our hyper-saturated visual culture and dissolving the boundaries between our physical and digital realms to pursue sincere pleasure and connection.

@gabrielrozzell @hankreavis @raffi_and_als @libbi.ponce @mlazri @kristen_land @kimkynecohen @jupescoops @crawling_silhouette @lizabizaeilers @erzu.lie @oat.milk @freakychiica
@Unradmotions @feareatsthesoil

[adult] Contemporary
Curated by Problem Child Advisory
@
@guerrerogallery

Featured Artists: Gabriel Rozzell, Hank Reavis, Raffi and Al’s, Libbi Ponce, Malek Lazri, Kristen Landsman, Kim Kyne Cohen, Aaron Elvis Jupin, Kyle Gallagher, Liza Jo Eilers, Caroline Douville, Wallace Dibble, Anaïs De Los Santos, Lucien Smith, and Zoe Alameda.

In Adult Contemporary, Problem Child Advisory presents an infantry of cyborgs, alchemizing the excess of our hyper-saturated visual culture and dissolving the boundaries between our physical and digital realms to pursue sincere pleasure and connection.

@gabrielrozzell @hankreavis @raffi_and_als @libbi.ponce @mlazri @kristen_land @kimkynecohen @jupescoops @crawling_silhouette @lizabizaeilers @erzu.lie @oat.milk @freakychiica
@Unradmotions @feareatsthesoil

[adult] Contemporary
Curated by Problem Child Advisory
@
@guerrerogallery

Featured Artists: Gabriel Rozzell, Hank Reavis, Raffi and Al’s, Libbi Ponce, Malek Lazri, Kristen Landsman, Kim Kyne Cohen, Aaron Elvis Jupin, Kyle Gallagher, Liza Jo Eilers, Caroline Douville, Wallace Dibble, Anaïs De Los Santos, Lucien Smith, and Zoe Alameda.

In Adult Contemporary, Problem Child Advisory presents an infantry of cyborgs, alchemizing the excess of our hyper-saturated visual culture and dissolving the boundaries between our physical and digital realms to pursue sincere pleasure and connection.

@gabrielrozzell @hankreavis @raffi_and_als @libbi.ponce @mlazri @kristen_land @kimkynecohen @jupescoops @crawling_silhouette @lizabizaeilers @erzu.lie @oat.milk @freakychiica
@Unradmotions @feareatsthesoil

[adult] Contemporary
Curated by Problem Child Advisory
@
@guerrerogallery

Featured Artists: Gabriel Rozzell, Hank Reavis, Raffi and Al’s, Libbi Ponce, Malek Lazri, Kristen Landsman, Kim Kyne Cohen, Aaron Elvis Jupin, Kyle Gallagher, Liza Jo Eilers, Caroline Douville, Wallace Dibble, Anaïs De Los Santos, Lucien Smith, and Zoe Alameda.

In Adult Contemporary, Problem Child Advisory presents an infantry of cyborgs, alchemizing the excess of our hyper-saturated visual culture and dissolving the boundaries between our physical and digital realms to pursue sincere pleasure and connection.

@gabrielrozzell @hankreavis @raffi_and_als @libbi.ponce @mlazri @kristen_land @kimkynecohen @jupescoops @crawling_silhouette @lizabizaeilers @erzu.lie @oat.milk @freakychiica
@Unradmotions @feareatsthesoil

[adult] Contemporary
Curated by Problem Child Advisory
@
@guerrerogallery

Featured Artists: Gabriel Rozzell, Hank Reavis, Raffi and Al’s, Libbi Ponce, Malek Lazri, Kristen Landsman, Kim Kyne Cohen, Aaron Elvis Jupin, Kyle Gallagher, Liza Jo Eilers, Caroline Douville, Wallace Dibble, Anaïs De Los Santos, Lucien Smith, and Zoe Alameda.

In Adult Contemporary, Problem Child Advisory presents an infantry of cyborgs, alchemizing the excess of our hyper-saturated visual culture and dissolving the boundaries between our physical and digital realms to pursue sincere pleasure and connection.

@gabrielrozzell @hankreavis @raffi_and_als @libbi.ponce @mlazri @kristen_land @kimkynecohen @jupescoops @crawling_silhouette @lizabizaeilers @erzu.lie @oat.milk @freakychiica
@Unradmotions @feareatsthesoil

[adult] Contemporary
Curated by Problem Child Advisory
@
@guerrerogallery

Featured Artists: Gabriel Rozzell, Hank Reavis, Raffi and Al’s, Libbi Ponce, Malek Lazri, Kristen Landsman, Kim Kyne Cohen, Aaron Elvis Jupin, Kyle Gallagher, Liza Jo Eilers, Caroline Douville, Wallace Dibble, Anaïs De Los Santos, Lucien Smith, and Zoe Alameda.

In Adult Contemporary, Problem Child Advisory presents an infantry of cyborgs, alchemizing the excess of our hyper-saturated visual culture and dissolving the boundaries between our physical and digital realms to pursue sincere pleasure and connection.

@gabrielrozzell @hankreavis @raffi_and_als @libbi.ponce @mlazri @kristen_land @kimkynecohen @jupescoops @crawling_silhouette @lizabizaeilers @erzu.lie @oat.milk @freakychiica
@Unradmotions @feareatsthesoil

[adult] Contemporary
Curated by Problem Child Advisory
@
@guerrerogallery

Featured Artists: Gabriel Rozzell, Hank Reavis, Raffi and Al’s, Libbi Ponce, Malek Lazri, Kristen Landsman, Kim Kyne Cohen, Aaron Elvis Jupin, Kyle Gallagher, Liza Jo Eilers, Caroline Douville, Wallace Dibble, Anaïs De Los Santos, Lucien Smith, and Zoe Alameda.

In Adult Contemporary, Problem Child Advisory presents an infantry of cyborgs, alchemizing the excess of our hyper-saturated visual culture and dissolving the boundaries between our physical and digital realms to pursue sincere pleasure and connection.

@gabrielrozzell @hankreavis @raffi_and_als @libbi.ponce @mlazri @kristen_land @kimkynecohen @jupescoops @crawling_silhouette @lizabizaeilers @erzu.lie @oat.milk @freakychiica
@Unradmotions @feareatsthesoil

[adult] Contemporary
Curated by Problem Child Advisory
@
@guerrerogallery

Featured Artists: Gabriel Rozzell, Hank Reavis, Raffi and Al’s, Libbi Ponce, Malek Lazri, Kristen Landsman, Kim Kyne Cohen, Aaron Elvis Jupin, Kyle Gallagher, Liza Jo Eilers, Caroline Douville, Wallace Dibble, Anaïs De Los Santos, Lucien Smith, and Zoe Alameda.

In Adult Contemporary, Problem Child Advisory presents an infantry of cyborgs, alchemizing the excess of our hyper-saturated visual culture and dissolving the boundaries between our physical and digital realms to pursue sincere pleasure and connection.

@gabrielrozzell @hankreavis @raffi_and_als @libbi.ponce @mlazri @kristen_land @kimkynecohen @jupescoops @crawling_silhouette @lizabizaeilers @erzu.lie @oat.milk @freakychiica
@Unradmotions @feareatsthesoil

Lucas Carter (@i.am.going.blind )
Running Away from Home Again, 2025
Epoxy plaster clay, resin, lacquer glaze
35 x 11 x 16 cm

On view now in “Bella Chase” at @sittingroomgallery through May 24th

Wednesday- Sunday 12-6pm
&
By appointment
&
Special Night Hours:
Friday May 15th 8-?pm
Saturday May 16th 8-?pm

Lucas Carter (@i.am.going.blind )
Running Away from Home Again, 2025
Epoxy plaster clay, resin, lacquer glaze
35 x 11 x 16 cm

On view now in “Bella Chase” at @sittingroomgallery through May 24th

Wednesday- Sunday 12-6pm
&
By appointment
&
Special Night Hours:
Friday May 15th 8-?pm
Saturday May 16th 8-?pm

Lily Hyon (@lilyonthecross )
관계와 기억, 2025
Silicone & polyurethane foam
9 x 12 x 3.5 in

On view now in “Bella Chase” at @sittingroomgallery through May 24th

Wednesday- Sunday 12-6pm
&
By appointment
&
Special Night Hours:
Friday May 15th 8-?pm
Saturday May 16th 8-?pm

Kalina Winters (@kalinawinters_da_chumba )
Mirrored Bear, 2026
Oil on panel
24” x 18”

On view now in “Bella Chase” at @sittingroomgallery through May 24th

Wednesday- Sunday 12-6pm
&
By appointment
&
Special Night Hours:
Friday May 15th 8-?pm
Saturday May 16th 8-?pm

Ryan Delaval (@youthoftoday1996 )
Sickn3ss, 2026
Mixed Media
37.75” X 24”

On view now in “Bella Chase” at @sittingroomgallery through May 24th

Wednesday- Sunday 12-6pm
&
By appointment
&
Special Night Hours:
Friday May 15th 8-?pm
Saturday May 16th 8-?pm

Lily Hyon (@lilyonthecross )
Intro, 2025
Silicone, polyurethane foam, acrylic toenails, high heel
11.5 x 12 x 10.5 in. (variable)

On view now in “Bella Chase” at @sittingroomgallery through May 24th

Wednesday- Sunday 12-6pm
&
By appointment
&
Special Night Hours:
Friday May 15th 8-?pm
Saturday May 16th 8-?pm

Lily Hyon (@lilyonthecross )
Intro, 2025
Silicone, polyurethane foam, acrylic toenails, high heel
11.5 x 12 x 10.5 in. (variable)

On view now in “Bella Chase” at @sittingroomgallery through May 24th

Wednesday- Sunday 12-6pm
&
By appointment
&
Special Night Hours:
Friday May 15th 8-?pm
Saturday May 16th 8-?pm

Kalina Winters (@kalinawinters_da_chumba )
Wooden Bear on Wood, 2026
oil on panel
24” x 18”

On view now in “Bella Chase” at @sittingroomgallery through May 24th

Wednesday- Sunday 12-6pm
&
By appointment
&
Special Night Hours:
Friday May 15th 8-?pm
Saturday May 16th 8-?pm

Sadie Withers (@sadiew1thers )
Untitled for now, 2025
oil on canvas
30” X 30”

On view now in “Bella Chase” at @sittingroomgallery through May 24th

Wednesday- Sunday 12-6pm
&
By appointment
&
Special Night Hours:
Friday May 15th 8-?pm
Saturday May 16th 8-?pm

Kelsa Kuchera (@k.e.l.s.a )
Paul Jung (Not Pictured), 2026
oil on canvas
20” X 26”

On view now in “Bella Chase” at @sittingroomgallery through May 24th

Wednesday- Sunday 12-6pm
&
By appointment
&
Special Night Hours:
Friday May 15th 8-?pm
Saturday May 16th 8-?pm

Lucas Carter (@i.am.going.blind )
Another Worm in My Plum, 2025
Epoxy plaster clay, cast UV resin,
ink, lacquer glaze, handkerchief
25 x 15 x 16 cm

On view now in “Bella Chase” at @sittingroomgallery through May 24th

195 Henry st.

Wednesday- Sunday 12-6pm
&
By appointment
&
Special Night Hours:
Friday May 15th 8-?pm
Saturday May 16th 8-?pm

Lucas Carter (@i.am.going.blind )
Another Worm in My Plum, 2025
Epoxy plaster clay, cast UV resin,
ink, lacquer glaze, handkerchief
25 x 15 x 16 cm

On view now in “Bella Chase” at @sittingroomgallery through May 24th

195 Henry st.

Wednesday- Sunday 12-6pm
&
By appointment
&
Special Night Hours:
Friday May 15th 8-?pm
Saturday May 16th 8-?pm