Instagram Story Viewer

Shaniqwa Jarvis
𝘧𝘳𝘰𝘮 𝘯𝘦𝘨𝘢𝘵𝘪𝘷𝘦 𝘵𝘰 𝘱𝘰𝘴𝘪𝘵𝘪𝘷𝘦, 2026
Archival digital prints on silk, acrylic paint, mirror, painted aluminium frame
92.1 × 71.8 × 6.4 cm
______
@sheekswinsalways

Shaniqwa Jarvis
𝘧𝘳𝘰𝘮 𝘯𝘦𝘨𝘢𝘵𝘪𝘷𝘦 𝘵𝘰 𝘱𝘰𝘴𝘪𝘵𝘪𝘷𝘦, 2026
Archival digital prints on silk, acrylic paint, mirror, painted aluminium frame
92.1 × 71.8 × 6.4 cm
______
@sheekswinsalways

Shaniqwa Jarvis
𝘧𝘳𝘰𝘮 𝘯𝘦𝘨𝘢𝘵𝘪𝘷𝘦 𝘵𝘰 𝘱𝘰𝘴𝘪𝘵𝘪𝘷𝘦, 2026
Archival digital prints on silk, acrylic paint, mirror, painted aluminium frame
92.1 × 71.8 × 6.4 cm
______
@sheekswinsalways

We're delighted to share Xin Liu will present 𝘕𝘖𝘈𝘈: 𝘈 𝘍𝘢𝘭𝘭 𝘛𝘰𝘸𝘢𝘳𝘥𝘴 𝘏𝘰𝘮𝘦, a live performance commissioned by High Line Art and co-produced with Onassis ONX, running from June 23 – 25 on the High Line, New York. Building on recurring motifs in her practice, the work takes the audience through the life cycle of one National Oceanic and Atmospheric Administration (NOAA) satellite. Through this immersive live performance, Liu invites viewers to empathise and reconsider our own ideas of duty, estrangement, and connection. Free tickets will be released on Monday, June 8 and available via the High Line’s website.
-
Image: Xin Liu, 𝘕𝘖𝘈𝘈: 𝘈 𝘍𝘢𝘭𝘭 𝘛𝘰𝘸𝘢𝘳𝘥𝘴 𝘏𝘰𝘮𝘦, 2025, Hyundai Artlab Digital Commission
______
@xin_liu_studio
@highlinenyc
@highlineartnyc
@onassis.onx
@hyundai.artlab

Amanda Baldwin's solo exhibition 𝘚𝘶𝘯 𝘙𝘰𝘴𝘦 is on view at Jason Haam, Seoul until June 30.
-
Installation view, 𝘚𝘶𝘯 𝘙𝘰𝘴𝘦, Jason Haam, Seoul, Korea, 2026
_____
@amanda.c.baldwin
@jasonhaam

Amanda Baldwin's solo exhibition 𝘚𝘶𝘯 𝘙𝘰𝘴𝘦 is on view at Jason Haam, Seoul until June 30.
-
Installation view, 𝘚𝘶𝘯 𝘙𝘰𝘴𝘦, Jason Haam, Seoul, Korea, 2026
_____
@amanda.c.baldwin
@jasonhaam

Amanda Baldwin's solo exhibition 𝘚𝘶𝘯 𝘙𝘰𝘴𝘦 is on view at Jason Haam, Seoul until June 30.
-
Installation view, 𝘚𝘶𝘯 𝘙𝘰𝘴𝘦, Jason Haam, Seoul, Korea, 2026
_____
@amanda.c.baldwin
@jasonhaam

Cece Philips
𝘚𝘵𝘪𝘭𝘭 𝘱𝘰𝘪𝘯𝘵 𝘐, 2026
Oil on canvas, walnut frame
26.2 × 26.2 × 3.4 cm
______
@cecephilips

Cece Philips
𝘚𝘵𝘪𝘭𝘭 𝘱𝘰𝘪𝘯𝘵 𝘐, 2026
Oil on canvas, walnut frame
26.2 × 26.2 × 3.4 cm
______
@cecephilips

Russell Perkins
𝘱𝘨 2, 𝘵𝘩𝘢𝘵 𝘢𝘳𝘦 𝘸𝘪𝘭𝘭 𝘣𝘦, 2023-26
Digital print on neobond, sound, aluminium frame
152 × 101 × 3 cm
_______
@angelshampoo

Russell Perkins
𝘱𝘨 2, 𝘵𝘩𝘢𝘵 𝘢𝘳𝘦 𝘸𝘪𝘭𝘭 𝘣𝘦, 2023-26
Digital print on neobond, sound, aluminium frame
152 × 101 × 3 cm
_______
@angelshampoo

Russell Perkins
𝘱𝘨 2, 𝘵𝘩𝘢𝘵 𝘢𝘳𝘦 𝘸𝘪𝘭𝘭 𝘣𝘦, 2023-26
Digital print on neobond, sound, aluminium frame
152 × 101 × 3 cm
_______
@angelshampoo

Russell Perkins
𝘱𝘨 2, 𝘵𝘩𝘢𝘵 𝘢𝘳𝘦 𝘸𝘪𝘭𝘭 𝘣𝘦, 2023-26
Digital print on neobond, sound, aluminium frame
152 × 101 × 3 cm
_______
@angelshampoo

Russell Perkins
𝘱𝘨 2, 𝘵𝘩𝘢𝘵 𝘢𝘳𝘦 𝘸𝘪𝘭𝘭 𝘣𝘦, 2023-26
Digital print on neobond, sound, aluminium frame
152 × 101 × 3 cm
_______
@angelshampoo

Nils Alix-Tabeling is included in 𝘎𝘳𝘢𝘷𝘪𝘵𝘺 𝘌𝘢𝘴𝘦 𝘊𝘰𝘯𝘵𝘳𝘢𝘤𝘵, curated by David Douard for House Berlin, within a scenography by Celeste Burlina at Halle am Berghain. Artistically directed by Juliet Kothe and presented in cultural partnership with Fondation Pernod Ricard, the exhibition includes two new sculptures by Alix-Tabeling from an ongoing series of tailored cat costumes that reimagine pets as queer siblings.
-
Installation view, 𝘎𝘳𝘢𝘷𝘪𝘵𝘺 𝘌𝘢𝘴𝘦 𝘊𝘰𝘯𝘵𝘳𝘢𝘤𝘵, House Berlin, Halle am Berghain, Berlin, 2026. Photo credit: Noshe
______
@nilsalixtabeling
@house.berlin
@david_douard
@celesteburlina
@juliet_kothe
@fondationpernodricard

Nils Alix-Tabeling is included in 𝘎𝘳𝘢𝘷𝘪𝘵𝘺 𝘌𝘢𝘴𝘦 𝘊𝘰𝘯𝘵𝘳𝘢𝘤𝘵, curated by David Douard for House Berlin, within a scenography by Celeste Burlina at Halle am Berghain. Artistically directed by Juliet Kothe and presented in cultural partnership with Fondation Pernod Ricard, the exhibition includes two new sculptures by Alix-Tabeling from an ongoing series of tailored cat costumes that reimagine pets as queer siblings.
-
Installation view, 𝘎𝘳𝘢𝘷𝘪𝘵𝘺 𝘌𝘢𝘴𝘦 𝘊𝘰𝘯𝘵𝘳𝘢𝘤𝘵, House Berlin, Halle am Berghain, Berlin, 2026. Photo credit: Noshe
______
@nilsalixtabeling
@house.berlin
@david_douard
@celesteburlina
@juliet_kothe
@fondationpernodricard

Shaniqwa Jarvis
𝘥𝘳𝘪𝘧𝘵𝘪𝘯𝘨 𝘪𝘯𝘵𝘰 𝘰𝘱𝘦𝘯 𝘴𝘬𝘺, 2026
Archival pigment print on Hahnemühle paper, archival digital print on aluminum dibond
91 × 69.5 × 8.5 cm
______
@sheekswinsalways

Shaniqwa Jarvis
𝘥𝘳𝘪𝘧𝘵𝘪𝘯𝘨 𝘪𝘯𝘵𝘰 𝘰𝘱𝘦𝘯 𝘴𝘬𝘺, 2026
Archival pigment print on Hahnemühle paper, archival digital print on aluminum dibond
91 × 69.5 × 8.5 cm
______
@sheekswinsalways

Shaniqwa Jarvis
𝘥𝘳𝘪𝘧𝘵𝘪𝘯𝘨 𝘪𝘯𝘵𝘰 𝘰𝘱𝘦𝘯 𝘴𝘬𝘺, 2026
Archival pigment print on Hahnemühle paper, archival digital print on aluminum dibond
91 × 69.5 × 8.5 cm
______
@sheekswinsalways

Our presentation of Reika Takebayashi continues at Frieze New York until May 17. Find us at booth F6 in the Focus section
______
@rei_monoon
@friezeofficial

Our presentation of Reika Takebayashi continues at Frieze New York until May 17. Find us at booth F6 in the Focus section
______
@rei_monoon
@friezeofficial

Our presentation of Reika Takebayashi continues at Frieze New York until May 17. Find us at booth F6 in the Focus section
______
@rei_monoon
@friezeofficial

Our presentation of Reika Takebayashi continues at Frieze New York until May 17. Find us at booth F6 in the Focus section
______
@rei_monoon
@friezeofficial

Our presentation of Reika Takebayashi continues at Frieze New York until May 17. Find us at booth F6 in the Focus section
______
@rei_monoon
@friezeofficial

Our presentation of Reika Takebayashi continues at Frieze New York until May 17. Find us at booth F6 in the Focus section
______
@rei_monoon
@friezeofficial

Cece Philips
𝘛𝘩𝘦 𝘉𝘢𝘭𝘤𝘰𝘯𝘺, 2026
Oil on linen
140 × 180 × 3.5 cm
-
Rose Nestler
𝘎𝘶𝘪𝘭𝘵𝘺 𝘗𝘭𝘦𝘢𝘴𝘶𝘳𝘦, 2023
Leather, canvas, thread, leather cement, polyfil, wire, wood, wood stain, powder coated steel
91.4 × 38.1 × 15.2 cm
______
@cecephilips
@rose.nestler

Cece Philips
𝘛𝘩𝘦 𝘉𝘢𝘭𝘤𝘰𝘯𝘺, 2026
Oil on linen
140 × 180 × 3.5 cm
-
Rose Nestler
𝘎𝘶𝘪𝘭𝘵𝘺 𝘗𝘭𝘦𝘢𝘴𝘶𝘳𝘦, 2023
Leather, canvas, thread, leather cement, polyfil, wire, wood, wood stain, powder coated steel
91.4 × 38.1 × 15.2 cm
______
@cecephilips
@rose.nestler

We're delighted to announce that 𝘉𝘰𝘵𝘩 𝘉𝘢𝘯𝘬𝘴 𝘐 by Reika Takebayashi was acquired by the Baltimore Museum of Art with funds generously provided by inaugural The Sherman Family Foundation Acquisition Fund at Frieze New York.
-
Reika Takebayashi
𝘉𝘰𝘵𝘩 𝘉𝘢𝘯𝘬𝘴 𝘐, 2026
Ceramic
16.8 × 211.5 × 2 cm
______
@rei_monoon
@baltimoremuseumofart
@friezeofficial

We're delighted to announce that 𝘉𝘰𝘵𝘩 𝘉𝘢𝘯𝘬𝘴 𝘐 by Reika Takebayashi was acquired by the Baltimore Museum of Art with funds generously provided by inaugural The Sherman Family Foundation Acquisition Fund at Frieze New York.
-
Reika Takebayashi
𝘉𝘰𝘵𝘩 𝘉𝘢𝘯𝘬𝘴 𝘐, 2026
Ceramic
16.8 × 211.5 × 2 cm
______
@rei_monoon
@baltimoremuseumofart
@friezeofficial

We're delighted to announce that 𝘉𝘰𝘵𝘩 𝘉𝘢𝘯𝘬𝘴 𝘐 by Reika Takebayashi was acquired by the Baltimore Museum of Art with funds generously provided by inaugural The Sherman Family Foundation Acquisition Fund at Frieze New York.
-
Reika Takebayashi
𝘉𝘰𝘵𝘩 𝘉𝘢𝘯𝘬𝘴 𝘐, 2026
Ceramic
16.8 × 211.5 × 2 cm
______
@rei_monoon
@baltimoremuseumofart
@friezeofficial

We're delighted to announce that 𝘉𝘰𝘵𝘩 𝘉𝘢𝘯𝘬𝘴 𝘐 by Reika Takebayashi was acquired by the Baltimore Museum of Art with funds generously provided by inaugural The Sherman Family Foundation Acquisition Fund at Frieze New York.
-
Reika Takebayashi
𝘉𝘰𝘵𝘩 𝘉𝘢𝘯𝘬𝘴 𝘐, 2026
Ceramic
16.8 × 211.5 × 2 cm
______
@rei_monoon
@baltimoremuseumofart
@friezeofficial

We're delighted to announce that 𝘉𝘰𝘵𝘩 𝘉𝘢𝘯𝘬𝘴 𝘐 by Reika Takebayashi was acquired by the Baltimore Museum of Art with funds generously provided by inaugural The Sherman Family Foundation Acquisition Fund at Frieze New York.
-
Reika Takebayashi
𝘉𝘰𝘵𝘩 𝘉𝘢𝘯𝘬𝘴 𝘐, 2026
Ceramic
16.8 × 211.5 × 2 cm
______
@rei_monoon
@baltimoremuseumofart
@friezeofficial

We're delighted to announce that 𝘉𝘰𝘵𝘩 𝘉𝘢𝘯𝘬𝘴 𝘐 by Reika Takebayashi was acquired by the Baltimore Museum of Art with funds generously provided by inaugural The Sherman Family Foundation Acquisition Fund at Frieze New York.
-
Reika Takebayashi
𝘉𝘰𝘵𝘩 𝘉𝘢𝘯𝘬𝘴 𝘐, 2026
Ceramic
16.8 × 211.5 × 2 cm
______
@rei_monoon
@baltimoremuseumofart
@friezeofficial

We're delighted to announce that 𝘉𝘰𝘵𝘩 𝘉𝘢𝘯𝘬𝘴 𝘐 by Reika Takebayashi was acquired by the Baltimore Museum of Art with funds generously provided by inaugural The Sherman Family Foundation Acquisition Fund at Frieze New York.
-
Reika Takebayashi
𝘉𝘰𝘵𝘩 𝘉𝘢𝘯𝘬𝘴 𝘐, 2026
Ceramic
16.8 × 211.5 × 2 cm
______
@rei_monoon
@baltimoremuseumofart
@friezeofficial

We're delighted to announce that 𝘉𝘰𝘵𝘩 𝘉𝘢𝘯𝘬𝘴 𝘐 by Reika Takebayashi was acquired by the Baltimore Museum of Art with funds generously provided by inaugural The Sherman Family Foundation Acquisition Fund at Frieze New York.
-
Reika Takebayashi
𝘉𝘰𝘵𝘩 𝘉𝘢𝘯𝘬𝘴 𝘐, 2026
Ceramic
16.8 × 211.5 × 2 cm
______
@rei_monoon
@baltimoremuseumofart
@friezeofficial

We're delighted to announce that 𝘉𝘰𝘵𝘩 𝘉𝘢𝘯𝘬𝘴 𝘐 by Reika Takebayashi was acquired by the Baltimore Museum of Art with funds generously provided by inaugural The Sherman Family Foundation Acquisition Fund at Frieze New York.
-
Reika Takebayashi
𝘉𝘰𝘵𝘩 𝘉𝘢𝘯𝘬𝘴 𝘐, 2026
Ceramic
16.8 × 211.5 × 2 cm
______
@rei_monoon
@baltimoremuseumofart
@friezeofficial

We're delighted to announce that 𝘉𝘰𝘵𝘩 𝘉𝘢𝘯𝘬𝘴 𝘐 by Reika Takebayashi was acquired by the Baltimore Museum of Art with funds generously provided by inaugural The Sherman Family Foundation Acquisition Fund at Frieze New York.
-
Reika Takebayashi
𝘉𝘰𝘵𝘩 𝘉𝘢𝘯𝘬𝘴 𝘐, 2026
Ceramic
16.8 × 211.5 × 2 cm
______
@rei_monoon
@baltimoremuseumofart
@friezeofficial

𝘋𝘰𝘭𝘭𝘴’ 𝘏𝘰𝘶𝘴𝘦, an off-site duo exhibition of new works by Rose Nestler and Cece Philips continues on view until May 17.
-
Rose Nestler
𝘕𝘪𝘨𝘩𝘵 𝘍𝘦𝘦𝘥𝘪𝘯𝘨, 2021-26
Ultrasuede, thread, zippers, polyfil, wire, walnut, cast glass baby bottles
160 × 48.3 × 48.3 cm
______
@rose.nestler
@cecephilips

𝘋𝘰𝘭𝘭𝘴’ 𝘏𝘰𝘶𝘴𝘦, an off-site duo exhibition of new works by Rose Nestler and Cece Philips continues on view until May 17.
-
Rose Nestler
𝘕𝘪𝘨𝘩𝘵 𝘍𝘦𝘦𝘥𝘪𝘯𝘨, 2021-26
Ultrasuede, thread, zippers, polyfil, wire, walnut, cast glass baby bottles
160 × 48.3 × 48.3 cm
______
@rose.nestler
@cecephilips

For the 2026 edition of Frieze New York, we are pleased to present a solo booth by Japanese artist Reika Takebayashi. Across several canvases and a series of ceramics, Takebayashi gives reverence to landforms shaped over eons by prehistoric oceans, balancing painting as a place of permanent occurrence with the fluctuating landscapes of worlds both familiar and foreign.
-
Frieze New York
Booth F06 (Focus Section)
May 13 — 17, 2026
-
Reika Takebayashi
𝘚𝘵𝘰𝘯𝘦 𝘍𝘰𝘳𝘮𝘪𝘯𝘨 𝘐𝘐, 2026
Oil on canvas
60 × 50 × 2 cm
______
@rei_monoon
@friezeofficial

For the 2026 edition of Frieze New York, we are pleased to present a solo booth by Japanese artist Reika Takebayashi. Across several canvases and a series of ceramics, Takebayashi gives reverence to landforms shaped over eons by prehistoric oceans, balancing painting as a place of permanent occurrence with the fluctuating landscapes of worlds both familiar and foreign.
-
Frieze New York
Booth F06 (Focus Section)
May 13 — 17, 2026
-
Reika Takebayashi
𝘚𝘵𝘰𝘯𝘦 𝘍𝘰𝘳𝘮𝘪𝘯𝘨 𝘐𝘐, 2026
Oil on canvas
60 × 50 × 2 cm
______
@rei_monoon
@friezeofficial

For the 2026 edition of Frieze New York, we are pleased to present a solo booth by Japanese artist Reika Takebayashi. Across several canvases and a series of ceramics, Takebayashi gives reverence to landforms shaped over eons by prehistoric oceans, balancing painting as a place of permanent occurrence with the fluctuating landscapes of worlds both familiar and foreign.
-
Frieze New York
Booth F06 (Focus Section)
May 13 — 17, 2026
-
Reika Takebayashi
𝘚𝘵𝘰𝘯𝘦 𝘍𝘰𝘳𝘮𝘪𝘯𝘨 𝘐𝘐, 2026
Oil on canvas
60 × 50 × 2 cm
______
@rei_monoon
@friezeofficial

For the 2026 edition of Frieze New York, we are pleased to present a solo booth by Japanese artist Reika Takebayashi. Across several canvases and a series of ceramics, Takebayashi gives reverence to landforms shaped over eons by prehistoric oceans, balancing painting as a place of permanent occurrence with the fluctuating landscapes of worlds both familiar and foreign.
-
Frieze New York
Booth F06 (Focus Section)
May 13 — 17, 2026
-
Reika Takebayashi
𝘚𝘵𝘰𝘯𝘦 𝘍𝘰𝘳𝘮𝘪𝘯𝘨 𝘐𝘐, 2026
Oil on canvas
60 × 50 × 2 cm
______
@rei_monoon
@friezeofficial