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I’m loosing my favorite games 2024. Latex, vinyl, heat transfère, acrylique paint, trees.
On duo show ‘Eternal Quest’ with @margherita_mezzetti at @culterimgallery
Photo @viktor_nikishov_

I’m loosing my favorite games 2024. Latex, vinyl, heat transfère, acrylique paint, trees.
On duo show ‘Eternal Quest’ with @margherita_mezzetti at @culterimgallery
Photo @viktor_nikishov_

I’m loosing my favorite games 2024. Latex, vinyl, heat transfère, acrylique paint, trees.
On duo show ‘Eternal Quest’ with @margherita_mezzetti at @culterimgallery
Photo @viktor_nikishov_

I’m loosing my favorite games 2024. Latex, vinyl, heat transfère, acrylique paint, trees.
On duo show ‘Eternal Quest’ with @margherita_mezzetti at @culterimgallery
Photo @viktor_nikishov_

I’m loosing my favorite games 2024. Latex, vinyl, heat transfère, acrylique paint, trees.
On duo show ‘Eternal Quest’ with @margherita_mezzetti at @culterimgallery
Photo @viktor_nikishov_

I’m loosing my favorite games 2024. Latex, vinyl, heat transfère, acrylique paint, trees.
On duo show ‘Eternal Quest’ with @margherita_mezzetti at @culterimgallery
Photo @viktor_nikishov_

I’m loosing my favorite games 2024. Latex, vinyl, heat transfère, acrylique paint, trees.
On duo show ‘Eternal Quest’ with @margherita_mezzetti at @culterimgallery
Photo @viktor_nikishov_

I’m loosing my favorite games 2024. Latex, vinyl, heat transfère, acrylique paint, trees.
On duo show ‘Eternal Quest’ with @margherita_mezzetti at @culterimgallery
Photo @viktor_nikishov_

I’m loosing my favorite games 2024. Latex, vinyl, heat transfère, acrylique paint, trees.
On duo show ‘Eternal Quest’ with @margherita_mezzetti at @culterimgallery
Photo @viktor_nikishov_

I’m loosing my favorite games 2024. Latex, vinyl, heat transfère, acrylique paint, trees.
On duo show ‘Eternal Quest’ with @margherita_mezzetti at @culterimgallery
Photo @viktor_nikishov_

Little Green Man on show at BIG CITY DREAMERS — a duo exhibition with @lou_jelenski at @kulup__26 . My silicone guy is posted up on the moped of Maxim Tur’s @whitegauna sculpture WATCH ME FUCK IT UP, a permanent piece in the kulüp space. During the show, my video BIG CITY MIDSUMMER DREAM played on the screens of the installation 💖🐸🌸

Little Green Man on show at BIG CITY DREAMERS — a duo exhibition with @lou_jelenski at @kulup__26 . My silicone guy is posted up on the moped of Maxim Tur’s @whitegauna sculpture WATCH ME FUCK IT UP, a permanent piece in the kulüp space. During the show, my video BIG CITY MIDSUMMER DREAM played on the screens of the installation 💖🐸🌸

Little Green Man on show at BIG CITY DREAMERS — a duo exhibition with @lou_jelenski at @kulup__26 . My silicone guy is posted up on the moped of Maxim Tur’s @whitegauna sculpture WATCH ME FUCK IT UP, a permanent piece in the kulüp space. During the show, my video BIG CITY MIDSUMMER DREAM played on the screens of the installation 💖🐸🌸

Little Green Man on show at BIG CITY DREAMERS — a duo exhibition with @lou_jelenski at @kulup__26 . My silicone guy is posted up on the moped of Maxim Tur’s @whitegauna sculpture WATCH ME FUCK IT UP, a permanent piece in the kulüp space. During the show, my video BIG CITY MIDSUMMER DREAM played on the screens of the installation 💖🐸🌸

Little Green Man on show at BIG CITY DREAMERS — a duo exhibition with @lou_jelenski at @kulup__26 . My silicone guy is posted up on the moped of Maxim Tur’s @whitegauna sculpture WATCH ME FUCK IT UP, a permanent piece in the kulüp space. During the show, my video BIG CITY MIDSUMMER DREAM played on the screens of the installation 💖🐸🌸

Little Green Man on show at BIG CITY DREAMERS — a duo exhibition with @lou_jelenski at @kulup__26 . My silicone guy is posted up on the moped of Maxim Tur’s @whitegauna sculpture WATCH ME FUCK IT UP, a permanent piece in the kulüp space. During the show, my video BIG CITY MIDSUMMER DREAM played on the screens of the installation 💖🐸🌸

Little Green Man on show at BIG CITY DREAMERS — a duo exhibition with @lou_jelenski at @kulup__26 . My silicone guy is posted up on the moped of Maxim Tur’s @whitegauna sculpture WATCH ME FUCK IT UP, a permanent piece in the kulüp space. During the show, my video BIG CITY MIDSUMMER DREAM played on the screens of the installation 💖🐸🌸

Little Green Man on show at BIG CITY DREAMERS — a duo exhibition with @lou_jelenski at @kulup__26 . My silicone guy is posted up on the moped of Maxim Tur’s @whitegauna sculpture WATCH ME FUCK IT UP, a permanent piece in the kulüp space. During the show, my video BIG CITY MIDSUMMER DREAM played on the screens of the installation 💖🐸🌸

Little Green Man on show at BIG CITY DREAMERS — a duo exhibition with @lou_jelenski at @kulup__26 . My silicone guy is posted up on the moped of Maxim Tur’s @whitegauna sculpture WATCH ME FUCK IT UP, a permanent piece in the kulüp space. During the show, my video BIG CITY MIDSUMMER DREAM played on the screens of the installation 💖🐸🌸

Little Green Man on show at BIG CITY DREAMERS — a duo exhibition with @lou_jelenski at @kulup__26 . My silicone guy is posted up on the moped of Maxim Tur’s @whitegauna sculpture WATCH ME FUCK IT UP, a permanent piece in the kulüp space. During the show, my video BIG CITY MIDSUMMER DREAM played on the screens of the installation 💖🐸🌸

Little Green Man on show at BIG CITY DREAMERS — a duo exhibition with @lou_jelenski at @kulup__26 . My silicone guy is posted up on the moped of Maxim Tur’s @whitegauna sculpture WATCH ME FUCK IT UP, a permanent piece in the kulüp space. During the show, my video BIG CITY MIDSUMMER DREAM played on the screens of the installation 💖🐸🌸

Little Green Man on show at BIG CITY DREAMERS — a duo exhibition with @lou_jelenski at @kulup__26 . My silicone guy is posted up on the moped of Maxim Tur’s @whitegauna sculpture WATCH ME FUCK IT UP, a permanent piece in the kulüp space. During the show, my video BIG CITY MIDSUMMER DREAM played on the screens of the installation 💖🐸🌸

Little Green Man on show at BIG CITY DREAMERS — a duo exhibition with @lou_jelenski at @kulup__26 . My silicone guy is posted up on the moped of Maxim Tur’s @whitegauna sculpture WATCH ME FUCK IT UP, a permanent piece in the kulüp space. During the show, my video BIG CITY MIDSUMMER DREAM played on the screens of the installation 💖🐸🌸

Little Green Man on show at BIG CITY DREAMERS — a duo exhibition with @lou_jelenski at @kulup__26 . My silicone guy is posted up on the moped of Maxim Tur’s @whitegauna sculpture WATCH ME FUCK IT UP, a permanent piece in the kulüp space. During the show, my video BIG CITY MIDSUMMER DREAM played on the screens of the installation 💖🐸🌸

Little Green Man on show at BIG CITY DREAMERS — a duo exhibition with @lou_jelenski at @kulup__26 . My silicone guy is posted up on the moped of Maxim Tur’s @whitegauna sculpture WATCH ME FUCK IT UP, a permanent piece in the kulüp space. During the show, my video BIG CITY MIDSUMMER DREAM played on the screens of the installation 💖🐸🌸

Little Green Man on show at BIG CITY DREAMERS — a duo exhibition with @lou_jelenski at @kulup__26 . My silicone guy is posted up on the moped of Maxim Tur’s @whitegauna sculpture WATCH ME FUCK IT UP, a permanent piece in the kulüp space. During the show, my video BIG CITY MIDSUMMER DREAM played on the screens of the installation 💖🐸🌸

Last weekend to see ‘The Land Of Cockaigne’
Finissage 28/03
Exhibition views by @viktor_nikishov_

Last weekend to see ‘The Land Of Cockaigne’
Finissage 28/03
Exhibition views by @viktor_nikishov_

Last weekend to see ‘The Land Of Cockaigne’
Finissage 28/03
Exhibition views by @viktor_nikishov_

Last weekend to see ‘The Land Of Cockaigne’
Finissage 28/03
Exhibition views by @viktor_nikishov_

Last weekend to see ‘The Land Of Cockaigne’
Finissage 28/03
Exhibition views by @viktor_nikishov_

Last weekend to see ‘The Land Of Cockaigne’
Finissage 28/03
Exhibition views by @viktor_nikishov_

Last weekend to see ‘The Land Of Cockaigne’
Finissage 28/03
Exhibition views by @viktor_nikishov_

Last weekend to see ‘The Land Of Cockaigne’
Finissage 28/03
Exhibition views by @viktor_nikishov_

Last weekend to see ‘The Land Of Cockaigne’
Finissage 28/03
Exhibition views by @viktor_nikishov_

Last weekend to see ‘The Land Of Cockaigne’
Finissage 28/03
Exhibition views by @viktor_nikishov_

Very unexpectedly got this illustration from an AI yesterday during a conversation about the interface of hell. They know something more than humans…

Very unexpectedly got this illustration from an AI yesterday during a conversation about the interface of hell. They know something more than humans…

Very unexpectedly got this illustration from an AI yesterday during a conversation about the interface of hell. They know something more than humans…

Very unexpectedly got this illustration from an AI yesterday during a conversation about the interface of hell. They know something more than humans…

My work ARMORED BOUDOIR is on show MY FAKE NAILS MY REAL CLAWS at @lusvardi.art in Milan
Curated by @margherita_mezzetti and @benebene_
“Some of them sparkle like nothing else, some are dusty,
some are new and come from plastic packs, some were gifted, and some look so fake.”
Featuring amazing artists:
@erjjek
@healing.grotto @samuele_stazi @mariagiuliacasco
@ninaceran
@mito_riunito @xtrapicanteultrabusiness
@quelish @glitter.molotov @madalinagaceanu
@sotamusatova
@sixitri6y
@alanstefanato

Photographer:
@dana.tescari

My work ARMORED BOUDOIR is on show MY FAKE NAILS MY REAL CLAWS at @lusvardi.art in Milan
Curated by @margherita_mezzetti and @benebene_
“Some of them sparkle like nothing else, some are dusty,
some are new and come from plastic packs, some were gifted, and some look so fake.”
Featuring amazing artists:
@erjjek
@healing.grotto @samuele_stazi @mariagiuliacasco
@ninaceran
@mito_riunito @xtrapicanteultrabusiness
@quelish @glitter.molotov @madalinagaceanu
@sotamusatova
@sixitri6y
@alanstefanato

Photographer:
@dana.tescari

My work ARMORED BOUDOIR is on show MY FAKE NAILS MY REAL CLAWS at @lusvardi.art in Milan
Curated by @margherita_mezzetti and @benebene_
“Some of them sparkle like nothing else, some are dusty,
some are new and come from plastic packs, some were gifted, and some look so fake.”
Featuring amazing artists:
@erjjek
@healing.grotto @samuele_stazi @mariagiuliacasco
@ninaceran
@mito_riunito @xtrapicanteultrabusiness
@quelish @glitter.molotov @madalinagaceanu
@sotamusatova
@sixitri6y
@alanstefanato

Photographer:
@dana.tescari

My work ARMORED BOUDOIR is on show MY FAKE NAILS MY REAL CLAWS at @lusvardi.art in Milan
Curated by @margherita_mezzetti and @benebene_
“Some of them sparkle like nothing else, some are dusty,
some are new and come from plastic packs, some were gifted, and some look so fake.”
Featuring amazing artists:
@erjjek
@healing.grotto @samuele_stazi @mariagiuliacasco
@ninaceran
@mito_riunito @xtrapicanteultrabusiness
@quelish @glitter.molotov @madalinagaceanu
@sotamusatova
@sixitri6y
@alanstefanato

Photographer:
@dana.tescari

My work ARMORED BOUDOIR is on show MY FAKE NAILS MY REAL CLAWS at @lusvardi.art in Milan
Curated by @margherita_mezzetti and @benebene_
“Some of them sparkle like nothing else, some are dusty,
some are new and come from plastic packs, some were gifted, and some look so fake.”
Featuring amazing artists:
@erjjek
@healing.grotto @samuele_stazi @mariagiuliacasco
@ninaceran
@mito_riunito @xtrapicanteultrabusiness
@quelish @glitter.molotov @madalinagaceanu
@sotamusatova
@sixitri6y
@alanstefanato

Photographer:
@dana.tescari

My work ARMORED BOUDOIR is on show MY FAKE NAILS MY REAL CLAWS at @lusvardi.art in Milan
Curated by @margherita_mezzetti and @benebene_
“Some of them sparkle like nothing else, some are dusty,
some are new and come from plastic packs, some were gifted, and some look so fake.”
Featuring amazing artists:
@erjjek
@healing.grotto @samuele_stazi @mariagiuliacasco
@ninaceran
@mito_riunito @xtrapicanteultrabusiness
@quelish @glitter.molotov @madalinagaceanu
@sotamusatova
@sixitri6y
@alanstefanato

Photographer:
@dana.tescari

My work ARMORED BOUDOIR is on show MY FAKE NAILS MY REAL CLAWS at @lusvardi.art in Milan
Curated by @margherita_mezzetti and @benebene_
“Some of them sparkle like nothing else, some are dusty,
some are new and come from plastic packs, some were gifted, and some look so fake.”
Featuring amazing artists:
@erjjek
@healing.grotto @samuele_stazi @mariagiuliacasco
@ninaceran
@mito_riunito @xtrapicanteultrabusiness
@quelish @glitter.molotov @madalinagaceanu
@sotamusatova
@sixitri6y
@alanstefanato

Photographer:
@dana.tescari

My work ARMORED BOUDOIR is on show MY FAKE NAILS MY REAL CLAWS at @lusvardi.art in Milan
Curated by @margherita_mezzetti and @benebene_
“Some of them sparkle like nothing else, some are dusty,
some are new and come from plastic packs, some were gifted, and some look so fake.”
Featuring amazing artists:
@erjjek
@healing.grotto @samuele_stazi @mariagiuliacasco
@ninaceran
@mito_riunito @xtrapicanteultrabusiness
@quelish @glitter.molotov @madalinagaceanu
@sotamusatova
@sixitri6y
@alanstefanato

Photographer:
@dana.tescari

My work ARMORED BOUDOIR is on show MY FAKE NAILS MY REAL CLAWS at @lusvardi.art in Milan
Curated by @margherita_mezzetti and @benebene_
“Some of them sparkle like nothing else, some are dusty,
some are new and come from plastic packs, some were gifted, and some look so fake.”
Featuring amazing artists:
@erjjek
@healing.grotto @samuele_stazi @mariagiuliacasco
@ninaceran
@mito_riunito @xtrapicanteultrabusiness
@quelish @glitter.molotov @madalinagaceanu
@sotamusatova
@sixitri6y
@alanstefanato

Photographer:
@dana.tescari

My work ARMORED BOUDOIR is on show MY FAKE NAILS MY REAL CLAWS at @lusvardi.art in Milan
Curated by @margherita_mezzetti and @benebene_
“Some of them sparkle like nothing else, some are dusty,
some are new and come from plastic packs, some were gifted, and some look so fake.”
Featuring amazing artists:
@erjjek
@healing.grotto @samuele_stazi @mariagiuliacasco
@ninaceran
@mito_riunito @xtrapicanteultrabusiness
@quelish @glitter.molotov @madalinagaceanu
@sotamusatova
@sixitri6y
@alanstefanato

Photographer:
@dana.tescari

My work ARMORED BOUDOIR is on show MY FAKE NAILS MY REAL CLAWS at @lusvardi.art in Milan
Curated by @margherita_mezzetti and @benebene_
“Some of them sparkle like nothing else, some are dusty,
some are new and come from plastic packs, some were gifted, and some look so fake.”
Featuring amazing artists:
@erjjek
@healing.grotto @samuele_stazi @mariagiuliacasco
@ninaceran
@mito_riunito @xtrapicanteultrabusiness
@quelish @glitter.molotov @madalinagaceanu
@sotamusatova
@sixitri6y
@alanstefanato

Photographer:
@dana.tescari

My work ARMORED BOUDOIR is on show MY FAKE NAILS MY REAL CLAWS at @lusvardi.art in Milan
Curated by @margherita_mezzetti and @benebene_
“Some of them sparkle like nothing else, some are dusty,
some are new and come from plastic packs, some were gifted, and some look so fake.”
Featuring amazing artists:
@erjjek
@healing.grotto @samuele_stazi @mariagiuliacasco
@ninaceran
@mito_riunito @xtrapicanteultrabusiness
@quelish @glitter.molotov @madalinagaceanu
@sotamusatova
@sixitri6y
@alanstefanato

Photographer:
@dana.tescari

My work ARMORED BOUDOIR is on show MY FAKE NAILS MY REAL CLAWS at @lusvardi.art in Milan
Curated by @margherita_mezzetti and @benebene_
“Some of them sparkle like nothing else, some are dusty,
some are new and come from plastic packs, some were gifted, and some look so fake.”
Featuring amazing artists:
@erjjek
@healing.grotto @samuele_stazi @mariagiuliacasco
@ninaceran
@mito_riunito @xtrapicanteultrabusiness
@quelish @glitter.molotov @madalinagaceanu
@sotamusatova
@sixitri6y
@alanstefanato

Photographer:
@dana.tescari

My work ARMORED BOUDOIR is on show MY FAKE NAILS MY REAL CLAWS at @lusvardi.art in Milan
Curated by @margherita_mezzetti and @benebene_
“Some of them sparkle like nothing else, some are dusty,
some are new and come from plastic packs, some were gifted, and some look so fake.”
Featuring amazing artists:
@erjjek
@healing.grotto @samuele_stazi @mariagiuliacasco
@ninaceran
@mito_riunito @xtrapicanteultrabusiness
@quelish @glitter.molotov @madalinagaceanu
@sotamusatova
@sixitri6y
@alanstefanato

Photographer:
@dana.tescari

My work ARMORED BOUDOIR is on show MY FAKE NAILS MY REAL CLAWS at @lusvardi.art in Milan
Curated by @margherita_mezzetti and @benebene_
“Some of them sparkle like nothing else, some are dusty,
some are new and come from plastic packs, some were gifted, and some look so fake.”
Featuring amazing artists:
@erjjek
@healing.grotto @samuele_stazi @mariagiuliacasco
@ninaceran
@mito_riunito @xtrapicanteultrabusiness
@quelish @glitter.molotov @madalinagaceanu
@sotamusatova
@sixitri6y
@alanstefanato

Photographer:
@dana.tescari

My work ARMORED BOUDOIR is on show MY FAKE NAILS MY REAL CLAWS at @lusvardi.art in Milan
Curated by @margherita_mezzetti and @benebene_
“Some of them sparkle like nothing else, some are dusty,
some are new and come from plastic packs, some were gifted, and some look so fake.”
Featuring amazing artists:
@erjjek
@healing.grotto @samuele_stazi @mariagiuliacasco
@ninaceran
@mito_riunito @xtrapicanteultrabusiness
@quelish @glitter.molotov @madalinagaceanu
@sotamusatova
@sixitri6y
@alanstefanato

Photographer:
@dana.tescari

My work ARMORED BOUDOIR is on show MY FAKE NAILS MY REAL CLAWS at @lusvardi.art in Milan
Curated by @margherita_mezzetti and @benebene_
“Some of them sparkle like nothing else, some are dusty,
some are new and come from plastic packs, some were gifted, and some look so fake.”
Featuring amazing artists:
@erjjek
@healing.grotto @samuele_stazi @mariagiuliacasco
@ninaceran
@mito_riunito @xtrapicanteultrabusiness
@quelish @glitter.molotov @madalinagaceanu
@sotamusatova
@sixitri6y
@alanstefanato

Photographer:
@dana.tescari

My work ARMORED BOUDOIR is on show MY FAKE NAILS MY REAL CLAWS at @lusvardi.art in Milan
Curated by @margherita_mezzetti and @benebene_
“Some of them sparkle like nothing else, some are dusty,
some are new and come from plastic packs, some were gifted, and some look so fake.”
Featuring amazing artists:
@erjjek
@healing.grotto @samuele_stazi @mariagiuliacasco
@ninaceran
@mito_riunito @xtrapicanteultrabusiness
@quelish @glitter.molotov @madalinagaceanu
@sotamusatova
@sixitri6y
@alanstefanato

Photographer:
@dana.tescari

My work ARMORED BOUDOIR is on show MY FAKE NAILS MY REAL CLAWS at @lusvardi.art in Milan
Curated by @margherita_mezzetti and @benebene_
“Some of them sparkle like nothing else, some are dusty,
some are new and come from plastic packs, some were gifted, and some look so fake.”
Featuring amazing artists:
@erjjek
@healing.grotto @samuele_stazi @mariagiuliacasco
@ninaceran
@mito_riunito @xtrapicanteultrabusiness
@quelish @glitter.molotov @madalinagaceanu
@sotamusatova
@sixitri6y
@alanstefanato

Photographer:
@dana.tescari

My work ARMORED BOUDOIR is on show MY FAKE NAILS MY REAL CLAWS at @lusvardi.art in Milan
Curated by @margherita_mezzetti and @benebene_
“Some of them sparkle like nothing else, some are dusty,
some are new and come from plastic packs, some were gifted, and some look so fake.”
Featuring amazing artists:
@erjjek
@healing.grotto @samuele_stazi @mariagiuliacasco
@ninaceran
@mito_riunito @xtrapicanteultrabusiness
@quelish @glitter.molotov @madalinagaceanu
@sotamusatova
@sixitri6y
@alanstefanato

Photographer:
@dana.tescari

JACKPOT — OPEN CALL

Marseille — Art-O-Rama OFF 2026

JACKPOT is a group exhibition by Erratum Projects in collaboration with Agent Troublant, hosted at the Société des Architectes in Marseille.

The project explores how artistic careers are built today — between work, visibility, networks and chance.

Berlin and Marseille are our reference points. Both cities were shaped by artists and are now becoming more expensive, more visible, and increasingly driven by real estate and external investment. Studios disappear, rents rise, and the image of the city is sold faster than the city itself.

At the same time, the art world expands — fairs grow, galleries arrive — but not always for those who built the scene.

JACKPOT looks at this system from inside.

We’re looking for works engaging with luck, money, value, success and failure, gentrification, speculation, urban change, visibility, exclusion and survival.

All mediums welcome, including installation, performance, video, sound and interactive works.

Selected artists will exhibit. One wins the Grand Prize.

€10 application ticket (or free for those who‘s in a hard financial situation)

Marseille — Société des Architectes
Aug 27–31, 2026
Deadline: May 22

Apply now — link in bio.

CHEWING GUM IN THE MOTHERBOARD
Curated by Katya Quel @erratum_projects
@lavolonte93
19.03 — 29.03.2026

Katya Quel

Katya Quel is a multimedia artist and curator working across installation and speculative environments. Her practice explores technological systems as spaces of belief, control and transformation.

Her works often take the form of artifacts from imagined post-civilizational worlds, unfolding like fables — intuitively building fantastical narratives, almost childlike, adding details along the way.

Residual Panel IX (2026)
A suspended grid resembling a faded control interface — softened, altered, and no longer fully readable.

Crystal Nodes (2026)
Small glowing structures gathered below, somewhere between ruins, shelters, and fantasy architectures — fragile forms emerging from the same system, but no longer bound to it.

Photography @misha_gudwin

CHEWING GUM IN THE MOTHERBOARD
Curated by Katya Quel @erratum_projects
@lavolonte93
19.03 — 29.03.2026

Katya Quel

Katya Quel is a multimedia artist and curator working across installation and speculative environments. Her practice explores technological systems as spaces of belief, control and transformation.

Her works often take the form of artifacts from imagined post-civilizational worlds, unfolding like fables — intuitively building fantastical narratives, almost childlike, adding details along the way.

Residual Panel IX (2026)
A suspended grid resembling a faded control interface — softened, altered, and no longer fully readable.

Crystal Nodes (2026)
Small glowing structures gathered below, somewhere between ruins, shelters, and fantasy architectures — fragile forms emerging from the same system, but no longer bound to it.

Photography @misha_gudwin

CHEWING GUM IN THE MOTHERBOARD
Curated by Katya Quel @erratum_projects
@lavolonte93
19.03 — 29.03.2026

Katya Quel

Katya Quel is a multimedia artist and curator working across installation and speculative environments. Her practice explores technological systems as spaces of belief, control and transformation.

Her works often take the form of artifacts from imagined post-civilizational worlds, unfolding like fables — intuitively building fantastical narratives, almost childlike, adding details along the way.

Residual Panel IX (2026)
A suspended grid resembling a faded control interface — softened, altered, and no longer fully readable.

Crystal Nodes (2026)
Small glowing structures gathered below, somewhere between ruins, shelters, and fantasy architectures — fragile forms emerging from the same system, but no longer bound to it.

Photography @misha_gudwin

CHEWING GUM IN THE MOTHERBOARD
Curated by Katya Quel @erratum_projects
@lavolonte93
19.03 — 29.03.2026

Katya Quel

Katya Quel is a multimedia artist and curator working across installation and speculative environments. Her practice explores technological systems as spaces of belief, control and transformation.

Her works often take the form of artifacts from imagined post-civilizational worlds, unfolding like fables — intuitively building fantastical narratives, almost childlike, adding details along the way.

Residual Panel IX (2026)
A suspended grid resembling a faded control interface — softened, altered, and no longer fully readable.

Crystal Nodes (2026)
Small glowing structures gathered below, somewhere between ruins, shelters, and fantasy architectures — fragile forms emerging from the same system, but no longer bound to it.

Photography @misha_gudwin

CHEWING GUM IN THE MOTHERBOARD
Curated by Katya Quel @erratum_projects
@lavolonte93
19.03 — 29.03.2026

Katya Quel

Katya Quel is a multimedia artist and curator working across installation and speculative environments. Her practice explores technological systems as spaces of belief, control and transformation.

Her works often take the form of artifacts from imagined post-civilizational worlds, unfolding like fables — intuitively building fantastical narratives, almost childlike, adding details along the way.

Residual Panel IX (2026)
A suspended grid resembling a faded control interface — softened, altered, and no longer fully readable.

Crystal Nodes (2026)
Small glowing structures gathered below, somewhere between ruins, shelters, and fantasy architectures — fragile forms emerging from the same system, but no longer bound to it.

Photography @misha_gudwin

CHEWING GUM IN THE MOTHERBOARD
Curated by Katya Quel @erratum_projects
@lavolonte93
19.03 — 29.03.2026

Katya Quel

Katya Quel is a multimedia artist and curator working across installation and speculative environments. Her practice explores technological systems as spaces of belief, control and transformation.

Her works often take the form of artifacts from imagined post-civilizational worlds, unfolding like fables — intuitively building fantastical narratives, almost childlike, adding details along the way.

Residual Panel IX (2026)
A suspended grid resembling a faded control interface — softened, altered, and no longer fully readable.

Crystal Nodes (2026)
Small glowing structures gathered below, somewhere between ruins, shelters, and fantasy architectures — fragile forms emerging from the same system, but no longer bound to it.

Photography @misha_gudwin

CHEWING GUM IN THE MOTHERBOARD
Curated by Katya Quel @erratum_projects
@lavolonte93
19.03 — 29.03.2026

Katya Quel

Katya Quel is a multimedia artist and curator working across installation and speculative environments. Her practice explores technological systems as spaces of belief, control and transformation.

Her works often take the form of artifacts from imagined post-civilizational worlds, unfolding like fables — intuitively building fantastical narratives, almost childlike, adding details along the way.

Residual Panel IX (2026)
A suspended grid resembling a faded control interface — softened, altered, and no longer fully readable.

Crystal Nodes (2026)
Small glowing structures gathered below, somewhere between ruins, shelters, and fantasy architectures — fragile forms emerging from the same system, but no longer bound to it.

Photography @misha_gudwin

CHEWING GUM IN THE MOTHERBOARD
Curated by Katya Quel @erratum_projects
@lavolonte93
19.03 — 29.03.2026

Katya Quel

Katya Quel is a multimedia artist and curator working across installation and speculative environments. Her practice explores technological systems as spaces of belief, control and transformation.

Her works often take the form of artifacts from imagined post-civilizational worlds, unfolding like fables — intuitively building fantastical narratives, almost childlike, adding details along the way.

Residual Panel IX (2026)
A suspended grid resembling a faded control interface — softened, altered, and no longer fully readable.

Crystal Nodes (2026)
Small glowing structures gathered below, somewhere between ruins, shelters, and fantasy architectures — fragile forms emerging from the same system, but no longer bound to it.

Photography @misha_gudwin

CHEWING GUM IN THE MOTHERBOARD
Curated by Katya Quel @erratum_projects
@lavolonte93
19.03 — 29.03.2026

Katya Quel

Katya Quel is a multimedia artist and curator working across installation and speculative environments. Her practice explores technological systems as spaces of belief, control and transformation.

Her works often take the form of artifacts from imagined post-civilizational worlds, unfolding like fables — intuitively building fantastical narratives, almost childlike, adding details along the way.

Residual Panel IX (2026)
A suspended grid resembling a faded control interface — softened, altered, and no longer fully readable.

Crystal Nodes (2026)
Small glowing structures gathered below, somewhere between ruins, shelters, and fantasy architectures — fragile forms emerging from the same system, but no longer bound to it.

Photography @misha_gudwin

Title: Chewing Gum In The Motherboard
Artist: Vincent Aguilera, Jeanne Bekas, Morgane Baffier, Max Blotas, Célia Boulesteix & Florian Gauthiero, Vincent Burger, Olympe Deboaisne, Raphaël Moreira Gonçalves, Maëlle Poirier, Katya Quel, Vincent Tanguy
Curator: Katya Quel, erratum projects
Duration: 19 Mar ― 31 Mar 2026
Venue: Volonté93 (Paris, France)
Photographer: Misha Gudwin

AI Summary: The show uses the metaphor of a fragile, improvised repair to explore human resilience amid technological and systemic failures. It reflects the contradictions of post-internet life, blending nostalgia, innovation, and collective, imperfect acts of care and resistance in a fragmented digital age.

@erratum_projects @quelish @lavolonte93

The complete documentation of the exhibition is available on saliva.live web platform.
https://saliva.live/exhibitions/c0d04316

♻️ Research Channel on Telegram
https://t.me/salivalive

Title: Chewing Gum In The Motherboard
Artist: Vincent Aguilera, Jeanne Bekas, Morgane Baffier, Max Blotas, Célia Boulesteix & Florian Gauthiero, Vincent Burger, Olympe Deboaisne, Raphaël Moreira Gonçalves, Maëlle Poirier, Katya Quel, Vincent Tanguy
Curator: Katya Quel, erratum projects
Duration: 19 Mar ― 31 Mar 2026
Venue: Volonté93 (Paris, France)
Photographer: Misha Gudwin

AI Summary: The show uses the metaphor of a fragile, improvised repair to explore human resilience amid technological and systemic failures. It reflects the contradictions of post-internet life, blending nostalgia, innovation, and collective, imperfect acts of care and resistance in a fragmented digital age.

@erratum_projects @quelish @lavolonte93

The complete documentation of the exhibition is available on saliva.live web platform.
https://saliva.live/exhibitions/c0d04316

♻️ Research Channel on Telegram
https://t.me/salivalive

Title: Chewing Gum In The Motherboard
Artist: Vincent Aguilera, Jeanne Bekas, Morgane Baffier, Max Blotas, Célia Boulesteix & Florian Gauthiero, Vincent Burger, Olympe Deboaisne, Raphaël Moreira Gonçalves, Maëlle Poirier, Katya Quel, Vincent Tanguy
Curator: Katya Quel, erratum projects
Duration: 19 Mar ― 31 Mar 2026
Venue: Volonté93 (Paris, France)
Photographer: Misha Gudwin

AI Summary: The show uses the metaphor of a fragile, improvised repair to explore human resilience amid technological and systemic failures. It reflects the contradictions of post-internet life, blending nostalgia, innovation, and collective, imperfect acts of care and resistance in a fragmented digital age.

@erratum_projects @quelish @lavolonte93

The complete documentation of the exhibition is available on saliva.live web platform.
https://saliva.live/exhibitions/c0d04316

♻️ Research Channel on Telegram
https://t.me/salivalive

Title: Chewing Gum In The Motherboard
Artist: Vincent Aguilera, Jeanne Bekas, Morgane Baffier, Max Blotas, Célia Boulesteix & Florian Gauthiero, Vincent Burger, Olympe Deboaisne, Raphaël Moreira Gonçalves, Maëlle Poirier, Katya Quel, Vincent Tanguy
Curator: Katya Quel, erratum projects
Duration: 19 Mar ― 31 Mar 2026
Venue: Volonté93 (Paris, France)
Photographer: Misha Gudwin

AI Summary: The show uses the metaphor of a fragile, improvised repair to explore human resilience amid technological and systemic failures. It reflects the contradictions of post-internet life, blending nostalgia, innovation, and collective, imperfect acts of care and resistance in a fragmented digital age.

@erratum_projects @quelish @lavolonte93

The complete documentation of the exhibition is available on saliva.live web platform.
https://saliva.live/exhibitions/c0d04316

♻️ Research Channel on Telegram
https://t.me/salivalive

Title: Chewing Gum In The Motherboard
Artist: Vincent Aguilera, Jeanne Bekas, Morgane Baffier, Max Blotas, Célia Boulesteix & Florian Gauthiero, Vincent Burger, Olympe Deboaisne, Raphaël Moreira Gonçalves, Maëlle Poirier, Katya Quel, Vincent Tanguy
Curator: Katya Quel, erratum projects
Duration: 19 Mar ― 31 Mar 2026
Venue: Volonté93 (Paris, France)
Photographer: Misha Gudwin

AI Summary: The show uses the metaphor of a fragile, improvised repair to explore human resilience amid technological and systemic failures. It reflects the contradictions of post-internet life, blending nostalgia, innovation, and collective, imperfect acts of care and resistance in a fragmented digital age.

@erratum_projects @quelish @lavolonte93

The complete documentation of the exhibition is available on saliva.live web platform.
https://saliva.live/exhibitions/c0d04316

♻️ Research Channel on Telegram
https://t.me/salivalive

Title: Chewing Gum In The Motherboard
Artist: Vincent Aguilera, Jeanne Bekas, Morgane Baffier, Max Blotas, Célia Boulesteix & Florian Gauthiero, Vincent Burger, Olympe Deboaisne, Raphaël Moreira Gonçalves, Maëlle Poirier, Katya Quel, Vincent Tanguy
Curator: Katya Quel, erratum projects
Duration: 19 Mar ― 31 Mar 2026
Venue: Volonté93 (Paris, France)
Photographer: Misha Gudwin

AI Summary: The show uses the metaphor of a fragile, improvised repair to explore human resilience amid technological and systemic failures. It reflects the contradictions of post-internet life, blending nostalgia, innovation, and collective, imperfect acts of care and resistance in a fragmented digital age.

@erratum_projects @quelish @lavolonte93

The complete documentation of the exhibition is available on saliva.live web platform.
https://saliva.live/exhibitions/c0d04316

♻️ Research Channel on Telegram
https://t.me/salivalive

Title: Chewing Gum In The Motherboard
Artist: Vincent Aguilera, Jeanne Bekas, Morgane Baffier, Max Blotas, Célia Boulesteix & Florian Gauthiero, Vincent Burger, Olympe Deboaisne, Raphaël Moreira Gonçalves, Maëlle Poirier, Katya Quel, Vincent Tanguy
Curator: Katya Quel, erratum projects
Duration: 19 Mar ― 31 Mar 2026
Venue: Volonté93 (Paris, France)
Photographer: Misha Gudwin

AI Summary: The show uses the metaphor of a fragile, improvised repair to explore human resilience amid technological and systemic failures. It reflects the contradictions of post-internet life, blending nostalgia, innovation, and collective, imperfect acts of care and resistance in a fragmented digital age.

@erratum_projects @quelish @lavolonte93

The complete documentation of the exhibition is available on saliva.live web platform.
https://saliva.live/exhibitions/c0d04316

♻️ Research Channel on Telegram
https://t.me/salivalive

Title: Chewing Gum In The Motherboard
Artist: Vincent Aguilera, Jeanne Bekas, Morgane Baffier, Max Blotas, Célia Boulesteix & Florian Gauthiero, Vincent Burger, Olympe Deboaisne, Raphaël Moreira Gonçalves, Maëlle Poirier, Katya Quel, Vincent Tanguy
Curator: Katya Quel, erratum projects
Duration: 19 Mar ― 31 Mar 2026
Venue: Volonté93 (Paris, France)
Photographer: Misha Gudwin

AI Summary: The show uses the metaphor of a fragile, improvised repair to explore human resilience amid technological and systemic failures. It reflects the contradictions of post-internet life, blending nostalgia, innovation, and collective, imperfect acts of care and resistance in a fragmented digital age.

@erratum_projects @quelish @lavolonte93

The complete documentation of the exhibition is available on saliva.live web platform.
https://saliva.live/exhibitions/c0d04316

♻️ Research Channel on Telegram
https://t.me/salivalive

Title: Chewing Gum In The Motherboard
Artist: Vincent Aguilera, Jeanne Bekas, Morgane Baffier, Max Blotas, Célia Boulesteix & Florian Gauthiero, Vincent Burger, Olympe Deboaisne, Raphaël Moreira Gonçalves, Maëlle Poirier, Katya Quel, Vincent Tanguy
Curator: Katya Quel, erratum projects
Duration: 19 Mar ― 31 Mar 2026
Venue: Volonté93 (Paris, France)
Photographer: Misha Gudwin

AI Summary: The show uses the metaphor of a fragile, improvised repair to explore human resilience amid technological and systemic failures. It reflects the contradictions of post-internet life, blending nostalgia, innovation, and collective, imperfect acts of care and resistance in a fragmented digital age.

@erratum_projects @quelish @lavolonte93

The complete documentation of the exhibition is available on saliva.live web platform.
https://saliva.live/exhibitions/c0d04316

♻️ Research Channel on Telegram
https://t.me/salivalive

So grateful for the wave of positive эмоtions and feedback around the show at @lavolonte93
The third chapter of Chewing Gum in the Motherboard — after two beautiful experiences in Berlin — once again unfolded into something very special, now in Paris.
The works came together into an organic ecosystem of bizarre entities, drifting in an ephemeral space, observing each other, while also becoming objects of observation themselves. Through cameras, viewers, gamers , a laser pointer…

This nostalgia for a simple yet uncanny technological world keeps shaping my imagination, and I’m very excited to keep building these worlds further.

In the exhibition I presented an installation composed of two works, existing in dialogue:

Residual Panel IX (2026)
A grid-like surface resembling a control interface, altered and glitched.

Crystal Nodes (2026)
Satellite castles.

Thank you to everyone who came, supported, and shared this moment 🥹

First flix 📸 @misha_gudwin

So grateful for the wave of positive эмоtions and feedback around the show at @lavolonte93
The third chapter of Chewing Gum in the Motherboard — after two beautiful experiences in Berlin — once again unfolded into something very special, now in Paris.
The works came together into an organic ecosystem of bizarre entities, drifting in an ephemeral space, observing each other, while also becoming objects of observation themselves. Through cameras, viewers, gamers , a laser pointer…

This nostalgia for a simple yet uncanny technological world keeps shaping my imagination, and I’m very excited to keep building these worlds further.

In the exhibition I presented an installation composed of two works, existing in dialogue:

Residual Panel IX (2026)
A grid-like surface resembling a control interface, altered and glitched.

Crystal Nodes (2026)
Satellite castles.

Thank you to everyone who came, supported, and shared this moment 🥹

First flix 📸 @misha_gudwin

So grateful for the wave of positive эмоtions and feedback around the show at @lavolonte93
The third chapter of Chewing Gum in the Motherboard — after two beautiful experiences in Berlin — once again unfolded into something very special, now in Paris.
The works came together into an organic ecosystem of bizarre entities, drifting in an ephemeral space, observing each other, while also becoming objects of observation themselves. Through cameras, viewers, gamers , a laser pointer…

This nostalgia for a simple yet uncanny technological world keeps shaping my imagination, and I’m very excited to keep building these worlds further.

In the exhibition I presented an installation composed of two works, existing in dialogue:

Residual Panel IX (2026)
A grid-like surface resembling a control interface, altered and glitched.

Crystal Nodes (2026)
Satellite castles.

Thank you to everyone who came, supported, and shared this moment 🥹

First flix 📸 @misha_gudwin

So grateful for the wave of positive эмоtions and feedback around the show at @lavolonte93
The third chapter of Chewing Gum in the Motherboard — after two beautiful experiences in Berlin — once again unfolded into something very special, now in Paris.
The works came together into an organic ecosystem of bizarre entities, drifting in an ephemeral space, observing each other, while also becoming objects of observation themselves. Through cameras, viewers, gamers , a laser pointer…

This nostalgia for a simple yet uncanny technological world keeps shaping my imagination, and I’m very excited to keep building these worlds further.

In the exhibition I presented an installation composed of two works, existing in dialogue:

Residual Panel IX (2026)
A grid-like surface resembling a control interface, altered and glitched.

Crystal Nodes (2026)
Satellite castles.

Thank you to everyone who came, supported, and shared this moment 🥹

First flix 📸 @misha_gudwin

So grateful for the wave of positive эмоtions and feedback around the show at @lavolonte93
The third chapter of Chewing Gum in the Motherboard — after two beautiful experiences in Berlin — once again unfolded into something very special, now in Paris.
The works came together into an organic ecosystem of bizarre entities, drifting in an ephemeral space, observing each other, while also becoming objects of observation themselves. Through cameras, viewers, gamers , a laser pointer…

This nostalgia for a simple yet uncanny technological world keeps shaping my imagination, and I’m very excited to keep building these worlds further.

In the exhibition I presented an installation composed of two works, existing in dialogue:

Residual Panel IX (2026)
A grid-like surface resembling a control interface, altered and glitched.

Crystal Nodes (2026)
Satellite castles.

Thank you to everyone who came, supported, and shared this moment 🥹

First flix 📸 @misha_gudwin

So grateful for the wave of positive эмоtions and feedback around the show at @lavolonte93
The third chapter of Chewing Gum in the Motherboard — after two beautiful experiences in Berlin — once again unfolded into something very special, now in Paris.
The works came together into an organic ecosystem of bizarre entities, drifting in an ephemeral space, observing each other, while also becoming objects of observation themselves. Through cameras, viewers, gamers , a laser pointer…

This nostalgia for a simple yet uncanny technological world keeps shaping my imagination, and I’m very excited to keep building these worlds further.

In the exhibition I presented an installation composed of two works, existing in dialogue:

Residual Panel IX (2026)
A grid-like surface resembling a control interface, altered and glitched.

Crystal Nodes (2026)
Satellite castles.

Thank you to everyone who came, supported, and shared this moment 🥹

First flix 📸 @misha_gudwin

So grateful for the wave of positive эмоtions and feedback around the show at @lavolonte93
The third chapter of Chewing Gum in the Motherboard — after two beautiful experiences in Berlin — once again unfolded into something very special, now in Paris.
The works came together into an organic ecosystem of bizarre entities, drifting in an ephemeral space, observing each other, while also becoming objects of observation themselves. Through cameras, viewers, gamers , a laser pointer…

This nostalgia for a simple yet uncanny technological world keeps shaping my imagination, and I’m very excited to keep building these worlds further.

In the exhibition I presented an installation composed of two works, existing in dialogue:

Residual Panel IX (2026)
A grid-like surface resembling a control interface, altered and glitched.

Crystal Nodes (2026)
Satellite castles.

Thank you to everyone who came, supported, and shared this moment 🥹

First flix 📸 @misha_gudwin

So grateful for the wave of positive эмоtions and feedback around the show at @lavolonte93
The third chapter of Chewing Gum in the Motherboard — after two beautiful experiences in Berlin — once again unfolded into something very special, now in Paris.
The works came together into an organic ecosystem of bizarre entities, drifting in an ephemeral space, observing each other, while also becoming objects of observation themselves. Through cameras, viewers, gamers , a laser pointer…

This nostalgia for a simple yet uncanny technological world keeps shaping my imagination, and I’m very excited to keep building these worlds further.

In the exhibition I presented an installation composed of two works, existing in dialogue:

Residual Panel IX (2026)
A grid-like surface resembling a control interface, altered and glitched.

Crystal Nodes (2026)
Satellite castles.

Thank you to everyone who came, supported, and shared this moment 🥹

First flix 📸 @misha_gudwin

So grateful for the wave of positive эмоtions and feedback around the show at @lavolonte93
The third chapter of Chewing Gum in the Motherboard — after two beautiful experiences in Berlin — once again unfolded into something very special, now in Paris.
The works came together into an organic ecosystem of bizarre entities, drifting in an ephemeral space, observing each other, while also becoming objects of observation themselves. Through cameras, viewers, gamers , a laser pointer…

This nostalgia for a simple yet uncanny technological world keeps shaping my imagination, and I’m very excited to keep building these worlds further.

In the exhibition I presented an installation composed of two works, existing in dialogue:

Residual Panel IX (2026)
A grid-like surface resembling a control interface, altered and glitched.

Crystal Nodes (2026)
Satellite castles.

Thank you to everyone who came, supported, and shared this moment 🥹

First flix 📸 @misha_gudwin

So grateful for the wave of positive эмоtions and feedback around the show at @lavolonte93
The third chapter of Chewing Gum in the Motherboard — after two beautiful experiences in Berlin — once again unfolded into something very special, now in Paris.
The works came together into an organic ecosystem of bizarre entities, drifting in an ephemeral space, observing each other, while also becoming objects of observation themselves. Through cameras, viewers, gamers , a laser pointer…

This nostalgia for a simple yet uncanny technological world keeps shaping my imagination, and I’m very excited to keep building these worlds further.

In the exhibition I presented an installation composed of two works, existing in dialogue:

Residual Panel IX (2026)
A grid-like surface resembling a control interface, altered and glitched.

Crystal Nodes (2026)
Satellite castles.

Thank you to everyone who came, supported, and shared this moment 🥹

First flix 📸 @misha_gudwin

So grateful for the wave of positive эмоtions and feedback around the show at @lavolonte93
The third chapter of Chewing Gum in the Motherboard — after two beautiful experiences in Berlin — once again unfolded into something very special, now in Paris.
The works came together into an organic ecosystem of bizarre entities, drifting in an ephemeral space, observing each other, while also becoming objects of observation themselves. Through cameras, viewers, gamers , a laser pointer…

This nostalgia for a simple yet uncanny technological world keeps shaping my imagination, and I’m very excited to keep building these worlds further.

In the exhibition I presented an installation composed of two works, existing in dialogue:

Residual Panel IX (2026)
A grid-like surface resembling a control interface, altered and glitched.

Crystal Nodes (2026)
Satellite castles.

Thank you to everyone who came, supported, and shared this moment 🥹

First flix 📸 @misha_gudwin

So grateful for the wave of positive эмоtions and feedback around the show at @lavolonte93
The third chapter of Chewing Gum in the Motherboard — after two beautiful experiences in Berlin — once again unfolded into something very special, now in Paris.
The works came together into an organic ecosystem of bizarre entities, drifting in an ephemeral space, observing each other, while also becoming objects of observation themselves. Through cameras, viewers, gamers , a laser pointer…

This nostalgia for a simple yet uncanny technological world keeps shaping my imagination, and I’m very excited to keep building these worlds further.

In the exhibition I presented an installation composed of two works, existing in dialogue:

Residual Panel IX (2026)
A grid-like surface resembling a control interface, altered and glitched.

Crystal Nodes (2026)
Satellite castles.

Thank you to everyone who came, supported, and shared this moment 🥹

First flix 📸 @misha_gudwin

So grateful for the wave of positive эмоtions and feedback around the show at @lavolonte93
The third chapter of Chewing Gum in the Motherboard — after two beautiful experiences in Berlin — once again unfolded into something very special, now in Paris.
The works came together into an organic ecosystem of bizarre entities, drifting in an ephemeral space, observing each other, while also becoming objects of observation themselves. Through cameras, viewers, gamers , a laser pointer…

This nostalgia for a simple yet uncanny technological world keeps shaping my imagination, and I’m very excited to keep building these worlds further.

In the exhibition I presented an installation composed of two works, existing in dialogue:

Residual Panel IX (2026)
A grid-like surface resembling a control interface, altered and glitched.

Crystal Nodes (2026)
Satellite castles.

Thank you to everyone who came, supported, and shared this moment 🥹

First flix 📸 @misha_gudwin

So grateful for the wave of positive эмоtions and feedback around the show at @lavolonte93
The third chapter of Chewing Gum in the Motherboard — after two beautiful experiences in Berlin — once again unfolded into something very special, now in Paris.
The works came together into an organic ecosystem of bizarre entities, drifting in an ephemeral space, observing each other, while also becoming objects of observation themselves. Through cameras, viewers, gamers , a laser pointer…

This nostalgia for a simple yet uncanny technological world keeps shaping my imagination, and I’m very excited to keep building these worlds further.

In the exhibition I presented an installation composed of two works, existing in dialogue:

Residual Panel IX (2026)
A grid-like surface resembling a control interface, altered and glitched.

Crystal Nodes (2026)
Satellite castles.

Thank you to everyone who came, supported, and shared this moment 🥹

First flix 📸 @misha_gudwin

So grateful for the wave of positive эмоtions and feedback around the show at @lavolonte93
The third chapter of Chewing Gum in the Motherboard — after two beautiful experiences in Berlin — once again unfolded into something very special, now in Paris.
The works came together into an organic ecosystem of bizarre entities, drifting in an ephemeral space, observing each other, while also becoming objects of observation themselves. Through cameras, viewers, gamers , a laser pointer…

This nostalgia for a simple yet uncanny technological world keeps shaping my imagination, and I’m very excited to keep building these worlds further.

In the exhibition I presented an installation composed of two works, existing in dialogue:

Residual Panel IX (2026)
A grid-like surface resembling a control interface, altered and glitched.

Crystal Nodes (2026)
Satellite castles.

Thank you to everyone who came, supported, and shared this moment 🥹

First flix 📸 @misha_gudwin

So grateful for the wave of positive эмоtions and feedback around the show at @lavolonte93
The third chapter of Chewing Gum in the Motherboard — after two beautiful experiences in Berlin — once again unfolded into something very special, now in Paris.
The works came together into an organic ecosystem of bizarre entities, drifting in an ephemeral space, observing each other, while also becoming objects of observation themselves. Through cameras, viewers, gamers , a laser pointer…

This nostalgia for a simple yet uncanny technological world keeps shaping my imagination, and I’m very excited to keep building these worlds further.

In the exhibition I presented an installation composed of two works, existing in dialogue:

Residual Panel IX (2026)
A grid-like surface resembling a control interface, altered and glitched.

Crystal Nodes (2026)
Satellite castles.

Thank you to everyone who came, supported, and shared this moment 🥹

First flix 📸 @misha_gudwin

So grateful for the wave of positive эмоtions and feedback around the show at @lavolonte93
The third chapter of Chewing Gum in the Motherboard — after two beautiful experiences in Berlin — once again unfolded into something very special, now in Paris.
The works came together into an organic ecosystem of bizarre entities, drifting in an ephemeral space, observing each other, while also becoming objects of observation themselves. Through cameras, viewers, gamers , a laser pointer…

This nostalgia for a simple yet uncanny technological world keeps shaping my imagination, and I’m very excited to keep building these worlds further.

In the exhibition I presented an installation composed of two works, existing in dialogue:

Residual Panel IX (2026)
A grid-like surface resembling a control interface, altered and glitched.

Crystal Nodes (2026)
Satellite castles.

Thank you to everyone who came, supported, and shared this moment 🥹

First flix 📸 @misha_gudwin

Paris , save the date!
CHEWING GUM IN THE MOTHERBOARD — PARIS by @erratum_projects is coming to
@lavolonte93 , Saint-Ouen
Vernissage 19.03.2026, 19:00–22:00
Visits 20.03–29.03 (by appointment)

After two chapters in Berlin, Chewing Gum in the Motherboard lands in Paris.

A motherboard cracks.
We press gum into the circuit.

The exhibition explores repair as a cultural gesture — fragile, improvised and collective. The motherboard becomes a metaphor for origin and infrastructure; the chewing gum a symbol of naïve yet stubborn resilience. Between glitch and care, collapse and invention, the works navigate life shaped by hyper-connectivity, DIY survival, underground culture and systemic instability. The layered in-between spaces utopia where failure is the method and softness is the resistance.

Featuring:
Vincent Aguilera @aguimii
Jeanne Bekas @jeanne_bekas
Morgane Baffier @morganebaffier
Max Blotas @maxblotas
Célia Boulesteix @celiaboulesteix & Florian Gauthiero @florigau_
Vincent Burger @glaive_giskar_jr
Raphaël Moreira Gonçalves @ermovolga
Maëlle Poirier @maelle_poirier
Katya Quel @quelish
Vincent Tanguy @vincent.tanguy

Gods Don’t Dare 🙆🏼‍♀️🙅🏼‍♂️ (some views after cleaning)
Solo exhibition in Brussels (Studio @realyannbronder)

Gods Don’t Dare 🙆🏼‍♀️🙅🏼‍♂️ (some views after cleaning)
Solo exhibition in Brussels (Studio @realyannbronder)

Gods Don’t Dare 🙆🏼‍♀️🙅🏼‍♂️ (some views after cleaning)
Solo exhibition in Brussels (Studio @realyannbronder)

Gods Don’t Dare 🙆🏼‍♀️🙅🏼‍♂️ (some views after cleaning)
Solo exhibition in Brussels (Studio @realyannbronder)

Gods Don’t Dare 🙆🏼‍♀️🙅🏼‍♂️ (some views after cleaning)
Solo exhibition in Brussels (Studio @realyannbronder)

Gods Don’t Dare 🙆🏼‍♀️🙅🏼‍♂️ (some views after cleaning)
Solo exhibition in Brussels (Studio @realyannbronder)

Gods Don’t Dare 🙆🏼‍♀️🙅🏼‍♂️ (some views after cleaning)
Solo exhibition in Brussels (Studio @realyannbronder)

Gods Don’t Dare 🙆🏼‍♀️🙅🏼‍♂️ (some views after cleaning)
Solo exhibition in Brussels (Studio @realyannbronder)

Gods Don’t Dare 🙆🏼‍♀️🙅🏼‍♂️ (some views after cleaning)
Solo exhibition in Brussels (Studio @realyannbronder)

Gods Don’t Dare 🙆🏼‍♀️🙅🏼‍♂️ (some views after cleaning)
Solo exhibition in Brussels (Studio @realyannbronder)

Gods Don’t Dare 🙆🏼‍♀️🙅🏼‍♂️ (some views after cleaning)
Solo exhibition in Brussels (Studio @realyannbronder)

Gods Don’t Dare 🙆🏼‍♀️🙅🏼‍♂️ (some views after cleaning)
Solo exhibition in Brussels (Studio @realyannbronder)

Gods Don’t Dare 🙆🏼‍♀️🙅🏼‍♂️ (some views after cleaning)
Solo exhibition in Brussels (Studio @realyannbronder)

Gods Don’t Dare 🙆🏼‍♀️🙅🏼‍♂️ (some views after cleaning)
Solo exhibition in Brussels (Studio @realyannbronder)

Gods Don’t Dare 🙆🏼‍♀️🙅🏼‍♂️ (some views after cleaning)
Solo exhibition in Brussels (Studio @realyannbronder)

Gods Don’t Dare 🙆🏼‍♀️🙅🏼‍♂️ (some views after cleaning)
Solo exhibition in Brussels (Studio @realyannbronder)

Gods Don’t Dare 🙆🏼‍♀️🙅🏼‍♂️ (some views after cleaning)
Solo exhibition in Brussels (Studio @realyannbronder)

Gods Don’t Dare 🙆🏼‍♀️🙅🏼‍♂️ (some views after cleaning)
Solo exhibition in Brussels (Studio @realyannbronder)

Gods Don’t Dare 🙆🏼‍♀️🙅🏼‍♂️ (some views after cleaning)
Solo exhibition in Brussels (Studio @realyannbronder)

Gods Don’t Dare 🙆🏼‍♀️🙅🏼‍♂️ (some views after cleaning)
Solo exhibition in Brussels (Studio @realyannbronder)

memory of a southern town
Plywood, laser engraving, PU foam, epoxy resin, mixed media

memory of a southern town
Plywood, laser engraving, PU foam, epoxy resin, mixed media

memory of a southern town
Plywood, laser engraving, PU foam, epoxy resin, mixed media